AEW Five Fingers of Death 11/3 - 11/9

AEW Dynamite 11/5/25

Athena/Mercedes Mone vs Willow Nightingale/Harley Cameron

MD: Mercedes Mone is a star. Athena makes her shine all the brighter.

I'm quite high on Mercedes for much that she does. I think her reactions in the moment are believable. Her matches are ambitious in many ways. She has an incredible work ethic. As an ace, she's tremendous at treating each and every opponent differently; I loved seeing her switching up her taunts and crowd interactions for Olympia's strength for instance. 

That said, there is often a rehearsed feel to her matches. It's a perfectionist's bent, a practice makes perfect sort of feel that's impossible to escape. While the matches feel alive in the moment, sometimes the overall effect is a little plastic, a little blunted. It's more DDP than Randy Savage. That's fine. 98 DDP was great. But it's not transcendent.

Athena, endlessly reactive, endlessly electric, as dynamic as any wrestler in the world, helps Mercedes transcend herself and become her own personal Randy Savage.

They worked so well together here and it felt natural as could be, a meshing of two disparate but tangential egos, two parallel characters, two parallel paths to a flawed sort of kayfabe greatness. You could see it right from the get go when Mercedes pulled a seething Athena to fawn over the belts and how it transitioned right to the two of them almost immediately switching gears with Mercedes seething behind Harley as she entered the ring and Athena posing with her big Yaaaaaay! after their successful initial ambush of the babyfaces. 

The structure was double heat, but Harley carried both face-in-perils. That fit the hierarchy very well. It allowed Harley to gain sympathy, allowed Willow to come in like a wrecking ball after the first hot tag, and allowed Athena and Mercedes to look like the very best in the world as they took over with a tandem backstabber out of nowhere, the wild Athena dive through Mercedes' legs, and an absolutely perfect but still chaotically organic double team move where Athena basically hit Mercedes with the MoneMaker but right onto Harley. 

That unique no shine/double heat structure let them utilize a Willow blind tag (instead of a conventionally hot one) after the break and allowed for things to break down a little early without it feeling unearned or unbalanced. The finish, with Statlander coming out to disrupt Billie and the belt and distract Athena (who had just hit one of her super impressive strength spots), furthered the Full Gear title match and set up a few matches in the future including Athena vs Harley for the ROH title. 

My big takeaway, however, is that while I understand Athena and Mercedes going out like this (they were almost too big to continue on in the tournament and this furthered other storylines) the pairing, either feuding or teaming, is just too good not to go back to sooner than not. 

It's pro wrestling. You need your stars shining as brightly as possible as much as possible, and Athena burns brightly enough to be the perfect spotlight for Mercedes Mone.

Samoa Joe/Powerhouse Hobbs/Katsuyori Shibata vs Eddie Kingston/HOOK/Hangman Adam Page

MD: Keep your eye on Eddie Kingston.

I came across an obituary of Gene Wilder a week or two ago. In it, the writer noted it was a known secret in the acting industry that actors that wished to "better themselves would do well to watch a movie with Gene Wilder in it and pay particular attention to him in a scene when someone else is speaking, someone else has the focus. He was always acting in those moments too, reacting or listening in perfect character and supporting the scene with his presence. A lot of good actors are good when they have something to do. Gene Wilder was good all the time."

I had immediately connected that to Negro Casas actually, and the work he did in trios matches when he wasn't the main focus of a feud.

But then I saw this match and it clicked here as well.

Eddie's not even in this feud. Eddie is HOOK's plus-one. But he managed to do something that was absolutely a contradiction here: he not only stole the show, but he then took what he stole and donated it back to his partners. 

Here's the key: he's constantly, consistently both engaged and engaging. Someone can be the one but not the other and it goes both ways. I love watching Ultimate Warrior on the apron in tags, but he's not necessarily responding to what's happening in the moment and adding to the overall match. There are also plenty of guys able to put their arm out for a tag but not also able to use it to draw you into the match. And Eddie draws you right in while making it about what's going on in the ring and not about himself. 

Some of that is his strength as a storytelling but I honestly believe so much of it is his foundation as a fan. He remembers caring. Hell, he watches certain matches over and over and over again because he still cares. He cares as much as anyone reading this and as much as the person writing this and he's able to channel that feeling into what he was doing here. 

That meant he showed his disgust when Samoa Joe started the match by dodging Hook and tagging out to Shibata, that he sold chops as if they were hurting him, and that when Hook was trying to fight back (and after Hook hit the suplex that threw his back out the rest of the way), he'd lean halfway into the ring to try to will him over to the corner.

And when it was time for him to get in there, he did exactly what he should. That meant getting beaten on by Samoa Joe in the corner, his comeback chops ineffectual. It meant being able to fire back against Shibata but cutting himself off due to the fact he's still working his way back to full strength. It meant that when it was time to mount a comeback, he climbed that hill and almost, almost worked with Hangman to hit a tandem Uraken/Buckshot (we need to see that at some point, TK, just saying; you've teased it now and let the heels rob us of it so you have to pay it off). 

And then after Hobbs crushed Hangman at the top of the stage, he found the inner strength to fight back against all the odds one last time. That's the only shame here. If this match had five more minutes, it could have been not just a double heat, but a triple heat, with Hook making that first tag to Eddie, with Eddie coming back after a 3-on-2 beating, and then with Eddie having to crawl back after Hangman got taken out, lasting just long enough in that All Japan Trios style for Hook to recover, even if it would all end in brave but futile heartbreak. 

But that's still out there on the table for another day. What we got was the best supporting player in all of wrestling pouring his heart out for yet another one of his award winning roles (not that he'd ever admit it, but those who watch closely... we know). 

Don't believe me? Next time you get a chance, just keep your eye on Eddie Kingston. You'll see it too.

Darby Allin vs Daniel Garcia

MD: Styles make fights. Contrast makes the world go round. Character drives action. 

Three sentences. Three true statements. You put them together and you get this match. While Darby is accomplished on the mat, he's no Daniel Garcia. While Garcia has a chip on his shoulder, has been training with Moxley and has been fighting full of grit, he's no Darby Allin. The difference between these two drove this one. In the ring, whether it be in the early feeling out process or trying holds down the stretch, Garcia had an advantage. When things hit the floor or got dirty, Darby tended to have an advantage. 

But Garcia was going to blink first again and again, because he had more to prove, because he couldn't get out of his own way (that's the character bit). That meant teasing the dance after choking Darby with the turnbuckle connector protector. It meant trying for an additional suplex (or neckbreaker) after hitting a superplex. It most especially meant mocking Sting when he had the Scorpion on, which ultimately cost him the match. 

There was a third character in this one as well ( and I don't mean PAC who set up a nice nearfall countout), the ring itself. They could have done this straightforward, eye gouges, ear biting, armbars and headscissors, but they chose to go inventive with it instead. After using the turnbuckle protector, Darby stuck Dany's arm in side the ringpost. Garcia's big transition to heel offense was trapping Darby in the apron. The stairs were used liberally. Garcia hooked Darby's chain to the corner. Pretty clever stuff all around which added to the chaotic nature of the match while keeping it character-driven and laser-focused on the contrast between the two. 

Three sentences that point to true north for almost every match and Darby and Garcia followed the map to their destination here.

Read more!

AEW Five Fingers of Death 4/8 - 4/14

AEW Dynamite 4/10/24

Samoa Joe vs Dustin Rhodes

MD: To me, this was a beautiful match. I love the build, the execution, the set up, the payoff, the restraint, the focus. I love that the first half of the match was basically nothing but punches, nothing but Dustin coming in hot, Joe raking the eyes to cut him off, tossing him into the post to open him up and cement his control, and then just Joe leaning and leaning on him, working the wound, pressing down upon him in the corner, just causing harm. Dustin would try to fire back and would get cut off. All that meant, when they shifted gears into the second half, Dustin hitting his power slam felt so meaningful. It meant that the code red was a way to cement Dustin coming back into the match, not just another move as part of a series of them. The match allowed it to be an escalation and not just noise. And then, of course, the ultimate escalation was the belt, and the rest of the match built to it being used, with some revenge (but not enough for Dustin, thus the belt being introduced in the first place) and a couple of exciting near-falls along the way.

I enjoy a lot of AEW, but I deeply wonder just how many guys on the roster, especially under the age of forty, would be able to do this sort of match. I wonder how many would even understand the value in it. I wonder what we're on the verge of losing over the next few years even as I am acutely aware of what we've already lost. But it doesn't have to be that way. They just did this match on a night where more eyes than normal were upon them. Joe's the locker room leader. Dustin is an coach and a trainer. It's 2024. I'm willing to accept that the point is no longer to do as much as possible with as little as possible, no matter how serene and perfect that sort of manipulation can be. But the goal can still be to make those things that you do mean as much as possible through taking the crowd up and down, through crescendoing throughout the match, through setting things up and paying them off. The formula here can be extrapolated to anything else on the card, even a Takeshita match, and it would probably make the match better, while still highlighting the amazing things other wrestlers could do. There's a skeleton key in this one for anyone who just wants to try to understand it.

AEW Collision 4/13/24

Bryan Danielson/Claudio Castagnoli vs Powerhouse Hobbs/Kyle Fletcher

MD: Very long tag. The premise coming in is that Callis wanted them to hurt Danielson, even to the point of fines or suspensions, in order to stack the deck in Ospreay's favor at the PPV. That played out well enough in practice as this had a wild feel for the most part. The BCC were forewarned and prepared, meeting Hobbs/Fletcher head-on for early brawling and high-impact charging blows on the outside. This cycled into the ring for a shine until they were able to use a double or triple blind to allow Fletcher to take over on Castagnoli. That is, Claudio got dumped to the floor errantly and then was distracted by Hobbs, successfully dealt with the distraction, and then and only then, ate a cheapshot by Fletcher. This came up a few times in the match, each cycle more complicated than the last.

That's the advantage and the disadvantage of running tags like this in 2024. We've seen everything. We've seen how transitions in southern tags operate. We've seen the inversions. We've seen the inversions of the inversion. You can just do it, and there's real value to that, but the second you commit to at least one inversion, at least one fake-out in order to fool the fans and leave them guessing, then the train's going and you can't just get off. You have to pick the right stop. Here, they did a pretty good job throughout, both here initially transition to the heat on Claudio, then to cut off hope spots (often in part by eliminating the partner on the apron) and then to cycle through back to the floor after the hot tag to Danielson to take things into the (second, I think?) commercial break. It meant that when Fletcher just got a lucky reversal in to take back over on Danielson, that you were left just a little unsatisfied; once that genie is out of the bottle, you need a bit more thought to a key transition.

Overall it worked though and they were able to shift back from everything breaking down once again into a dynamic and escalated second round of heat on Danielson. For instance, once Claudio had recovered enough to herald Danielson's comeback in a very All Japan sort of way, the big hope spot was Danielson locking in a LeBell Lock, in as he might have gotten the win and not just the hot tag. The match had progressed enough that even though they were in the midst of heat, it still sort of worked. And then it all built to the crowd pleasing stuff, the BCC triumph, and the nefarious post-match to keep the story going. Claudio's a pro at these big TV tags and is only strengthened by having less restraints and more time. I know certain people have certain reservations about Fletcher and I do too, but he has some great instincts when it comes to working the crowd and letting things breathe in between moves. It's just that half of his opponents don't allow for that sort of thing and the star rating economy rewards the exact opposite. He's 25 and if encouraged to keep developing these good habits instead of bad, I'm curious just how he might develop.

By the way, I did watch the Team Kingston vs Team Kidd match from the NJPW show but while it was suitably chaotic with a solid, productive finish, I really wanted more ebbs and flows and momentum shifts instead of specific spots and unbridled mayhem so I'm not going to give it more words than that.

Read more!

AEW Five Fingers of Death 6/26 - 7/2

AEW Collision 7/1

Dustin Rhodes vs Powerhouse Hobbs

MD: In some ways this felt like a restart for Hobbs with QT as his manager. He didn't get to hold the TNT title long enough to really establish what that would look like and it was pretty smooth here. QT grabbed the foot to cut off the shine. QT slammed Rhodes' head into the post to start the heat. One of the three biggest babyface spots of the match was QT eating a punch and doing a ridiculous Heenan bump on the apron. QT got a punch back into set up the finish. Maybe QT got a bit too much of the heat, even with Hobbs doing his best. That best was the focused woundwork during the commercial break, including punching the wound repeatedly and then wiping Dustin's blood on his own gear. They snuck in a few little bits to make this feel important enough for the tournament, Hobbs jamming Dustin's powerslam, that big pop one count kickout on the first spinebuster, one of the ugliest destroyers you'll ever see. I was for all of it. Dustin didn't hulk up after the kick out; it was defiance but he still had to fight back. That destroyer (which should have been a code red) felt more natural and organic than almost every one that's hit clean. It felt like Dustin, using his size, somehow struggling Hobbs over. And while you sometimes see people stop short to dodge the powerslam, you never see it blocked like that, and of course that made it matter all the more when Dustin actually hit it. Very solid quarterfinal tournament match overall.

Read more!

AEW Five Fingers of Death (and Friends) 5/8 - 5/14 (Part I)

MD: Instead of going longform this week, I think we'll do a two parter. Yes, it's a shame that Dark and Elevation are gone, but boy do I like house shows and while we're sure they're taping these and we are going to have to live with the fact that no footage is going to show up for some of them (Corbin, KY, we're looking at you), it is nice when a fancam pops up. Catch these while you can. I'm pretty sure the Claudio vs Daniels match was up before and now it's not.

AEW House Rules 5/13 Salem, VA

Toni Storm vs Skye Blue

MD: Obviously Storm's been active for a while, but her WWE time on the main roster was primarily during the pandemic and she only had a handful of house shows once they started touring again. But she was everything that I wanted from a live event heel here, over the top, stooging, stalling, She ambushed Skye early, posed, preened, and then immediately got shown up with an elbow and a headscissors takeover. That led to stalling on the floor, a rush back in, more stooging, and another powder. This time Skye went after her, got ambushed, but then versed a whip into the pole with a nasty thunk. Skye followed it up by beating her around the ringside area until Toni finally rolled in, begged off, and lured Skye into getting draped throat first on the second rope to set up the hip attack to the floor and the heat. It's the sort of stuff that wouldn't work on TV due to hierarchy and the current angle and Storm's current character, but here in front of a couple thousand people in Salem, VA, it was loads of fun. 

I like Skye. I'm probably going to cover Athena vs Skye on Wednesday actually. She's scrappy, leans into her shots, has that great looking knee in the ropes, isn't afraid to take a beating. I think she's got a ton of promise. Here she takes that beating with Toni bigtiming her with the posing and general Outcast attitude leading to a transition where Skye fires back after a slap (and subsequently gets her stuff in: the knee, the spinout kick, the body press). Things switch back to house show mode with Toni pulling the tights right in front of Aubrey, leading to a rare shove by Toni and the old schoolboy ref push spot and a big pop for a fun nearfall. That was followed by some goofing with the spraypaint backfiring and Toni selling it like she was getting electrocuted with Skye superkicking her (and sending it into the third row), before Toni got a lucky shot in and hit the hip attack and Storm Zero out of nowhere. For a sub ten minute match this had an almost perfect balance of early stooging, heat, hard-hitting, and late stooging. Because it hit that balance so well, it was the sort of match people were going to talk about on the car ride home. I have no idea where Storm would have picked up that level of Larry Zbyszko excellence but she absolutely nailed it.

Darby Allin/Orange Cassidy vs Powerhouse Hobbs/QT Marshall

MD: Speaking of house show stooging, here's QT. They seem to be branding a lot of these shows around the unique (and sort of out of continuity so long as they don't keep following up like they did last time) pairing of Darby and Cassidy, and as much as I'd rather they brand it with Deadly Draws/Lethal Lotteries instead, it's not a bad choice. This was another one where we had the heel charge right in but when the heel is Powerhouse Hobbs and can move with that much accelerated intensity, there's no reason to complain. Hobbs and Darby are natural opponents and it's been a while since they faced off; Hobbs is a different wrestler with different presence than he was in 2020. Starting the match off with Hobbs tossing him about made me want a singles match between these two pretty badly. That led to QT really leaning into the antics. If he had just realized that he should have wrestled like Jeff Jarrett instead of someone who makes sure to do one or two flashy spots a match just to prove that he could, he would have filled a manager who wrestles niche so much better than the wrestler who manages niche we ended up, but it's hard to fault a guy for having pride. As it is, he gives me what I want here, screwing around with the crowd by refusing to get in and then refusing to toss Darby around, right up until the point where he does it one too many times and pays for it.

Paying for it meant that Cassidy got to come in and QT's a natural foil for him as a guy completely unafraid to show ass 90% of the time (it's that 10% that gets him, but like I said, not here). Cassidy went to the pockets, QT bumped his ass off, and Hobbs imposed himself out of nowhere in the best way (followed by some fun mocking of the pockets bit, which makes me think that there's actually a ton of money in a Hobbs/Big Bill heel tag champion run). It was a bit of stretching of Hobbs' character which is one of those things you can absolutely get away with during a house show. This was during the second bit of heat which had QT mock Cassidy to set up a hope spot, the ref miss a hot tag (OC reversing a suplex with the knee and reaching out) due to Hobbs drawing him away, and Cassidy really milking that final moment, going up and over, backwards, upsidedown, and through legs in order to dive across the ring for a hot tag. The finishing stretch was all action, including Cassidy and Allin hitting a new rapid fire Stundog/Code Red combo after Cassidy reversed the Dirtsheet Driver and a triumphant finish that let them celebrate with kids. I don't think they would have worked this quite the same way on TV and even if they did, the commercial break would have made the timing trickier and the effect muddled. Instead we had a straight up southern tag with double heat with babyfaces that don't get nearly enough credit for understanding the alchemy of putting together a match because people are so distracted by the trappings they throw into the mix. My only regret is that we didn't get to see the match vs Moriarty/Big Bill from the night before.

Adam Page vs Big Bill

MD: Speaking of Big Bill, I won't linger long on this. I'm no fan of Page's matches against guys that match up similar to him (like Takeshita), but when you have him in a match with contrast, it can be a lot of fun. This, for instance, was a lot of fun, with Page constantly going to the weapons to get an advantage and Bill leaning wonderfully into that most amazing thing a heel giant can do, act like a cowardly chickenshit heel. That dissonance pokes hard at the part of our brain that registers things like fairness and honor and drives us nuts in the best way. And Bill poked hard at Page's eyepatch-clad injury to get almost every advantage in the match even though he's a literal giant. Between that and all of the character he shows as he lives in the moment, I really hope they have plans for the guy. Anyway, this was big rousing babyface stuff, Dusty in Florida or Texas standing tall against the odds, with an injury, a size disadvantage, and the numbers against him. It's exactly how they should have ended a house show, with the local hero being larger than life.

Read more!

AEW Five Fingers of Death (and Friends) 5/1 - 5/7

MD: Going to be more words than usual this week. I can't fill any sort of void except for maybe in my own heart but I'm feeling inspired. I know to a lot of people Dean was a sort of distant memory, someone who inspired them years ago or that went to shows or wrote with them. Those stories have meant so much to so many to see. Eric's post was wonderful. To people still on the DVDVR board, however, and there is still a board, and it's a pretty damn good place to talk about wrestling in longer form with more permanence than you can get on twitter or reddit, he was still a fixture. Dean retired a few years ago and started to watch every bit of televised wrestling and drop a sprawl of text immediately after it finished. It was distilled DEAN and an essential daily part of my life even just two weeks ago. Go click on this and read some of his posts over the last few months; you'll be glad you did. 

As for AEW, I said I might shift to covering a the webshows a bit more and what they do? Kill the webshows. If it's really because their TV partners didn't want them pushing content out on YouTube and if it speaks to the strength of that relationship, great. I'm really going to miss Dark and Elevation though. Elevation especially was how I got into AEW the most in late summer and early fall of 2021. Squashes and competitive mid-card matches with no commercials or time constraints or even plot progression built up my connection to wrestlers unfamiliar to me, and there were a lot. I get that you don't want to put squashes on TV and I get that sometimes these extra matches wore out crowds, but at its best, it allowed wrestlers to experiment, to get reps, to figure out what worked and what didn't and let crowds see certain stars (the Matt Hardys of the world), pop for their entrances and themes and signature moves, even when they weren't going to be on the main show. It gave us an Emi Sakura or Nyla Rose tag week after week after week after week and they were all a blast. It let the Acclaimed figure out how to be the Acclaimed or the Gunns figure out how to be the Gunns and let Athena as hard as one could go during one night in Canada and suddenly become one of the the best things in wrestling. I'm not sure how things will shake out in the months to come, if Rampage will serve this purpose more and if we'll get that itch scratched with the ROH studio tapings or if extra matches even end up on Bleacher Report, but I'll miss goofy rookie Elevation commentary from Wight and Menard (and Eddie Kingston for a while there!) and even goofier expert Dark commentary from Excalibur and Taz. I hope we see the return of Super Strong Suplex Machine sooner than later.

AEW Dynamite 5/3

Jericho Appreciation Society (Daniel Garcia/Jake Hager/Angelo Parker/Matt Menard) vs Orange Cassidy/Bandido/Adam Cole/Roderick Strong

MD: Nice big 8 man tag with a lot of little story beats. It's nice to see Strong outside of the WWE system again where he can feel like a big deal. That's part of the joy of AEW. I don't usually have a ton to say about Cole. My main takeaway on him is that he's been woefully miscast as a heel forever. The fans want to cheer him. They want to cheer his song. He has the offense of a scrappy babyface. He has the size of a scrappy babyface. I've seen him in interviews say that it's not an issue because he gets the fans to boo him during the match, but I honestly don't think that has played out in practice, at least not in AEW. This feels fresh. They played up the relationship between Cassidy and Cole but never really did anything with it unfortunately. The only sign of anything off at all was Bandido tagging Cole by slapping him on the back.

I liked how the match turned on the caught dive on Cassidy (with Garcia coming out nowhere with a knee to the back). I like Cole getting taken out when he went for Jericho at first opportunity; in general, even with him getting to tag with Strong again, he portrayed a certain intensity from his entrance to his first big boot, to the finish and both charges up the ramp. The buried what I was looking forward to the most in the commercial break, but 2.0 feeding and stooging for Orange Cassidy was a ton of fun as you'd expect, as was the suplex spots with Bandido. Garcia was a glorious jerk during the beat down on Cassidy, walking over him repeatedly and stepping on the ankle to prevent him getting away. Everyone got to get something in down the stretch. I'm looking forward to Strong against any of these guys and certainly to Hager vs Bandido if they ever want to run that, but Garcia is a top potential AEW Cassidy opponent and they're running that next week.

Darby Allin/Jungle Boy vs MJF/Sammy Guevara

MD: I don't think anyone would say that this main event angle has been a total success, though people can definitely appreciate that they're taking this swing and trying to elevate the pillars like this. What has worked, more than anything else, has been the MJF/Sammy pairing. In fact, given that we're still weeks from the PPV, it's a shame they've gone away from it here. I wouldn't mind if they go back to it at some later point. They were full on Heavenly Bodies/Too Cool here, full of themselves, congratulating one another, constantly jawing (including with the crowd during the commercial break to get big heat), constantly posturing. I would have liked some dumb simplistic double teams but I was ultimately happy with what we got, including the assisted abdominal stretch and Hollywood Blonds' terrible towel with Max's scarf.

Darby and Jungle Boy hit everything clean and played face-in-peril well enough, though the focus was really on the heel antics instead of the come back attempts. It's a bit like seeing Jarrett again. AEW's tag scene has had such a focus on big spots and cut off near falls that bullshit like this is fresh and really stands out. I liked Jungle Boy as a hot tag. We saw him so long with Luchasaurus where he didn't get to play that role. And Sammy looked amazing taking the tiger driver and code red, almost as good as I've ever seen either taken, which was impressive in such quick succession. Max's convoluted killshot looked great too, though he'd probably be better served with something way more simplistic that is just put over as deadly due to superior execution or some such. The finish with MJF and Sammy hitting moves but the other wanting the pin contrasted Darby tagging himself in but to hit a move and then go for the pin instead, making the babyfaces look somewhat more respectable while still playing into the animosity between them and pushing the 4-way to come. I have no idea what Khan has planned between now and May 28 but hopefully it's even more entertaining than the Sammy/MJF pairing; that feels like a bit of a high bar to clear though.

AEW Rampage 5/5

Lucha Bros/Hijo del Vikingo vs QTV (Powerhouse Hobbs/QT Marshall/Aaron Solo)

MD: Figured I'd give this some time too. There are a lot of different possible structures and narratives in pro wrestling. It doesn't have to be shine/heat/comeback. As long as there's a narrative throughline and things have weight and matter, as long as they have some semblance of build and payoff, you can do a lot of different things. Some stories are easier to tell than others. Some are more natural. Some require less work on the viewer. And, it's valid to occasionally just do a your move/my move fireworks spotfest so long as it's driven by a purpose on the card and it doesn't have a negative impact on it. Even then, however, I tend to find that last option limiting. If you pull back just a little on that, if you just take a breath and think things through, you can still hit a lot of those spots but underpin them with a more compelling narrative. Doing that will only make the spots feel more impressive and compelling because there'll be something providing them with actual substance. It's almost always additive if done well and smartly. The best wrestling is when people combine working smart and working hard, when you have both "workrate" and narrative, when one is the means and the other is the end.

So often with the Lucha Bros, I see a heck of a lot of means and not a lot of end. That's most especially true when they're up against similar opponents with similar mindsets. They try to go over the top and in doing so end up completely untethered. It pops the crowd in the moment but you end up remembering spots and moments, not the match as a whole.

One of the great things about AEW is the WAR-like nature of the potential pairings. You'll see Lucha Bros and Vikingo against the most logical guys in the world (let's say Rush and Dralistico) but you'll also see them here against QT, Hobbs, and Solo, three guys with wildly different skillsets. After a bit of posturing, QT took all of Vikingo's flashy stuff. I'll admit I had mixed feelings about his basing. In general, we applaud wrestlers for getting into positions on dives and saving the spot and their opponent. That's outside of the ring; when it happens in the ring however, it always feels a little dodgier. That was the case with the implosion 'rana. QT rushing to position made it feel more impactful but also poked at the suspension of disbelief just a tad. Still, it felt novel for him to be taking all the offense instead of someone like Kommander or Gringo Loco. There's value in that sort of dissonance too. Then Hobbs came in and just shut everything down. Solo is a 14 year vet 34 year old still trying to find his way but he can hit stuff clean and is pretty punchable, so it's not like he's a bad hand to have in there and to follow up Hobbs' stuff with a bunch of annoying offense to get under the crowd's skin. The built through the commercial break to the comeback and went into a finishing stretch. That's where we got the dives and the real bombs and because of the anticipation everything felt bigger than it would have if they were just escalating and escalating through spot after spot after spot. Speaking of escalating, I'm glad we didn't get the 630 through the table here. That shouldn't be an every match move, even if it's teased every match. It's one of the biggest spots in the promotion and they should only use it when it really matters, not against QT on a Rampage with a weird time spot. It was ok to do it a couple of times early to establish it but now keep it in the pocket so that when it happens, it means as much as humanly possible and that it also doesn't devalue other big dives and spots people do across the promotion. The finish felt a little abrupt to me but ultimately worked; Hobbs was distracted. Why was Hobbs distracted? Because he was choking Abrahantes and that's the best reason to lose a match I can think of.

Read more!

AEW Dynamite Workrate Report 12/2/20

What Worked

-Jericho/Kazarian was a decent enough old guy fight, though I think a lot of the best stuff happened during picture in picture, sadly. Jericho is good at keeping a nice thread of hard short right hands and stiff right elbows running through matches like these, and I liked him peppering in stiff strikes while mostly just letting Kazarian either bump or do his 2006 offense. Kazarian takes a nice big bump into the guardrail, and he lands right on Jericho while doing a Spanish Fly and while I don't think that was intentional, I dug it even more as a nearfall. I liked the bit with MJF threatening to throw in the towel, strong asshole move from the guy infiltrating the stable. The match itself wasn't clean, some things didn't quite land like they were supposed to, but that typically adds to a match like this. 

-I am not excited for 60+ year old Sting in AEW ("long term contract"!?!), but I cannot put into words the joy I felt listening to Schiavone scream his head off in excitement. It's Stiiiiiiiiing!! 

What Didn't Work

-The further we get away from a time in wrestling where battle royals were either a) an important part of a card, or b) a common match on a card, the more we get into the territory of modern battle royals filled with people who don't know how to work a compelling battle royal. Two minutes into this battle royal and I counted 9 people lying on the mat, apron, or ringside, selling exhaustion. Nobody knows how to work interesting mini stories within a battle royal, they now only know how to do actual sequences they just work in normal matches. Dustin is the best battle royal worker in AEW, and he was not in this one, and you really need at least one battle royal engineer in there to make one work. Tully Blanchard was shown smiling on from the crowd, and you'd think a super compelling battle royal worker like Tully could have at least passed along some advice. Tully was the kind of guy who you'd see constantly stooging his way through, cheapshotting people, begging off when caught about to cheapshot someone. Here, one of the few people I saw trying something like that was Kip Sabian, who was comically blocking people off so Miro could beat them down. The rest just looked like guys lying around until it was their turn to bump. Sure, there were some nice elimination bumps (I liked Quen getting thrown back over on the silly string attempt), but there just wasn't any color or battle royal artistry happening here. Everyone needs to just go watch an All Japan battle royal (any one). There will be at least 3 or 4 easy things to steal. 

-Well, Baker/Hirsch was a bit of a mess, several little time standing still moments. Hirsch is billed as 4'11 but I'm not sure she's even 4'8. She makes Baker look like a giant, but that just made it worse when none of Baker's kneelifts came close to making contact with Hirsch's head. Baker has long legs, and I don't honestly know how kneelifts can miss by 6" when she barely had to lift her knee over her waist to make contact. And that was kind of the story of the match. I liked Leyla's chops on the apron, thought her suplex was cool (but think the set up of Baker needing to sell in the ropes while Hirsch slowly runs back and forth hitting offense is silly), but that submission trading was slow and ugly. Baker is a great personality and has improved in the ring, but that was not visible here. 

-I think I would have liked the Cody/Darby tag a lot more if it was just a Darby/Hobbs singles match. Darby selling and getting ragdolled by someone like Hobbs will always be entertaining, even though Hobbs doesn't quite land with the follow through that they act like he has on commentary. All of Darby's offense looked great, my favorite being the springboard back elbow on Starks before the commercial break, and that nasty coffin drop on Starks to end things. Actually, any time Darby and Starks interacted looked good. The problem was mostly Cody. Cody tagged in with a bad run of hot tag offense, whiffing on stomach kicks, barely making contact on a springboard dropkick, landing way light on a pescado; all of his offense looked like he was just running through a rehearsal with Starks and Hobbs, saving the full contact for the actual live show.  

-WHYYYYYY did that main even need to be 30 minutes? You ever watch one of those Jon Moxley matches where it looks like he's working at about 2/3 the speed he usually works, and throws most of his strikes so that they don't make contact? It's a thing, and that's how he spent most of this 30 minute match. Anything interesting about the match (namely Moxley getting his leg worked over after a dragon screw in the ropes and getting tossed knee first into the guardrail) get abandoned by the first commercial break, never to be mentioned again. Moxley worked this match the way a depressed man in a bathrobe makes breakfast, just dragging his feet throughout the entire thing. Kenny felt like he noticed how draggy Moxley was and decided to dump himself on his head a bunch to make up for it. It helped, honestly, but Moxley kept dragging things back down. At one point, selling exhaustion, they had one of the worst looking "on our knees throwing strikes" exchanges I've seen, the kind of thing that would stand out as bad on any local indy. Omega was making awful faces, all of the shots looked terrible, completely embarrassing stretch of match. It went so well, that not long after they decided to have an even stupider strike exchange by sitting in folding chairs and taking turns seeing who could throw a more mediocre punch. 2x speed only mildly saved things, but they couldn't save how awful Moxley's elbow strikes looked while escaping Omega's first 1WA attempt. You look at those downward elbow strikes and you tell me what they were supposed to look like. I have no idea how Moxley thought those looked, but nobody can tell me those even looked like someone miming a strike. Omega's knees down the stretch may have looked bad and landed somewhere around Moxley's tricep, but at least it looked like someone throwing a limb at their opponent. What an awful match. 

-I have no actual clue how to feel about the new relationship with Impact. Impact has gone on for so long and is so off my personal radar that it's not even an amusing punchline anymore. I used to love making fun of TNA, have fond memories of that night where they went head to head with Raw and had an impossible amount of things go wrong (the Homicide mousetrap cage, Jeff Hardy being mobbed by two teenage girls in the parking garage, Hogan driving to the building for an hour). I watched it with friends and we laughed about it for years. But at this point TNA has been around since before I could legally drink, and it's just this thing that somehow never goes away. It's managed to exist for 18 years and it may be around in 18 more, but I'm not sure how old I will have to be to want to revisit a bunch of old TNA. I will watch so many other eras of wrestling several times over before I get nostalgic for TNA. And yet here they still are, somehow getting another life preserver by being attached to a stronger product. Maybe I'll root for a partnership between two competitors to actually work! Maybe this will turn into something interesting. I'm not very interested in it at the moment, but because of the angle I found out that Impact was actually on AXS TV, and before this I just assumed they had existed on Twitch or Quibi or European Netflix for the past couple years. If my Tuesday evening is otherwise unfilled, maybe I will watch AEW invade Impact Wrestling. 

Read more!

AEW Dynamite Workrate Report 10/7/20

 What Worked

-Both Young Bucks standing and watching TV while peering back over their shoulders, set apart so that both were visible for the shot, was such a hilarious artistic decision. I suppose they could have been watching the TV from between their legs, but then we wouldn't have had them posed side by side, watching TV over their shoulders like they were stand-ins on a Nelson album cover. 

-Ringside doctor being announced before a dog collar match is a nice touch, and having Greg Valentine there is even better. Even better than that, is Valentine's graphic that refers to him as a "Dog Collar Match Survivor". 

-I LOVE that Dr. Luther was in the main for Jericho's 30th anniversary celebration, although I wish they had some balls and made it a Jericho/Luther singles match. I had that opinion before the match, and I think it stands after, because Serpentico and Hager were the weak parts of the match. The Luther/Hager sections were clunky (which kind of made the stand and trade look cool and uneven, but other parts less so) and Serpentico is just...not a guy I need to see in a main event. But the Luther/Jericho sections were fun as hell. People laughed when Luther was signed, because obviously it was just a friend getting his buddy a gig. But fuck it, we should get gigs for our friends if we're in a position to do so. Why wouldn't we do that? Luther is in his early 50s and has barely been active as a wrestler for the past 20 years (sheesh I saw him live on an APW show 20 years ago) and he can still clearly go. His cannonball was awesome, dug his big boots, and I liked the way he and Jericho interacted. I've seen nastier Judas Effect elbows, but I dug how Luther dropped to his knees after taking it instead of flat back bumps like everyone else. Fun match, and possibly the only match of the evening that knew what it was supposed to be. 

What Didn't Work

-I wanted a LOT more out of the Cage/Hobbs opener but it fell short. The standing exchanges looked bad, the elbows thrown just looked weak and lacking, the shoulderblocks looked like two guys trying to not hit each other (although I liked Hobbs' late match torpedo shoulderblock), and a lot of this came off like a Lance Storm super heavyweight match. The missed strikes or clotheslines to set up planned offense all came off phony and leading, even if some of the moves they lead to looked good (Hobbs hit a nice powerslam and spinebuster, Cage hit a couple of big drivers that could have landed Hobbs on his head). But the moves didn't mean much to me because of the laziness in setting up literally every move. Almost every piece of offense was set up by a guy missing a slow strike, or a guy slightly overrunning the other and then turning around into a move. Both of these guys are big, but both seem less interested in running into each other and more interested in slightly missing each other to then do a big spot. The big spots looked good. Every single thing gluing those spots together looked bad. 

-We're really on a big moves/no substance roll tonight, and the FTR vs. Evans/Angelico match underwhelmed. Last week was FTR's best AEW performance so far, but they came off like SCU Best Friends or any of the other lesser AEW teams who have their set movesets they're going to work through, and selling is only based on whose turn it is next. Evans and Angelico have been underutilized in AEW, in that I cannot believe some of the flippy goofballs we've seen a ton on TV when they have two of the better flippy goofballs hanging out on Dark. That said, Evans whiffed bad on a flipping legdrop, so bad that there was absolutely no way to cover for it. Dax did his best by immediately grabbing his face, and Excalibur picked up on it and said that Evans' boot hit Harwood in the face, but it is never going to look good when you miss your opponent entirely and then just keep your opponent in position and climb to the top to do another move. That's ugly backyard stuff. A lot of FTR's chain offense looked good, but both teams turned off who was on offense with a switch, so you'd have weird close nearfalls that would lead immediately to the person being pinned going on offense. It was laid out messily, even when it was executed well. 

-Every week they build FTR vs. Young Bucks is a week where the feud seems less interesting. The Bucks are not playing this right, FTR are coming off very miscast as babyfaces (tweeners? men with no alliances?) and Best Friends making hack jokes while winking that they're hack jokes doesn't make the jokes any less hack. 

-Liked the blood, liked Arn's old man spinebuster, liked a couple of the inadvertent falls onto the chain, but did not like the Dog Collar match. They went out and worked a mostly normal match while just so happening to have a chain tied around their necks. There was a lot of time spent on moving the chain out of the way, or adjusting the chain, or making sure they don't hit the chain, and that time needed to just be spent punching each other with the chain. Brodie Lee is also someone who is not great at taking offense anymore. I'm not sure how long that has been going on, but it's something I don't remember being a problem 2-3 years ago. In AEW he takes offense awkwardly and gets into position for offense even more awkwardly. Look how he takes that front suplex (a move he has taken several times in AEW and always takes badly) on his knees, face coming nowhere near the chain it was supposed to be near, and the announcers having to sell it anyway. Moves where he has to bend at the waist are even worse, as he doesn't know to do anything other than make his body a 90 degree angle and freeze. The table piledriver was unfortunate as Brodie's weight went the wrong way, flattening Cody, who then had to go back on offense despite it looking like he had taken the worst of his own move. I liked Cody's dive (doing dives while attached to a chain and another person will always be impressive), but did not like this match. It didn't come off like a violent chain match to me, it came off like a poor Cody/Lee match with them trying to work around the chain as an obstacle. 

-Women's match probably would have made the top side had the finish been a little cleaner. But I don't like those kind of runs where each person knocks the other into the ropes with a strike, which gives them momentum for their own strike, which so on and so on. It looks even worse when the strike gave you momentum to fire back with your own strike, but also you can still stop at will or change directions on rope running. Is the strike moving you, or is it all just terrible. The finish stretch was ugly, with lots of bad thigh slaps, but I liked a lot of the early stuff, liked Serena's leg drags and how she would trap Swole's arm in her leg before rolling over her, but I hate that move begets move nonsense.  

Read more!