AEW Five Fingers of Death 3/9 - 3/15 Part 1

ROH TV 3/13/36

Athena vs Maya World [Proving Ground]

MD: Studio wrestling stemming from recent events when Maya, with Hyan and Deonna, stood up to Athena/Billie/Diamante back during the collaborative Metroplex show. Maya being an Athena protégé has not necessarily been a key part of her presentation so far in AEW/ROH up until this point, but I'd argue that she and Hyan don't necessarily have a clear, defined presentation relative to some others.

Who are they? Where do they come from? Why are they tagging? What brings them together past an opportunity taken when others did not? What do they want out of life? What are their similarities? What are their differences? Etc. So far, it hasn't been super clear.

This helped though.

In some ways, Maya feels like even more of a "minion" to Athena than even Billie, because Billie was romping up and down the indies for a couple of years before arriving to AEW and finding her away under Athena's thumb. From a story perspective, one might wonder then why Billie was on TV with her and Maya was watching from the sidelines and then, once she arrived, left to her own devices.

Maya seems pretty happy with her lot in life though and doesn't care to ask those questions. Athena, on the other hand, in wonderfully hypocritical fashion, takes offense at Maya opposing her, complains about Maya crossing a line that Athena herself never truly drew.

Which brings them to this, a chance to make an example out of Maya, to teach her a lesson as she'd taught Billie lessons before, at the end of a forearm. But to show that Maya was even more beneath her notice (even as she was obviously getting under her skin), this was instead a proving ground match.

And Athena meant to prove her point right from the get go. Left hand extended. Her usual dainty code of honor handshake. Right into the magic forearm. Athena stomped Maya in the corner and started in on the ref, the crowd, Maya, the world. She wanted it too badly, however, showing that vulnerability which makes her stand out as much as the intensity. It's a give and take with her and once Maya got just a bit of distance between them, she took, forcing Athena to run into a very clever rope-assisted spin kick.

Now it was Maya's turn to take advantage of Athena's mistake. She had caused it by getting under Athena's skin and now she pressed the issue and reaped the benefits. She hit a series of moves, including doing damage on the floor. The problem was, in the micro, time was against her. She could keep Athena on her toes, but it was too early in the match for her to keep Athena down.

Athena got up. She reversed a whip, caught a kick, snuck in a knee, and then jammed both knees right into Maya's face in the corner. She would then, of course, lean on Maya. Maya's hope spots were solid and believable and tended to come not because of any mistake Athena made (she had already made her mistake at the start of the match and wouldn't make it again), but because she had such familiarity with Athena's offense.

Eventually that let her dodge just enough moves to come back all the way and things went back and forth with bombs, blocks, and roll-ups down the stretch. Maya managed to dodge the O-Face and position around to hook in a Reinera slam just as the bell rang. We were meant to wonder if maybe she could have snuck a win there; all it takes is three and this was deep into the match. But we have seen Athena survive far more than that. No, instead, this was a moral victory, a draw in a Proving Ground match, something unheard of in all of Athena's forever reign, and an opportunity for more. Phantom pin or no, what we're actually left wondering is if Athena would learn from her mistake or if her fury would overwhelm her all the more in their next encounter.

ROH TV Special Friday Episode 3/13/26

RUSH vs BEEF

MD: Two wrestlers. All Caps. You know what you're getting. Look, I have been fairly hard on Dralistico in specific situations when he's up against a babyface and playing a heel, not even a de facto heel, an outright heel, and he tries to steal the clap up and the cheers, not in a jeering way like, let's say, Yuta does, but to really get the crowd behind him. 

And yes, to some degree, Rush does this too, he does. He eats guys up. He takes the air out of the room. But unlike Dralistico or just about anyone else, he's beyond the realm of such expectations. He draws the eye that much. He turns the head. He locks you in so that you can do nothing but hang on and go for the ride. He's Ultimate Warrior and he's Goldberg and he's Buzz Sawyer. There are so few wrestlers in 2026 that can carry that sort of energy. He is an attraction. 

He's not treated like an attraction. He's not used like one. But he is one. Sometimes, I get the sense because of how he's presented, the fans don't really have any idea what they're getting into until that bell rings and the power takes them. 

And it rang here. He kicked away the code of honor. The great thing about this is that Beef, himself, can be sort of an attraction, an everyman. Is he more Hillbilly Jim than Dusty Rhodes? I don't know. Ask me again in five years, but also don't downplay the connection a guy like Jim had with the crowd. Beef has it too. They went off the ropes to start, Beef crashing into Rush, Rush holding his ground. That's the thing about Rush. When push comes to shove (no pun intended), he does give, he does show ass, he does falter. He just makes his opponent work for it and then he takes twice as much back as wrathfully as possible. Here he won that exchange by taking Beef out on a leapfrog allowing him to land an explosive dropkick, but then he ate a bunch of BEEF's fun pokey punches, stooging around the ring for him.

That stooging was short-lived; because he is Rush, he started to fire back. Look, I am not a strike exchange sort of guy. But the strikes being exchanged aren't generally these strikes and not from these two. There was something rough and raw and wild here, something completely out of control. It wasn't pretty. It was far more about the throwing of the strikes than the withstanding of them, and as much about hyping the crowd up and getting into it as anything else. Rush would take a shot and then channel it right into the crowd as he waved his hands to try to rechannel the pain. It went from Beef's hand into his chest, into his arms, into the crowd, back through the crowd, into Rush's body, and then back at Beef. If that's not pro wrestling, I have no idea what is. And it all built to Beef just slapping hands one after the other, an out of control dynamo that wan't to lash back at what had been hurting him. 

It worked until it didn't. Rush caught him, thrashed him one last time with a forearm, sent him spiraling down to the corner. He teased the Horns, rolled back into the Tranquilo pose, and really never looked back from there. Beef had put up a good fight, a noble fight, an admirable fight, but there was a big hierarchy difference here, and all he could do was to try to catch his breath, to keep alive, to roll to the floor to recover. That's the last place you want to be against Rush though, and the end had already begun. The fans knew it too. They embraced Rush, let him lean back into a flag and bask. 

And in a different setting against a different opponent with different stakes on a different stage, maybe it would have frustrated me, but here, on an episode of ROH on YouTube in front of a crowd that just wanted to feel something, anything, no matter what, what can I do but throw up my hands and grin along. He's an attraction being an attraction. Hang on, ride the wave. He comes. He goes. He gets injured. He gets suspended. He gets grumpy. Let's enjoy him while we have him. Now and again we're allowed nice things.

Top Flight/Eddie Kingston/Ortiz vs MxM/RPG Vice

MD: We talk about moments. Usually we talk about moments negatively when it comes to WWE because they fabricate unnatural ones and put them above and beyond matches, right? But moments are an important part of wrestling because they're an important part of wrestling matches, just like they're important in any other form of fiction. They should stem from the characters within the match naturally. They should be built to and they should pay off. One of the great fallacies of wrestling discussion of this decade is that it's either/or. It's not. It's all organic. That's true with promos and angles and matches and it's true with moments around and within matches.

And here, they did a great job of building to character-driven moments which had meaning within the match. Part of the joy of a match like this is to see the weird interactions. You have Top Flight interacting with Ortiz and Kingston. I was as interested in how Eddie would interact with Daniels post-match during the hand-raising as anything else in the match. That doesn't mean I don't love action. It just means that I find these characters and their history and all that they carry behind them fascinating as well. It's not either/or. It's additive. And Eddie looked as happy as I've seen him in ages post match celebrating with these guys, and I loved to see it.

There were big spots. Of course there were. Top Flight was in there. But my favorite moment in this whole thing was when MXM got Trent to pose (after trying to do so earlier in the match). He lingered too long and it ended up a transition allowing the babyfaces to take back over. That was very lucha-coded to me (though a lot of people wouldn't think of it that way because of the way lucha has been minimized in the States over the years), cocky heels doing cocky things either too many times or for too long and paying for it. What's great about it is that if the babyfaces did it, it'd be a big culminating moment, like Brody King finally doing the macarena but because it was the heels, it was them getting stooged. 

This was a lot of fun and it's always great to see Kingston in the mix with younger and contrasting talent. That's the strength of him. Yes, he can trade chops with Minoru Suzuki or whatever, but it's so much more interesting when you put him in there against a Lee Moriarty or Soberano, Jr. or, I don't know, Doink and see what happens.

AEW Dynamite 3/11/26

Dogs (David Finlay/Gabe Kidd) vs Orange Cassidy/Darby Allin

MD: This match was a cog in the storyline machine, a set up to the Roddy turn (or non-turn or whatever you'd call it) and setting up the six-man for the PPV, but it was also a way to really debut Finlay and make a statement about just who and what the Dogs were. They had that pretty amazing enhancement match on Collision, but this punctuated that real well in an actual match.

They're different than almost every team on the roster because they're dogged, just incessant energy. They have big spots for down the stretch, but for a lot of the body of the match, they just stay on their opponents. If you put Connors in there as well, then he's just throwing himself at people. With these two, it's more catching, like Finlay caught Darby on his dive with a forearm in order to really take over after the initial ambush and fire back. I liked how much they made Cassidy work for literally every inch when he was fighting from underneath. There were one or two times I thought he was about to make the hot tag but they dragged him back like their namesake and it really worked for me. 

And of course, Darby and Orange are the secret main character team of AEW, an odd couple that feed into one another in perfect, subtle ways. To make a very dated comic book reference, they're the Defenders of AEW, a non-team that absolutely work. I get there's mileage out of Roddy and Cassidy (a similar if less subtle team-up) right now, but I'd love to see Darby/Cassidy against FTR or hell even the Bucks (and for me to say that..). They're the TV workmen of the company and I'd be really interested to see a fighting champions run at some point. 

Anyway, this really got the job done and I hope that Finlay, Kidd, Connors get the freedom to keep working matches like this. So much of it was still all action but it was stifling and oppressive in the best way at the same time.

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AEW Five Fingers of Death 10/28 - 11/3

AEW Rampage 11/1/24

RUSH/Dralistico/Mortos vs BEEF/JD Drake/Butcher

MD: Really enjoyed Rampage this week overall. Very "Fastest Hour of TV" vibes. They started in the ring for this one, cut to Stokely after, did the Vendetta squash, paid off the Stokely bit and did something out of normal format with Taya, then went straight into the three Top Flight matches, one after the other, all linked with the entrances, and with the undertone of Moxley-influenced aggression in the air more so than usual on AEW TV (that doesn't involve Moxley directly) right now. Very much a "Restore the Feeling" sort of show for me, but then my feeling and other people's feelings tend to be different. I'll miss it if and when it's gone just like I miss Dark and Elevation.

And obviously, this was a great way to start. Look, I like the Outrunners, but I do think there's a ceiling to them and that the act will only have legs for so long. I see a higher ceiling for BEEF. Yes, he's over the top, but he's over the top in a believable way. The Outrunners are characters. They're very fun characters who are enjoyable to watch, but BEEF comes off as more human. You might know a guy like BEEF. You might tell yourself and everyone else that you wished you didn't, but then so do JD Drake and Anthony Henry, right? Deep down, though, having someone so earnest and enthusiastic in your life just makes it better. Do I think he can be world champion? No, but I think he can be a challenger for the TNT or Continental Title that fans might really get behind on a chase.

The most interesting guy in this one was Drake though. Arn Anderson is on record that he thinks he (being Arn) was a terrible babyface, that he didn't have the "skills," which in this case more or less means deep armdrags and dropkicks. I'm not sure if he really believes that of if he's being self-effacing but in saying it, he shortchanges just how good a babyface he was and what makes a good babyface in the first place. It's not "skills", it's emotional connection. I imagine Drake might say the same thing Arn did, but he was really good here being shoehorned into that role. He engaged with everyone around him, hitting the tranquilo pose early, played face-in-peril sympathetically but with fire, downright seething when RUSH stopped the run across the ring to kick him in the face, and then fired back for the hot tag, standing toe to toe with RUSH before making that final, pained turn to tag BEEF in.

Butcher fit right in too. Obviously you want him slugging it out with RUSH. You want everyone slugging it out with RUSH. There was a bit early on too where Dralistico really played up that little dog/big dog dynamic with his brother which I find effective. This was good all around. Only thing I missed here was one of those Jake pre-tapes to set the stage. BEEF has this sort of transformative element to him that makes everyone into Giant Machine or Piper Machine like in 85. Someday we'll get BEEF/Mark Briscoe interaction and the skies will part and the angels will sing.

ROH TV 10/31/24

Athena vs Abadon

MD: Abadon's an interesting case. If you go back to the territories, they'd move around like Kamala or other monsters, never staying in one place for too long. Here, they're one of the only honest attractions (in as they're used like one) that AEW/ROH have. They're gone more than than they're here and they're instantly credible and dangerous when they arrive, generally able to challenge a champion only to come short. Then they're away again long enough to make you forget about the loss so that they have an impact when they come back. I know in the margins they're working indies and training but the lack of ringtime is probably not ideal. 19 matches in 2024 with a third of those being squashes on ROH TV coming in at less than 2:30. 2023 was much the same. It's a tricky balance.

Part of me wonders if we're reaching the end of Athena in ROH. It looks like Billie's story is cresting again and Final Battle is around the corner. Plenty of people who don't actually watch ROH have been clamoring for it. Everyone who does likely wants her to stay. I do understand that what ROH is might change in the future (and it might not) but it gives her the freedom to stretch. This went almost 20 minutes, more with the pre and the post-match. It had all the room in the world to breathe. I love AEW commercial breaks in some ways, but Athena doesn't need them like others do. She is fully formed, self-actualized, able to structure her matches in the ideal manner and make the most out of every second. This sort of match would have been very hard to pull off in this exact way getting this amount of time on Dynamite or Rampage. I think in historical terms and the comp we'll have some day of Athena's Proving Ground matches and big defenses will shine, just like she does as the biggest fish in AEW's smallest pond. If she does get moved up at some point, then she should be featured on the same level as Mercedes, getting her own segment each week. On paper, maybe that's a bold risk. In actuality, it's an investment that would pay off in time.

But there's a match here and like I said, it went almost twenty. It was wild, with a slew of big spots that went like they should have or that were all the more impressive for maybe not. Some of the latter was simple physics. A lot of it was Athena's reactions in the moment. There were plenty of moving parts here and it was very much on her to make this feel organic. Remember, Abadon's had something like 120 matches and a big chunk of those are squashes. They did a good job sticking to character and keeping things moving, being where they needed to be when they needed to be, and this was their career match, from what I've seen, but it's a little different than Athena's 17 year career.

Athena reacted to everything, from planned spots, to mishaps like the chain falling off her band, to the crowd chanting this is awesome. She reacted from Abadon absorbing the magic forearm at the start all the way to the relief of hitting the crazy O-Face into the chairs and escaping with the belt(s). You couldn't see the strings because she managed to be on so thoroughly throughout, whether it was following some sort of plan or a temporary deviation from it. I can't stress how important that is, how rare that is in 2024, and how it turns a match from a garbage spotfest into an immersive, horrific experience.

Athena went from fear to seething frustration to seething rage to seething agony. There was a lot of seething in this one. Abadon's reaction to the blood from the skewers was spot on as well, and even better was Abadon's frustration after being unable to finish Athena off on the floor. That was the moment that the match shifted inexorably in Athena's favor, the moment where her persistence and determination and madwoman drive broke Abadon's will. For the first time all match, maybe even since their debut, Abadon showed cracks, and Athena drove a wedge through them before shattering her with the O-Face. That this went so long, had certain things that didn't work as planned, and still turned out to be compelling and cohesive is a testament to one of the best wrestlers in the world and a very game opponent and one more reason that we should cherish this ROH while we can. 

BONUS: AEW Collision 11/2/24 - Kyle Fletcher

I had tossed this in a tweet (https://x.com/MattD_SC/status/1853065072689496430) I'm doing a lot of these short form things over there, so do follow and follow along) but wanted to put it here as well. 

It's no big secret what I wanted MJF to do at Wembley. Channel Larry Zybzsko and stall. The stalling wasn't the point though. It was the means. The heat that it would have gotten him wasn't even the point. That was the means too. At the end of the day, heat generally is. It's a means to fuel the potential energy behind a comeback. The comeback is the thing. When you have a face and a heel and a crowd that cares about the difference, it's everything.

The traditional goal of pro wrestling has always been to figure out what a crowd wants and deny them it and deny them it and deny them it so that when they get it, it's the greatest feeling imaginable. For decades, what they wanted was to see the babyface win and the heel get comeuppance. That's not nearly as true in 2024. Right now, much of the audience wants to be part of an experience, want to have bragging rights for being live for a great match, to chant "This is Awesome" or "Fight Forever." And no one enables them to do that more than Will Ospreay. He's the poster boy for it. He gives the fans what they want. So if MJF was going to be the greatest villain of his age, how could he really get under the crowd's skin? By denying them that as much as possible in the grandest venue possible. Then, in the last third of the match when Ospreay became unchained and hit spot after spot perfectly and brilliantly, it would have felt like the greatest relief (and release) in the world. 

Max went a different way with it. That's fine. People still liked the match. We're not here to talk about that. We move on. We look to the future. Let's talk about Kyle Fletcher. I love AEW's commercial breaks. You learn so much about wrestlers by seeing how they fill time during it. This is where AEW generally sticks the heat (of shine/heat/comeback since I'm using phrases haphazardly) in its matches. That's the most important part of the match! I'm not entirely sure it would even exist for most AEW matches without the breaks because the tendency to go 50/50, your move/my move and get all the cool stuff in might be too strong.

People have been hot and cold on Fletcher the last couple of years, but I've been watching him during those breaks and I have to admit, I like what I see. He's been precociously good at interacting with the crowd, his opponent, the ref, at letting things breathe, at showing himself as a fully fleshed out character with emotions and opinions and able to emote and present all of this to the crowd. He's not just hitting stuff. He's not just sleepwalking through it until it's time for the big back-from-break spot. He's alive. It's just for a lot of the rest of the match, you didn't see it nearly as much. Great (surprising!) instincts, just maybe a career of hanging with a certain sort of crowd who had learned to get over in a certain sort of way, right?

So now he's turned on Ospreay, has cut his hair to differentiate him, and as seen on Collision's Komander match, has done something even more striking. He's managed to start moving differently. That Fletcher who we'd seen peek out during the breaks is starting to show himself from bell to bell. He used his robe as a feint to cheapshot Komander to start and then moved slowly, methodologically, with purpose. He grinded him down, played to the crowd, menaced Abrahantes. When I tried to explain what made Mark Henry so special during his Hall of Pain run, the best I could come up with was the notion of "negative space", what you did between the moves and the spots. Giving life to those in-between moments turns a match from a series of things that happened to a consistent, engaging, immersive reality of its own. Fletcher was absolutely nailing that here.

And then, in the back third (after the break and after he finally nailed Abrahantes), he let Komander off the chain and they hit bombs and fireworks on the way to the finish. The crowd responded, for the most part, as they ideally are supposed to, chanting Komander's name and getting behind him. Sometimes you find a spark of hope in the most unlikely places, right?  

That brings us to Full Gear and Ospreay. I don't want him to stall. That made sense for Max. It made sense for the cowardly heel champ full of bluster. Fletcher's wrestling like someone with something to prove and he has more to prove against Ospreay than anyone. What he has to prove, however, is that he's his own man. If he comes out and wrestles Ospreay's match to prove that he can hang, that he's just as good as him (exactly what Max did!), that doesn't prove to anyone that he's his own man. It just proves that maybe he's as good an Ospreay as Ospreay.

Fletcher seems to get this, right? He seemed to get it in the Komander match, way more than I would have expected him to. How does he prove it then? He goes low early and then grinds Ospreay down the whole match. He makes sure Ospreay doesn't hit his usual first-few-minutes dive. He evades and avoids hope spots so that Ospreay doesn't even get to hit them. He denies Ospreay his offense. He denies the fans the chance to see Ospreay do his thing. They get absolutely nothing for the first two thirds (but the joy of booing), not because Fletcher is a coward but because he's an absolute bastard. Then? That last third? They get everything. Maybe it scores a half star less on the following Friday morning, but if Fletcher can pull it off, it would be an experience the crowd would never forget. It would define who and what he could be moving forward. It would give AEW another piece they badly need. I guess we'll know soon enough.

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Matches from Limitless Actin' Up 5/28/22

BEEF vs. Jake Something 

ER: Fun way to open up a show, just have the two biggest guys on the card block shoulderblocks and throw clubbing arms and elbows. I'm so used to seeing Beef play a brick wall, that I really liked how Something was the brick wall while Beef was the injured shark swimming constantly forward. There's a great spot where, after a couple shoulderblocks go nowhere, Beef tries a leapfrog and Something just runs right into him, knocking him flat back out of the air. Something goes after Beef's knee with a couple of straight kicks, and would use that hurt knee as a way to bully through some offense. He keeps playing brick wall, stopping Beef cold with a back elbow, and when Beef's head is hanging a bit too horizontal he gets caught with a mafia kick. Something choked out Beef in the ropes with his boot, choking him all the way out of the ring, extending his leg under Beef's chin until the big man plopped elbow first onto the floor. I liked Beef's big crossbody off the middle buckle, and the fight over Something's powerbomb was cool: Beef almost reversed it into an Alabama slam, but Something tipped the weight and kicked Beef's knee out to hit a cool messy sitout bomb. Beef had a cool missed low crossbody into the ropes, and a nice quick surprise piledriver for the win. They kept this under 10 minutes which let them keep a quick pace, all fun stuff. 

Rickey Shane Page vs. Rip Byson

ER: Man, RSP is a real pro and might seriously be in the discussion of best "hands" on the indies. He has great timing, personable charisma, plays comfortably to the crowd, and he takes action to all sides of the ring while blending that coherently into a match. He's a smart worker, and an entertaining one. He stalls on the floor to start, getting hit with a Byson suicide dive to get things rolling. I never totally bought Byson as RSP's equal and don't think he did anywhere close to enough to believably stop the big man, but he had a couple things I liked. There was a cool spot where he caught the much larger Page on a leapfrog and rotated into a powerslam, but most of this was him taking a bunch of cool RSP offense. Page does fun small things, like causing Byson to trip himself on an Irish whip by placing one of his feet behind the bottom rope before sending him. It's the rope running equivalent of tying someone's shoes together. Page throws several nice right hands, a big superplex, falcon arrow, a cool bridging vertical suplex, and his rope walk frog splash is one of the great moves in modern wrestling. Honestly it's crazy Page doesn't finish matches with that frog splash, as this one just flattened Byson. Time to start writing more about Rickey Shane Page on here. 

11. SLADE vs. Manders 

ER: Slade/Manders is the match that drew me to this card, and that's a match that will draw me to literally any card. Phil wrote about the match over at The Ringer, and I love just the idea of Slade being exposed to a broader audience. Compared to the end of the fight, this starts out downright genial, with "only" hard punches and elbows. It all goes south real quick when they brawl around the vets building and surprise a poor man exiting the bathroom, his guilt-wracked face revealing that he surely didn't wash his hands. I start to roll my eyes when Manders goes on a long walk to the other side of the room to take a big convoluted run at Slade, but this match understands what it is and it understands that Slade wouldn't stand for that brand of  impertinence. So, Manders takes a long run at Slade that deservedly ends with his face getting introduced to a chair, then gets introduced to a ringpost with a chair around his neck, then gets bashed on the top of his head with a chair. It's not long before Manders' face is covered in blood, and he has that show off run to blame. Also, he signed up to face a psycho. 

This gets real gritty, and my favorite visual was Slade pulling Manders jaws apart while Manders tries to get his thumbs into Slade's eyes. There's a quick and violent Manders comeback with a stiff back elbow, spike DDT (which Slade takes with a tucked head!) and a running powerslam through a door that crumples Slade. One thing I most love about Slade is that he doesn't always take offense like a trained wrestler. This is not an insult to him, quite the contrary. I love how he takes offense and can make things look even more dangerous than they really are. This man actually looked like he got DDT'd onto the top and back of his head, and his matches benefit from it. Manders beats Slade with his cowboy boot, but Slade laughs, flexes, and welcomes the boot. You see, Manders didn't know that Slade's step-dad used to beat him with a boot, right up until Slade did time for murdering his step-dad. Manders takes a couple of disgusting uranages through set-up chairs, the second bending both the chair backs and the back of Manders, and the finish is an awesome Slade finish. Slade puts handcuffs on himself for the sole purpose of getting leverage to choke the life out of Manders, letting the cuffs chain dig into Manders' throat while he pulls back on the chin with his hands. I swear, getting booked to fight Slade is like getting booked to fight Anton Chigurh. 

2022 MOTY MASTER LIST

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Paradigm Pro: UWFI Contenders Series 2 Episode 6 Finale

Lost Boys (Chase Holliday/Hoodfoot) vs. Aaron Williams/Gary Jay

PAS: I don't think the tag format totally worked, although this had some moments. Hoodfoot is always going to entertain in this style, and he clubbed Williams with a huge shot to the back of the head, and finished the match with a gross suplex on Williams and some ground and pound. Jay looked better in this match then he did in his first match, but I don't think this style is for him. He doesn't seem like he has the pacing and selling down and just wants to get in his indy offense. He did hit hard though, which mitigates some sins.

ER: It seems like a liked bigger parts of this a lot more than Phil, even if we have the same complaints. Once they got past joking about the UWFI tag rules in ring, I thought this settled in pretty nicely. Holliday had some nice palm strikes, including a cool almost uppercut shot as he was getting up, really looked like it cracked Jay. Jay had a couple of things that were way too "regular indy match" and that's my least favorite stuff when it turns up on a specialty show. The little mule kick to take out Holliday's knee, followed up with a big downward strike closed fist, just made everyone involved look stupid for it not drawing any kind of penalty. The commentary couldn't call the punch what it was, and the ref even looked like he hesitated and wasn't sure if he should point it out. 

But I probably liked his fighting spirit roaring elbow after a Hoodfoot backdrop driver much less. Tons of matches in this series have ended with suplexes that weren't as gruesome as Hoodfoot's, and if you really want to get your favorite 90s puro spots into your match, well, maybe you should crib from the right fed. Nobody is doing Michinoku Pro hops at the end of exchanges either. But I really liked the whole finishing stretch, with Holliday getting surely KO'd by Williams, only for Holliday to be close enough to tag in Hoodfoot at the 9 count. I thought the Hoodfoot/Williams shootout was among the best strike exchanges in their entire series, felt really intense and was filled with shots. Williams gets trapped in a huge trap arm German, and then Hoodfoot throws them downward strike elbows for the stoppage. I've said it before, but this style benefits from hot finishing stretches, always great to go out on a super high note. 

Freddie Hudson vs. Lexus Montez

PAS: I haven't loved Montez so far on this show, but he and Hudson have clearly worked each other a bunch and had a nice rhythm. Both guys hit nice suplexes, I especially liked Hudson's teardrop, and Montez does a cool roll through into a kimura for the tap. Got me a little more excited to see Montez in the Middleweight tourney, and he was initially a name I wasn't pumped about.

ER: Rhythm is a good word for what we got here, and it was fun. Commentary points out how these two have met several times before in Paradigm, but never under UWFI rules. Those kind of details added to the way Hudson played things, which was as a guy happy to be there and work a different style against a familiar worker. It added a fun edge to things, and both delivered big snap suplexes that looked worthy of a count. Totally agree on Montez's kimura finish as well, didn't expect the spot to go that direction and I kept getting more into it the more Montez appeared to improvise bending Hudson's arm. 

Big Beef Gnarls Garvin vs. Lord Crewe

PAS: Crewe has quietly become one of the best guys in this fed, and this was the high energy slap fight you want from this matchup (and a solid improvement on their first match). Both guys threw real heat here. Beef had a couple of big sack toss suplexes, and the back slap to the ear which Crewe used to drop Beef was a real equilibrium buzzer.  I liked how Beef wouldn't let the ref count on his suplex, he was pressing forward and it eventually cost him.

ER: I thought this kicked ass, totally the kind of match I wanted them to have. Beef really chucked Crewe on a couple of throws, and Crewe is either a great suplex bumper, or is a crazy man who leans shoulder first into painful throws, and I don't care which one of those it is. The stand up looked like it had real consequences, and I somehow always forget how much snap Crewe can get on his close quarter striking. It's hard to get a lot of momentum behind strikes when you're dodging return fire and standing half an arm's distance away, yet Crewe really cracks Beef several times. His backhand to the back of Beef's head was killer, loved how Beef dropped for it, and I really like the storyline of Beef getting more and more frustrated that Crewe is the guy adding crooked numbers to his loss column. Beef doesn't lose any aura, even though Crewe wasn't winning on banana peel finishes. 

Yoya vs. Robert Martyr

PAS: These guys train together, and they really have fun chemistry. The brawling on the floor isn't completely kosher with the rules, but I liked Yoya's shot with the guard rail and how it caused Martyr to sell for the rest of the match. But I didn't think the tap out and restart added much to the match, and we easily could have done without it. I did like how Martyr tried to fight his way into suplexes and the finishing headbutt was super nasty and a meaningful KO. Good stuff, and I would be into this being run back. 

ER: Great chemistry, and an over-complicated fight that didn't need this many story beats, but the work and chemistry almost made all the beats work. Every time I would find myself going "well they didn't need to do..." I would still be interested in where they were going. The roll to the floor came off well, but it did feel odd seeing Yoya trap Martyr's arm in the guardrail and kick it. Yoya hasn't really been a guy who takes shortcuts in his matches, and it's odd to have him be such a giant killer who never quits, and then have him cheat for the first time against the one guy who is closest to his size. Or maybe I'm looking at it all wrong and it's a great small guy thing of being way meaner to other small guys while trying to earn the respect of the largest guys. Fight the guys nobody expects him to be with honor, fights the other small guy like there can only be one small guy. 

The controversial stoppage was a bit odd, not sure I understood any of it. Martyr clearly tapped, then begged his way into a restart. In 2nd grade I almost got sent to the principal's office, which would have been my first visit there. I was warned plenty of times using the classic grade school "clothespins on a colorfully drawn stoplight" method, and once you get moved to the yellow light you know you're one misstep from red. So I hit read, and the class ooooooooooed and I shamelessly pleaded with Mrs. Setterlund to have mercy, total groveling act, dancing like no one was watching. And it worked, and it was at least another 3 years until I actually got sent to the principal's office for the first time. BUT if I was a babyface pro wrestler and clearly lost a match, I would not grovel and beg to get the match restarted. I thought Yoya looked cool as hell for agreeing to a restart, even though I don't understand it. I really liked Martyr struggling and selling while trying throws, and I loved Yoya's rolling armdrag. I do wish Martyr had left the thigh slaps at home though. His strikes looked good without slaps, and you don't need slaps on back elbows, and I thought the slaps on the finishing headbutt were really egregious. Back elbows and worked headbutts look cool, just let them breathe. 

Max the Imapaler vs. Alex Kane

PAS: I really liked what we got here, but I think it was a bit too short. Max does a great job of conveying menace and I totally bought them dominating early, even with as strong as Kane has been put over. That belly to belly throw was especially sick, but I did think two suplexes put Kane down a bit too easily. The German Max threw was nice, but it wasn't "put an undead monster to sleep" nice. One or two more moments really could have made this something special.  

ER: I thought this was cool as hell, and was about the length I was expecting based on how the length all of these hiss showdowns have been on Contenders. Kane has been such a steamroller, it was cool to see Max just go right at him. I thought their German looked awesome, Kane appears to have that inverse Lawler magic where he is as great a punch salesman as he is a puncher. Kane folds real well on this German, comes off like a guy who really knows all angles of a suplex, taking and giving. both had their chance to show off cool belly to belly suplexes, with Max doing a short deadlift and just dropping Kane, like men after carrying a 40 lb. bag of cat litter up the stairs. Kane's belly to belly has this gorgeous followthrough, just moving Max's dead body and driving them into the mat. The landing looked so heavy that I was actually expecting a stoppage. This felt like more than one minute. 

The Lifers (Matthew Justice/Bobby Beverly) vs. Team Filthy (Tom Lawlor/Dominic Garrini)

PAS: This worked better than the first tag match, but I don't think this was the best way to pay off the Team Filthy vs. Justice feud for the season. Justice is best in wilder, brawling UWFI matches and this was by far the longest UWFI rules match PPW has done. It had a much more deliberate pace, which exposes some of the seams way more than something quick and nasty. I did like Lawlor and Garrini as grinder mat wrestlers who would take both Justice and Beverly down and tie them into knots until they had to grab the ropes. The finish run between Justice and Lawlor was pretty exciting, exchanging slaps, with Lawlor having the advantage until Justice checked his kick, hit a spear, and landed some sick knees to the temple for the KO. I honestly think the match would have been better if it was just a singles between those two, and that was basically just the last finish run on its own. 

ER: This was too long for me, too meandering, too out of sync with the rest of the vibe these shows have given us. I didn't even dislike anything that happened, and I love all these dudes, but it felt like an on paper WCW dream tag match that gets more time than any other TV time that week, and doesn't really do much with that time. There's a 12 minute Finlay/Jericho Nitro match that I think is incredibly boring, and I don't think I've called any other Finlay match in history "boring". This wasn't boring, but it didn't go the places I wanted to, and there were still some fun moments along the way. I laughed at and loved Dom's fun rolling ankle pick, just slowly somersaulting in all unassuming and suddenly he's an anaconda around Justice's leg. The final showdown between Lawlor and Justice was great, awesome mini war, and I wish we would have had a 5 minute tag of that kind of stuff rather than what we got. Still, loved these guys. 

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