Kakuto Tanteidan: We Are Fighting Detectives 10/12/23
Hideki Suzuki vs. Yu Iizuka
PAS: Iizuka is young GLEAT UWFI guy whose nickname is Volk Kid, that is sort of like Harold Miner calling himself Baby Jordan or Gary Trent being nicknamed Shaq of the MAC, you are never going to live up to that and shouldn't make the comparison. Still Miner and Trent could both ball, and Iizuka can go a bit on the mat. Suzuki is a venerated veteran and after his ill-fated and truly bizarre NXT run (he is up there with Brazo de Plata and Meiko Satomura as some of the odder people to get a WWE run) has been one of the most dependable wrestlers in Japan. This really had the feel of some of the under the radar killer FU-TEN and Battlarts openers. Iizuka is more of an offensive wrestler, flashily spinning into cool submissions, including a great triangle choke. Meanwhile Suzuki is a grinder, he pressed his weight into Iizuka trying to make him feel force the entire match, until he maneuvered him into side control, flattened him out and just put him down with hammer and anvil elbows. Great example of exuberance of youth getting played by a old master. Suzuki doesn't have the charisma of Fujiwara but that felt like a very Fujiwarish performance.
TKG: This didn't really vibe with me. Suzuki starts with an insanely stiff dropkick. I don't know how many times I rewound the drop kick Suzuki works this match like a big bruiser: In theory this is guy with a ton of technique working a guy who outmatches him in strength. But it never really worked for me. They stayed in subs way to long and I never bought the idea that IIzuka dominating with his finesse, or that Suzuki was ever in danger. Suzuki did look like a hoss.
Hikaru Sato/Brother YASSHI vs. Ikuto Hidaka/Thanomsak Toba
TKG: I haven’t seen any of these guy’s in ages. Hidaka has aged facially into looking like Wings era Paul Mcartney but hasn’t slowed down a bit. In Memphis , you’d put him in a mask and push him as new challenger. Toba has aged into looking like not so much a boxer as a British Music Hall performer working as a boxer in Punch and Judy panto. Real Benny Hill vibes that I enjoyed, Brother Yasshi has gone from guy in dreads who listens to Vybez Kartel to a guy with dreads who listens to Buffet ( may his memory be a blessing). He unfortunately also works like a Parrothead. I don’t remember Sato being this level of goofy goon. Just goonish selling and work and really selling idea that he was overwhelmed and out of his element. Like Tully with Luger and when he was in this it was really fun.
PAS: Toba was a total beast in this, throwing not only straight punches, but hooks and uppercuts, the spot of the match was Toba dropping Sato with a check hook, or it might have been YASSHI throwing coconut headbutts and Toba responding with heavy punches. I liked the Sato vs. Hidaka sections too, fast tricky exchanges with enough violence to be appropriate, Hidaka's shots were more speed then force, but the speed looked good, and Sato maneuvering into the armbard was pretty sick. Battlarts would have this killer undercard tags, and this was in that spirit.
Super Tiger vs. Keita Yano
TKG:Super Tiger and Keita Yano are both guys who had worked actual Battlarts. Was a point where felt Super Tiger was only good there. Yano I didn’t much care for in Battlarts but has become a guy I like outside of it. This was Yano as guy who can absolutely control Tiger with wrestling for whole match while Super Tiger is guy who can hit a kick or sub to end it at any moment. I dug this more than the opener for guy controlling match but not able to close vs bigger stronger opponent. It’s weird to have 2 of those on the undercard so close. Super Tiger isn’t as charismatic or impressive as Suzuki, But I bought into this one, bought Yano’s ability to turn Tiger upside down and twist up…and loved the real taunting and fucking with Tiger. The reckless back scratch that made Super Tiger lose his composure and step up his aggression was neat point where you knew Super Tiger wanted to end it now.
PAS: I think I liked this a little less then Tom, I thought there was some good looking stuff, I loved the Yano roll into the LaBell lock, and some of his other arm control, but thought other stuff by both guys didn't look as good. Super Tiger is really hit or miss, some of his kicks looked good and others wiffed, and I really want a KO kick on a show with Daisuke Ikeda, Toba and that main event to look way nastier.
Daisuke Ikeda/Minoru Fujita vs. Daisuke Sekimoto/Yuki Ishikawa
TKG: Is this the biggest hottest crowd Ishikawa and Ikeda have worked their match in. Fujita/Hidaka once was an exciting pairing and I think Sekimoto had adjusted to this style in the past. But this started Fujita and Sekimoto really working like they were the local indy guys in a Santo/N8 Mattison v Blue Panther/Conrad Kennedy III match in Flint; with Fujita and Sekimoto just working a match independently of what else going on-like they didn’t get it. I dug the early everyone simmering part of match and then Sekimoto/Fujita ran their spots and I wish someone could have picked Usuda and Ono up from the reteirement village. Ikeda and Sekimoto hit double headbut that knocked both to ground and where it looked like Sekimoto might have lost a tooth. It super picked from there and was amazing when it was cooking.
Super Tiger vs. Keita Yano
TKG:Super Tiger and Keita Yano are both guys who had worked actual Battlarts. Was a point where felt Super Tiger was only good there. Yano I didn’t much care for in Battlarts but has become a guy I like outside of it. This was Yano as guy who can absolutely control Tiger with wrestling for whole match while Super Tiger is guy who can hit a kick or sub to end it at any moment. I dug this more than the opener for guy controlling match but not able to close vs bigger stronger opponent. It’s weird to have 2 of those on the undercard so close. Super Tiger isn’t as charismatic or impressive as Suzuki, But I bought into this one, bought Yano’s ability to turn Tiger upside down and twist up…and loved the real taunting and fucking with Tiger. The reckless back scratch that made Super Tiger lose his composure and step up his aggression was neat point where you knew Super Tiger wanted to end it now.
PAS: I think I liked this a little less then Tom, I thought there was some good looking stuff, I loved the Yano roll into the LaBell lock, and some of his other arm control, but thought other stuff by both guys didn't look as good. Super Tiger is really hit or miss, some of his kicks looked good and others wiffed, and I really want a KO kick on a show with Daisuke Ikeda, Toba and that main event to look way nastier.
Daisuke Ikeda/Minoru Fujita vs. Daisuke Sekimoto/Yuki Ishikawa
TKG: Is this the biggest hottest crowd Ishikawa and Ikeda have worked their match in. Fujita/Hidaka once was an exciting pairing and I think Sekimoto had adjusted to this style in the past. But this started Fujita and Sekimoto really working like they were the local indy guys in a Santo/N8 Mattison v Blue Panther/Conrad Kennedy III match in Flint; with Fujita and Sekimoto just working a match independently of what else going on-like they didn’t get it. I dug the early everyone simmering part of match and then Sekimoto/Fujita ran their spots and I wish someone could have picked Usuda and Ono up from the reteirement village. Ikeda and Sekimoto hit double headbut that knocked both to ground and where it looked like Sekimoto might have lost a tooth. It super picked from there and was amazing when it was cooking.
For your old guy brawlers to have a transcendent match; they have to either do Black Terry v Mr Condor Zona 23, or the 2018 Fugofugo Yumeji/Buki v. Ishikawa/Joeta. Either “two guys laying a hellacious beating where in end it changes neither of them and they will continue beating on each other forever cause this is what they do” or “two guys engage in such a helacious beating that you think they will be changed forever,,,will never fully recover”. This wasn’t either of those but there were so many moments that teased they were going to reach transcendence. The point where Ikeda is chopping the top of Ishikawa’s head and Ishikawa ansers with punches to eye and temple, there is what almost felt like an enziguri to knee that ends up being a trip into submission ,,,,and both of these guys are so great at selling that they could make me buy Scott Putski Jr axehandle as taking something out of them. And the finish felt totally credible. Clearly not criticizing a match for not being transcendent,,,I’m praising it for these mother fuckers are still able to tease that it could be.
MD:This worked for my sense of anticipation, at least. I wanted Ishikawa vs Ikeda in this setting in front of this crowd for this moment and they did a good job delaying it for most of the match until they paired up for the finishing stretch. That included heat, of sorts, on Sekimoto, with Ikeda more than happy to rush across the ring when he wasn't legal to pepper shots in on him or knock Ishikawa off the apron. Fujita and Sekimoto built to throws, cutoffs, and counters, before they decided to pay things off for the crowd with Ishikawa and Ikeda. Even then, things didn't really boil over though. More than that, it felt like watching two great old chess masters do their thing at a table in a city park. The stakes weren't there. Glory had passed them. But they were masters and familiar with one another. You just happened to be there for their weekly routine. In this case, the routine was two guys pushing each other to their physical, technical limit and punching one another in the face. But overall, same idea. Ishikawa had a clear advantage and it was just a case of Sekimoto German Suplexing an interfering Fujita enough times for him to really press it.
PAS: Really awesome Ishikawa performance, he has a bad back and can't even stand up straight, but can still throw brutal straight hands and grapple like a master. Every time he was in the ring he elevated the match, the Fujita and Sekimoto against each other parts didn't do a ton for me, but Ishikawa taking Fujita down to the mat to stretch him ruled. Ikeda is more limited at this point of his career, the recent Ikeda stuff will have moments, but he isn't going full force like he did even pre-pandemic in WXW, still you could see the glances, and his selling is still tremendous. This felt a little like late era Dundee and Lawler stuff, where it was mindblowing like it was in their prime, but you could still see the shades and shadows of brilliance.
Fuminori Abe vs. Takuya Nomura
PAS: This promotion was a joint production by these two tag team partners and close friends, and they matched up in the main event in an attempt to do justice to what came before. Abe started the match with a bit of clowning, mugging and shit talking, biting Norma in the armpit to break a submission hold, using some hand feints to land a hard slap, and even giving Norma an oil check in the rear to counter a knee bar. Ikeda would do this sort of thing in the classic BattlArts days as a way to rile his opponent up. Nomura was much more serious and responded to the clowning with brutal kicks and slaps. Fun times ended pretty quickly after that as they exchanged cringy clunking headbutts. It was harrowing violence going forward, hard punches to the forehead, kicks to the spine and headbutts so nasty that they eventually split Abe open. Abe has these cool chopping overhand punches which look like Harley Race when he was trying to split someone’s eyebrow. Normura hit some really big suplexes near the end of the match as Abe was fading and it looked like he going to be counted out, until he caught a Nomura high kick and turned into a ankle lock, and then an ankle lock german suplex. He then put on an octopus stretch, which Normua countered into a single leg crab. Abe then faked grabbing a rope break and instead rolled it into a kneebar which he cranked for the tap. Very cool counter wrestling. This didn’t have the mat wrestling mastery of a high end BattlArts era Ishikawa or Carl Greco singles match, or the brain smashi` ng suplexes of Otuska, and while it was sickly stiff, I am not sure if they got all the way to Ikeda. So this topped out at the level of a high end Katsumi Usuda match, which in 2023 still puts it right up there with the best stuff anywhere in the world. Let’s hope this is a semi-regular thing, because this style hasn’t really had a home since FU-TEN folded in 2015, and I just love this stuff.
TKG: I at this point peripherally follow US wrestling and stick with low end lucha gym show, so this is my first experience with these two. And dude, this is a great introduction. I’m assuming that Nomura is the
Jackie Fargo Incomparable Kid to Abe’s Wild Roughouse Fargo. Abe is super super charismatic as crazy
Roughouse never-say die hardheaded fighter. And I enjoy all the Dennis Condrey forgets not to hit
Burrhead Jones in the head spots…I don’t know anything about Japanese racial caste so I can claim
ignorance of the if there are any of the ugly implications of those spots, but great spots. I think my
favorite Abe section was the thing where he used a dragon screw to transition to offense, celebrates
the dragon screw with big arm flourish and then realizes that he can’t feel his mouth and eyes cross and
uncross as he drools all over himself over the beating he just ate. I’m so used to insane never say die guy
being matched up against a guy going “what is it going to take to put him away” or “ how have I become
so violent” that refreshing not to see that. Nomura is a guy on his own journey There are lots of neat
moments where Nomura is slow to answer Abe’s strikes; forces himself to eat a bunch of strikes before
he can throw out one answer, moments where he can’t muster any strength behind his strikes and so
just throws weak ones and keeps on measuring for the eventual big make or miss haymaker, He does a
bunch of Dustin style flying away for distance selling and one of my favorite things he does is all of his
walking around ring , recovering in corner during count outs and 10 counts. When I say a guy with his
own journey, I would actively enjoy “ A How To with John Wilson” edit of this match, where never get to
see the fighting parts..just Nomura’s walkabout as he contemplates life. Ending had a lot of nearfalls,
but I bought all of them and the actual finish felt 100 % like a finish.
MD: Abe's energy in this match was off the charts. I'm not going to say the guy was living his best life here because he ended up split open at the top of his head in a way that you figured his flesh might just fall off of him at any moment, just torn in two, but talk about a guy who can capture every moment. Nomura wrestled his best match, the perfect straight man who was going to drive forward at every point and give absolutely no quarter. The few times he popped up from a shot or a throw, you believed it. This guy was just a consumed engine of destruction, kicking and stomping and wrenching like he could somehow stamp the very notion of indignity itself out of the world through force alone.
Abe brought the color though, literally and figuratively, his expressiveness drawing the viewer in, at times making you want to see his comeuppance and increasingly down the stretch, making you root for him in spite of increasingly dire odds. You end up grinning along with him to start and then wincing along with him with every headbutt, elbow, knee, and kick. When it became apparent just how badly he was opened up, the camera caught his expression and it was a real "You'll never believe how I got into this one" look. From there, even as he threw strikes and struck out with increasingly unlikely throws, it felt like he was racing time, racing the rate of his own bloodloss and with an opponent like Nomura running the race with him, he was sure to lose. That's what made the last hold all the more gripping. Abe was hanging on for dear life; nothing less would have worked. It was an admirable performance by Nomura, but a timeless one from Abe.
PAS: This promotion was a joint production by these two tag team partners and close friends, and they matched up in the main event in an attempt to do justice to what came before. Abe started the match with a bit of clowning, mugging and shit talking, biting Norma in the armpit to break a submission hold, using some hand feints to land a hard slap, and even giving Norma an oil check in the rear to counter a knee bar. Ikeda would do this sort of thing in the classic BattlArts days as a way to rile his opponent up. Nomura was much more serious and responded to the clowning with brutal kicks and slaps. Fun times ended pretty quickly after that as they exchanged cringy clunking headbutts. It was harrowing violence going forward, hard punches to the forehead, kicks to the spine and headbutts so nasty that they eventually split Abe open. Abe has these cool chopping overhand punches which look like Harley Race when he was trying to split someone’s eyebrow. Normura hit some really big suplexes near the end of the match as Abe was fading and it looked like he going to be counted out, until he caught a Nomura high kick and turned into a ankle lock, and then an ankle lock german suplex. He then put on an octopus stretch, which Normua countered into a single leg crab. Abe then faked grabbing a rope break and instead rolled it into a kneebar which he cranked for the tap. Very cool counter wrestling. This didn’t have the mat wrestling mastery of a high end BattlArts era Ishikawa or Carl Greco singles match, or the brain smashi` ng suplexes of Otuska, and while it was sickly stiff, I am not sure if they got all the way to Ikeda. So this topped out at the level of a high end Katsumi Usuda match, which in 2023 still puts it right up there with the best stuff anywhere in the world. Let’s hope this is a semi-regular thing, because this style hasn’t really had a home since FU-TEN folded in 2015, and I just love this stuff.
TKG: I at this point peripherally follow US wrestling and stick with low end lucha gym show, so this is my first experience with these two. And dude, this is a great introduction. I’m assuming that Nomura is the
Jackie Fargo Incomparable Kid to Abe’s Wild Roughouse Fargo. Abe is super super charismatic as crazy
Roughouse never-say die hardheaded fighter. And I enjoy all the Dennis Condrey forgets not to hit
Burrhead Jones in the head spots…I don’t know anything about Japanese racial caste so I can claim
ignorance of the if there are any of the ugly implications of those spots, but great spots. I think my
favorite Abe section was the thing where he used a dragon screw to transition to offense, celebrates
the dragon screw with big arm flourish and then realizes that he can’t feel his mouth and eyes cross and
uncross as he drools all over himself over the beating he just ate. I’m so used to insane never say die guy
being matched up against a guy going “what is it going to take to put him away” or “ how have I become
so violent” that refreshing not to see that. Nomura is a guy on his own journey There are lots of neat
moments where Nomura is slow to answer Abe’s strikes; forces himself to eat a bunch of strikes before
he can throw out one answer, moments where he can’t muster any strength behind his strikes and so
just throws weak ones and keeps on measuring for the eventual big make or miss haymaker, He does a
bunch of Dustin style flying away for distance selling and one of my favorite things he does is all of his
walking around ring , recovering in corner during count outs and 10 counts. When I say a guy with his
own journey, I would actively enjoy “ A How To with John Wilson” edit of this match, where never get to
see the fighting parts..just Nomura’s walkabout as he contemplates life. Ending had a lot of nearfalls,
but I bought all of them and the actual finish felt 100 % like a finish.
MD: Abe's energy in this match was off the charts. I'm not going to say the guy was living his best life here because he ended up split open at the top of his head in a way that you figured his flesh might just fall off of him at any moment, just torn in two, but talk about a guy who can capture every moment. Nomura wrestled his best match, the perfect straight man who was going to drive forward at every point and give absolutely no quarter. The few times he popped up from a shot or a throw, you believed it. This guy was just a consumed engine of destruction, kicking and stomping and wrenching like he could somehow stamp the very notion of indignity itself out of the world through force alone.
Abe brought the color though, literally and figuratively, his expressiveness drawing the viewer in, at times making you want to see his comeuppance and increasingly down the stretch, making you root for him in spite of increasingly dire odds. You end up grinning along with him to start and then wincing along with him with every headbutt, elbow, knee, and kick. When it became apparent just how badly he was opened up, the camera caught his expression and it was a real "You'll never believe how I got into this one" look. From there, even as he threw strikes and struck out with increasingly unlikely throws, it felt like he was racing time, racing the rate of his own bloodloss and with an opponent like Nomura running the race with him, he was sure to lose. That's what made the last hold all the more gripping. Abe was hanging on for dear life; nothing less would have worked. It was an admirable performance by Nomura, but a timeless one from Abe.
Labels: Brother YASSHI, Daisuke Ikeda, Daisuke Sekimoto, Fuminori Abe, Hideki Suzuki, Hikaru Sato, Ikuto Hidaka, Keita Yano, Minoru Fujita, Super Tiger, Takuya Nomura, Thanomsak Toba, Yu Iizuka, Yuki Ishikawa
Read more!
posted by Phil @ 11:45 AM
1 comments
