Found Footage Friday: OMNI 83~! ZBYSZKO~! ORNDORFF~! ARN~! BORNE~! WILDFIRE~! ROOP~! GARVIN~!

GCW Omni 5/15/83

MD: Unfortunately, we're missing the six man which had Hansen and Murdoch teaming, plus a random Killer Brooks vs. Brian Blair match apparently, a testament to how the territory was a bit down and some guys were doing double duty, but we're going to be thankful we got this at all. 

Brett Wayne vs. Joe Lightfoot 

MD: It feels a little much that Lightfoot is a "Chief" too. Not everyone can be a chief. This started as a babyface match and the first thing we hear at the bell is someone shout from the crowd "Now don't you do any bodily harm to one another." which is some beautiful Georgia wrestling right there. And this was a pretty solid babyface exhibition for the first five minutes, headlocks into headscissors, that sort of thing. There was one nice moment where Lightfoot jammed a monkey flip in a way you don't usually see and there was a sense of struggle. That struggle boiled over and Lightfoot got more and more chippy, sneaking in a punch, hitting a chop, and then finally hitting a cheapshot from out of the corner. The fans did not like that. Wayne did not like that. They skidded into roll up exchanges before things could get too heated though and Wayne snuck one out with a jackknife. They more or less made up post match. If this had one or two more minutes for Lightfoot to lean harder heel and be in control, it would have been more memorable but it was a good opener. 

ER: Boy this really did end right when it was picking up steam. Brett Wayne has been one of my favorite "discoveries" of the Omni shows, and his talents admittedly shine brighter when he's in against a guy he won't be/shouldn't be beating. Underdog babyface fire and ability to take heavy thudding beatings are two things that won't be necessary in a face vs. face match with Joe Lightfoot. While I appreciated their work in the opening minutes, some snug headscissors and - importantly - always honest work, it got a lot better when Lightfoot started getting really bothered by someone in the crowd. I don't know exactly who it was but someone was getting under Lightfoot's skin - multiple times including post-match he flapped his hand at someone, telling them to Keep Yapping - and that little shove into being a heel made this temporarily catch fire. The honesty of the exchanges and the firmness of the contact suddenly meant a lot more. I like how they handled a blocked O'Connor roll, Lightfoot holding the ropes and Wayne not rolling back but splatting to his back, legs in the air for a kip up that never came. Lightfoot, picking up on Wayne's landing, pulls an inside cradle that looked like it could have won. The energy and weight for the actual finish was excellent, with Wayne kicking out of a sunset flip and pouncing into a jackknife pin. You watch enough Guerrero/Malenko roll ups sequences - and brother, that is a thing seared into my brain folds - and get used to the visual of the last 20+ years of Divas level copycat versions, and suddenly Brett Wayne shows what the sequence can look like when someone actually wants to win a match. 

Brian Blair vs. Chick Donovan 

MD: Blair came off as straightlaced and sound, a bit of a competent babyface bully on the mat. Chick preened and stalled to start. When they finally locked up, he tried to screw around with Blair. Blair showed him why that wasn't a good idea, clearly out wrestling him. He worked a hammerlock for a while and you got the sense he could do whatever he wanted with him. Eventually Chick got a few cheapshots in and took over. Blair was maybe a little less interesting working from underneath but his comeback was good with a leapfront, a huge forearm that knocked Chick into the ropes, and then catching him with a sleeper on the way back. Not only did he whack him to wake him up, but he did it with a second rope kneedrop to the back of his head as Chick was seated but unconscious, which was a great bit.

ER: Chick Donovan must have been poured into that coat OR bought it when he was less shredded because he is forced to enlist the referee just to help him out of it. Even with an extra man, it is still a full production. I've never seen a man take so long to get out of a jacket. Love the pack of women in the crowd screaming for Chick. Dude looks great, like the middle step of Jeff Jarrett evolving into Flair, and he wrestles like the best possible Jarrett. Chick was great bumping around for Blair and the bumping was made even better because Chick had no problem hitting a stiff back elbow or other stiff cheap shot, gain nothing from it, and then go back to bumping. I thought Joe Lightfoot had a nice kneedrop in the opener, but Blair had a gorgeous kneedrop that looked Harley Race level. I was still thinking about it when Blair smothered Chick with a sleeper to win, and was not expecting Blair to hit an even cooler kneedrop after the match. Matt's right, it's a great bit to put someone to sleep and then hit a move to wake them up, and I cannot say I have ever seen someone hit a kneedrop off the middle turnbuckle to a seated opponent. Blair's kneedrop has to be precise for the bit, but also seems insanely dangerous to even attempt. Blair leaps several feet away to perfectly place a pointed knee to Chick's cerebellum, snapping Donovan awake. 

Ron Garvin vs. Bob Roop 

MD: First time I caught this it was on a bus home from DC and I fell asleep a bunch. I don't think that's fair to the match but it's also not too surprising as a lot of this was Roop armwork and some of it was more compelling than others. Him actually chipping away at the arm was compelling because of how Garvin fought back. He was always threatening to throw a right hand and there were some bits, like Garvin having his foot caught and jumping over multiple trip attempts that I loved.

All of the hope spots were so good too. Garvin was fighting with one arm. Sometimes it meant he just got one punch and that was enough. Sometimes it meant he got Roop on the apron and could clubber until Roop draped his other arm over the top. Sometimes it meant a flurry of right handed punches followed up by a huge headbutt. The comeback was a headbutt to the groin and man did he ever thrash Roop after that, including the Garvin stomp. Fans were very much into all of it and it led to a fun finishing stretch where he tossed Roop off the top and when Roop tried it to him, he rolled him up. Maybe this got a little long in the tooth at times, but maybe they needed that for the comeback to work as well as it did? I don't fault the match for me being tired on a Thursday afternoon. 

ER: This was a slow burn that went up in hot flames the moment they wanted it to. For the first 12-13 minutes, Roop methodically worked over Garvin's arm in the kind of way that would potentially put you asleep after a long day at work, but was rewarding to someone watching with a fresh cup of coffee. Roop is Shooter Ned Beatty and all his arm work was honest and tough, jamming his shoulder into hard surfaces and not letting it go, working like Regal without the flash. Garvin endured and sold expertly throughout the long control, and the sudden payoff was incredible. Was the payoff even better because of the slow burn? I thought so, and loved how suddenly and explosively it came, with a Garvin headbutt that sends Roop backpedaling all the way to the other side of the ring, where Garvin stalks to meet him with a kick right to the face. Garvin's high kick is such a cool piece of offense that no other brawler used. When you had a great punching babyface - or any brawler outside of Takayama - they were never working kicks into their punching attacks. 

But if you want to talk about great punching wrestlers, we must discuss ALL of Roop's punches. How about his overhand right to back Garvin up, fanning out his hand after because he knew how fucking good it looked? His head movement to miss Garvin's response. His falling hammer fist into Garvin's throat, the punches in mount while holding onto the back of Garvin's head, every straight right to the head directly at the hard cam, busting Garvin open and leading to an even bigger comeback. Nobody talks about Roop as a great puncher but it's all here. He sets up the biggest comeback possible, the Garvin Stomp and big followup elbowdrop getting a big reaction, but nowhere near as big as Garvin biting Roop on the face after. Garvin is back raking and striking Roop all over the ring and we should all love how much Bob Roop absolutely refuses to fix his singlet after the left strap first falls, then is pulled down by Garvin. Roop works the rest of the match with his singlet falling off and I can't see that kind of stooging happening today. 

Tommy Rich/Ray Candy vs. Arn Anderson/Matt Borne (w/ Precious Paul Ellering)

MD: This was the one match on the card we had clipped already, but we did only have a few minutes of it and as best as I can tell this is our first full Anderson/Borne arena match.  Bleached Blonde Borne is a weird look for a guy who had so many looks. I really did love this though. It's a wonderful match. Rich's shine where he's ducking things and throwing fists and Arn and Borne are flying all over the place for him while the fans go nuts and "ooh!" for every punch is perfect pro wrestling.

It's amazing how good Arn was already, the way he moved his hands or looked at what was going on. He just got it so naturally. Such rich and vivid reactions to everything. None of it felt fabricated or overwrought. He had grown up a wrestling fan and I think he understood so intimately what connected with him and how not to play at a wrestler but to inhabit the character of one completely.

This had double heat on Candy where they were able to manage through quick switches and either riding him or clubbering away, tagging whenever he started to comeback. It was very effective because of the dissonance. You wouldn't think they'd be able to keep him down but they did it through hook or crook. Then there was a heat on Rich to finish it, with hope spots and all, before he got a roll up out of nowhere with Arn already celebrating on the apron since he thought they were doing great. Really good stuff all around and I like how unconventional the structure was overall. 

ER: Great stuff, great look at Destruction Inc, which happened when Borne was a better version of Arn than Arn. Young old man Arn and Borne working fully in sync, going after Candy and cutting him off, Wildfire raging on the apron for the hot tag, it's the perfect use of everyone. The Tommy stuff was a great way to start, Borne and Arn feeding perfectly for his wild fire, the way Arn and Borne moved into and fell away from Rich was electric. It's been said that wrestlers today are far better athletes but I don't understand that at all. The movement seen from ab-less 1983 wrestlers was such a better use of motion than anything in modern wrestling. Every strike led to a big recoil, selling happening constantly, everyone great at occupying themselves while feeding. 

When it's time for Destruction Inc to cut off Candy, Borne and Arn work the mat with him like they're specifically trying to gas Candy out, making him work through scrambles and pushing him to a pace he would never be able to handle. It's great psychology and a great way to use Candy, forcing him to be a tired monster swinging at two men who don't look like they'd be so fast. Paul is cheating from the floor, and I love how Candy falls when Paul grabs his leg from the floor, a real crashing wave that looked like a man actually thrown off balance by an unexpected full leg grab. Destruction are so good at keeping the ring cut off and the heat strong. Several moments stood out, but I loved one of Candy's big attempts to fight his way to Rich. Candy was punching at Borne while back elbowing Arn on the apron to escape their corner, and as Borne goes down from a punch he scissors Candy's leg as he's falling. When Rich finally tagged in it was a great as expected...but I did not expect them to then work a heat segment cutting off Rich! Great little twist, could have watched another 10 minutes of it. 

Paul Orndorff vs. Larry Zbyszko

MD: Larry's so great here. People complain about the stalling. People are, of course, fools. He doesn't do a lot of it here, but he does complain and grumble and get frustrated by everything. In college, my roommate, who did not like wrestling in the least, had to put up with us watching Nitro, and at one point Larry, on commentary, said "It hurts to live." and he loved that turn of phrase. Well, Larry sells life. He sells absolutely everything. And he's so damn active about it. If he takes a bump, he then flails his legs and slaps his arm against the mat and walks it off like he has ants in his pants. Early on he stumbles into so many different stooging scenarios. My favorite is him dropping down on his stomach, then on his back, which you never see, and then hitting a clunky front dropkick (Erik Watts level) as Orndorff catches himself on the rope, making Larry eat the bump. It's beautiful stuff.  

The transition has Larry sidestepping and Orndorff careening out. We don't see the bump into the guardrail but we hear it and it sounds nasty. Larry plays king of the mountain, of sorts, after that, heading out to the apron to lay shots in until Orndorff pulls the leg out. Larry gets up first and catches him on the way back in. He cuts him off one or two times like that but Orndorff is persistent and Larry is playing vulnerable. Orndorff has very stilted, staccato style attacks. Big sweeping stuff that doesn't really feel chained together. Drumbeat attacks so the last row can see (and hear). 

Larry, of course takes a beating. In the ring, out, onto the announce table, until he can shove Orndorff into the ref from the outside and then pin him with his foot stuck in the ropes.  That's a fake finish though as Tommy Rich comes out to tell the ref and they restart the match. Orndorff sells the leg from having had it caught in the ropes and Larry targets it, Orndorff fighting back on one leg really well. Larry keeps wanting the figure four but he wants it too badly and gets rolled up for his trouble. Fun match. Fascinating to watch both of these guys do their thing.

ER: I love these looks at Zbyszko, who looks and works almost like a normal size Buddy Rose in these environments. I love the way Larry moves, love how he feeds, love how he throws kicks and punches with similar to so many French Catch workers but perfectly distilled into a southern setting. Anytime the mics pick up Orndorff yelling about Zbyszko he sounds like Boomhauer because he hasn't yet had his New York Training. Zbyszko is so good at selling befuddlement while working out of holds. When he tries to push off and Orndorff holds onto a headlock, our Ordinary People couple in their same front row center seats actually have a rare small exchange, Jane Fonda pointing something out about the exchange while Donald Sutherland stares forward, emotionless. They are Georgia's two biggest wrestling fans and their demeanor never rises above that of a pair ordered to be there as part of some creative court mandated punishment. 

It's not always productive to view wrestling this way, but sometimes I watch a guy and think, "why doesn't anyone do this now?" I never actually know what those things might be, what things will get my attention. I don't always have a set criteria for Preferred Execution. It can be something simple or something complicated that someone makes look simple. Often it is concerning a common sequence done in a way that is so far removed from modern interpretations that it feels almost completely foreign. Here, it was the way Larry handled a dropdown/dropkick exchange, specifically the way he moved and got into position. He did two dropdowns then missed a dropkick, but it was this incredibly fast, incredibly tight work of clownery, and again I must compare Larry Zbyszko of all people to French Catch workers who he has surely never heard of in his life. His first dropdown was stomach down, but he took a back bump into his second one, and when he sprang up for the (missed) dropkick he did a flat back bump dropkick that made the whole sequence felt like it was evolving organically to the payoff of the specific way he fell.  

I loved the way he fought underneath, like trying to break a cravat with a hair pull that got him punished much worse, Orndorff dropping the hole and elbowing him in the nose before snapmaring him into a fistdrop. When it was Larry's time for control, he threw these great kicks while holding the ropes and keeping Orndorff in ring ropes purgatory, almost whipping his leg into Orndorff's body. Zbyszko does offense with his entire body, and that's the kind of thing I watch and think "athleticism". Using your whole body in the service of making all your actions more impactful. When I watch modern wrestling I predominately see athleticism used so frequently in the service of just getting into position for offense that all feels like wasted energy. No energy in this match felt wasted, even Larry reeling on his feet like a goofball for Orndorff's fire.