AEW Five Fingers of Death 6/8 - 6/14
ROH TV 6/11/26
Eddie Kingston/Ortiz vs The Workhorsemen
Punch in. Knock out.
That's the creed of the Workhorsemen. It's built into their name. Carpenters. Good hands. Guys you want to anchor your card. Solid. Unshakable. They'll give anyone a tough match. Can credibly beat any other team on any night. Do work that anyone would be proud of.
So that's on one side. On the other? Eddie Kingston and Ortiz. Eddie's here in ROH not to give back, not to teach, not to train, not help even, but to give the young lions of the company someone to push off against, someone to show heart against.
That's well and good for Billington, for Price and Oliver, for Cole Karter or Griff Garrison.
Not JD Drake. Not Anthony Henry. They've been punching in and out for years and they've seen one kid after the other get the fame, the fortune, the recognition, the opportunities. Life happens. It's happened to both of them. Maybe if things had gone a little different, one of them would have been the Continental Champ, the ROH champ, would have gotten Ortiz' chance to shine. Eddie fought for what he had. Ortiz made the most out of opportunities. But they would have too.
Do they whine? No. Do they quit? Never. They keep punching in. They keep knocking out. They keep fighting. Maybe there's a chip on their shoulder, but given how they use it, that's a good thing.
This was just a really good mid card tv tag. The characters and the expertise drove it. That chip on the shoulder? They found the middle ground between that driving everything and classic tag team knowhow. For the latter, Ortiz especially was so good at being in the right place at the right moment for the right effect. I wasn't a huge fan of the Ortiz/Santana combo because it was a little too much of the same, maybe a little cute when it came to some of the tandem offense, but you put him in with contrast, and so much of what was great about that team gets to shine without any distractions.
Then you put him against the Workhorsemen who excel at controlling the ring and creating opportunities both for themselves and their opponents and then making the most of the former and cutting off the latter, and it just works exactly like it's supposed to. Maybe more than anything else, I love how they created time for one another. Henry would hang on against an opponent just long enough for Drake to recover and assert himself. Drake would just do the same, biding time until Henry was in the right spot so he could push his opponent into their corner for a trip. There's an element of trust and understanding that most teams never quite reach, but when you see it in practice, it's a special sort of magic.
And then Eddie was there to add the spice and, despite what the Workhorsemen might want, to be someone for them to push off of. Certainly Drake did, jawing, chopping, slamming into Eddie. Henry did as well, going so far as to throw a bunch of Kawada kicks just to make him angry. Then, when it came time for the comeback, one that was very much earned through missed tags and drawn refs and other Southern tricks, he came in like the folk hero he is, chopping away and giving everyone grief (most of all himself, like always), before a leapfrog from Ortiz set Henry up for the DDT.
Just a really good way to spend twelve minutes. Yeah, there are tag team belts stranded in Mexico right now, but this was pro wrestling for the sake of it, guys fighting for pride, fighting because the bell rings and they're faced off against each other, fighting because they're wrestlers and pro wrestlers wrestle, and we, as pro wrestling fans, watch them wrestle. Hell of an arrangement we have here.
I don't get a lot of feedback out here. That's part of why I post on Twitter now too. Even then, I don't get a ton. But I did get sent a post a year or two ago on BlueSky where someone said that not everything needed a thinkpiece or a review of 1000+ words, that, in this case, Rhino vs Manders didn't and that it just diluted everything. Now, of course, I was going to write earnestly and honestly about a DEAN match, but I think it's something worth poking at.
Pro wrestling criticism, writing about pro wrestling, is fairly underdeveloped. I don't think what I do is honestly all that great relatively. I do my best but this is a hobby. It's just a sparse ecosystem. In a world where the bones have been picked for years and years, I don't think anyone would need me. Wrestling isn't like that. Most of the writing has gone to the best, most lauded, most canonical stuff. You can probably read a decent amount about Flair vs Steamboat. You probably can't read a ton about 1981 German footage. You also probably can't read a ton about a mid-card match from 1993.
You can probably read a lot about Okada vs Tanahashi from January. You probably won't read a lot of people thinking about Workhorsemen vs Eddie Kingston/Ortiz tag from ROH. But there is beauty to be found in this. I don't know how many stars someone might give it. 3 and a half? The show itself has 7 votes and a 5.something on Cagematch. But limiting yourself to canonical five star matches misses so much of what makes pro wrestling amazing.
I think there's plenty of joy to be found in the crates, in the trenches, in the margins. It's work looking fir the greatness in the smaller moments and even a sort of craftsmanship and serenity in moments that aren't conventionally great.
These four are so good at what they do and what they do has value and worth. So long as you open your heart to it, it will make you feel something and isn't that what this is all about? These are complex characters who have lived full lives and that can not just distill that not just through promos, but in their ringwork itself. They played with the conventions of the form, remixing and refracting complex emotions through it. There is room for it in this world. The world (of pro wrestling but in general) is better off for it. And to me, that's absolutely worth writing about.
Labels: 5 Fingers of Death, AEW, Angel Ortiz, Anthony Henry, Eddie Kingston, JD Drake, ROH, Workhorsemen
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