AEW Five Fingers of Death 9/16 - 9/22

ROH 9/19/24

Dustin Rhodes/Sammy Guevara vs Alex Reynolds/Evil Uno

MD: This was a Proving Ground match and was touted to me as the Dark Order going full Larry stalling. And that's not quite what this is. When Larry stalled, it was to build up heat for the first bit of contact in the match, ramping up the pressure and getting under the skin of the fans. What people often don't understand about him, having just heard the stories or working off decades' old memories, was that when it was time for that first bit of contact, he was super high energy and paid off all the build. 

This was a different flavor to stalling. Here, it was about the Proving Ground time limit and all about the Dark Order running out the clock to get a title shot. That's the unique wrinkle of the ROH eliminators. I've seen a bunch of these in the last year or two and while there might be moments down a stretch where someone just tries to stay alive or even lock in a hold, I don't think I've seen one where the heels tried to avoid contact from the get go and do everything they could to just pass the time. Obviously that, too, gets under the skin of the fans because they want to see action, but in some ways it's better (in the eyes of the fans) and in some ways it's worse. It's more underhanded and craven since there's a goal behind it but it's also a little bit clever and purposeful as opposed to Zbyszko just being as obviously irritating as possible. In both cases, there's mind games at play too, so that bit's a wash.

To me, this isn't deconstructing pro wrestling but is instead leaning hard into the rules and the norms. It's not tearing it down but building on the inherent logic. I don't think you'd want to see it in every match but like I said, this was one of the first time I've seen it out of dozens and dozens. And it worked. It was different. It was interesting. It presented a unique challenge for Dustin and Sammy and they had to be as aggressive as possible just to force the Dark Order to engage. That in and of itself, opened them up to make mistakes and fall into traps, especially with Silver on the floor running (literal) interference. So when they did go over in the end, paying off a lot of the things that had been teased but denied due to the avoidance by the Dark Order (like the dives) and going deep with things like Dustin's very unexpected Shining Wizard, it meant all the more. Not only did they beat the Dark Order, but they also beat the passage of time as well. That was a good double triumph to set up the 6-on-2 beatdown to end the show. I still haven't seen that pristine and perfect stalling performance I want in 2024 where one gives one's self totally up to the spirit of it all, but this was an enjoyable TV match cousin to such a thing.

AEW Collision 9/21/24

Dustin Rhodes/Sammy Guevara vs Mike Bennett/Matt Taven (Bunkhouse Brawl)

MD: Everyone's focused on the blood and Taven's bumps into the chair, but there was some very smart stuff here. Taven and Bennett are from MA (though admittedly Boston, or, you know, Carver, and Springfield aren't exactly the same) so not only did Dustin and Sammy come out in the local hockey team's shirts (with new tandem music), but they were also in their street clothes while the Kingdom were in their wrestling gear. Somehow that made them seem less genuine and more heelish. 

The big thing, however, was that they made sure all of the tables and plunder was set up pre-match. This started the show (after whatever ROH matches they taped or dark matches they had) and they had the luxury of having everything ready. It meant that Dustin's dive off the stage through a table with his bulldog or Sammy's cutter out of nowhere through a table didn't need any set up. They were brisk and sudden and shocking. Then, during the commercial break when things calm down a bit as the TV format forces, they were able to set up another table or two. Barring having a Fonzie or Nana out there, this was a really effective way to prevent the match being a quarter setting things up. 

That made everything else easier. The heel transitions/cutoffs were good (Dustin getting reversed into his own set up in the corner, Sammy getting tagged by a chair on his dive, the double superkick as Dustin charged up the ramp with a taser). Likewise the comeback spots: Dustin's double groin claw, Sammy turning the Dirty Deeds into his GTH, worked just right. The high spots were memorable, those brutal landings on chairs, including Taven's after they hit the Doomsday Device over the top and he errantly landed on one on the ramp, Sammy going off the ladder. And all the weapons fit in, the chairs, the belt, the cowbell, the barbed wire Shattered Dreams. It was definitely a lot of stuff, but the Kingdom and Dustin knew what they were doing and Sammy added that extra bit of energy and panache. I'm not sure how this will stack up against everything else this year, but you can't say it's not another notch in the belt of Dustin and another great Fight Without Honor from the Kingdom.  

Darby Allin vs Evil Uno

MD: With Danielson at home selling the injury, there was definitely a worry of a sort of overwhelming NWO-esque doom and gloom with Mox and company. The combination of Yuta's very existence and the fire he's showing mid-way through his matches and Private Party foolishly but bravely standing up for themselves is pushing back against that, giving what Mox is doing the sort of traction to push off against that he himself is saying he's providing to Zay and Quen. Darby's front and center for Grand Slam, however, and while we've seen him act in contrast to Mox and physically stand up to him up til now, the backstage promo leading up to the Uno match and then the match itself took things to an entirely different level.

It's war. For this to work, it can't be Mox running through everyone as they try to act sportsmanlike. People can't just play the 1985 Jumbo card as Choshu came in infecting everyone and everything around him with violence. They have to be Tenryu and meet the violence head on. And Darby not only fought with that level of intensity here, but he also forced it out of Uno. Even if Darby manages to triumph over him and keep his title shot, Mox isn't just going away. You don't make a statement with a turn like that and just go back into the woodworks and have another fishing trip. The darkness is here to stay and the dark intensity and violent passion is the thing that can make AEW stand out. It's not the grisly excessiveness of Hangman vs Swerve from All Out, not every week, but it's a Hansen-ian impulse of wrestlers pushing each other to the absolute limit week in and week out. What that looks like, what those limits are, how it all plays out, the different mix of alchemy when you have fliers and technicians and brawlers, when you have luchadores and disciples of the territories and walkers of the King's Road all clashing against one another... well, that's what's going to make it interesting. 

And it was interesting here. Uno took every advantage, but more than that, he wrestled like a man infected, like a feral beast, throwing his hefty frame into Darby from every angle. He was an out of control locomotion. Sometimes it worked, sometimes he crashed and burned, but he kept coming. Darby, in turn, fought as he always did, but instead of just throwing his own body at Uno, he ripped at the mask and bit at the skull. There's so much interesting to be mined here. Just as Uno threw himself with wild abandon to rise to the level Darby inspired in him, Darby made his own potential mistake, choosing to use Moxley's bulldog choke to prove a point instead of something of his own that might have more easily won the day. You push people this far, and much like Darby's facepaint, you see all the skeletons in the closet of their soul. It's the most fascinating, most human element you can distill in pro wrestling.

There's a change in the air. You can all but taste it watching the show over the last few weeks. Something is lurking in the hearts of the combatants. Something is awakening within them. Jon Moxley opened Pandora's Box and if they can fully tap into this energy found within, maybe this company can find a comparative advantage that no one else can match. TK, if our old DVDVR decoder rings are still working and you're picking up on the signal, this is the noise. Play it loud, play it hard, embrace it. Ride the wave and it'll take us all as far as we can possibly go. 

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AEW Five Fingers of Death 8/5 - 8/11 Part 2

Ring of Honor TV 8/8/24

Dustin Rhodes/Sammy Guevara vs Alex Reynolds/John Silver

MD: I'm tempted to wax poetic for a paragraph about the Problem of Sammy. Let's do it. He's been Lugered/Big Showed, in part due to the Jericho Vortex, and in part due to his own personal situations, and even just the inertia of being a featured guy for five years. It means that maybe he hasn't kept pace with Darby and MJF and even Perry. They kind of tried out the Cole/MJF story with him leading up to the four-way last year but Cole was the one to benefit from him. I don't know if he turns on Dustin or wins the tag titles with him (Dustin holding a bunch of ROH titles and challenging Lee Moriarty in a pure rules match would be amazing but that's beside the point) or what, but coming back as a babyface with a topknot doesn't feel like it's going to work. What would? I have no idea. An excursion? Feud him with Atlantis, Jr. in both settings. Maybe give him the TV Title and instead of having him complain about not getting five star matches backstage, have him defend it week in and week out and give him the sort of "list" that Cassidy in 2022-2023. Regardless, I'm glad it's not a problem I have to solve, because it does feel like a problem.

I praise Reynolds and Silver a lot; a good reason for that, as I've mentioned, is that they're able to somehow instill order upon the "everything breaks down way too early" style of tag team wrestling we've gotten for the last ten+ years in a way almost no one else can. They're also very adaptable. They've been monster heel henchmen, lovable loser underdog babyfaces, pre-show comedy act staples, and now sort of a dangerous mid-card heel act. They don't always do exactly what I'd want them to do, but they are very good at what they do.

I'd call this a studio show main event. Lots of comedy to start with Dustin and Sammy both doing the dive tease/breakdancing/pose. Dustin's comedic timing is great, of course. It was interesting how protected he was as a star when it came to the knee. He was beat down last week; he hurt it again on his own bulldog (he drove the action and reaped the consequence); he then fought off the Dark Order on the floor; Caprice mentions that if he's able to stand up on the apron, then he's ok, and he does; at that very moment, Uno comes in with the chair. Since he was going to take a beating for a while, it was fine, but that's not haphazard. It's calculated and has an effect, conscious or otherwise on the audience. Very canny. When Dustin does get the hot tag, it's entirely based on redirecting Reynolds' own momentum, first over the top and then into the power slam where he really just falls away and turns him. Again, that matters. He's not standing tall and firing back; he's showing the weight of the leg damage and finding another way, as hope does. Sammy was fine here; he works well with Reynolds/Silver, but he's definitely a Problem to be Solved.

Rampage 8/9/24

Darby Allin vs The Butcher

MD: TK's keeping me busy, huh? It's a good problem to have. I'm not sure how to tell you anything you wouldn't already know about this coming in. It was a remarkable match, a remarkable Butcher performance, a remarkable Darby performance. You should watch it if you haven't already. My brain is always going when I watch wrestling. That doesn't mean I'm not connected. That doesn't mean I'm not drawn in. It's part of why I value immersion and suspension of disbelief so much. Here's what I was thinking early on in this one:

Back in the day, old timers used to talk about how the fans knew wrestling was worked but that they wanted to be the one match on the card that made them doubt it. A "Yeah, most of it's fake, but that match maybe wasn't." sort of deal. A modern version of that might be... "Yeah, they work out all the spots in the back, but things went so crazy there that they had to be adapting on the fly!" Something like that. One thing I love about Darby is that he (like an unlikely comparison point, Nick Bockwinkel), as a character, always wants to control the start of his matches; he usually comes in with a bang. Here, he charged right in and got nailed by Butcher's foot. And his mouth started to bleed. Butcher went from slamming him leg first into the ropes to starting to work over that jaw. Darby responded in kind by spitting blood in his face. Savage? Maybe, but I was smiling big at that, drawn in. And yeah part of that is because it felt like an adaptation in the moment, and that, compared to a lot of picture perfect precision counter wrestling, felt more real. It just did. And damn it if that doesn't draw the eye and rouse the heart.

The rest of the match was an absolute mauling. Darby would throw himself at Butcher to try to get an advantage. More often than not, he bounced off. Have you ever played one of those little stick figure physics engines sort of games? It might just be picking up and dropping the figure. It might be sending them on a catapult. That was this match, eyes glued to the screen as Darby's body crashes and burns from every angle and every direction in the most sickening ways possible. A beautiful trainwreck. What was the purpose? I don't know. It made Darby look all the more like a star for winning definitively (yet believably!). It made Butcher look like a force. Maybe they can sneak him onto the All Out card? Maybe he'll be there for the Casino Gauntlet and this will get enough word of mouth that people will check it out. The joy of Darby is that while I still overthink it, he's got me overthinking it in all sorts of different and fun ways. Go track this one down.

Collision 8/10/24

Darby Allin/Hologram vs Tony Nese/Josh Woods

MD: I'm three matches in of Part 2 this week, so let's talk about Hologram. TK's alluded that the specific name/character has been in his head for a long time. Allow me to take a couple of liberties here. My guess is that this guy lived in TK's notebook for decades. Hologram is very much the sort of character that someone would come up with while doodling on the side of a notebook in school. He's the sort of guy who could wrestle alongside Mr. JL or Ciclope or Super Calo. It's a rabbit hole and best to just peek down it a little, but I don't think you can understand AEW without thinking about that notebook. It's sort of the "Rosebud" in this equation to some degree, right? And I am not at all unsympathetic. I'm not far off in age and had my own notebooks with my own very rough character drawings in the corner and lists of people who could be in various imaginary factions (be it a New Dangerous Alliance or different reshuffled X-Men teams). Here, it's especially a boon though, because the character is something pure, and true, and genuine, something that should appeal to kids because maybe, just maybe (I could be wrong!), once upon a time, a kid came up with it. It's anecdotal, and you'd want to follow someone who talks about the business and not just breaks down matches, but I get a sense a lot of WWE's recent success with a younger audience is due to the accessibility and ease of Peacock, the fact that they can just find the footage on their own with a few clicks of their remote. If AEW has some streaming solution upcoming, then similar kids discovering the product are going to find a welcome avatar in Hologram waiting for them.

And as for the rest of us? I liken him to Blitzkrieg in WCW. When he showed up in WCW in 99, it absolutely blew people's minds. It's not that he was doing things that much more spectacular than everyone else (though he was doing things that were just enough different to stand out). No, the bigger thing was that he came out of the blue. We were all smarks on the internet following six news sites, reading Al Issacs and waiting for Yokozuna to join the Hart Foundation (that was a couple of years earlier, but you get the idea). We thought we knew everyone and everything, and if we didn't, then we knew someone who did. We had a network of people following everything out of Mexico and every sleazy indy Japanese promotion. And here was this guy that we couldn't place doing amazing things. The fact that he was unknown to us (teenagers and young adults who felt like we knew everything) was half the appeal. Hologram is a bit of the same. It's not that we weren't aware of Aramis here, or that we didn't have some inkling of his contract issues over the years, but he wasn't on our radar or on the the public radars of the people who we trust when it comes to lucha to come in to AEW with a new character and make a mark. The vignette aired. We got word who he was. He debuted. Sometimes it's just nice to be taken by surprise, even for us, especially for us. 

As for the match itself, it was another great showcase that really gave Hologram an extra bit of rub. Despite being a star (and one with a rocket strapped to him maybe), Darby played face-in-peril and let Hologram be the hero, both coming in to clear house after the hot tag and by getting the cradle win on Woods. Before that, they had a great shine where Darby's quick shots got to pair with Hologram's slick shots and they somehow became even more than the sum of their parts. Just great, great basing by Woods and Nese here (and Sterling/Daivari on the Coffin Drop by Darby to set up the finish). They were everything and everything looked great. Just like Reynolds/Silver, Nese is a guy who never shoots for fame or fortune. He's the opposite of getting his shit in. He's an absolute professional, a total mechanic, willing to stooge and get clowned for the sake of his opponent and the match. He's the least cool heel in the world and so much more valuable for it. And Woods is someone that every time I see him, I wish I'd be able to see him more. This did exactly what it set out to do and the Hologram train rolls on. The trick now is to keep him featured so he's on people's minds every week. 

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AEW Five Fingers of Death 7/15 - 7/28

AEW Rampage 7/26/24

Royal Rampage

MD: Let me try to cover a lot of ground quickly. I wrote recently about the difference between plot and story. The only bits in this one I'd actively call "plot" along those lines would be Darby winning in general to set up the Grand Slam title match and Hangman coming out to eliminate Jarrett. There was a ton of story though.

To confuse matters further, I'd break down the story here into explicit story and implicit story. Implicit story is everyone working together to eliminate the Butcher because  he's known to be a beast in battle royales. It's Darby going right after Brody because Brody eliminated him at a prior one. It's character driven, history driven, not necessarily something to set up further matches (though it could be). It's the fact that these characters live together in a shared universe and are fully formed and fleshed out. That comes into play in a setting like this.

More explicit story would be the rivalry between the Conglomeration and the Kingdom or the backstage segment between Kip Sabian and Nick Wayne that set up their interaction here. So there were smaller stories, larger stories, a bit of plot, and then a baseline of wrestlers and characters dipping in and out. Sometimes it was for a brief burst of entertainment like with Menard or Cutler. Sometimes it was to play into that Forbidden Door feeling of a few months ago like with Lio Rush or Mortos. Or it was steak and sizzle in one like the opening stretch with Claudio and Komander.

The simple fact of the matter is that a lot of the blue check or old carny criticisms of AEW when it comes to plot and story (implicit and explicit) are either lies or fully ignorant from people who don't watch the product. Sometimes I think that it might be that these people existed in a 90s world where there were multi-month feuds with partners that were married to one another on house shows town after town after town and AEW is instead a TV product. That's probably giving them too much faith though. I don't see how you can watch something like this match and not see a plethora of character, story, and plot. Every AEW Battle Royale is like this.

ROH Death Before Dishonor 7/26/24

Dustin Rhodes/Ross Von Erich/Marshall Von Erich vs Dark Order (Evil Uno/Alex Reynolds/John Silver)

MD: I'm still getting a sense of the Von Erichs. At times they seem moderately generic, as if they've traveled around so much that they haven't really been able to specialize. They've been working since 2012 but only have ~130 matches in Cagematch (the comparison point is Nick Wayne or Billie Starkz who have double or quadruple that respectively). You'll see Ross do something like a slingblade and kind of go "Ehh" on the idea that maybe he should be leaning harder into who and what they are and who and what makes them stand out against others. Then sometimes, I'm certain that Marshall, despite the size, is sort of the Bobby Fulton of the two, the more charismatic and theatrical, and Ross is really more the Tommy Rogers, hitting stuff sharp and clean. Then you have a match like this where they both get a face-in-peril bit and I just need to see some more. Thankfully, I've got another match coming up after this one.
 
Anyway, this worked really well. The underlying story was that the Dark Order kept taking Dustin out from the floor, primarily Alex Reynolds, who is great at playing a trolling shitheel which is probably something he should stick with as he's a competent and hard-working babyface but not one that stands out on the roster. That meant that the Von Erichs had to wrestle from a 3 vs 2 deficit. It also meant that the fans were denied Dustin (other than the opening brawling) until it was time for the hot tag. The fans could relate to the IDEA of the Von Erichs, but they're still building up familiarity with Ross and Marshall as individual entities (just like I am, I guess). Dustin they know as well as any wrestler in the world. Very smart layout, but then that's one of the hallmarks of Reynolds/Silver. They're the only guys I've ever seen that can make controlled chaos consistently compelling.

Once Dustin did come in, everything broke down in a satisfying way with Dustin hitting his big stuff on everyone before the numbers overwhelmed him. I bought the kickout on the wombo combo as he's tall enough that they couldn't hit it exactly the way they wanted to. Then it all built to the claws and shattered dreams and the ref being just out of position at exactly the right time, and this was all really satisfying in the end. I don't know if Dustin and the Von Erichs will just have the titles for the residency or what, but this is much more of what I want out of a six-man tag, using the extra players to lean harder into ideas like double heat and isolation on the floor instead of just maximizing the number of possible spots.

AEW Battle of the Belts 7/27/24

Dustin Rhodes/Ross Von Erich/Marshall Von Erich vs Roderick Strong/Matt Taven/Mike Bennett

MD: A big feel-good, celebratory title win in front of the home crowd at the residency, the sort of thing that was all but destroyed in mainstream wrestling in the 2010s. This stayed grounded for the most part until the end and then went over the top with bells and whistles for the last couple of minutes.

In general, it was a little more of a standard shine/heat/comeback than the Dark Order match which started with brawling and went into double heat instead. There were similar themes though. Here, things broke down on the floor at the end of the shine and led to Dustin being taken out by a pile-driver leaving things 3 on 2 and letting the Kingdom press their advantage. It's a good model and they can definitely continue to run with it over the next few weeks so long as they can find ways to believably take Dustin out of the matches. Then they can start inverting and tweaking and seeing how that looks like. With just two data points, we'll call it coincidence for now.

I liked the point of transition with Bennett hitting his bounce back shot on the apron before the pile driver and then Strong sealing the deal with a backbreaker. There wasn't necessarily that same anticipation for Dustin on the hot tag (as he was taken out but not repeatedly like in the Dark Order match), but the Kingdom fed for him like pros; it's what they're best at. No one in wrestling can take a nut shot quite like Matt Taven; it's his best quality other than the fact he's still throwing punches instead of forearms. Then the finish maybe got a little silly with the cowbell hitting this time (it missed in the Dark Order match) and all the interference, but when you're going to send everyone home happy, sometimes you can get away with that. Great to see Dustin with a belt again, and yes, 91 WCW and the York Foundation as six-man champs is a sweet spot for my youthful wrestling watching, so I absolutely want them to lean more into that aesthetic than the spot-heavy Elite idea of trios tags.

AEW Collision 7/20/24

Darby Allin vs The Beast Mortos

MD: Playing catch up here. There's story and there's plot and then there's purpose. Usually, if you look at a match through the lens of purpose, the other things come into focus. What was this one trying to accomplish? It was the first televised match for the residency so it was setting the (somewhat literal) stage for that in tone and look and feel. It was Darby's first singles match since March and had to heat him up to a degree for Blood and Guts and for all other things to come. He's in a slightly different spot now. Despite being a ragdoll who can sell and sell and sell and then come back, he may have to be presented as more of a force and take more of his matches in a post-Sting (and soon to be Post-Danielson) world. He's more of the face of the company now. That meant he ended up taking closer to half of the match here, more than you might expect.

Then you had Mortos. He needed to be heated up a bit for his ROH match as he's going to be a player there and kept strong enough to put over Hologram on the 27th on Collision to make that meaningful. I had previously thought that he shouldn't be doing the top rope press slam and the spinning dive in every match, that these should be held back a bit because they stand out so much against everything else happening (which says a lot!) but since he needs to be used to put over others right now and can't be fully protected, it's one way to keep him strong and formidable. I think maybe it sacrifices potential growth in the long run but there are a lot of short term goals where he fits perfectly and keeping him spectacular in every match helps it feel special. It just comes at a cost and that should never, ever be forgotten or minimized. Even here, Darby won by hitting the crucifix bomb off the top and it was a bit of a banana peel protecting Mortos even if he ate the coffin drop and was pinned cleanly. The other thing about him that maybe I've discounted, is that he's wider than he is tall. I see him as a Killswitch like monster, but he's really not. He's more of a LA Park and that changes the dynamic somewhat.

AEW Dynamite 7/24/24

Blood and Guts

MD: I'm kidding. I'm not going to review blood and guts too. This is already enough words. I'll just say this. Next year, I would very much like the people in the match to watch the first few War Games and try to figure out what made those special and tap into that instead. No plunder. No big set pieces. No crazy bumps. Blood, guts, crazy selling instead. It would stand out against the competition. It would stand out against Anarchy in the Arena. It doesn't have to be all the time. It could just be once. Just try it. This is established now. There's nothing to lose.

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AEW Five Fingers of Death (and Friends): 10/17 - 10/23

AEW Dark 10/18

MD: Eddie was our only guy this week and he was on Dark, so I figured I'd just do the whole show. It's been a little over a year now since I've been watching AEW. One interesting thing about the promotion relative to other ones over the years is that different people from different generations get very different things out of it. Punk and Danielson coming back drew me in. Kingston and Dustin and Darby, among others, kept my interest, but on a week to week basis, it was the webshows that really worked for me. If Dynamite feels like crash TV with original ROH style dream matches, and Rampage feels a bit like late 91-early 92 WCW Saturday Night with a Dangerous Alliance match and a few midcard matches, Elevation and Dark feel like WCW syndi shows. Squashes and a few midcard matches. It's one of those things people of my generational tolerated for years, maybe grumbled about, but ultimately had no idea how good we had it.

In an ecosystem like what I described above, squashes are a amazing, right? Guys like Naylor have been so good at highlighting them and why they were special over the years, but they highlight moves, characters, give the announcers room to breathe. They're not exhausting like sprints can be. They're pro-wrestling comfort food while giving wrestlers the ability to really express who they are. You can tell a story in them or not depending on what you're trying to achieve. All the talk about how wrestlers are wasted not being on TV is irritating, to say the least. The nature of AEW's roster is that people get rotated on and off to keep things fresh. Someone like Ruby Soho coming out to her theme on Elevation gets the fresh and excited crowds going. Emi Sakura is the MVP, having hard-hitting entertaining tag after entertaining tag with partners that can vibe with her act and opponents that are better off for getting reps with her. It's the perfect place for Dalton Castle and Danhausen and Brandon Cutler and the Wingmen, giving the crowd extra value for their ticket and helping to keep acts over. It lets them try out new talent or new tweaks upon a gimmick. I was excited when Deeb, for instance, finished up her title match programs and was interacting with people like Emi and Skye Blue again.

The problem, as much as fans being small-minded, is AEW not doing enough to use the shows to build to everything else going on. There was a patch back six months ago where if someone was going to have a match on Dynamite or Rampage they'd often get featured on Elevation, and they did some things, like building to the ROH PPV with Dark and Elevation, but in general, it's underutilized. I don't know a single person who watches the webshows and feels like they're not valuable or worth watching though, no matter how much griping you get from the people who don't watch (the most worthless griping of all). This was an especially star-studded episode given they were in Canada and it was taped before a live Rampage, but don't sleep on the studio Darks either. Studio wrestling is great given that with AEW we get all sorts of variety. You may not want it as your only wrestling but as part of the whole, it balances things out.

Hikaru Shida vs Vanessa Kraven

MD: I've been giving a lot of thought about 'aces' lately. I think it's due to watching a ton of Inoki over the last year. It could be because I want to watch some Big Daddy and make some calls for myself soon. Don't hold me for that. One aspect that I think is important in an ace is to leverage the cachet you have with the crowd to find ways to highlight what makes your opponent unique. Shida absolutely did that here, making full use of Kraven's size and strength. This was not at all the same sort of match that she would have had with someone smaller or with a different background. Some of that was leaping into the catch on the outside off the chair and eating that samoan drop on the apron (which then, thanks to the AEW house style, she could use later in the match to escape the Samoan drop and set up the finishing stretch). Some of it was the struggle for the falcon arrow, barely getting her over, and then letting her kick out of it. The creativity and imagination and care that went into how she laid this out was definitely appreciated however.

Dark Order (Evil Uno/John Silver/Alex Reynolds/10) vs Tyler Tirva/Shane Hawke/Zak Patterson/Jordano)

MD: Again, we get the freedom of the web shows here. They're not trying to hit any major time marks. They're not worried about picture-in-picture commercial breaks. This was in Canada. This was about showcasing Uno, as well it should have been. It's one of those things AEW does best and that we spent decades getting denied due to weird piques of spite "up north." Though some of this was diluted by Taz poking Jose the Assistant on commentary, but certainly not for the live crowd.

This was surprisingly complete, with Reynolds getting some shine to start (useful given that he plays FIP a lot), a tease of Uno early only for him to get swarmed, some heat on Silver (including eating a huge gutwrench), and everything set up to combine the big Dark Order spots and all of Uno's signature spots mixed with all of his showmanship. They could have just had Dark Order run through these guys but they gave it enough substance to make Uno's spots mean just a little more.

Eddie Kingston/Ortiz vs Mo Jabari/Jake O'Reilly

MD: Just a stylized mauling. Jabari and O'Reilly might get one shot in but they sure wouldn't get two in a row. Ortiz knows this is his moment to come into his own and showcase his own identity and he's been doing that with the Rick Rude or the crotch chop before the veg-o-matic or the tiger style (which, now that I think about it, may not be his own identity at all). Those crossfaces in the corner were nasty though, and Eddie's chops sounded as good as they ever did. The anger management angle for Kingston made sense in the Sammy match; I'm not sure if it's totally believable moving forward, but the Pac match it seems to be building to should be fun at least.

Best Friends (Orange Cassidy/Chuck Taylor/Trent) vs Kobe Durst/Steven Mainz/Jessie V

MD: This was a straight up crowdpleasing squash on the heels of the Cassidy/PAC main event one day earlier. Occasionally they'll run these where guys can just do whatever and they don't even give the enhancement talent a hope. It was pretty brutal with Trent not quite getting all of the flip into a spinebuster (and he save the same sort of shrug that Silver got when he tried to suplex two guys at once). The Sole Food into the Half and Half looked great though. Cassidy then came in and punched everyone. I'm not sure if it's Keith Mitchell retiring or what but they don't seem to time the hug nearly as well as they used to. Anyway, this was never going to be much but it was fine for what it was.

Ari Davari vs Brandon Cutler

MD: Like I said, people watch AEW for different reasons. There are some people who are thoroughly into the Elite, to the point of having Omega avatars and whatever else. I don't have a ton of time for any of them for reasons no one needs to hear right now, but I do think Cutler's been one of the bright spots of the company over the last month. He's a guy who throws himself entirely in the act, who's unafraid to do anything necessary. He cares so much that the fans care, and as the only bastion of the Elite remaining, they care just a little bit more. You put him up against a guy like Avalon (like we'll see this week) or Danhausen or Serpentico and you get a fun comedy match, but if you put him against an actual wrestler like Davari, and you get a kind of interesting, contrast-laden match, where he can work from underneath. Here, Davari threw a lot of simple, driving shots, credible stuff that put over his annoyance of the entire situation. Cutler would comeback with fun 80s offense but Davari would cut him off by going for the eyes or with Kiss' help or through something just as conniving that sort of defies hierarchy and highlights how offended he is that he has to lower himself to wrestle Cutler. It made for a pretty fun match. I would have rather Hook had to go through all of the Trustbusters first before getting Davari, though part of that was just beacuse I wanted to see Hook vs Slim J (who is the new 5th finger if Punk isn't coming back, by the way).

Willow Nightingale vs Seleziya Sparx

MD: In a lot of ways this was an inversion of the Shida match. Willow still wanted to give some shine to the local, even if she was working heel, but she made her work for it and chip away, not going down easily, leaning hard into her size. It's hard for a babyface with a size advantage to know just how much to give while still showing the right amount of vulnerability, especially given the hierarchical difference here, but I think she nailed it. Willow has great emotive reactions in her selling, able to switch between ebullience, exhaustion, and aggression. All of Sparx' stuff looked pretty good, even some of the overwrought things like how she vaulted over the turnbuckle to hit a running kick. That's the sort of thing that is maybe a bit much but you can't fault it if the kick looks good. Jody Threat got a lot of attention last week, but Sparx should get some as well.

QT Marshall vs Dante Martin

MD: A year ago, when I first encountered him, I thought QT should wrestle more like a manager. He's capable of a lot of things (including missing a 450) but just because he can, doesn't necessarily mean he should. That said, for a lot of this period, AEW's needed credible mid-card heels to eat losses. Having the Trustbusters now help a little bit, but that's really been the Factory and the Wingmen, and Lethal, and as such, it does make sense for QT to stretch his wings a bit more. He's good at it and especially good at engaging with his opponent and the audience. They were all over him, despite having sat through all of the previous matches and even if no one necessarily bought a ticket for him, they all had a seemingly great time getting on his case and it'll be, consciously or subconsciously, part of their enduring good feeling about the night in the months and years to come.
 
Dante, in the meantime, probably through no choice of his own as he'd rather be teaming with his brother, has had a lot of ring time to improve. I thought he was already pretty far along in the singles match with Black last October, but his expressiveness and interactions with the crowd have developed since then. He's a great seller on top of his ability to seemingly freeze time as he flips around the ring and soars through the air. He's a case where the sum is greater than any specific part, as his flipping rana into the ring here would be the most spectacular thing in almost any other match in the world but felt almost subdued alongside his huge dive to the outside and stuttering splash to avoid the cutter. The finishing stretch worked to protect QT in loss but still felt like an accomplishment for Dante. Definitely the sort of match that Dusty would have been proud to call the Moo Match of the Week on WCW Prime in 1995 even if maybe it wouldn't make a comp tape for the year.

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AEW Dynamite Workrate Report 12/16/20

What Worked

-My WCW muscle memory kicked in when the snow started falling after Cody's win, and I actually said "Glacier" aloud, to myself. 

-I actually really liked The Acclaim's rap AND Kazarian's rap before their match. Honestly, the raps probably made me enjoy the match more than I should have. I don't think the match was very good, but the wrestling on this show has been dreadful so...I thought Christopher Daniels's jabs looked really good?

-Diamante decided to have her whole butt hanging out of her trunks so that seems like it works? 

-Omega/Janela was about as dumb as it gets, nothing but stunt spots segueing into stunt spots with no flow to them. BUT the stunt spots look good so fuck it, need to populate the top side of this write up a bit. Janela's tope looked good and Omega plastered himself into the guardrail a couple times, Janela took a bulldog face first on a chair, got hilariously into place for an Omega top con hilo, etc. Every spot was a restart, but the landings looked sick enough and Don Callis on house mic commentary was great. This is the best Omega's V Trigger knees have looked in lord knows when, really looked like he was going to cave in Janela's face with them. After seeing those 1/2 speed knees he through past Moxley's head last week I was thinking Omega had lost his speed, but I really loved the aggression he used to wreck Janela. 

What Didn't Work

-Opening trios was pretty disjointed and didn't have any kind of flow to it. It slowed down at weird times and never felt like it had any kind of consistent (or good) pace to it. NOAH knew how to throw six random guys into a trios and have a nice high floor, but this had very little going for it. It's great that Alex Reynolds is confirmed Alive after definitely not being knocked out cold, and Hangman had a couple nice lariats (including one that Kassidy bumped onto the side of his head). But a lot of this had bumps that felt a little too disconnected from the offense they were supposed to be taking, and it never came together in a meaningful way. 

-I think there is a potentially good Cody/Angelico match, but this was not that match. I'm not into match layouts where one guy does his stuff, and then the other guy decides to stop taking offense and start doing all of his own offense. I liked the Angelico wrist control do-si-do arm drags but didn't love much else. Neither was great at taking the other's offense, and that's going to hurt a match that's nothing but guys taking turns on offense. Angelico is good at taking headstand plants on cutters or DDTs, but the way he just stands there waiting to take something never looks good. Cody had kind of a similar thing where he would just stand there waiting for Angelico to run into his offense, and it all sucked brother. 

-Lance Archer interrupting Eddie Kingston's Airing of Grievances like 30 seconds in while wearing the shittiest ripped and distressed jeans I have ever seen is a big damn heel move

-I like when Butcher wears his butcher's apron, but why is Blade out there in one? Wearing his dirty jeans, t shirt, and apron he just looks like a Whole Foods burrito bar employee at the end of his shift. 

-12 man had the same problems the other matches have had so far, real weird energy and a lot of people on a different page. Jericho/Pillman stuff was decent, and I loved Jericho's straight right hands more than anything else in the match (other than Sammy Guevara's awesome folded over his knees sell of a Trent kick), and that's because most of the match didn't work. When you have a match like this and a bunch of guys who have never been in a match with 11 other people, you're going to have a bunch of people getting in each other's way. There were several guys who didn't look ready for prime time (not sure I've ever seen a sloppier slingshot legdrop than whatever it was Griff Garrison did), but I did laugh a bunch when Jake Hager - on the apron for most of the match - finally got in the ring. Not only did he trip over the ropes, but then he hit one of the ugliest, sloppy "F10" finishers I've seen, just a lazy spin that basically resulted in Garrison being dropped in a weak body slam. That's what gets a pin? Total mess. 

-You give me Ivelisse in a tag match and I'm going to want to see that trademark unprofessional Ivelisse work. But this was mostly just Diamante and Swole going through some rehearsed sequences, some of which looked good, some of which looked like a couple people standing around counting out their steps. It's hard to get any kind of heat or maintain much interest when it feels like the in ring is just going through the motions. This whole damn show has felt like it's going through the motions. 

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AEW Dynamite Workrate Report 10/21/20

 What Worked

-Wardlow/Jungle Boy was a decent enough muscle head vs. flyer match, maybe a 0.3 on the 2002 Brock scale. Wardlow is missing something with his offense that I can't quite put my finger on. He's a bit too polished, so doesn't have the joyful carelessness of a jacked up Power Plant guy, and he's missing aggression. Walking around and breathing heavily after hitting F5 variations doesn't quite do it for me. So this match hinged on Jungle Boy's comeback sequence, and that I liked. His forearms hit at least as hard as Wardlow (which really says more about Wardlow than JB), but the dropkick to the back looked good and the tope to the back looked even better. That tope is probably what got this up top. 

-With more practice, Kenny Omega's dancers could be almost as good as the fine Minnesotan dancers of Let's Bowl. 

-I could not be happier that AEW seems to have realized how fantastic Eddie Kington's weekly TV presence is and let him just scream into several microphones. The guy is great and you can tell anyone seeing or hearing him for the first time thinks he comes off like a major star. I am so excited at just the sheer potential of what they can do and how far they can do it with him. If you didn't watch Fenix/Pentagon and only listened to Kingston on commentary, you'd think it was an actual great match. 

-I watched a lot of bad dance routines masquerading as wrestling in the first 80 minutes of this episode, so I appreciated that Jericho and MJF at least did a bad dance routine masquerading as a bad dance routine. They obviously didn't have the chops of Bing Crosby/Donald O'Connor, but they knew the proper way to look into the camera while delivering a song's punchline and that goes a long way. The porterhouse ordering open felt far too similar to the Key & Peele Soul Food sketch for me to give it much credit, but I actually loved the bookended payoff of Jericho saying "we're going to have to send these back" after bluffing themselves into ordering rarer and rarer steaks. 

-Britt Baker's match lost the thread a little bit at times (a kick that was supposed to be caught wasn't, Britt's sling blade does not look great), but was more competitive than I was expecting and didn't overextend itself. KiLynn King bumped big for Britt's offense and got her face punched nicely into the mat on a curb stomp. A lot of AEW squash matches give their opponent way too much, or do something similar to Omega/Kiss where it's over in two moves. The finish of this was never in doubt but I liked the few openings that King got, and liked what she did with them. 

What Didn't Work

-Kenny Omega is an indisputable dweeb. Can't decide if commissioning someone to say "Broke the Meltzer 5 star scale" is worse than those Kurt Angle promos where he would talk about putting on a match of the year. 

-Thank god Eddie Kingston was on commentary during Fenix/Pentagon, because he was the only thing that could have made that pile worthwhile. You'd think Pentagon would be a little more inspired working opposite his flashier, more entertaining brother, but you would be wrong! I'm not certain I saw a single Pentagon kick that didn't show light, and the entire match was a full reset after every single move and kickout. The opening "I know my opponent" dance party looked lazy, like two people looking ahead to dance step 3 before they had completed step 2, so you had things like those garbage pinball attempts where the person pinning is already rolling themselves off before the person being pinned has even moved. Midway through Fenix appeared to brain himself doing a reverse rana off the top, just crunching straight down on his neck and head. It looked really really bad so things naturally got more disjointed after as it appeared they were stalling for time. Pentagon did a derpy rolling DDT that either shouldn't have been attempted or should have only been attempted if his brother could move, and so instead just looked like three separate blown spots. The home stretch was trash, just Fenix doing a big move for a nearfall, then rest, then both standing up, then Pentagon doing a big move for a nearfall. Rinse, repeat, rinse, repeat, no consequences, no transitions, no interest whatsoever. Fenix hit a great tornillo, Kingston saved what he could. 

-I was not buying the "gritty fight feel" of Cabana/Page. This whole thing just felt all over the map. Both guys had moments of standing up from a strike with gritted teeth, you know, real cowboy shit, and a few seconds later Page would be hitting a standing shooting star or Cabana would be hitting a headscissors. They wanted to have a juniors match, then they'd want to have a war, then they'd want to do some nearfall kickouts, it all felt like pieces were pulled from different matches. The beginning had some "fast exchanges" that weren't fast, leading commentary to cover by calling Cabana "deceptionably" fast, which is not a word just as Cabana is not deceptively fast. I liked Page catching Cabana's stupid slow crawl through the legs spot and turning it into a pin, and Page's back bump to the apron was nuts (and completely wasted and unnecessary in a match like this, but I did like Cabana's follow up splash off the apron). Page's match finishing lariat looked like a finish, but man the flip portion of it is never going to be not dumb. 

-Tag scramble had some moments but was overall a big ol' mess. I am not sure if Marq Quen is a constant victim of bad catching or if he's just a man who is very good at diving one foot to the side of his opponent. I'm not sure if he's been doing super high tope con hilos onto concrete intentionally, or if I've been reading the move wrong and it's actually a flipping clothesline and I've just incorrectly been focusing on the future arthritis gifting flat back bumps on the floor. His shooting star press that always falls a foot and a half short falls a foot and a half short a bit later, so that might contain the answer. Things got really uncomfortable when Isiah Kassidy hits a guillotine legdrop that almost disconnects Alex Reynolds' head from his body. You can see his jaw snap over and his body goes stiff. Blade figures this out when he picks up his arm and realizes he's dragging a dead body. He drags Reynolds corpse into the corner and - a real pro - uses Reynolds' hand to tag in. But it looked like  nobody else in the ring knew Reynolds was out cold. He was motionless towards the corner with his legs crossed, people crashing into him on landings. Reynolds is a total nutbar, so the second he barely comes to he immediately goes into a sequence with Nick Jackson, which was really insane because the guy looked like he had no idea where he was. It was weird watching him move by pure in ring muscle memory and still manage to be a part of a three person sequence. You can't grade his execution but he hit his marks and that impressed the hell out of me. It was clear that he wouldn't have even been able to tie his shoes in his condition, and here he was taking a high knee in the corner and a bulldog. Silver and Reynolds were the saving grace here, and Butcher/Blade had some nice moments (I do like that suplex into knees), but the match got uncomfortable when nobody in ring or on commentary was acknowledging Reynolds was a dead body. Bad night for that to happen, after Fenix's near broken neck. 

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AEW Dynamite Workrate Report 8/5/20

What Worked

-AEW has somehow had a poor success rate with big multiman matches. I think a multiman tag with 8+ people should be pretty much a slam dunk good match. You can hide anybody you want and can work at a great pace with frequent tags. But for some reason AEW multimans just have not clicked. The opener tonight clicked. There was stuff I didn't like (I really dislike whenever a big match like this focuses on a spot that involves half or more of the participants, like an 8 man suplex or the silly 3 way spinning toe hold that ended with them all knocking heads), but much more stuff that I thought worked really well. The energy throughout was good, and I especially liked Evil Uno. He's a guy who worked countless multimans like this, so you get a sense he knew right where to be. His chain spots didn't require anyone to wait awkwardly, he took the snap dragon real well, set up double teams great (loved his sit out powerbomb), and hit that nice cannonball under Grayson's 450. Both Bucks knew how to pick their moments and Matt had some great stuff running through a bunch of guys on the floor before getting leveled by a Brodie Lee superkick. Lee also had a cool double lariat and wrecked Kenny with one on the apron (painful bump from Omega), and this was maybe the best Lee has looked in AEW. The important thing here was that everyone was pretty good about choosing their moments, and many worked in smart spots to get out of the action. Grayson flew past the ringpost to the floor and took a big apron bump, Dax Harwood left the match after doing a nasty gutbuster on his bad knee (I do not know if the injury is real, but I hope it is not. He sold it convincingly enough that it looked legit), and that lead to a really great Page comeback when he rejoined the match after taking Harwood to the back. This wasn't bogged down in any way with that comedy that tends to drag these AEW matches down, and that tight pacing kept this real strong throughout.

-Really enjoyed LAX vs. Best Friends, with things really picking up when Trent took a nasty bump on the edge of the apron, getting his legs yanked out from under him. The LAX control segment was really good, thought Santana looked really good in there. They had a real nice double team suplex, and Trent is at his best selling and bumping around. Now, the structure meant that we were building to a Chuck Taylor hot tag the whole time, which was the weakest part of the match (and I did really like his Sliced Bread, thought it looked much better than his various drivers that always see him getting into position too early). He moved through his offense quick, which looked a bit too planned (compared to how the rest of the match looked), but the home stretch had a couple of big double teams and a decent nearfall. It didn't have the result that I wanted, but I can't argue with how we got there.

-Sammy/Hardy brawl was good, Guevara looked like a real maniac. His punches were thrown with the body language of a man trying to injure someone with punches. This wasn't a set of clean punch exchanges, this was a guy jumping someone. He threw an opened chair right into Hardy's face which felt like a crazy moment in an Ian Rotten match, not something that Matt Hardy would take on TV. The twisting dive through a table was sweet icing, but Hardy's deep red gusher was all the cherry we needed on this sundae. Sick blade job, made me wonder how the hell they would top any of that in an actual match, and made me excited to see themselves top it.

-How cool was it that Ortiz javelined that sledgehammer into the windshield to end the segment? That's the kind of one take that would have made me flip out the moment the scene was cut. "You see it stick in the windshield!? Try to defeat me now, God!"

-Wasn't feeling the Cody/Cardona tag, but Reynolds and Silver won me over during the nice, long control segment over Cody. Early stuff felt a little too indy, Cody didn't totally look like he touched the ringpost in the spot where he was supposed to, but he committed to the selling enough that I eventually bought in. Silver is a shrimp but works well with his size. Silver makes up the difference by throwing hard kicks. He is a better thigh slapper than most, really hitting the mark on some very fast timing, but really his kicks look good enough that he really doesn't need the slap. His kicks to a kneeling Cody were what really got me into this. He has good aim and came in with kicks to break up pins to show more of that good timing. But while his kicks look powerful, he is still small, and I like that someone like Cody was able to just power through with a cool powerslam in spite of the damage. Cardona didn't do a ton for me (and it's hilarious that JR was talking about his big action figure collection as something that would presumably get him over) but everyone else made this work.

-I didn't actually expect the Jericho/Cassidy program to have legs. I keep finding myself surprised with every segment. They're drawing it out really well and, not worrying about making each segment more intense than the last, just convincingly pairing them off the right amount each week. I'm not sure they can top their match, but they're doing a really good job keeping it interesting.

8. Darby Allin vs. Jon Moxley

ER: I thought this was great. Unhinged Darby performances are the most consistently high end part of Dynamite since the beginning. Moxley can be a little goofy, but he can also bleed and dish a stiff beating on Allin while Allin finds a dozen different ways to crash his own body. Moxley goes right after him to start but soon Darby is crashing the way he does best, including a brutal run into the ringpost. He dies on a couple of topes, and is one of the best in wrestling at making topes look like devastating offense. He finds great ways to stay just ahead of Moxley, and the match keeps getting hotter because of it. I dug how he set up his Code Red by kicking out Moxley's knee, and I loved how he stomped all over Moxley's hand in the ringpost before coffin dropping to the floor, landing on Moxley's same hand. There is some MJF interference, but they don't let it define the match, and don't let it be the cause of the finish. What it does do, is give Moxley a great chance to blade. Matt Hardy still had the juice of the night, but Moxley's adds to this fight. I liked Darby capitalizing and was actually shocked when the coffin drop wasn't the finish, and shocked again when Darby refused to stay down after a Gotch piledriver. I wasn't expecting the match to go big match epic on me and I enjoyed that twist. The implant DDT that kept Allin down looked sick and should keep someone down. Darby is must see TV, and matches like this one make that an obvious statement.

PAS: This was really great stuff, I didn't care for either of their first two matches against each other, but this was great. Darby might be the single best wrestler in the world at structuring an underdog match, and maybe one of the best ever at it. He is actually taking less insane bumps now than he was in the indies, but the one crazy bump he took was totally awesome looking and perfectly placed. All of Darby's offense is that rare mix of flawlessly smooth and really violent looking. You can get one or the other, rarely do you get both. Eric is right about his topes, they are the most violent dives in wrestling, and really maybe the most violent since Ciclon Ramirez. There was no need for the MJF stuff, and it would help Darby more if he got his near fall due to his own actions, but it is a minor quibble. I do think they are getting a little Lucy with the Football on Darby's big win, and they really need to pull the trigger soon.


What Didn't Work

-It feels cheap putting Swole/Reba here, since Reba is hardly a wrestler and the match was designed to be a Swole demolition. It wasn't meant to be great, and it wasn't. But it wasn't bad, and they gave the whole segment the right amount of time. The rest of the show is all up top! I feel like a real heel putting this here. The show does need segments that aren't just workrate match after workrate match, but it probably would have worked much better in between the opener and the Inner Circle tag. Also, it is a bizarre choice that amid all the "put more women on TV" talk, they put women on TV for a total of 3 minutes.


2020 MOTY MASTER LIST

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PWG From Out Of Nowhere 2/27/15 Partial Review

ER: Phil wrote up a couple of these matches 9 months ago, and usually if a card has two matches that look really good I'll go ahead and watch the rest of the card. So I started doing that, but once I got through the last match I really wanted to see (Hero/Gulak), I didn't really feel like watching three more 20+ minute PWG epics. So blame that on me for willingly watching a Chuck Taylor match. A bad choice to be sure, but not the worst choice I've ever made. For we are men. We are all just men. We are all just canceled fall CBS replacement sitcoms.


1. Speedball Mike Bailey vs. Biff Busick

PAS: Really fun spotfest intro match for Bailey. Felt kind of like the first Rey Jr. v. Psicosis matches in ECW, where you had a crazy impressive athletic guy show off his stuff with an opponent he is really familiar with. Bailey has a lot of Tae Kwon Doe training and throws these awesome looking spin kicks which he mixes in well with fast high spots, he did 10 crazy things in this match, and my favorite was a loony looking springboard headlock takeover. This was Busick as a power highspot guy, not a mat wrestler, and he really throws Bailey around. Fast food kind of match, but unlike a lot of PWG spotfests it hit the spot for me.

ER: Man this match was awesome! This might have actually been my favorite Bailey/Busick match and we've been collective fans of all of them. Bailey does neat little twists on a bunch of spots you're used to (the handspring headlock takeover was a wonderful momentum shifter, and Busick was great at looking like he was bracing for an elbow and then getting caught in the headlock) and throws these cool misdirection kicks where you think they're going to land one way and then loop under and hit you in the chin. Busick's power offense is sick and these two were practically made to work each other. Busick tossed Bailey in all sorts of great ways, battered him with mean uppercuts and shoulderblocks, and latched on with the best headlocks in the business. I could watch most of a match made up of Busick finding ways to get a guy in a headlock. Then he starts throwing his nice palm strikes while locking in the headlock?? His low bulldog, his accurate blockbuster?? Forget it, Busick just hits all the right notes. Finish probably went on a bit too long (this is PWG, after all) as they started kicking out of some pretty devastating moves (brutal lariat from Busick, shooting star kneedrop from Bailey, massive sleeper suplex from the floor to the ring by Busick) but I love these guys doing moves to each other so can't complain too much. I still love Busick's rear naked choke being treated like death, and this match was the best highlight reel match so far for me this year. Awesome stuff.

2. Cedric Alexander vs. Tommaso Ciampa

ER: Hey we're 2 for 2 on this show! Cedric Alexander (previously listed by us as one of the obvious better Lucha Underground black wrestler choices instead of Shane Strickland) has fun offense and so does Ciampa, and they string them together here in a satisfying way. Cedric throws a nice dropkick, can take a big bump and knows how to belly flop in an impressive way (seems like a lot of Ciampa's moves see his opponent falling at kind of a dangerous angle, and Cedric manages to take all of it in a painful way, but while protecting himself). Ciampa has some nice throws and I dug his cannonball off the apron. They worked around some really fun reversal-of-reversal spots and everything built into a nice little spotfest. I hadn't seen both men in awhile and they've both improved since my last viewing. That's always a nice thing.

3. Beaver Boys (John Silver & Alex Reynolds) vs. Best Friends (Chuck Taylor & Trent?)

ER: Well, we all knew what this would be. There are obviously many people who adore Taylor's shtick. The crowd was alive and way into this the entire time. They responded to every single thing he did in the match. He knows how to perfectly work in front of this audience. It just does nothing whatsoever for me. It is possible that I am a joyless shit sack, and in this instance I'd be okay with that. We get the grenade gag, some slow motion moves sold as high impact, some pause for photo gags, some Ace Ventura mannerisms, the whole shebang. My mouth was in a straight horizontal line the whole time. Trent is a guy who I think is an okay wrestler, who because of the shtick does very not okay things. Whereas Taylor is a guy who is a poor wrestler kind of saved by his shtick. I think Trent is capable of straight wrestling, whereas Taylor just looks bad no matter the circumstances. Trent has good timing, nice follow through on stuff like back elbows and running forearms, and knows how to take offense way better than Taylor. I had not seen the Beaver Boys before. I ended up liking Silver who is one of those short spark plug types. Reynolds was horrendous, like the worst possible version of Taylor. He had one long embarrassing comedy bit where he mimed jerking off on Trent, before "finishing" and throwing invisible jizz in Taylor's face, leading to Taylor desperately wiping it off with a rag. And you know that rag comes back multiple times the rest of the match. If you giggled at all while reading those last two sentences, that may be some insight into how much you would personally enjoy the match. Maybe it works better live. Maybe it works better while drunk. Maybe it works better if you're a teenage boy. I don't know. I don't think I have a very high brow sense of humor. But whatever brow level this is, it isn't for me. I think this could have been an actual good match, as once we got past the opening 12+ minutes of yuks there was plenty of the actual wrestling that I enjoyed. Beaver Boys in particular had an awesome run of timing based double teams, the kind where one guy does a move, immediately followed by the next guy, and so on. Silver had some cool deadlift suplexes and good energy (like to see more of this guy) but overall this match was close to 20 minutes of stuff that isn't meant for me. C'est la vie.

4. ACH vs. AR Fox

ER: Another one to file under "just not for me". Both guys do some things I like (although I would like ACH more if he cut down on the yuks, but there's me being a joyless shit sack again since obviously what he was doing worked fine for this audience), but both do stuff I don't like. ACH's comedy doesn't really blend with his actual wrestling, so we're left with starting off the match getting all his comedy spots in, and then eventually we transition to the "actual" match. This of course results in a neverending 22 minute match, and jesus why are PWG matches all so damn long? It really feels like they're long because each guy has shit and routines that they have to get in. "The fans are expecting the grenade bit, gotta fit it in" "The fans are expecting my Stone Cold routine, gotta fit it in". We bring back the jizz rag from the previous match, and really if you're working a jizz to the face spot you might as well work with a professional like AR Fox. We get a lot of intricate reversal sequences, and good timing is intrinsic in these things or else the curtain lifts a bit and you realize you're watching too much dance off, not enough wrestling. Stuff like ACH rushing, ducking a Fox kick, catching the kick around the back of his neck, then using that leverage to suplex Fox. But there are always little wrinkles like ACH not catching the kick flush, so having to place it there while Fox waits to be suplexed. There were things I liked about this, Fox had an awesome weird springboard cannonball to the floor, where he was facing the ring and sprung backward while tucking forward. It looked killer. Also really loved a giant swing that ACH did, where he grabbed Fox in a Texas Cloverleaf, did the swing while holding the Cloverleaf, and then set him down and locked in the sub. It looked great. We had a cool Fox dive over the turnbuckles, some of the worst 10 count punches you've ever seen (from both!), and overall this just didn't click for me.

5. Chris Hero vs. Drew Gulak

PAS: Really happy to see Hero mixing it up with the next generation of Indy mat guys, one of the cooler things in wrestling this year. This was the first of these match ups with EVOLVE running them in March. I really liked the beginning of this, with Gulak showing himself a step ahead, catching and dumping Hero with some fast german suplexes. Hero turned the tables with a killer elbow KO and landed some nasty kicks to the head and elbows. Finish run had Gulak going after the leg and even ripping off Hero's boot, it got a little discombobulated at the finish although I loved the jumping piledriver by Hero. Looking forward to checking out all of these.

ER: Classic great 16 minute PWG match, that goes 22 minutes. As they go, things keep building, and peaking, and building....and then still peaking....then more building....then an ending. These guys beat the holy hell out of each other but it's crazy how PWG matches so often overshoot that peak excitement and then kind of drift into mindless slog territory. The guys still look great, the work is still high end, you just want the match to end every single move past the point you mentally think it should have ended. I love how these two work around each other though. You can tell Hero is kinda like Kraneo, as he's put on a bunch of weight but still prides himself on agility and shutting up the naysayers by working as hard as ever. I loved his rolling ankle picks on Gulak and loved how the evolved during the match, how Gulak would get wiser to them and Hero would switch them up and go for fakeouts. And then Gulak would bait him and try and work his own ankle lock. But before long these two are railing into each other with kicks and elbows to the face. So, so many kicks and elbows to the face. Probably too many elbows and kicks to the face. But they aren't your standard issue your turn my turn growl strikes, because each guy is always looking for an opening, each guy is always waiting to catch a limb. And there are some damn cool sequences and reversals and some fun silly spots. I loved Gulak grabbing the ankle lock and Hero slipping out of his boot, kicking Gulak a bunch and but then getting leveled by Gulak swinging his own boot at him. Is it silly that a loose boot does more damage than a boot with a foot in it propelled by the force of a leg? Most definitely, but this is wrestling physics.


***Bailey/Busick and Hero/Gulak were both clearly awesome and easily made our 2015 MOTY List. So really I can't talk poorly about a show that had two great matches on it. Maybe it had more! The final three could be real killers, for all I know. I heartily encourage you to watch them and fill in the rest of the review in the comments section. All I know is if you add up my time spent watching this show, it was spent watching more good wrestling than bad wrestling. Believe in yourself.***

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