Found Footage Friday: DOUBLE DUSTY~! MURDOCH~! SUPER DRAGON~! taro~! BOSS MAN~! IVAN & SHEIK~!

Dusty Rhodes/Dick Murdoch vs. Iron Sheik/Ivan Koloff GCW 4/3/83

MD: Another recent vault drop. It's a Texas Tornado match and it's a shame we don't have the whole card as it has Buzz vs Masked Superstar, Tito/Blair vs Arn/Borne, Larry vs Tommy, and Flair vs Atlas. BUT we will take what we can get. Heels have Homer O'Dell out with them. Dusty vs Sheik feels like a really unique match up. There's some great pro wrestling bs at the start as the announcer says that Sheik has requested the fans not chant USA USA.

The Outlaws are such a blast in this setting. A lot of it feels like Dusty doing his thing and Murdoch knowing exactly how to riff off of it. They'd throw double elbows or simultaneous punches or pingpong people between them or as part of a comeback. At one point they each took a leg and dropped an elbow (though Dusty didn't go all the way down which was funny). When the heels were able to pry one off and double team, Dusty was great at throwing himself to break up the pin (Sheik did that once or twice too). We don't have a ton of Outlaws footage and to see them conduct a crowd like this and the sheer fluidity in how they worked together is just magic.

This made good use of the rules by stressing that there were none. That meant that Murdoch could toss people over the top. It meant that at one point they grabbed a belt and used it as a weapon, just like that. It meant O'Dell could break up pins. And it especially meant that he could take Dusty out with a cane shot. Apparently he was taken to the back to get bandaged up though we don't see it. That left it two-on-one against Murdoch and he knew exactly what he was doing there too. Biggest pop of the match was him kicking out when both men were pinning him at once. He'd get comebacks but ultimately swept under, setting up the bandaged Dusty coming back and chasing the heels off. Wonderful stuff that set up the following month's bullrope/chain match as they couldn't get away then.

ER: This is from a new Dusty mixtape but it felt like it belonged on the WWE Vault's Dick Murdoch Mixtape that doesn't actually exist. Dusty is getting bandaged up for a long stretch, returning right at the end, which gives us a chance to see how great Murdoch was at working 1 on 2. We all know how great Murdoch was, but handicap matches are tough to work and most people aren't good at them. Murdoch could have been, if it ever made sense to put him in one. This was Texas Tornado rules and I think that format benefitted the pairing. I can't imagine a long Sheik/Ivan control segment would have been worth the hot tag it led to, so seeing the ebbs and flows of Murdoch and Dusty punching the hell out of these two lawless foreigners is the best version of this match. Murdoch knew exactly what to do as Dusty's partner in the TX Outlaws. During the first half there were all these little moments where each man was doing his own thing, and Dick would come in to add a little punctuation to some poetry Dusty had just finished writing. I love all Murdoch punches, but the best was when Dusty was setting up the Flip Flop & Fly without noticing Murdoch moving in, and as Dusty was throwing the payoff punch to Sheik, Murdoch landed one at the same time. Southern Synergy. 

Texas Tornado matches can often have too many instances of bodies getting in the way of other bodies, but Murdoch is a natural at moving through the chaos without slowing down. He was so good at little punctuations, like when Dusty knocked Koloff flat on his back, and as Murdoch casually walks out of the corner to go after Sheik, he stomps Koloff's face as he passes by. The 2 on 1 was really fun and led to Sheik bumping far bigger than I was expecting. The madman from Iran takes two big bumps over the top to the floor, and the guardrail was so close to the ring that his leg gets hung up on it as he's falling! When Sheik and Koloff were pinballing away from Murdoch throwing punch combos from his knees, it's perfect heel feeding and perfect babyface timing.  Murdoch is great at moving between the two as he fights to his feet, never leaving them standing and selling for too long, a man who always knows where he needs to be. 

Dusty makes his triumphant return with a bandage that makes him look like sassy Rambo, and everyone in the Omni loses their minds, except for depressed Omni Superfan Donald Sutherland, who holds the front row hostage every week with his arms folded, a man forever unmoved by the most charismatic wrestlers in history. 

Dusty Rhodes vs. Big Boss Man WWF (Toronto) 10/29/89

MD: There's a moment midmatch where Boss Man has on a hold which one might graciously call an "armbar." Boss Man is making a face that represented the exertion of effort and he was sweating enough that you bought into it. Dusty was making a face that showed the world that the world was painful. I am usually not a stickler for details such as this, but it was not a very good armbar, ok? But it didn't matter. Because Dusty simply turned his hand upwards, flexed his fingers a bit, asked the crowd to come up for him, to help him, to be there for him, to participate, to make noise, to be part of this match and this moment, and they did. 

It was enough. 

Because Dusty was Dusty. Because Boss Man was huge. Because they wanted to be there to see them. Because someone in the back row probably couldn't see the hold all that well but their eyes gravitated to the faces and the faces were larger than life. 

And he asked them. Dusty Rhodes, who himself was larger than life, flexed those fingers. There's some kid in that crowd, someone who had worked a full shift before dragging themselves to the stadium, some old lady who had seen cheered for Billy Watson decades ago.. and Dusty was asking them to come up for them.

And they did. 

And more and more as the match went on, he would reward them. Just as he rewarded them preemptively at the start by stepping on Slick's hand when it was on the apron pre-match. Late in the match he'd reward them by dodging an Avalanche so that Boss Man went careening into Slick. And at the end? As he sent Boss Man reeling, Traylor making up for the dubious hold with brilliant physical charisma as he bounced off the top rope and then the second rope, Dusty would send them over the top by diverting a Slick nightstick shot into Boss Man's head and picking up the win. 

Once upon a time I might have grumbled about this. Plenty of people still will grumble at it. Now? I see how it's so much more impressive to create something out of nothing than far, far less than the something Dusty created here out of far far more. 

ER: A much better match than their SNME match that was taped two days later. That match ended with a weak roll up and had unnecessary arm work instead of dancing, not enough of a big fat guy swaying from punches and elbows. Dusty was on fire here, and Boss Man was great at being a huge young guy setting up every Dusty strike. Boss Man had some material I've never seen, a real guy who keeps giving the more footage you watch. There's a lot of great Boss Man that's just hiding in plain sight, a gifted worker who has aged sneakily well. We've all seen the incredible All Japan 1993 but Traylor is a guy who looks really great through way more years than we talked about at the time. 

There's a fantastic rhythm to this match, like everyone took Dusty's lead and made this into Parappa the Rapper with elbows and a nightstick. When Dusty is dancing in the ring with Boss Man's stolen nightstick, Boss Man is so fed up and humiliated on the floor that he starts banging the apron while hopping down the length of the apron. Five big hopping open handed swats, bopping down the length of the apron, Slick and Boss Man banging out their own Robbert Loggia-Tom Hanks long piano. Boss Man tops himself later when he lands a swinging punch on the floor, punctuated with two lateral hopping apron slap beats before landing the punch on 3. I don't know that I've ever seen so much apron work from Boss Man and it's because NBC didn't want to let him show his rhythm. He rocks and sways for Dusty the effeminate snack charmer, the finish showing off Boss Man's legendary rope work. Dusty elbowing Boss Man into the top rope, into the middle rope, all the way across the ring into Stick's errantly swung nightstick. A flat on his back knock out ending on its biggest beat. 

Super Dragon vs. TARO LXW (New York) 9/27/03 - EPIC

MD: Traveling match as Dragon vs TARO take New York. Apparently TARO had no idea this was taped until it popped up a month ago. Fun (and as you'd expect, brutal) showcase in front of a crowd that probably didn't know what they were getting into. Lots of Dragon basing for TARO. Lots of body contact in general. We have endless reversal sequences now but these two had a way of chaining one attempt to a reversal to the move all while Dragon had TARO up or was catching him in mid air. It creates a different sort of effect where it's less do-si-do somehow, almost as if there's a better application of pro wrestling physics at play. 

Likewise there was a sense of escalation. Armdrags and headcissors to the start, strikes and grinding holds in the middle, a dive to change chapters, and bombs at the end. On the dive, TARO's button gimmick really did feel fifteen years too early. That would have been over huge in 2018. On the bombs, Super Dragon's buckle bomb hits so much better than anyone else's because he almost makes it a sit out with the roll back that follows it. I imagine the people in the crowd couldn't believe some of the kickouts and felt that the lariat that ended it might have been a little anticlimactic. At the same time, one thing I appreciated was the commentary going up for things like a dodged chop or Dragon just chucking him across the ring, even as much as some of the tricked out offense. The lines were less clear back then. If the crowd was at all thrown by the finish, they would soon get it over with the head crunching punctuation Dragon put on things after the match. I'd say that this was what they'd all be talking about in the car on the way home, but the next match was Corporal Robinson vs Necro Butcher so who knows. 

PAS: This as a touring match is pretty fucking crazy. There is something about Taro and Super Dragon doing this to each other in a warehouse in Southern California, as an attempt to start something, or change something, which makes sense. But to just take this on a tour? Do this as the third match on the card? Justin Credible in the back stretching and warming up (to wrestle La Parka, what the fuck was this show? As grody and violent as these guys ever got, nothing in wrestling was ever as sick as what Super Dragon would do to his friend Taro, and this match was loaded with stuff I have only ever seen in this match. A running liger bomb into the corner? A suplex using the horns of Taro's mask? A tapitia flipped into a powerbomb? Fucking hell. Super Dragon did a Psicosis corner bump as hard and fast as it has ever been done, in case you thought this was a one sided mauling. Unbelievable stuff, what a pair of demented psychos. 

ER: This Super Dragon YouTube channel has been such a great personal gift. As Segunda Caida's only ever West Coast representative, we grew up with completely different scenes and regional styles. Indy wrestling was at its most regional in 2001-2004, Bay Area style different from LA style, different from New Jersey style, different from Pittsburgh, different from Georgia, different from Kentuckiana. It was my incomparable favorite time to be a wrestling fan. I saw the West Coast style first hand in the best wrestling years of my life, and I bet Super Dragon was a guy I saw live more than almost anyone. Michael Modest, Donovan Morgan, RevPro/Early PWG guys, Boyce LeGrande, Bryan Danielson somehow, Jardi Frantz, Vinnie Massaro, Larry Blackwell. Those were my guys, who I drove my friends to see in my 1987 Chevy Astro van. 

This channel has given me back so many Super Dragon matches I was at with friends. It's given me back memories of Super Dragon matches I had somehow forgotten, like when I watched myself reacting to Super Dragon/Bobby Quance on the hard cam. I saw Super Dragon live at least a dozen times at the APW Gym, front rows only on three sides of the ring. I saw a Dragon/TARO match a year before this match, and I've seen plenty of tags with Super Dragon/TARO pairings. I love these two. The first RevPro tapes I traded for were shows from July 2000, and their earliest matches are just as good as their latest. TARO is one of those great regional finds from that special era. A flyer with great daring ideas and under a hundred matches; one of several guys who got talked into regularly letting Super Dragon drop them on their heads. He had to have been Dragon's most frequent opponent, and they had years of ideas for each other. 

Super Dragon had a Psicosis/Rey, SUWA/Dragon Kid level base for TARO's imagination, and their matches felt like nothing was off limits and real damage had to be happening. They were strong at placing the biggest spots of their matches, smart about match pacing and still surprising. There are consequences to the matches and the selling is perfect in the same way I think Jersey All Pro selling from the same time was perfect: the realism, stiffness, and the innovative ways to drop guys head first with suplexes was actually happening. They were enduring actual shit kickings. Whatever selling we were seeing, we were seeing a guy actually getting his nose smashed full speed into a turnbuckle, actually thrown unprotected onto his head and neck by the horns. Deranged, TARO, Orion, Nate Webb et al can sell any way they want. They were taking real life damage. Every TARO match is a reason why TARO had less than a hundred matches.  

There's so much to see, so many bumps, so many exchanges that never quite go the way you think they're going to go, so many things you may only see in one of their matches and never in anyone else's matches. This had a sitout buckle bomb that was so precisely and violently executed, a swinging fireman's carry splash mountain. and a suplex so damned it could only come from our early 2000s era of head drop innocence. Just like Jersey All Pro guys from the same era, they knew how to get to big moments in creative ways. TARO hit what had to be one of the earliest topes into a tornado DDT, but it came after Dragon had wrapped himself around the ringpost in that way he does, which was different from Cassandro's way, which was different from Psicosis's way. Setting up a big high spot with a big bump in stead of a big spot causing a big bump. They understand set up and payoff and escalation. There was a moment that felt like something Tully Blanchard would have thought up: Dragon prevents TARO from crotching him on the top buckle by bracing himself, but deservedly Mutumbos TARO and gets his legs swept out from under him into a worse crotching. I don't know if I ever loved wrestling more than when I was 22 years old.   

COMPLETE AND ACCURATE WWF 305 LIVE

COMPLETE AND ACCURATE SUPER DRAGON

Read more!

Found Footage Friday: 1991 WWF TAPING~!

WWF London Ontario 2/16/91

MD: This is all new save for the Crush vs. Butch match, and therefore, we'll cover the rest.

Koko B. Ware vs. The Barbarian

MD: Early on, Lord Alfred talks about seeing a young, young Barbarian in Puerto Rico when he was wrestling there with Monsoon and I wish we had 70s Lord Alfred in Puerto Rico. Ah well.

This was very good, especially the early feeling out process. They framed each and every exchange well, Barbarian's early strength (holding him up in a one-handed choke, which you never seen), and then Koko chipping away at him with dropkicks, until he went sailing over the top and menaced the camera man. Back in the ring, Koko was able to fire back with shots to the face, but Barbarian hefted him over the top and then crushed him against the post on the outside and that was that. 

Pretty good face-in-peril with some nice hope spots (including a sunset flip in). The nerve hold could have been a little more active, maybe, but the crowd came up for Koko getting the elbows in on his comeback. That got cutoff but then Barbarian missed an elbow drop and Koko was back in it. They actually had me on a couple of the nearfalls even though intellectually, I knew there was no way Koko won this one. Barbarian won it with a hotshot out of nowhere, which really did feel like the ultimate match-ender for this time period. A guy ends up with his throat draped over the top and it's over.

ER: I was impressed with how well Koko overcame the size difference here. 1991 is some Peak Gas WWF (see how fucking jacked Bushwhacker Butch is in the match after this) and Barbarian looks immovable. Well, Koko moved him real well and threw babyface punches so good that they believably kept moving him. I love Koko, a great sympathetic babyface seller who knew how to take bumps that garner even more sympathy. His low fast backdrop to the floor made the bump look more tough and his selling once he was on the floor built it more. Barbarian will slam your spine into the ringpost but a great salesman like Koko will make it look truly backbreaking. Koko has two strong nearfalls: an inside cradle that was pulled off quick, and his missile dropkick which was done well enough that I bit on it as a finish. He took Barbarian's hotshot finish so exuberantly that the top rope practically touched the bottom. Frankie wasn't there to see the loss. 

Ted Dibiase vs. Jimmy Snuka

MD: Pretty interesting point in time and space here as Snuka actually got on the mic and brought out Virgil to Dibiase's horror. Virgil was super over as you can imagine. Once this got going, it didn't wear out its welcome. Dibiase got sneak attacked by Snuka while distracted and then everything he tried for the next couple of minutes backfired on him. Honestly, this is as good as I can remember seeing Snuka look in this run and so much of it is due to the set up. Dibiase did take over by getting a gutshot up to counter a double axe-handle, and they built to Dibiase trying to suplex him in and Virgil grabbing the leg to set up the upset. Dibiase got rocked by him post match. Very effective, crowd-pleasing stuff to help get over what they were doing with Virgil.

ER: Agree that this feels like the best 1991 Snuka, but a lot of that felt like the best 1991 Dibiase. This was a basic 1991 Offense WWF match that Dibiase was working like an All Japan match. He took extra, probably unnecessary, snap off every surface Snuka bounced him off. Dibiase made every connection an impact, dedicated to making every slam into a turnbuckle look brain scrambling. He could have gotten away with going lighter on the 2nd night of a week straight of house shows. Snuka had timing and Weird Buff Old Guy energy, using simple offense like clubbing hands, and "grabbing Dibiase to shove him into a thing". I can't recall when I've been so impressed by someone getting their head bounced off the ring apron. Jimmy Snuka was in his late 40s and moved older than that, but Dibiase made him feel like a fighter. 

The camera doesn't film his fistdrops from the best angle but he does three of them and we keep seeing each one from a slightly different too close angle, and by the third it felt like a cool look at the up close magic form of his fistdrop. He was a guy whose Ace Worker status dipped after we watched the Mid South footage, a guy who plays incredibly in the greatest matches of all time but doesn't hold up in the weekly TV. But I'm quite high on 90s Dibiase. He started working more like Arn Anderson and I thought he was great. I love '93 Dibiase. He stands out in unique ways from the other strong WWF heel workers from that year (Doink, Michaels, Headshrinkers, Yokozuna) and takes his impact bumping to All Japan and locks it in until his injury. Ted Dibiase is destined to become one of our wrestlers whose discourse constantly waffles between overrated and underrated until we die, but I think any unearthed 90s footage has only added to his case as a great worker. 

Gen. Adnan vs. Hacksaw Jim Duggan

MD: I don't remember seeing a singles match between these two make tape during this run but I could be wrong. It's one of those things you'd see in house show results and wonder how they did it. Now we know. A lot of "Back to Iraq" chants by Duggan. Adnan snuck up on him with the turban, choked him, got slammed, and ate the three-point stance clothesline. Another crowd-pleaser but now we know what it'd look like at least.

ER: To think, looking like a reasonable facsimile to Saddam Hussein would get you a certain death gimmick as a decoy in one part of the world, while in another part it could net you a plum late career WWF gig. I have a ton of respect for Adnan Al-Kaissie's 90s WWF run. You're in your early 50s, haven't worked WWF since your 30s, and you happen to look like a dictator from the country you're from and don't have to get in actual shape for the gig. You get to have one minute matches on house shows where fans watch Saddam Hussein get no offense in on America (OR Canada!!) before quickly losing. It all ends with a main event PPV gig opposite Hulk Hogan. Also you get to wear incredible boots. It's one of wrestling's greatest gigs ever and should be celebrated as such. How many wrestlers get the chance to work in front of 20,000 people in a main event, ever, in their careers, let alone in their 50s? I wonder what his Summerslam paycheck looked like compared to Virgil's. 

Rick Martel vs. Jake Roberts

MD: Martel on the mic with just a few words about how everyone was jealous to ensure he wouldn't get any Canadian cheers. Jake had the blue and gold cobra crotch tights. Important everyone knows that. 

Very fun early. Martel ambushed but crashed into the post on a shoulder block attempt. Jake started on the arm, including lifting him up and holding him there for a second, and punches. Best part was when he faked high, causing Martel to duck, and then kneeled down to punch the model in the face. Big sell of the nose. Big pop. Jake really bathed in the DDT chants too, milking them.

Martel's control, after using the ref as a stalking horse, wasn't as interesting, but he had some good cut offs at least. Jake ended up trapped in the ropes as Martel went for Arrogance, but he got out while the ref was fighting with him and hit the DDT. He took forever, absolutely forever, to creep over and pin him. 

ER: It was truly stunning to watch how long Jake took to pin Martel after the DDT. They were both down so long that the ref started counting both down. I have no idea why Jake was down so long. He set up the DDT with a long stretch of being stuck in the ropes just like Andre, doing great physical work of stretching out his body as he tried to pull both arms out of the ropes. His physical work was so good, his selling for Martel so emotive, and his post DDT crawl was the slowest thing you have ever seen. 

Undertaker vs. Tugboat

MD: I don't have a lot to say about this but it's a great example of how the initial heel run Undertaker had total commitment to his character. He moved like a lurching zombie, ever creeping forward. It was a great act and has been rarely emulated. You could push him back but he'd keep coming in a way that was sort of unnerving. When they shoot to the audience for Superstars/Challenge matches and show scared kids, they were scared for a reason. And then, when least expected, like in the finish here, he'd do something extra quick or agile and it'd go from creeping doom to jump scare. Here it was vaulting over the top rope so he could climb up, take a few steps and hit an elbow drop to beat Tugboat. 

ER: Marvel at the front row of Very Canadian Men who all seemed amused/confused by the Undertaker. None of them understood what it was they were supposed to be seeing and silently stared accordingly. Imagine if zombie heel Undertaker actually worked like a heavyweight and hit like he was a big man. He could have been one of the scariest heels of all time. By the time he learned how to strike 15 years later he was incapable of ever being a heel. He had a kick to the ribs that was so light he may have confused people into thinking he was portraying a ghost who is incapable of making physical contact with our realm. His backward leap into the ringpost is a cool bump in theory but he doesn't know how to give it weight or impact. Tugboat is the one of the two who felt like a guy with potential. His powerslam has rotation that makes it feel big but a controlled landing that safely drops a 300 pound zombie. When Tugboat hit and then missed his leaping avalanche I was thinking how much more agile he was than Taker, but just then Taker leapt over the top rope to the apron and got to the top rope so fast that it was like I was watching a wrestler I'd never seen before. Taker's rope walk elbowdrop finisher was a cool piece of his arsenal that felt like a dead man falling off a roof. 

Brooklyn Brawler vs. Virgil

MD: One thing I appreciate about the Brawler's act is that they let him come out with Yankees gear. My guess is that if he came around today, he'd have Brawler written on his shirt instead. 

He did a good job of showing fear of Virgil early, which only helped him be over with the crowd. They had a nice bit of rope running with multiple leapfrogs too. In general, this went longer than it should have. Virgil took some big bumps including one through the ropes to the floor, but I do think this was set up to give him some ring time selling. The match was sacrificed to prep him for future matches which makes total sense. He won it with a power slam which is not a move you usually associate with him. 

ER: This era of Virgil's work was so weird. This match was smack dab between his babyface turn on Dibiase at the Rumble, and their big WrestleMania match next month. It is the only match Virgil worked in February. No matter your thoughts on Virgil's in ring, it is undeniable how well his babyface turn got over. Listen to the response he gets from the people of Ontario! This is a man they are rooting for! He hasn't wrestled as much as you might think for being on WWF TV for so many years, but he wrestles like a guy who is barely trained while also wrestling like a trained wrestler who is wrestling as an untrained wrestler. You see glimpses of a man who can't run the ropes, who throws clotheslines like he's only seen them portrayed in children's drawings, but also see a man who throws himself into big babyface bumps and knows how to use them to draw sympathy. His bump flying through the ropes with nothing slowing him down, back bump past the mats and onto the London Gardens floorboards, was the best bump on the show and kept his reaction peak. But he also took a "hard way" bump back into the ring that I thought was among the best of its kind. His powerslam looked terrible. 

Brawler is a worker I like more whenever I rewatch him. Any era. Virgil gets a great reaction for a bizarrely scarce post-turn match, but Brawler is great at keeping them interested in Virgil all match. What's the best Lombardi match? Is there a consensus? I think Tom once sold me on an Abe Knuckleball Schwartz/123 Kid match.  I don't think this one would be in the discussion for Best Lombardi match but it's a great showing and a professional handling of the green veteran Virgil. 

Hart Foundation vs. Power & Glory

MD: These two teams were very well matched. Bret started with Roma, lots of rope running ending with him catching him on a leapfrog and then hitting the inverted atomic drop/clothesline combo. Herc outpowered him but didn't outpower Anvil. He did catch Bret off the ropes and took over accordingly. They worked over Bret's back including some nice Roma backbreakers. We rarely get close up footage without commentary like this and you could hear how vocal Herc and Roma were in rooting for one another. To set up the hot tag, Bret climbed across the mat on his back using the ropes. Great stuff. Finish had Roma cut off the Hart Attack and Neidhart cut off the Powerplex and then everything spill out to the floor for a double countout. Post-match Harts ran P&G off but it mostly set up a second encounter. 

ER: This should have been better but there was a really great Bret/Roma match in the middle of a good enough tag match with a bad finish. I don't know if I've watched the Bret/Roma singles matches but now I'm going to, but if there are Hercules/Anvil matches I can probably skip them. This was two FTR teams that are better than FTR working a so so FTR match. I wonder what Bret's thoughts were about he and Anvil working over Herc's shoulder only for it to build to a Hercules gorilla press slam? That's the kind of backwards set up that Bret never wants to take part in, while feeling like a sequence Bret was mapping out. Bret matches don't build to the heel press slamming the babyface after getting his shoulder pummeled. 

Is P&G the best era of Paul Roma? Has to be. It's crazy they kept trying to make him a babyface. He looks so untrustworthy. He'd assault your girlfriend at a party while you were in the bathroom. Power & Glory Roma was fully in his element. The Bret/Roma stuff works so well because he's essentially working a heel Bret style, if Bret were a greasy forcible sexual assaulter. The snap was the same, the heel bumping was the yin to Bret's baby bumping yang. He's a great punch taker, a truly hateable piece of scum like Tully Blanchard who moves similar to Tully as well. I loved the work from everyone when Roma ad Hercules were tying Bret up in a bearhug; Bret's selling was compelling, Roma's bearhug was even better than Hercules', and Roma worked a false tag far better than you'd ever think from someone who teamed with Jim Powers. I don't remember the last time I saw a team work a modern false tag spot without also doing it with a I'm A Heel wink. Roma wasn't out for glory, he had business to take care of. 

The finish stunk, but there was a tremendous reveal while setting up the late match Hart Attack: The way it was filmed, you couldn't see where Roma was. He got knocked off the apron into the guardrail but his location couldn't be seen. As Bret started his run into the opposite ropes, he was expertly kept off camera to preserve the mystery behind whether Bret would hit it or whether Roma would make it back in time to grab his ankle. It was the latter, but until Bret went down it looked like he was gearing up to take Hercules' head off. 

Sgt. Slaughter vs. Ultimate Warrior

MD: I know we already had one or two of these Sarge w/Sherri matches but I haven't seen them for a bit so I couldn't tell you how similar this was. All I generally remember is Sarge bumping all over the place and Sherri dying at the end. This starts with her doing a saluting ceremony with Sarge on the floor after Warrior runs in, including putting the title up to her waist to taunt him, and it's good stuff. Warrior gets Sarge's helmet and goes nuts with it which is also good stuff. 

Warrior chases Sherri around including the usual 1991 high culture bits of them coming out from under the ring with him having undressed her. That lets Sarge take over though and there's a pretty long heat which is well done. Sherri works her ass off helping and cheering on Sarge, especially in a never-ending Camel Clutch. That's going to end with him shrugging Sarge off of course. What's surprising is that the cut off has Sarge getting his knees up. They really make Warrior work for the comeback, which makes it all the more frustrating when he shoves the ref for basically no reason once he does come back. Post-match, he continues to cause havoc including the press slam on Sherri. It's impressive how much they got out of this honestly. 

ER: Sherri was looking THIS hot on Canadian house shows!? That's the major takeaway from this match, which was such a "should have been better" match that I feel I was too quick to give Hart Foundation/Power & Glory that title. Sarge looked more washed than I remember - great bumps still, including his classic over the ringpost that I love so much - with sludgy offense where he looked afraid to fall over too fast. His stomps and some of his other offense looked like he was working a kid with progeria, not as gassed up freak sporting his dumbest haircut in a lifetime of dumb haircuts. Warrior comes as close as humanly possible to hitting a 50 yard head of steam Pounce on a ringside cameraman who sprinted out in front of him like a wild rabbit. Warrior was only going to do so much to avoid him and this guy came about 3 inches from being driven brutally into the guardrail. It would have been the highlight of this event. The Canadian crowd clearly had no idea how they were expected to react to Warrior assaulting Sherri both physically and sexually, but they rightly sat in uncomfortable silence while he hit his hardest offense of the match on her, dropping her from his gorilla press with a real flop, then actually stepping on her as he exited the ring. I wonder how many in attendance had actually seen a woman this hot before. A satin pink teddy with black thigh highs? Girl, Detroit is thataway. 

COMPLETE AND ACCURATE 305 LIVE

Read more!

Loosely Formed Thoughts on WWF Over the Edge 5/31/98

The Propaganda-style intro to this PPV is fucking insane. It's all World War II footage of tanks and soldiers and fucking Stalin and Mussolini and actual Nazi footage and it's all interspersed with They Live CONFORM and OBEY block fonts but also video of Stone Cold doing shit like turkey tapping Vince from several angles. Best possible start. 

 

1. LOD 2000 vs. DOA

It actually feels impossible that LOD 2000 didn't become the biggest tag team of the rest of the decade with Sunny as their manager. I don't think I'm being overly horny here either. I don't think the fact that Sunny looked like this while I was 17 years old matters here, as I don't think this is a matter of bias. I think I'm being a very reasonable and appropriate level of horny in a way that the eyes of history agree with. 

This is Hawk and Animal vs. 8-Ball and Skull but Droz and Chainz are there. Up above I only wrote "LOD 2000 vs. DOA" and I didn't want anyone to get confused about what members of each group of friends was actively involved here. 

Skull throws a nice ugly big man swinging neck beaker and an actual good legdrop. It does not bring me great joy that 8-Ball and Skull's work from '98 is probably better than we assessed at the time. 

Animal is in strong style mode and does a dragon screw and I don't think I've seen that from him before or since. How much of his BattlArts work is available? 

8-Ball vs. Hawk is better than Skull vs. Animal. They did more punching and elbowdrops and an ugly piledriver that Hawk gets to ignore completely because that is Hawk's spot. 

Hawk has a way of looking off balance while also having this incredible balance and sturdiness on all of his clotheslines. He looks wobbly, but takes this incredible bump all the way across the ring off a missed top rope shoulderblock, flying out of the ring into an almost Halloween style sliding bump to the floor. Hard. I liked Drunk Hawk when I was a teenager but I don't think it was because I thought he was GOOD good. Accidentally, time has only proven me right. Further proof of how good he still was on fumes in '98: the 1-2 punch of his  neckbreaker -> fistdrop combo. 

The 8-Ball/Hawk punch exchange is good and should have gone three times as long. It's worth it for Chainz punching Hawk in the balls from the floor in a way that didn't even seem planned. Cameras weren't focused on it. You can see Chainz pop him in the nuts from the floor and Hawk reacts like a guy who just realized he got tapped hard enough in the balls to react. 

Nobody quite knew how to get to the finish, but Animal clotheslining his way through a hot tag and hitting a great powerslam for the finish plays well with any lead up. 

There is a Faarooq! Faarooq! Faarooq is on Fire!! sign and folks, that's a good one. 

2. Jeff Jarrett vs. Steve Blackman

Fuck I hope Steve Blackman tries a piledriver here but I have a parlay on Jarrett doing one. You see, in between matches backstage, Faarooq hit The Rock with the Piledriver To Beat tonight. We're 20 minutes into this show and we've had two piledrivers and we still have over 2.5 hours to go.  

Blackman is really fun to watch during this stretch. We don't get Reformed Musclehead Karate Guys Working Every Pro Wrestling Spot He's Ever Seen anymore. Blackman doing a baseball slide dropkick to start but then press slamming Jarrett back into the ring but also doing Ricky Steamboat double chops but also looking lost and kind of dangerous is just lightning in a bottle. I think he would get a lot less interesting the more he learned, but this is still in that magic window. 

Blackman hits a thrust kick on the floor that looks like the the most violent version of Chuck Norris kicking Jarrett down the aisle. 

Jarrett does a really good job icing this down the right amount while there's an Al Snow angle taking several minutes too long at ringside. Jarrett works Barry Darsow chatter like "He ain't going nowhere now!" and "Ring the bell he's done!" and is able to do essentially nothing for a few minutes, really well. 

They do a preposterously slow 9 count after Jarrett hits a back suplex. Jarrett had been working over Blackman in a chinlock for a minute so I have no idea why Jarrett was as knocked out as Blackman. I thought they would explode a bit more after the Al Snow angle, you know, to get everyone back involved in things, but they kind of do the opposite for no reason. They've turned the entire rest of the match into "every move keeps both of us down for too long" and it sucks.  

Steve Blackman is at his absolute beautiful best when he is doing moves with full commitment without looking as if he's ever even practiced doing the move before. It's only a detriment if a couple of miscues happen back to back, but has a remarkably high ceiling as a style. His elbowdrop is not thrown like any other wrestler has thrown an elbowdrop. It's like he was born with the knowledge but without memory of where the knowledge came from. He knows it's right, but it's informed by something beyond him. He is not inspired by anyone else who came before. 

Steve Blackman is Backyarder Doug Furnas and we didn't know what we had. We didn't know, and he didn't know how to continue giving that to us. 

3. Loser Leaves WWF: Sable vs. Marc Mero

I'll say it again: Mero and Sable were really great during the first half of '98. Neither ever did it better. Maybe when we get into Jacqueline Era Marc I'll determine that it has aged even better than his Sable Forced Separation arc but I'm not expecting it to be. Honestly Sable and Mero are fucking GREAT together. They really seem like they dislike each other, like their marriage was really already over instead of merely being on the start of a 5 year slide towards being over.  

Marc Mero is so good during this entire segment. "Sable what happened to us? This business ruins relationships... It ruined ours."  

Marc Mero pulling a small package after doing the honorable thing and lying down for Sable, then jumping around the ring in celebration is one of those things my sister will bring up unprovoked 25 years later. 

4. Bradshaw/Taka Michinoku vs. Kai En Tai

Bradshaw press slams Taka into everyone within the first 30 seconds. He's so massive, they look like Lilliputians wearing Miller's Outpost jean shorts. 

I remember this being a lot better, with a lot more heat. Crowd really isn't as into it as I remember. I'm not into it as much as I remember. The Kai En Tai stuff doesn't read as fluid or unique today. There are a lot more seams with 2024 eyes. Bradshaw is not actually reckless at all. Did we all have false implanted rose colored memories of Bradshaw recklessly fucking up everyone in the match or was that just me? This Wisconsin crowd doesn't understand a single fucking part of it. Arms are crossed in Milwaukee, politely not understanding any of Dick Togo's excellent senton variations. 

Jim Ross makes an extended Gulliver's Travels reference and then explains it and I feel like a stupid asshole who's only read three books in my life out here making the same similes as Jim Ross. JR and I each watched the Ted Danson Gulliver's Travels Two Night Television Event in 1996 and now we use it to describe pro wrestling when big man fights small men.   

Okay it gets good when Bradshaw finally tags in and that's when he starts throwing them around. It's still never unprofessional in the ways I remember it being. In fact, Bradshaw was actually a good sport believably taking Kai En Tai's offense, leaning into dropkicks and struggling really well while the Lilliputians tethered his legs with rope. He does polish Funaki with a clothesline and choose Teioh as his Only True Victim by throwing him - really throwing him - with a tiger suplex, but you could watch this match and have no actual idea that Bradshaw is a miserable prick.  

5. Faarooq vs. The Rock

I think Faarooq looked like a real badass (before the match started). This match was the best his Faarooq gear ever looked on him. Fuck how cool would Jacqueline have looked in Faarooq's exact gear? Faarooq looks like a lean cut Masa Saito, or the most bulked up Bernie Casey. He looks perfect, in other words. He looks like a guy really giving a beating to a guy he dislikes. A beating he's been waiting to hand out. His sparsely African-patterned gear looked great with the straps up, and even better when he takes the straps down. Someone who's good with computers, put Jacqueline in Faarooq's gear. 

I hate how guys like MJF or Austin Theory or Ricky Starks move like 1998 The Rock. It sucks. They all flop the same and walk around with their butts out the same and it's all theater kids goofing around doing People's Elbows. The Butt Out Walk must be the first thing they teach at Brahma School. 

I don't know why the crowd isn't more excited for Faarooq dishing out a beating. The Rock wore a big neck brace after Faarooq piledrove him earlier and takes a fun beating, and that combination of things deserved a reaction. His elbows on the apron looked good, Rock is acting like a real punk doofus, yet nobody cares. 

Real flat finish. This feud never had a chance. There was a weird 3 count that got a silent reaction and the camera shot it in a way where you couldn't see Rock's foot on the rope. This whole thing was only 5 minutes and felt really incomplete. Blackman/Jarrett got twice as much time without even being based around an actual feud, so this whole thing was just set up to fail.  

When DX runs in after the match to ambush The Nation they look like the 4 Horsemen of Rape.

6. Vader vs. Kane

Vader was getting real reactions in 1998. There was a powerful machine working against 1998 Vader. He does the Vader flex, he flashes the V's, a ton of fans have Vader signs. The People believed in Vader in 98 and the people in charge didn't want them to. Vader was done wrong. We all know it. The man was 43 years old, which is not an old age at all. I know this because it is my age and how could I possibly be old? I understand why they instinctively didn't want to get behind a 43 year old Vader, but you see things a couple decades removed from the original context and you realize just how mammoth a star Vader would have been in WWF had they just treated him the same way they treat Nakamura at the same age. 

Kane's punches were better in 1998 - better, not good - but his straight rights are not good. There is a reason he never threw them for most of the rest of his career. They have no weight behind them. His uppercuts don't look good either. He threw a bigger variety of punches then, not just uppercuts, and their form is good but the weight is absent. Kane's strikes look shittier the longer the match goes. He would go on to phase all of these punches out other than the uppercut.  

Vader's offense looks good against a big guy like Kane. His bear attack runs him over, but he smartly did one bear attack that stunned Kane, then a second bigger one that flattened him. Nobody was flattening Kane in 1998. Vader knew we build to that. "Vader using his mass now" fuck yeah he is JR. 

This match should be getting a bigger reaction. Vader is making this look like a big fight. He's swinging arms into all sides of Kane's head, even throwing them to the back of his head. Kane is in retreat! Vader sent Kane into retreat which is a thing that has never happened and nobody is reacting to it. Nobody is reacting to these beefy arms and it doesn't make sense. Nobody thinks it's cool that Kane scoop slammed Vader? Vader is a really big guy to take a scoop slam! He lands completely differently than you've seen because you just don't see 400 pound men getting slammed. 

This has not been a night of good matches, which often hurts a crowd, but I don't know why this crowd was not reacting to this match as if it was not Good or Big. It was both, but the crowd reacting so indifferently and Kane just not being that good limited how good it could get. 

I don't know why I haven't mentioned how ridiculous the mask stipulation is but it really didn't need to happen. It didn't make anyone care more about the match than they would have. Vader getting real red-faced revenge would have been cooler. A match built around "first to grab and use the large comical wrench" would have been cooler, probably.  

Kane's top rope clothesline is the softest contact Signature Clothesline of the modern era. It's a terrible clothesline and it never got better. It was only ever good if used in No Mercy. His running clothesline, which he stopped using, looked like a clothesline that would run Vader over and is the loudest contact of the match. 

Vader bumps to get Kane over but they react more to Vader on the attack than Vader bumping around. If Kane had the energy of Bradshaw it could have been a real fight, but Vader has to create his own energy off Kane's Lesser Jason Voorhees body acting. Vader knows how to build a reaction when going for the Vader Bomb, and he knows how to peak it by pausing briefly on the middle buckle before deciding to climb to the top, Milwaukee swelling as he leaves his feet and deflating when he crash lands. The Vader moonsault is a flat out insane and incredible spot for a man his age and size to be using. Vader understood PPV and They resented him for it. This man got up for a goddamn Tombstone and yep, it looks cool as hell when a guy the size of Vader is Tombstoned. 

I don't actually know how I feel about Vader calling himself a fat piece of shit. I think it's a raw promo, and his delivery is note perfect. I guess the problem is that I don't think they ever did anything other than kind of reflect on how sad it was that Vader called himself a fat piece of shit. I don't know if we needed to see vulnerable, sensitive Vader but I do think it was so memorable because of how real it was delivered. We've all been down on ourselves in our lives. A lot sometimes, for any little thing. Vader felt real, and maybe we didn't need Real Vader. Maybe, if it led to something of substance, a renewed energy and fight, it would have allowed people to reflect on themselves when they get too down on themselves. I don't think WWF was or is capable of writing that kind of character. Whatever. It felt like actual, real frustration, the kind we all go through. We don't get that kind of insight into athletes. They're insulated. Taught what not to say to the media. Me, personally? I do not think Vader is a fat piece of shit, but I believed in that moment that he did, and that's affecting. 

I forgot this was the PPV they did that weird Lawler/Crusher/Mad Dog Vachon angle. The Crusher, in his early 70s, kept looking cooler the more undressed he got during his segment with Lawler and Mad Dog Vachon. He looked cool the entire time and got a great big reaction from Milwaukee. He looked like such a badass grandpa in his brown Wrangler Wranchers throwing his bolo punches. This was such a weird thing for WWF to do. They had already used Mad Dog's wooden leg in a match and the idea of WWF honoring a local hero who had nothing to do with them is such a non-Vince move. 

7. HHH/New Age Outlaws vs. D-Lo Brown/Owen Hart/The Godfather 

If your friend had never watched WWF programming before, you could convince them pretty easily that Owen Hart was working some kind of hacker gimmick in his caution tape singlet and, well, hacker sunglasses. 

Owen tags in and runs straight into a Billy Gunn clothesline, Gunn punches and press slams him, Gunn goes up for a backdrop for him, really two of the only guys trying to make this work.

Helmsley's running jumping knee and his tilt a whirl backbreaker (!?) looked good. He always really looked like he enjoyed working Owen. 

Why was the Billy Gunn/Godfather pairing so good in this? They worked kind of fast against each other, and Godfather looked like he was throwing his kicks and missed clotheslines with different pep.

New Age Outlaws working over D-Lo is really good too, though not as good whenever HHH tags in. It's wild how much HHH really kills all the pacing and vibe of this match any time he's involved.

More Owen Sucks chants than I remember but his perfect piledriver to Road Dogg brings no reaction at all. Philistines. 

This match is going a lot longer than anyone could have reasonably expected. The fans get real restless whenever anyone considers doing any kind of hold. This thing is dying the longer they go, nobody is doing anything to bring it back to life even if a lot of the work looks good. It's crazy how bad HHH makes the DX act in-ring. He is actively hurting their vibe and wrestling image. 

8. Steve Austin vs. Dude Love 

Pat Patterson is so fucking funny introducing Gerald Brisco as the guest timekeeper. He has his readers on and a stack of at least a dozen 3x5 cards. He actually said that Gerald Brisco's heart "beats like the tom tom drum on the reservation, like the Heartbeat of America." I mean whoever wrote that line was onto something next level. "Some call him the reincarnation of Jim Thorpe. We call him...A Friend." This is incredible. I did not appreciate how amazing his intro was when I watched this as a teen. All my friends and I just wanted to see Austin beat everyone's ass. 

Vince looks like an impossibly hulked up Robert Carradine. A real geek, and a real freak in his flap pocket black chinos and sleeveless ref shirt. Incredible posture, but a freakish build sculpted onto that wealthy flawed Connecticut skeleton and Kennedy hair. He has a million facial reactions and it's incredible how good literally every one of them are. It's a real Gotta Hand it To. 

Foley sells a back elbow like Austin really spiked him in the nose, running himself into the ground like Terry Funk but more real. The longer the match goes, the more I know that each man was really taking these shots. I just didn't realize they were roughing each other up from go. 

Foley takes such a great bump on a clothesline to the floor. Austin really timed it well and collided with him well, but Foley went over so fast, in that way that Foley sometimes does where you don't know how controlled it actually is. Man would just throw his body to the floor with more speed than he used for anything else. Shouldn't really be a shock anymore that Foley took some crazy bumps, but his heavy lower half really whips him over the ropes. Nobody else has really been able to duplicate that. 

Austin throws Foley onto Brisco and then stomps on them both and punches Foley in the back of the head too many times before clotheslining him ass over elbow onto concrete over the guardrail. I probably haven't watched this match since the early 2000s (I bought the Over the Edge VHS from a video store in Healdsburg that was going out of business) and remember it being built around tons of bumps onto concrete, and that is exactly what it is, and they keep escalating. 

Austin taking a backdrop onto the hood of a fucked up old style Honda Civic, boot going through the windshield 20 years before Zona 23. Is Zona 23:16 anything? Austin gets thrown onto and over a tilted old Mercury and Foley sunset flips him off that Mercury's hood, it's awesome. Foley's body makes a wet splat as his weird torso and wide butt land perfectly flat. It's a sound you never hear and Foley has made it like three times in this match alone. 

Austin is bleeding and is always an incredible looking bleeder. The blood doesn't keep up but the initial color is strong. When he bleeds he always gets the best deep red color on his tanned bald head. For a match built around big bumps on concrete I forgot how many hard back bumps Austin takes onto concrete in this match. My man is out here taking backdrops and suplexes in parts of the entrance that at least 7,000 people can't even see. It's insane. This man broke his damn neck 10 months ago and he's bumping on concrete for himself. 

Also, Steve Austin is great because he manages to bounce a chair off the ropes and into his own face and makes it look like a complete accident. It's a spot that a lot of men have tried and few have made work well. I think there needs to be a level of alcoholism involved to make it work. Sandman was good at it too. 

Pat Patterson throws such a punch into Mike Chioda's lower orbital bone. There's no way any of these Patterson/Briscoe matches from 1999 are any good but damn they should have been using Patterson in more physical roles this whole time. He takes one of the best chokeslams of the year through a damn table. This is a man pushing 60 who retired four presidents ago and hasn't done physical stuff on screen since the mid 80s. How did he even prepare to take this? How did Vince psych himself up to get brained with a pre-Chris Nowinski research chairshot? No idea. 

I don't know how well this holds up as an All Time Great Brawl, but it's differently great for its big stunt show feel and old man bullshit that was at the center of a fight. It was messier than I remembered and was more about getting to specific areas and moments, but this is still a standout 1998 WWF match and surely the best WWF match of the year to this point.   

COMPLETE AND ACCURATE 305 LIVE

Read more!

WWF 305 Live: Double the Typhoon! Some of the Yokozuna! Papa Shango!

 

Typhoon vs. Papa Shango WWF Mania 3/6/93 - VERY GOOD 

ER: I thought this was really good, even though I barely think about these two existing on the roster in 1993. They were both there through most of the year but my brain doesn't associate them with that year, like they naturally stopped existing in 1992 while still showing up sporadically on TV for another year. Typhoon being around in 1994 is even weirder to me. This was 5 strong minutes of heart rate pushing stuff, and a real standout Papa Shango performance. There aren't many times I've typed the words "a real standout Papa Shango performance". Typhoon still had a good connection with crowds and knew what things would get big babyface reactions, and it looked cool seeing him bump the 300+ pound Shango. Shango really flew on shoulderblock attempts and this got better the more Shango leaned into finding ways to actually knock Typhoon down. 

Both men missed big elbowdrops close to each other's heads, and Shango gradually began moving Typhoon. By the time Shango threw a big punch to the mouth and a reared back 0.7 BattlArts headbutt, I was fully in. Shango even throws a full dropkick to Typhoon's chest, which isn't something he pulled out often. Typhoon had several moments where you can see that Earthquake rubbed off positively on his Natural Disaster partner, as I don't recall Typhoon leaning so heavily into the ropes before. Earthquake and Boss Man always have such ballsy trust in the ropes, and Typhoon has the movement down, stretching those ropes far out over the ring apron. There's a long sleeper section that could have ground this down but they pay it off big when Typhoon powers out and sends Papa Shango into a wild bump to the floor off a steamed up clothesline. The match proper ends with Shango hitting Typhoon with...I don't know, some kind of fucking voodoo stick or something, but some of the best hits come after the DQ. Shango deadlifts Typhoon with an impressive back suplex, and Typhoon flattens him with an awesome powerslam and elbowdrop. This was one of the higher watermarks for both men in 1993, worked with a real pleasant, unexpected chemistry. 

Yokozuna vs. Typhoon WWF Mania 4/10/93 - SKIPPABLE

ER: Why do they do this to us? The first ever meeting of these two and it goes less than two minutes, and Yokozuna never even looked mildly ruffled! You would think that, as the lone WWF representative of Japan, that he would already be nervous at the news of an incoming Typhoon. They should have made Yokozuna afraid of Typhoon the same way Andre was afraid of snakes; Fuji desperately trying to explain to his client that Typhoon is merely a man, not a weather disaster. Instead, Typhoon is treated like Dale Wolfe. They start great, with Typhoon crashing into Yokozuna with three big shoulderblocks, like so many waves crashing into Kagoshima, and while they put Yokozuna on his heels he manages to time out another and throws that Typhoon with a suplex that would have crushed Kyushu. That's a great start! And that is basically the match. Yokozuna punches Typhoon back into the corner, whips him into the opposite corner, Fuji distracts him, and Yoko counters the Typhoon with an avalanche then sits on the man's chest. This could have and should have been more. This felt like we were missing the last two acts of the match. 

COMPLETE AND ACCURATE 305 LIVE

Read more!

WWF 305 Live: Bam Bam vs. The Undertaker

Bam Bam Bigelow vs. Undertaker WWF March to WrestleMania IX 3/28/93 - VERY GOOD

ER: It's a drag that Bam Bam got cut from the WrestleMania card, even though the scrapped match with Kamala almost surely wouldn't have been even as good as this TV special main event. I've told this story a few times, but only one kid in my class "saw" WrestleMania IX on PPV as it happened, so Robert was the one giving me and several other kids the full rundown of every single thing that had happened on the show. I put "saw" in quotes for a reason. I don't know why I put Robert's name in quotes though, as that was his real name. Anyway, several years later I was made to question whether Robert had actually watched a single second of WrestleMania IX, when I rented the Coliseum Video and found no mention of the Kamala/Bigelow match that Robert had described in unquestioned detail. 

Honestly, I probably didn't even know that the match had been officially cut for time until years after that, when I got online in the late 90s, as up until then I probably assumed the match had just been edited off the Coliseum Video release for time, rather than eliminated entirely from the show. I had rented WCW PPV tapes, so I was familiar with matches being edited off home video releases. I've seen Bigelow/Kamala house show matches from around this time that were surely them working out their upcoming WM9 match, and honestly Robert's description of a match he never saw from a show he might not have watched was quite accurate, so even if he was a liar he was at minimum a liar who understood likely match layouts and booking scenarios of the show he was pretending to have seen. This might mean that Robert is/was dangerous. He was the only kid I ever know who went to juvie, but that would have been after WrestleMania IX. 

This match was a great Bam Bam show, as it was almost entirely him clubbing and headbutting Undertaker down to the mat, then making a bunch of "are you kidding me with this fucking guy?" faces as Undertaker would sit up regardless of what Bigelow had just done to him. Bigelow is really good at putting over Undertaker's size, flattening out on all of his bumps to make it look like Undertaker's powers included control over gravity. I liked how splat flat Bam Bam took a drop toehold and Taker's leaping DDT, and Bam Bam is someone who at least acts like his shoulder is really really hurting and demobilizing him while an undead zombie is taking an eternity to back up the turnbuckles and find his footing before jumping off of them. 

There was a good visual of Bigelow taking full control by ducking out of the way of Taker's flying clothesline, so Taker does a cool flipping rolling bump out to the floor. It's all clubbing and slamming and whipping into steps, hitting a high delayed back suplex, and then me swooning for Triple B as he places his hands on his hips in frustration as Undertaker still keeps sitting up. I can see them working variations of this bit on house shows, as here there's an amusing moment where Bigelow slams Taker and walks away, and then...kind of peeks back over his shoulder, like Undertaker is a Boo ghost who will stop sitting up if you catch him in the act. Everyone in the arena knows it's just building up to Bigelow's headbutt sending him diving into an empty pool, but I'd love to see how times in a row Bigelow could reset Undertaker's positioning without getting to the payoff. I think he has enough funny mannerisms and eye rolls to pull off an endless series of Just Trying to Prevent a Guy from Sitting Up. 

COMPLETE AND ACCURATE WWF 305 LIVE

Read more!

WWF 305 Live: Boss Man vs. Barbarian!

Big Boss Man vs. The Barbarian WWF Royal Rumble 1/19/91 - EPIC

ER: These two had at least 20 house show matches over the three months preceding this match, and you can tell they used that time to hone something special. Two big guys going 15 minutes, knowing exactly how and when to peak the crowd, keeping up an always-impressive pace the whole time. There's no way they could have been going this hard on house shows, hitting each other this hard, taking bumps this hard; but whatever they were doing in those 20 or so matches over 3 or so months, totally paid off. 

This fucking match was following the excellent Rockers/Orient Express opener! That tag is always talked about as one of the great PPV openers and it really does hold up as one of the best WWF tag matches of the 90s. That, and it was 20 minutes long. It was 20 minutes long, with a ton of action! Boss Man was leaner in 1991 than he'd ever been in wrestling, but it would have been crazy to have expected him and Barbarian to go out there right after and work another match with high action and fast pace. 

Speaking of fast pace, Barbarian stalls on the floor for well over a minute after the bell, a huge man in a He-Man fur loincloth and fur boots. His legs literally have the same shape as a He-Man figurine. His beard is grown as full as it has ever been grown. Son of Crom versus a Best Shape of His Life Corrections Officer is an episode of Deadliest Warrior that we never got to see, and it's worth the wait. Two behemoths stalling is always good, but two behemoths stalling and then beating the hell out of each other is among the greatest possible match types. Soon Barbarian is holding Boss Man by the collar and uppercutting him, before running into a the sole of his boot, and all is right.  

Boss Man is lean and his speed is incredible. When he clotheslines Barbarian to the floor, his impact is so fast and full that both fly to the floor too fast. Boss Man always carried a lot of "head of steam" speed at his heaviest -  a fat guy skiing down a mountain with his poles tucked to his sides - but whenever he leaned out he did every single movement with real speed. There's a spot I don't think I've ever seen him do, where he gets his leg stuck in the bottom and middle ropes so naturally that I had to rewind a few times to see just how he did it. It's either a lucky fluke or a tremendous magic trick, but there's a lot of evidence on his side that it was something he thought of and executed flawlessly. Fewer workers have been better at integrating the ropes into their matches. Here he got knocked to the apron with a strike and looked like he was just going to slow his descent by grabbing the ropes, settling on the apron to stop a bump to the floor. Instead, he managed to fall through to the apron while hooking his leg on the ropes in a way I haven't seen him do, perhaps feeling out a signature bump that would be a a new version of Andre getting his arms caught. Boss Man is truly one of the most rewarding wrestlers to reassess. I wonder why he doesn't get talked about to the same level as John Tenta by stock rising warm revisionists. Boss Man's work ages even better in every era, beyond just the incredible 1993 AJPW run. One of the true greatest wrestlers of the 90s. 

Barbarian's toolset was deepening by 1991, and he hung in with everything Boss Man wanted to do. When he repeatedly fell onto Boss Man with elbowdrops it always looked like a lot of weight hitting a lot of weight. They successfully gradually transition the match from fast paced big man war into big nearfall tiring fight: Boss Man throwing fatigued punches to come back, missing a hard chest-first charge into the corner, Barbarian's high bridge school boy an excellent close kickout nearfall. All of the nearfalls felt like plausible finishes. When Boss Man catches Barbarian in a delayed landing hot shot, the crowd clearly thinks it is the finish. Their shocked screams when Barbarian's foot barely finds the ropes is the reaction you hope to be in the middle of whenever you buy tickets to any wrestling show. The ending stretch is underwhelming when compared to the match as a whole, but it still managed to effectively convey a fight between weakening mammoths. When a primitive man in fur piledrives a humongous southern jailer, we forgive the sloppiness of the piledriver, and celebrate the danger involved in a 300 lb man dumping a 330 lb man upside down. The 1-2 punch of Orients/Rockers and this match stands high among any opening 1-2 punch of any WWF PPV. 

WWF 305 LIVE MASTER LIST

Read more!

WWF 305 Live: Boss Man! Akeem! Earthquake! Hillbilly Jim!

Earthquake vs. Hillbilly Jim WWF SNME 4/28/90 - FUN

ER: This was the last "major" Hillbilly Jim TV appearance, and it's a pretty cool sendoff. It's not talked about as a sendoff, other than Jesse frequently referring to Jim as an idiot (a thing he did a lot during Jim matches). This is a 2 minute match so there's not going to be a lot of development, but it wasn't worked as a straight squash. It's better that way because it meant we got to see Hillbilly back up Quake a few times. WWE has been so overproduced for the last 15 years that it's wild they were just throwing big Hogan-feuding heels out there with only a big blue singlet and matching boots and letting him just stomp out to the ring with a sloppy fucking beard. They assemble stars so differently now, and whenever I watch Tenta I just wonder where all the big fat Canadian 42 year old 27 year olds have gone? 

Hillbilly Jim is really really big but never treated as if he was the same size as Big John Studd for some reason. Seeing how big he looks opposite Quake is so cool, and he had nice body shots and a great fired up babyface cartwheel. Hillbilly Jim: He had a really good cartwheel. Earthquake didn't quite have his WWF formula and pacing down here but you know he's cool because of how hard he still committed to hitting those ropes. His big leaping elbowdrop is even more impressive than the Earthquake Splash, but Earthquake jumping before the splash is iconic and really adds to the effect. Four jumping stomps is right. Three would be too few. 

Big Boss Man vs. Akeem WWF SNME 4/28/90 - VERY GOOD

ER: We didn't get any kind of full satisfying blowoff to the Twin Towers, only smoke blowing off the Chelsea Piers. We got about 5 total minutes of Boss Man/Akeem between this match and the WrestleMania match earlier in the month, and maybe that's fine. We were never going to get any kind of Boss Man/Akeem match to rival the 1987 UWF Big Bubba/One Man Gang match, but surely there's some middle ground we could have landed on. Nevertheless, this is a fun 3 minutes and a great Akeem show. Either he's bumping around for Boss Man - including a major spill when he's backdropped over the top and then flipped into the ring the hard way - or he's throwing some awe-inspiring overhand rights. The best part of the match is Akeem throwing single punches at Boss Man's head, sending Boss Man reeling into the ropes each time. 

Boss Man is huge guy who can work rope rebounds as smoothly as Bobby Eaton. Now when you hear somebody has great rope work, it typically means they're good at finding new ways to spring off them. Not enough guys use them to slump into, to catch their fall, to send them back into the scrum like someone hitting the edge of a mosh pit. Akeem keeps rocking Boss Man, and Boss Man gets sent leaning wayyy back into the ropes, thrown back into another of Akeem's fists whether he was ready or not. 

Maybe the best part of this was Akeem's completely rhythmless jive dancing to the unquestionable greatest WWF entrance theme of all time. Or, maybe it was Akeem's standing splash that doesn't get a single fucking inch of air. Worry not, Akeem is such a mountain that he can squish a guy just fine even if he only goes up on his tiptoes for a splash. Dibiase interrupts before we can get a finish (bookending the way he ambushed Boss Man before the WM6 match), but not before Akeem can take the lowest hang time Boss Man Slam you have ever seen. It looked like a Rock Bottom that Boss Man had delivered it from his knees.  

COMPLETE AND ACCURATE WWF 305 LIVE

Read more!

WWF 305 Live: Andre vs. Studd Career vs. $15,000!

Andre the Giant vs. Big John Studd WWF WrestleMania 3/31/85 - FUN

ER: I really like gimmick matches where the gimmick is the thing that ends the match, and I also recognize that a lot of those matches tend to be worked in ways that don't quite seem like the guys in the match would have worked things any differently in absence of the gimmick. This is a match where you win by bodyslamming your opponent, and really does not feel like a match you can only win by bodyslamming your opponent. BUT, if Andre fails to bodyslam Studd, then he loses his CAREER!! Andre has to slam Studd, or else we will never hear from him again! But it is definitely a gimmick match where both men don't seem to know or care about the actual stipulations and instead just work 5 minutes that don't totally seem to build to much. It is a match that happens to end with a bodyslam, and before it ended the only way the match by rule was allowed to end, there had only been one brief bodyslam attempt. Since Andre never attempted a bodyslam until he hit the one slam that won the match, there was never any sense that he was specifically weakening Studd to make him easier to slam, as there was never any point in the match where he was having any kind of difficulty doing whatever he wanted to Studd. If this was a man who knew he was in danger of losing his career, then Andre sure chose to play it c-o-o-l. 

There were a lot of really great, interesting ways this match could have been worked. This could have been Studd hurting Andre early and wearing down Andre's back while attempting several bodyslams that each get a bit closer, or this could have been Studd - noted heel giant stooge earlier in his career - scrambling to avoid Andre as Andre dominates and keeps almost-slamming him. You could have Andre get frustrated by Studd's avoidance and make a mistake because of that frustration, allowing a surprise late match shift in momentum. Those are just three easy ways to work this, but there are a ton of other ways, and all of them are more interesting than what they chose to do. This is just Andre having no problem at all squeezing and kicking and punching Studd around the ring without even teasing that he was about to attempt to pick him up and was never once in danger for even two seconds. 

It's such a strange match when you think about it in context. Maybe they thought, "This is WrestleMania. This show will be seen by people who have perhaps never seen WWF before. We need a showcase for Andre. We need people to see this GIANT." But this was not an impressive example of Andre's skills. He punched, he ragdolled the hell out of Studd with a choke, and he held a bearhug. Andre's in-ring acting is the greatest in wrestling, and here there wasn't even an act. If you want a showcase of his offense, you need someone who is more interesting at taking offense, someone who would bump for a giant's punches; if you wanted to showcase Andre's selling and acting talents, then Studd was a big enough guy who could convincingly do offense that Andre would sell. This was just Andre being dominant, worked so that minute 5 of the match felt like minute 1. The long bearhug was supposed to sell that Andre was weakening Studd, but Studd didn't act that weakened and Andre never met resistance so the weakening seemed superfluous. Andre is in MSG and he just doesn't seem interested in making any of the match stipulations add to the match, and he shows none of the charisma or charm that he could show in his dominant performances. There's a moment where Studd tries to kick him, and Andre catches Studd's leg and start to laugh, lets it build...and then just throws a punch, which is a thing that he had been doing the whole match. Andre did have some cool leg kicks, but they were mainly fascinating from a "Andre usually doesn't lift his leg that way" stance. Andre doesn't usually kick a really tall guy in the thigh several times in a match, so it's just cool seeing Andre doing weird leg kicks. 

Andre decides to slam Studd and does so in a way that makes it look like he clearly could have done this 5 minutes ago, and he is awarded $15,000 that is being housed in a child's duffel bag. 

COMPLETE AND ACCURATE WWF 305 LIVE

Read more!

WWF 305 Live: Vader vs. Henry!

Vader vs. Mark Henry WWF Sunday Night Heat 8/9/98 - VERY GOOD

ER: This was the 4th and final taped Vader/Henry bout, coming after their match at Fully Loaded. I thought what was most notable about it was how damn good Mark Henry looked, and how sad and sluggish Vader looked. I'm always hesitant to say someone is checked out, but Vader actually looked good in early '98 and this wasn't that. The most joy Vader brought here was during his entrance, which had so much wonderful hand dancing and shoulder shrugging, shimmying down the ramp while shoulder shrugging his way over to ringside fans. Vader had the kind of movement that would make him a consummate dancer and entertainer during literally any wedding. If Vader was just an uncle at a wedding and not one of the greatest wrestlers of my lifetime, I don't think I would be able to concentrate on anything else in the room once he took the dance floor. You're a beautiful dancer, Vader. 

But all of that pep he showed during his entrance kind of vanished during the match. There were some shockingly lazy moments that I wouldn't associate with someone as high end as Vader, and now I'm wondering if there are other late run WWF matches where he coasts been more. This was Vader just a couple months before returning to All Japan, so honestly why not coast down the stretch, but it's still surprising to see him do things like slowly walk far too long backwards to get into position to be Irish whipped. He doesn't cut corners like that. Vader is someone you can always rely on to punch someone in the ear to get him into position, so seeing a few moments where he just casually walked into position for offense looked bad. 

And yet, Mark Henry looked like the wrestler many of us would catch fire for heavily praising 5 years later. While Vader looked like he was holding back on his ear cupping punches and heavy clotheslines, Henry went full force. Vader doesn't budge Henry on a couple of shoulderblocks, and early in the match Henry actually pulls off a press slam on Vader. It's quick, and Vader lands it on his feet, falling to his stomach and rolling to the floor. There's a sad Vader stair bump in here, where Henry throws Vader into the ring steps and Vader just kind of gently pops into them, but Mark Henry responds with what had to have been his best punches of 1998, right to the side of Vader's head. Vader looked listless, but got great height and impact on his standing splash and even busted Henry's mouth open. Henry looked incredible with a blood red mouth. They should have found the best shot of him with a bloody mouth and used it on every Titantron video and t-shirt for the man. I thought the DQ finish was really great: Henry hitting his own standing splash once, twice, a three times, JR getting excited talking about Vader's potential internal injuries by the second splash.  

COMPLETE AND ACCURATE WWF 305 LIVE

Read more!

Loosely Formed Statements on WWF's No Way Out of Texas 2/15/98

 

1. Marc Mero/Goldust vs. The Head Bangers

Marc Mero is a 1998 Rising Stock. Always on. Endless energy. 

Marc Mero's high back elbow and precise elbowdrop. Stocking Rising. 

Marc Mero's ass over crown bump to the floor for a Mosh lariat. Heat Seeker. 

Goldust working dropdowns and leapfrogs and a high backdrop bump in black lingerie. Picturing him working 2000s AAA. 

Marc Mero draws real heat. His bumps for Thrasher's shoulderblocks are real. Online Mero Discourse will swell. 

We get real blood 10 minutes into No Way Out of Texas. Thrasher takes a real manly bump when Goldust snake eyes him onto the ring steps. Blood spidering down his face. Match at a new level. 

Mero - the worker of 1998 WWF - immediately targets the cut whenever he is in, including stomping Thrasher all over the cut to spread the blood. 

We'll see if any chant will be louder during any other match than this MERO SUCKS chants. Scotching heat in February. That's before he unwraps some wrist tape and chokes Thrasher until the tape is red, and then the chants resume. 

Mosh has four sincerely great punches on his hot tag. 

2. Pantera vs. Taka Michinoku

Pantera has the greatest offense. Multiple rolling armdrags, THAT running swanton to the floor, a tricked out headscissors that felt more World of Sport than lucha, and a fast flipping bump to the floor. 

Taka's springboard plancha flies 4 feet past the guardrail into the entrance.

Pantera's rolling headscissors from the top rope to the apron is in the discussion of Greatest Headscissors in History. The tope diagonally past the ringpost was triumphant garnish. 

Well Brian Christopher called Taka Michinoku "slant eyed" on commentary. Jesus. 

Cools down a bit when Pantera is working over Taka's back, but I like it. 

The cooldown burst into flames when Taka took one of the highest bumps over the top to the floor that I've ever seen, moments before Pantera leapt over the top rope with his running senton, the most incredible move on 1998 wrestling TV. 

The cool back work stretch is paid off many times over when Pantera fills every bit of space with elbowdrops aimed with precision at Taka's lower back, and two different backbreakers that looked...backbreaking. 

Pantera pulls off an effortlessly accurate top rope moonsault, the way I might take a bite out of a sandwich, then snaps off a hurricanrana with both of them jumping off the top rope just as easily. 

Brian Christopher was a...real presence...on commentary. The entire match. You have never heard louder slurs on commentary. 

3. The Quebecers vs. The Godwinns

I'm not sure why they even brought in the Quebecers in 1998. They brought them back to Raw with no re-introduction, just the two of them wearing the blandest and worst gear of their respective careers. Still a good team, but out of place and oddly presented. 

Rougeau keeps ducking Phineas's lock ups and then yells "How about those Canadians, eh?" to the crowd like a prick. 

Jacques is out here getting mowed over by shoulderblocks, and when Pierre tags in he starts working wristlock exchanges with Henry. It's kind of silly, but those big boys did really yank the hell out of those arms. 

Phineas works really vicious with Jacques. He hits a full on Glacier front kick into Jacques's stomach and tries to pull his arm off with a single arm DDT. 

Henry drops his head and Jacques kicks him hard right across the chest. Pierre is the only guy not throwing leather so far. 

They're working this as a classic WWF heel in peril match, the crowd completely silent as the Godwinns cut Jacques off from Pierre. For some reason, the fans do not cheer for Rougeau's sunset flip nearfall, and I have no idea what crowd reaction they were expecting when Henry held Jacques in a chinlock that could only build to Jacques fighting back to his feet. 

The match is actually really good but the role reversal fucks everything up. 

The fans do not want to see Jacques make a hot tag to Pierre. The cannonball that they hit is not triumphant. 

Jacques hits a pretty crazy plancha off the top to the floor, crashing into Henry. 

Everything was completely backward and the crowd was icy but it was a good tag if you pretend it was in Montreal with a poorly mic'd crowd. 

4. Bradshaw vs. Jeff Jarrett 

Say what you will about Cornette being given a dead in the water idea, but I loved the short-lived NWA stable. What a bunch of weirdos. Windham, the Rock n Rolls, and Jeff Jarrett with my favorite gear and hair of his career. Robert Gibson is wearing a duster with county fair sweatshirt art of him and Ricky on the back. 

The opening is really well worked, just Bradshaw swinging arms and chaps and boots at Jarrett and Jarrett taking all of it. I loved when Bradshaw ducked down and Jarrett finally landed something, a stiff kick to Bradshaw's chest, and Bradshaw just straightened up and booted Jarrett in the face. 

It's funny when they exchange strikes, as Jarrett is doing these nice worked right hands but Bradshaw is just hauling back and smashing Jarrett with the edge of his elbow. 

I appreciate JR pushing the story that Jarrett knew to target Bradshaw's knee because Barry Windham told him about Bradshaw's knee in secret, because I guess it's better than telling the story of Jarrett targeting the two foot long braced kneepad that covers most of Bradshaw's left leg.

All of Jarrett's kicks to Bradshaw's leg look good, but none of it leads to anything. 

This was a lot better when it was Bradshaw laying waste to Jarrett and the NWA. It loses steam once they went into more of a back and forth. 

When the NWA runs out after the match, Robert Gibson takes a really fast, pretty crazy bump to the floor. I have to remind myself that Gibson was only 39 during this run and was really busting his ass. 

5. Faarooq/The Rock/Kama Mustafa/Mark Henry/D-Lo Brown vs. Ken Shamrock/Ahmed Johnson/Chainz/Skull/8-Ball

I remember watching this PPV a couple days after it aired, getting the tape from a friend whose dad had a co-worker who taped the PPVs. Something something the kids will never understand what we went through. If your parents didn't let you actually order PPVs, that's how you got to see a PPV in 1998. 

I remember watching this match before school, and my dad getting actually offended by them clearly running a team of militant black people opposite several white supremacists. My parents already hated pro wrestling because of its stupidity. I don't think my dad had ever even considered that there would be angles with white supremacist good guys. I remember him reading the paper and putting it down, saying "It's VERY clear what they're trying to imply here" and being mad about it. 

This match was set up by The Rock hitting Shamrock in the face with one of the most disgusting chairshots in history. 

Does anyone actually know any differences between Skull and 8-Ball? Is one of them better than the other? Does anyone actually know which one is which? Did they themselves actually keep track of which was Skull and which was 8-Ball? When JR tells me that Skull is in against D-Lo, should I trust him? Should I trust JR to know the separate identities of Skull and 8-Ball, even though this is a War of Attrition match and JR very clearly did not know the definition of "attrition" when Lawler asked him to define it, and JR had to use schoolyard tacts like "*I* know what it is, do you?" until the moment you can tell someone came on the headset and told him the definition. You can tell someone came on, as JR was *floundering* and fucking seething at Lawler for pressing him on this, and after 20 agonizing seconds suddenly JR blurted out 6 synonyms for "attrition". (Skull has a slightly rounder face, FYI)

Shamrock dumps himself on his head doing a Japanese armdrag to D-Lo. 

Chainz drops several fast elbowdrops but I'm not sure if any of them are good. His big boot is better. 

Mark Henry looks like a total badass calling for Ahmed, and the crowd really comes alive when he and Ahmed start wailing on each other. 

D-Lo does a frog splash onto Ahmed's ass and legs, committing to the splash even as it looked like Ahmed was a man not expecting a frog splash. 

It is wild how much smaller Shamrock looks than everyone else in the match. 

Who could possibly give a shit that D-Lo Brown is a Certified Public Accountant, JR? How would that be interesting to any person watching D-Lo Brown in this War of Attrition? Talk about his nice Hitman elbowdrop.

Jesus now JR is talking about The Rock's degrees. JR tanked this match. They're fucking fighting JR, stop talking about everyone's fucking GPA. 

6. Vader vs. Kane

The cameras cut away just as Vader was about to do some V-hand crab dancing and shit this company hasn't known how to film wrestling in 25 years. 

Vader is throwing punches straight at Kane's forehead and then swinging his whole arm into the side of Kane's head. 

Vader gets a rear waistlock and grabs Kane by the hair with his left hand so he can punch Kane in the back of the head a bunch with his right, including one shot from behind that snuck up and under into Kane's temple. 

Kane isn't bad in control, but things are much better whenever it is Vader punching Kane in the head. 

Vader has taken big bumps for clotheslines. 

My dad would have made such a good Paul Bearer, if he was someone who ever dressed up in a costume for any reason (I have never seen my dad in any costume for any reason). My dad is more handsome than Paul Bearer, but the body shape and parted brown hair are too similar. 

Kane does his uppercut but he hadn't learned how to arm slap yet. 

Vader tests just how sturdy Kane's mask is by punching him directly into the face six times until Kane literally responds as if he's being swarmed by bees. 

Kane is wearing some insane Boris Karloff lifts, and whenever Vader rocks him with a standing clothesline you can really see them throwing Kane off balance. 

Does Vader have the best standing splash? It's up there. 

Kane's strikes don't look great, his top rope clothesline doesn't look great, but there's absolutely no denying how awesome it looks seeing Vader get tombstoned. 

7. Savio Vega/HHH/New Age Outlaws vs. Steve Austin/Cactus Jack/Chainsaw Charlie/Owen Hart

Savio Vega sure makes a lot of sense as a kayfabe partner and as a guy who would be able to work this match, but when a teenager hears Mystery Partner and that Mystery is replacing the World Heavyweight Champion, well...

All of the Austin/Gunn exchanges are really great. Gunn scrambling out of the ring to avoid a Stunner, then bashing Austin with the edge of a trash can on the floor, Austin running him the hell over with a clothesline, beating him with 1998 chairshots

Billy Gunn is doing all of Hunter's Flair bumps better than Hunter

Funk is in there taking nothing but damage, beaten by trash cans, getting powerbombed through a pair of chairs, taking a piledriver on a trash can lid, back suplex onto a lid, also threw a trash can into the air and taking the hit when it comes back down.

Billy Gunn has that Paul Koslo weave

Cutting Funk off from everyone else is a cool way to work this 8 man

Austin throws a mashed up trash can so hard at Billy Gunn's head, and again, Gunn bumping for Austin is perfection

Nobody backstage told Savio and Funk that they were wearing the same thing? Both got that big ol dad butt denim 

Owen Hart's best role is running in from the apron to back off DX, and then returning to the apron. He hits a great missile dropkick into Savio and later runs across the ring to hit a big dropkick and take swings at all of them. 

Ending is a bit abrupt, with Austin tagging in, wasting everyone quickly, and then just hitting a Stunner on Road Dogg, but the match was a really fun brawl. 

COMPLETE AND ACCURATE WWF 305 LIVE

Read more!

WWF 305 Live: Earthquake vs. Bam Bam

Earthquake vs. Bam Bam Bigelow WWF Superstars 2/20/93 - VERY GOOD

ER: I love when we'd get a surprise high profile match on Superstars, and this one is exciting. I don't think they even announced this match on that week's Raw, they just went straight into the Superstars intro with a Sears photo shoot of Bam Bam and Earthquake yelling at each other. It was always exciting to turn on Superstars and see a match between two "actual guys". This is a big one. I mean, I was a dumb enough kid that I was also excited for the Virgil/Bastion Booger rematch, but this match actually feels big. Bam Bam is wearing his yellow-dominant flame gear, which always makes him look like a gigantic 9 year old wearing his fire jammies. He also gets in the ring and yells along to his theme song, timing out the Bams, and it's just one of those things that makes Bigelow so perfect. He looks like only he looks, he wears his all-over yellow flame jammers, and he goes around yelling his own name. He's a gigantic toddler and he has my favorite face. The camera does small shaking movements as Earthquake comes out, camera manipulation done right, and it's wild to see how much larger Earthquake is than Bam Bam. Bigelow is huge, but there are a couple of camera angles that reveal just how much taller, wider, and bigger Earthquake was, and the crowd is hyped for it. Lawler even points out how he can't believe Earthquake is bigger than Bigelow. I've been to an NXT house show/TV taping in this building (more modernized than it was in 1993, but the angles and lines were the same) and this is a great match for that room. It's a more vertically built room with no second level, so you get a good view down on the ring, and brother these two filled that ring. 

I really liked how they bounced into each other. The played to the top of the room, Bigelow hitting fun hopping shoulderblocks that don't move Earthquake, then Earthquake charging at Bam Bam with a belly bounce. You get some great Earthquake deep leans into the ropes and his huge missed elbowdrop. Bigelow is a lot of fun in control, hitting two slow lift back suplexes that draw a lot of oooooos and ahhhhhhs from the crowd when they both land (and both of them do land hard). In between the two big suplexes that sent two big boys crashing to the mat, Bigelow stomped and clubbed at Quake, yelling at fans while doing so. They went immediately into Earthquake's comeback, which was the match's only real flaw. The two back suplexes were such cool spots, but once Bigelow missed a falling headbutt after the second suplex they just went into the big finishing sprint. The finish was cool, with Earthquake coming back and hitting a pair of high leap avalanches, but Bam Bam slips out underneath a third, and Earthquake takes a cool topple over the top, to the apron, to the floor, to the count out. I don't think they would have had to put too much else before Earthquake's comeback to make it all feel a bit more complete, but what we got was good. 

COMPLETE AND ACCURATE 305 LIVE

Read more!

Found Footage Friday: WWE in Melbourne, Australia 8/29/04

8/29/04 Full Show


Funaki vs. Rene Dupree

MD: Fun opener that outside for one big German cut off to set up the finish, could have happened almost spot for spot fifteen years before. This followed Teddy Long opening the show by flubbing a half dozen lines, but the fans were happy to see him and to be getting a show in general. Funaki came out with a valet who immediately went to the back and I can't place what was going on there and the internet is no help. Early chain wrestling worked. Lots of little tricks like Dupree pointing to his hair to draw the ref off so he could do a hairpull himself, only to have Funaki hold on to the wristlock. Things like that. Dupree got a knee in off the ropes and took over with things very first match and simple, but the crowd was eager to cheer and especially eager to see Dupree hop around with his trademark comedy bit of the month. That let him get rolled up for a banana peel Funaki win. Simple, straightforward, effective. I think the blog's covered maybe two Rene Dupree matches ever so I have no idea what his 2010s in Japan are like but I'm sort of curious. Regardless, it's hard to tell with a crowd this eager to see wrestling, but he seemed to be over, down to kissing the hand of a woman on the way out and getting a big pop. 

ER: "Tajiri!!" some little kid near the camera yells excitedly. Sorry, that's the other guy. Hopefully the kid doesn't get the exact same letdown during the Kenzo Suzuki match later on. This match is clipped up a bit, but what we got was really good. Rene Dupree was an majorly under-appreciated act in WWE, and would make an interesting project for me to go back through searching for gems. He was a fully formed act in 2004 and you could see that better on house shows than on TV. He knew how to get heat from this crowd, who granted, were excited to give that heat. They're like the perfect crowd for everything Dupree does, and they seem in on the joke without being annoying about it. I am not familiar with Australian sports, so I am also not familiar with the rhythm of Australian wrestling chants, which do not follow the NEMA standard four syllable/five clap timing. 

Dupree has very funny body language and is good at getting reactions with just his movement, or just his posture. When he's flopping in funny ways to sell Funaki's wristlock, falling over himself when Funaki just won't let go, it's like classic Regal. It builds really nicely from wrist control into some tough Dupree offense. He hit a hard shoulderblock, backbreaker, and a knee lift, and he flat out levels Funaki with a hard clothesline after punching mat on a Funaki sunset flip. They took it further than I was expecting, because I was not expecting Dupree to bounce Funaki off his face with a huge release German suplex. And the finish is great, as Dupree saves the French Tickler dance for the very end, giving the crowd exactly what they wanted (somehow the section with our cameraman were the biggest French Tickler fans in Melbourne), and as Dupree is bouncing his bulge for each side of the ring, he falls victim to a Funaki schoolboy. The crowd loved seeing Rene Dupree lose, but most importantly: They loved seeing Rene Dupree. I think Australia might have been right. 

Spike Dudley vs. Rey Mysterio

MD: A lot to like here too. Smart stuff right from the get go where Spike let Rey chase him around the ring so that he could ambush him on the inside, only to get a quick comeuppance and feed for a steady shine. That built to him taking a powder and threatening to leave only to really eat Rey's baseball slide on the way out and catch his flip dive over Charles Robinson, who had tried to stop him from diving a moment before. Real crowd-pleasing stuff. Nice transition where Spike jammed Rey off the ropes causing him to bump stomach first out of the ring. The heat was them working in and out of bodyscissors with the comeback just a foot up by Rey on a leap from the top by Spike. In the stretch it was all about wondering how Rey was going to position him for the 619, and he did manage it after kicking out of an Acid Drop, but by then the Dudleys had come out and one foot grab and roll up later (second roll up in two matches, so that's some iffy agenting), Spike's retained. They did a good job of making it seem like the fans might see a title change for a while there though.

ER: Heel era Spike was really great, and I was so excited to get another singles match from that run, let alone another Rey singles match. The only singles matches they had on TV was Spike's title win and Spike's title loss, so it's cool seeing the literal first singles match after the title win. Spike always had good offense but wasn't always in the role to show that offense. His heel run was his chance to show his bruiser side, the side he probably hadn't played since his Incredibly Strange Wrestling. This was the match I was most excited to see on this handheld, and while it probably wasn't as good as Rene Dupree vs. Funaki, it was still so good. The crowd was into heel Spike, and Spike is a great base for Rey's best. Spike takes a sick bump into the ringpost and later threatens to walk out, then walks back the hard way directly into a Rey baseball slide, then adeptly catches his slingshot senton. Spike is real precise worker on offense and defense, good at catching crossbodies and nailing his flying forearm and torpedo headbutt. His set ups are really strong, and Rey has precision as good or greater than Spike's so it's a super pairing of the two smallest guys on the roster. 

Dawn Marie vs. Torrie Wilson

MD: I went and watched this. Might as well write it up. They had probably wrestled each other fifty times by this point, right? They had the act down. The fans clapped Torrie up while in the chinlocks but barely reacted at all to her spear and her actual comeback, which is always a sign that something isn't quite right. Korderas brought out a hankerchief for after he got rolled upon during the catfight bit and that was kind of funny, I guess. Prop comedy. They came back and did this exact same match up the following April and I'm vaguely curious to see what that would have looked like. I don't know. This was fine for what it was and Dawn Marie gets a few extra points for her post match selling, even if she lost a few for never leaving her feet on the catapult into the corner. I'd never seen someone take a catapult as an Irish Whip before. Torrie won with a DDT. Something on this card needed a clean finish so I guess this was as good as any.

ER: Maaaaan I think Matt is being a bit of a curmudgeon here. I was actually excited for this one, because Dawn Marie is a really great thing. I became a big fan of Dawn Marie since seeing her at the 1/3/03 WWF Cow Palace card, where she had a standout match on an absolutely stacked show. It was a Bra & Panties match against Gail Kim, where she worked arm based offense to weaken Kim's clothes-ripping abilities. Both women played into the story and it was definitely the most technical match I've seen worked around a Bra & Panties gimmick. Dawn Marie bringing arm work into a match for the sole purpose of delaying the panty payoff is the mark of a brilliant heel worker who knew exactly what she was doing, impossible for me to not be a fan for life. And I think this match a year and a half later was really good, painting the picture of a real strong house show worker. 

Dawn Marie's selling is strong, she throws hard forearms, and works really tight headlocks. She's honest on offense, making good contact and selling that impact. Look at the way she runs into and staggers out of Torrie Wilson's boot in the corner. I don't think she ever got enough credit for how well she took offense and excelled at the basics. I thought the Jimmy Korderas comedy spot worked really well toward the end of the match. It's not the kind of spot they were doing on television, and based on all of the people audible around our cameraman, this section was clearly familiar with all of the TV. You could tell by the big reaction and genuine laughs that the crowd hadn't seen two women steamrolling a bald ref with their cat fight, and it felt like a moment unique to a house show. Also, I loved how they set up the spot right after, where Torrie cut LOW on a clothesline that almost hit Korderas! Torrie threw that with more violent form than I would have expected, and I love a miss thrown like a HR swing. Dawn took the DDT right on her head, in the way that looked like a finish. I don't know man. I hate to say Matt is wrong but House Show Dawn Marie speaks for herself. 

Billy Gunn vs. Heidenreich

MD: So far, past a little blip here or there, this was a wrestling show in front of a crowd that wanted to see a wrestling show. Here, that meant Heyman came out and got some real cheap heat on the mic and Gunn came out and got just as cheap a pop. I spend a bunch of time watching 2022 Billy and he stands out in a way now that he didn't back then, but we probably didn't give him enough credit as a community for what he did do well. Not just the punches either. Here, he bumped like crazy to get over the transition (wiping out on the post on the outside) and then to put over the cutoffs. Heidenreich could lean on some simple armwork and wasn't asked to do too much. The finish was, again, straight out of 1989 with Heyman (who had just sold a crotch chop like death on the outside) up on the apron as Billy was going for his finish and he walked right into Heidenreich's kind of weak Boss Man Slam. Again, everything so far has just been hitting the right buttons for the crowd, just like a house show should. 

ER: I thought this was really good too. I must be in some kind of mood. Some of these house shows just really hum. The pacing on this show has been really good, and perhaps it's been helped out a bit by our cameraman's selective in-match editing. Everything has been 5-10 minutes and it's a reallll comfortable window for this roster to hit. I've had a lot of fun going through Big Boss Man's 2002 run, and I bet there are some unheralded gems in Billy Gunn's 2003-2004. Those Gunn/Holly vs. The Bashams matches probably look a lot better in 2022 than they felt in 2004. Shit I should probably do a Bashams C&A too. That one's been overdue.  

This match was a great Gunn showcase, but Heidenreich had a couple real high notes. He took a crazy fast bump over the top to the floor on a missed charge, then a big tumbling bump off the apron after getting up into a hard Gunn forearm smash. Their floor work was really inspired, with Heidenreich taking a big spill into the guardrail (in the days when there was still a big metal guardrail for a 270 lb. guy to sprint into) and Billy Gunn wrapping himself around the ringpost like 1983 Lawler in the Mid-South Coliseum. Heidenreich throws a nice running clothesline, and Gunn takes a real nice flipping bump from it, flipping from the contact and not before it. All of Gunn's punches looked great, from his early match jabs in the corner to his woozy stumbling rights to build to the finish. Heyman's theatrics are incredible house show bullshit, reacting to a Gunn crotch chop by getting literally hopping mad. If he had a hat he would have slammed it to the ground like Boss Hogg. He takes a really big bump off the apron when Gunn punches him off, and I actually thought Heidenreich's high side slam looked pretty good. It didn't have the impact of the Boss Man Slam, but it's not really controversial to say Heidenreich wasn't as good as the Big Boss Man. But the height was actually high, and his control through the move was really good. 

Eddie Guerrero vs. Kurt Angle

MD: It's been a long time since I've revisited any of the Angle vs. Guerrero feud from earlier in 2004, but this was really good. I think it benefited from being a house show, from having lower stakes, from having more time to breathe, from being in the middle of the card. They started with more time on the mat than I remember Angle usually taking at this point in his career, competitive and scrappy. They moved into a headlock sequence with a big payoff then a top wristlock back and forth with all sorts of comedy that was actually funny, all capped off by Eddy pantsing Angle (which the crowd loved but it followed Gunn doing it to himself because it was his gimmick so again, agenting). When Angle finally got to throw a suplex, it meant something, because there was a place for the match to build to. He wasn't working like Mark Rocco but instead let things breathe and build. It all led up to a pretty exciting finishing stretch with one really great nearfall. These two might have had bigger matches earlier or later in the year, but I doubt they had a better one. It was one of the best, most balanced, most measured and meaningful WWE Angle matches I've seen.

Dudley Boyz vs. Paul London/Billy Kidman

MD: Another attempt at cheap heat to start with the crowd getting behind Kidman's Ralph Macchio delivery and overall solid sense of comedic timing. They got on Bubba and seemed to really enjoy chanting at D-Von later so who knows. They were just happy to be there. London worked the brunt of this until the hot tag and the finishing stretch, even most of the shine. D'Von fed for them but Bubba made them work for everything early. It made for a good combination since there was some gravitas due to the size differential while still letting them hit some of their flashier stuff. Heat was well set up with London getting a shot in on Bubba on the apron and then immediately paying for it. Finishing stretch called back to the Cruiserweight match earlier with Spike and then Rey coming out and it all ending with heel miscommunication, another DDT pin, and Spike taking the 619. Good piece of house show business overall.

Rob Van Dam vs. Kenzo Sukuzi

MD: You can't say that these two didn't match up well. They both had stupid, stylized offense, but in some ways that was better than only one of them having stupid, stylized offense. Both took one big bump too, Suzuki taking one from the top rope to the floor off a kick to the rear and RVD going hard into the steps to start the heat. Cutoffs were ok but the actual comeback move was just a kick out of nowhere and felt anti-climactic. As did the finishing stretch. Suzuki probably would have done better to stall more at the start. It was getting a reaction and he had Hiroko at ringside to help get heat. 

John Cena/Charlie Haas vs. Booker T/Luther Reigns

MD: Cena felt like the biggest, most electric star on the show so far, and that's saying something when Angle vs. Eddy was earlier in the night. When I'm watching a random house show tag like this, what I'm really looking for, as much as anything else, are the wrestlers interacting with one another. Cena brought that in a big way, pulling Jackie Gayda in to pose and clapping up Haas after the initial stalling. Delaying of gratification meant that the match started with Haas vs. Reigns instead of Booker vs. Cena, playing around with them post-match. You got the sense that Cena was trying to elevate them for the crowd. There was a bit of Booker hyping Reigns to start the match that was good too. We lose a chunk of this, most of the heat but Haas looked pretty good in there with Reigns for the minute or so we got. Booker exuded this oozing sliminess when he came in to work Haas over. Past that, it was a little paint by numbers in giving the fans what they wanted, but Cena made sure all the numbers were at least high and vibrant and it ended up feeling like a big celebration. 

JBL vs. Undertaker

MD: Really strong house show main event here. JBL cut a good, deluded promo trashing Australia and asking the fans to support him like he was 1983 Tommy Rich. I liked the early loop a lot where they bypassed the initial stalling, teased Old School, had JBL hit a great neckbreaker and Russian leg sweep, had Taker sit up, then did the stalling/leaving, and finished it with Taker dragging him back and actually hitting Old School. The match hinged upon JBL taking out Taker's leg and he really worked to get it early, first capitalizing on a missed knee in the corner by punching it out, then turning a Taker move on the stairs around, and finally tossing a chair into the ring to distract the ref so he could whack it with another chair. He had a nice (in theory though maybe not execution) Gagne-style deathlock on for a while and then they were able to use it to justify all of Taker's comebacks getting cut off. The finish was full of ref bumps and Dupree coming back to cause trouble before the groggy ref saw JBL use the belt for the DQ. Post match, Taker destroyed half the roster as the crowd chanted for Cena to come out to save him, but ultimately they were probably more than ok with what they got.

ER: I thought this was an excellent JBL outing and a kind of lacking Undertaker outing until all of the push to his big comeback, balancing out to a very good house show main. For the first 10 minutes of this long match, I swear Undertaker was throwing every single strike 3" short of his intended target. You could clearly see every JBL shot (and I do mean every kick, punch, chop, and elbow) land, and here's Undertaker throwing punches at a fly a few inches in front of JBL's forehead. JBL and Undertaker's star do the work of two men here, but JBL is the guy taking big bumps and attempting to lean into Taker's strikes, and it's just a great JBL match. I loved early when he wasn't budging Taker with shoulderblocks, then rushes in with even more steam only to get sidestepped, crashing over the top to the floor in a really big bump. JBL is good at bumping into the ring steps, but leg control JBL was a different kind of fun than I was expecting this match to be. When JBL dodges a Taker running boot in the corner and Taker's balls hit the buckles, that's JBL's time to work over that leg.

I love his kneebreaker, a really vicious move for a guy his size to do, trapping Taker's shin in his legs and jumping down to his knees. Taker has an amusingly loose set up for his own rolling kneebar, but JBL is good at dropping tons of elbows on Taker's knee, trapping it in his own legs, applying pressure to the actual knee, and recoiling from all of Taker's strikes to break that hold. Taker is very good at limping around and paying lip service to that knee, though seemed to be selling it better when his leather pant leg was hiked up his leg. JBL set up all of Taker's comeback offense really well, and leaned right into that Snake Eyes/Big Boot combo that a lot of fans bought as the finish. The crowd seemed genuinely surprised when Taker kicked out of the Clothesline from Hell, and I loved Rene Dupree's big bump off the apron when Taker kicked away his distraction. You can't have JBL - even as champ - pinning Taker on the main event of Melbourne's only show of the year, and I thought all the bullshit at the finish was more than enough to send a crowd home happy. 

COMPLETE AND ACCURATE 305 LIVE

Read more!