Oh Bury Terry Not on the Lone Praire

Black Terry/Pantera vs. Negro Navarro/Pirata Morgan IWRG 7/23/11 - GREAT

PAS: Compact 13 minute match which kind of felt like an awesome first fall, where we never got the second and third. Match opens with 5 minutes of Navarro and Terry grappling which was delightful and an obvious highlight. Pantera hits a cool tope from the apron through the ringpost, and there are some cool eliminations. Pirata had a moment or two, but this was worth watching for that uncut raw Terry vs. Navarro.

 
MD: It's a joy to watch Terry and Navarro do their thing for a few minutes. They're wrestling's odd couple. Navarro makes everything look theatrical, able to somehow make a straight line look stylized and curved. Meanwhile, Terry's entirely business-like, poised and practical, able to make something infinitely complex seem simple and professional. Navarro is eternally bombastic and will take you on the scenic route pointing out every landmark true and fabricated along the way and Terry somehow finds a shortcut to wherever he's going, getting there two minutes early yet still leaving you completely satisfied by the quality of company. When you put them together, they play perfectly with one another's strengths, the contrast driving the entire endeavor and leaving you not wanting to look away.

Morgan was fun here too, pulling out a few things that, while maybe not contributing to a greater whole would be memorable: an abrupt contorting cradle when he first got in there, the rare double rotation Casita for one elimination and then a rolling sort of Anaconda Vice that felt just as rare for the second. And then Pantera added just a bit of flash and motion (not too much) with a few high spots. As Phil noted, this ultimately felt like a really good primera, never boiling over, never leading to heat and comeback, but as exhibitions go, any one that'll start with a few minutes of Navarro vs Terry like this is well worth watching.

JR:   This match is mostly an exhibition, although there are certainly worse people to have that sort of match than Terry and Navarro. There are fun holds and some good exchanges that might look too cooperative in the hands of lesser performers. Pirata Morgan hits a slingshot senton that I can only describe as a non-ironic version of the slow motion one Chuck Taylor used to do in Chikara.

After the opening portion, when Terry and Navarro tag out, there is a brief moment that will stick with me as Pantera struggles with Pirata Morgan. I found myself thinking, as I watched this, of Cubs' wonderful obituary from today. In it he talks about the truly beautiful outpouring of support for Terry and how beloved he was as a trainer and teacher. Terry was observant of new trends and styles and was willing to teach things that were not to his taste if he thought it would help his students succeed. Close to the corner, Terry crouches down and talks to his partner, giving what I can only assume are instructions. My relationship with Terry has always been purely critical, of course. I've never seen him train or eaten at his table or heard him tell stories. I've only watched him perform. Perhaps this was a performance as well, but in that moment I saw Black Terry not as a wrestler, but as someone that cared and wanted to help his partner sincerely. I saw the type of trainer he might be, offering quiet but serious suggestion.
When I picture Terry, I think I'll always picture a man brawling, grunting. I'll picture effort and sweat. Tonight, I am glad that I can briefly picture something else that makes me feel closer to the whole of him.

TKG: This is pretty much a one fall sprint with Terry and Navarro doing their ras de lona work, Pantera getting in his big dives and a small tease of Pirata v Terry.

At turn of century when both AAA and EMLL where both stripping out first fall technical exchanges…the indies fully leaned into them, highlighting the work of the older maestros keeping the style vital and alive.

I really popped when after the initial submission exchanges, Terry started the technical leverage throw section with a big monkey flip and Navarro answered with an impressive nasty suplex.
As maestro’s got older we’d see fewer big suplexes. Your Hechicero generation of technical wizards really don’t do suplexes as part of technical display. That moving from leverage submission holds into leverage arm drags still happens but the subs into suplexes is something we see less and less and I miss.

COMPLETE AND ACCURATE BLACK TERRY

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AEW Five Fingers of Death 4/14 - 4/20

AEW Dynamite 4/16/25

Athena vs Mercedes Mone

MD: There was a post that went viral a month or two ago where people were besmirching the good name of Manami Toyota because she didn't hit some of her stuff clean. I've some issues with Toyota structurally (because of course I do) but that's the last thing I'm going to criticize her on.

You want wrestling a little rough around the edges. You don't want everything to hit clean. You don't want things to look collaborative, even when you know they have to be. You want that grit, because with grit comes determination, and through determination, you get emotion that you can latch onto as a fan. Go back and watch Jumbo from the 70s, watch Fujinami from the 80s. Watch the sweat come down grimacing faces and veins all but popping out of necks. That draws you in, immerses you. It doesn't make for as good a gif but it makes for a far better match.

Almost nothing in this match looked like it hit clean but almost every single thing looked like it hit nonetheless, and it hit messy, and it hit dirty, and it hit after deep struggle, not just a struggle between the wrestlers and one another, but a struggle between the wrestlers and themselves as they worked to heft up their opponent. One might think that would pull people out of the match (feel "botchy"), but it did exactly the opposite. It drew them in all the more because it gave a viewer something to push off against, something real to underpin the fantastical world of pro wrestling, something worth believing in.

What, then, bridged the gap between two people struggling to hit moves and a match so gripping that it's still hanging on to me almost a week later? Some of it was the stakes. This was a big, first time match, champion vs champion, hot act vs hot act. The outcome was up in the air.

And that crowd wanted it so badly. The crowd reminded me of the crowd for Ospreay vs Danielson, a crowd that was reverent, almost too reverent, that was just happy to be there, that knew they were seeing something special. That it was in Boston meant that Mercedes wasn't even a de facto heel, and no one really got cheered or booed. It reminded me too much of that Ospreay vs Danielson crowd, where they weren't necessarily reacting to specific moments but instead just were glad to be there, glad for anything that happened. It's the sort of crowd that you can do anything for and that you can do nothing for. That Fletcher, Callis, the Death Riders were so over as heels later on (and Nick Wayne for the ROH taping) was such a testament to them and their performances both on that night and over time. So it was a special crowd, but that too was a double edged sword. I would have liked to see this somewhere other than Boston. I'd like to see it again somewhere other than Boston.

What really put it over the top for me though was the reactions of Mercedes and most especially of Athena. You watch her face throughout the match, watch her eyes, and you see someone reacting in the moment to everything that's happening, every success, every failure, every advantage, every mistake. Even if she might make the same sort of shocked face you'd get out of other wrestlers (let's say the Adam Coles of the world) on a two-count kickout, there's something that her eyes do a moment later as she shifts gears that almost no one else in wrestling is managing.

And here, it was contagious. I'm not sure I fully bought into the lock up that took them up the ramp and back but once things crashed out on the ring with the fight on the apron and the dive later, everything clicked for me, including Mercedes' own reaction. I haven't seen her this alive in years, and it lasted through the second battle on the apron, through the tombstone sequence, all the way to the finish. I don't know if this is the destination for All In or not. I don't know if Athena's just headed back to ROH where she can continue to anchor it. I'm not sure if she's made for live TV since she's so used to freedom and excess, but as an attraction, she makes everything (and I mean everything) more special around her whenever she's around. Even if there's maybe a potential cost to that, it's one worth paying now and again.

ROH TV 4/18/25

Dustin Rhodes/Ross Von Erich/Marshall Von Erich vs MxM Collection/Johnny TV

MD: There was a moment at right around the halfway point on this one where I was wondering exactly what they were going for. MxM and Johnny took out the champs on the way to the ring and Dustin was on the floor for almost the entirety of the match, but there was a modified shine here. Ross and Marshall fought off everything Mansoor and Johnny threw at them.

And then it hit me, I'm watching Von Erichs. That's exactly what Kerry and Kevin would have done in this situation, and it would have gone just like this for them right until Mason came in, because in this situation, Mason was Gordy and even if the Von Erichs could stand tall and fight off Buddy and Michael, they weren't going to be able to handle Gordy too. Von Erichs are a force of nature but then so's Mason Madden, and I'm not sure I've ever felt that quite so much as I did here.

Everything built to a great hot tag sequence where they made sure to nail Dustin again on the floor so it could go around and around a few times until he finally got in there. By holding back Dustin (as beloved a star in the hearts of the fans as AEW has) so long in these six-men, not only does it really give Ross and Marshall a chance to shine, but it also ramps up the pressure for Dustin to come in and hit his stuff.

This had lots of clever bits down the stretch including the set up for Shattered Dreams off a missed Mason shot and a claw-assisted triple nut shot that was sort of like a pro wrestling Rube Goldberg machine in the best way. There was a lot of wrestling to watch over the last few days but I'm glad I caught this one.

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Terry's Calling, Terry's Crying, Some Are Born Some Are Dying

Black Terry vs. Arez Lucha Memes 11/1/20 - GREAT

PAS: This was worked sort of like Arez was excited to work a Black Terry dream match, the way someone might work 2 Cold Scorpio on a Mania week show. They ran through all of the cool things Terry brings to a match, starting with Terry doing the Maestro catch and release submissions, where Arez would shoot in and get tied up with something cool, Terry would let him go, only to tie him up again. Then it spills to the floor and we get a great Terry punch out, with Arez hitting him harder then you would expect someone this old to get hit, and Terry firing back with great looking jabs and rights. Then there is a nifty finishing run with a great looking top rope back cracker. Everything looked great, it felt a bit exhibition-y which keeps it from EPIC, but Terry exhibitions are pretty great exhibitions. 

ER: I thought this was a really smartly worked almost meta Hero match, with Arez acting almost awed as Black Terry showed him close up magic llave as a crash course fantasy camp, until Arez gets tired of the maestro shit and starts kicking him. Es es unable llave, clap, nothing up my sleeves, veteran psych out. I thought Terry's snares were pretty incredible. There was no slowly applied submissions, this was all slick ankle pick sleight of hand knot tying as good as he was doing 15 years ago. It's pretty amazing really. People love his maestro submission artistry, enough that there's a loudly protesting chinga tu madre whistle over Arez's ropes course escape, protesting The New Ways. 

The fighting escalation in Black Terry Coacalco matches always manages to catch me off guard, always manages to surprise me with some of the violence. Arez can land some really forceful kicks to the stomach and Terry was taking some real shots to the torso. There was a great spot where Arez knew it was his turn to take his medicine and Terry went off with body kicks as crisp as Regal working Dave Taylor. Terry takes a backcracker down the home stretch that literally bounces him off Arez's knees, and all it does is make him want to drive his own knees into Arez. Jumping off the middle buckle to drag a man down onto your knees is crazy behavior for a man in his late 60s. In other words, a Black Terry Coacalco match. 

TKG: I really like the way this match is structured, it is almost like a backwards veteran Ric Flair underestimating upstart young Sam Houston. Arez as upstart youth puts on the first submission and makes a big production out of announcing ‘Now , that is a hold’ and then Terry just dominates on ground, putting Arez in holds at will as Arez super sells getting worked over. Eventually Arez can’t take any more and throws the first cheap shot strike only to find that Terry again can go on floor, with Arez getting in bits of desperate flurries. This isn’t an even match at all . This is about long sections of Terry control and desperate young Arez dealing with the beast.

There is a spot where Terry sidesteps a leg takedown to set up a submission that I watched multiple times. And favorite moment from the brawling was when he’s beating up Arez in chair but won’t allow the chair to tip over. Grabs Arez’ foot and goes , no I’m hitting you some more.

COMPLETE AND ACCURATE BLACK TERRY

2020 MOTY MASTER LIST

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