AEW Five Fingers of Death 8/5 - 8/11 Part 2

Ring of Honor TV 8/8/24

Dustin Rhodes/Sammy Guevara vs Alex Reynolds/John Silver

MD: I'm tempted to wax poetic for a paragraph about the Problem of Sammy. Let's do it. He's been Lugered/Big Showed, in part due to the Jericho Vortex, and in part due to his own personal situations, and even just the inertia of being a featured guy for five years. It means that maybe he hasn't kept pace with Darby and MJF and even Perry. They kind of tried out the Cole/MJF story with him leading up to the four-way last year but Cole was the one to benefit from him. I don't know if he turns on Dustin or wins the tag titles with him (Dustin holding a bunch of ROH titles and challenging Lee Moriarty in a pure rules match would be amazing but that's beside the point) or what, but coming back as a babyface with a topknot doesn't feel like it's going to work. What would? I have no idea. An excursion? Feud him with Atlantis, Jr. in both settings. Maybe give him the TV Title and instead of having him complain about not getting five star matches backstage, have him defend it week in and week out and give him the sort of "list" that Cassidy in 2022-2023. Regardless, I'm glad it's not a problem I have to solve, because it does feel like a problem.

I praise Reynolds and Silver a lot; a good reason for that, as I've mentioned, is that they're able to somehow instill order upon the "everything breaks down way too early" style of tag team wrestling we've gotten for the last ten+ years in a way almost no one else can. They're also very adaptable. They've been monster heel henchmen, lovable loser underdog babyfaces, pre-show comedy act staples, and now sort of a dangerous mid-card heel act. They don't always do exactly what I'd want them to do, but they are very good at what they do.

I'd call this a studio show main event. Lots of comedy to start with Dustin and Sammy both doing the dive tease/breakdancing/pose. Dustin's comedic timing is great, of course. It was interesting how protected he was as a star when it came to the knee. He was beat down last week; he hurt it again on his own bulldog (he drove the action and reaped the consequence); he then fought off the Dark Order on the floor; Caprice mentions that if he's able to stand up on the apron, then he's ok, and he does; at that very moment, Uno comes in with the chair. Since he was going to take a beating for a while, it was fine, but that's not haphazard. It's calculated and has an effect, conscious or otherwise on the audience. Very canny. When Dustin does get the hot tag, it's entirely based on redirecting Reynolds' own momentum, first over the top and then into the power slam where he really just falls away and turns him. Again, that matters. He's not standing tall and firing back; he's showing the weight of the leg damage and finding another way, as hope does. Sammy was fine here; he works well with Reynolds/Silver, but he's definitely a Problem to be Solved.

Rampage 8/9/24

Darby Allin vs The Butcher

MD: TK's keeping me busy, huh? It's a good problem to have. I'm not sure how to tell you anything you wouldn't already know about this coming in. It was a remarkable match, a remarkable Butcher performance, a remarkable Darby performance. You should watch it if you haven't already. My brain is always going when I watch wrestling. That doesn't mean I'm not connected. That doesn't mean I'm not drawn in. It's part of why I value immersion and suspension of disbelief so much. Here's what I was thinking early on in this one:

Back in the day, old timers used to talk about how the fans knew wrestling was worked but that they wanted to be the one match on the card that made them doubt it. A "Yeah, most of it's fake, but that match maybe wasn't." sort of deal. A modern version of that might be... "Yeah, they work out all the spots in the back, but things went so crazy there that they had to be adapting on the fly!" Something like that. One thing I love about Darby is that he (like an unlikely comparison point, Nick Bockwinkel), as a character, always wants to control the start of his matches; he usually comes in with a bang. Here, he charged right in and got nailed by Butcher's foot. And his mouth started to bleed. Butcher went from slamming him leg first into the ropes to starting to work over that jaw. Darby responded in kind by spitting blood in his face. Savage? Maybe, but I was smiling big at that, drawn in. And yeah part of that is because it felt like an adaptation in the moment, and that, compared to a lot of picture perfect precision counter wrestling, felt more real. It just did. And damn it if that doesn't draw the eye and rouse the heart.

The rest of the match was an absolute mauling. Darby would throw himself at Butcher to try to get an advantage. More often than not, he bounced off. Have you ever played one of those little stick figure physics engines sort of games? It might just be picking up and dropping the figure. It might be sending them on a catapult. That was this match, eyes glued to the screen as Darby's body crashes and burns from every angle and every direction in the most sickening ways possible. A beautiful trainwreck. What was the purpose? I don't know. It made Darby look all the more like a star for winning definitively (yet believably!). It made Butcher look like a force. Maybe they can sneak him onto the All Out card? Maybe he'll be there for the Casino Gauntlet and this will get enough word of mouth that people will check it out. The joy of Darby is that while I still overthink it, he's got me overthinking it in all sorts of different and fun ways. Go track this one down.

Collision 8/10/24

Darby Allin/Hologram vs Tony Nese/Josh Woods

MD: I'm three matches in of Part 2 this week, so let's talk about Hologram. TK's alluded that the specific name/character has been in his head for a long time. Allow me to take a couple of liberties here. My guess is that this guy lived in TK's notebook for decades. Hologram is very much the sort of character that someone would come up with while doodling on the side of a notebook in school. He's the sort of guy who could wrestle alongside Mr. JL or Ciclope or Super Calo. It's a rabbit hole and best to just peek down it a little, but I don't think you can understand AEW without thinking about that notebook. It's sort of the "Rosebud" in this equation to some degree, right? And I am not at all unsympathetic. I'm not far off in age and had my own notebooks with my own very rough character drawings in the corner and lists of people who could be in various imaginary factions (be it a New Dangerous Alliance or different reshuffled X-Men teams). Here, it's especially a boon though, because the character is something pure, and true, and genuine, something that should appeal to kids because maybe, just maybe (I could be wrong!), once upon a time, a kid came up with it. It's anecdotal, and you'd want to follow someone who talks about the business and not just breaks down matches, but I get a sense a lot of WWE's recent success with a younger audience is due to the accessibility and ease of Peacock, the fact that they can just find the footage on their own with a few clicks of their remote. If AEW has some streaming solution upcoming, then similar kids discovering the product are going to find a welcome avatar in Hologram waiting for them.

And as for the rest of us? I liken him to Blitzkrieg in WCW. When he showed up in WCW in 99, it absolutely blew people's minds. It's not that he was doing things that much more spectacular than everyone else (though he was doing things that were just enough different to stand out). No, the bigger thing was that he came out of the blue. We were all smarks on the internet following six news sites, reading Al Issacs and waiting for Yokozuna to join the Hart Foundation (that was a couple of years earlier, but you get the idea). We thought we knew everyone and everything, and if we didn't, then we knew someone who did. We had a network of people following everything out of Mexico and every sleazy indy Japanese promotion. And here was this guy that we couldn't place doing amazing things. The fact that he was unknown to us (teenagers and young adults who felt like we knew everything) was half the appeal. Hologram is a bit of the same. It's not that we weren't aware of Aramis here, or that we didn't have some inkling of his contract issues over the years, but he wasn't on our radar or on the the public radars of the people who we trust when it comes to lucha to come in to AEW with a new character and make a mark. The vignette aired. We got word who he was. He debuted. Sometimes it's just nice to be taken by surprise, even for us, especially for us. 

As for the match itself, it was another great showcase that really gave Hologram an extra bit of rub. Despite being a star (and one with a rocket strapped to him maybe), Darby played face-in-peril and let Hologram be the hero, both coming in to clear house after the hot tag and by getting the cradle win on Woods. Before that, they had a great shine where Darby's quick shots got to pair with Hologram's slick shots and they somehow became even more than the sum of their parts. Just great, great basing by Woods and Nese here (and Sterling/Daivari on the Coffin Drop by Darby to set up the finish). They were everything and everything looked great. Just like Reynolds/Silver, Nese is a guy who never shoots for fame or fortune. He's the opposite of getting his shit in. He's an absolute professional, a total mechanic, willing to stooge and get clowned for the sake of his opponent and the match. He's the least cool heel in the world and so much more valuable for it. And Woods is someone that every time I see him, I wish I'd be able to see him more. This did exactly what it set out to do and the Hologram train rolls on. The trick now is to keep him featured so he's on people's minds every week.