AEW Five Fingers of Death 4/7 - 4/13

ROH 4/10/25

Dustin Rhodes/Ross Von Erich/Marshall von Erich vs Violence is Forever (Kevin Ku/Dominic Garrini)/Davey Bang

MD: This was sub-five minutes but there's absolutely something to be said about the value of skill and polish in an enhancement match like this. It's great that ROH gives younger talent a chance to get some reps and a little spotlight and a chance of being on "TV." I know who Sid Ellington is now because I saw him fly around for Satnam a month or two ago. That said, that's not the only purpose of ROH TV. Because of a Von Erich injury, we just haven't seen these guys in forever, and they are building to a trios match next week. I'm not saying it's going to make or break the ROH streaming service if Dustin and the Von Erichs aren't reestablished as meaningful six-man champs, but I am a firm believe that doing things well and properly does matter. Booking matters. Matches matter. If you're going to do something (even pro wrestling tv for the sake of pro wrestling tv) then do it well. And in that case, the six-man champs needed to be reestablished, and these were ideal opponents to do so with this setting. 

That meant that Ku was in the right place at the right time with the right attitude, throwing not just his body but his presence into all of Dustin's signature stuff. It meant that when Garrini got in there, he stuffed a Von Erich with the most credible, sudden, impactful knee to the gut you'll ever see. They were going to get swept under, but with just a few moves, they made it seem like Dustin and the Von Erichs had to work (even in dominance) for a win that mattered. And some how, Ku and Garrini managed to crash into one another three times in a five minute match with each time seeming organic. And then Bang made the finishing Claw pendulum slam look great too. 

ViF could contribute in any number of ways up and down the card. AEW's a promotion that lives and dies on great wrestling matches, and you could stick them on Collision and they'd heft up the number of great matches for the year week in and week out, but if they're going to be used in a spot like this, they're going to get the job done, and they absolutely did here.

Collision 4/12/25

Athena vs Harley Cameron

MD: I'm still struggling with babyface Cameron. She's obviously a hard worker. She definitely wants to be there. She's incredibly talented. But one issue with babyface turns since the beginning of time is that some of what made the wrestler over in the first place ends up watered down in the process. For Harley, it was that wild spontaneity that she might do anything at any moment. She's kept that to some degree backstage with the puppets and guitar and what have you, but it's not in the ring as much. I'm not sure if that's just part and parcel with the turn, where she has a more choreographed entrance and makes sure to work in the catch phrase in more of a rote way, or if it's just not having Saraya with her anymore to bounce off of. 

The match with Mone, for instance, was fine, but it had a sort of carefully practiced feel to it that you often don't get from a lot of the rest of the roster. Which again is fine to some degree! Harley does not have a lot of matches under her belt. The problem is that she's pushed at a fairly high level and put in a position to be a little overexposed. She's learning as she's going and I'm sure she'd rather be out there in the spotlight, but it's all a high ask for her. On some level, everything that will best ensure that she looks competent and acceptable as a talent at this level clashes with the sort of zany unpredictability that got her over in the first place.

Enter: Athena. I've noted before that there are diminishing returns about me writing up Athena matches as you'll hear the same things over and over again: She's in the moment. She's reacting to everything. She's alive in there. She's intense. She's believably explosive both in her offense and in her personality. You don't want to look away because you might miss a little glance or look to the camera or interaction with her opponent and the ref. There's no hesitation. There are no strings. It's not performative. She's living and breathing pro wrestling. There are only so many times you can say that.

This match brought something else into focus, or at least lets me refine all the above. So long as she is all that and does all that, she's able to make anyone in the ring with her not just better, but also clearer. I was struggling with exactly who babyface Harley was even after the Mone match. But here? In this one? It was absolutely obvious. Case in point: Harley just trying to grab the early headlocks to show that she belonged in there, that she could stand up to a bully, that everyone was worthy of a chance so long as they worked hard and tried their best, no matter how zany or different they were. She had a whole program with Mone and I saw that all the more clearly with just one headlock with Athena. It's wild. It's Stan Hansen-ian in how a wrestler can show her mettle against her. And it kept this match shining as Harley had to work from underneath against Athena and Athena got frustrated every time this affectated upstart was able to escape something or even get one in on her. 

There are limits to this, of course. It works well in a controlled start of a match when everything's being established. It works well during the heat when the heel can really drive things and there's a clear story engine. Down the stretch as things break down, more specific athleticism is asked for from both wrestlers. There were clearly moments where Harley was physically anticipating the next move. Again, she'll get more fluid at that in time and with reps and practice. I have total faith in that. The trickier part will be to lean hard into that character (through the physicality but even above and beyond it since it's far more important than any single spot) even when she doesn't have someone like Athena to push off against.

Read more!

DEAN~!!!

ACTION presents DEAN~!!! 4/4/24

MD: A year ago today, we lost DEAN. Eleven months later Phil, Eric, and Matt Griffin (being Jacey North Matt, not me Matt) did something amazing. In true DVDVR fashion, Eric has a road report in the works. Were I to give you a report, it would be why I wasn't there and would involve in-law family wedding drama, conciliatory water parks with the kids, and a bunch of other excuses. I missed being there, being part of that atmosphere, meeting a bunch of people who I respect and admire (and Johnny Sorrow too; I would have liked to meet Johnny). That said, it means I can come in with a slightly different perspective here, and hey, there's also this: DEAN the human was so important to me in expanding how someone could think about wrestling and Phil and Eric are my "people" in everything we do creatively, but because I watched from home (in part in the DVDVR discord, yes, but a lot on my own), I got to watch it with Dylan Hales in my ear, and there was no one I conspired with more closely between 2010 and 2015 about wrestling than Dylan, so while I couldn't be there with you guys, you were all with me as I watched.    

Alex Kane vs Colby Corino

MD: When I say "my people", I do mean a lot of this crowd too and that made it the perfect crowd for this specific match, one that knew how to act, how to buy in, how to give in, how to be wry but not ironic, clever but still earnest, just like the match itself. The wrestlers committed. The crowd committed. The match committed. It's probably sacrilege on a card with the back half that this one has to even consider this as potentially my favorite match of the night, but maybe it was!

Colby came in exhausted (six matches in six days). He had a size disadvantage. The match was always one suplex away from being over. So he embraced the headlock. It was a way to control distance, to control leverage, to frustrate Kane, to make Kane exert himself because Colby couldn't. It was wry, like I said, but it also made sense within the context of the match. Even at the beginning, there were multiple differentials for Colby to overcome and the headlock was a means for him to chip away at them. That's important. The headlock was never an end unto itself. It was the means to even the odds.

As the match went on, it went from being a way to contain Kane to a way to open him up for escalating offense. It went from being a survival mechanism to the entry point for all of Colby's title hopes and dreams. It opened up the bulldog, or an air raid crash, or the front DDT that he was likely going for to maybe finish things off. The problem with such a close contact strategy, however, is that all it took was one mistake, one wrong breath, one chance for Kane to plant his feet, and it was up and over, metaphorically and literally. Colby did valiantly for a man at the end of his rope, but that rope was just long enough for him to hang himself. Honestly in contention for my favorite match of the night (It's up there with Slim J vs Adam Priest as the most "Matt D" match on the card), as wild as that sounds.

O’Shay Edwards/Amboss (Laurance Roman/Robert Dreissker) vs The Good Hand (Kevin Ryan/Suge D/Tyler Stevens)

MD: I think that in some ways this match had the most to work against on the card. For the traveling crowd, there was probably less familiarity with the wrestlers here. It had a sort of similar theme to the "flippy guys vs strong guys" six-man later on the card but couldn't lean too hard into that without taking away from the match higher on the card. What it did have going for it was the ability to lean into the set units here to play with all of the tools you'd get in a southern or mPro style tag.

The Good Hand played their part perfectly, just annoying, arrogant, scuzzy heels, but maybe not carrying with them the sort of madcap delusion that the Sucklings were about to bring to the ring in the next match. These were three guys who were more than the sum of their parts both in style and in substance. They controlled the ring, cut off Roman, threw out a bunch of quick offense and double and triple teams. And then, when it was time, they got their comeuppance, only to take back over with something slick or underhanded or opportunistic. Basically, they used all the tricks of the trade, both in how they presented themselves and in how a match like this could be structured, to overcome some of the disadvantages they were facing. And the babyfaces were the straight men, constantly trying to work their way back into the match and then, when it came time, raining down justice and punishment. Like I said on the night, if you embrace wrestling, it will embrace you, and that's exactly what they did here.

Violence is Forever (Kevin Ku/Dominic Garrini) vs The Ugly Sucklings (Rob Killjoy/White Mike)

MD: I loved how tight and compact this was. That allowed for the Sucklings to do their pre-match promo, which made a lot of sense actually It was driven not just by ego and mania (though there was that as well) but by the relatable idea that if they had a good showing against a top team, they'd get more bookings and put food on the table. Scuzzy but relatable, a fine line to walk. Then, they went right into heat. That worked because ViF even just coming out as the surprise team with the Road Warriors pop... that was the shine. There was a sense of glorious inevitability here in the best way. The Sucklings were organized and effective and persistent but doom was heading their way from the moment Zombie hit, maybe even from the moment they signed an open challenge.

So this went right to the ambush-dirven heat then into the comeback and the finishing stretch and it was all just a wonderful celebratory bonus from guys with big presence. For people not at all familiar with the indy scene, obviously guys like Priest and Connolly stood out but I heard from a few people who only had a working knowledge that they immediately wanted to track down more Sucklings footage, so the mission from the pre-match promo was accomplished. Overall, this match set up a sort of party atmosphere to prepare people's appetites for the chaos and violence to come.   

Gypsy Joe Rules Match: Coven of the Goat (Jaden Newman/Tank) vs 1 Called Manders/"Filthy" Tom Lawlor

MD: This was the match where, on live viewing, I realized I couldn't just turn a write-up out for the show and that I needed some time to process. I'm still struggling a bit with this one. One thing will stick with me, and I mean forever stick with me, like Owen kicking Bret's leg out of his leg or whatever other super iconic wrestling moment is seared into my brain: That's the sequence of Lawlor getting Newman onto a chair and running around the entire ringside area to attack him while Tank and Manders were simultaneously sharing a beer right by the DEAN chair. The contrast was just this serene moment of pro wrestling wonder. It devolved quickly into Tank spraying Manders and Lawlor smashing Tank and Manders getting the revenge spray and of course then revisited it a few minutes later with the headbutt war. What am I going to say critically about this? It was madness and chaos and action with some stuff that was smartly put together but that didn't feel put together at all, that just felt wild and spontaneous and that, along with, you know, punches (and this had a few good ones) is what I could use so much more of in wrestling today. You weren't going to see the strings here, just the flailing limbs and crazy abandon. (EDIT one year later: I was later informed that nothing was put together and it all felt wild and insane because it was wild and insane; any coherency was my pro wrestling watching addled brain magic eying and the natural logic of pressing iron up against iron and watching the sparks fly).

3 Flippy Guys (Bobby Flaco/Brayden Toon/Rico Gonzalez) vs 3 Strong Motherf*ckers (Danny Demanto/Hoodfoot/Isaiah Broner)

MD: Hey, the WAR six man. This was fun. You didn't really get to see Rico do too much. In fact, most of the match was everyone just beating on Flaco, which is kind of what you want in a match like this really, just flipping guys bumping big and getting crushed. Brayden didn't do a ton (really this was mainly Bob getting destroyed) but everything he did looked great. Finish worked ok because the Strong folk were obviously goofing around and taking their opponents lightly; sometimes you live by the door, sometimes you die by it. This was a nice mix of levity and roadkill to give everyone a breather given what was to come.

Dr. Cerebro vs Gringo Loco

MD: This could have absolutely just been a "traveling match" sort of exhibition and it wasn't at all. It was a weird and surreal inversion full of a sort of emotion that isn't neat or clean or crisp. This match wasn't a straight line. It felt a little like a therapy session unveiling in real time through the back drop of gritty, gripping, beautiful lucha libre. It just wasn't a redo of 2010. Gringo Loco has evolved and in some ways, in this match, Cerebro devolved. He sure as hell wasn't wearing his mask against the Gringos VIP. Moreover, even though Gringo worked rudo, he was a pretty clear babyface for a lot of this. That happens! Usually it happens with a guy like Casas or Satanico up against an unfortunately reviled tecnico or an even more deplorable rudo, but it happens. Here it was because Gringo had something of the homefield advantage and because both of them had a chip on their shoulder.

While I loved some of the early matwork (Cerebro scooting around into an amazing contorting bit of torture was likely the hold of the night), and of course the Cerebro dive that almost took out Marty's wife in the third row was electric, it was that underlying snag of emotion that really put this over the top. Gringo's paid his dues, has traveled the world, has been on TV in big arenas and has wrestled in the dingiest, dirtiest venues imaginable; he's grown into a true base god, and yet Cerebro, maybe empowered in all the wrong ways by the mask he was donning once again, refused to forgive the sins of the past. When Gringo wanted a shake, Cerebro made like a matador. When Gringo escalated things, Cerebro was all to happy to call and raise. He raised all the way to bringing in a chair and tearing apart Gringo's shoulder. Watching it, you can't help but wonder if it was because instead of finding a 25 year old that would likely bend under the pressure, he found a man pushing forty who had no give in him at all. Maybe it was because even though he had traveled north and presented himself in all of his glory, the crowd still leaned towards Gringo instead.

Regardless, he crossed a line that both men had crossed many times years before. It wasn't the end, however. The match restarted. Despite the damage to the shoulder, Gringo fought his way back. When the opportunity arose to cross that line himself, he took it. He couldn't transcend past it. Cerebro wouldn't be the bigger man but Gringo couldn't either, not after what had transpired. Cerebro ducked the chair, kicked it into Gringo's face, and honed in on the damaged shoulder for a submission. They wrestled a gripping match, one with a resolution in the record books, but you couldn't help feeling like nothing was truly resolved.

Krule vs “Warhorse” Jake Parnell

MD: On some level, on top of being a tribute to DEAN and on top of being something cooked up by the mad geniuses I write with here on Segunda Caida and powered by the ACTION engines, this whole show was a tribute to the Indies in general, to all eras and all regions. As such, this felt like it could have been the main event of a NWA New Jersey Coralluzzo show from the late 90s or an early 00s ECW successor promotion and I liked it along those lines. They worked hard. They hit hard. They flew hard. It had all the overworked bs you'd expect for the finish. As such, I almost think they did too much; maybe Parnell shouldn't have flipped out of a chokeslam attempt, maybe that dive shouldn't have been a flip, maybe some of the more complex Krule offense should have been straighter and to the point. They did a pretty good job keeping up with parts of the rest of the show but maybe they didn't need to. Maybe they should have leaned harder into the contrast instead. That's a lot to ask of them though, especially with the title on the line, and they did an admirable enough job all things considered.

Matt Makowski vs Arez

MD: I was going to call this a sprint and explain how instead of just spots it was layered with all that and more, but that's not what it actually is. It's a lucha lightning match and it's one of the best I've ever seen. It's cheating a little because it has the patina of a "different styles" fight but it's close enough to a lightning match in my eyes. A lot of it also speaks for itself, with Arez bounding around, hitting from every angle, and Makowski keeping up while trying to ground and stop him. For them to go that fast it for everything, no matter how unlikely, to still come off as plausible in this strange shared reality where Manders and Tank can sit in chairs headbutting each other as hard as possible takes incredible talent and commitment. I loved the transition where Makowski was able to jam the Casita and snap the arm. Arez wasn't exactly selling down the stretch but Makowski was so single minded in getting the cross arm-breaker in that you knew he felt like he was on to something and if he felt that way, you, as the audience, felt that way as well, even if Arez wasn't exactly putting out signals. Then it was all about working three moves ahead while dealing with the world's most unpredictable wrestler, to plant him in the center with the chaos theory cross-armbreaker. Thrilling stuff and a testament to knowing that they'd pack so much coolness into every second that they could let this go relatively short for the sake of the overall card but still feel fulfilling. Trust was the name of the game here, trust in the wrestlers, trust in the fans, trust in the mission

Slim J vs Adam Priest

MD: Yeah, ok, sorry to the first match, which I did thoroughly enjoy, but this is definitely my favorite match on the card. It couldn't be more down my alley. Two guys so good at doing the small things well hitting the fundamentals of what makes pro wrestling work perfectly and then adding just that added bit of creativity to put it over the top. Slim J's been positioned as a heel on TV for the last year or two but he's one of the best babyfaces of the 21st century and it was so great to see him on this stage, in front of this crowd, against this opponent, in this role. Talk about trust. They let this simmer and build so that when they hit bombs down the stretch they meant as much as possible.

Priest came in early with the trash talk and the early posturing and it was all about who would get the first shot in, and even more than that, who would be able to position the referee best to their advantage. Priest got Slim J into the corner behind him but couldn't follow up. Slim J, maybe a babyface here but a guy who knew every trick in the book and invented a good few of them, managed to snatch the ref's hand and use it (with just enough plausible deniability, of course) to smack Priest. Priest stalled just enough to rile the crowd without losing momentum. When he took over it wasn't just catching Slim on the way in with a knee, but then turning it into a neckbreaker over the second rope. It was never the easiest path but always a direct one with the extra little bit generally something additive that didn't distract from the key message.

Slim was always scrappy, always trying to fight back and his hope spots started small and close, an armbar or a chop back, but Priest cut him off definitely and then really added insult to injury as he grinded Slim down. It all built to the escape from the abdominal stretch where it seemed that Slim had come back, but Priest cut him off with a killer pile driver. That, in and of itself, set up the actual comeback as Slim reversed the second attempt at it on the apron. Even then, because the fans had just been fooled on a hope spot attempt, and because Slim was so good at staggering about in the ring selling his neck, the clotheslines he hit to really get back into it and launch the finishing stretch felt all the more striking and miraculous. Just amazing babyface work here.

That finishing stretch was the first time that they really launched bombs. Because they showed the restraint through the match, the big headdrops, which would have meant something just by their innate nature, ended up meaning all the more. Discipline creates opportunity, allows for the ability to build potential energy that can be turned kinetic. Then they paid it off with a finish that people probably didn't expect but that made the crowd happy. Just two architects building a castle of pro wrestling here.

Wasted Youth (Austin Luke/Marcus Mathers) vs Sinner & Saint (Judas Icarus/Travis Williams)

MD: This was as sprinty a juniors tag as you could get. Not entirely my thing but it had a place on a card that celebrated both the indies and DEAN. The first thing that comes to mind is hanging out on the DVDVR board the day that someone posted Brian XL/Divine Storm vs Red/SATs, probably in real media format, tiny file size, tiny video, and how all of us, the big guy included, reacted, like a whole new world opening up. Twenty+ years later, that wave has swept over all of wrestling a couple of times over, and it's led to a match like this. Icarus and Williams carried a lot of the middle of this with their more experienced and superior teamwork. They had a lot of clever tandem spots and sequences. I probably liked the Gory Running Punches the best though I would have liked to see a little more consequence to them. Mathers' connection to the crowd stood out more than anything else on the other side. This was breathless stuff. At times, the camera barely knew which way to focus next because things were going to come so quickly and explosively. This was candy before the steak to come but it was the expensive stuff and not some cheap knock off brand.

Dog Collar Match: Mad Dog Connelly vs Demus

MD: What am I am even going to say about this? How do you write about this? I thought about taking the coward's way out and just writing a paragraph about how Mad Dog Connelly has maybe the most amazing eyes that I've ever seen in pro wrestling, how you can track the entire match just focusing on them and in doing so, it's something different than you've ever experienced, how I'd never even thought about watching a wrestler's eyes a way to track emotion in this way because either the video quality isn't good enough or the quick cuts are too prevalent or whatever you're watching just doesn't rise to that level. How Connelly breaks a mold that you never even had reason to give a thought to before. I could go on about that but while totally accurate, it'd be both pretty weird and also a dodge. But seriously, rewatch this and just watch the guy's eyes. If you even can, because...

So let's try this instead. This match was a roller coaster ride. I hear you groaning. How dare I reduce this thing to some bullshit out of the can nonsense phrase. Just stop, ok? Stop and think. It wasn't like a roller coaster because it had ups and downs and it went fast. Nothing like that. Imagine actually being in a roller coaster. Imagine the first time maybe, when you were a kid, when you strained your neck to just be tall enough to hit the height marker and be allowed on. Imagine that it was one of those old wooden coasters, big and rickety, creaking, without some of the whirls and turns and technology and gimmicks of the last twenty years, just a looming monstrosity that might collapse at any moment because of one loose eighty year old screw. It's not the falling that gets you when you're on a coaster like that. It's not the speed. It's not even the anticipation as you're slowly going up. It's the fact that you're strapped in, you're helpless. If the thing fell apart, there'd be nothing you can do, nothing anyone could do to save you. You can't stop midway. You can't get off. No power in the world can stop it once it gets going. You're trapped.

That's what it feels like to watch this match. The second you hit play, it's like you're watching one of those videos from a Japanese horror movie. You're trapped. You can't shut it off. You can't look away. You can't even breathe. You can't even stop to think. You just have to watch one act of brutality seamlessly flow into the next. It's a river made of blood and you're adrift on it. I can't talk about specific moments of this. I can't break apart some sort of structure or go on about transitions. I've seen this two, three times. I remember the chain whip by Connelly to start. I remember people going into chairs. I remember biting and the smearing of blood. I remember the attempt at a hangman's choke and Dylan proclaiming it was that selfsame blood making things too slippery to hold it. Maybe there was a flying body press of some sort? Connelly choked him out to win. That's what I remember. I literally just watched this. Five minutes ago! It's all a violent blur. It's not a match. It's an experience. It's a sensation. You stare at the screen and your heart tries to leave your chest as you're buffeted by the violent, visceral gale. And like a roller coaster, the second you get off, you just want to get back on and go again. Look, I got nothing. Just strap back in and watch the thing again, ok?

Daniel Makabe vs Timothy Thatcher

MD: Full disclosure. This is an important match to cover well and I think I know what I want to say, even if it opens me up to be a little vulnerable. It's sort of the absolute worst time to highlight personal inadequcies, but here we are. Be kind. Maybe in part because I've got that most recent viewing of Connelly/Demus rattling around in my head, I don't know exactly how to start it. Let's go with this. Late in the match, Dylan likens this to Battlarts, and of course part of the inspiration here was Ishikawa vs Ikeda; Makabe wore his heart on his sleeve there if you get what I mean. So while this had its hybrid elements, much like Battlarts did, I think you could fairly safely classify this as shoot style. Shoot style, to me, is impenetrable in a good way, because I don't entirely get how they do it (Here's the vulnerable part). I watch so much wrestling. I write about so much wrestling. I think so hard (too hard, I know) about structure and narratives and patterns and comparative mythology and symbolism and whatever else is at play. And shoot style done well takes me back to being ten years old in the Boston Garden watching Bret Hart wrestle the Barbarian and just trying to wrap my head around how they could possibly know what to do next. And I've never gone out of my way to change that. I get so much enjoyment out of wrestling in so many ways, but only with shoot style is there still that hint of magic and wonder.

As I understand it, shoot style is a game of opportunities and openings, of mastering technique so well that all the physical possibilities to counter and progress the match are open to you in any moment. A little bit of give leads to a lot of take and the process repeats itself. Whether you're watching Fujiwara and Super Tiger or Volk Han, a lot of the storytelling is entirely implicit, driven by physical advantages and chance and consequence in the moment and over time. The drive for realism leaves certain basic, contrived narrative possibilities out of reach, but when done as well as it can be done, it can pull you in as much as any other form of pro wrestling. That was absolutely at play here, with every touch representing struggle and every contortion, simple or outlandish, feeling earned instead of given. What took this to another level was the genius at play. Yes, the storytelling was by necessity implicit, but underpinning and giving it color it was the weight of all of their previous encounters, the impending Sword of Damocles that hangs over Makabe's head, the expectation of what this match could be and what we all knew it was not (that being Ishikawa vs Ikeda), the well of emotion of the night and what people had just witnessed. 

Genius really is the only word for the alchemy of all of these things coming together, in small ways and in big. That could be Thatcher refusing the initial handshake or his look of glee as he was bending Makabe's wrist. It could be Makabe making the first inroads on the taped-up knee and Thatcher escalating to strikes out of desperation in response and then Makabe working at the upper body in order to open up the lower body to stay on it. Or it could have just been both of them stomping out each other's arm in frustration at the European Uppercuts they were throwing at each other. History creates the personality. The personality defines the character. The character decides how opportunities are capitalized on, and somehow, out of all of it, you end up with the richest, most compelling wrestling match imaginable. When it came to wrestling (and music, and a few other things), DEAN was like a cool older cousin to me, half a generation older, having gotten there first but selflessly willing to share. To him, everything was about sensation in the moment. To me, it's about thought after the fact. A match like this lets me meet the memory of my friend midway, and I'm very grateful for that.

Read more!

Scenic City Invitational 2022 Night 1 8/5/22

Adam Priest vs. Cole Radrick

ER: This is probably worth seeing just for the woman in the front row who lunges hard at Priest as he casually walks to the ring, and Priest acts like he doesn't even see her, two feet in front of him, as she's being hauled away in a rear waistlock. Stunt Granny? Perhaps. I really liked Priest here. He acts like an asshole, and works like a modern Jamie Noble. He's really explosive when the move calls for it, putting a lot of snap on everything. I dug how he snuck in attacks around the ref's blindspot, sneaking in a punch past the ref's shoulder and a back elbow over his back, and I liked how he did bratty little things like lightly kicking a rolling trash can towards a kid after rolling to the floor. All of Priest's strikes looked good, he missed offense with intent, took all of Radrick's offense well, and made everyman moves like the DDT look like actual finishers. Radrick is a mix of some things that work and some that don't. I thought he had some really nice fired up babyface punches (with Priest doing an excellent job feeding into them), like  Robert Gibson coming in on a hot tag. He had a nice diving elbow to the back of Priest's head, and hit a cool Hitman elbow off the top rope. He really didn't do anything at all with the "bad knee" part of the match, but Dylan Hales on commentary did a good job covering for that, adding to an awkward botched cutter by pointing out the bad knee couldn't adjust to the loose bottom rope. 

Hoodfoot vs. Orion Bishop 

ER: I'm kind of surprised by how much I disliked this. Scanning the card, this was one of the SCI matches I was most excited for, but hardly anything about this worked. They started with some unnecessary quick rope running stuff and then both seemed to hit a gas tank wall 10 seconds in. Hoodfoot looked like he was on tranquilizers through a lot of it, like he could barely lift his arm to throw strikes. Now, I love in a hermetically sealed bubble and miss a ton of what is happening in pro wrestling, but I did hear that Hoodfoot lost an absurd amount of blood in a deathmatch against Slade. There's a chance he isn't fully recovered, and if that's the case then I'm impressed by the grind. Also, if that's the case, I would rather him fully recover. His missed standing swings to set up Bishop's offense were some of the most quarter assed swings I've seen, and every shot of his that landed was telegraphed a mile away and thrown at half speed. At one point they both trudged passed each other and ducked offense that neither man threw. Hoodfoot took a nasty suplex bump and hit a nice cannonball in the corner, but this felt like a match where no exchange came off properly. Even the finish looked bad, as Bishop hit a spear ("hit" doing a lot of work there) and Hoodfoot flinched on the 3 count, making it look like he was supposed to kick out but couldn't lift his limbs. The ref made the bizarre choice to not verbalize a single thing, merely holding up two fingers and a thumb that didn't clear anything up. Instead of just saying "ring the bell", she kept alternating between holding up an index finger those other three digits. Shockingly little about this worked. Did both guys put in a couple hours on the bike before this match? 

Myron Reed vs. Eli Knight

ER: Now this, I liked, even though it had a finish that I sincerely did not understand. The ideas and some of the execution dipped in the latter half, but there was more than enough to make this a really good 8 minute match. I'm not super familiar with Eli Knight but came away a fan. The man has springs in his legs and has amazing form on his moonsault, and I loved how he jumped Reed before the bell with a super high and impactful running dropkick and then a gorgeous moonsault press to the floor. Reed is a clever wrestler who is good at setting up some complicated sequences, and Knight is a guy who can execute some complicated stuff and make it look effortless. Knight had a really cool dropkick from the top rope to the apron, and then kipped up on the apron and grinned right into the hard cam. Both guys hit strikes with some nice jolt, and on the couple occasions where something didn't quite work they just quickly moved along into something more spectacular. Reed had a big flip dive over the ringpost, and I liked how Knight was able to use his moonsault as both a feint and as a strong nearfall. The finish might have sounded better on paper, but I don't think it worked in reality at all. Knight hit a moonsault, but Reed slightly lifted his head and neck off the mat as it hit, and apparently this meant that Reed hit a kind of grounded cutter on Knight? It just looked like Reed was sitting up to take some of the impact and I don't think anyone would have thought it was supposed to be Reed catching Knight with a reversal. Nonetheless, even with the dodgy finish this was probably my favorite match of the first three. 

11. Daniel Makabe vs. Damyan Tangra 

MD: I've bumped my head against this review a couple of times, but it was my favorite match from SCI this year and it's worth writing about so I'm going to power through. Phil talked about the great Makabe vs Garrini matched from Night 2 on the Ringer, but this was pure, unbridled move chaining and gamesmanship, build and payoff, total engagement.

How about some examples? Makabe previously beat Tangra with a seated triangle. One of Tangra's big moves is a swing into a gutbuster from a Saito Suplex position. Early on, Tangra went for it, Makabe turned it into the triangle, Tangra had an answer and could escape. When Tangra finally hit it, it was out of Makabe escaping a Fujiwara Armbar, which Tangra had put on through cleverly countering something else. The match had high points that were built to like that, that were teased earlier, countered, worked for later, but they're more a microcosm of the endless struggle. Makabe laid traps, Tangra was ready for them, and it became about which wrestler could take advantage of where they ended up after the counter to the counter.

It should have been exhausting, a endless cacophony of noise and counters of counters of counters of counters, of limbs provided and capitalizing technique, but it wasn't. These weren't two wrestling robots, two drilled out shooters driving forward at each other. They are human beings, characters, wrestlers, entities with emotional stakes written on their sleeves (or in Makabe's case, underneath his wrapped up fist). When Tangra got an especially impressive counter, you could see it on Makabe's face. Not overwrought, not over the top, but human and appreciative and consummate to the moment. Tangra, sympathetic, with an ever-growing connection to the crowd, expressed a real sense of desperation in escaping Makabe's holds, escaping late hammer and anvil shots, in avoiding Makabe's punch at all costs (right up until the point he couldn't, of course). When the wrestlers care, when they let things sink in, when they let them matter, those things matter to everyone watching as well.

The turning point of the match was Tangra making the most of a cleverly captured leglock, both legs viced together in a way that wasn't sustainable, that wouldn't draw a submission, that led to a quick ropebreak, but that did lasting damage to one knee. By no means was this the singular story of the match. It gave it color, like any of the other elements. It enhanced instead of dominating. In key moments, Makabe couldn't capitalize due to the leg. In key moments, it provided Tangra a target. It gave him an edge, but against Makabe, you need dozens of them. On this night, he had just enough to survive and to score a believable, well-deserved, still shocking upset.

In watching this on Night 1, we (or at least I) didn't know what we'd learn about Makabe's physical condition on Night 2, that there's a possibility that his in-ring career is winding down. Looking back, that makes this feel like a potential changing of the guard, one that embraced and highlighted so much of what makes Makabe special and unforgettable, while letting Tangra not just hang with the master (no small thing), but also show his own worth and uniqueness and reinforcing the notion that he might carry the torch forward in years to come.

ER: This was so good, easily the match of Night 1. Matt covered this about as thoroughly as I've come to expect from Matt, so I'm not sure how much I have to add. I dug how this was a real Makabe showcase in the front half until he got slowed by his leg, and then those same tangled holds he was breaking out in the first half were given a sense of desperation down the back half. Makabe is so good at taking a sequence that you think you've seen before, and then suddenly taking it in a direction you've never seen. Early on they went into a series of inside cradle reversals that ends with Makabe reversing into a nasty head and arm choke. I swear, there are always at least three moments in a Makabe match that look like something that could plausibly finish the match, and this would have been a cool way to do a sudden surprise finish. This wasn't the venue for that, but the point stands. Dan really glued himself to Tangra like a spider monkey here, keeping himself close for several minutes, constantly tying Tangra up, climbing around his body before rolling into one of the cleanest triangles I've seen. I thought Tangra's body scissors takedown into a heel hook was a really cool way to counteract Makabe's clinginess. 

Makabe getting his leg worked over changed the pace and the strategy, and I really liked how Tangra threw kicks at every angle to Makabe's knee. Some guys get locked into throwing the exact same kind of leg kicks, but Tangra was kicking it from the inside, outside, upper patella, lower hamstring, just throwing them all over the target. Makabe is one of the best at selling a limb, dragging himself up by the ropes while favoring his good leg, trying to hold a bridge with one leg and then getting instantly reversed when he flattens the bum wheel, slowing his reaction time during standing exchanges. He still had several answers to whatever Tangra tried throwing, and I especially liked him wriggling out of a fireman's carry by quickly getting a crucifix on Tangra's arm. Once Tangra made this into more of a strike battle, Makabe kept trying to unload that Logan Gilbert right hand, mostly getting countered due to his slowed down wind up. Makabe getting slowed face Tangra openings to show off on the mat, and he had an awesome STF where he choked Makabe out with his own arm, while also hammer fisting his bandaged hand. That didn't finish things, but it could have, and having multiple ways to finish and be finished is one of the things that makes this pairing so engaging. 

Dominic Garrini vs. Kevin Ku

ER: I didn't really like this. I don't think I really like them against each other. This started at one level, and basically stayed at that level nearly the entire match, and never really let the crowd in on where they were going. They came out and took turns throwing chops, then took turns throwing kicks, and I'm not sure they even looked beyond the ring during any of it. These matches feel like they're done for the weird enjoyment of the two guys in the ring, as I never got the sense they would have done anything differently regardless of the crowd reaction. Obviously this crowd did not hate the match, and I was amused by a couple of girls chirping in reaction to several of the chops, but I think this needed just an ounce of direction or purpose. I think I would have liked it more had Dom's scoop spinning tombstone ended things. Up until then it had been mostly perfunctory strike exchanges with neither really acknowledging that they had been struck, but that tombstone was nasty and would have made a fun "fuck it I'm tried of being hit" finish. Not for me, but no problem if it works for thee. 

Jaden Newman vs. Ashton Starr

ER: This kind of odd pantomime wrestling just does not appeal to me. Why are some guys so silent in the ring? It always comes off so bizarre. The Soddy-Daisy fans have a real connection to every wrestler on these SCI cards. It's a good crowd to work in front of, positive and eager to support. But this silent play acting wrestling just doesn't connect. At one point Newman hit a complicated but slick swinging DDT from the apron for a two count, and just sat there doing silent mouthing and hand signing. Every time either man appealed to the crowd it was done silently, going out of their way to not use any kind of words. This is a crowd where you can hear individual reactions of everyone in the crowd, so it plays even weirder when both guys are trying to stay so silent. It was so jarring when Jaden let out a grunt after being hit, as I had assumed neither could make sounds, but it's possible they just can't turn those sounds into words. I liked Starr's high extension kick while Newman was on the top rope, and liked how Starr whipped his head into the mat on Newman's swinging DDT, but mute reaction wrestling is so weird. 

17. Manders vs. Masha Slamovich

ER: Manders was the replacement for Trish Adora, which is a cool swap. I thought this was really good, playing to both strengths. Masha often goes really big in her matches, starting them with some big spots that can leave the endings of those matches underwhelming. Here, that made a lot more sense, as she actually felt like the underdog against Manders. Manders can absorb a lot of punishment and wasn't going to work this 50-50, so Masha breaking out all her big stunts felt like the only way she was going to pull off a win. She's such a fighter, but I liked how Manders overwhelmed her at times, starting the match by wasting her with a clothesline, throwing her through chairs, throwing hard targeted headlock punches. Her openings are all from fighting dirty, and I love it, like how she went after his nose and eyes to break out of a headlock. Her strikes all looked good, and Manders didn't sell them 1:1, instead he treated them more 3:1, making her land several hard elbows or a couple kicks before being moved. Once she started stacking strikes, it gave her more openings to hit big stunts. 

She dropped Manders with some big things, like an electric chair that bounced him off a couple of chairs, and it turned into Manders having to brute force his way out of things. He was taking real damage from Masha, but was always able smash when things got bad. I dug Masha throwing several elbows and kicking him across the chin, and it wasn't like he wasn't selling them, they just needed to come in bunches to keep him down. He was still able to dump her with a big powerbomb or flatten her with a lariat, but they were smart about adding that extra time or breath so this never felt equal. Manders really hammered her with a lariat that looked like it would be the finish, but had such a head of steam that he went right through the ropes to the floor. He still almost got the win (with a great pin leaning his weight way back over her shoulders) but that extra time gave Masha the breathing room she needed. The finish looked botched but in a way that I think benefitted the match. Masha piledriving Manders off the turnbuckles into a pair of set up chairs was pretty crazy, with both landing hard, and Masha basically just landed on Manders for the three. Whatever the spot was supposed to look like, I don't know. I didn't look totally clean, but I came away thinking that whomever was lucky enough to end up on top after the crash landing was the one who was going to win. A crash landing doesn't have to look clean, it's supposed to look like an ugly pile-up, so Masha being the one who got lucky on the landing works well as a finish for me. 

Robert Martyr vs. Billie Starkz

ER: I really liked a lot of this, but the Starkz win really didn't work for me. Maybe there was a way to set it up that would have worked, but I don't think this was it. Pretty much everything up until the finish worked. I loved how they started things, with Martyr being a little prick and then getting his circuits scrambled with a hook kick, actually doing one of the only good "stiffened legs while my lights went out" sells that I've seen in wrestling (I always hold up Jimmy Yang's silly "4 limbs in the air" off a Tank Abbott punch as the worst example of this). Starkz getting a flash KO pin would have been awesome, but as I said earlier in this review, this wasn't the venue for that. But I dug Billie getting that quick advantage and then having it erased when Martyr blocked a tope and ran her into the post, then hit a gross powerbomb on the apron. Martyr seethes into the camera "I'm gonna kill this girl!" and he kinda backs that up. He had some really disrespectful boot scrapes, punishing corner lariats, and a big layout powerbomb. All of his stuff looked pretty killer. 

I didn't love the forearm exchange, but only because Starkz has bad looking forearms that wouldn't look like they'd move even a small guy like Martyr. However, everyone probably knows the moment this match was building towards, and that was one of the greatest splats I have ever seen in wrestling. Billie splats across the floor of Soddy-Daisy with an insane swanton off the top, Martyr slipping out of his seat at the last second, chair absorbing none of Billie's weight. The chair might have slightly slowed her down but not much. This girl just leapt off a one story building to her concrete death. As everyone checks on her, Martyr is the one in the ring yelling at the ref to get the hell in and start counting her out, and I love that look on him. When she barely beats the count and crawls right into a brainbuster, I thought that was it. If that was it, this match would be going on the list. But the finish didn't work for me. I thought the electric chair set up was frankly stupid for someone who was holding the back of her hand to her lower back ever since the apron powerbomb, and I just didn't buy the set up or the win, no matter how sick a Rubik's Cube can look. Criticism of the finish aside, this was still probably my third favorite match of Night 1.

2022 MOTY MASTER LIST

Read more!

ACTION Wrestling Boogie Nights 5/14/21

Wes Barkley vs. Bobby Flaco

ER: Happy to see Maserati Wes in ACTION, but the match itself was a bit of an under-delivery. It really felt like they kept cycling through the same kind of moments, with the match resetting every couple of minutes so Flaco could slowly climb to the top while Barkley killed time, before Flaco was either knocked off the top of missed his flying spot, to then be hit with a nice Barkley driver or something. It built to Flaco hitting a nice crossbody but the build felt a bit stilted. I like both guys, so it's natural that there were things I did like, but it's odd that Barkley came off like the faster guy here. I was expecting Flaco to out quick him, but it felt like Barkley had to keep waiting around for Flaco, and Flaco's offense didn't always look like it would move Barkley the way Barkley moved. Still, I liked Barkley's driver and rolling clothesline, liked Flaco's corner elbows and loved Flaco hitting a double Fuerza dropkick on Barkley and Bishop (with Bishop taking a wonderful bump into the front row fans), and I can see them matching up better next time. 

Robert Martyr vs. Ashton Starr

ER: Super fun match, one that really felt like the match that should open a wrestling show. I think there were a couple too many kickouts, but I liked a lot of their ideas and came away impressed with both (in different ways). Starr is one of the only guys in wrestling to wear a Pimpi/Cassandro singlet, and that will always make me like a guy more. I don't love all of Starr's offense, think his strikes are weak, doesn't really have the strength to pull off some of his more complicated spots (like his pop up German, which, if it can't look good against a 140 lb. guy then maybe you should trim your moveset a bit), but he's great at taking offense and takes steps that a lot of guys don't. Starr is really good at whipping his face into the mat on moves, showing the damaged a move could cause. I loved how he made it look like he took Martyr's drop toehold right on his chin, how he snapped himself over the ropes on a neckbreaker, and it makes sense that his quebradora would look good (as he has the magic of the Pimpi singlet). Martyr has been a standout on Paradigm's UWFI shows, and he carried that over easily on pro style shows. He does little things like plant his knee on Starr's forehead during a pin, was great at taking all of Starr's runs of offense, throws a surprise kick at Starr's chest while Starr was getting to his feet, takes a nice Starr springboard dropkick right under the chin, and breaks out an awesome Tiger Driver that I thought should have ended the match. A bit of editing wouldn't have been a bad thing, but overall we got a good thing. 

Brandon Williams vs. Damyan Tangra

ER: I was excited for this on paper and they gave me exactly what I wanted. It's really easy to picture both of these guys being very good in a year, as both are fairly new but already do so many things that keep their floor very high. Williams had some really sticky grappling and Tangra had no problem being glued to him and waiting for submission openings. Dylan Hales did a really great job of point out small details in both of their games, talking up Tangra's "true double wristlock", explaining different grips and talking about the advantages of those grips. The first few minutes felt like a cool gym exhibition that kept getting a bit more heated, both guys getting nice subs that got quickly broken, getting in each others' head. Williams moves past the grappling with a tornado chop that should have been silly but hit like a firecracker, and when we move into a few throws and suplexes I dug how both stayed glued to their opponent. Williams hit an awesome fisherman's buster and held onto the arm, rolling it into a nice Fujiwara. Tangra had a strike combo that could have been tighter, and he took a bit too long getting Tangra into a rear naked with body vice, but the finish was fun as hell. I loved Tangra fighting for his STF while Williams wanted his ankle lock, and Williams might have the best looking ankle lock since who knows when. That's a move that's been about as dead and buried as you can get - once Angle was letting every referee he locked it on do the exact same forward roll reversal - but Williams' looked like one that should finish a match. Tangra getting him in the STF and then grabbing Williams' arm reaching for the ropes, and using that arm to strangle him, was a great way to finish. Very cool match. 

PAS: This felt a bit like a early version of those Thatcher/Gulak/Busick matches at the beginning of the 2010s, a pair of indy guys who were going to go out there and show what they could do with pure grappling. Williams is a guy I hadn't seen before, but I was impressed with how tight all of his holds looked. I am a guy with a high standard for Fujiwara armbars, and that was a great Fujiwara armbar. I also loved the finish, that was a nice looking STF, and I always love when someone shifts the application of a hold to stave off a rope break. We are in the middle of a grappling renaissance on the indies and I want to see these guys in there with the Makowski's, Garrini's and Makabe's of the world.

Liam Gray vs. King Garuda

ER: One of ACTION's strengths is how their cards are laid out, rarely giving us back to back version of the same kind of match. Two hour shows with good flow? That's why I watch full ACTION shows instead of cherry picking the stuff that sounds good on paper. Garuda is really new, this is his first singles match, and having a fun "rookie keeps a cocky heel off balance" match was a nice change of pace after our grappling and submission based match right before it. Skulk are a great tag act, and I loved Adrian Alanis at ringside interfering and getting into it with fans (like when Gray took his shirt off and threw it at a fan, and Alanis went over and played tug o war with the fan to get it back), and their entrance heat is fantastic. Gimme a heel tag team who can dance while cutting up kids' signs and I'm a happy man. Garuda hits Skulk with a plancha while they're getting into it with fans, and I immediately become a huge Liam Gray fan as he keeps flopping and slipping on the floor when Garuda tries to throw him into the ring. I like the match type where a rookie starts a match getting a near 3 count and then gets punished for it. Garuda didn't really get punished, as the story of the match wound up being "he would have won if not for Alanis at ringside!" but it's still a fun way to start a match. I wasn't expecting Garuda to take so much of the short match, but I liked his pescado, liked his wrist clutch suplex, thought it was great when Gray kicked him low from behind (thanks to Alanis distraction) to hit his cobra clutch backbreaker. 

Merrik Donovan vs. Jack Cujo

ER: I enjoy ACTION's honest approach to getting rookies onto shows. These guys impressed on a tryout show, weren't supposed to be on this show, ACTION realized they had time, so we get a bonus match. There's no phony hype around it, just an honest explanation explaining why these two were here. I'm always down to see rookies get 3:30 to show what they can show. They almost always show a bit too much, but hey, shoot your shot. Cujo has good charisma and a ton of confidence, and that will carry him a long way if he keeps at it. Do we have many indy guys working Second Line Dancer gimmicks? Donovan misses way high on all his missed strikes, but he gets a TON of power behind the strikes that are supposed to hit. He lands an elbow and standing lariat in the corner that looked like it shook Cujo to his core, and he had some ground and pound that he was intentionally throwing high to graze off Cujo's head, but he threw those grounded elbows with impressive force. Some guys have body language on strikes, others do not, and Donovan's body language looked like he was murdering a guy even when he wasn't connecting. I also liked how Donovan sold on his feet, leaving Cujo a lot of openings to hit his flash, staggering and leaning on the ropes. Cujo's missile dropkick landed flush, though some of his offense doesn't seem like the kind of thing that should work against larger opponents. His air raid crash over his own knee finisher feels a bit too 2006 indy wrestling, but I loved how Donovan sold it (even doing a bit of a kickout several seconds after losing).  

Orion Bishop vs. Alex Kane

ER: This was the match I was excited for when I looked at the card, and while it didn't live up to my own expectations it still gave me plenty of moments that got me excited for it in the first place. Kane has been a real standout on the Paradigm UWFI shows, and Bishop looked like a cross between Dr. Death and Donald Gibb and obviously I'm going to be into a guy like that. The match was all about Kane being unable to use his strength on Bishop, with Bishop staying on his feet and refusing to be thrown around. Bishop blocks a belly to belly and hiptoss, then catches a Kane avalanche and tosses him with a fallaway slam. Bishop is good at shutting down Kane, and he hits him with a spear hard enough that I would have bought it as a surprise early finish. Kane has a really cool transition as he grabs an ankle pick while on the ground and it was a cool reminder that Bishop could be caught at any time, even while in control. But Bishop is too much of a wrecking ball and escapes, then hits an exploder and Vader bomb. 

I can't decide how I feel about Kane's big opening in the match, as Gibson runs him across the ring with a buckle bomb, but when he charges back in that's when Kane hits him with a nasty overhead belly to belly into the corner. The suplex looked mean as hell, and Bishop's body got all hung in the ropes in a cool way, and I get that Kane was finally able to suplex him by using Bishop's momentum against him...but it doesn't quite sit right. Bishop was delivering too much of a beating, and Kane was acting too out of it. Kane is a much more compelling offense guy than a selling guy, and that corner suplex basically turned the rest of the match into a Big Moves Exchange. It doesn't go long after that suplex, an F5 from Bishop, Angle Slams from Kane, but it felt weak to have Bishop go down so quickly after all the damage he did. It didn't feel like the finish, build felt off, but the pairing itself was an absolute blast so it's kind of a wash. 

PAS: I liked both guys, liked their performance in the match, but agree that the pacing was a bit off. Kane gets steamrolled for 90% of this match, and two suplexes seem like an insufficient price to pay to win the match. I think we needed a couple of more moments for Kane, maybe a hot start, or one more big hope spot, instead it is all Bishop until he loses. I do love the way Kane pops his hips on suplexes though, really makes every throw look awesome.

Logan Easton Laroux vs. Kevin Ku

ER: This kept building into something I was more and more interested in, peaking with the best combo of their styles and both men crossing each other up and taking sequences in unexpected directions...and then shot past the peak for a few minutes and turned into something I did not like. At minimum, you knew this was going to feature a lot of Ku hitting Laroux in ways that Laroux wasn't going to like, so we had a nice burn with Ku throwing his hard chops, bruising up Laroux's chest, following him out to the floor any time he'd try to get away. We get our compelling Laroux opening when he's able to kick out Ku's legs, and I got really into what they were doing. They started doing some trading, but it was great because they kept switching things up, finishing an exchange with tricks to fake each other out. Ku starts throwing kicks and then fakes a chop, locking in a standing guillotine when Laroux flinches. Laroux lands some kicks and when he sees that Ku is inviting him to kick him in the chest, Laroux fakes the kick and then dives in with an eye rake instead. Laroux baits Ku into lobbing a kick at his chest and snaps off a dragon screw, and I am into this kind of back and forth! They even turn a Laroux trip into a more interesting spot, as Laroux stumbles while locking in a crab, commentary deftly covers by saying Ku scrambled to reverse, Laroux recovers nicely by making it look like a Ku reversal, throws some hammer fists at Ku's leg, and locks on a different submission. 

But before long it turns into one of those "I kick your knee and that makes you spin around and kick me and that makes me walk backwards into the ropes and then spring forward with a clothesline but you ignore that clothesline and then I superplex you but that superplex just makes you roll through and hit a fisherman buster" and I just can't focus on that shit. Nothing takes me out of a match faster. Once they started with all of that, I guaranteed that Ku was going to do some big move on his worked over knee, so when the finish of the match was a backcracker (with Ku shaking his leg out after) they completed my own personal modern indy bingo. 

17. Dominic Garrini vs. Arik Royal 

PAS: Big time main event title match which had some really special moments. Adored all of the early matwork, with Garrini sucking Royal into his world and finding really nifty ways to attack, shifting from kimuras to triangle chokes to some sort of leg stretch. Royal was able to use his size and power to counter out of a lot of it, and had some cool flurries of his own. Royal has such cool unique offense, like a nasty top wrist lock leg sweep, diving tackle to the ribs and some punches to the thighs. He also really unloaded with some cool combos of uppercuts and body shots. I also really liked how nasty he landed on throws. Instead of doing the big man thing of jumping into suplexes, Royal made Garrini lift him, and the landing went poorly in a very cool way. There was a section where they were trading snapmare back kicks which I didn't care for, and I am not sure if the finish really felt like a finish. Still I was really digging the chemistry between these two, and I would love to see Dom get another shot. 

ER: Royal and Garrini are both guys who know how to up the atmosphere for a main event, and that's what they did here. They had a ton of ideas and built to them well, maybe with a few distractions along the way, but a great build nevertheless. I had no idea what direction this was going to go and thought each guy could have taken this at any point of the 15 minute runtime. I wonder wondering if it would mostly stay on the mat, and they were so damn good at the mat grappling that I think it just made me *want* to see them work a full grappling match. Royal is careful but still goes into the lion's den, showing that he isn't a sitting duck on the mat and using his size to force a couple of cool counters. This starts to feel a lot like the incredible match Garrini had with Eddie Kingston a couple weeks prior. 

It doesn't quite reach that point that there were detours with slap exchanges and the snapmare kicks that Phil mentioned (and while I didn't love them I did unexpectedly find myself enjoying how nice both of their snapmares were), but these two were knocking the crap out of each other and that was the primary focus. Royal has some super impact on shoulderblocks, a flying tackle, and an even nastier tackle into the front of Dom's knee. Dom is great at absorbing punches and brutal uppercuts and throwing his own right back (his corner chops/punches looked and sounded devastating) and it was great seeing if he'd be able to catch and tap the Ace. Instead, though, he straight up crunches Royal with a muscle buster, and I loved the callback of Royal using his size to force counters when he dropped back onto Garrini during a rear naked and forced him to break or be pinned. Garrini wanted this on the mat, but Royal was too good there for Dom to stay the whole time, forcing this thing into a strike battle, and the combo of both was awesome. 

2021 MOTY MASTER LIST 

Read more!

SUP Swing of the Axe 10/9/20

25. To Infinity and Beyond vs. Violence is Forever

PAS: This was totally killer, TIAB ramped up the violence to meet the potatoes that Ku and Garrini were throwing. Delaney was skin singeing in a chop battle with Ku and Cheech landed some nasty back elbows to Garrini's jaw and the back of his head. Infinity are the best team at the world at cutting off the ring and other old school tricks and I loved how they kept cutting off VIF''s double teams by pulling them out of the ring. They also did a great job of working over Dom leading to a wild Ku hot tag. Great traditional tag structure with moments of gross violence mixed in. Infinity crunched Garrini's neck with a Kudo Driver combo, and VIF obliterated Colin with a Total Elimination. They kept a crazy pace, but nothing felt overdone. Really good stuff, would love to see this be a series. 

ER: When this started out I thought it was going to be one of those inside joke matches, where we were going to get some gags based on something that happened the night before at whatever hotel conference room everyone was hanging out at. And while there is some comedy and Delaney wears a Buzz Lightyear backpack for a bit, once this starts with Cheech rolling with Garrini, Garrini dragging him down into an ankle lock and then each rolling through a series of cool wrenched in armbars, I knew we were running. I love the way To Infinity lays these matches out, and as long as opponents match the pace then the formula is lights out. Their best matches are filled with quick tags and quick set-up, and this had all sorts of complicated double teams and timing spots that never seem to lag or hitch with To Infinity. 

Ku seems like a guy who likes working quick and is a perfect opponent, as he's always running hard into people and sending his legs even harder. He had a sliding knee on the apron that looked an hair away from a broken jaw, and I like that he doesn't always go for style on strikes. He misses some but they always look like they're thrown to land. He takes offense well, will splat head first on a rope hang DDT, and had a couple of late saves that saved Garrini. The double team vertebreaker was disgusting, and it's a frequent reminder of how talented Dom is, while also knowing there will almost always be something this nuts taken in a Dom match. There were a few misses here, didn't love Ku's standing chops to hold of Infinity, and the big head kick as part of the finish looked like it completely whiffed (it's always unfortunate when the finish doesn't look nearly as cool as the rest of the match) but when you go this hard you're going to miss a couple things. 

29. AJ Gray vs. Nolan Edward

PAS: I am fully aboard Gray just becoming Black Stan Hansen (which feels like a secondary nickname for a Griselda crew hanger on, Daringer should totally start calling himself Black Stan Hansen in drops). The story of this match was plucky youngster Nolan Edward proving himself against a veteran, and Gray delivered the asswhipping that match structure needs. He jumps Edwards at the bell and just plasters him with reckless forearms and punishing chops. There was no carefully timed shots in between stares, just blows thrown with no real concern for where they land. Edwards fired back with some stiff shots too, just to let you know he was there, and got a couple of well timed kick outs, but Gray was a Mack Truck and Edwards was the possum who crawled onto the road. 

ER: You're going to do an under 5 minute match, this is how you do it. This is the kind of AJ Gray match that people will talk about when they talk about Gray becoming their favorite wrestler. He doesn't give Nolan Edward time to breathe for the first 2 minutes, fast walking from the back straight into the beginning of his ass kicking. He's throwing full arm shots, just pummeling Edward's body, hard forearms to the jaw, and I swear at one point picks Edward up just to send a forearm straight into his teeth. Edward weathered the storm and managed to send Gray off balance with a high dropkick, then flew into him as hard as he could on a tope (and what a great tope catch by Gray). Edward's missile dropkick believably sends Gray flying across the ring into the corner, and Edward hits a wild spinning heel kick that almost sends him flying to the floor in an unprotected tope con hilo. If that had happened, Edward may have delivered a meaner spinning heel kick to his own head than the one Gray almost decapitated him with earlier. When Gray finally catches him it is a no more fucking around situation, as he lays Edward out with three increasingly brutal clotheslines. That finishing shot has to have the claim for lariat of the year. Nolan Edward came out of this looking like a man for withstanding way more of a beating than most of us could imagine, and Gray came out of this looking like a superstar. 

Allie Kat vs. Davienne

PAS: US Indy women's wrestling is something I am a real low voter on, however I would much rather watch B- Aja Kong vs. Bull Nakano matches then B- Stardom matches, and that is what we got here. Two thick girls beating on each other until one of them drops. Allie Kat didn't do any of her cringey "I am a human cat" spots, and instead just threw forearms, jabs and sentons. Davienne knows how to use her size well and threw herself into everything. Didn't wear out it's welcome, kept it moving and had some oomph, this gets a thumbs up for me. 

ER: This was good enough for me, and a thing I really like about Allie Cat is her willingness to take a shot. Unfamiliar with Davienne, but liked her willingness to also hang in and let Allie's limbs and body land on her face. I did not like the moments of unnatural set up, like Davienne missing hooks by 3 feet just to set up Allie jabs. There's just got to be a way to make those look like they were actual misses. But there are a lot of hard landings and snug pinfall attempts, and I liked how Davienne really scooped Cat's legs every time she tried to cover. Allie Cat's best offense is when she just runs in and flings herself at her opponent, and she really crushes Davienne in the corner with a hip attack and cannonball. My favorite things in the match were when they twisted a sequence just slightly, like when I thought they were going to do a played out "I hit you in the corner and then you chase me to the other corner" spot, and Allie just drops to all fours and sends Davienne faceplanting over her. Things like Allie sliding on her knees face first into the buckles was cool, and I think plenty here looked cool. 

34. Daniel Makabe vs. Lee Moriarty

PAS: Reversal heavy matches are normally not my thing, but I have to give a lot of credit to all of the cool shit both guys did in this match. Makabe especially looked awesome, although I wish there had been a beat or two more in between spots and reversals. Makabe hits this incredibly awesome La Magistral cradle into a rear naked choke, but Moriarty is on to the reversal before it even gets locked fully in. Give me a beat, let me soak in that move a bit before you move on. The finish was a much better example of what works better: Moriarty puts the Makabe lock on Makabe, and we watch Makabe move Moriarty's legs into position before spinning him into a sort of a reverse Cattle Mutilation for the pin.  There were also some cool big impact moves, Makabe's top rope rana looked moments away from killing both guys )which made it great), and there was a couple of nasty suplexes too. This is Makabe's only pandemic match, and he made it count. 

ER: I thought this was great, while also thinking that Moriarty was kind of playing the Angle to Makabe's Eddy. Moriarty is very smooth and has some slick maneuverings, but there were several things I wish he let breathe. What's perhaps most impressive is that while a lot of things were moved into and out of very smoothly, this never had a big cooperative feel to it, and it's hard to get to this level of smooth without feeling and looking entirely mapped out. I think there were a couple times where Moriarty kind of left Makabe hanging on a couple spots, requiring him to sell in place while Lee set up the next bit of offense, but mostly this was seamless. And while I also wish there were a couple beats and I was allowed more time to ruminate on certain things, I was at all times impressed by the pace. This whole show has felt like a real "pace" show, and these two filled the most time of anyone, and it's not easy to make an 18 minute match feel like a 9 minute blur. 

The match felt like one cool reversal after another, far too many (and far too pointless) to list here, but they all looked great and only a couple times did it look like Makabe was intentionally leaving a limb out for Moriarty (there were also clearly Makabe playing possum sells, so they all easily could be chalked up to that). Moriarty targeted Makabe's left arm, and I like how Makabe had this desire to land his big right hand, and the more it appeared Moriarty had scouted it the more it made Makabe want to land it. Makabe's roll through reversals are one of my absolute favorite things in wrestling, the way he springs his legs back over his head to wind up in a position nobody was expecting to grab a limb or snag a pinfall that nobody was expecting, it's insane to me he manages to do it around his opponent. It never once feels like his opponent is adjusting their momentum or trajectory just to make his slick rolling reversal work, and that's wild to me. He has a great sense of where he needs to be to make a spot or submission work, and I dig the way he gets to that spot. Reversing direction on a magistral to drop into a rear naked choke would be a contender for spot of the year, and I hate that Moriarty basically slipped right out of it into something new. There's value to adding rope struggle or positional struggle to things, but this felt like the most interesting match that could happen while showing both guys almost exclusively neutralizing each other.

Makabe finally catches the Big Unit punch (if we're naming it after guys who have had at least one good season as a Mariner, I think that punch should now be called the Doug Fister) while Moriarty was up top, and eventually hit a crazy LATE rotation rana that I was not expecting at all. The trap leg bridged suplex looked outstanding, and I dug how commentary pointed out how high end Makabe's bridge work is. It's an important thing to note, as he has several different important spots where the leverage is made all the more painful with his bridging. Moriarty was eel slick getting into and out of everything, and that really did make me appreciate the home stretch where Makabe kept getting better and better at trapping him, before finally trapping him. 

O'Shay Edwards vs. Jake Something

PAS: I like that indy wrestling has gotten more legit big dudes lately who wrestle like big dudes and just hit each other. This wasn't a Lee vs. Dijak rana fest, this was all forearms and clotheslines and big slams. I especially liked the early section where Something taunted Edwards into going for a running shoulderblock, and as he turned his back cracked him in the back of the neck with a forearm. I do wish Edwards was like 15% stiffer for what he is trying to achieve. On this card you have guys like Gray, Ku, Garrini and Manders and Henry absolutely obliterating people with strikes and there are some forearms in this match that look pulled. Structure was cool, but I wanted it cranked up a bit.

ER: I thought this was cool, and keeping with the theme of the night of people running into each other as hard as possible. Jake Something really laid into O'Shay with everything he threw, including three different brutal shots to the back of the head. He nailed him once early in the match after a missed shoulderblock, then late in the match ducked a clothesline to nail his own to the back of Edwards' neck, then ran off the ropes to lay him out with the hardest lariat of the match to that same spot on the back of O'Shay's neck. I'm pretty tired of standing elbow exchanges, but loved how much of their body they were putting into these shots. You could see both of them following all the way through with their weight, and they looked like the kind of shots that at best would break my jaw and send me flying 8 feet backward. They didn't linger on them (always weird to me when people put long strike exchange spots in their matches, effectively making none of their strikes mean anything) and moved quickly into standing lariats, and there haven't been many times in pro wrestling this year where full arms landed hard on chests. 

We quickly went into a home stretch of big moves, like that diving lariat of Something's I mentioned, a Thesz press/Vader bear attack from Something, or O'Shay hitting a sick over the shoulder piledriver, and we wrapped up with another economical ass kicking. Although, at this point it's obvious that this match would have stood out so much more on a show that had a lot more variety. Given the choice, I'd rather see a show like this with a ton of matches filled with stiff beatings - a style I love - rather than a few bad cooperative flipper matches leading to a match like this. But having 6 different "people laying in the shots" matches is going to mean some excellent things blend into the background. 

52. Anthony Henry vs. Jaden Newman

PAS: This was our second young guy gets beaten by a veteran match, and Henry lays in an appropriate beating. I liked the early section with Newman using his speed to frustrate and taunt Henry. When Henry takes over he really laces into the kid, including some whip kicks to the torso which were Akitoshi Saito level nasty. Newman got a couple of nice comebacks before being put away with an absolutely vicious looking trapped arm dragon sleeper, one of the cooler new submissions I can remember seeing. 

ER: This one really didn't land as with me as some of the other big bangers, even though I liked just about every single thing Henry did. This is another example of a match that probably would have stood out on a bunch of other shows, but not really on this one. I've been to plenty of indy shows in my life where this match would have easily been the best on the card, but it has some stiff competition just 90 minutes into this show. I also think that you can't really go 12 minutes doing an underdog match on the same show where you had an amazing underdog match that didn't even go 5 minutes, and I didn't really think some of Newman's comeback offense fit into what they were going for. 

Henry can be really nasty and that's where this match was at its best, and you knock half the time off the match I think you end up with something far more memorable. The opening exchanges were really good, as Newman stayed a half step ahead of Henry while everyone knew it would last, leading to Henry dishing some good punishment. Henry gets a ton of force on his kicks, and at one point is just standing and walking on Newman's face in the corner, later he somehow pulls off a double dragon screw without making it look the least bit implausible. Henry is great at taking Newman's offense, landing on the top of his head to sell a rolling cravat snapmare, has no problem banging his chin on the mat taking an F5. The finish run was really cool, loved how Henry anticipated Newman lunging at him from behind and ducked, Newman going sprawling, and Henry going after his arm to go after his leg to trap both arm and leg while throwing a capture German. The ending of match trap arm dragon sleeper was sick, made me need to see Makabe vs. Henry in a battle of that dragon sleeper and Makabe's magistral RNC. I think I'm actually really liking this match a lot more, the more I think about it. 

Brett Ison vs. Erick Stevens

PAS: This didn't do a ton for me. I think this card really needed another tag or trios match, outside of Makabe vs. Moriarty every match on this card was some variation of a stiff slugfest. This was worked very similar to the rest of the card, but was the least of those matches. I have the same issues with Ison I have with O'Shay except even more, they announcers kept selling those forearms as monster shots, when we just watched Henry in the previous match. This wasn't an actively bad match, but I can't recommend it. 

ER: This was pretty easily the weakest match on the card, not just because of the same-y feel it had, but there seemed to be no real strong rhyme or reason to kickout vs. power up, and Ison's offense seemed to get weaker as the match went on (and the match was only 6 minutes). I liked Stevens trying to tie Ison up with subs, and some of the early stuff looked really good. That Ison face wash is a killer, even though it always looks like he half asses the lead up back elbow to focus on the face wash. He leans a bit far out of the double underhook piledriver, and the arm unroll backfist did not work as a finisher for me, especially on a show that's been filled with a couple dozen gnarlier strikes. Stevens came off much more impressive, and either Ison comes off smaller than he really is or Stevens works bigger than he really is, because Stevens worked this as if he was Ison's strength equal and pulled it off. This also would have played better on a different show, but the flaws here were more real. 

48. Manders vs. AC Mack

PAS: This was a really fun main event, with Mack playing the role of the sneaky heel champ faced with a powerhouse babyface. Manders hits a ton of big time offense, big lariat, Iowa Stampede, Doctor Bomb, second rope powerslam. Mack found a bunch of different ways to weasel his way out of loss, and give a big Un Foul to get the pin after escaping Manders. I would have rather seen Mack hit the Mack 10 after the low blow, as it felt like one low blow was a little weak to put down Manders, but this was classic Flair stuff, Nikita does everything but win the title, and you sell the ticket for the rematch. 

ER: Manders came off of this one like an out and out badass, maybe the guy I would least want to be hit by, on a card populated by nothing but people who I wouldn't want to be hit by. Manders got that heavy low end that grounds all his big strikes, makes every charge explode. Really the only problem with the match was I don't think a lot of Mack's stuff looked like it should fell Manders. There were two different kicks that were supposed to be big exclamation points to completely stop the beast, but both were grazing shots at best, coming right after Manders did nothing but waste Mack. It kind of felt like a babyface Shawn Michaels or Macho Man performance during some portions, the kind where they would eat a tough beating and then the heel would have to sell a Michaels bodyslam while he took forever to climb to the top rope. It threw the dynamic off when the babyface was just destroying Mack and half of Mack's entries into the match looked like shots that shouldn't have been sold. 

Manders has some of my favorite offense in modern wrestling, those running shoulderblocks and avalanches are full bore, his lariats and chops hit super hard (love how he throws missed clotheslines with the same ferocity), got a great powerslam, great Iowa Stampede, great Doctor Bomb, really I'm not sure he has any offense I even remotely dislike. He even makes things that could look silly - like his 3 point stance running chop - look devastating. I've seen several people try to pull off the running chop, and it never works. It goes against your bodies own momentum, you have to throw across yourself while also running, just doesn't work. And here Manders makes everyone else who's ever tried it look like a real dummy. Mack did have some great stuff, so it wasn't completely one sided. His Liger bomb out of the corner was a great surprise, he throws a couple of punches throughout the match that appear to target Manders' ear, neck, and jaw, and he hits a yakuza kick that really mashes the sole of his boot into Manders' teeth. I also wasn't a fan of the finish, even though I LOVED Mack grapevining the bottom rope to prevent the kickout. It made me want to see Manders wreck Mack for the title. 

Which, well, considering AJ Gray comes out after the match, eats a kick to the balls and just wastes Mack with a lariat for the title anyway, I am not sure when we're actually going to get that title match. Curious to see how they book the Bonestorm title going forward, but AJ Gray's lariat going up against Manders' um...everything? Also, Gray/Manders is a match that's happened a few times, and I need to seek those matches out pronto. 

ER: There are still some Collective shows I need to see, but it's going to be tough to beat this show. It's not often the weakest match on your show still stands out as a fun match, and this show landed a ton of matches on our 2020 Ongoing MOTY List. This made me want to see more of just about every single person on the card, and there aren't many better ways to leave a show than that. 

Read more!

Pandemic Era IWTV Cherry Picking

I have really been slacking on watching new wrestling since COVID, but there has been some cool looking matchups on IWTV so I figured I would cherry pick a couple

Matthew Justice/Manders/Mance Warner vs. Chris Dickinson/Nick Gage/Tony Deppen Beyond Wrestling 7/27/20

PAS: Really great looking on paper match, which got really derailed by Gage blowing out his knee or ankle. There were some fun Dickinson vs. Manders exchanges (I need to track down their singles match), but Gage gets hurt, and there is an awkward heat segment on him where he clearly can't stand. The finish run had a ton of steam taken out of it because of that. Bummer that it didn't live up to its potential, but perfectly understandable.

Violence is Forever (Dominic Garrini/Kevin Ku) vs. Rip City Shooters (Joshua Bishop/Wes Barkley) BLP 8/24/20

PAS: These are a pair of teams I have a fair amount of time for, but this felt pretty minor. Weirdly they barely match up Bishop and Dom at all, which you would figure they would focus on. They had one of the greatest indy grudge matches of the decade a year ago, and their isn't any sense that they even know each other. When Piper and Valentine matched up at the Royal Rumble they tried to kill each other even though their feud was in a fed that the WWF didn't acknowledge. I did really like Bishop in this. He has some huge power moves, and has gotten really good at wrestling big. I especially loved him just chucking Ku into the air with a side suplex throw. Ku and Dom have some fun double teams that are always really violent looking, but the presentation of this show is really bad. The ring announcer is wearing basketball shorts, the woman doing commentary spends the entire match trying out her wacky podcast comedy, I mean...if you want me to think your show is important, treat it like it is important. Treat it like a joke, I am not going care.

Read more!

Monday War Games: PCW - Team PCW vs. The Cornerstone

Team PCW (Brian Blaze/Brian Kane/Geter/Johnny Danger/Kevin Park/Quasi Mandisco/Supernatural) vs. The Cornerstone (Bill The Butcher/The Carpenter/Jon William/Trevor Aeon/Trey Williams/Mystery Man A/B/C) PCW 4/7/16 - FUN

PAS: Total mess of a match, but an amusing mess. This was outdoors with the two ring cage. The entries seemed kind of random more like a battle royal then a Wargames, at one point the Washington Bullets come in as a tag team, and three heels in hoods come in all together. I thought some of the early brawling with Brian Blaze and the Carpenter was cool. Geter is a giant fat dude who is a fun new generation GA Indy heavyweight, and had some cool clear the ring moments. Really hard to understand what the hell is going on in this match, and the ending was weird. Jeff G. Bailey comes out with Gunner Miller and everyone just kind of leaves the cage to let Miller and Geter have a pull apart brawl. Kind of makes me want to check out the Miller and Geter blow off match, but a no-contest is a pretty shitty finish to a Wargames.

COMPLETE AND ACCURATE WARGAMES

Read more!

2020 Ongoing MOTY List: Violence is Forever vs. Cornfed Beef

10. Violence is Forever (Kevin Ku/Dominic Garrini) vs. Cornfed Beef (Manders/Gnarls Garvin) BLP 1/18

PAS: This delivered exactly what you wanted out of this on paper. Four guys just wailing on each other with really violent shots. VIF has a dumb name, but man they lay it in, and they are perfect for these kind of sprint brawls (some one book me a Fuck-Its rematch already). Manders and Garvin jump them at the bell and give an old fashion Hit Squad wall ride to Ku, and it pretty much goes from there. So many punch and elbow exchanges in wrestling are cringe comedy, and these guys actually make violent contact with their shots. Manders especially is throwing spuds, and Ku threw this back fist/club combo which looked like it wobbled Garvin. It ended when it should have ended, and every bit of it was a blast to watch.

ER: Agree, you see this match on paper and this is the match you hope for. It's a tight 10 minutes that never settles down into tags, just all four throwing constant shots from the floor into the ring. They hooked me early when Cornfed Beef launched Ku into the wall, not even lawn darting him but instead press slamming him right into a wall and letting him drop. Oh, you guys are doing that? I see. I'm happy this never settled into a traditional tag, as much of the value was in who was going to get blindsided next. Manders and Garvin are a natural pairing, and Ku/Garrini are so tough that the format of everyone just throwing elbows and chops and kicks is just what the doctor ordered. You need a tough team to go up against a team like Manders/Garvin, to make it believable that they can stand up to being pinballed between the two. Garvin is great at using his body as a weapon, always looking to flatten guys. I like a guy who misses as big as he hits, and we get a great spot where Garvin splashes Ku as Ku is draped over the middle rope, and Garvin throws himself into it so hard that he winds up crashing to the floor; later, he flies off the top for a splash on Garrini and splats himself right into a triangle (which Manders breaks up by slamming Ku onto Garrini). Manders had several great shoulderblock variation, a guy who gets that all his non-strike offense should just be throwing his body into his opponent, but will also get dumped with a dragon suplex. This match had one of the only instances I've seen of a 4 way stand and trade actually working, because all four guys were absolutely lighting each other up with shots. We got some jaw rattling elbows and open hand chops and slaps right to the chest and neck, and after 10 minutes of action it was the kind of match that only made both teams look great.


2020 MOTY MASTER LIST

Read more!

Matches from Southern Underground Pro 12/21/19

Kevin Ku/Dominic Garrini vs. Warhorse/Graham Bell

PAS: I liked parts of this a bunch, Ku and Garrini are guys who come up with fun ways to really hurt people, and Bell and Warhorse also hit really hard, I especially liked the parts where Garinni would hold up Bell and Ku would kick him or stomp him in the back of the head. Still this had a bunch of winky shit at the beginning, Ku wearing a Christmas sweater to block chops,  Ku and Garrini bringing in crowbars and begging the ref not to DQ them,  Bell doing a dive that required both opponents to stand their agape waiting for him. Liked the finish run enough to recommend it, but disliked the bad comedy enough to keep it off a MOTY list.

Brett Ison vs. Zach Cooper

ER: I was really excited for this one when I saw the card. Cooper is a really young guy who hit the ground running in 2019, and feels like a real quick learner. I got to see him at SCI this year and at the end of my weekend his match vs. Manders and Big Beef wound up being my second favorite match of the weekend. It put all three of them on the map for me as guys I would be actively seeking out. Sadly the next night I was enjoying Cooper vs. Garrini, but Cooper got injured mid match and the match got stopped. Ison was a guy I saw in the main event of the same show. Ison won the main event, Cooper left the opener injured.  My eyes saw that story play out, and I wanted to see this progression. And it was fun! It wasn't quite the type of big hoss battle I like, but that's fine. This was more of the modern If RVD Was 60 lb. Heavier matches and while big guy handstand spots aren't really my thing, there are still going to be heavy guys slamming into each other. And if there are going to be cartwheels in a match, they may as well be Cooper getting his arm knocked out from under him on the apron. And there are some RVD spots that are much better as big guy spots, like their big corner dropkicks. Coast to coast dropkicks are going to look cooler from a 260 lb. guy. I thought things built well and had a nicely ramped finish, and both guys are going to keep getting better.

Big Beef vs. Adam Priest

ER: Oh yeah, this is a peak Worldwide match. Beef looks like if Chris Sabin was never able to control his munchies, almost to the point where it's a shame Beef isn't coming out wearing a Guatemalan sweatshirt. In another life Beef was the guy selling poorly made grilled cheese sandwiches in the parking lot of Dead shows, trying to bum a way in. This whole thing is 3 1/2 minutes, and it all rules. I don't think I've ever seen Priest before, but he makes a nice impression by cheapshotting Beef and hitting a big dive before a bell has even rung, and from there they work a quick sprint filled with hard shots and nasty spills. Beef struggling to recover from the cheapshot gives Priest believable openings, including a couple of believably thrown and nasty suplexes. Beef has a lot of size on Priest, so it would look silly if he was lifting him easily, so instead he hits a low angle fast German that is more of a leverage throw than a strength throw (bouncing Beef right off his shoulder), and later barely gets him up for a back suplex (which makes the landing look harder). Priest threw nice chops and was always smart about burying a knee into Beef's stomach before going for Irish whips, but Beef is what was for damn dinner tonight. He can really move and really lands with a thud; he hits an awesome crossbody while Priest is draped over the middle rope, just flying right through Priest to the floor, and he wins the match with an ungodly top rope splash that made me respect Priest more for not immediately puking his guts out. This feels like it would have been a legendary Worldwide match.

PAS: Really fun sprint. Both guys get a big to shine, and the highs were really high. I liked Priest coming out fast and fierce early, and getting some moments of real near falls, only to fall to that three move combo from Beef. His nasty powerbomb, into a smushy bodypress against the ropes, into a final top rope splash is about as cool a jab-right cross-left hook combo as you are going to see in wrestling.

Big Twan Tucker vs. Jaden Newman

PAS: Big Twan is a total stud and so much fun to watch. He would have these monster burst of offense, where he just slammed Newman through the mat, there was a tremendous spot where he caught Newman in mid air and just flung him like a bag of flour into a sidewalk slam. He also countered a dive by splitting Newman in half with a spear. Then Newman would fire back with some super weak looking shit, and make faces. Newman wins the match with a terrible looking flippy elbow to the back of Twan's head which he has to sell like he got hit with a lead pipe. Just a chasm between the credibility of both guys stuff, one of the most BS finishes of the year. Twan can take the beating that Manders gives him, and beat guys on TV like MJF and Ethan Page and he goes down to that?

AC Mack vs. Mr. Brickster

PAS: Man I loved parts of this a lot and absolutely hated a big chunk. Brickster is a super likable babyface, while Mack is a great asshole heel and this was a really classic pro-wrestling set up. Mack had put Brickster on the shelf for 8 months with a knee injury and Brickster was going for revenge and to take the title. It goes great for a while with Mack working over the bad knee and Brickster firing back. Then they do this long section where Brickster takes a dick pillow with Mack's face and has a bunch of people in the crowd hit him with it. This was the big babyface comeback to get revenge for a knee injury, having a bunch of hipsters hit him with a pillow. Just awful stuff, which ground the match to a halt. They then try to have have a bunch of dramatic near falls after we just saw the top heel sell a pillow fight like a chair shot. The finish with the GA vs. TN civil war stuff was cool, and it was smart to keep Mack on top and push off his eventual revenge, but I am losing faith in this fed's ability to keep their winking TikTok wrestling out of their main event angles.

Read more!