Found Footage Friday: BUNKHOUSE STAMPEDE~! CENTRAL STATES SHENANIGANS~!

Bunkhouse Stampede JCP 12/14/86

MD: Omni next week as we're going to give Eric more time to recover from D3AN. This was another recent drop from JCP's debut at the Rosemont Horizon (so says Charles and we believe him when he says things). Very good cross section of the talent here though obviously no Flair, Tully, Dusty, and Nikita since that was the main event tag. It's hard to talk about any one specific thing in this but I definitely have a few thoughts. 

The first is that this, more so than almost any other battle royal I can think of felt purely chaotic. Workrate, spots, any of that is impossible here because there are just so many people and there are a few weapons (boot, flimsy trash can lid, Animal's wrist spikes, a strap, etc) flying around moving from participant to participant. The second that someone starts to do something interesting, someone else comes behind them and nails them. Sometimes it registers, sometimes it doesn't. Animal got someone with the spikes but they didn't realize it was happening and they didn't sell it right. The match was full of stuff like that but somehow it's additive because it just adds to the feel. 

None of the usual critical tools to talk about wrestling (structure, selling, workrate, execution) work in an environment like this. You wouldn't want it all the time but as a novelty, it's fascinating, because these are still incredible talents and characters all interacting with one another and having to operate on the fly. No plan survives more than a few seconds and everything becomes reaction. 

You can follow the flimsy trashcan lid around the ring as different people get it and since you're never going to keep track of the action (Ronnie Garvin's in this and I couldn't tell you one thing he did and he'd be a great person to watch generally), it's a good center point. It's best use, by the way, was when Rick Rude wrapped it around Animal's skull. It was that flimsy but it's a great visual. Rude and Manny drove a lot of this, with Manny scrapping with Wahoo (a precursor to their AWA feud a little while later I guess). Lots of heat for both, but at the end it was Eaton and Animal and that went about as well for Eaton as you'd expect in Chicagoland. This was a bit of a mess but despite what certain people will tell you sometimes a mess full of tons of talent is exactly what you need.

ER: This was so great, appropriately released in the middle of a battle royal compilation video, directly before the Great Berzerker Battle Royal. This battle royal is great because it throws 25 or so of the best dressed photo album dads in the world into one crowded ring and just hangs out with them. Almost everyone bleeds, but it would have been just as good (better?) if they had just been in there drinking beers like they had just finished a softball game. The cagematch listing is not accurate, because there is no Dick Murdoch, Road Warrior Hawk, Big Bubba, or Baron von Raschke, but that doesn't matter. Well, maybe Dick Murdoch would have mattered. Okay Dick Murdoch with a 50-50 poly cotton blend t-shirt stretched over his stomach would have made a huge difference. This is a blood and fashion battle royal. Everyone is in their finest yard weeding jeans - except for Jimmy Garvin, who is by far the easiest to find man in the ring at all times - and old t-shirts and tank tops. 

Every man is dressed entirely appropriate for a Bunkhouse. Jimmy Valiant looks tall and powerful and exactly like Toby Klein just looked at D3AN. Bobby Eaton gets pummeled in the corner all match and survives all the way to the end until Road Warrior Animal throws him violently to the floor, Eaton swinging a weight belt at his face a few times before he's gone. Arn Anderson is an incredible focal point all match, a target in his red slacks and white t-shirt. He punches, he gets punched, he bleeds, he is eventually eliminated without his shoes. You see, more than one person removes their boots or shoes to use as weapons, and Arn's stocking feet up in the air is a reminder of that. Ole is in camouflage pajamas like he's Udo Dirkschneider in the "Balls to the Wall" video. Wahoo and Manny put on a helluva performance before eliminating themselves, punching each other bloody and bashing each other into ringposts. Ronnie Garvin looks incredible in his black sleeveless shirt (that gets ripped away at some point) and brown leather weight belt. Barry Windham stands tall in dark blue jeans and a dark blue tank, Rick Rude stands tall in part because of his cowboy boots. Tim Horner is in a goldenrod shirt and takes the fight well to everyone larger than him, meaning everyone but Bill Dundee. Bill Dundee is in town because he had to leave Memphis in July, and he runs around hitting everyone and pulls these great I'm a Little Guy faces whenever someone tries to lift him up and over. Dutch Mantell is dressed like Bunkhouse Buck, who modeled his entire fashion on Dutch Mantell in a Bunkhouse Battle Royal.  

As far as drunken softball fights go, you've seen better. But I don't think wrestling fashion ever approached being this good again. Everyone knew exactly what kind of fight they were headed into. The red Ricky Morton and the purple Robert Gibson, the kneepads over the jeans, the Yard Work Outfit Supreme. Just throw on some old shoes that you don't mind getting dirty, some pants you don't mind kneeling in, find a bandana you can tie around your pants, or like the Bullet, around your neck. You know the drill. You've never seen 25 better dressed wrestlers in any one place at any one time and you never will again. This was the golden era, when men knew how to dress for a fight.  

Ken Timbs vs. Rufus R Jones (Boxing Match) Central States 3/28/85

MD: Next two are from one of our other great archivists, being Ben/ArmstrongAlley/KrisPLettuce, who has just organized some Central States. This was passed off to me as especially awful, and it's not quite as embarrassing as it could be. You think of the Piper vs T boxing match with the heavy gloves and T getting gassed as awful. The problems here were entirely of a different sort. 

If anything, there were two many punches. There was zero drama over the first few rounds. Jones just kept punching away again and again and Timbs kept his hands up until he couldn't and went down multiple times. There haven't been THAT many worked boxing matches in wrestling but the trick is to treat them like a wrestling match with boxing trappings and not a boxing match in a wrestling ring. That means that you do shine/heat/comeback as much as possible and in the shine, you should have the heel get some false advantages and then eat comeuppance. There was nothing of that here. Just Timbs walking into fists and selling as Jones chugged along. There wasn't a build to any highs at all. It was just a dull train moving slowly.

When he did take over in later rounds, it was because he was valiantly outpunching Jones in the corner. Only after he took over did he jab him in the eye with his thumb as Gary Royal distracted the ref. Totally backwards. Then later on Royal distracted the ref and Timbs got a knee in to take back over again. Only then he kept doing the knees when the ref was looking once more. One knee, followed by punches. That's the way to go. Maybe a second one that gets caught which could have led to the further distraction and Royal slipping the object in to Timbs' glove (because that was necessary) but don't just do it blatantly in front of the ref. 

Just no artistry, no build, no payoff. The place where that did happen was on the finish as there was a dramatic power around the object (which the fans noticed) and Jones had to duck it repeatedly before getting it himself and KOing Timbs with his own loaded glove. Maybe it was more powerful to put all of the actual "pro wrestling" part of this right at the end, but I don't think so. Just completely tossed the comparative advantage out the window and then didn't even make it believable for all the punches that Timbs was just eating.  

Gypsy Joe vs. Mr. Pogo (Chain Match in a Cage) Central States 3/28/85

MD: Well, this is definitely down our alley. Yes, there's a cage. It's about seven feet tall, I think. It doesn't come into play except for to set the mood and to show that they're enclosed and no one can get in and no one can get out, and in this case, I'm perfectly fine with that. There's enough going on with the chain after all. 

This was touch the corners, but they didn't try for a bit. Joe's advantage early on was fun, as he went after the foot first and then dodged a chain shot causing it to recoil and hit Pogo in the face. Pogo took over with it wrapped around his fist and didn't look back. One chain punch after the next, opening up Joe. The VQ is what it is, but you can tell he bled big. Eventually he went to touch the corners though and that let Joe come back. They did a good job of really building up anticipation for his first punch. He started going around and Pogo held him back until Joe finally charged in and took a shot that knocked him into the fourth corner.

Post match the cage did come into play. They had said that Sheik Abdullah the Great's New York Office had said he was on a fishing trip but he came in wearing a disguise with the heels to help beat on Joe and it took a while for the babyfaces to make the save. A good post down beating even if it was surrounded by the extra stuff. Otherwise, a nice minimalist bloody affair. 

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FOUND FOOTAGE FRIDAY: OMNI '87~! OTTO~! STRONGBOW~!

Otto Wanz vs. Jay Strongbow Graz, Austria 7/7/79

MD: This is the earliest Otto Wanz footage I'm aware of. It's part of Richard Land's patreon drop for this month. It goes ~40 with 30 of that being actual wrestling and not round breaks. It has an absolutely remarkable crowd. Hopefully he has a bit more of 1979 Austria/Germany in that tape collection because I want to see more of these fans. They were singing and chanting early, but they were up for absolutely everything and did they ever love Otto.

This is also an incredibly rare look at heel Chief Jay Strongbow. Maybe surprisingly, he brought the goods. This was right in the midst of the Valentine feud where Valentine broke Strongbow's leg, and he came in off of that and was an absolute bastard here. Otto spent most of the match trying to fight fair while Strongbow would fire off on him in the corner and punch and tear at his wound. If Otto was able to fire back, he rolled on out to the floor and they repeated the cycle. 

While the fans went way over the top every time Otto fired back, he controlled just a bit too much of this. Strongbow might charge in before the bell and he'd find ways to get under Otto and the fans' skin but he needed to be on top just a little more in the middle rounds. That said, when Otto finally had enough and started hitting back on Strongbow's terms, ignoring the rules, the fans were in high heaven. This wasn't quite as good as the Studd match but it was still an accomplishment for them to be able to go that long and still get it mostly right. Primarily though, this was about atmosphere. Just an amazing crowd; hopefully we get to see them again.

JCP Omni 2/1/87

MD: Almost anyone reading this watched it in real time and knows how special it was. Yes, it was a short card full of "tournament lucha"-esque short matches because we don't have the main event (Flair vs Windham - 60 minutes) as that was on another card, but it was our first new Omni show in years and hopefully the start of a new trend.

Bill Dundee vs.  Dutch Mantel

MD: Dundee was the Central States champ here. Dutch controlled the center to start, was Dundee stooged around, eating a back body drop, complaining about a phantom hair pull, wanting time out. They had a great bit early where Dundee got an eye rake and went for Shoo Baby only for Dutch to get it back and Dundee to take a whip trip. Eventually Bill managed a low blow and took over on the arm for a bit. Mantel hit one of the many great punches in such a short match and they went towards the finish, with Dundee escaping a roll up and pulling the tights for the win. Starting a trend for the night everything looked great in this one.

Bob Armstrong vs. Jimmy Garvin

MD: 30 second crowd pleaser. I wouldn't have minded seeing what they'd do with a little bit of time but it wasn't meant to be. My favorite bit here was Garvin acting like he won after the fact (to no small amounts of heat too).

Arn Anderson vs. Brad Armstrong

MD: These weren't just matches for the sake of matches. This was shortly after Lex's debut and this show was another cog in the machine of getting him over as a key associate of the Four Horsemen, even if he wasn't wrestling on the card.  For something that's been locked in a vault for so long, the amount of care in the production is interesting. It's not just a single camera. They cut to JJ or cut to a reaction from Luger. This was meant to be shown. It just simply never was.

Obviously, Arn and Brad match up extremely well. There's a certain elaboration to the early sequences where they go around one more time than you'd expect or turn things in a way that feels just a little unpredictable while throwing everything they have into it. We had another quasi low blow to set up the heat, two matches in a row, this time off of an Arn inverted atomic drop out of the corner. One of the best things about this set up (more on this next match) was how well we could hear the wrestlers. Arn, after taking over, just says "Now, then..." and what came after the ellipse is his beatdown of Brad. They moved through it quickly with the spinebuster (being the most versatile move in wrestling) serving as a cutoff to a hope spot, before Bard caught Arn coming off the top. Finish had Lex intervene by pulling out the leg on a suplex. Just a small movement, nothing over the top, and then right back into his seat. A way to get him over as efficient and professional. Obviously it would have been nice to get a few more minutes of this but they made the best of the time they had.

Tully Blanchard vs. Wahoo McDaniel

MD: It's hard to go from modern wrestling to any of this, even for me who spends all of his time jumping around time and space. This match is the trickiest though. Everything looks so good and so credible. Every strike is a violent delight. It's almost shocking to see Wahoo chop away in the corner. It's so different from anything else you'd see today. There's nothing framed about it. It's not a product for TV. It's was there to capture every eye in the arena and somehow that translates better onto the screen than something perfectly posed for a hard cam.

Tully is so vocal here, blabbing on about how he's an honorable man, complaining about every perceived offense perpetrated by Wahoo. I imagine only the first few rows could even hear it but it was part of his full immersion into the moment. There was no going through the motions. He was living and breathing the part. It's magic watching him scramble out of the ring or try to dash his way back for a sneak attack only to get caught and have his limbs somehow fall over one another. Selling isn't even the word for how he takes Wahoo's stuff. His portrayal was so good that it warped reality and made the the lie more vibrant than any truth could possibly be. 

The finish was simple, straightforward, matter of fact. Wahoo had him down. JJ drew the ref. Lex casually rose, clocked Wahoo with the belt, and sat back down, crossing his arms. Nothing over the top. Everything subdued. Just a great way to establish Luger.

Elimination Tag: Ron Garvin/Robert Gibson vs. Midnight Express (Dennis Condrey/Bobby Eaton)

MD: Very fun seeing Garvin in there instead of Gibson for whatever reason. He was tagging with Windham regularly at the time, including feuding with the Midnights. You have to love Gibson in the shine. There was the spot where he leaped frogged over Eaton after Condrey had tagged in and you expect Condrey to be about to tag him, but Gibson just stops short and hits a bodyslam instead. Or Eaton feeding for Gibson when he was outside after tagging Garvin in. You'd half expect him to try to take Gibson off the apron with a cheapshot but he just gets nailed over and over. It plays with expectations just a little while feeling totally organic. Likewise, they played with them by having Garvin get his foot on the rope after the Bubba shot, something that followed two finishes where Lex had interfered in a similar way.

This morphed into a conventional tag for a bit with Garvin working from underneath. His comeback just being a shoulder block out of the corner was actually unconventional but fit him perfectly. The racket shot that took out Gibson was pretty nasty. Then, as Eaton was rolling Gibson out, Garvin rolled him up to even the sides. Maybe you would have wanted a second bit of heat to play on the numbers advantage instead but they were wrestling against the clock and these matches were so rare that almost any tweak must have felt new and fresh. They still had Condrey control for a bit until they cracked heads and went into the finish. Garvin went over after the miscommunication, but they made sure to get some heat back on him after the match.

Super Powers (Dusty Rhodes/Nikita Koloff) vs. Ivan Koloff/Vladimir Petrov

MD: Shame we miss out on the Dusty/Nikita entrance here. Non match as the Russians immediately use the chain. It's a little surprising how little the fans seemed to care. They were just happy about Nikita firing back and Dusty and Nikita having their hands raised. Not sustainable but it was early enough into the turn, maybe that was all that mattered. Just a crazy notion in 2024 that people would care so much about their guys winning that they'd accept a non-match like this. Different worlds. You can barely even compare them.

Road Warriors vs. Ragin' and Ravishin' 

MD: Definitely a show where maybe too many heels had the titles. Again, when the Roadies were proclaimed as the winners by DQ, the place went nuts, so maybe I'm wrong. Business doesn't stay good forever though. This was fun just to see Rude and Manny bounce off of the Warriors. When it was time for Hawk to get worked over, he balanced being a Frankenstein's Monster with being properly vulnerable extremely well. It's a tough line to walk but he walked it, things like popping up from the pile driver but only half way, just in his body language. It's tough to play sympathetic while remaining a entirely larger than life but he managed it and that just ramped things up for the hot tag.

ER: An hour of perfectly shot Omni footage shows up with little warning, incomplete but a gift nonetheless. I didn't expect the work to offer us any new insight into any of the workers as most of these undercard matches were short, but I am an easily persuaded man. I have the kind of simple brain that can watch one hour of wrestling from 1987 and come away with new opinions on workers that we have hundreds of hours of footage from. I'm going to say that it's because we got this footage in such sparkling HD, and more importantly some of the most crystal clear sound you will ever hear on a wrestling show. That might have been my favorite part of this gift, that there was no commentary so you didn't even have to turn your TV up too loud to hear details happening in the ring and the crowd that you would have otherwise never heard. I love any new handheld footage that we get. Handhelds might be my favorite kind of wrestling these past few years, giving us the experience of being in the crowd seeing pairings that otherwise never made TV. But this footage? This footage makes it feel like you're standing at ringside in 1987. You can hear so many little things, and the footage looks beautiful. There were 4,500 people in the Omni that night and due to the way they lit the place we can see maybe 30 of them. But we can hear what sounds like 10,000 of them. Wrestling is mic'd so terribly now that crowds are muted, commentary is king, and we realize that the crowds are muted because there just weren't instances of audience members trying to get themselves over in 1987. It was pure. 

When some woman screams out"Work on him, Dutch, work on him!" it's because she cannot stand Bill Dundee. Being here at ringside you can feel how badly these heels were hated, feel how adored every babyface was, and here in-ring insights that we've seen but never heard so clearly. When the ref admonishes Dundee for grabbing Dutch's hair, I've never heard Dundee say anything as hilarious as, "The hair? I don't want to touch his hair." Dutch Mantel did not give anyone a chance to not touch his hair. We get to hear better than ever before, every single Tully Blanchard dumb asshole flip out. Tully looks like Wings Hauser and screams at the ref over every non-infraction like a small-dicked high school assistant basketball coach. You've seen the body language of Tully being the biggest asshole in wrestling but you've never heard him like this. Every wrestler on this card is a wrestler with great body language, but getting such clear audio to pair with the body language is so special. It would have been great enough seeing Manny Fernandez and Rick Rude stumble and beg off from the Road Warriors, but things like hearing Manny screaming out NO! as Rude almost goes for a one-handed knucklelock with Hawk, or Manny screaming NOOOOOO! in a totally different way when he's getting press slammed for the second time. It gives such a new dimension to these workers and these matches. 

The two big tag matches on this show were as great as they looked on paper. Rick Rude was one of the hardest workers in history and my opinion on him goes up whenever we get new footage. I don't think I've ever seen a Rude match where he wasn't On the entire time, and seeing he and Manny both On against the Roadies is just great pro wrestling. Rude and Manny don't just bump all over the place, they're doing a constant physical routine against two of the most physical monsters of the era. Also, is Hawk one of the 100 greatest wrestlers of all time? If you had asked me 5 years ago I wouldn't have considered either Road Warrior for a Top 100, but Hawk was something else man. After going back and seeing how great "washed" 1998 Hawk was and seeing more and more footage from the decade before, it's clear that Hawk never needed Animal to be a real force in wrestling. This man had It. An unreal aura and some damn great in ring. I don't know how many better flying clotheslines I've seen than Hawk's in this tag. The clothesline off the middle or top buckle is one of the tougher clotheslines. You have to worry about your landing more than the impact of your clothesline, so they often land soft. Hawk's lands as hard as any of his running clotheslines and he follows it through all the way to the mat, like he was doing a flying STO. I think I've seen Daisuke Ikeda hit one better, but Hawk, man. I love this guy. 

This was a one hour presentation with nothing but highlights. The crack of Dutch's whip with this HD sound. Dennis Condrey making me ask aloud "wait was Dennis Condrey the better worker in the original Midnights?" The way Big Bubba held Robert Gibson for racket shots, and the perfect timing of Jim Cornette jumping to the apron to racket Gibson mid-headscissors. The way the Ragin Bull chopped Animal harder than either Road Warrior could hit. Lex Luger's two perfect pieces of interference to help Arn and Tully, remaining completely uninvolved in each match until the finish, sitting arms crossed and observing the matches like an indifferent-faced innocent boy, other than two quick moments of a grabbed ankle and a belt to Wahoo's face. The noise these people made for Nikita. This whole show was moment after moment after moment. And finally, we got to see them and hear them clearer than the folks in Atlanta that night. 

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Found Footage Friday: HANSEN~! SPIVEY~! KOBASHI~! ACE~! PUTSKI~! FUJI~! KUWAIT~! SMOTHERS~! EATON~! ROCK 'n' ROCKERS~!

Ivan Putski vs. Mr. Fuji WWF (Kuwait) 1982

MD: The Rex match might have been technically better and even more primal and straightforward in some ways, but this had astoundingly glorious bullshit. At the two minute mark of the video, Fuji starts to play "hide the salt" and they milk it for another three and a half minutes before locking up, with the fans getting more and more into it as the ref can't catch him. Fuji eventually gives up with it and they start cycling through holds that Putski can power out of. Fuji gets an advantage on an armbar by pulling the tights to get Putski down but he ultimately gets a hyper noogie for his trouble. The crowd is loving every second of this so far, much like the Rex match; Putski just has a special relationship with them and Fuji isn't at all afraid to make goofy faces and flail about. Around twelve minutes after the goofiness with the salt started, Fuji finally gets it in Putski's eyes. This triumphant moment earns Fuji a bit of karate and a nerve hold before Putski shakes it off, hits two back body drops, and chases a retreating Fuji to the back. Another good time had by all. I don't know what this says about me, but I can watch Fuji hide salt in front of an irate crowd all day.

ER: People cannot get enough of Kuwait superstar Ivan Putski, and they show nothing but confused indifference for Fuji's salt ceremony...until they clearly see that Fuji is saving salt for Putski's eyeballs. I wish I knew more about the average Kuwait wrestling show attendee's familiarity with classic wrestling heel tropes. I want to see Bobby Heenan hiding a weapon for 20 minutes in Kuwait, slipping it in his boot and back in his trunks and even standing on it. Imagine Lawler hiding a weapon that doesn't actually exist and getting these men (No Women Allowed in the Kuwait Wrestling Club) to lose their minds, tearing their keffiyehs from their heads. Fighting Ivan Putski is like fighting a person in one of those inflatable dinosaur costumes. Much like the Moondog Rex match this week, there are some tremendous strength spots. 

I could see a lot of these spots done by a skinny fat super indy undercarder and played for hack laughs, but the exact same spots done by a completely gassed 5'4" man in early 80s Kuwait play like the pinnacle of the genre. Fuji breaks Putski down to his knees with a nerve hold, both hands digging into Putski's armpits while clutching his pecs, and in an incredible moment Putski rises to his feet and begins loosening Fuji's grip by flexing his large pectorals, Fuji's eyes growing wider, hands still gripping Putski's fleshy muscular breasts, Putski going through every posedown challenge to break the vice, a Most Muscular pose with unbroken eye contact finally freeing him. Putski's strikes get better the longer the match goes. His headlock punches have more intensity than Nolan Ryan's, and his elbow strikes to Fuji's chest in the ropes bounce him wickedly. But when that salt finally comes back into play, it's glorious. Fuji sneaks it into Putski's eyes and Putski swings his short T-rex arms blindly at him, while Fuji stays just out of arms reach throwing throat thrusts and headbutts. But Ivan Putski is the Most Powerful Man in the World and, much like the Philistines blinded Samson and still felt his full wrath, Fuji is soon tossed hardway by two backdrops, and flees the building before it all gets pulled down on top of him. 

Stan Hansen/Dan Spivey vs. Kenta Kobashi/Johnny Ace AJPW 11/20/90

MD: Pulling this back from the middle of the handheld card as it's the last major match we haven't covered yet (there's a Ricky Santana/Doug Furnas vs. Dick Slater/Joel Deaton match which isn't all that interesting and an opening match Teranishi/Kikuchi vs. Fuchi/Ogawa match that I don't promise I won't cover in the weeks to come). It's always fun to hear Kobashi come out to Kickstart My Heart. The contrast here is good. Early Kobashi/Ace (the All-Asia stuff) can be frustrating if they're up against a small, quick team and you get a lot of action and not a lot of weight to anything. But there is nothing but weight when you're in there against Hansen and Spivey. Obviously, Hansen is the real muscle, but Spivey starts this match out by catching Ace off a cross body and just SOS-ing him over his head and shortly thereafter, when Kobashi tries to get technical with him with a leglock, just jams his leg down upon Kenta's face in the nastiest way possible. Spivey wasn't a bad Hansen partner by any means. He was big enough and had some presence but it was also believable for Kobashi to bounce back off the ropes and drop him with a heart-filled shot.

Whenever this hits the outside, it gets great. Hansen just uses the rail and a chair and even this big wooden table. He was better smashing Ace with it than going for the lariat against it, though, as he took out his own arm opening up a fairly lengthy "contain the beast" bit from the two of them. You can't keep Hansen down (in 1990) for long though, and they rotated about until they were beating Kobashi down, with him surviving despite the odds and some nasty shots (including the aforementioned chair shot). At one point Ace broke up a submission by running in and bounding off the ropes with a clothesline but he got absolutely nailed by Hansen the second time he tried it (which was happening more and more in AJPW at this point and was always a great spot). The comeback was wonderful and imaginative, with Kobashi ducking a double shoulder block that sends both Hansen and Spivey to the floor. A dive on Spivey and a suplex on Hansen followed and Ace and Kobashi got in some hope that they might, maybe, steal this one. But of course it wasn't to be. Hansen got fed up and lariated one after the other in quick succession to end it. At this point in their development (where they may have won the secondary titles but were still losing to Jumbo/Partner and even Misawa/Kawada), Kobashi and Ace just hanging as well as they did meant something to the crowd.

ER: I'm not sure how many things in wrestling make me smile wider than Stan Hansen running to the ring through a parting see of fans, chasing after some, swinging his bullrope at others. Danny Spivey looks huge here, like the World's Largest Wings Hauser. He's several inches over Hansen whenever they're next to each other. Did Stan Hansen gift every touring gaijin tag partner his own set of chaps, like a leather goods Ribera Steakhouse jacket? Underneath his Gifted Chaps, Spivey is wearing Daisuke Ikeda's future ring gear, larger. There's a woman in the crowd who loves him and yells SPIVEY all match long. For her, he leans into a strong Ace clothesline and bumps big for a Kobashi back suplex. I love the precision and speed that Spivey and Hansen used to get Kobashi to the floor, slammed face first into a table, and rolled back into the ring. It was like 5 seconds flat. Hansen just threw Kobashi's body like he was a bag of autumn leaves. Stan Hansen was the first guy I ever saw do the Ringpost Chop and I thought it was incredible. Here he tries to take Johnny Ace's head off with a lariat and instead Western Lariats a thick table as hard as he would lariat a man. Hansen was a genius at hitting offense into inanimate objects, thrown as if he never once expected he would miss. 

Nagoya, in one night, got to see over 10 minutes of Stan Hansen and Abdullah the Butcher getting cut off decisively from their tag partners, and I love whenever Hansen is the Man in Peril. He is both great at selling while in offense, and also a constant threat. Kobashi and Ace are like two cops trying to take down a guy on PCP, just swinging chops and feet, always a second from lashing out. Hansen is great in peril, and he's even better getting his revenge. Cower at the ease with which he throws Kobashi with a head whipping bodyslam, or the way he and Spivey launch Kobashi with a backdrop and Stan is already falling on top of him with an elbow. Hansen and Spivey miss a tandem 3 point tackle into the ropes like two men who weren't expecting to hit the ropes, because Stan Hansen tis a man who has considered the concept of object permanence. Kobashi's pescado into Spivey hits flush. Hansen just beats the shit out of him. There's a really great sunset flip nearfall, where Ace does an unconvincing sunset flip and Hansen balances himself and starts knuckle punching Ace in the head, but Kobashi does a mountains-moving dropkick to send Hansen flying back into a close pin. He shuts that shit down swiftly and suddenly, putting Ace down hard on his back with a shoulderblock, backing into the corner as he calls for the Lariat. Kobashi screens into frame to save his dude and takes the absolute worst swinging hell arm to the nose, a fool of a man for startling a large blind man who never chooses Flight. Ace loses the match, but absorbs a comparatively polite lariat. 

Tracy Smothers/Bobby Eaton vs. Ricky Morton/Marty Jannetty Wrath Pro 2/18/07

MD: Speaking of glorious wrestling bullshit. This had Smothers on the mic to start (of course), with the usual threats to leave to get the fans chanting and then a great bit about having no heat with Morton. Tracy graciously said that if Ricky turned on Marty, he'd not only give him the right to ride with them, he'd give him five whole bucks. Morton didn't take the deal. That and Smothers making a show out of taking his shirt was the first ten minutes of the video.

Of all the various ways to watch and enjoy wrestling, there's only one that is unquestionably wrong: you can't quantify wrestling; if you're counting the number of kickouts or punches, you're doing it wrong. But you can speak about things more broadly in terms of time, especially in a narrative sense, sure, and with that in mind, I'd like to report that the next six minutes were Jannetty and Smothers goofing. Jannetty would get a takeover or reversal; Smothers would complain about the tights or the hair even if it made no sense given what actually happened; Jannetty would then do the move to the ref slowly to show him it was impossible. At one point he even had the ref do a counter on him to show him. It was six minutes well spent.

After some more stooging and clowning from Eaton and Smothers, they got about a minute of heat on Morton, before he came back and they went right to a double roll up and some more Smothers jawing including the singsong promise never to come back and yelling at everyone to go home. The entire video was around twenty-five minutes; 35 with ten more minutes of heat would have been preferable, but it's hard to complain too much about what we got given the venue and the age and filled out bump cards of the wrestlers involved. 

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Found Footage Friday: LAWLER~! WILDCAT~! BUCHANAN~! MORTON vs. EATON~!

Jerry Lawler vs. Bull Buchanan NWA Worldwide 1999

MD: I get that he had Lawler in here, but my initial thought was that Buchanan looked very good hitting his stuff. I went back through the archives to see if we've said much about him and I think I've found Eric twice over the years saying he looked better than he remembered, so maybe there's something to that. Granted, it helps when, during the comeback, a guy has Lawler wildly slamming his own head back into the turnbuckle to sell punches. Likewise early on when he really went up for Bull's slams and then stooged by being unable to slam Bull himself. Regardless, Bull came off looking like a big deal here and like someone who could really be molded as a dynamic monster. Even when Lawler was in charge, it was mostly by having Stacey choke him on the bottom rope or by using an object. Bull actually hitting stuff was a bit more dubious but the money was just in how fluidly he hit a whip into the corner or moved around the ring. Overall just a very giving performance by Lawler, though I'd say that the fans were more anti-Lawler than they were pro-Bull and they never quite got behind him despite it all. If I saw this in 99, I'd think Bull would be WWF champion in 2003 maybe. I guess he was tag team champion for a cup of coffee. His AJPW run doesn't hold up, right?

ER: I'm forever curious about checking out and re-establishing opinions on guys like Bull Buchanan. Following my nose has lead to some pretty great wrestler re-evaluations for me personally. I wouldn't have known just how great the Berzerker was had I not followed it. Bull Buchanan isn't a guy I've thought about re-evaluating, which makes him a perfect kind of guy to look back into. It's just fun to check back on certain things the older you get. You never know which music or director or wrestler your current self is into if you never dip your toe back in. Let's find those great Truth Commission matches someday! This Bull Buchanan was much different than the Recon that has last appeared in WWE 18 months prior. The main difference? Buchanan is so jacked in this match that I'm not sure how long it would have taken me to recognize him if I hadn't known who we were watching. You can tell he'd been putting in a lot of time in OVW, as he now had the biggest biceps and the stupidest haircut of his life. 

Honestly Buchanan looked more like a rookie a couple months in, than a guy who had been all over WWF TV and PPV for a few months the prior year. He looked like the kind of lummox that Lawler had been pulling great matches out of for over two decades. This was basically Lawler vs. Snitsky, and Lawler is really good at working that. I love when Lawler is a heel in Tennessee. Lawler as the controlling cheating heel is a much more interesting match than babyface Lawler selling the entire match for Bull Buchanan holds. This was a great Lawler performance, peaking with him putting on a master class of punches before immediately reminding every viewer that not only does he have the best punches in wrestling history, but he also sells punches better than anyone else. Buchanan's three corner punches are his highlight of the match, with Lawler whipping his body among ropes, turnbuckle, and fist. Lawler sells a punch to the body by running on his tippy toes and falling to his seat. Lawler added a lot of color to a minimalist Buchanan performance, taking high bumps on hiptosses and screaming in the corner when he was about to be socked. Kat choking Bull over the bottom rope was almost surely some kind of sex play between the three of them. Lawler wins with a perfect right hand, with what looked like a wadded up receipt as the weapon. Perfect. Somebody sell me on Bull Buchanan in NOAH. 

Ricky Morton vs. Bobby Eaton ASW 2002

MD: The bane of my pro wrestling footage existence are those silent 8mm footage clips. Those, and when we get 3 minutes of a match from Florida. There's something to watching two absolute masters without sound, however. We have a moral obligation to watch this, sound or no. It's fun here to just watch Morton and Eaton and imagine how the crowd would react. You end up focusing more on how Morton puts on a headlock or Eaton's body language as he's about to try to pull something tricky while pressed back into the corner. This one really doesn't have any high spots, but it doesn't need them. They were fairly deep into their 40s at this point, with plenty of bumps punched on the card, but they also knew what to do when and how. Eaton was slow to enter and threw a cheapshot punch when they finally made contact. When Morton came at him, he went to the apron to avoid contact. He tried it again, this time in the corner, but Morton blocked, fired back, and hit a stunner that Eaton sold like a mare. Always keeping up with the times was Ricky Morton. That opening exchange was probably the highlight of the match, as it's probably more fun to watch Morton's shine without sound than him fighting from underneath without it, but you could still see the mastery at every point in the remaining six minutes or so. Turner, when he uploaded it, said that this crowd had no idea how lucky they were. Without the audio, we probably don't know if that's true or not, but it's good to see how these two would put together a match in front of a crowd this size in a venue like this in 2002.

ER: I love watching wrestling with the sound off, and I'm surprised more don't take advantage of it. If you really want to focus on a guy, I always notice things I don't know if I would have otherwise with sound. It's a skill that I had to learn sometime around 2003-04 WWE, and it's a skill that I continued to use almost exclusively when watching guys I like in WWE. Remember when everyone was complaining about how awful Heel Michael Cole, and how much he was dominating broadcasts? Well guess which guy still managed to watch his favorite WWE workers without experiencing Michael Cole? Everyone has this power, and too many are afraid to wield it. A match like this forces our hand, but honestly, what could we have missed out on from this little venue in a short match? I thought Eaton looked so good here. I loved what a pill he was being about starting the match, and how he popped Ricky and even used a couple of sick thumbs to the throat. Eaton throwing one punch in one corner, and then casually walking to the opposite corner to lean through the ropes was some classic small town asshole heel business. Eaton's bump into the middle rope is one of my favorite punch sells (not sure I've seen anyone do it better than Eaton other than maybe Big Boss Man), and it looks even cooler in a dingy little building. We might need a tiebreaker on this one, as I'm pretty sure Ricky was indeed going for a flying mare, not a Stunner. I don't think Ricky really got the grip and he definitely didn't get the jump, but seeing how Morton landed I'm confident Eaton made the right bump. This didn't really feel like a full match, but Morton did take a decent bump to the floor, and I loved when he flustered Bobby with a flurry of punches. You already know if you're the kind of person who gets excited by a broken audio incomplete Eaton/Morton match, you don't need us. But you're probably here because you are the kind of person excited by this kind of match. 

Jerry Lawler vs. Chris Harris USA Wrestling 2005

MD: Fun for the whole family in this one, as Eugene was in Harris' corner, mimicking everything happening in the ring and having someone for both wrestlers to play against. Let me put it this way: the finish has Lawler getting pinballed from one to the next and the crowd couldn't be happier. The early going here is so minimalist, with Lawler losing an exchange and then milking it for two minutes, but I kind of live for that stuff. It's so effective and so artful so I'm not going to complain. He takes over with an object that may or may not exist and Eugene makes for an excellent cheerleader; there was a dodgy moment where the crowd was chanting for Eugene to do something instead of Harris but what Eugene did was start clapping and hitting the mat so that everyone would create a more neutral rallying reaction which Harris could play into. It was a smart moment by Dinsmore. The potential ceiling on this was relatively low if you compare it to all time Lawler performances but it was a huge amount of fun. 

ER: Lawler is so good at this. You couldn't call this a no bump or even low bump appearance, but this was 15 minutes of Lawler making the most out of the least, another match where Lawler's selling is at the forefront. Early on he takes a big swing and miss at Harris in the corner, and Harris hits him with an awesome left hand that Lawler sells immaculately. All of his selling here is great, all of his stalling is great, and the man even takes a big ass backdrop bump, and gets run into the turnbuckles a lot. He finally demands the ref do something about Eugene, and when Eugene is being dealt with he reaches into his tights to actualize a weapon that hadn't been there a second before. With a loaded fist he finally gets in his first offense of the match, peppering Harris with left jabs and right hand payoffs, dancing a little Lawler shuffle in between punches. I loved his backdrop bump, but his missed middle rope fistdrop bump is so damn good. Sometimes he sticks it knees to mat, but here he hit with knees and fist and immediately rolled forward, like Low Ki rolling through a missed double stomp, only here Lawler comes up holding his hand. Chris Harris throws punches a lot better than I remember (and he's also against the best punch seller here so that has to help), and there were a couple good nearfalls where Lawler got his foot on the ropes at the last minute. That was all paid off by Eugene shoving his foot off when he tries it again. It's nothing but punches, a couple of big bumps from a guy in his mid 50s, and bullshit. That's Segunda Caida, baby.  

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Found Footage Friday: 1986 NJPW BATTLE ROYAL~! SID~! EATON~! GOLGA~! SEVERN~!

Battle Royal NJPW 6/20/86

MD: I've been spending a lot of time with 1986 NJPW in a DVDVR thread with quick reviews that aren't quite SC worthy. While there is a ton of NJPW vs. UWF that you've seen and heard and would expect, there was other stuff going on. Most of that involved KY Wakamatsu doing his best megaphone Jimmy Hart impression managing the foreigners of the tour, which ranged from von Erichs to Samu to yes, Andre. On the same card as the 5/1 gauntlet tag is Andre/Wakamatsu vs. Inoki/Ueda (with Ueda's face turn being one of the real angles of the first half of the year). That said, past the image of Andre hitting guys with a bullwhip, there isn't a lot of actual comedy that's made tape, either TV or handhelds, in the year. That's why this lone battle royal, buried on a handheld disc that contains most of the Sagawa Express Cup one-night tournament, was so surprising. Sagawa Express was a company that Inoki got to invest in New Japan and the tournament has a nice Kimura vs. Maeda double DQ sprint and some good selling by Inoki against guys like Eadie and Murdoch. It also had some short, unsatisfying CMLL type tournament matches. 

And it had this battle royal, with some guys easier to recognize than others, given the video quality: Kido, Fujiwara, Hoshino, Ueda, Cuban Assassin, for instance. It's Japan style so everyone can dogpile one wrestler, and that happens almost immediately to Klaus Wallas, who we have only a few Japanese matches of plus some German stuff I really need to C+A because he was awesome here, killing everyone before the pool had enough of it. They then take out his partner on the tour, Cuban Assassin, just for the hell of it. From there, they do comedy spots putting shine on the ref with him getting boots up in the corner and Hoshino raising his hand, and even him causing Ueda's elimination by back body dropping him, keeping in mind that Ueda was an upper mid-carder at worst here. They do an alley oop spot with everyone tossing one wrestler in the air by grabbing a limb each. They do a goofy 2000s indy multiple headlocks at once spot in 1986! Fujiwara does an airplane spin! I get how they convinced Kido to be in this (a trophy; can't get enough of those), but it's obvious Fujiwara's overjoyed to participate just to mess with everyone, even after he gets eliminated. It's about ten minutes and even living and breathing this stuff for the last few months, I couldn't identify all of the undercard guys who never made TV or tape. But this is a strange burst of fun in the midst of a fairly serious, dour time in the company.

Sid Vicious vs. Bobby Eaton SCW 5/14/05

MD: The back half of this one had the sound ten seconds off. I don't think it was an issue for the first half but I had to stop it and start it at one point. Point being, that feels exactly how one should watch Sid matches. The impact isn't going to be there on any of his strikes, so best to imagine what you're hearing and average out the two. In a lot of ways, it doesn't matter. No one imposes his reality into a match quite like Sid. This was one of his first matches back after the leg injury, with the premise being: Eaton was his friend and he had claimed to give him a chance to walk away and then attacked him from behind on the way out of the ring. It was all Sid, and I'd argue that the focus on the back was effective as an overall whole, even if you wouldn't want to isolate and gif any of the individual strikes. Eaton treated everything like it was devastating. The announcers were selling it like an all time mauling. There was the visual spectacle of the size difference and of Sid with his jeans with knee braces over them. Bobby's hope spots (and he got two) were a blocked punch, some shots fired back, and attempts at slams where the back gave away, but he almost got him the second time. Wrestling is about getting people to suspend disbelief and when you have a giant imposing emperor that believes completely in his own lumbering strikes and a guy like Bobby Eaton working with him from underneath, it doesn't matter if he's naked or not; we're all going to agree with one another that he's got some of the finest clothes we've ever seen.

ER: The people that want to hate Sid (and I don't think I associate with any of them) never want to give credit to Sid for the intangibles. Sid was someone who always had terrible strikes, but bad stomach kicks and arm strikes that don't even attempt to approximate punches don't really matter when you can connect with people the way Sid could. Sid is someone who had It, and had the confidence to get across his persona without ever needing to refine his skillset. Growing up, my next door neighbors two houses down were the Nordstrom Family, and the Nordstrom children were my best friends. Mr. Nordstrom had curly hair exactly like Sid (styled the same, only brown), he was an electrician, and he had served in 'Nam. He was the kind of man who was so physically intimidating that I didn't realize until well into my adult years that he was only an average sized man. He was not a mean man, but when we were causing ruckus and he raised his voice, there was no parent in the neighborhood you listened to quicker than Mr. Nordstrom. Years later, at a party nowhere near my home, some guy found out I was neighbors with them and it turned into a half dozen different people all telling stories about how scared they were of Mr. Nordstrom when they were kids/teens. And I think that's the same kind of way that Sid worked. I never saw Mr. Nordstrom get physically violent in any way with anyone, and yet everyone knew this man was the toughest dude around. 

Now, I suppose that having Bobby Eaton selling every kneelift and clubbing shot could make anyone appear like a monster. Eaton's selling is divine. As Matt illustrated, he has basically no offense in this match, but for 10 minutes you get to smile while he sells ribs and his back and every single Sid strike. I loved how he fell back into the corner after a Sid kneelift, or how the pain twisted across his face when Sid ran at him with a boot to the ribs. Bobby Eaton is one of the most gifted salesmen in wrestling, and you combine that with one of the most physically charismatic wrestling in history, and you can work a fun match with basically zero offense. 

Dan Severn vs. Golga WPW 9/1/99 

MD: The match itself was just a couple of minutes, but they left me wanting more. Severn, for a guy so legitimate, absolutely embraced bullshit pro wrestling villainy here. He had a pre-match gym coach style promo where he said he'd win and then destroy the Cartman doll. He appealed to the fans after they popped for Golga's hands in the air waving. He celebrated after hitting moves that didn't deserve celebration. Just real shitheel stuff. You never know with Golga matches if it's really Tenta, but there's no one in the world that could miss an elbow drop quite like him. It's still crazy how much weight he had lost. You lament that we never got that Austin vs. Tenta run when they wanted to bring back Earthquake, but you also get how that wouldn't work. It doesn't mean he couldn't have figured something else out, because even smaller Tenta was great at knowing when to give and when to take, at making stuff look credible. Just having the strength to snatch a guy like Severn out of mid-air, and then you had the bonus that he'd go up for hip tosses as he did here. The match paid off the promo work as the second Severn actually was able to slam Golga, he took a powder and that was the match. It was a bizarre match-up on paper but they worked pretty well together. 

ER: I'm the guy who hates that we didn't get Yokozuna/Austin in 1999 so I'm definitely someone who would have loved Austin/Tenta regardless of Tenta's weight. Tenta still had size no matter how thin he got, and you could see him use some real strength here against Severn that would have lead to some great Steve Austin bumps. I need to go back and find all the 2002/2003 All Japan Tenta that I can get my hands on. I miss that guy and the way he leans into ring ropes. I love how Severn works this match like a small town indy Iron Mike Sharpe. Bet you never thought about how similarly Sharpe and Severn move in a ring, and I bet you never thought about how they're dressed identically. You're now putting it together that Severn is actually an Iron Mike Sharpe acolyte at heart and that's why he always seemed so uncomfortable and rigid during his WWF run. There isn't a single actual Dan Severn WWF classic, and yet every Dan Severn indy match we have footage of over a 25 year span is great. His speech impediment makes him an even better sneering heel, and I want more of Severn as the bratty kid whose dad owns several car dealerships. 

When they made contact and mixed it up, the match was great fun. All of Tenta's contact looked good: nice shoulder thrusts in the corner, high avalanche, big legdrop, walking all around the ring holding Severn up before finishing the rotation of a powerslam. He also clearly still knows how to build to a couple of big bumps. His missed elbow was a great miss, great crash, and there was an awesome Severn hiptoss that Tenta bumped really heavy for. Severn put his whole body into it and they made a hiptoss look like a violent Red Bull Army throw, like a guy throwing a tree stump on a World's Strongest Man competition. The ending is one of the more frustrating pro wrestling finisher I've witnessed, a way to leave all of the fans confused and annoyed. After that Severn hiptoss, he hits an impressively quick bodyslam...and then Golga just rolls out of the ring, grabs his large size Eric Cartman doll, and runs to the back, out of sight, and does not return. The literal only explanation is that Golga shit his pants and had to get the hell out of there. If you shit your pants in a match against Dan The Beast Severn, you don't stick around to be put in a rear naked choke. Nobody would voluntarily do this finish. Mine is the only explanation that makes sense. 

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RIP Bobby Eaton Pt. 4

Bobby Eaton vs. Bill Dundee CWA 7/24/82

ER: Exciting under 10 minute studio match for Eaton's Mid-America Heavyweight title, with Dutch Mantel as Enforcer sitting in a chair at ringside right next to Jimmy Hart. This is a hot 15 minute segment, with Hart running down Dundee as undeserving of a title shot (even laughing him off as a "midget"), leading to Dutch Mantel causing a huge scene in the studio trying to get his hands on Eaton (who had just taken the title from Dutch a couple weeks prior). Dutch and Hart sitting next to each other at ringside gives us some great atmosphere for the match, the first half of which is filled with Dundee beating Eaton to the punch on everything. Eaton misses offense and Bill is there to land a moonshot punch, throw a hiptoss, and otherwise knock Eaton onto his butt. Eaton sells majestically for Dundee, with the best bit a headlock punch that sends Eaton duck walking backwards into the corner holding his nose. Dundee misses a big splash allowing Eaton to take over, and we get some mighty fine punches, a high elbowdrop, and a great kneedrop. Dutch yanks Bobby's leg from the floor (with Eaton face planting  like the rug got yanked out from under him), then Dutch pummels Hart as Dundee steals the title from a distracted Bobby. King Cobra and others cause a big melee after Dundee's title win, leaving Superstar busted open but good. Memphis was so great at jamming a ton of memorable moments into 15 minutes while also furthering several different feuds, and you aren't going to find many better segment anchors than Eaton/Dundee. 

Bobby Eaton/Sabu vs. Jerry Lawler/Sweet Brown Sugar CWA 2/6/83

ER: This is the last 6 minutes of a 16 minute match, but another example of a tremendous No Offense Lawler performance, and Eaton shows that he can use weapons with the best of them. We get one punch early as Eaton and Lawler spill to the floor, and from there it's nothing but Eaton throwing beautiful worked shots with weapons and Lawler showing that he's the best ever at bumping into inanimate objects. Lawler takes bumps into the ringpost better than any wrestler in history, and here he gets to show how devastating he can make a rope stanchion look. Eaton drags one into the ring and plants it in the middle, grabbing Lawler by the back of the neck and throwing him down throat first onto the stanchion. I remember seeing Finlay do that in his WCW match against Hak, and thinking that there aren't many guys who would be able to make that read as painfully as it would feel, but obviously Lawler is one of those guys. Eaton is a master at worked chairshots, and he has this incredible diving shot to Lawler's throat, like a big running fistdrop or elbowdrop except driving a chair into Lawler's throat. Eaton also drops Lawler with a piledriver onto that chair, with Lawler doing his perfect piledriver stomach bump. Sabu (Cocoa Samoa, not actually Sabu obviously) and Sweet Brown Sugar are mostly non-factors in the part of the match we get, as this is all about the two greatest worked strikers in wrestling history painting a little masterpiece. Eaton finishes with a wrapped chain punch to Sugar, a cool snapshot of Eaton adjusting all of his offense to include weapons, and Lawler showing how compelling he can be without throwing a single fist. 

Bobby Eaton/Sabu vs. Arn Anderson/Terry Funk ECW When Worlds Collide 5/14/94

ER: I had never actually watched this match before, it just existed as one of those legendary on-paper matches I figured I would watch eventually. This was an ECW tag that would have greatly benefitted from being worked as a traditional tag. But they didn't really go full-on ECW either, the ref didn't seem to know what kind of match to call (with lots of scattered rule enforcement), and Terry's lack of selling and pacing really hurt the match overall. It's not too often where I can say that Terry Funk's participation in a match hampered a match, but even with the good he brought to this match I think the bad outweighed it. The match totally works just on the weirdness of Beautiful Bobby and Arn Anderson confidently strutting into the ECW arena and getting huge reactions from the crowd. Even those mutants are going to be excited to see Bobby in his watermelon Bubblicious colored tights. All I really wanted to see from this match was 1. Eaton in the ECW Arena, 2. Arn vs. Sabu, 3. Eaton vs. Funk (a pairing that is much more rare than it should have been). We got all of those and a ton of good interactions, it just didn't really build to anything. So, it's 20 minutes of four of your favorite wrestlers doing things that make you like them as wrestlers, and that's at minimum going to be very entertaining. 

Eaton's punches were the best thing about the match. He tagged in and immediately started throwing gorgeous right hooks to Terry's jaw. Eaton throws plenty of his perfect short punches in this match but I adore those big looping rights, with Terry recoiling in the ropes with every one. Terry takes a big bump to the floor when Sabu just literally bodyslams him from the ring through a ringside table, and later Arn takes his own big ass bump to the floor after getting dropkicked off the top by Sabu. Sabu uses a lot of soft chair attacks throughout the match, crazy to think how hard wrestlers were braining each other with chairs just a couple years later when you see Sabu and Funk throwing 1997 Lance Storm chairshots in this match. Arn felt like the only person in the ring who knew how to throw an effective chairshot, which I was not expecting. There's some great stuff too, like Funk sticking Eaton with a piledriver through a piece of broken table he had laid over the bottom rope. It had all the makings of one of those Funk spots that don't get pulled off properly, but it looked vicious and Eaton really looked like a guy who had been crippled. 

Things kind of fell apart after that when Funk missed a moonsault, Sabu nailed Funk with a moonsault, and then Funk sold it by just standing up and immediately going back on offense. Funk did a lot of that. He'd crash and burn on his own move, get nailed by Sabu or Eaton, then just stand up and go on offense. He was also moving around with very little energy, nowhere near as much as his typical level of flopping around. I mean I get it, he's 50, but I don't think I'd show anyone this match as proof that the 50 year old could still go. It's great hearing the Arena get hyped for Eaton's Alabama Jam, then see Sabu pull out his moonsault variations on Arn and really crush him with a slingshot senton. The whole finishing stretch is a mess, with Eaton and Funk brawling into the crowd (most of which we can't see) leading to Funk hitting Eaton with a piledriver in the eagle's nest (which we can't really see). Public Enemy gets involved and easily run off by Arn, there's a really tepid spinning toehold exchange between Funk and Sabu, Arn ends up turning on Funk due to an errant chairshot, and Arn batters Funk's knee with a chair (again best chairshots of the match) and Sabu wins with a half crab. Throughout the match the ref had been keeping track of the legal men and doing his best to get chairs out of there, and then did none of that during the finishing stretch, which just added to the mess. This is the kind of match ECW could have turned into a killer 3 minute music video that would have made you feel like you missed the match of the year. It's not, but you'll be smiling a lot for 20 minutes. 

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New Footage Friday: Faulkner~! McMichael~! DUSTY~! MX~! CHOSHU~! RED BULL ARMY~! FUJINAMI~!

Vic Faulkner vs. Mick McMichael WOS 7/1/72

MD: It's not every day we get a new UK match from 72, though, of course, we know there's a lot out there locked in a vault. This was six rounds and generally worked blue eye vs blue eye, with Faulkner more the trickster and McMichael more grounded and dogged. Faulkner had all of his tricks: elaborate escape attempts, "look up" spots, not letting go of the handshake between rounds, and so on, but he let himself get clowned and countered and kept in holds a lot too which made this balanced and even and made those times when one of his tricks did work mean even more. McMichael was a great foil (I don't think base is quite the word here but it's in the right genus of words), patient, steadfast, solid, but also able to take it up not just one but many gears when it was time to. One of the most unique elements of this style of wrestling is that draws can be satisfying and even preferred; Walton indicated at such at the end, that it would have been a shame if either of these wrestlers had to be the loser and you sort of have to agree with him.


Dusty Rhodes/Magnum TA vs. Midnight Express NWA 9/11/86

PAS: This hits every beat you would want out this match. Dusty doing a chicken dance with a rubber chicken stuck in his pants, Cornette taking a big Baby Doll assisted pratfall, Bobby Eaton dinging his awesome punches off of Dusty's skull, Big Bubba standing around looking mean. Just a pitch perfect shtick heavy 80s wrestling match, Dusty is so great in these matches, rock star charisma, pitch perfect timing, signature spots, awesome selling, so awesome. Dusty was past his athletic prime at this point, but man did he know how to squeeze every drop out of the orange. MX are tremendous foils, especially Eaton, lays it in when they need to, but feed and bump their ass off when the time comes. This kind of tag is a perfect bit of business, and these guys did it so well. 

MD: Everything you'd want out of ten minutes of these guys. I loved the opening with the chicken flapping, Bobby's awesome cheapshot punch in the corner and his subsequent flapping, and Magnum trailing right behind him, nailing him, and doing the flapping again to a big pop. There are a few different ways to achieve perfection in wrestling but that's definitely one of them. It was followed immediately by Dusty elbow dropping the rubber chicken which was more transcendent than perfect? Once they rolled over to heat (and given how the fans were going nuts for every bit of stooging BS before it, I wasn't convinced it was going to happen in the first place) with Cornette sneaking in a racket shot on Dusty on the outside, the fans just went nuts. It was southern as it could be with Magnum emotionally drawing the ref and the MX laying in cheapshots not to keep the damage up but to keep Dusty down. His selling was amazingly sympathetic, at one point clinging to the ropes prone and in agony after a racket shot as the Dusty chants rang on neverending. The place became absolutely unglued with the hot tag with everyone on their feet. To be fair, they were popping for everything they should have been the whole match from Dusty elbow dropping a chicken to Magnum taking guys out with the racket at the end. What a show.


Riki Choshu/Tatsumi Fujinami/Kengo Kimura/Osamu Kido/Masa Saito vs. Timur Zalasov/Wahka Evloev/Victor Zangiev/Vladimir Berkovich/Salman Hashimikov NJPW 5/22/89 - GREAT

MD: If I'm figuring this right, this was three days before the big Vader vs. Hashimikov title change and it absolutely served its purpose of heating Hashimikov up for the run. In general, it's 35 minutes of guys grappling, getting positioning for suplexes, hitting those suplexes, and then using said suplexes to lock in holds. That was true with Fujinami and Zalasov who started out, with the two of them setting a good, believable pace until Fujinami broke the code by hitting his suplexes one after another instead of immediately going into a hold with them which wore Zalasov down enough for the dragon sleeper. Kimura felt like the weak link on the Japanese side. There were moments where you thought he might be able to start getting strikes in, but Eveloev caught his leg before he could get momentum going and he was just fighting to get to the ropes again for the last minute or two of their match. Kido and Zangiev came off as very evenly matched until the end when Zangiev got momentum with a series of suplexes in a row (much like Fujinami's in the first bout). Zangiev just got pro wrestling and theatrics a little more than his countrymen.

With the (2-1) stage set, the last two bouts really did the heavy lifting for what they were trying to accomplish. Berkovich targeted Choshu's arm and Choshu sold accordingly, but one thunderous lariat off the ropes and the Scorpion took him down quickly. Then, after back and forth and a struggle that matched the Fujinami and Kido bouts, Saito hit the same pattern on Hashimikov only for him to survive the Scorpion. Saito leveraged that advantage into two Saito suplexes however, but kept going for more instead of pinning him and Hashimikov got under him and dumped him on his head for the win. It felt like a big, triumphant moment, one punctuated with Vader coming out to cut a promo on him before the trophy ceremony. If I was in that crowd, I'd wonder how even Vader might be able to put Hashimikov down.

PAS: Red Bull Army are great, hairy pasty Russian dudes who will just grab and throw anyone they are wrestling. Zalasov, Evolev and Berkovich are the lesser know members of the group and all looked good although didn't leap out the way Zangiev and Hashimikov did. I did really like Evolev's quick fireman's carry into an armbar which took out Kimura. 

Zangiev is a treat to watch, his signature headscissors escape is so cool and such a smart bit of business for a guy who was clearly new to wrestling. Kido is a UWF alumnus and seemed very into working hard grappling with Zangiev. Man when Zangiev puts you away, you go away, some really great looking belly to belly throws which landed Kido awkwardly, and a cradling scissors kick takedown into a kneebar for the tap. Choshu really brought the Choshu in his fight, landing a right hand to the temple, and some big supelexes and a lariat before the tap, he seemed the least willing to play along with Red Bull, and just did him. I love Choshu and it worked. Final match felt like a final match. This was a series of matches with a lot of Saito Suplexes,, but man you can see why the move was named after him, such torque and force. Hashimikov feels like a beast and really can get explosion on his shot, he is at Saito's legs with such speed. Very excited that our friend Loss has dug out so much of the stuff and I am excited to dig in. 

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RIP Bobby Eaton Pt. 3

Bobby Eaton/Tony Halme vs. The Hellraisers (Road Warrior Hawk/Kensuke Sasaki) NJPW 6/14/93

ER: Bobby Eaton only had 30 matches in Japan, and this might be the only one we have, maybe the only document of how Japanese crowds reacted to this god. And what an all time great Odd Couple the Eaton/Halme team was! They teamed together every night of Eaton's first tour of Japan, going 12-2 as a team before getting this title match (beating everyone other than Chono/Muto). Were these two hanging out for those two weeks? Eaton teaches Halme a couple things in the ring, Halme shows him his favorite weirdo Japan spots from his 2+ years there, it's something I would certainly watch. They're a weird team, but I love the team dynamic of a skilled smooth technician and a big lummox. Halme really did come off super lummox-y here, like he was on downers or something. He was a little sluggish and kind of wandered around more than I'm used to in matches that aren't from 80s World Class. His timing seems off throughout, but Eaton is so good at covering for him and making it almost seem like part of the act, that it turns into a real charming Bobby performance. 

Eaton/Hawk had a great thread throughout, with Hawk working a more Memphis puncher style with him rather than a Road Warrior style. They have a few punch outs that are really great, Hawk clearly having some kind of bet with Eaton over who could throw a better worked right hand. I don't know the last time I saw Hawk throw right hands this often during a match, usually throwing more chops and shoulderblocks and not having stand and trade exchanges. Eaton bumped big but wasn't necessarily working this as the small man who takes all the bumps. He was working as Hawk and Sasaki's size equal, using those hooking punches as the ultimate equalizer. Match starts with a bang and a big Sasaki high rotation powerslam on Halme, and while the Eaton/Hawk stuff was my favorite (I mean sure Hawk no sells Eaton's piledriver but we also get Hawk's great fistdrop so), but Eaton/Sasaki is a fun pairing I'd never seen. Eaton takes a high backdrop bump but convincingly holds off Sasaki, throwing incredible headlock punches, putting him down with a perfect swinging neckbreaker and then drops the Alabama Jam. 

Eaton was also busy the entire match wrangling Halme, but it really gave a cool insight into his ring general capabilities. The fans really wanted to see the Hawk/Halme showdown and they were LOUD with "HALME" chants before they locked up. But there was a awkward spot where Hawk went to Irish whip Halme but Halme held on too long and just kind of got tossed sideways into the ropes, and it gets awkward getting him back to his feet in a way that isn't just "stand up and repeat this spot". Eaton recognizes it instantly and comes charging in to get in a punch out with Hawk, allowing Halme to reposition. Halme, while he was much more sluggish than I've seen him and did hardly any offense, did at least lean into big clotheslines. Eaton took some big damage down the stretch, including Hawk rocket launching him into a Sasaki powerslam AND taking the Doomsday Device, and I really hope someday I get to see another match with this weird team. 

PAS: This was a bunch of fun, I loved how Halme can just go to the body and cut off everything, but this was an Eaton master class. He felt like he was conducting the whole match, getting everyone in position and taking these huge in ring bumps to tie it together: backdrops, eating press slams, and getting doomsday deviced. He made the Hellraisers look incredible which also made Halme look great when he went toe to toe with them. That is one of the great things about Eaton, he was going to make everyone in the match go up a level when he was in there. I would also love to see more Eaton and Halme, man they would have been a fun WCW team. 

Bobby Eaton vs. Jerry Lawler Power Pro Wrestling 2/17/01

ER: The two greatest punchers in history throw down, and the punches are as great as expected. I don't think Lawler/Eaton were ever in the same place once Eaton left Memphis in the early 80s, and I love the selling point of an 18 year old grudge exploding in 3 minutes of violence. The punches in the first 10 seconds alone make this match must see, and it's more evidence that Lawler arguably sells punches even better than he delivers punches. Seeing him get rocked in the corner by Eaton right hands is seeing two legends with 100% trust. Lawler knew right where those hands were going to be when he bounced around in the corner, and Eaton knew exactly where to deliver them. The fight to the floor and Lawler blocks a post shot (I love when Lawler blocks a post shot with his hands as he always makes it look like his stiff arm straining to not go into that post) and Eaton takes the shot instead. Eaton even takes a biel on the concrete floor! 

Brian Christopher on commentary talks about Lawler being a slow starter, but not long after Lawler hits a mule kick and then the strap comes down. Lawler uses his punches to build to two Stunners, a Lawler spot I usually hate, but here I like it and it's because Bobby Eaton is really great at selling a Stunner. Brandon Baxter starts interfering, which leads to Stacy Carter crotching him on the top rope, which brings out Victoria (totally forgot Victoria was built like Leyla Hirsch in 2001), which brings out Bill Dundee. Dundee looks like The Gorch here, all that was missing was a pipe or a chain, and they set up a Dundee/Lawler/Kat vs. Eaton/Baxter/Victoria match that I can't find any record of ever happening. This was a criminally short match, the only match Eaton actually had in Power Pro, but every single interaction between he and Lawler was EXACTLY what you want. 

Bobby Eaton/Dennis Condrey vs. Southern Comfort (Tracy Smothers/Chris Hamrick) IWC 12/11/04

ER: Dennis Condrey comes out of a 15 year retirement to work some MX tags, and THAT is the kind of indy dream match that excites me. This was only the second of his comeback matches, and Condrey looks pretty good for a guy in his early 50s who hadn't wrestled since his late 30s. I also like dream matches that pair legends with veterans, not young guys. Smothers and Hamrick were already old guys on the super indy scene at this point, and I like that team against a couple old legends. The match is great, with a lot of really snug matwork that built to a hot tide turn when Chris Hamrick started his bullshit. Hamrick worked the mat well with both, doing hard wristlock takeovers and building to some cool stuff around a side headlock and a neat Condrey half Indian deathlock. There's a couple nice old Midnights double teams, the nicest a Condrey drop toehold into an Eaton jumping elbowdrop.

But match gets up-fucking-turned when Hamrick goes for a Johnny B. Badd style jumping moonsault and completely wipes out on the ropes, hanging himself disgustingly by his knee. Now, if you know Chris Hamrick - and if you know Chris Hamrick you love Chris Hamrick - your yellow lights are flashing. Hamrick is the master at taking calculated body destroying bumps-as-strategy. Hamrick intentionally blows out his knee doing a complicated rope bump and it's allllll part of the plan. It's a spot he has variations on and it's my favorite kind of southern wrestling theater. Smothers runs to Hamrick's aid, the crowd leaps to their feet thinking something went wrong, Smothers waves in people from the back, and it all takes so long that IWC opted to do a time lapse. There are four people helping untangle Hamrick's leg from the ropes while keeping him steady and not injuring him further.....and of course Hamrick then lands a superkick right under Beautiful Bobby's chin. Hamrick's face as he shrugs to the fans and to the men helping him is just part of what makes Hamrick the best at that kind of bullshit. 

Smothers goofs off a ton on offense with his karate chops and silly dancing, all while dishing out stomps to Eaton's ribs. Things swing back for the Midnights when Hamrick does another of his insane bumps, flying feet first to the concrete floor after Eaton undraped himself from the middle rope. I love how indies never expected Hamrick's biggest bumps so they always came off as shocking, closer to the reactions of Bigelow going through a ring than any modern WWE stunt fall. Condrey gets the hot tag and throws a couple nice stiff arm southpaw lariats, Eaton hits a hard lariat to send Hamrick over the top to the floor, and the flapjack gives us old man indy champions, one of the purest experiences in indy wrestling. 

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RIP Bobby Eaton Pt. 2

Bobby Eaton vs. Chris Champion NWA 1/23/88

ER: Cool TV match that I kept expecting to go the time limit, with Eaton working over Champion's good arm while Cornette berates Champion from ringside. Champion had really nice jabs and nice timing on his dropkick, and that's more than enough for Eaton to work with. I love Champion's Future Lost Boy haircut, and the idea that he was smart enough to travel 15 years back from the future but can't avoid a car accident. Eaton is great at running right into Champion's dropkick, his punches all sing, and the zig zags shaved into Champion's head give Eaton a perfect target for a wicked kneedrop. I love how Champion punched with his cast arm, while Bobby kept grinding away on the good arm, and we also get to hear Eaton talking trash while wrenching in hammerlocks. Cornette was great at ringside, bashing Champion with the racket, getting in Tommy Young's way, and getting right in Champion's face when Eaton had a submission near the ropes. Eaton took a nice backdrop bump on Champion's comeback, and Bobby's quick sharp running knee strike to Champion's spine was a cool thing to drop him with (as well as Cornette holding Champion's foot so no kickout). I knew there were several MX/New Breed tags but I didn't actually know we got a singles match between any of them, so this was a real treat. 

Bobby Eaton/Sting vs. Abdullah the Butcher/Cactus Jack WCW 10/26/91

ER: Fantastic Center Stage war that played with the same chaotic energy as all of their prior interactions. I loved how Bobby and Sting rushed to the ring after the heels' entrance. You never get to see fired up babyfaces charging into battle anymore, and how could fans not get behind two heroes who charge at their crazy foes with punches and kicks? Cactus was a real great Center Stage bumper, and here he takes a huge backdrop over the guardrail down a fire escape exit ramp, the kind of building location that you could tell he had been dying to incorporate into a big bump, and later he splats off the apron with a missed cannonball. Eaton is on fire throughout, but they're smart about how often he gets cut off and how quickly things turnaround, and those quick turnarounds really make a short match pack a wallop. His punches all look great, but those don't mean as much when Abdullah and Cactus are ripping at your face holes. There's a great spot where Abdullah blocks a Bobby monkey flip by holding in the corner (a monkey flip Bobby hit in their earlier singles match) and that's when the gouging starts. Abdullah has some incredibly nasty face work, really looked like he had two fingers dug into Bobby's right eye socket, ripped at his nose, Cactus comes in and rips at Eaton's mouth and kicks him in the head several times, and Bobby's selling and bumping for Abby's throat thrusts make them feel as deadly as they look. Eaton and Abby are really great opponents and all time legends, but that earlier singles and this tag are most of the available interactions we have between them. There is a Lethal Lottery Starrcade tag a month later, and that's it. We have been gifted with cool wrestling handhelds, but it's probably too much to ask for their two house show singles, or the holy grail of Bobby/Abby teaming up vs. Dustin/Windham. This tag and their singles match a month prior accomplish a ton of story in under 9 minutes total, and it's a shame this didn't go on for months. 

PAS:  What a wild, chaotic and satisfying match this was. Eaton is amazing as a fired up southern babyface, you could see how great he would have been if he and Ricky Morton Freaky Friday'd in that tag feud (Morton would have made an amazing Eaton too). This really made me want to go and watch every WCWSN and Worldwide Abby and Cactus tag, they felt like such a whirlwind of violence, which was Abby's real pro wrestling superpower. Cactus was fucking nuts, he took four insane bumps in a five minute tv match, and also had a great punch out with Bobby, throwing great looking jabs only to get caught with the left hook. I loved the call back spot with Abby blocking the monkey flip. It is probably something only I and Eric noticed, because we happened to watch both matches within a week, but I love that they were smart enough to put it in there for the obsessives. 

Bobby Eaton/Arn Anderson vs. Steiner Brothers WCW 3/28/92

PAS: This was a house show match designed to showcase the Steiners and get the crowd excited to see them do their thing. We get a bunch of fun stooging Arn moments, Rick biting him in the butt, him diving into an outstretched foot, classic clown show Arn. For a guy who had such a rep as a serious killer, he was a great stooge. Bobby eats most of the big shots from the Steiners, taking a real reckless looking Frankensteiner and some of the big Rick overhand rights. I thought all of the business in this match was great, but I wish we had gotten a longer heel on top section. It really only lasted about 90 seconds (although it did have Bobby land his incredible looking top rope knee drop) and you need to let it simmer a bit more than that to make the hot tag pop. Still. this was a great opportunity to see amazing performers, perform. 

ER: This was like the Steiners working a 90/10 match against Well Dunn, with Eaton and Arn as the world's greatest Well Dunn. Dangerous Alliance doesn't get a single piece of offense until about 8 minutes in, when Eaton lands a right hand on Rick that then gets him immediately clobbered. A huge chunk of this is Arn stooging around for the Steiners with stumbling clownshoe mannerisms, great Bugs Bunny shit like outsmarting your opponent and then turning around to find that you did not, in fact, outsmart your opponent. Eaton and Arn take several armdrags and hiptosses and hard Rick door knock right hands while Madusa does a great job on the floor running around and trying to get her boys to focus. Arn's bumping is so great here, even his silly spots that don't quite make sense end with whip crack bumps, like him boot after questionably attempting his axe handle to a downed Dogface. Eaton is great at taking dangerous Steiner offense (like Scott's Frankensteiner at the finish) but I LOVED a sequence he had with Rick. We already had the cool unexpected layout of Bobby being the aggressive guy on offense and Arn being more of the bumper, but Eaton ups it with this: He goes for a slingshot suplex on Rick, and on the bounce Rick shifts his weight and lands behind Bobby in a reverse waistlock. Eaton holds the ropes to buck Steiner off and block the O'Connor roll, only to turn around and get clotheslined to the floor before even knowing what's happening to him. Gorgeous sequence that looked naturally executed and not like a guy just playing reversals wrestling. 

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RIP Bobby Eaton Pt. 1

It has been a rough couple of weeks for wrestling deaths, and the great Bobby Eaton had a great career and great life. There is so much tremendous footage available, so we are going to be doing several posts over the next week.

Bobby Eaton vs. Koko Ware CWA 12/6/80

MD: I think this was actually December 1980, deep into the year without Lawler, which is a time in Memphis I always have a lot of fondness for, just due to the outlandishness of having guys like Ellering and Eaton king. This is pure Memphis, as Valiant's out to destroy poor Koko's TV (again; he's de facto lead heel having just insulted Tommy Rich's mother) and Koko can't do anything about it since he has to fight for his life against King Eaton. He would have been an underdog in any situation, but he's got extra fire and extra anger as the TV gets destroyed by the announce position almost immediately, and it's up to Eaton to bully him and lean on him and really keep the offense going in order to keep Koko down. The containment works exactly as intended and when Koko ducks a shot and starts to fire back the studio goes nuts building to a bigger prize when Koko actually gets his hands on Hart. If I have my timing right on this, they were in the midst of Tojo/Valiant vs Rich/Koko main events with Eaton vs Tony Charles in the mid card and this was a great example of entertaining TV that served a lot of purposes and gave the fans a legitimate thrill and pop despite being entirely inconclusive and setting up the live shows to come. Exactly what studio wrestling should be and Eaton played his part perfectly. 

PAS: These two formed a legendary but under footaged tag team a couple of years after this match, and it was cool to watch them work a studio fight. One thing that really struck me about this match was Eaton's athletic explosiveness. Bobby Eaton didn't look like an elite athlete, but man was his motor high and his attacks kinetic. Just the speed and force he hit a simple elbow drop, just great. Fun business with Handsome Jimmy smashing the big ass 1980's vacuum tube TV too.

ER: 21 year old Bobby Eaton is a treat. He's like an athletic brother of Francis in Pee Wee's Big Adventure, making chubby faced sneers while working a long mid-match headlock. But the 21 year old also hit really hard shoulderblocks and threw his headlock punches with a confident sass. Koko plays this like kind of a cooler black Bob Backlund, sticking his butt out to sell Eaton's already hot punches. Drop downs and leap frogs are quick and honest, and Eaton hits one of the most gorgeous highlight reel elbowdrops. He runs off the ropes and leaps from the three point line, landing perfectly horizontal with his elbow across Koko's collarbones. Jimmy Hart is an incredible manager and not only was his voice great from ringside, but his physical involvement at the finish was really tough stuff. Hart had a feel of a guy getting into a public fight and immediately getting in over his head, like a too tough talking small town pharmacist. 10 minutes of Memphis stacks up consistently with the best wrestling ever. 

Bobby Eaton vs. Abdullah The Butcher WCW 9/28/91

PAS: This was an incredible four minutes. Abby jumps Eaton before the bell while he is hugging some kids and smashes him with a kendo stick, posts him, throws him into chairs and lights him up with chair shots. They brawl to the back, and right when you think this is 90 seconds, they pop back out from the curtain with Eaton pasting Abby with those right hands, he tees off with a chair on Abby, and looks like he is going to finish him off with an Alabama Jam until Catcus runs out and jumps him. Eaton gets thrown off the ring apron into the guard rail, and gets double teamed until Rick Steiner runs out for the save. Totally wild stuff, with Eaton almost working as a Steve Austin babyface. Loved it. 

ER: Here's a great match to show someone who would be interested in seeing in how much can be accomplished in pro wrestling in just 4 minutes. This hardly ever gets to be a real match, the bells rings before 4 minutes have even passed, and yet I guarantee every fan in attendance went home talking about this match. Abdullah jumps Eaton during his entrance and really beats him, including throwing him like a comic book villain through some chairs, then beating him down on the floor with a chair. He completely overwhelms Eaton, kicking his ass back through the curtains. Magic happens once they cross that curtain threshold, as Eaton comes out firing, punching Abby back to ringside and runs halfway around the ring to find his own damn chair. You get a real joyous bloodlust crowd reaction when Eaton charges back with his chair, and he absolutely pastes Abby with 4 or 5 chairshots that looked as violent as any Attitude era shots. Cactus runs in when Abby gets in too much trouble, and he rocket launches Eaton off the apron ribs first into the guardrail. This was incredibly entertaining, Abby looked humongous and dangerous, Eaton looked like the kind of babyface everyone would want to root for, Rick Steiner looked like a fearless top babyface. It was the best of everything. 

Bad Attitude (Bobby Eaton/Steve Keirn) vs. Ricky Steamboat/Arn Anderson WCW 5/1/94

MD: There's a moment midway through this match, just after the heels took over with a blind switch, where Eaton hits an elbow drop off the top rope on Anderson. It lands well and looks impactful, because of course it does, but afterwards, Eaton does something odd. He stumbles off to the side and bounces off the second rope before he recovers to keep the beating going. You're left wondering why he made that specific decision. Was it to sell the beating he had taken so far? Was it to get over the damage that he was willing to do to himself and how dangerous and powerful the elbow drop was? Was it to justify with a move so back, even so early in the beatdown, didn't immediately put Anderson away. I don't know. It could have meant any of that or all of it, but fifty other wrestlers doing an elbow off the top in that moment wouldn't have done it. Eaton did and it added to the match because it felt totally natural and it felt meaningful. It made everything that was going on somehow more tangible and real; it wasn't rote and you didn't expect it and it made you wonder, but in a way that drew you more into the match instead of taking you out of it. That's what Bobby Eaton did. 

If it was to sell the early beating he took, that would have certainly been warranted, because he fit a lot of pain and stooging into a three minute period, bumping up and over the rail, including a press from Anderson off the apron into it. None of the bumps were particularly huge but he sold them in such a skittish, almost tragic way that they meant far more than far bigger ones than most others would take. We're eulogizing Bobby here, for good reason, but a quick note on Arn: he always says he wasn't a great babyface because he didn't have "tools," and here I think tools are shorthand for dropkicks and the sort. He always had the makings for a standing tall Bill Watts/Dusty Rhodes style babyface though and that's fully at play here. He had amazing timing on hope spots (which makes sense as he was always so good at his cutoffs) and could garner sympathy as he dragged himself around the ring during a beating, and when you had great strikes and a lightning fast KO move like the spinebuster, you didn't need to be throwing about flying back elbows. Though, of course, it helps when you're across the ring from someone like Bobby Eaton.

PAS: 1994 WCW is a bit of a blind spot for me, I don't really remember seeing very many Bad Attitude matches before, but this "pals of Stan Lane" version of the Fabs is really great. Keirn had turned into a real creepy looking guy at this point, and had really good heel facial expressions. He hit this awesome looking flying forearm for his high spot and was great at the nuts and bolts parts of being a heel. I enjoyed babyface Arn, loved the Spinebuster as a babyface move here, and he and Steamboat make a really effective pair. Of course Bobby was electric, with big bumps and great looking small bumps, cool twists on formulas, and a real speedy energy for a guy who was also great at going slow. 

ER: Bad Attitude were a really great proto Southern Comfort, with a wild eyed Keirn sporting a craziest era Billy Bob Thornton shaved head mullet as Eaton plays the more strait-laced southern pro. And you get to see these complementary souther pros take apart a FIP Arn for 8 minutes, and it's great. Eaton takes some big leaps, getting rocket launched by Arn from the apron to the guardrail, and later landing a perfect top rope elbowdrop on Arn. He and Keirn cut Arn off from Steamboat really effectively, with Keirn coming off like a cool closed fist punching tough guy and Eaton knowing exactly how to play all the timing spots, when to distract Steamboat, when to direct Arn back into the wrong corner. Steamboat's hot tag is really the only down part of the match, with Steamboat coming in with lesser Kofi Kingston offense, karate chops that are the weakest looking strikes in the match, and a standing splash that's pulled so much it's like a dad fake wrestling with his toddler. We only got half a year of Bad Attitude, but it was a real great combination of two legendary tag wrestlers who gelled immediately. 

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New Footage Friday: ROCK N ROLLS! MX! DANDY! PSICOSIS! REY JR.! PANTHER! SUPER CALO!

Rock and Roll Express vs. Midnight Express NWA 9/7/86

MD: Pretty rare RnR vs MX match from WCW Sunday Edition featuring Dusty on commentary with Tony. It was what you'd want, flashy opening stuff that didn't at all wear out its welcome and a couple of heat segments with all of the roll-up hope spots you usually get from the RnR. Everyone looked great but Eaton looked like one of the best in the world, feeding big, hitting huge offense (the Alabama Jam here was used to cement the first bit of heat and really give the Express control, for instance), and doing tiny things like taking out a leg with a small kick to stop a block on a suplex. There were a couple of cuts due to commercial breaks but they didn't mess up the flow. We saw the transitions clearly, including them using the replay to take us back after a break. The finish was wonky with Dusty literally causing the MX pin to be reversed, but the post match with him sacrificing himself to a Bubba splash was good pro wrestling. It made me want to see a six man at least.

ER: Outside of the finish, I thought this was great, and a real strong Loverboy Dennis showcase. Everyone was part of this showcase, though, Dennis just had a performance that made him look like one of the toughest men in wrestling. A big chunk of this was MX taking apart Robert's leg in real sicko ways, and even though it didn't actually lead to anything, it was work I loved to watch. Condrey has a ton of fascinating work out of half nelsons and 3/4 grapevines, so good that I want to see the entire alternate timeline of Condrey working shootstyle in Japan once his stateside gigs dried up. Condrey's Alabama U Style, where are you? He really knows how to tie up Ricky and Robert on the mat, and the pins he forced them into with his leg grapevines looked impossible to escape. And when he wasn't tying up their legs to work headlocks and pinfalls, he was dropping his knees into Robert's thigh, into his shin, violently twisting his ankle, and then handing it off to that savage Beautiful Bobby! At one point Bobby is hyperextending Robert's entire leg over the edge of the ring apron. Robert is on his stomach, and Bobby is slamming the front of Robert's femur into the apron, then pressing and forcing his leg down over that edge, truly disgusting legwork. Cornette adds one of his all time great racket shots to the match, flying in from offscreen with the handle of the racket aimed straight at the jugular. HHH always looked like a dweeb for using the handle of a sledgehammer as his weapon of choice, but Cornette really looks like the master of making a short handle look like a deadly weapon. Hell, in the post match melee, Cornette even shoulderblocks Ricky Morton through the ropes to the floor, like a man tripping another man into a fountain display. Rock n Rolls looked great and matched strikes with the fierce strikes of MX, and even with the actually stupid Dusty finish, this whole thing was classic stuff. 

El Dandy vs. Ray Gonzales CMLL 8/26/95

MD: A lost Dandy title match. Interesting primera here. Gonazlez controlled with fairly simple armbars, with Dandy working from underneath with a few hope spots, only to get cut off and contained with the arm again. I don't know if they didn't trust Gonazlez to do more complex matwork or not but it still worked because Dandy was working so hard to sell everything. I know on paper, that doesn't sound like much, but you don't often see a primera in a title match worked like this and I'm not sure there are many guys who could have done it quite like Dandy, so it stood out. The segunda was quick with a short bit of revenge with Dandy working over the leg and then a beautiful Northern Lights Suplex. The tercera had some back and forth and chicanery but eventually settled down to them returning to what worked in the primera, Gonzalez working a bodypart (the leg) and Dandy selling. They rolled out of the ring on a figure four and both got counted out and it ended up pretty anti-climactic. If this was building to an apuestas match, it would have worked but it seems like this was the end of the program. Still, a good look at just how great Dandy was at selling.

PAS: A new Dandy title match on paper is really exciting, this was a miss though. Gonzales is a guy who got pretty great in Puerto Rico later in his career, but he looked way out of his depth here. There was one of the worst clotheslines I have ever seen and Dandy really had to dumb it down for him on the mat. His little heel struts and stuff looked bush league too, just a zero of a performance. Dandy had a nice moment or two, his selling of the leg in the tercera was cool, and I like the figure four roll to the floor spot, but you are hoping for a missing gem when this passes by your youtube feed and this wasn't that.

ER: I had no idea Gonzalez ever showed up in CMLL, even though just a few years after this he became the reason I started trading for Puerto Rico tapes. The Ray Gonzalez I traded tapes for was not the Ray Gonzalez here, and many of the flaws in this match look like they could be blamed on miscommunication. I think Phil tuned out early on once Gonzalez hit that flying "clothesline" but considering Gonzalez follows it up with a crossbody block using the exact same form he used for that "clothesline", I assume it was just a spot that wasn't supposed to happen. It's amazing how much poise Ray had just a few years later, that was mostly absent here. It was a mistake to work this as Gonzalez trying to fit into Dandy's lucha setting, as while he had a nice missile dropkick and a couple decent bumps to the floor, he couldn't facilitate the level or speed of work Dandy was capable of. The most interesting this got for me was the beginning of segunda, where we got a glimpse of what could have made for an excellent title match. Ray got rudo heat during the break between falls, and knew it. The fans were rejecting him and it looked like he was going to really run with that, approaching Dandy with an extended right hand, left arm tucked behind his back, and a telegraphed double cross kick getting caught. Bringing some Puerto Rico rudo bullshit into the elegance of a skilled tecnico lucha title defense would have made for a great style clash, like a southern US heel just punching his way through a match opposite Blue Panther. But almost right after that Gonzalez falls back into line, and the rest of the match is worked like the boring end of the Flair vs. Terry Taylor spectrum. Dandy really did a lot to try to make this work, but it's hard to deny that Dandy could have likely had a better singles match with any wrestler on the CMLL roster. Let's all just go back a few days and remember how cool "El Dandy vs. Ray Gonzalez" looked on paper. 

Misterioso/Rey Mysterio Jr./Súper Caló/Volador vs. Blue Panther/Heavy Metal/Piromaniaco/Psicosis AAA 8/11/95 - FUN

MD: Not your average atomicos. You had Rey as captain, Signo as Piromaniaco, maskless Volador, and Calo in hatless, sleeves-only shirt, dancing glory. The story was Rey vs Psicosis, first delaying it and then paying it off. As they cycled through the pairings in the primera, Panther made sure to intervene and rob the fans of that first Rey vs Psicosis exchange. After a mini-beatdown, Rey would mount a comeback and allow the tecnicos to take the primera. The bigger beatdown came in the segunda, and watching Heavy Metal toss Rey around made me really want a 95 singles match with them. In the tercera, Rey came back again and we finally got a killer little Rey vs Psicosis exchange with a spectacular finish. Piromaniaco looked good using his size to bully tecnicos and eat their stuff, but the gimmick had no legs. Panther didn't do a lot but everything he did (the aforementioned cut off, choking Misterioso with part of the ring, ripping up what I choose to believe to be an anti-Tirantes sign, stooging with Psicosis on miscommunication spots) was very good. At times this was fast and loose and all over the place. The camera work missed half the dives. It's really hard to go wrong with cleverly building a match around Rey vs Psicosis though.

PAS: I thought this was mostly pretty forgettable outside of the Rey vs. Psicosis stuff which was incredible. I kind of enjoyed Signo adding some 80s style bumping and brawling to more 90s style lucha, but it didn't really lead to any exciting moments or anything. Psicosis taking the segunda caida with a brutal top rope guillotine was great though. The tercera exchanges between Psicosis and Rey were the highlight. Rey at this point was as elusive and fast as anyone ever, Psicosis was his perfect dance partner, and the finish top rope spiked spinning DDT was awesome. Is that a move they only broke out once, or is there a WCW Pro match which ends in it too?

ER: I was really excited for this one just to see Signo as Piromaniaco - a hood I've never seen him under and one with next to no footage of - and he did not disappoint. In fact, most of the guys in this didn't disappoint, but none of this really turned into anything that felt like a full match. Things were a little disorganized and a lot of the threads got abandoned, but there were plenty of individual moments to make this an easy, fun watch. Obviously, with these names there are going to be some moments. Heavy Metal worked fast and a little reckless, lead to a few moments of clear miscommunication and awkward repeat spots with Super Calo, but when Heavy Metal ran into someone with that speed it looked great. Volador had this fantastic huge hair, like Stefanie Powers in Hart to Hart, and based on the crowd reaction we missed a big late match plancha and bump off the top from him (This is AAA, my friend). I liked Piromaniaco working like El Brazo was great, using his status as stockiest man in the match to absolutely run over Rey a couple of times. He even no sold a Rey missile dropkick by acting like a cartoon kissed him, then did a silly dance. We got a decent dive train with Calo hitting a high quebrada crossbody and Misterioso getting out quickly, and of course all the Rey/Psicosis moments were what you'd want. The tornado DDT with Psicosis on the middle and Rey swinging from the top was wild, with such a high starting point it landed them past the middle of the ring! 

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