Found Footage Friday: 1989 NJPW~!

2/8/89

George Takano vs. Hiro Saito

MD: Pretty solid match. Takano was being pushed more at the start of 89 (with his team with Super Strong Machine) than at any point since he dropped the Cobra gimmick. He looked good here in a singles against a very game opponent. He did take most of the match. Saito would try to get him in a hold and he had an interesting technical escape to everything (be it stepping through to set up a takedown or a headstand to get out of a headscissors). Saito had a nice escape or two of his own. Things really picked up down the stretch as they absolutely paintbrushed each other for thirty seconds. That led to a nearfall off of Saito's senton and Takano catching him out of nowhere with the spin wheel kick and then finishing him off with a suplex and top rope splash. You'll be glad to know they shook hands post-match.  

ER: This was good. Tight grappling, real force applied during submissions and lock ups and knuckle locks, real physics used in takedowns and near misses. Takano had some great stuff to steal, including a cool low kip up out of an armbar (going straight into leaning his weight down into Saito's legs to maneuver out) and a cool pendulum swing spinebuster takedown, shifting Saito's weight back and forth before slamming him. Saito's figure 4 headscissors is impossibly snug, and all of Takano's eventual escape looked well earned. Once he escapes he locks Saito into a disgusting leg-grapevined camel clutch that would have played as the finish. You know maybe someone shouldn't steal any of this Takano stuff as I don't know who would be able to apply it as well as he does. They work these holds until the 10 minute announcement and then get right up and go into the finishing stretch. I was getting used to these snug holds and suddenly we're getting suplexes, Takano going up for a high backdrop, Saito hitting his senton famously full weight. I think Takano is much more interesting working holds than he is doing actual running offense. All of his holds looked like he was stretching Saito, but his top rope splash finish looked like he was trying to avoid full contact at all costs. 

Bello Greco/Sergio El Hermoso vs. Hirokazu Hata/Naoki Sano

MD: When Hata and Sano came back from Mexico, they brought their sparring partners with them. There's a Fujiwara match with them that people should seek out. As best as I can tell, Greco was the real base and worker and Sergio was the flash and lead for the comedy. He kissed the announcer before the match and blew one to the ref, causing all sorts of havoc. Hata and Sano had some big climb up armdrags on Greco. And the kiss spot where Sano went flying the first time but Hata blocked it to tweak the nose/lips the second worked about as well as it could. Sano had a bit more style to what he was doing maybe, whereas Hata just played into what he was given more, but both looked good. Finish had Hata hit a dive to the floor off the top and Sano hit a German (but not able to hold the bridge) for the win. In context, a lot of these spots were repeated from the TV matches they were having, but they were all crowd-pleasers for the house show crowd.

ER: The exoticos' music is incredible. It's like someone doing a muted trumpet sound with their mouth doing a sexy Peter Gunn theme. They have a great act. You can tell it's a great act, because they got constant laughs for the full 14 minute runtime, while tons of wrestlers on this card couldn't buy a reaction. Matt Borne and Italian Stallion can't buy a single sound from the people of Sapporo, but they love every single thing Greco and Sergio do, with good cause. The fans love the silly rope running, they love the butt stuff (I wonder if Rick Rude ever saw Bello Greco and lifted an entire career of selling atomic drops), they love the accidents and the misdirection, just involved in every single movement both do. Their timing is great throughout, the absolute best bit being Greco running down the length of the apron to just miss Hata, running his own face into the turnbuckle. Sano looked like a guy clearly in the middle of his breakout year whenever he was in (his stepover armdrag early in the match was so fast and clean) and Hata looked like a guy who was not that, and I loved how they worked with the exotico tandem. They weren't guys being worked around, they were integrating nicely. I would have loved to see Greco and Sergio stick around longer than these few weeks of '89 and work with more opponents, see what the act could do in singles, but all the footage we have is so good in the way that I'm happy it never burnt out. 

Seiji Sakaguchi/Kengo Kimura vs. Matt Borne/Italian Stallion 

ER: This doesn't add up to anything big but has plenty of fun working parts. I have not seen much of Italian Stallion's 1989 New Japan run, and it's crazy how much time he spent there that year and only that year. Sakaguchi makes chopped liver out of him, swallowing him up whole and chaining judo throws while never letting go of his arm, which he caught when Stallion tried to throw one punch. One punch that doesn't land and Sakaguchi treats him like he's Seiji Sakaguchi fighting The Italian Stallion. Stallion isn't bad at all, but he is much better when he wrestles like a poor man's Matt Borne rather than his usual rich man's Joey Maggs. His dropkick hits like a truck and he throws Kimura with a cool belly to belly, but needs a better clothesline. 

I love how Matt Borne moves. He's just as unpredictable as Buzz Sawyer but keeps things more compact. He's a bulldog, goes hard after Sakaguchi and gets hit hard by the large man. I loved a double leg trip Kimura and Sakaguchi pulled on him, like they were actually trying to pull him apart like a wishbone. Borne really smothers Kimura whenever he's in with him, riding him on the mat and not letting him land anything until the finish. He even pulls some bullshit when the ref misses Sakaguchi's tag and Borne goes back to picking on Kimura, shutting down a hot tag. Crowd doesn't react in any way to his bombs away which is just cold. He eventually takes the pin when Kimura gets a piledriver, and I like how he sells the piledriver with confusion instead of neck pain. 

MD: Little bit of a weird one to me. Stallion (and Borne to a lesser degree) gave a bit to Kimura but mostly ate him up on the mat. Stallion would just roll around on top of him. As you can imagine, they'd give more for Sakaguchi though. Kimura did get the win with the leg lariat/pile driver combo so maybe he felt giving but it did seem like Stallion was going to assert himself as much as possible when given the chance (just not with one of the bosses). Maybe that's why he stayed around so much in 89? 

Super Strong Machine vs. Yoshiaki Fujiwara 

ER: This doesn't rise to levels of Fujiwara singles match greatness, but it is a Fujiwara singles match against one of my favorite New Japan 80s natives so it's obviously a great 12 minutes. Fujiwara is in house show antagonist mode and just trolls Strong Machine with annoying stuff all match. He breaks every lock up with a slap, in a way that's not meant to hurt but meant to rile up Machine into making mistakes. It's all mischievousness where he retains plausible deniability over being a troll but it's all there. Look at Machine finally make his first inroads and throw Fujiwara to the floor, only to see the insanely aggravating way Fujiwara casually walks back around the ring after hitting the floor. Fujiwara gets his head bounced off the turnbuckle bolt and just strolls away adjusting his trunks. I don't think there was a wink thrown to the crowd, but it was implied. Just a cool fucking guy catching eyes with a girl in a car while crossing the street. 

Things open up when Machine starts going after Fujiwara's taped up knee with an ankle lock, and you can tell it's getting to Fujiwara because he starts throwing backfists from his back into Machine's neck. Machine wisely maneuvers things into a single leg crab, much harder to throw backfists from that position. Fujiwara breaks free from it by fishhooking Strong Machine's mask with one hand and throwing punches with the other, gripping a handful of the bottom edge of his mask with his left while punching him straight in the jaw with his right. When he gets to his feet he throws half a dozen headbutts, still holding Machine by the mask, hopping on his bad knee while throwing them. There's a great moment where Machine fires up after Fujiwara kneels on his face, and demands Fujiwara punch him some more, like a man. Fujiwara happily obliges and buckles Strong Machine's legs. 

The finish sequence is hot as hell. Fujiwara catches a clothesline and puts his weight behind an armbar in one motion, but Machine rolls through, so Fujiwara tries to take him down again with a Fujiwara but Machine blocks it, so Fujiwara pulls an inside cradle. Fujiwara's greatest successes come from never wanting to finish a match a specific way, always willing to pivot to whatever might be available. 

MD:  Not top tier-Fujiwara, sure, but it was definitely chippy and snippy. They leaned on each other. Battering in the corner, etc. I'd say SSM had the advantage until he tried slamming Fujiwara's head into the post. Then he tried to stop the headbutts that would come (self aware in a very good way) but couldn't. He did pull Fujiwara out and post his leg and Fujiwara had to fight from underneath for a bit. Fujiwara came back with huge headbutts though and ultimately after two arm bar attempts (first rolled through) locked in a small package. Nice little self-aware bits in this, the sort of thing you'd be more likely to get from Super Strong Machine than a lot of his contemporaries.

Hiroshi Hase vs. Shiro Koshinaka

MD: This was really good. Super high on it. There's a rule for 1987-1989 NJPW Juniors matches: The best ones start with an immediate ambush/advantage, and Koshinaka got that, nailing Hase in the ropes on the first exchange and going after his taped knee. Lots of nasty little shots and bigger submissions. At one point he went for a suplex, and Hase's leg went out and his head just crushed into the mat. Koshinaka hit the butt butt, the top rope knee drop and even the power bomb. Then he shoved Hase out. The ref got in his face and that let Hase pull Shiro out to take over. 

I wouldn't have minded if Hase sold just a little more but I was generally ok with it. Most of his offense wasn't hefting Koshinaka up but slamming his head into the exposed post instead (the best kind of offense). Koshinaka bled. Hase stayed on the wound. The ref tried to stop him at one point and Hase pointed out that Shiro had been unsportsmanlike in going after his leg and this was warranted. 

Eventually he did hit the Northern Lights but couldn't keep the bridge given his leg. He ended up choking Koshinaka for the DQ, which is way better than it sounds on paper, trust me. Post match Hiro Saito came in and they beat on Koshinaka and anyone that tried to stop them. Honestly, as a finish, it's not something we saw much during this era in New Japan and it was grisly and effective for me. Really good match.  

ER: This was really good. There was a different Koshinaka/Hase match on the New Japan DVDVR 80s set that happened the next month, from 3/16/89. I was higher on that match than the consensus (I had it 25 spots higher than the final results) and I think this is the better match. Koshinaka goes after Hase's leg like a heel and works the first third of this match as Junior Heavyweight Tenryu. Hase's comeback goes on so much longer and is equally violent, so much so that it turns Koshinaka into a bigger babyface by virtue of Hase being such an asshole. Hase pays merely lip service to Koshinaka's knee work - had the knee come back in any meaningful way, instead of Hase occasionally shaking it out while otherwise not acknowledging - it would have been one of the best New Japan juniors matches of the late decade. Koshinaka throws sharp kicks at Hase's knee that do not look pulled, so much so that it seems absurd when Hase goes on offense for 10 straight minutes with no sign of slowing down. 

Until Hase just flipped the switch, his knee selling was great. There was this almost third wall breaking spot where Koshinaka went for a snap suplex and Hase couldn't make it over on his bad leg, so instead whips nose first into the mat in one of the more disgusting DDT bumps I've ever seen. It's such a fucked up looking bump that it looked like a blown spot or miscommunication. It hits this meta level of "Hase's leg is so bad that he can't take moves the way you all expect guys to take moves" and it was something that could have made this match legendary. But Hase messes that up to and actually treats the spot like a fuck up, not acknowledging the bump he took at all and kind of quickly getting to his feet. 

But he went so hard on Koshinaka that I think he overcame the lack of selling. I've never thought of Hase as a kicker, but he unleashes some hellish kicks on Koshinaka. At one point, Koshinaka on his knees, Hase is just kicking him right across the bridge of the nose and Koshinaka hangs in for more, so Hase kicks him in the back of the head. He's really merciless, and Koshinaka turns into this fired up screaming babyface while taking everything Hase brought. Hase's torso and legs wound up smeared with Koshinaka's blood and he looked like a deranged animal biting at Koshinaka's head. The DQ finish looked great as there really was nothing the referee could do to separate Hase's mouth from Koshinaka's head. That man looked like he was pulling with all his might to pull him off and it was not happening. I'm curious what the consensus would have been on this match. Enough DVDVR voters would have hated Hase's selling, but I think more would have loved the violence. 

Antonio Inoki/Riki Choshu/Tatsumi Fujinami vs. Big Van Vader/Bam Bam Bigelow/Rip Morgan 

ER: A great house show main event that never quite settles into a structure but has the two biggest gaijin taking tons of big bumps for the freaking powerhouse native team. That's a star studded lineup and Vader/Bigelow treat them as size/power equals for long stretches. Bigelow takes a full flip for Riki's second lariat one minute in. Just a full backflip like he's Jeff Hardy. Fujinami isn't taking a flipping bump for Vader's clothesline, he's blocking it and getting a sick backslide instead. This is Riki's lariat though, so even Vader is taking a big leaping bump for it late in the match. Vader and Bigelow get rocked by suplexes and clotheslines all match, from all of them. Choshu even suplexes Vader in from the apron! Everybody was taking suplexes man.  

There isn't even really any hierarchy in this match, it's kind of strange. Going into it Rip Morgan feels like the most obvious Guy Taking Pin in Main possible but he's in there working big exchanges with Inoki and Choshu. He hits a kitchen sink knee to Choshu that Riki takes so well that it made my stomach hurt. Riki leans into his Scorpion Deathlock like he's applying it to Morgan as a shoot submission. Nobody felt like a bigger start than anyone else, it was just six stars working a main event that nobody outside of this sports center will ever see.

Bigelow was the one who worked this with joy. Everybody works with energy but Bam Bam was having fun. He's not a monster, he's the guy working with some color, a little whimsy. He shakes his fist out after punching Riki, bodyslams Inoki with force, breaks up a pin with a falling headbutt to Inoki's face. He's doing light axe handles off the top and throwing headbutts, but also looks like he's giving Vader ideas on how to wreak havoc. Vader had this amazing press slam hoist of Choshu, super impressive, made him look weightless. Bam Bam gets in the ring and directs Vader to throw Riki onto his knee in a gutbuster. It rules.  There's an awesome 1-2 where Bigelow breaks Inoki's octopus hold on Morgan by leveling him with a clothesline, and right when he hits it he gets wasted by a Riki lariat, great bookend to him getting flipped by one early. There are some little clips in this so we don't get a full feel for the finish, but this is six guys I loved watching run around each other. 

MD: 1989 starts with the Power Elite of Inoki/Choshu/Fujinami coming together against Vader and Bigelow. They do a bunch of these matches in January and the start of February, so it's a little overdone by this point, but the plus side is that they've been practicing and honing the match. That meant some spots like the Inoki kicking off out of the over the shoulder double team worked quite well. 

I really enjoyed the start of this one, with the heels ambushing and then Choshu ducking a Bigelow clothesline, hitting a lariat that just staggered him and then hitting the real one that Bigelow took a flip bump for (very rare for 89 in general and especially a guy Bigelow's size). In order to keep things fresh and prep for the Russians coming in, they had Rheingans join Vader/Bigelow as their American player/coach and he was at the margins of this one. 

This was fairly back and forth. You feel bad for Fujinami here. He's fine but he doesn't come off as the ace/champ when teaming with two of the most charismatic wrestlers ever. Vader was there to basically get control again. It boiled over (with a clip, and during that clip Inoki may have actually won it) to either the DQ or the post-match where heels controlled in the corner wouldn't stop double teaming and charging in. 

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Found Footage Friday: PIRATA~! MS-1~! JAGUAR~! DEVIL~! FUJINAMI~! KOSHINAKA~! CHOSHU~! SAITO~!

Devil Masami vs. Jaguar Yokota AJW 9/7/83

Kadaveri: I think the context of this match finally surfacing needs a bit of explanation for those who aren't 80s Joshi nerds. Jaguar Yokota and Devil Masami were the top two stars of AJW in the 1981-84 period in between Jackie Sato retiring and the Crush Gals becoming megastars. This WWWA Singles Title match was the main event to one of the biggest shows of the era and essentially the blowoff to their feud, which goes back at least as far as them feuding over the AJW Junior Title in 1980. Jaguar & Devil went on to form the tag team 'Empress Duo' and never wrestled each other in a singles match again.

Sadly though, the match was missing. The source for most of the early 80s AJW footage you'll see online is one Japanese guy's collection of home-recorded VHS tapes of AJW broadcasts on Fuji TV. I got in contact with him a few years ago and specifically asked him if he had this match, as I noticed a Crush Gals vs. Mimi Hagiwara & Noriyo Tateno match (https://www.youtube.com/watch?v=U_qqf3xDkrE) from the same show was circulating. Turns out that back in 1983 when recording the episode he'd mistakenly inserted a tape with only about 25 minutes left, so we got the first match of the episode but then it cut off and the main event wasn't recorded. Imagine making a little error like that, and finding out someone from another continent is upset about it 40 years later. It's far from the only big match of that era missing but I'd say it's the most historically important one. I'd hoped for years that surely someone else had recorded and kept a copy, but most of these older Japanese fans aren't very online so this hypothetical person might not even be aware that they have something rare.

In more recent times there have been different people uploading their own recordings of 80s AJW broadcasts to YouTube, which has filled a few gaps. You might see me in the comments asking if they have the 1983 Jaguar vs. Devil Title match, but to no avail. Despite there being no footage, I felt this match was important enough then when I made the 1980s Joshi Set last year I inserted a magazine description of the match into the video (https://vkvideo.ru/playlist/640112534_2/video640112534_456239022) to let everyone know the match happened, rather than just disregarding it entirely.

So for decades, all we had to go on to learn about this match was descriptions in Japanese media at the time, and references to it in future interviews. When Devil Masami defeated Dump Matsumoto to win the WWWA Singles Title in 1985, she referenced this match in her post-match interview, saying that she felt her performance had made up for her deporable display in the 1983 bout, where she was so upset about losing that she'd threatened to quit there and then. At the time, AJW was still running a strange mix of worked pro-wrestling with an element of legitimate competition. Specifically, while most matches were entirely worked, sometimes they'd do matches where the majority was worked for entertainment purposes, but there was no pre-determined winner. Rather, after some kind of signal had been given, the wrestlers would take turns to try and legitimately pin the other for a 3 count.

Then in July 2024, this Japanese blogger uploaded clips from the match, saying that someone who had a copy invited him to his house to watch it and allowed him to record some moments on his phone.  https://ameblo.jp/kimumasa992/entry-12860724586.html I only had to watch a few seconds of the clips to verify that this indeed was the 9/7/83 title match. Whether this directly led to the full match being uploaded isn't clear, but it's possible the buzz among the tiny number of 80s Joshi nerds about this footage being confirmed to exist caught the ear of the mysterious uploader who put up the whole broadcast several months later.

Now to the match itself. The match length was 38:26, with 25 minutes shown on the TV edit. My more wider thoughts on it is that it changes my ideas on the development of AJW's house style by quite a bit. My working theory at the moment is that in early 1984 we saw their working style(s) diverge into what ended being the most varied but somehow still cohesive wrestling products of the era.

Firstly, there was an escalation in quickening the pace of matches and adding innovative moves, which brought us the style most associated with Jaguar Yokota, the Crush Gals and the Jumping Bomb Angels.
Secondly, while brawls and evil cheating heels totally existed beforehand, Dump Matsumoto kept that style relevant by upping the ante considerable, adding horror elements and a level of unhinged spectacle far beyond anything the likes of Abdullah the Butcher ever did. Thirdly, in what feels like a restraining move on the other two trends (even if not conscious), there was a movement (in big title matches especially) towards slower, epic feeling matches based around holds (taking some influence from early shoot style) and longer control segments compared to the far more fluid Joshi house style. I associate this more with Devil Masami, but Yukari Omori also excelled in this.

What's thrown me off about this one is, while Devil Masami was still in her uber-heel phase here, this match is actually fought more like a 'Style Three' type of match that I thought didn't come until around a year later. There's barely any dirty play from her at all in fact, even though she doesn't do her turn from heel to 'tweener' until a big angle in February 1984. So I think this match is in fact a first draft in front of a live audience of the style that really peaked in the Crush Gals boom era of 1985-86. Also, this is before the UWF's first show, so while I do know that shoot style did influence some AJW wrestlers a bit after this, it clearly wasn't the only thing going on.

We get an opening flurry in the first couple of minutes where both wrestlers get to throw some offense but to little effect, and then things settle down and for the next ten minutes this is very grounded wrestling. Sometimes they're on the mat exchanging holds, and they switch things up by taking to their feet for tests of strength, but the one consistent thread is that Jaguar is the superior wrestler. Devil is competitive and gets ahead a few times, but Jaguar always comes out on top in these exchanges. There's a familiar moment where Jaguar has Devil in a facedown leglock and Devil just can't break out of it and tries going for the ropes, familiar because Devil would put Chigusa Nagayo in a similar predicament in their big title match two years later.

Eventually Devil needs to break this dynamic and she does it by throwing Jaguar headfirst into the ring post and throws her into some chairs on the outside. Within  the context of the match I guess this is a dirty play, but watching Devil up to this point with her liberal use of weapons and outside interference, it barely counts.

This doesn't work well for Devil though. Jaguar flies back into the ring and unloads some big flying offense on her before taking back control and getting her on the mat stuck in a hold again. It's an unconventional layout in that Jaguar is the smaller, faster babyface, but actually she's the one who's trying to keep things grounded and slowed down with Devil fighting from underneath. So it feels like she's the one whose comeback has been built to when she manages to counter Jaguar's hold with a headscissors and then hits a cool seated-piledriver like move for her first protracted segment of offense of the match. We get some feats of strength with her big delayed bodyslams but soon they're back on the mat but Devil has Jaguar grounded now. Her camel clutch feels like such a more heelish hold than anything Jaguar did however. But this just leads up to what I think is the match highlight, one of the sickest ganso bombs I've ever seen it's borderline attempted murder. Devil just plants Jaguar straight down on her head and Jaguar stays down looking like she'd had the life knocked out of her.

The big ganso bomb changes the match completely. The next section is all Devil-dominance and Jaguar is selling like she's at 50% energy at most for the next several minutes. It's not the kind of 'holding a specific body part' selling we're more used to in modern times, just a general sense of being out of it and just about holding on to survive. Jaguar does get in a counter by hitting a backdrop, but is too hurt to capitalise and they tease a double KO for a bit before they're both up (Devil actually gets up first). Jaguar also tries hiding out on the outside to recover, making the most of the 20 count. It's a really good selling performance. Bear in mind we are missing about 13 minutes of the match (I assume nothing was cut from here on as it's the finishing stretch and the time calls add up), so the exhaustion on display probably made a bit more sense if we were seeing this in full.

Now we get to the spicy bit. The ring announcer makes the call for 35 minutes passed, and Devil goes for the win as per the secret rules. She stands horizontally to Jaguar, who is lying flat back on the match, and Devil just goes down flat to try and hold her down for the 3 count. On the replay, I have to admit, it looks like Jaguar cheats a little bit. The rule was that you're not allowed to try to bridge out until the cover has already been applied, but she goes up a split second before. Might not have made a difference, but Jaguar is able to turn onto her front and keep herself in the match. It's her turn to try to win next. Devil again goes for a cover, but those in the know will see she wasn't trying to win this time, it's a spot for Jaguar to do her signature bridge out straight to her feet to come running off the ropes, which she follows with a very nice jump over Devil's head (she gets impressive height on it) to get back into the match. Her turn is next

The spiciness continues. Jaguar hits a butterfly suplex and she goes for the win as per the rules. Devil's shoulders are clearly down as Jaguar begins the cover, and she tries to fight her way out of it but can only get one shoulder up at any one time. There's an almighty struggle over this, but Jaguar definitely does manage to pin Devil's shoulders for a 2 count. But a 3? Well, this video quality isn't great so it's not entirely clear, but it does look to me that Devil's shoulder was up just before the 3. Anyway, Devil was convinced her shoulder was up and was outraged. I've read all about this incident but never seen it for myself, with Devil saying the referee was biased and Jaguar says Devil was just mad she lost. But she goes right over the announcer table to scream at Commission Ueda (who isn't just an on-screen authority, he was actually the most powerful person in the company who wasn't a Matsunaga) that she's been screwed.

While it would still be the norm for rookie matches, this would be the last time AJW had a World Title be decided by shoot-pin rules. Which is another thing which makes this match historically significant and I'm so glad we finally got to see it. While that aspect of the company would be downplayed going forward, they also created a template for the kind of epic title match that AJW would really specialise in over the next few years. This is a lot rougher than the later matches, there are some lulls in the action (I mean in terms of being captivating, not literal movement) and it feels like it'd take a little while longer for the AJW crew to fully figure out how to get the most out of this style. I'd say the 7/19/82 match between these two is still probably the better match, albeit a very different one. It feels a bit weird to give this a star rating considering the context, but I'm going to give this a flat 4. But for it's place in history this is a must watch for anyone interested in 80s Joshi. I'm so happy this has finally surfaced.

MD:  To my credit, I am back in 1979 still, right? And while I've seen the Dump stuff that's canonical, I'm less versed on this stuff. But this is a big match, and a lost match, and we'll jump right in. It really felt like a title match and a struggle, especially the holds where it was obvious just looking at Masami and Yokota just how much effort they were putting into them, and especially the finish which had Yokota forcing Masami's shoulders down almost from force of will alone (or as Kad pointed out, from true force alone). This had kinetic action that ground back into the holds in a way that gave the match substance. It never broke down into chaos or interference. It always went back to the center and therefore it never lost its way.

Throughout the match, Yokota would get an advantage with speed and grit, often times just throwing her body at Masami (which is really how the match started), and then Masami would grind her down with power (again, how the match started) and bombs. Some of the specific holds really worked for me, such as the way they were able to trade bodyscissors early, working basically all the way around the world shifting holds and positions until they switched places on who had on the bodyscissors. 

Masami would drive Yokota out of the ring or leave her laying, but Yokota came back again and again. The comeback towards the end had her basically vault straight up over Masami's head before hitting a rana. Even then Masami shut her down and tossed her off the second rope from a fireman's carry. So while it was all grounded, they built to some pretty big spots, before the finish which was scrappy as could be and still felt contested nonetheless. I don't know if those shoulders were down.

Riki Choshu/Masa Saito vs. Tatsumi Fujinami/Shiro Koshinaka 9/5/88

MD: This one's on us. We've had access to this HH since 2018 or whatever but I don't think anyone actually gave it a good look. It's the IWGP Heavyweight champion and the IWGP Jr. Heavyweight Champion up against the tag champs for the belts. And it's really good and goes twice as long as I expected. 

After some opening title match feeling out between Saito and Fujinami (two of the most credible guys ever so it was good like you'd expect), Shiro wants to tag in against Choshu and we're off to the races. Koshinaka is a guy that I like a lot more in tags than singles. He (and Takano/Cobra) were really expected to be the heirs to Tiger Mask in having exciting, over the top Jr. Title matches and you really end up with a lot of noise. But he was a plucky underdog with a special connection with the crowd and a real sense of theatricality. Earlier in 88, he started being the only guy in the promotion (not even Inoki) who would sometimes "Hulk Up" and the fans couldn't get enough of it.

Here he quickly got outgunned by the superior hierarchical forces and what we ended up with was a tale of survival as he tried to punch his way out of first Saito's Prison Lock and then Choshu's Scorpion. There's probably nothing the fans in 88 New Japan would eat up more than someone fighting valiantly against holds like that and at one point they were clapping along to each valiant Koshinaka punch in a way that I'm not sure I've seen them do before. They cycled through this twice until, fighting a Scorpion attempt, Koshinaka was able to crawl over and make the tag.  

I thought things would go home shortly hereafter (once Koshinaka recovered enough to make it back in of course) and there was a bit of that, with Fujinami having to survive some of the holds Koshinaka fought out of as they targeted his knee. Shiro did come back in and they had the advantage for a while, but they were fighting from a deficit. It was Fujinami that got overwhelmed instead, posted on the outside by Saito and opened up to create a dramatic (and surprising) next act to the match as Saito bit the wound and Fujinami fought for his life.

Koshinaka tries to intervene and got trapped in the ropes just as Fujinami turned the tide, fighting off both Saito and Choshu until Choshu's lariat finally prevailed. Super dramatic stuff, the sort of which you can only get out of New Japan at its best. 

Pirata Morgan vs. MS-1 (hair vs hair) CMLL 3/15/91

MD: There's a moment at the end which is honestly remarkable and we're going to lead with that. After a solid tercera where I'm not sure MS-1's selling was warranted, but they sort of made you go for it anyway, Morgan gets a small package through countering a move for the pin. The commentary says that this move was invented by Lex Luger, champion of the world, and is called the Total Package. Honestly, this was worth dusting off just for that.

This is in the found, or at the very least, underlooked category. I'm sure most people haven't seen it. It's interesting but doesn't rise to the level you'd want it to, mainly due to some narrative quirks. It has some things you almost never see in a hair match, and despite Morgan wearing white with his black, it doesn't get quite as bloody as I thought it would.

We come in with MS-1 controlling in the primera. He is, of course, good at that. Morgan goes for a few comebacks but the ref gets in his way; it's that kind of match. They make a big deal out of the fact Morgan doesn't have a second. After MS-1 puts him away to win the first fall, he absolutely cracks him on the post on the outside. They made it sound as loud as any shot like that I've ever heard but then there isn't the massive amount of blood to follow it up. Morgan tries to come back with some big shots but the ref again gets in his way, which feels like an inversion to earlier apuestas matches. It'd be like the ref disrupting things after Chicana's big comeback punch vs MS-1. It just felt wrong.

As the segunda goes on, MS-1 keeps pulling Morgan up, which you almost never see in a hair match. He steps on his chest and then steps off before the three, that sort of thing. Eventually, Morgan tries coming back again and this time the ref pushes him out of the ring. That was the cue for Morgan's brother and Hombre Bala to come out to second him which symbolically turns the tide of the match and leads to his big comeback and some big dives before the finish. Along the way, there are some other weird quirks like Morgan rolling in the ring to get into position and some rope running that felt out of place, but in general, it ends well with that famous move invented by Luger and the fans are happy with the outcome. It all could have been just a bit more grounded and grisly though. 

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Found Footage Friday: WAR GAMES~! MISAWA~! KOSHINAKA~! PIRATA~! COLOSETTI~! BENETTO~!

Shiro Koshinaka vs. Mitsuharu Misawa AJPW 10/14/83

MD: As best as we can tell, these next two haven't been in easy circulation. Thankfully gus came through and figured out how to get them off of a tricky disc and upload them. This one started out as one thing and morphed into something entirely different. People should go out of their way for it.

Where it started, and where I figured it would end, was as Young Misawa putting Young Koshinaka through his paces. He controlled for basically the first two thirds of this as an undercard young boy cruiserweight bully. They both had red trunks and Misawa really did a number on Koshinaka, grinding down on the arm. A lot of shots of the back of Misawa's head and emotive selling from Shiro. Shiro would try to escape and Misawa would get him back in. There was a nice floatover arm twist and some rolling with the short arm scissors, etc. Eventually, Shiro turned things into a cross toe-hold and took over with that and later a Romero Special.

When things picked up, though, they really picked up. Shiro's butt butt, sure, but also Misawa doing a front flip into a kick off the top, followed by a huge dive to the floor, and then Shiro hitting a double stop off the top. It felt like whoever was agenting the match went on a smoke break and they just decided to do whatever they wanted for the last two minutes before Shiro finally dragged Misawa down with a bulldog. Misawa looked more like the guy who would become Tiger Mask II than the guy who would become Misawa here, but he looked like the best possible version of that guy.

Shiro Koshinaka/Mitsuharu Misawa/Halcon Ortiz vs. Coloso Colosetti/Pirata Morgan/Tony Benetto 3/16/84

MD: This is likely one of Misawa's first matches in Mexico. He was matched up with Colosetti here in the initial primera pairings and it went mostly ok. There were one or two times where he seemed just a little lost, like when it was time to tag Shiro in after Coloso left the ring, but in general, he did fine. Colosetti had great for-the-last-row body language, really working big, both when matched with Misawa and during the comeback in the tercera as he was batted around the ringside area. Shiro was matched with Benetto; basically a lot of Kato/Bruce Lee back fists but he did get his double stomp off the top in too. Ortiz and Morgan worked well together, as you'd expect, the best pairing of the three even if maybe that's not why we're here.

Morgan did get to match up a little with the Japanese contingent, most spectacularly for a spot towards the end of the primera where they basically hit a veg-o-matic (bearhug, lean back, kneedrop) on him. Most memorable, though, is the ending image of him as Misawa and Koshinaka were getting the win on his partners; Ortiz decided to just bodyslam him over the top, not touching the rope, so he could hit a dive. The heat during the segunda was effective and efficient though there could have been more of it maybe; possibly a small clip at the start of the tercera to give that feeling. The comeback was fun with plenty of Koshinaka backfists. Misawa was just finding his way here but it's a good way to spend twenty minutes.

War Games: Hotstuff Hernandez/Jeremy V/Jimmy Rave/Onyx vs. Iceberg/Jason Cross/Justice/Rainman NWA Wildside 06/28/03 - EPIC

MD: Are there just an infinite number of these matches hidden away somewhere? Is there some sort of alternate reality that we can just endlessly pull these from? Or are we coming to the end sometime soon? We've covered so many over the years and they're all great and this is no exception. Wildside was just amazing for the sheer diversity in the ring, every size, shape, temperament. And it all came together and it all worked. It was like the entirety of possibilities of what pro wrestling could and should be were in the ring together. Just wild stuff. 

They started with Jeremy and Rainman, maybe not the pairing I would have chosen myself even though they'd been feuding but Rainman was a pro in these and kept things moving. Right when Jeremy (who got color early) was gaining control, Bailey's team won the coinflip and Cross came in, absolutely crushing Jeremy with a dragon suplex and brainbuster and setting the tenor for the rest of the match. Jeremy, Jimmy, and Jason had a high hill to climb here since not only were they in there with monsters of various shapes and forms, but the monsters almost all did crazy stuff. There was a Superplex on Iceberg (I think by Onyx). Iceberg used the cage to steady him to hit a top rope elbow drop, etc. And Justice (being Abyss) came in as the mystery man and towered over everyone. Hernandez was like a missile when he came in to even the odds. They managed well enough by flying around though, Cross hitting a ton of offense, Jeremy showing heart (and getting the win in the end with his camel clutch/cobra clutch combo), and Rave maybe getting the spot of the match with a sunset flip powerbomb on Justice off the top.

Look, during the same year, Cage of Death was going on in Philly. I get that Blood and Guts take more from that than from classic War Games, but these Wildside and Anarchy attempts really show how you can bridge the gap between the two.

PAS: This didn't have pools of gore that some of the other all timer Landmark Arena War Games had, but it felt kind of on the level of them. This was like a version of the 1989 War Games, with a lot of huge dudes throwing each other with big power moves. This might have been the most I have ever enjoyed Abyss, and it felt like the slugfest between him and Hernandez felt like a huge big man showdown. Iceberg not being a huge star in the 2000s was a big mistake by the wrestling world, he was a monstrous force of nature, who would still bump big, Iceberg taking a superplex felt like felling a Redwood tree. His top rope Sudanese Meat Cleaver was truly disgusting looking I expected Jeremy V's head to pop off like a Pez dispenser. Finishing submission looked great although that kid did take a whole hell of a lot of punishment to end up winning. Classic stuff, in the upper tier of these matches which is a hell of an upper tier. 

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Koshinaka Can't Put Back Together What You Sever

Masashi Aoyagi/Akitoshi Saito vs. Shiro Koshinaka/Kuniaki Kobayashi NJPW 3/9/92 - EPIC

PAS: This is pitched at the speed and violence of all of the other matches in this feud, a pair of guys in Gi's barreling full speed ahead throwing wild punches and kicks, while a pair of guys in long wrestling tights try to subdue them with the art of pro-wrestling. Koshinaka is a revelation in these matches. He isn't a guy I have ever been super high on, but put him in an invasion scenario and he is a stone cold killer. That hip attack, which can look silly, is just awesome in these matches. He looks like he is landing KO blows to the temple and jaw with his hip bones. Finish of this match was really iconic, with Saito getting his eye opened up, and both Koshinaka and Kobayashi making a real solid attempt to blind him for life. The match eventually gets stopped as Saito is crying blood, and we get a wild New Japan versus Karate Guys pull apart post match. AEW should just get a bunch of guys from Bart Vale's Florida Karate dojo and just redo this whole feud, I mean how incredible would Dustin Rhodes fighting Karate Guys be?

ER: This is great. We were just able to watch a fight that happened a few weeks before this match, with Koshinaka and Kobayashi really trying to push Aoyagi over the line in some pretty hellish ways. I thought it was such a fascinating way to present the home promotion boys come off looking like real assholes, intentionally or not. This is a tornado tag, and absolute shoot fight craziness because of it. The phrase "this is a shoot" got really overused the last few years on some pretty shitty wrestling, and you see something like this and you see multiple moments where these guys are clearly shooting on each other and you get that sense of actual danger and unprofessionalism. 

Koshinaka and Kobayashi are monsters, and Koshinaka is especially a prick here, kicking Saito multiple times in the cheekbone when you could tell he was not expecting to be kicked in his face. It takes a certain kind of man to kick a man in the face when the owner of the face is not expecting it, and Koshinaka shows he is definitely that kind of man. Around those kicks were all four men throwing knees as hard as they could into each other's chest and throw as many hard elbows and palms at each other's heads as possible. Every move to submission or strike is doused in hate, and some more unprofessional shots open Saito wide open and lead to a stoppage. Koshinaka took things too far, and I was dying for the karate guys to split his head open with an axe kick. There is a weird/cool restart with a new karate guy replacing Saito (whose head won't stop bleeding) and this man is smaller, and gets tossed around like a prison bitch by Kobayashi. Kobayashi drills him into the mat with a couple capture suplexes, rips at his gi, then flattens him with his body to lock in a choke, just the cruel kind of way a vet would treat a guy first day of camp to see if he can accidentally murder him. Koshinaka and Kobayashi really put me on the side of Team Karate here, can only imagine how I would feel as a Japanese teenager in 1992. 

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New Footage Friday: Different Style!!

Shinya Hashimoto vs. Aleksey Tyurin NJPW 7/22/90 - GREAT

PAS: Tyurin is an enormous Judoka, he looked like he might be 6'7 360, spent much of the match with some great looking Judo throws on Hashimoto. It is always fun to watch Hash try to solve a puzzle in these different style fights. The puzzle here was Tyurin's strength and technique and eventually Hash just tries to dirty it up, stunning Tyurin with two nasty short headbutts, dazing the bear enough to get him over with a side suplex and choke him out. Really fun visuals in this match, and while it wasn't tremendously action packed I really found it compelling. 

MD: Tyurin is massive, absolutely massive and he has a lurching way of moving at you with his arms up. The best way that I can explain this is that it's like when a little kid family member comes charging at you because they watched too much wrestling or something, when you're an adult and you have to do everything you can not to lose your balance and fall on them and break them. Tyurin is gingerly not trying to absolutely crush tiny child Hashimoto here. Which is bizarre and surreal. It means that just a headlock takedown seems like it could demolish Hash's kidney and break his ribs though. The flip side was that every movement (and every bit of restraint, I guess) tired Tyurin down more, so all Hashimoto had to do was stay alive long enough. Which he did. The suplex at the end barely works but is still worth seeing, though I'm not sure the choke out works because Tyurin was so large that he'd always be in the ropes. Always.

ER: Yes yes yes, this match is exactly my kind of thing. I adore that we are still finding new weird Russians that Inoki brought in, and I had no clue there were ever any GIANTS wrestling in New Japan Different Style fights. Hashimoto is a large man, and Tyurin absolutely dwarfs him. Tyurin looks like the largest possible Glenn Fleshler, a mammoth judoka who just walks through Hashimoto's strikes and flattens him with what come off like normal judo moves, like a headlock take over or an STO. He's so huge that he makes a headlock takeover look finisher worthy, and it's amazing. At one point he literally approaches Hashimoto and raises both of his arms over his head, and I swear to god he looked exactly like the grizzly bear on the poster of Grizzly. Just a giant man about to bear attack Hashimoto, so Hash kicks him right in the knee and keeps his distance. Tyurin doesn't pretend he is a bear any longer. Hash keeps getting better and better at evading Tyurin's takedowns, slipping out and landing on top, and I thought the build to the final choke was good. Hashimoto powers Tyurin over with a Saito suplex, and it while it was far from the prettiest suplex you've seen, it looks like Hash is moving a damn mountain. I bought the choke as it really looked like Hash was smothering the giant, using Tyurin's size and meaty neck against him. Great stuff. 

Shinya Hashimoto vs. Ramzin Shbiev NJPW 6/12/91 - GREAT

PAS: Shbiev comes out in boxing gloves and shorts, although he doesn't have a Box Rec record. He had decent form, but it didn't really look professional to me. Hashimoto however really knows how to work a match around a Russian guy with Boxing gloves. Hashimoto and Shbiev circle each other for the first couple of rounds, with Shbiev landing some nice body shots. That leads up to an all timer of last minute, with Shbiev dropping Hashimoto with a really nice multi punch combo. Hash realizes he can't stand in the pocket with him, hits two sick looking leg sweeps, and puts his lights all the way out with a sick high kick to the face, Shbiev didn't block it at all, and I wouldn't be surprised if he forgot all of the math he learned in middle school. 

MD: Two rounds of build up leading to one quick round of payoff, but what around it was. The build was measured and disciplined. Shbiev had a pretty clear advantage for the first two rounds, a straight up puncher. Hashimoto was able to slow the torrent with kicks, but whenever he tried to cut the distance and use his size to grab Shbiev, he ate a bunch of blows and the size and momentum necessary for the attempt brought them into the ropes. Towards the end of the second round, Hashimoto seemed to realize that just keeping Shbiev at bay wasn't going to work out and he started going for it with more wild kicks, landing one and knocking him flat. In the third, likewise, Shbiev realized that if Hash was going to do that, he better do something else and he rushed in with a really nasty flurry. They kept one-upping one another as Hash used his reach advantage with sweeping kicks, throwing Shbiev off his game enough that he could get a brutal headlock takeover and then finish it all off with a homerun hitting kick to the face. Just a hugely satisfying last round.

ER: Different Style is the most perfect pro wrestling. The looseness of a fight with the artistry of a performer, Hashimoto was really the true master of the Different Style. Inoki was the pioneer, but Hashimoto was getting these superstar reactions to his theme song because of his incredible Different Style wars. Shbiev comes out wearing long shorts and looks like someone Louis Gossett Jr. had to take down in the latter half of Diggstown, and Hashimoto is an expert at selling all of his strikes. Shbiev is a real interesting puncher, good at mixing up his shots, and Hashimoto is so captivating as someone struggling to find his distance. Shbiev drops him with this hard left to the body, and the longer this goes the more risks both guys take, both elevating their aggression. The final flurry is incredible, always amazing to me how well these non-wrestlers fall when it's time for them to take their wrestling beating. Hashimoto starts brutalizing Shbiev with legsweeps, just giving this poor guy knee problems for life, before finishing everything with a sweeping high kick that just drops him. Different Style God Hashimoto. Get me the t-shirt. 

Akitoshi Saito vs. Michiyoshi Ohara NJPW 2/8/92

MD: Crazy ten minutes of pro wrestling here. Ohara rushes Saito at the start, but Saito's about to outstrike him for most of the match. The great equalizer is that Ohara's better able to take him down and hook him, using the gi, yes, but especially with an absolutely monster capture suplex. He can't put Saito away, though, or even capitalize enough, so this builds to Saito kicking the crap out of him towards the edge of the ring, the two warring sides going at it on the floor, and a massively bloody Ohara trying desperately to get his revenge with a thousand red-streaked headbutts, changing the color of the gi. It's all for naught as Saito puts him down for good, with the post-match swarming of the ring being just as crazy as everything else we've seen here in this ten minutes of violence.

PAS: This was incredible, one of the best matches we have unearthed since we have done this. This is part of the Karate dojo versus New Japan feud, and I clearly need to find every second of this. Easily Ohara's career match, he was working as an amateur in a singlet and has some nice wild throws and takedowns, and Saito is hurling punches and kicks at him the whole time. Ohara also throws some really great looking headbutts, which are especially awesome after he is opened up and spraying blood around the ring. The whole match felt on the precipice of a riot and then it just exploded at the end. Totally awesome.

ER: Incredible, the exact kind of bloodlust you want from a NJPW/Karate Guys war. This is the most charisma I have ever seen Ohara possess, and I love young handsome normal hair Saito. You got a ringside area filled with New Japan tracksuits and karate gi's, and you know that's literally always an oil/water scenario. Ohara was super aggressive here, running down to the ring like he was Ultimate Warrior in a freestyle wrestling singlet and hits a double leg without slowing down, and then it's just several minutes of Ohara throwing Saito with STOs and other takedowns while Saito throws downward blow karate strikes and damaging kicks. Saito's kicks are really starting to slow Ohara, as they are relentless, and both guys seem to be playing VERY fast and loose with rope break rules. There were two different moments where each guy made it to the ropes to break a hold, and the rope break did not slow down the man applying the submission, merely giving them an opening to drag their opponent away from the ropes and continue choking or ripping at an arm. 

The oil and water of course mix on the floor, and New Japan guys start flying into karate guys, and it's one of those things that's always fun for me to go back and rewatch over and over, finding new guys to focus on each time. I think my favorite was a karate guy getting in Shiro Koshinaka's face, while Koshinaka completely brushes him off with stoicism and an elbow. Ohara is busted open and it only makes him madder, and he runs into the ring dripping blood and throwing nothing but smashing machine headbutts at Saito. Saito just tries to keep his cool and throw as many kicks as he can, all while Ohara is trying to smash him with his body and skull. Saito's gi gets covered in Ohara's blood splatter, making Saito look like he went to the Spirit Store and bought a "crime scene" costume. Ohara eventually cannot answer the bell, and then the oil and water mixes again as the karate guys are trying to swarm around Saito while the New Japan guys want to go at it. Again, another moment where I go back and rewatch multiple times, focusing on a different NJ guy each time. Look at the absolute babyface FIRE that Satoshi Kojima shows by repeatedly flying into karate guys to shove them out of the ring, total megastar charisma. Look at the veteran boldness of Osamu Kido as he casually wipes blood off his track suit! There is no wrong guy to look at here, in this best of all wrestling feuds. 

Akitoshi Saito vs. Shiro Koshinaka NJPW 2/12/92

MD: Impossible not to compare it to the Saito/Ohara match. This was longer, with less urgency. The blood wasn't as good. The suplexes (except for Koshinaka's last capture off a kick) were more cooperative. Once he really started to unload midway through, Saito had some great strikes, especially a jumping spin kick towards the end. Koshinaka was simply more of a showman than Ohara and he milked the ten counts and other moments better, but that's not always what you want in a match like this. The post match was a bit more meandering, with guys throwing shadow spin kicks at each other. It felt a little more like West Side Story than a war at times.

PAS: I thought this was also pretty great, although it was obviously hurt by watching it after the Ohara masterpiece. This had a lot of the wild brawling you love from this match up, with Saito being a crazed killer, and Koshinaka landing some really stiff hip attacks and big punches. This was a bit longer and wasn't turned up to 11 the whole match, but it definitely had it's frenzied moments, and I am loving Saito blooding up his Gi with the New Japan roster. Clearly I need to find and watch every released match in this feud, I love an out of control Puro gang fight. 

ER: This was more of a slow burner than Saito's fight against Ohara a few days earlier, but it was really no less good. Koshinaka brings a totally different vibe than Ohara brought, and stretches it into a more interesting story and longer payoff. I think almost all of us would pick the Ohara match if we wanted to just show one of these to someone, but this match had a great feel and strong build in a totally different way. I honestly have no idea how Saito didn't go on to become an even bigger star. He's someone we've seen in major Japanese feds for 30 years now, always a positive presence on cards but never the top guy. It's almost crazier that he didn't become Naoya Ogawa before Ogawa or Maeda after Maeda. 

The match is a long scrap that looked like it hit as hard in minute one as it did in the final minute. Koshinaka's sliding knees and hip attacks looked great, Saito's front kicks looked great, and this Koshinaka is really my most favorite Koshinaka. He had this calm cool to his attacks and took a hard kick beating in stride. At one point he caught a very fast Saito high kick, and he had this awesome measured facial reaction to it, like he knew exactly the three things he should do next. The way he casually stretches Saito into a single leg crab was like a Dojo Terminator firing up its mission. Saito comes back and starts wearing him down, and we get a cool fiery restart after it looked like Koshinaka wouldn't be able to continue. It's cool seeing guys like 2 Cold Scorpio rooting Koshinaka on from the apron, and he had a super memorable babyface dying on his sword run to the finish. Saito bloodies up the knee of his gi from trying to flatten Koshinaka's nose several times (by the end of the match Koshinaka has visible bruising under both eyes and his forehead), and I loved the shots Koshinaka was still able to fit in. His final stand was perfectly timed, getting to his feet right as he was counted down, and remaining on his feet in defeat. 

The post-match was of course another memorable fight between dojos, with Kuniaki Kobayashi leading the charge into punching a ton of karate guys in the face, and what I loved the most about it was New Japan Dojo basically heeling themselves during the beatdown. The crowd wasn't reacting to them as "their guys" by the end of this, and Koshinaka and Kobayashi were left looking at each other with the kind of sheepish looks of men who know they were the ones who pushed things too far. Koshinaka drags Aoyagi into the ring and Kobayashi comes in and jumps him from behind, none of the other karate guys are in there, it's just Koshinaka and Kobayashi hitting cheap shots, and Aoyagi is just like "guys come on, this doesn't need to happen like this". It was great, a different vibe from a familiarly excellent cast. 

Tatsumi Fujinami vs. Richard Byrne NJPW 7/8/92

MD: Compared to the other matches we watched this week, this was pretty ridiculous, but it also told the most complete story and it was sort of serene as well. For the first half, Byrne had the clear advantage on strikes, with Fujinami's selling getting them over, especially the spin kick to the gut. He had a few good moments of grappling, including almost getting the dragon sleeper on, but it was, at best even. Then, midway, Fujinami stops everything, demands gloves of his own, and comes out firing blows to the crowd's delight. Byrne, suddenly losing the striking game, has to come back with big kicks, but overstretches with it and goes tumbling over the top rope. They start fighting on the floor and he kicks the post, and it's all but over from there. This had an almost anime-esque mid-match power up with the gloves. But, since it was Fujinami, and the crowd was so into it, and he just rushed into it with so much earnest abandon, it pretty much worked.

ER: I love wrestling after the fact stories like Richard Byrne, a Massachusetts indy guy who ran a dojo in the same building as Killer Kowalski's school, who got this random match as a martial arts guy on a New Japan show, and also was a cult star in South Africa of all places. That's a cool as hell person and there's never been a better more interesting time in wrestling than these New Japan Different Style fights. Imagine if WWF was bringing in random MMA or weightlifting or decathlete guys, like they just kept the spirit of the Yokozuna bodyslam challenge and carried it through the 90s with all their biggest stars. WWF could have believably made Different Style fights the biggest focus of their 90s, and I think it would have been a more successful direction. Byrne was totally new to me here, and he's like Garry Shandling doing a Jerry Flynn character. It's great, the perfect early 90s strip mall dojo vibes. 

Byrne is such a sneering punk, with this big comical cartoon expression on his face that made him feel like a Punch Out! character. Fujinami was brilliant at selling his kicks, and honestly Byrne was great at selling for Fujinami's big late match strikes. There are great moments like Fujinami locking in the dragon sleeper around Byrne's huge head, or Byrne angrily tearing off his gloves and throwing them to the mat, then Fujinami demanding he be put INTO gloves before the 3rd round starts. Fujinami comes out with his fighter gloves and starts peppering Byrne, frustrating him with quickness, and it became a whole different Different Fight at that point. I thought Fujinami was going to end it with his great rear naked choke, but Byrne convincingly back elbows his way out of it. I LOVED Byrne's two bumps over the top to the floor, one a silly "Macho Man getting press over the top by a Yokozuna kickout" bump off a Fujinami uppercut, the other a missed kick momentum sending him down. Byrne adds some of those fun pro wrestling elements to this early 90s New Japan fight feel, including hanging from the bottom rope by one leg after eating a Fujinami enziguiri while trying to get back into the ring. The finish feels downright Memphis, with Fujinami getting a heel hook and Byrne stuck with nowhere to go, ripping his gloves off and throwing each of them at Fujinami, that felt like a glimpse of how Austin Idol would have worked one of these matches. 

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New Footage Friday: FUJIWARA! KIMURA! FUJINAMI! MAEDA! NAVARRO! SOLAR! KATO! DIABLO!

Tatsumi Fujinami/Kengo Kimura/Shiro Koshinaka vs. Akira Maeda/Nobuhiko Takada/Yoshiaki Fujiwara NJPW 3/1/86 - GREAT

MD: The handheld nature of this one let us really hear the crowd, and they were super into this. The makeup of these wrestlers and this feud meant that there was so much anticipation for almost every exchange; just a constant feeling out process that got the fans ready for the payoff of the actual contact each and every time, which almost never disappointed. Whenever one of the NJ guys would switch in, the fans switch the chant for them like clockwork. The first minute or two was really fun as Fujiwara controlled the center of the ring and drew people in however he could (including a slap punch in the corner) and then just dominated on the mat. Lots of brutal kicks from the other two UWF guys and a healthy amount of Koshinaka getting tossed around. Towards the end, the NJ team figured out they could hold an advantage with some teamwork but it broke down pretty quickly into a chaotic and violent scene.

PAS: New Japan versus UWF maybe the greatest in ring feud in wrestling history, and it is a real mitzvah to get another installation. Unsurprisingly I loved Fujiwara in this, swaggering badass who is so slick in the way he counters attacks by all three New Japan guys. Fujiwara and Fujinami tragically never had a singles match during this period, but they were incredible dance partners, and had some very cool exchanges here. Maeda really ramps up the violence in the end of the match pinning Fujinami against the ropes and winging kicks, including a headkick which felled him like an oak tree. Love Akira starting the 10 count with the rent, felt like the kind of taunt Alan Iverson might do. Finish was a wild breakdown and the crowd was going bonkers. Great stuff, super glad it showed up. 

Solar/Stuka Jr./El Gallo vs. Negro Navarro/Barbaro Cavernario/Rafaga CMLL GDL 12/1813

MD: It's been a while since I watched any 2013 lucha even though that was probably the height of my writing about it here and this was a mix of comfort food overlaid with maestros. The Rafaga vs Gallo pairing wasn't much (and good on Solar for clapping for them from the apron; nice guy) and Cavernario and Stuka went all out with their primera pairing but for less than a minute. The primera then was therefore all about the five minutes we got of Solar vs Navarro, which had all of the charm and skill you'd want out of these two in this setting. About half the time, it shifted to a close-up, high quality camera shot which really let you see what was going on. My favorite bit was early on when Solar hooked Navarro's arm with his legs and took him over into a cross arm breaker and Navarro responded by waving his hand in a "Yeah, that was so-so, I guess" sort of manner. Cavernario wasn't in much here but whenever he was he brought a ton of energy and motion. He let Solar catch him head-on to set up the finish and post-match everyone posed together. Hopefully we get more like this soon.

ER: This was really fun, and I loved some of our HD camera angles that we got. I always love seeing Solar and Navarro play their hits live, as they never play them exactly the same. Most of the highlights of this were Solar/Navarro, and while I wish we had gotten actual significant Stuka/Navarro and Barbaro/Solar interaction, I loved all of our maestros. Solar broke out a few tricks that are super impressive for a guy in his late 50s, and I thought he was excellent at playing into Navarro's subs. Like Matt, my favorite moment came when Solar totally caught Negro, flipped him halfway across the ring with a leg drag, and Navarro sat there on his butt, doing a 50-50 ehhhhhh shaky hand. I love the way they tangle their legs, and each knows the right amount of pressure to apply to not slip out of holds and made them look strong. Stuka and Barbara looked really exciting when they were in. Barbaro came off hyper and fun (and skinny!), and Stuka's rana, handspring headscissors on the floor to Rafaga, and his match finishing torpedo splash all looked great. I love nearly every Navarro/Solar match I see, but I think I like this format more. It gives the two maestros natural breaks while keeping the match centered around their work. We get some entertaining sideshows, and seeing brief flashes of them working with their younger new partners, then they come back to escalate their own personal 30+ year battle. 

PAS: Solar vs. Navarro is something we have in numerous variations, but it is cool to see a 2013 version pop up with both guys in their 50s not in their 60s. There is still some athleticism in their exchanges, not just pure skill, grab an arm, grab a leg spin counter, reverse. They always have a new wrinkle or two in their game, although here this really felt like a them doing their thing for a different audience. Everyone else in this match was fine, and Stuka Jr. has one of the great top rope splashes of all time, but this was getting to watch two Jazz greats noodle away and that is a pleasure.

Shigeo Kato vs. Diablo Mumejuku Pro 2/5/17

SR: By god, is Segunda Caida the Shigeo Kato superfan blog now?! Diablo is a guy who is also around for a really long time, he was a +20 year veteran in this match. This was the best Diablo match I’ve seen, as it is a bloody brawl, which was worked exactly like how a bloody brawl should be worked. Kato was a part time wrestler at this point and for a guy who was a skinny ratboy in his heyday, he seemed to have no muscle mass at all here, but he could still go like a wrestler. Really loved how he just stomped on Diablos face during the opening brawling portion. Then an exposed turnbuckle comes into play and Kato is soon bleeding all over the place. Katos selling was a millions bucks here as he looked to be hanging on by a thread (maybe he was also legit blown up) . I’m not going to pretend Diablo was brilliant, but he knew exactly what to do, punch the cut and waffle Kato with a chair out of nowhere. There’s an actually great Figure 4 Leglock spot and the ending felt appropriately murderous. Not gonna see these guys are superworkers, but I respect them for producing a match like this even with little athletic ability. Proof that structure is everything.

MD: Nice focused brawl. I have no idea who these guys are. Kato took it to Diablo early, working the mask. I loved the ref bump where Diablo caught Kato's kick and spun it into the ref's groin. High comedy there. After that, he landed a low blow on Kato and pulled the corner guard off and just unloaded on Kato. Once he got him upon with his chain, the woundwork was incredibly on point. He got a lot of value rubbing his head against the top rope, more than you'd think, but it felt pretty nasty. I liked Kato's hope spot where he went to the top and shouted woo just to get thrown off. He finally took over by taking out Diablo's leg, though they went away from it before long and Kato shouted out "Brainbuster!" like he was pointing into the stands for a home run and then couldn't hit it. A for bloody effort though. Lost focus towards the end but some great woundwork and it didn't wear out its welcome.

PAS: I thought this was cool shit, a couple of guys who have been around for a long time, beating on each other like veterans do. All of the stuff with Diablo and the chain was sick, there was some real thump on those punches, and his opening a cut punches with the fist would have made Harley Race proud. Kato had good fire as a bleeding old guy coming back with vim and vigor, and really took it to Diablo in the early going. I want to see all the variations of this feud, really feels like something a territory could work around the horn for months.

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New Footage Friday: HASH! STATE PATROL! BLUE PANTHER! RAY GONZALEZ! JUNJI HIRATA!

Blue Panther/Blackman/Valente Fernandez vs. Lobo Rubio/Ricky Boy/El Indomito UWA 90

MD: This was a nice surprise. It had a buzzing crowd, a pretty perfect crowd-pleasing primera with a lot of fun match-ups where everything had zing, a little bit of heat, and then a comeback with a memorable finish you won't forget anytime soon. Valente is not a guy I'm super familiar with but past his tendency to meander in the wrong place at the wrong time, I thought he had great fire. He threw himself into everything he did. Panther managed to fit a lot into a short period of time, primarily some tricked out holds and this great front facelock drop that he should have been using up and down a few years later when he was a beloved hero against Art Barr. He also threw an axe kick of sorts which was pretty nasty whatever he was going for. The exoticos were good foils in there but didn't necessarily stand out. The finish was wild with Valente getting lawn darted out of the ring, his head disappearing behind a desk at the edge of the crowd.

PAS: Total standout Fernandez performance. He is a guy with a really great kip-up, and he found a bunch of ways to mix in his kip-up, plus he takes a fucking insane bump at the finish getting hurled over the top rope and smashing the back of his head on the concrete. Honestly a top ten lucha bump to the floor, which is a tough list to crack. This is mostly fast moving Panther, which isn't as cool as hard mat wrestling Panther, but still pretty cool. Matt mentioned his combo DDT/Facebuster move, which was cool, something he did a lot in this match, and something I have never seen him do before or since. Really strange, you don't normally see someone break out a signature spot for just one six man tag match in 1990. The rudos were solidly in place to eat the technicos spots which is what they should be there to do. Nifty match with an absolute all time highlight.

State Patrol vs. Ray Gonzalez/Ricky Santana WWC 8/24/91

MD: We've gotten so much Puerto Rico in the last month that it's almost overwhelming. Reviewing the State Patrol in strange places is our oeuvre though. This was really just a glimpse of a TV match but it was good for what it was and it's too bad we don't have more of them there. Puerto Rico could make giants out of the meek. Look at how great the Rock'n'Roll RPMs were there. This was well balanced, with an opening that didn't outlast its welcome, a good hot tag even if I don't know what Parker was going for and a finishing stretch with a good cutoff and a very satisfying ending. Next time I see a State Patrol match I want to pay more attention to Wright on the apron because he was really good here.

PAS: This was fine. It didn't really have the insanity you want from a Puerto Rican match, it was basically the third or fourth best match on an episode of WCW Worldwide. Decent hot tag, solidish heat segment, fun finish. Utterly forgettable stuff, but kind of cool to see the State Patrol on tour.

ER: Puerto Rico is fairly unrepresented on match lists, and so it's always a favorite thing of mine to find out which workers from the States would occasionally show up there. I've watched the existing Rougeaus PR match at least a half dozen times, and probably watched the Jamie Dundee match at least four. The Puerto Rico that shows up is pretty patchy, as it's not like we're getting full runs from any of those guys (and I assume they didn't fly down there just to work one match). But we've been getting more and more PR uploads and it looks like we're slowly filling in some gaps. State Patrol were never presented as a strong tag team on US TV. They did a couple All Japan tours and were weirdly dominant on one of them, getting a bunch of TV matches and winning all of them. It would be like Well Dunn or Disorderly Conduct going on an AJ tour and beating everyone's asses (Well Dunn/Southern Rockers kind of did this, and it was weird). I think the State Patrol gimmick would work even better today, the kind of gimmick that would make them faces or heels depending on what town they were in. House show in Missouri? Babyfaces. House show in Oakland? Heels. There has been a rotating group of at least 2-4 guys working a Border Patrol gimmick in the Bay Area dating back 25+ years. But seeing State Patrol working anywhere but America always strikes me as funny. I'm not sure if Adam-12 played in syndication in Puerto Rico, but it's safe to say that Buddy Lee and James Earl would have been heels by virtue of their whiteness anyway.

The match itself is essentially like most State Patrol WCW matches. When I was younger I thought Buddy Lee was the better half of the team, but I've been moved firmly into the James Earl camp the past few years (seems that's been a lifelong trend with me, originally liking Edge in '98 before quickly moving over to Christian, Jeff before moving over to Matt, Enos before moving over to Bloom, basically I never should have trusted my initial childhood/teen instincts about any tag team, ever). This is all armdrags, dropkicks, and punches, and that's fine. Buddy Lee looked a little off in this, stutter stepping a couple of armdrags and going for a weird move off the top where he just landed on Ricky Santana's knees (Santana was lying and facing the turnbuckles, meaning Parker was jumping directly on him like a mirror, so I have no idea what move I was supposed to think he was even doing). But James Earl was a real stud here, stooging for Gonzalez and Santana, getting infuriated from the apron (watch him take a silly leaping bump to the infield after getting knocked . I loved the spot where Santana was knocking back and forth between them with punches and back elbows, loved teen superstar Ray Gonzalez's little mustache, and loved the "WCW putting over their new Latin tag team" vibe of this match. It's like they saw what State Patrol were doing in Georgia and were like "yeah that will work here!" I can't wait for a Disorderly Conduct match to pop up in this Puerto Rico footage. It will happen.


Shinya Hashimoto/Kensuke Sasaki/Tadao Yasuda/Yuji Nagata/Junji Hirata vs. Shiro Koshinaka/Kengo Kimura/Kuniaki Kobayashi/Michiyoshi Ohara/Akitoshi Saito NJPW 2/11/96

PAS: New Japan 10 man elimination tags have been some of the most consistently excellent match styles in wrestling. This was sort of a lower end version of that but had some really fun moments.  I think some of the steam was out of the Heisei Ishingun feud at this point, but that crew has some fun dudes on it. Anytime you get to see Hashimoto rip shit is going to be cool, and I really enjoyed him coming in a clubbing guys, only to get blindsided by Koshinaka's rock hard tailbone. This had some of the problems that are endemic in elimination matches, where guys get eliminated by weak sauce stuff to keep it moving, but for a longish match it kept me pretty engaged.

MD: Very fun house show ten man elimination that doesn't rise to the level of the classics, with Nagata especially getting a ton of time to shine. They built him up early by having him survive a spike piledriver and have to fight hard out of the corner and then went in on him really hard after Hashimoto and Sasaki were eliminated. After he survived eating a wayward Hirata diving headbutt that was supposed to be a save and the subsequent Kobayashi fisherman's suplex, the fans really got behind him (though he'd fall soon after). Lots of good spots and sequences including a top rope double stomp train in the corner and a pretty elaborate set up for Hashimoto getting eliminated. While Hash was suitably larger than life in this setting, and Koshinaka his usual jerk self with butt butts coming from every direction, the match survived the two of them getting eliminated. The balance was a little off in general as can be the case with big elimination matches (the weight of some moves mattering less or more than they should), but they hit the underlying story well enough with enough peaks that it's hard to care too much.

ER: This was great fun, with a structure that is pretty hard to mess up. It was a little sloppier and loose than these things tend to be, but I like that loose atmosphere in a setting that can be stuffy. These matches always wind up having some unexpected heroes, or big contributions from unexpected sources. I really liked Yasuda here. He's a big lummox with a Mr. Potato Head, but he got given some cool moments to shine. He looked mammoth compared to everyone else, hit his nice big boot, big avalanche, great butterfly suplex, basically got to do his big spots before getting out of there. The double stomp train was awesome, and structured perfectly. They saved the two big dudes for last, so as I'm watching it I'm saying outloud "Oh yeah Hashimoto is doing it!! Wait YASUDA is doing it!?" Junji Hirata looked like a total beast, and he's a guy who ALWAYS looks like a total beast and should be talked about more when we have "what guys are total beasts?" conversations. He throws a ton of great clotheslines here, no sold a nut shot from Ohara (who threw out a couple nut shots here) and it's pretty clear from watching him that this was the guy that Kensuke Sasaki became a few years later. When I looked at these 10 guys I was not expecting Koshinaka and Hashimoto to disappear so early, but I love when these matches let others shine. They gave the stage to Yuji and he's the whipping boy for the first half and then gets to come out on first on the second, throwing exploders and overhead suplexes, his kappo kick is perfect, just lighting up anyone who tests him. Saito was a disappointment, felt like half of his kicks missed, and missed at the worst time. The finish run of a 30 minute match is not the time to be pulling kicks, but Saito whiffed on three straight and the crowd got noticeably restless. Really took the air out of what should have been a fun finish. Still, this was a 30 minute match that did not feel at all like 30 minutes, and there was far too much good to let Saito's iffy kicks mess it up.

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New Footage Friday: Rudge, Kido, Fujiwara, Choshu, Mutoh

Terry Rudge vs. Osamu Kido NJPW 5/20/77

ER: A cool snack, with Kido really impressing me with his speed and toughness against a noted tough guy like Rudge. The first 75% of the match really could have been worked the exact same if both men were tethered by a 2' rope. A lot of action is started just from establishing wrist control and we get a lot of cool minimalism, like Rudge on his back looking for the right time to kick out Kido's ankle, or Rudge trying to bridge out of a chinlock before eating a hard hammerfist blow to his stomach. Kido really gets to show off his speed when things get off the mat, and I absolutely loved him whipping Rudge into the ropes only to completely halt his momentum with a big headbutt to the stomach. Rudge sold it like me running into a bollard stomach first (it was at the park and I didn't see it). This match didn't aim for epic status, but who needs epic status?

MD: This worked out really well. These two went at it with absolutely nothing given for free but a whole lot ultimately earned, though never for long. Rudge worked this like he was in England, making sure to chain together knockdowns with holds (which is a necessity there because if you try to put something on too late after you take your opponent down, the ref will break it and call for a reset). In this environment, it made everything seem all the more visceral and unrelenting. Kido, on the other hand, was a master of just not letting go, no matter what Rudge might try to do. My favorite bit of that was probably a nasty hammer blow to the mid-section as Rudge was trying to bridge up out of a chinlock, but there was a long, dynamic wristlock spot early on too. Oh yeah, they beat the heck out of each other with forearms and European uppercuts too, really just at every opportunity. This kept a good pace, never wore out its welcome, used whips liberally to bridge things. I really dug how Kido both entered and exited the match with the backbreaker too. I'm not sure what that said narratively, but it was novel and interesting yet still totally believable.

PAS: I loved this, Rudge is one of my favorite Euro guys, definitely in the same phylum as guys like Regal and Finlay, and he worked this in his tough man style, Yanking and twisting at limbs. Kido can be a bit passive sometimes, but Rudge forced him into his style of match, and they really laced each other with tight looking elbows and uppercuts. No wasted moments, no flab, just a tight corners punch out.


Riki Choshu/Osamu Kido vs Yoshiaki Fujiwara/Kengo Kimura NJPW 10/22/77

MD: One thing that stood out immediately was how little 28 year old Fujiwara stood out visually. That was true to a degree with Choshu as well, especially considering his later look, but Fujiwara always seemed to have a look that matched his style be it the mustache or what. We've seen him so old for so long that it's a bit offputting to see him young. He was still himself, however, able to manipulate limbs and space and grind down on everything he did. The strikes were great and varied in this one, with Kimura especially having great jabs. Choshu got to sell a little (and better than Kido who was more than happy shrugging off legwork) but spent most of his time just tossing people around with these dynamic, over-the-top slams. Honestly, that last bit, along with the repetition of some spots (like a knee drop on the way in after a tag) made some of this felt weirdly experimental. It was a fun snapshot.

PAS: This was an undercard tag and thus not really shooting for anything too big, but it was a chance to see two all time greats in Choshu and Fujiwara in their relative youth (also two pretty cool dudes in Kido and Kimura.) Fujiwara has a perm which is truly bizzare, he still is Fujiwara though, he throws some really great looping body shots to the kidneys, and does some nifty arm and leg work. I also really liked Kimura throwing hands too. Choshu did seem a bit washed out, he is such a great minimalist wrestler but back then he hadn't yet figure out how to project his personality into his work.

Keiji Mutoh/Michiyoshi Ohara vs Shiro Koshinaka/Akitoshi Saito NJPW 7/18/93

MD:In digging through this footage, you never know what's going to jump out. Yeah, something like Diamond vs Liger is going to get flagged immediately just for the oddball nature of the pairing, but a third or fourth from the top match like this tag, you can't really know one way or the other with unless you watch.

I ended up really liking this. It was straightforward but still dynamic, maybe more down my alley than Phil or Eric's. It had three or four distinct bits of heat, with Koshinaka and Saito playing the part well (Koshinaka is particularly punchable) and ultimately getting a satisfying but never-for-certain comeuppance. I loved the initial tease of Koshinaka getting in, only to drive the action right to his corner and get his butt shot in to start off the first bit of heat. Mutoh was pure charisma. Ohara was the world's best Taz, with all sort of great suplexes and throws, both in reversals out of nowhere and coming in after a big tag. Everyone was more than happy to lay their shots and kicks in. The finishing stretch had just enough wrinkles to put things in question without ever stretching credulity. This was just good wrestling.

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New Footage Friday: WE DECLARE WAR!!! 6/25/93

WAR 6/25/93

This is a six match series with WAR vs. Heisei Ishingun. Sort of a border skirmish in the WAR vs. NJ conflict, with Koshinaka's band of outsiders taking on a group of WAR defenders. Weird show, having a WAR card in 93 with no Tenryu, but tubby interpromotional asskicking is about the best thing in wrestling and this had it in spades

Show starts with sort of a drawing of straws to set up the match ups


Koki Kitahara vs. Kuniaki Kobayashi

PAS: This was the longest of the matches on the show, and goes into several different phases, all of them pretty great. It opens with both guys throwing taters at each other, they spill to the floor and wildly fling chairs. One of the things that made this match so great is the raggedness of it. There isn't very many smooth exchanges, and lots of the time they are just grabbing each other by the hair and sneaking in punches and headbutts. Large parts of this feel  bar fight, where both guys are a little unskilled and a little unsteady. I loved Kobayashi just throwing multiple fisherman's suplexes and not going for the pin and Kitahara's dickish little kicks to the head. Finish was cool with Kitahara DDTing Kobayashi on the floor, rolling him in and locking in a bodyscissors sleeper for a but until Kobayashi passes out, it wasn't really a dramatic pass out, and it almost felt like a questionable UFC stoppage, I loved the shoving and the "hold me back" from both camps. Thought it worked really well for the opening of a series like this.

MD: I love the dissonance of a tug of war rolling right into this match. It's a twenty minute match that's almost entirely uncooperative all the way through, which feels pretty long for this sort of thing. It's brutal and it's great. Kitahara took the brunt of this, coming off like an absolute killer, with nasty headbutts, chair shots, and kicks, but throughout most of it, he couldn't really lock in a hold. Midway through Kobayashi comes back with these amazing running headbutts, really just a momentum-laden collision and then finally locks in a leglock which feels like a big deal given the struggle up to there. They roll into the finishing stretch not long after with Kitahara hitting a German, Northern Lights, and Backdrop Driver all in a row. It felt like a clear moment of escalation which means Kobayashi popping up almost immediately thereafter to hit three fisherman's suplexes of his own felt a little unearned. It was somewhat forgivable due to the unclear death match rules but it did take me out of the match a bit. Thankfully, it set up the further escalation with the three DDTs on the floor and the rear naked choke to close it all out so it more or less worked out in the end. Anyway, the sheer brutality more than makes up for that. What a way to start a show.

Ashura Hara vs. Akitoshi Saito

ER: Tenryu may not be on this show (which is weird for a WAR show, but I see Tenryu worked a Hashimoto singles match a week before this show and then didn't work again for a month, so taking a month off work after 20 minutes opposite Hash does make sense) but Hara is clearly the Tenryu proxy as he works this match almost exactly like I think Tenryu would have, and even has a bunch of great Tenryu selling moments. It's almost as if Hara was ALSO great or something. This is the kind of match you want out of a WAR/NJ showdown, Hara roughing up the relative newbie, beating him down with chairshots on the floor and lariats to the neck, and there's a great moment where you hear the buzz of the crowd building as they anticipate Saito finally hitting his first big spinkick of the match. Hara is running to set up a killshot lariat, and the crowd knows exactly the mistake he's making, and Saito hits that spinning heel kick that is arguably the best spinning heel kick of anyone who does a spinning heel kick, and that sets up the next several minutes of Saito kicking Hara a TON. Hara's selling of Saito's kicks is downright lordly. He leans into brutal baseball bat shots to the chest, Saito comes off the ropes with a punch right to the guy that sends Hara staggering beautifully into the ropes. Saito stops him in his tracks with a couple high kicks, throws a couple of crescent kicks that glance off Hara's temple (loved Hara's selling of a glancing blow) and Hara gets literally moved back on his feet like a tackling dummy by a couple of Saito lariats. We get a couple great moments of Hara eating kicks and occasionally catching one, only able to toss Saito away to get a couple seconds or reprieve before eating more kicks. And the longer Saito kicked him I knew Hara wasn't just going to just keep getting kicked and NOT pay him back for it, and when we got to the Hara payback it delivered. Hara throws the three meanest kicks of the entire match, one to Saito's ribs and two more right to the face - the kind of thing that would make Futen main eventers blush - and then gets to show off a couple more lariats of his own. This is the match I want to see when I sit down to watch WAR.

MD: Great, straightforward nine minute match. Hara's initial demolishing of Saito was great, straight up to the nonchalance in his nasty clotheslines and chairshots. I liked how he kept tossing him out of the ring. There was just so much personality to the violence. Saito's comeback spin kick was a thing of beauty. I'm a sucker for matches that can turn on a dime on one big move like that. Speaking of personality, Saito losing the gi and then posing before every kick like he was charging up was definitely memorable and seemed to work for the crowd. Hara willfully absorbing kicks (gritting through) is a much preferred method of selling than just eating three suplexes with no real effect and the finishing flurry of clotheslines felt like the inevitable destination the match had to go.

PAS: This was pretty much a poor man's Tenryu vs. a poor man's Hashimoto, but you can match up poor man's versions of those two and have it still be fucking incredible. I loved Hara hurling Saito to the floor and plastering him with chairs, Saito's big spin kick was incredible, and he really leaned into those body kicks, those are the kind of things which would turn ribs into popcorn. Hara just grumping his way out and chucking lariats was great stuff too, I love a larait to the back of the head and Hara was just cracking Saito with them. WAR as fuck.

Masashi Aoyagi vs. Super Strong Machine

ER: I both liked this, and was disappointed by this. I didn't love the layout, there were a couple dodgy moments from Aoyagi, and the finish is literally the exact same finish as the Hara/Saito match that happened right before this match. What I liked, is further evidence that Super Strong Machine may be one of the more under discussed ass kickers of this era. He is not flashy, his offense is simple, but he executes the offense with a Finlayesque reasonable recklessness, hitting his body slams hard, sitting down fast on his piledriver, throwing running and standing lariats with a full arm, the kind of guy with a vertical suplex you can set your watch to. He's a real bully in this, beating Aoyagi through the crowd and battering him with a chair. Now that I think about it maybe the entire layout of this match is a lesser executed version of Hara/Saito. But SSM is a fun smotherer, I can really get into a guy with a nice headlock or chinlock, and he really looks like he's hooking that arm to suffocate Aoyagi. Aoyagi throwing fast kicks over his head to escape was a great touch. Aoyagi's kick section isn't as nice as Saito's, he even whiffs a kick over SSM's head by several inches, but he hits a couple really nice rolling kicks and I always love his out of control corner spinkick that ends him spilling to the apron. The leaping knee to the back of Strong Machine's head is just icing. It is strange to me that Machine finishes this in the exact same way as Hara, even bouncing off the same ropes in the same order. And the match had flaws, but really played as a nice Super Strong Machine showcase for me, made me want to dive into some more.

MD: Context has an impact on this one. As a standalone match, it was definitely good, but following the two matches that it followed, it came up a bit lacking. I liked the opening exchange with Aoyagi rushing SSM and the paralleled violence on the outside, though the punctuation of the DDT on concrete felt like it came a bit early, especially considering how it was used to end the first match. I suppose it did set the stage for Aoyagi working from underneath for most of the rest of the match, though with no particular focused selling. I like SSM because he stands out relatively with the clubbering and power moves and presence, but I don't necessarily want to see Aoyagi fighting from underneath because his stuff is so good (like that knee to the back of the skull off the ropes!). The best parts of this was when they were going toe-to-toe and there just wasn't enough of that. At least Aoyagi got to take it out on the ref after the match. Again, still good, just not "this card" great.

PAS: I agree with Matt and Eric, this basically felt like the same match we just saw, just not as great. I dug chunks of this, Aoyagi is a C+A guy, one of our all time favorites, and had a bunch of fun athletic spin kicks and I loved his early bum rush. There was a great heads up section with both guys throwing bombs at each other, but man was that finish hurt by comparing it to the previous match. Hara is looking to decapitate with his clotheslines, and SSM just didn't deliver that. This was solid WAR undercard stuff, but we are getting bigger and better then solid on this show.

Tatsutoshi Goto vs The Great Kabuki

MD: Whereas the SSM vs Aoyagi was more of the same as the first two matches, just not as good, I thought this was a nice palette cleanser on the card. Goto rushed in early (though instead of a killer knee to rush in on, it was more hugging and rolling) and took an early advantage on the outside. He pressed that into the armwork that would take up the entirety of the match. There was a great consequence-laden hope spot early into this where Kabuki punches with the bad hand/arm and immediately drops down selling it. Past that, Goto working on the arm wasn't super varied but it was focused and mean with Kabuki selling well. When he finally was able to fire back, late in the match, the crowd was definitely into, but then things sort of meandered to an out-of-nowhere finish. If they had tightened this up by a couple of minutes or let Kabuki get a more sustained comeback at the end, it would have been better. I liked most of it for what it was though.

PAS: Very different match with this being mostly just Goto working over the arm of Kabuki and Kabuki selling. The arm work was fine, and Kabuki's selling was great, the moment where he finally hits his uppercut only to collapse in pain was awesome. Still Kabuki is a so much more dynamic offensive wrestler then Goto, it was a bit of a bummer to see him smothered for most of the match. I liked the surprise roll up pin, but I just felt a little robbed of a big Kabuki explosion. 

Hiro Saito vs Kengo Kimura

MD: Another very solid match. This one felt just as violent as the others (especially everything that happened on the outside), but at the same time, somehow more cooperative, or at least conventional. I think that says more about the rest of the card than about this match in and of itself. The first third of the match was focused around chairs, beatings on the outside, one brutal whip into a tiny table, and the setpiece of the exposed corner buckle (Kimura's attempt to expose it partially lets Saito come back, Kimura cements one transition by tossing Saito into it, etc.). The exposed buckle is a non-factor for the rest of the match, which is a shame. The finish is set up by Saito missing a top rope senton out of that exact corner. Kimura diving to crotch him on it to set up the exact same finish would have been more rewarding. Small thing. Also, this was probably a good spot on the show for color with Saito's head rammed into the buckle a few times. (Note after the fact: PWO's Jetlag got to these before we did and I went to check his review on this and he had the exact same notion. That makes me feel less monstrous). Some of Kimura's jumping knee offense looked muddy with the fancam, but I really love his double axe-handle clubber. He throws himself into it more than anyone I've seen. This was a good mix of brawling and more conventional moves and transitions.

PAS: I dug this, there is something very appropriate about sitting in the front row of a WAR show and having fat ass Hiro Saito flying over the railing and landing on top of you. No reason to think that this feud should respect the fans anymore then the wrestlers respect each other. Hiro Saito doesn't do a lot of different things, but does the things he does exceedingly well. His senton is honestly one of the greatest looking individual wrestling moves ever, just pulverisingly beautiful, the standing one looked bad enough, but that second rope one was like an anvil hitting Wile E. Coyote. If Kimura didn't move out of the way of the tope rope attempt he would have looked like spilled condiments. I do think this was the match that could have used blood, but otherwise this show keeps delivering. 

Shiro Koshinaka vs Takashi Ishikawa

MD: This was one-third a really good match and two thirds an excellent one. I loved how Koshinaka took it right to Ishikawa to start, but that first third got dragged down a bit by holds that lacked struggle (though, once the armwork started, not necessarily direction). What it did manage to have, however was Koshinaka being the only guy on the card really to play to the crowd and just enough brutality to keep things somewhat interesting. They get way more interesting when Ishikawa takes over. Everything he does here is great. He can't transition from one piece of offense to another without making sure to pepper in a stomp on Koshinaka's face. In the middle here, it breaks down to a lumberjack match of sorts with both camps going at it. We only see bits and pieces of this as the camera stays with Koshinaka's selling. That's ok, I think, because that was another strong part of the match. He's definitely a guy who could get the crowd behind him and they pop big when he hits his comeback butt bump (and as goofy a move as that always is, it has a symbolic power with the crowd so it absolutely works). His offense on the back half was a lot better with nothing seeming meandering in the least. Instead we get some nice knee drops and an unforgiving double stomp off the top.

I liked how smart the end of the match was too, with clever use of repetition and payoff. As much as anything else, the key moments of the match were the transition points: Ishikawa armdragging his way out of an armbar (followed by a huge stomp, of course), Koshinaka countering a three point stance clothesline attempt with a butt bump, and then late, when Ishikawa turned the third butt bump attempt in the match into a snap clotheslining on the top rope which allowed him to set up a series of chokeslams and the second three point stance attempt clothesline (this time successful for the win; I need to work in how great his rapid fire clotheslines to the front and back of the head were earlier in the match so I'm sticking that here). A match like this didn't need that sort of narrative cleverness. It could have just been these two guys killing one another. It's a testament how good this was and how well it closed out the show that they went a step beyond.

PAS: Takashi Ishikawa's WAR run was one of the great short term wrestling runs of all time. He was there from 92-94 and was uniformly excellent including several all-time level matches. This was a step below that level, but not a huge step and his performance was excellent. Koshinaka was really great as a underdog babyface (which is weird because this was a WAR show) and takes a big time bloody beating from Ishikawa and really rallies the crowd behind him. Matt is right about how awesome that butt but is as a momentum shifter. I loved all of Ishikawa's nasty stomps, he really looked like he was trying to extinguish a brush fire on Koshinaka's head. The spot were Ishikawa blocks a hip toss, lands a judo throw and just stomps Koshinaka in the eye was good stuff. Loved the die on his sword performance by Koshinaka at the end, as he is able to string some big stuff together before getting absolutely smashed by a big clothesline.

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