Found Footage Friday: AJPW CLASSICS~! ABBY~! WAJIMA~! MAGEE~! TAKAGI~! IDOL~! RICH~! KABUKI~! TIGER MASK~!

Abdullah the Butcher vs. Hiroshi Wajima AJPW 1/2/88

MD: Abby had bigger fish to fry. His eyes were on Jumbo and Baba. Wajima was just a guy he had to babysit here. I'm not going back to see if this did ratings or not but I bet it did even as Wajima was less of a TV draw than he'd been the year before. I'll be honest. I started my AJPW chronological watch with 89 in part to avoid the guy. I kind of regret that now though not necessarily because of anything he did here. More because I would have liked to track every Tenryu match after his turn. But I'd say in small doses, i.e. this match, Wajima was pretty interesting to watch.

Here we got to see him through the lens of an Abdullah the Butcher that wanted the country of Japan to remember that he was a singular and formidable monster. 

Wajima would try a bunch of things. Abby would no sell them in the most bored and stoic way possible, hilarious to both me (despite myself) and the crowd at the time, and cut him off with the throat shot. The fans would chant Butcher over and over again. Then Abby would do some stylized karate shots and pose. It was something. To Abby's credit, it built to Wajima finally got him over and even though the first time that happened, Abby looked more bemused and surprised than anything else, it did sort of matter because of the mountain Wajima climbed. It would have just mattered more if it was, let's say, Isao Takagi (since he'll come up later) or Shunji Takano doing it and not someone who had been around main events for a while. Abby quickly had enough of that, hit a shoulder block and started laying in the elbow drops. Wajima kept putting his feet on the ropes and Abby got incensed and started going after anyone that moved with Baba making the save. Definitely a match that one experiences, this one.

ER: Another lifetime ago, I was the sole person on the Pro Wrestling Only All Japan 80s Nominating Committee to want this match as one of the 150 matches on the final set. I understand the need to keep someone like me in check on a group project like the 80s sets. We were cultivating something important and historical for a large group of people to see and experience. Setting new talking points and updating tastes and standards. All 150 slots were important. I sincerely wanted this Abby/Wajima match on the Final 150. I love it. It deserved to be on. The main argument against it was that some thought it was the clear 150th place finisher, which might be true. Some would rank it low because it's only 6.5 minutes bell to bell. It isn't a title change, it doesn't build to a hot finish, and obviously not enough voters went to the wall for Abdullah the Butcher matches, because he had no matches on the set. Hiroshi Wajima had three. So maybe we put this match on the set as the fourth Wajima match and the only Abby match, and it finishes last? Is that bad? 

The two last place matches, #149 and #150, wound up being two different Jumbo Tsuruta vs. Bruiser Brody matches. Their 1983 match was #149, their 1988 match was #150. That 1988 match was #150 on my own personal ballot, in full unanimous agreement with the mass voting bloc in finding Jumbo/Brody '88 to be the very worst match of the 150 best All Japan matches of the 80s. Did we need to have two different Jumbo/Brody matches on there if they were considered the two worst of the set? Every territory we did was going to have a match that finished dead last. There has to be a Worst Scorsese Movie. I always wanted to put a colorful match on the set as the one we thought would finish last. For the WWF set I wanted the best of the Bobby Heenan/Ultimate Warrior weasel suit matches (which didn't make the set). For the Memphis set Phil and I were the ones pushing for the Nightmare Freddy matches that finished dead last. 

Something has to finish last. Abdullah the Butcher should have been #150. Or #147. Time has proven me correct on this match. I love this match. It has incredible aura, incredible atmosphere, feels filled with danger and tension and unpredictability for its entire short runtime, and devolves into genuine spectacle in Korakuen. This match has intrigue. Abby had returned to Japan a few weeks earlier after a three year absence. He had primarily been a New Japan guy in the first half of the decade and now he was a New All Japan Guy. Abby looked like as big a superstar in 1988 as he had a decade earlier. I don't think we put enough respect on his 87-95 run. Watch this match and witness the power of his charisma. Add Wajima to the mix, who is one of my favorite kinds of wrestlers: Disgraced Former Sumo. He was a big name and had the greatest robe in wrestling. People respected him. 

Abdullah the Butcher clearly was not one of them. This whole match feels uncooperative and Abdullah lis a guy who just keeps fearlessly making an all time great sumo look like a chump. There is no fork stabbing. There is no blood. But there is a lot of Abdullah the Butcher no selling Wajima's strikes and looking at him with unblinking, unimpressed eyes. His head is the perfect shape and his expressions are incredible. He walks through or ignores every Wajima strike while throwing screaming taped finger thrusts into his throat, and after every one of those thrusts he does karate poses, a new one every strike. He steps repeatedly to a champion sumo and makes more poses and faces than you've ever seen him do. Wajima finally takes the hint and does a couple shoot throws, grabbing Abby by his sizable pants. Abby had finally been Gotten in a match where he disrespected Wajima over and over and over, and once he gets thrown he decides NOPE we're not doing that and runs into a legendary sumo with a full contact shoulderblock. He drops three running elbows onto Wajima's neck and chest. They're all rough.  

Abby is so disrespectful to Wajima - AND THEN SHOVES JOE HIGUCHI! HARD! - that it draws out Jumbo and Baba and every green-tracksuited undercarder. Abby spends 10 constantly enjoyable minutes avoiding physical interaction with Baba and Jumbo while throwing fingers at the throat of every tracksuit he sees. Jumbo is screaming at him while being held back. Baba takes his track jacket off and is walking around in track pants and no shirt, and I don't think I've ever seen him look more badass. Abby walks the rows of Korakuen flanked by TNT and Black Assassin, who isn't a guy anyone knows. It's the best. It's always intriguing, always entertaining. 

Here's the match that unanimously finished #150, which is extra appropriate because it was the main event of this very show, 3/27/88. We cover the Tom Magee and Tommy Rich/Austin Idol matches below. Watch this match, this 150th place finisher, and tell me it's better than the pure spectacle of Abby/Wajima. 

#150: 

Jumbo Tsuruta vs. Bruiser Brody AJPW 3/27/88

Also, I was the extreme high vote for one of the Wajima matches that made the final set. I had Wajima/Ishikawa vs. Tenryu/Hara 6/8/87 as my #4 match. #4! It finished #141. #141! I ranked a match #4 that finished in the bottom 6%! You can't get much farther apart than 4 and 141. I haven't watched that match since doing the set, 13 years ago. I'm going to watch it later. I'm justified 15 years later in my love for Abby/Wajima, let's see what shit I was working through in 2012 to be the extreme high Wajima voter: 

Hiroshi Wajima/Takashi Ishikawa vs. Genichiro Tenryu/Ashura Hara AJPW 6/8/87

[Watched it again, turns out I was completely right once again. This match rocks. It's four sumos all angry for different reasons, Tenryu and Wajima cannot stand each other, everyone takes unprofessional shots. Wajima sells Tenryu's enziguiris better than anyone, Hara clotheslines Wajima in the side of the face and Wajima pays him back with one that knocks Hara onto his head. Every second of it has aura and/or sumos hitting each other hard. Undeniable top All Japan match of the 80s.]

Tommy Rich/Austin Idol vs. Tiger Mask II/Great Kabuki AJPW 3/27/88

MD: You'll want to stick around for the post match where Idol gathers a crowd around him and starts to pose like crazy. That's the most interesting thing in this one but it's also legitimately interesting. The second most interesting thing is the chinlock he puts on Kabuki where he works it so hard that every vein in his neck looked like it'd pop. The sheets said that Idol and Rich didn't get over because the Japanese didn't know what to make of guys who mostly punched and I find that kind of absurd and dismissive. The third is that Rich/Idol come out to Roll with the Changes by REO Speedwagon. 

I didn't love the feeling out stuff here or the finishing stretch to be honest, but I did think the control on Kabuki where they went after his neck/throat with a bunch of headlock punches/throat shots and a great Rich neckbreaker, plus the aforementioned chinlock was all very good. Tiger Mask probably just wasn't the right guy to match up against these two?

ER: Rich and Idol come out to "Roll with the Changes" and I love it. Tommy Rich was still using REO Speedwagon in Japan when he worked WAR in 1993, when the song was 15 years old. The match rules because it's Idol and Rich working a Memphis tag with Kabuki going along with it, Idol and Rich cutting off the ring and throwing punches from real and comedic angles, Idol connecting with Japanese fans as an honest to god cult celebrity. Jerry Lawler got such an ice cold reaction in his limited Japanese work, but Idol grabs the attention of the All Japan crowd and them makes aloof faces like he doesn't understand why.  At one point Idol tags in and throws Great Pro Wrestling Punches while dropping to a knee, throws a snapmare that is actually a man flipping another man to his seat by the head, and then throws punches to a seated Kabuki and chokes him on the mat before running him face first into Tommy Rich's knee. It is everything I love about wrestling distilled into 15 seconds. When he throws headlock punches to Kabuki, Kabuki drops forward to his knees like his nose is broken. Tommy Rich hits a fistdrop off the middle buckle. Idol hooks his hands under Kabuki's chin and flexes his arms as he pulls his neck back over his knee, hair looking like a swag version of the Mark Davis cut, and all is right. Austin Idol had a connection with the Japanese crowds and even in loss, that cult status looms over the victorious Tiger Mask. Idol flexes his biceps in the crowd and the reaction makes it clear that the people want More. 

Tom Magee vs. Isao Takagi AJPW 3/27/88

MD:  Some of these have been out there more or less for a few years but we never covered them (it's hard to keep up with Classics) so they're really new enough. And this was quite the thing right here. Magee came out to Danger Zone like he was Masa Fuchi or something, stood on the top turnbuckle, dropped his cape, posed, and did a shooting star press into the ring right into a tumble. Hell of a thing. 

And you know, parts of this were competent. Sure he landed on Takagi with his first leapfrog and there was just a weirdness to some of what he did. He'd do a headscissors at an angle I've never quite seen it and grabbed the ropes not for heat so much as so he didn't fall over, while in a grounded headscissors. His strikes were stylized to say the least. He put his foot on Takagi's leg while holding an armbar, not to drive him down but to set up a drop toehold and I don't quite get that. Lots of little things like that, but the armdrags looked ok and he was spirited in his legdrops and kneedrops and hiptosses and what not. 

But really this was about the spin wheel kicks. His was basically a beesting, the chop of the spinwheelkick, where he got the edge of his foot into the midsection of Takagi. Takagi when he later reversed a whip and hit a charge and just careened at Magee, went foot first right into his face as he arced. And yes, right after that, Magee opened up in a big way, blood coming down his face. The match was over by that point though as he did a somersault to "dodge a charging Takagi", put in quotes for a reason and then did a belly to back position backbreaker which I've never seen before for a submission. Hell of an entrance though. 

ER: I don't really think Tom Magee is that much different than many guys who are pushed as a Fast Rising Star on the modern indy (or national television!) scene. He had great athleticism and actually had more offense than I realized, and he isn't as terrible as advertised when it comes to fitting that offense into an actual match. He feels like someone who could have been molded with more time, but wasn't given more time. That's nothing new. I liked some things he did, like his weird drop toehold, but the main thing he had going against him was the same thing he had going for him: He moved like an alien in the ring. If not like an alien, he moved like someone who had been given the implanted knowledge of pro wrestling, without actually having seen pro wrestling. There was no sense he had any understanding what pro wrestling was. 

Many of the things he does look "fine" but he does them as someone who doesn't know what he is doing, and the crowds can feel it. He is doing a kneedrop, he is doing a legdrop, he is doing a weird drop toehold, but he is doing them in a way that doesn't feel like pro wrestling, instead a memorized series of steps. Tom Magee memorized the sounds of the alphabet phonetically but cannot actually read or understand letters, and it is off-putting to the people there live, who love wrestling. If you gave an alien a recipe to make a pumpkin pie, but they had never tasted a pie or seen what a pie looked like, you would almost surely get some sort of creation that had similarities to pie while being grotesque in a way that aesthetically offended you. It's why Magee didn't seem to realize he was even bleeding from the nose and mouth after being hit by a spinning heel kick. He does not understand these humans, the ways they leak.

Read more!

Found Footage Friday: OKI IN KOREA~! DUK~! HEEL TITO~! TOR~! IDOL~! PATERA~! BRET~! HAKUSHI~!

Kintaro Oki/Kim Duk vs. Dick Blood (Tito Santana)/Tor Kamata Korea 1978

MD: What an amazing find. Oki and Duk as native heroes. Plus we had that one Andre match where Tito and Chavo are his little buddies from 79 but this is some of the only heel Tito footage ever. It goes 40 with all sorts of pomp before and after the match (check out the robe on Oki) and is a fully fleshed out 2/3 falls match.

Tito isn't fully developed yet, but he's a stooging (lots of early headscissors foolery), big bumping (he must go over the top rope hard five times), dropkicking (the big finishing bit is Oki avoiding one of his dropkicks), heatseeking heel, as fiery as we'd expect. There are a couple of fun strike exchanges or flurries, especially in the third fall when he's kicking at Duk's wound leading to a huge comeback moment.

Duk's actually the standout here. Oki's fun on the mat once or twice and when he unleashes the headbutt (first in the corner as Santana was taking liberties, then against Kamata, driving him back on the outside, and finally to take out Tito to build to the finish) the crowd erupts but this is really much more the Duk show. He's super charismatic here, calling Tor into the ring, gesturing to him when he has control of Tito. After Tito won the first fall with a sunset flip in, Tor spends a chunk of the second, keeping him on the floor by knocking him off the apron again and again to the crowd's delight. You don't usually see a babyface king of the mountain bit but it worked here. He even had a football charge from a three point stance.

In the third fall, Tor pulls the pad back and opens him up with it, working over the wound like you'd want him to. When Oki finally gets in after Duk's big comeback shot on Tito, Tor tries to get Oki's head with the post, but he no sells it and takes out Tor which sets up the finish while Duk and Tor are brawling on the outside. This match was full of a lot of the conventions of the time but the roles were reversed and it made for just an amazing bit of lost footage.

Austin Idol vs. Ken Patera Memphis 9/5/83 

MD: This was on the Savoldi network and it's about as far from those Idol vs. Hansen matches as humanly possible. It's still really good but it's conventional as can be. You can shut your eyes and see this match play out for the most part, but the crowd was up the whole time and the performances were good and sometimes pro wrestling just works the way it's supposed to. 

Idol got the fans riled early which upset Patera. It was a contest between him waving them on and Patera posing. For a chunk of it Idol controlled the arm and teased punches to the fans' delight as Patera tried to cheat to get out by pulling the hair, that sort of thing. Patera got over on him and worked the back with a great bearhug. Idol was perfect in it, lilting sideways and appealing to the crowd to support him, appealing to God to look down and bless him, appealing to you, the viewer, decades later. Just a transcendent over the top selling of it.

He fought out but Patera cut him off with a reverse of a whip and a clothesline out of the corner and got on the full nelson. Idol climbed the turnbuckles for a double pin but apparently he got his shoulder up at the last second. Post match, he took out Hart, dodged Patera's jumping knee into the corner and put his leglock on him. Again, delighted crowd. As straightforward as could be and I wouldn't change a thing.

ER: Patera in '83 was such a feast for the eyes. He's constructed like a freak Rob Leifeld drawing; cut, but with incredible mass. You catch him at certain angles and it doesn't seem possible to be that rock solid and have so much space between your belly button and spine. It's incredible. Perhaps more incredible, is that Patera has that body but Idol is the one posing, and the posing is the best. It all happens when Idol holds the ropes on a whip and breaks out all these excellent little kneeling poses and flexes. And I just kept waiting for Patera to wreck him for it. It's a crime that Patera has that body and that power and mostly wrestles like a guy in a mid tier Russian gimmick, all clubbing and axe handling. I need more bearhugs, more presses, more whips with crazy pull strength. I wanted a Patera/Idol match and this felt more like a match that Idol could have had with Don Bass. I dug the way Idol sold Patera's grounded bearhug - I actually wish we got more bearhugging in this - and was excited to see how Idol would sell the full nelson. We didn't get him selling the full nelson, instead we got him doing one of the messiest, loose ropes versions of the Austin/Bret finish (yeah I know this was well before Austin/Bret but it sounds better than describing what happened). His missed knee into the corner, after the match, looked really cool with his size, wild that he used it in a post-match deal. I don't know enough about Patera to know if he's a guy who usually limits his bumping in a match and saves it for after.  

Cage Match: Bret Hart vs. Hakushi WWF 7/25/95

MD: Dark match from a taping. Honestly, I won't lie, I would have rather had Brad vs. Flair which lost the poll to this one. The best part of this was probably Hakushi's entrance in the cage which was moody and will stick with you. The biggest issue overall is that they went to too much selling too soon, before it was earned. Whenever Bret hit the ropes or the corner, there was a big clunking sound from the cage but he wasn't really selling cage shots from it. I'm not sure if he ever went into the cage. Instead, he got the early advantage but both of them crashed into each other in the first minute or two with a double clothesline and they went right into the labored slow attempts to escape for the next ten minutes. They probably should have led with an extra five minutes of action before that double clothesline spot instead?

There were bits I did like down the stretch. There were certain parallels, like Bret missing his second rope elbow drop and then Hakushi instead of leaving the cage, choosing to hit the diving headbutt and wiping out. Bret snuck in the five moves in interesting ways and yeah, sure, there was always the sense that they were trying to win, even if like I noted, the drama didn't quite feel earned. The finish was a superplex where Bret was able to recover first and scoot out and the fans responded to a lot of the big moments but this all felt just a little underwater to me due to that narrative choice early.

ER: I thought this was both really good, and felt unnecessarily long due to the narrative choice Matt pointed out. It's really strange, how much weight they each decided to give a double clothesline. The entire match can be divided into two, uneven parts, by that double clothesline. The single minute before the clotheslines was absolute fire, both men throwing worked strikes so great that the entire match could have been sustained by them. Hakushi throws a throat thrust (one of many, but one in particular) that sounds insanely loud, the crowd reacts to it like death, and Bret crumples from it like a hardened hand of stone had just smashed his trachea. This was a battle. 

Then there was a double clothesline that carried the weight of a thousand bad decisions. And that double clothesline seemed to double as the missing 6-7 minutes of work that led to both men being tired slow climbers the rest of the match. Here's what's important: I thought all of the slow climbing and tired selling was really good. That ring looked like unmoving concrete, and every bump Hakushi took off the ropes onto it was completely unforgiving. There are three different landings - before the insane match ending superplex - that had no give, no bounce, nothing but a man's skeleton absorbing his landing with no bounce. The speed they worked had actual drama, the crowd bit at the cage escapes, and the final 10 minutes of escalation felt right. It also made a 12 minute match feel like 20, instead of a 20 minute match that was missing an important 8 minutes. It's so weird. All of the elements we have are good, nothing is missing, it just feels incomplete and also too long as is. Bret's bumps into the buckles looked damaging as ever, and the superplex is something that I literally don't understand. I don't see how it's possible to be doing bumps like that when they "don't count". You watch that ring. It does not budge. Hakushi came off the literal top of the cage, suplexed onto a sidewalk, for a match that was never supposed to air, and is still wrestling 30 years later instead of in a chair. And I guess it's bizarre to me that, in a match that went on to have several high end skeleton-eroding bumps that should have naturally led to slow down, they paid so much more lip service to a double clothesline. 

 

Read more!

Found Footage Friday: HANSEN~! IDOL~! WAGNER SR~!? HANSEN~! IDOL~!

Dr. Wagner (Sr.) vs Manuel Soto 1979

MD: This was apparently the first round of a $100,000 tournament with the finals in Madison Square Garden but I'm not going to look it up and try to figure it out if that was actually something that happened. This is a rare look at Wagner, especially in a full match. It goes around ten minutes and was worked "gentlemanly" and primarily on the mat with a few escalations and those were usually armdrags and the sort. The wrestling was god though. Wagner wrestled interestingly in the first few minutes, very reactive, very defensive, a lot of counter-wrestling. Soto came off as a bit more fiery and won most of the escalations with Wagner basing for him. They never stayed in anything for long, keeping things moving even though it was mostly on the mat. I wouldn't say we learned a ton about Wagner here but you got the sense he could back it up with skill in a straight match like this. I have no reason, after seeing this, to question anyone who might say that he was great certainly. I just maybe don't have a ton of proof to verify a sort of greatness that would take him over the top either.

Austin Idol vs. Stan Hansen Memphis 9/12/83

MD: A wild almost nine minutes here. Stan ambushes Idol as he's coming over the guardrail and they never look back. He opens him up immediately and once they make it back into the ring and the bell rings,  targets the wound like only he could. There's a bit early into this where he puts his heel right on the bloody forehead and scrapes and it's the simplest thing in the world but given how he does it, it's downright grisly. Beautiful pro wrestling. Idol fires back after a couple of minutes of it and the crowd goes nuts. Hansen is extremely giving here, bouncing over the ring, flailing limbs, letting himself get slammed. It builds to Stan tied up in the ropes, Idol pushing the ref away, and then Stan kicking Idol into the ref in one of the better ref bumps you'll see, and Hansen taking advantage, hitting a lariat in the ropes and winning by DQ. Hart's a great little nuisance throughout as Hansen has absolutely no regard for him. 

ER: The face of the DVDVR 80s Memphis 100 has changed over the last couple weeks. We wrote about a tag a few weeks back that could have placed in the top 10, and now we have two more Stan Hansen Memphis matches. Stan Hansen worked one month in Memphis in 1983, in between All Japan tours. He showed up and kicked Austin Idol's ass over five matches, three of which were included in and underrated on the DVDVR set. Now we have the other two. All five of Stan Hansen's matches in Memphis, during that one month of 1983 directly after he won the PWF title from Baba, are now all viewable on YouTube and you could watch all four singles matches and the tag in under an hour. That's a thing we can all now do, any time. 

Stan Hansen blew into Memphis one day and beat Tom Prichard's ass for the TV title and then hung around for a month before blowing out. Imagine how large Hansen must have looked inside the WLMT studio. If you were a fan of Tom Prichard in 1983, it must have felt terrible seeing this large man with no mustache show up and just beat your boy's ass the way he did and then make fun of the trophy that Memphis was using for their TV title. Hansen looked completely unstoppable in every way for 5 minutes and then came back a couple months later to beat the blood out of Austin Idol for one of the couple dozen titles Memphis had. This was full unstoppable Hansen but I like that it was very clear Idol was jumped. The official match time is about the same as the one-sided mauling of Prichard, under 5 minutes. But this 5 minute match is preceded by the out of ring beating that leads to Idol's incredible blade job. Hansen jumps Idol in the aisle and it's a beating that stands out as good in Memphis. He does this thing during the beating that's so perfect. It's a thing Hansen can do that any other big guy could do but doesn't have the intuition or charm to do. While bleeding Idol out on the floor, he rolls into the ring - there was no count, the bell hadn't sounded - and just runs the ropes a few times at full speed before going back out to bleed him some more. I don't think any wrestler understands the value in this, to look this aggressive and unflappable at the same time, knowing your opponent won't be getting up and leaving while you run the ropes. 

Idol's blade job on this video quality makes him look like Hogan, the entire top of his scalp dyed red giving him the same blond horseshoe haircut. Hansen goes after that cut in some disgusting ways too, digging his heel into it and punching down at the cut multiple times, even doing his perfect kneedrops into the cut. He forces Idol into one of the most natural and effective ref bumps I've seen, shoving Idol with his boot so hard that it looked like Idol couldn't help but careen into the ref. Hansen's lariat in the ropes was as nasty as any he's hit in the middle of the ring. Idol did not go flying backwards to the floor, he absorbed it. There is a full arm smack as Idol is momentarily flattened between the ropes and Hansen and the crowd audibly reacts to the sound. Imagine seeing this monster destroy Austin Idol in his first night at the Mid-South Coliseum. Hansen could just show up in any room and any building and look like this, at any time.  

Austin Idol vs. Stan Hansen Memphis 9/19/83

MD: This time, Idol attacks before the house lights come up. Great fire as he takes it to Hansen and Hansen gives and gives. He eventually gets an inside shot in as he is want to do when pressed and takes over. The transition is him missing a second rope knee drop and Idol soften him up for his leglock. I imagine Hansen couldn't keep doing a big miss bump like that as the decade went on, not with any regularity but it would have provided a bit of welcome variety to his usual open door to vulnerability in AJPW (the missed lariat into the post). Before the leglock can happen, Hart gets up on the apron and everything devolves into chaos. Post-match, Hansen says he's going to show him a thing or two about the leglock, brandishes a chair to injury him, Lawler makes the save and Ventura comes up to set up the next tag because Memphis booking is a never ending churn of great stuff. I know I didn't say much about either match, but they were simple, straightforward, primal, territory wrestling perfection really.

ER: This is the weakest of the four Hansen/Idol matches, if only because it feels the least complete, but has a completely different charm than those other matches. It was also weakened by having a completely spaced out Randy Hales on most of the call instead of Lance Russell, and when Lance joined in he kept throwing too often to Randy. Randy sounded like he had never spoken about wrestling to anyone before this match. This one is more of an Austin Idol match. Idol got blindsided and brutalized a week ago, now he's back and not going to make the same mistakes. Hansen in Memphis is amazing, but also might be one of the places that Stan Hansen wouldn't have really "worked". I love Austin Idol and I love his offense. I love Lawler, Dundee, all these guys. The Memphis set was my favorite of the 80s sets. But watching Austin Idol work strikes with Hansen, I'm not certain all of these Worked Strike Masters play as well off Hansen as they do off men who don't seem so large and indestructible. 

I think Stan Hansen is a gifted seller. The way he drops to knees and gets staggered and backed up and the way he eventually falls is genuine talent, a real theatrical gift. His body control seems impossible for a man his size, but he does several degrees of staggering and lost steps that show he always knows the exact level of punishment he's supposed to be selling. Sometimes, however, it looks like he is selling almost too much. Idol was laying it in, but not laying it in for the level that is necessary to look like Hansen is actually taking damage. I don't know, maybe I'm up my own ass on this one. Hansen is just such an armored tank that the best worked punches in the world are only going to look as good as Stan Hansen can make them look. The missed knee off the top rope is a nutso spot for Hansen to use, like the John Nord kneedrop plancha a decade later. A man that size should not be able to jump off the top rope and land like that without blowing out his entire lower half. Hansen missing offense always seems to make more sense as a transition to his opponent, because again it just rarely feels realistic that someone is able to fight their way back into control. I wonder how often Hansen did a miss this spectacular. You have to have a finite amount of them. That's not a spot I'd seen him do - not like that - and I imagine the total number is low. Now we have one of them. Maybe it's the only one. 

Read more!

Found Footage Friday on Saturday: LAWLER~! IDOL~! RICH~! BAM BAM~! ROSE~! HENNIG~! SHEEPHERDERS~! NIGHTMARES~!

Sheepherders vs. Nightmares CCW 1/17/87

MD: Charles has received a new set of DVDs in the mail. He's going through it and has already identified some very interesting sounding lost matches. Be sure to follow his work in general. Here's one of the matches and it's a very straightforward, very solid tag. Got to love Solie here, first calling the Sheepherders "twisted steel" which made me wonder where he was about to go with that, and then refusing to differentiate Butch or Luke or Davis or Wayne for the entirety of the match, just calling them "A Nightmare" etc. Thanks Gordo.

This hit all the right notes balancing being grounded and maintaining a slightly chaotic feel throughout. During the shine, the Sheepherders kept rushing out of the ring every time the Nightmares got the better of them. It put a certain sort of punctuation on everything and really got across the slickness of the Nightmares. I'm pretty sure it's Wayne that works FIP here, and the transition was this great over the top bump due to the rope being pulled down. He got color as time went on and had some really well timed hope spots. When the fans started to chant USA, he'd reward them by giving them hope. That's exactly how these things should work. Always be struggling to get back into it but struggle the most when the fans are getting behind you. Some nice cutoffs too, including him going to the wrong corner. Plus a missed tag due to drawing the ref. They did a bit where the Sheepherders chair use backfired to set up the hot tag and had everything thrown out on the comeback as they used a chair successfully this time. The Nightmares got the best of them on a subsequent attempt and everyone brawled to the back. A good use of thirteen minutes of your time.

ER: Love this kind of 10 minute forward moving simplicity. When I think of Nightmares tags I think of minimum three great Danny Davis bumps. This had no Danny Davis bumps and instead had one great Ken Wayne bump that built to a great Davis hot tag. In between that bump and that tag we got the Sheepherders clubbing and kicking ass. Aggressive Sheepherders were a thing man. What a cool team. I would have loved to see heel Bushwhackers in WWF. Heel Bushwhackers during that couple month of '93 when Rock n Roll Express was in. Do we have any of the Well Dunn house show tags? They have such a great asskicking look here. I've always appreciated how clean Butch Miller's bald spot was. He had that young Bob Hoskins cut. Luke Williams had great pop and execution that you'd never expect even if you were familiar with some of their best brawls. He had this nice missed Hitman elbow off the middle buckle (more like a diving forearm smash) and paid it off later as they're cutting off Wayne when he hits a truly excellent falling elbow on him. You don't think of "precisely worked offense" when you think of the Sheepherders or Bushwhackers. Ken Wayne's backwards bump over the ropes to the floor was a cool Big Bump of a match to set up the nice long heat, which had one of those really well done moments when a ref cuts off a freshly tagged babyface with a near spear, making for a waist tackle and actually holding Davis in the air for a moment as Davis is reaching past his shoulders to join the fray. The eventual hot tag was hot, Luke bumping these nice careening pratfall bumps while getting punched around by both Nightmares. As they fight to the floor, Butch monkey flips the ringside commentary table onto himself in the chaos after getting smashed into it. It's all hot. 

Jerry Lawler/Bam Bam Bigelow vs. Austin Idol/Tommy Rich Memphis 3/9/87

PAS: Lance Russell saying "Tommy Rich is split wide open" is my love language. Incredible stuff, one of the best matches we have unearthed in the history of this project. Wild bloody Memphis brawling with three of the greatest ever to do it in Rich, Idol and the King. Add in a green but game Bam Bam Bigelow, who came off as such a force of nature. 9 minutes bell to bell with the wild pushed pace of a bar brawl. So much of this feud was built around nasty ball shots, and I loved how they teased the posting on Lawler, and then had Lawler finish Idol with a top rope fistdrop to the nuts, an awesome NO DQ finish. Bam Bam flying through the hard ringside wood table was wild and unexpected and the post match beatdown and bloodying of Lawler was tremendous, especially considering how rarely Lawler bled. Pure joy, the platonic ideal of what I want from wrestling and a hell of thing to wake up to. 

MD:  I feel like you could watch this a dozen times and see something remarkable that you hadn't noticed yet each time. It's great that Russell is not looking on some sort of monitor but calling what he's seeing, so we hear different tastes of chaos than what's right in front of us. I've seen this a couple of times now but on my last watch the things that stood out the most were the way the heels just charged into every bit of offense, Lawler's ability to create organic and interesting violence from all sorts of obtuse angles at any point, and how well a guy as relatively early into career as Bigelow knew when to give and when not to give. There was a sense that Rich and Idol really needed to get either Lawler or Bigelow (the latter being more of a challenge) down and out of the match to control 2-on-1, but they simply couldn't. Lawler was too savvy and Bigelow was just too much. The big moment in that case was when Lawler more or less blocked the chair shot and came back to even the odds. Maybe my favorite bit of all of this from bell to bell is when Lawler scoots up from the second rope to the top to hit the very low fist drop as Solie notes it's legal in this match. The way the table bounces and contracts as Bigelow hits it post match is a wild bit of physics to really cap everything off. You can read about this one but it's really best experienced yourself.

ER: Our 1980s DVDVR sets were so comprehensive. The first time Phil and I met, we hung out in his parent's apartment watching 4 hours of handheld 1989 Memphis footage and made the historic decision to each vote YES to include the match that would go on to place 125th out of 125 matches on that set. The Memphis set was better for having Jerry Lawler, Jeff Jarrett, and Freddy Krueger vs. Dutch Mantel, Master of Pain, and Ronnie P. Gossett. Just like it was better for including Buddy Landel vs. Freddy Krueger. Also, what kind of idiots were voting on that thing who thought there were 121 matches better than Jackie Fargo vs. Jimmy Hart? Anyway, if that Ronnie Gossett trios match had been unearthed in 2024, you would be reading about it on Segunda Caida. Instead, we're talking about a match that could have placed in the Top 10 of that Memphis set if we had it then. If we had it then, one of the Freddy matches wouldn't have made the cut, so this is for the best. It's incredible we're still getting new matches of this caliber. What a powerhouse, even better than it sounds on paper. 

I've watched this thing three times now and I've come away with a new favorite thing each time. Well, that's not true. My favorite thing ever single time is Lawler piledriving Austin Idol and dragging him spread eagle to the turnbuckles, climbing to the middle buckle, doing that perfect pause that Lawler does to build suspense on whether or not he thinks he needs to come off the top rope, then doing that perfect no look step to the top rope he does (that is one of my favorite signature movements of any wrestler in history), before flying off with the greatest fistdrop ever committed to tape. If there was one man in the world I trusted to safely fistdrop me in the balls from the top rope, it would be Lawler, but it's still a real Wheelbarrow on a Tightrope situation and I don't know if I can name a wrestling finish I've ever loved more. Look at the way Idol straightens and kicks his legs! Look at the way Idol holds and rubs his balls with his left hand during every second of his post-match spike attack on Lawler! I might have been too bearish in thinking this was only a Top 10 Memphis set match. 

So my favorite thing is locked in. But Matt's right about seeing something remarkable each time you watch. By the third viewing I was wondering if I had ever seen a babyface physically chasing a heel through the crowd during a brawl. I've seen a hundred ECW matches where guys walked together in the crowd while holding each other's hair, but I don't think I ever saw anyone getting punched in the face and running from the back of the arena for the safety of the ring only to run directly a Bam Bam Bigelow punch. God I wish I could have seen Chris Candido do just that, even if Candido was no Tommy Rich or Austin Idol. Rich and Idol took offense, ran into offense, and turned violent as great as any heel team of the 80s. Lawler and Bigelow were great at surprising them with a punch or a knee, and it's incredible how well everyone in this match had a constant innate sense of where everyone else was at all times. I've never seen such precise, out of control chaos. 

Everyone in this match was constantly turning around into a punch or turning around to punch someone, and there was more struggle in these 10 minutes than I see on entire wrestling cards now. Not every punch came easy, a face didn't get smashed into a guardrail every time someone tried. Lawler held onto the ropes to prevent Idol from pulling his balls into the ringpost like he was fighting against being pulled into hot lava. Bam Bam shoved Idol's head back by the chin before punching him and it looked like violent mafia shit. I couldn't believe Bigelow's bump through the ringside table, and was astounded that a match that ended with The Greatest Finish Ever wasted no time moving into the biggest bump of the match and some of the most violent sharp stake work we've seen. If Lawler punched one ball of Idol's he was going to take it out on his face with a broken piece of wood, and Lawler's gusher after being run face first into Idol running at him with a stake tells me that fistdrop crushed nuts. Tommy Rich is like Bobby Eaton for me, a guy who I love more with literally every new match I see. If there was a wrestler today who moved in and around and through a brawl the way Tommy Rich does here, I'd show you my favorite wrestler in the world. I watched this match a fourth time while writing about it. 

Buddy Rose vs. Curt Hennig Portland 7/2/88

MD: This was a special "Curt Hennig returns" episode of TV. He commentated on a match, cut a promo with the babyfaces, wrestled Buddy, and then came out at the end to explain to the ref how the heels cheated to have a result overturned. The appearance was setting up a match against DeBeers who he said was part of why he lost the World Title two months earlier. My memory is a little iffy on that one though. Rose was primed for a loser leave town match with the Assassin. The stakes on this particular TV match, however, was that the loser would end up a dunk tank later that weekend. Curt would be in WWF by the end of the month after a few more AWA shots, but here, he felt like a very big deal. In some ways it reminds me a little, thematically, of that post-world title match between Martel and Race right before Martel goes to WWF. Just a last burst of someone being a certain sort of star before they ended up stamped by the WWF machine for the rest of their career.

The match was very fun but obviously, coming in at just ten minutes, wasn't going to live up to the previous Hennig vs Rose feud. Some of the usual brilliance though. Buddy started by turning a rear bearhug into a dropping body scissors. Then after Curt escaped, Buddy dodged something with a cartwheel only for Hennig to get him in that self same drop down body scissors. They did a tit-for-tat bit with Buddy bumping off the top with a press, only for Curt to turn it into a great small package when Buddy tried to get him the same way. Cute finish where Hennig was able to eat a Superplex but hook the legs at the last second and get a shoulder up. That meant Buddy thought he won and started to gloat only to realize what had happened and that he had a dunk tape in his future. Just a fun glimpse of something that had been out of our reach for a long time.

Read more!

New Footage Friday: TULLY! BAM BAM! KERRY! THE KING! THE IDOL!

TWA Spring Spectacular 3/31/90  Pt. 1   Pt. 2


PAS: This was an awesome, loaded pre-ECW Philly indy show. I always used to read about these shows in Wrestling Magazines, and it is cool to actually check one out.


Jules Strongbow vs. Randy Lewis

PAS: This wasn't good, but at least it was long and had a shitty ending. Lewis looks like Lex Lugarcito, without any of the talent. There was a moment of Strongbow firing up with tomahawk chops and I enjoy fired up Tomahawk chops, but this was stinky and I advise my friends not to watch it.

Rockin' Rebel vs. CN Redd

PAS: Oof these first two matches are rough. CN Redd had some fun stooging spots early, including flying over the top rope on a missed punch. Rebel is as terrible as a young guy as he was as a guy forcing his way onto early ROH shows because he owned the ring. He murdered his wife and killed himself and is an all time wrestling history piece of shit. This was a fed with really long prelim matches for no good reason. 

Johnny Hot Body vs. Tony Stetson 

PAS: This was actually really good, these were two of the Wrestling Magazine guys you would see in picture spreads, but outside of some Taz squashes I am not sure I had ever seen either guy wrestle before. This was a taped fist first blood match, and was a really fun Memphis style brawl. Both guys threw really starchy punches, and took painful looking awkward bumps on tables, chairs and the ring apron. Nothing looked set up the way later ECW brawls could, it just looked like two guys trying to kick each others ass, which is something I appreciate. It wasn't at the level of the FMW Onita//Goto vs. Kurisu/Dragonmaster tag brawl but it had that sort of feel to it. I really liked the finish with both guys just tumbling painful to the floor and pounding on each others heads till they were both opened up.

ER: I thought this was great, a Philly style brawl that never settles in the ring and keeps the fans hot. There are hardly any moves to speak of, but Stetson and Hot Body locked in meaty armed side headlocks, thumping forearm clubs, and great punches to eyebrows, and none of the bumps look clean. They fell really painfully into everything, body weight thrown off, hard landings onto concrete or tables; it's the kind of off balance bumping that happens when I step heel first on a cat toy in the dark and fall shoulder first into the side of the couch. Johnny Hot Body and Tony Stetson reside in that same part of my brain as some like Chad Austin, the part of my brain reserved for Wrestlers Who I'm Pretty Sure I Saw Get Chokeslammed By 911 At Some Point, but this is the first time I've seen these two unleashed. The longer things go the uglier (i.e. better) things get, as they've now grabbed a couple drinks from ringside fans and bounced them off each other's heads, so the floor is now slippery and you get some great ugly hockey fighting moments of them slipping and punching. Early in the match I notice a great Philly woman in the front row, dressed in all black, perfect fried blond curls, having the time of her life yelling for Stetson. And I see her again at the end of the match, after Stetson and Hot Body have been rolling around the floor punching each other while interlaced at the shoulder, and Stetson grabs Hot Body by the waistband of his jeans and flings him directly into that woman. Hot Body's head was covered in blood, and the woman stands up looking 1 part repulsed and 2 parts furious, hitting Hot Body and telling him to get the fuck outta there. I wish we had gotten more shots of the blood, but we also got two dudes in old shirts, kneepads over jeans, jeans tucked into work boots if an option, and once you throw in aggressive mic cord choking that's really all you need.

Tom Prichard vs. Cheetah Kid

PAS: This was really fun, Cheetah Kid is Rocco Rock in a Cheetah mask, basically working as a US Indy Tiger Mask. I ended up enjoying this more then 90% of the actually Japanese Tiger Mask matches. Prichard has an incredible blond permullet, and is unsurprisingly great at filling in the time between Cheetah's big spots. Those spots were really big, some cool bridging suplexes, three really crazy bumps to the floor (including one into a row a chairs which would make a crazy indy luchador proud) and a big tope con hilo. Paul E. was with Prichard and got some good heat, but the finish was a bit messy, with an awkward ref bump and a phone shot. But the crowd was going nuts for the Kid, and it was totally understandable.

ER: I thought this was awesome too. I thought the taped fist match was hot (and it was), but the crowd got louder and louder for this one, with good cause. Prichard is the perfect kind of pro for a match like this, and seeing him in this environment makes me like him even more. Plus he has incredible 80s back up singer hair, the bleachiest blond you've seen, looking like Suzi Carr from Will To Power. This would have been plenty enjoyable if it had just been Prichard stooging, taking long walks on the floor, Paul E. running distraction, with the big spots being a sunset flip and Cheetah Kid's really nice bridging back suplex. That would have been a good match, because Prichard is good at gluing matches like that, and watching nice forearms shots to the chest or a sunset flip blocked by a punch would have been cool. 

But then Cheetah Kid starts flying to the floor in different ways, each bump bigger than the last. The first one just confirms how much I love a guy getting yanked by his waistband into stuff. We saw it in the taped fist match, and here Prichard yanks Kid to the floor quickly and efficiently. It's a logical and simple move that I remember seeing Lawler use a lot, and it's an action that doesn't really exist in modern wrestling. What could be easier and smarter than hooking someone's waistband and tossing them? Cheetah Kid also does essentially a tope to nothing, stumbling (as part of the spot) on a Prichard drop down and flying again to the floor. For the third Prichard got a major head of steam and sent Cheetah over the top so hard with a lariat that Cheetah flew backwards and crashed over the announce table, into the crowd. At that point that fans were on their feet cheering for Kid, recognizing the insane effort he was making and getting fully into his imminent death. Kid hits a great tope con giro (with a perfect catch from Prichard) and we get a gorgeous VHS slow motion replay of it, clearly an effect done in-camera as we have the awesome blinking "slow motion" at the bottom of the screen. The finish is a shame, as the ref is clearly out of place on the spot that was supposed to bump him, so they run it back and re-bump him, and that always comes off deflating. But this whole thing was fun as hell. If there are two matches as good as this one and the taped fist brawl on an indy card today, I go home thinking I saw a really good show. And we still have Tully, Lawler, Bam Bam, KvE, The Idol, and Orndorff. I like these odds.

MD: The Prichard/Paul E combo is fun. I'm blanking if they were paired together elsewhere but I'd be happy to watch more of that. This was definitely of its time. Rocco gets an A for effort, constantly trying to do stuff that was just beyond his physical prowess, but that tinge of sloppiness made everything seem more earnest and dangerous. It reminds me a bit of the big WWE women's gimmick matches of the last few years where you always have the sense they're about to kill themselves to win. He'd do an amazing flip into the ring and then stumble his way through his attempt to take advantage of it. What really made this work was Dr. Tom there to base and ground it all. There were a few too many unnecessary ref bumps at the end but I can't imagine being in this crowd and not being delighted by this thing.

DC Drake vs. Larry Winters

PAS: This had a bunch of cool stuff, but was dragged down by its length. It is hard for a heated brawl to keep its momentum for over a half an hour. Winters comes in with a big wrap on on his elbow and Drake goes after it pretty hard and focused. They climb to the top of the arena and Drake tries to toss Winter off a super high balcony, which I am sure made a cool PWI photo. There are some dead moments, and the match picks up again when Winter busts Drake open with a post shot. They went back into the crowd, and then had a cool spot where Drake puts on a figure four, and Winters breaks it by whipping him with the ring mic cord. Winters ends up Quitting when Drake and his manager work over his arm. This was a cool fifteen minute match bloated up to 30+. We needed an editor. 

Misty Blue Simmes vs. Kat LeRoux

PAS: This was a pretty basic 80s/90s women's match. A couple of gals who look like Def Leppard video vixens throwing open hand chops and hair whips. I imagine these two worked each other 10 times a month and it felt very polished if unspectacular. I liked the Simmes' finish of an airplane spin into a top rope splash, felt like a fine 1990 highspot.

Paul Orndorff vs. Austin Idol

MD: Complete glorious BS. I'm sure there were moments in 86 (or even 88 and in other earlier runs like in Mid-South) where Orndorff was more over as a face, but he had a different mindset in 90 and he was milking it for all it was worth. This was mic work, stalling, an impromptu arm wrestling contest, chicanery from Idol, and Orndorff's comeback. The heat was more on Paul E than on Idol but since the finish was all about him, that generally worked out. If the crowd hadn't been into this, the lack of action would have been an issue, but they were and these two were masterful in playing off of it all.

ER: I am all here for early 40s BS indy show match Austin Idol. This is 20 minutes of two consummate professionals working smart, and not bumping, but done so in a way that nobody could possibly call it lazy. These were two energetic performances from two charisma fireballs, with moves made unnecessary. Idol takes multiple powders, stalls, lands a perfect headlock punch and bails, comes back in and eats a half dozen headlock punches and bails again, locks in a long chinlock that's mostly about flexing his still impressive arms, all building up to a long arm wrestling challenge. I love a good pro wrestling arm wrestling challenge, and can't say that I've seen one done during a match. But Idol was hilarious getting into the ring and lying on his stomach, arm flexed, challenging Orndorff to a battle of guns. 

Idol is so great at milking heat for things like this, and I was skeptical that Memphis style heat and stooging would work in front of a troglodyte Philly audience, but it does. This show is the first time Lawler had ever worked Philly, and in some ways bringing in guys like that could lead to the confused reactions of 1997 WWF crowds watching AAA luchadors. Outside of early career job work, Idol had never worked Philly either, certainly not since becoming a marketable regional star. So its great seeing the act succeed immensely, great seeing him turn the arm wrestling challenge into a choke once it becomes clear that Orndorff is winning. It's great seeing fans eating up shtick. I love shtick in a vacuum, but shtick that has the crowd hooked is absolutely the greatest. We get a hidden weapon punch and an incredulous Idol after the kickout, we get Orndorff throwing fantastic uppercuts from his knees (Idol sells them the way boxers sell punches in Bugs Bunny cartoons, so, perfectly in other words), and Idol goes down when Paul. E comes off the top with an errant cell phone shot. Paul E. going off the top rope? Hell yes. Loved all of this.

PAS: In many ways Orndorff was always kind of a dime store Austin Idol, and it was cool to see him in with the best version of himself. Idol is a master of this kind of stally shticky match, and he is so amazing at the the little things which makes a match like this. For a guy who doesn't do much moves wise in this match, he makes it all count. Lots of super violent eye rakes which look like he ripped out Paul's cornea, and of course really great looking punches. Thought Paul showed a bunch of energy, and was a nifty dance partner, but Idol is the best. 

Kerry Von Erich vs. Jerry Lawler - GREAT

PAS: This is full heel Lawler doing his touring shtick. We get a couple stops for him to do some crowd work stand up. We have a whole hide a chain section (with a visible chain, not just a donut hole), and a big fireball ending. Everything of course was executed to perfection. Lawler's cheap shot chain punch looked incredible, and I loved the fired up babyface punches from Kerry and the big discus which got a great Lawler exaggeration sell. I thought they could have gotten down to business a bit quicker, but the actual business was booming. Lawler breaking the Iron Claw by tossing a fireball was an awesome finish. So much Lawler out there, and every new match we get is a total treat.

ER: This is a bit of a slow starter, but once it gets started it was another classic from these two. I always love what Lawler can do with Kerry, and I think he brings out some of the best parts of every era Kerry. I also was really enjoying just watching Lawler work Philadelphia for the first time in his career, sporting some ketchup and mustard tights combo that I've never seen, and I wonder how many people there were seeing him for the first time. He was a guy I assume many of them know, but maybe hadn't actually seen at all, let alone live. This whole thing is boiled down to the basics, Lawler building to several great big punches (his straight right to Kerry's face is gorgeous), and two big fistdrops off the middle buckle. Kerry catches him in the claw on another attempt, and Lawler is a maestro at selling holds like the claw. He's so good at kicking his legs in dramatic fashion and really getting across that panicked comeuppance. We also get long hide the chain stuff, which I'm just always going to love when it's performed to this finely tuned level, Lawler really letting all the fans know exactly what he's hiding, kids screaming CHAIN! CHAIN! to the ref. I love it. When Kerry finally gets the chain Lawler flies all around for him, gets whalloped in the corner with big shots, goes down hard for the discus punch. I love these two together, Kerry always seems to put off big energy opposite him. 

Tully Blanchard vs. Bam Bam Bigelow

MD: Seeing this out of context, I could be wrong, but you get the sense Bigelow was supposed to be the face and Blanchard was supposed to be the heel and the crowd wanted nothing to do with that arrangement. We have very few honest babyface Blanchard performances and while this wasn't 100% along those lines, it was sure close enough. Once they figured out what was going on, he worked from underneath, fighting out of a bearhug, kicking at the leg to chop down Bigelow and even throwing a dropkick. The cage was primarily used for escape cut offs and to let Bigelow get up to the top rope for a spot, but as 80s WWF style cage matches go, this was relatively high end. Arn has talked a lot lately about how he'd make a bad babyface because he didn't have moves/spots/"tools", noting that Tully had at least a few more, and yeah, he used a few more here. There were times where maybe you wanted him to have one or two more things in his offensive flourishes and comebacks but in general, I thought he worked better than fine in this role and that concern is generally overblown.

PAS: There are few concrete rules in life that never should be broken and Tully Blanchard should never be a babyface is one of them. I mean how scuzzy does Philly have to be, to cheer fucking Tully Blanchard of all people? Tully is an all time great and he works this kind of conquering hero cage match really well. Bam Bam is so explosive, it is like watching some Combine warrior Nose Tackle, no way a giant guy like that should be able to bang out that 40 time. The missed big headbutt by Bam Bam was almost Super Porkish in it's explosion. Weird to have a bloodless cage match in Philly of all places, but outside of that, this was a treat.

Read more!

New Footage Friday: Brisco, Flair, ROBLEY, Hansen, Bruno, Baba, Idol, Race

Since the Network only dropped one gem this week (although it is a shiny one for sure), we supplemented this post with a couple of cool All Japan Handhelds from the deep well of cool handhelds unearthed by Pete.

Giant Baba/Bruno Sammartino vs. Harley Race/Buck Robley AJPW 10/8/81

MD: The video quality on this handheld is washed out to the point where Robley's trademark yellow shirt barely looks yellow. I'm not going to say it helps, but it is sort of cool to see Baba as this looming, giant presence in poor VQ. This had a ton of novelty. It's not every day you can see Race vs Bruno and even Bruno vs a guy as slimy as Buck seems rare.

If I'm reading the date right here, this was a few days after Bruno's retirement match with George Steele, him finishing up with his last commitment to Japan. I have no idea where this was on that tour, but he must have felt good about it because he was incredibly spry here. He looked like a wrestling machine against Race early on and when he was tagged in later, he was moving so quickly and bringing so much intensity that I had to check to make sure I wasn't on 1.5x speed. Everyone else looked good too, with Robley sneaky and mean, Race bumping and bringing down hammers, and Baba so good at utilizing his size for big, visual comeback moves, but this was the Bruno show. There's not much better in wrestling than watching a washed out, unearthed video of Bruno repeatedly deadlifting Robley from a grounded armbar.

PAS: I thought this was awesome, it isn't technically an all time great match, but for pure enjoyment it is just a blast. Bruno was off the charts in this, he was moving like one of those Shaolin guys CIMA is training, super fast armdrags, great powerful takedowns and reversals, the armbar deadlifts. What a bummer his retirement was, it is too bad he didn't just spend the next decade working UWA and CMLL cards. I really enjoyed the Race and Robley team too, they were nasty cheapshot artists in this, great looking sneaky jabs and elbows, both guys are master dirty boxers, they would always find a way to sneak in a shot. I told Eric we were reviewing this match, and he kept referring to it as "The Robley match" despite having three of the biggest stars in wrestling history, and it is kind of justified. Robley is a guy we don't have much of, but is kind of an American Kurisu, balding sleazebag who will just kick your ass, and he totally feels like he belongs with the all time greats.

ER: Hahaha it didn't even cross my mind to call this match anything other than "The Robley match". Buck Robley turning up on tape is going to be something I'm going to want to see. He's a great guy to turn up in All Japan, as Robley looks like someone who would be in Clint Eastwood's stock of character actors that he would bring along on movies, like Bill McKinney or Paul Koslo, like you'd see Robley turn up as a bartender in Thunderbolt and Lightfoot or as the camp cook in Joe Kidd. He had those narrow mean eyes and shabby muzzle, and looked like someone who would try to rip the nose off your face if he misheard you. If this match was a western and he was the star, then the fans would clearly be watching Buck Robley in: The Man Who Would Be Pinned. And he's awesome in this as Race's scrappy lackey (and would most certainly try to rip my nose off if he heard me call him scrappy), always flying in and dropping elbows on necks, dropping a knee right after Race drops a knee, running interference so Race could sneak in a punch to the eye, kicking Baba in the head to break up a pin, getting ragdolled by Bruno on a great bearhug, essentially wrestling as if he were a man starting a bar fight on Deadwood. He's a proto Necro Butcher who doesn't have the physical gifts or athleticism, so works messy and mean instead. Bruno had a fantastic hot tag here, one of my favorites in recent memory, running in quicker than a cruiserweight and just overwhelming Robley, Robley looking like a guy barely able to keep his head above water, Bruno just effortlessly muscling him around the ring. Bruno was working like if Danielson had packed on 40 lb. of muscle but still wrestled the same. His hot tag reminded me of WCW Finlay matches where he would work really fast for a minute to almost try and trip up his opponent. Bruno looked iconic here. I love a good bearhug and this was a masterpiece, looking like he could snap Buck in two, and Buck selling it like a panicked animal in a trap. Awesome find.

Ric Flair vs. Jack Brisco GCW 4/7/84

MD: I think we were all hoping for another dump of multiple matches, and maybe even expecting at least a few, but if you're going to get one match, a 20 minute unearthed GCW Brisco vs Flair NWA Title Match is a good way to go.

It was Flair as heel champ against a legendary technical babyface, so you know exactly what to expect coming in. Let's face it. By 2018, with the amount of footage we have at our disposal, the old Flair adage is spot on: "Learn to Love It." You know what you're getting from Flair, so come in looking for the positives and be prepared to forgive the negatives. In short, enjoy and take in what unique elements are you going to get from the specific opponent and setting and lean into what we know Flair does as well as anyone: work from underneath during the first act matwork (ignoring the fact that none of it will ever matter for the rest of the match), hit his stuff (and he had more stuff at this point of the 80s than he would later) well, and have a hot finishing stretch that the crowd would be 110% into.

As such, I was pretty happy with this. Brisco had won a TV tournament (over Sweet Brown Sugar and Brad Armstrong) to get the shot. He was working TV as a tweener-heel, refusing, for instance, to give Brad extra time to prepare for the finals after he took an errant shot from an angry Hawk during his semi-final match vs Horner. Unfortunately, he wrestled this as a total babyface. That first act consisted of a nasty headlock and a short-arm scissors, which is one of my favorite holds in general. Brisco kept rolling with it as Flair tried to get out. Good stuff. Like I said, Flair had more offense for his mid-match control here than he'd have a few years later, including a killer neckdrape over the top rope. Brisco did his part, selling well both here and especially in the stretch. The finish was this great cradle/roll up (really, almost a crucifix) reversing a fired-up hiptoss attempt, which was something so good it's crazy Flair didn't use it more in later years. So, as far as basic Flair match grading goes, this hit all the marks really well.

Where it excelled was in the little things. That early headlock allowed a tease for the shin-buster, which was paid off late match when a far-more-tired Brisco would go back to a headlock. Flair then hit the shin-buster and got the figure-four for a finishing tease. The transition to Flair taking over was beautiful. Hebner stopped a Brisco punch in the corner (one that was well deserved as Flair had gone to the dirty breaks first) and Flair got a knee in. Normally, it'd be iffy, because a lot of the heat ends up on the ref, but Flair was savvy enough to follow it immediately with a shoving match with Hebner. In later years, the ref stuff, while always getting a pop, tended to be detrimental. Here, it ensured the heat would stay on him and not Hebner, even as he took over on Brisco. It's small things that would get homogenized later, like Flair making sure to raise his hand as he reached the top rope, as if he actually intended to hit a piece of offense instead of just getting tossed off because it's what the fans expected.

Again, I was hoping for multiple matches/surprises, but if they can manage to post something at this level every week, I'll be happy.

PAS: For a guy who I completely adore it is hard to get excited about unearthed Flair gems. So much of his stuff has been available and picked through over the years, that I would really only be excited if he was against a idiosyncratic opponent. While there isn't much Jack Brisco footage out there, I kind of get his gist. Despite some subdued expectations I did enjoy what both guys brought to the table. I am a total mark for a short arm scissors, and I loved Brisco using that rolling short arm scissors as a control method, rather then just sinking in a headlock or leglock. The match really got rolling when it turned into more of a brawl, both guys have great looking punches, Flair chopping downward shot to the nose is a true classic shot and it looked like he really watered Brisco's eyes with it. That finishing cradle roll up was really awesome looking and such a cool flash pin, really great way for a heel champ to win clean, while still making the babyface look good. Neat match, although the fact that they have this footage is probably the most exciting part of it.

Austin Idol/Stan Hansen vs. Tiger Mask 2/Jumbo Tsuruta AJPW 8/28/87

MD: Good ten minute match. I thought Idol brought elements you don't always see in AJPW to the table. Occasionally, he was there as a random, chaotic element while Hansen was doing his thing, stalking around ringside with a chair getting a cheapshot in. When he was directing traffic, however, it was more of a southern tag. There was a significant section where they were controlling Jumbo by working his arm and that was all Idol. He was practically forcing Jumbo up for moments of hope only to pull his hair to get him back down. I'm not sure the fans were buying it and the eventual hot tag wasn't as hot as you'd hope.

It's striking to see how well Tiger Mask II would, even in 1987, make sure not to get swallowed alive by Hansen in a way that his peers couldn't always manage. He'd reverse a whip or drag him to the corner in a way you wouldn't expect. Best moment of the match was probably Hansen having enough of his kicks against the ropes and taking him down brutally for punches and headbutts. Still, whenever I watch these 80s Hansen matches I wish they were just a few percentage points more collaborative. There's a spot where TMII reverses the whip on the outside into the rail and Hansen chases him back into the ring. TMII sputters out with a few kicks that Hansen ignores. If he had eaten a dropkick instead, popped up and goozled him again, it would have meant more. Likewise, after an assisted slingshot splash on Hansen, there's just a kickout by the ropes. If this happened in, say 1987 JCP, there's a far higher chance the kick out would have sent TMII flying out of the ring, which would have been a much better visual. You never want wrestling to be overly cooperative, but sometimes a little bit of working together goes a long way.

PAS: I am a bigger fan of uncooperative Hansen then Matt. I agree he doesn't work with his opponents very well, but I think there is something viscerally thrilling about how he makes everything feels like an jagged fist fight. My favorite spot in the match is where TMII is whipping out a kick combo, and Hansen just grabs the leg and violently double legs him, and starts wildly pounding on him. The Universal Heartthrob was more of a bit player in this, but he was fun running around and cheap shotting folks, I loved Idol but his real strength is with his connection to the crowd, and this is a crowd who doesn't care about him. Jumbo vs. Hansen is a match up which is a little underrated by fans of All Japan, but I always enjoy how Jumbo stands up to Hansen's stuff, he is an ace and he will not be enveloped.

ER: Uncollaborative Stan Hansen is one of my favorite things ever, I love that when you're getting your shots in on him there's that feeling that your luck could run out at any second and he would just walk through your shots to maul you. I love when he walks through shots to attack, and love when he starts to subtly sell shots like a giant gorilla shot with a tranq dart. He'll run through a punch or a big chop or a lariat and you can tell it hurts and he slows and staggers a bit through clenched teeth, all while continuing to move forward. Earned shots against Hansen are the best, and I loved the spot where Hansen chases TMII. If you pissed off that grizzly enough to get him to chase, it means that you've gotten to him; reversing that whip and then the ensuing chase might have ended with Hansen walking right through kicks to get his mitts on him, but I thought it established a very early vulnerability that doesn't always happen. Hansen always feels the right amount of generous to me, which makes runs of offense against him very special. Once Jumbo tags in and slaps him a few times he seems like a guy who could presumably be tangled with. Idol is the tour's "new white Hansen tag partner", and you could probably make a pretty excellent comp of all the random Americans who were brought in for a tour or two to primarily team with Hansen. Idol doesn't work the crowd at all, which is a shame as the unearthed Rip Rogers footage shows that you can bring your sleazy flash Memphis persona to AJPW and make the fans connect with you. Maybe it wouldn't have felt right in the match, but it would have been interesting to see. Anyway, we got to see him scrape the bottom of his boot over Jumbo's face before grabbing an arm, and that's pretty great in itself. I liked the "not clean" breakdown of this tag, there weren't a lot of pretty moments, whenever offense would be done to Hansen he would kind of thrash like a child trying to avoid a bath, and I like the frustrated "Fuck it I'm just getting the bullrope and choking someone" finish. Also, it should always be noted, these handhelds make Hansen matches even better, as you aren't really sure where he's coming from, and then out of the corner you see a chair fly through the air, and then a bullrope whip through the air, and it's like when Bugs would see the Tazmanian Devil approaching and just stand there watching as trees get toppled and animals get stripped of their fur. Hansen is the greatest.

Read more!

The King Reads Idea Books and Has Pretty Looks

Jerry Lawler/Austin Idol Jeff Jarrett v. Moondogs/Big Black Dog USWA 2/10/92 - GREAT

ER: Out of control brawl that these guys can have in their sleep. Lawler looks awesome in this and Jarrett does the lord's work by getting paired up mostly with the debuting Big Black Dog, who is a large black man in his first match, who wrestles as if he's a large black man wrestling his first match. Jarrett makes a Dog clothesline look way better than it was, holds on for life on a bodyslam where Dog looked unsure how to drop him. The other Moondogs break out some nice spike shots and everybody gets hit with chairs and trash cans and upended tables.

PAS: I pretty much love all of the Memphis Moondogs clips I have seen from this period and I am jazzed a full arena match has shown up. This doesn't have any structure or anything, pretty much all six guys wander into the ring and throw chairs, garbage cans and tables at each others heads. I loved Richard Lee having the chairs with RIP Jeff Jarrett and RIP Jerry Lawler painted on them. Big Black Dog gets the pin over Lawler but it doesn't really matter as everyone just kept brawling. Totally fun.

COMPLETE AND ACCURATE KING

Read more!