AEW Five Fingers of Death (and Friends) 1/5 - 1/11/26 (Part 1?)

AEW Dynamite 1/7/26

Jon Moxley vs Shelton Benjamin

Jon Moxley is, in fact, wrestling through it. 

And why not? He wasn't the first. Kris Statlander betrayed her very best friend out of jealousy. She aligned herself with Stokely of all people. Hangman Page burned a man's childhood house down. He brutally ended Christopher Daniels career. They fought their way back into the hearts of the fans, quite literally fought. Maybe Hangman apologized after the fact. Maybe Statlander turned down the Death Riders after the fact, but by then, the fans had already embraced them. By then, the fans had already helped support them en route to championships. 

They won. That's what mattered.

And now Jon Moxley has won as well. In AEW, maybe might does makes right.

It seems to make right for Shelton Benjamin too. The fans love the Hurt Syndicate and why? Because they do what they say they're going to do; they hurt people. Shelton spent a large part of his career forced to be something he wasn't, someone who did too much, who wrestled like a junior heavweight in a heavyweight's body. He was in the land of the giants. His most memorial moment might have been jumping into Shawn Michaels' foot. 

But he's been granted one last chance. He was always big, but now the world's gotten smaller around him. Once upon a time, he had Brock Lesnar beside him and it was a hard shadow to escape. Now, with Bobby Lashley beside him, he still towers over everyone around him. At 50 years old, he's as looming a presence as he's ever been, larger than life.

And here he was with a shot to win, to make might right, to get something he hasn't had in a long time, a major singles belt all his own (maybe the last time was in Puerto Rico in 2010?). He just had to take Jon Moxley to the limit through an eliminator match to get the opportunity to face him for the Continental Championship. 

He's bigger, stronger, more athletic, with sharper amateur skills, and he hadn't been through the crucible of the Continental Classic like Moxley, not this year at least. 

Through twists and turns of fate, Benjamin stood across the ring from one of the biggest stars of the last ten years as an equal, maybe even a superior in many ways. Accordingly, he held out his hand for a shake. 

Moxley slapped it aside. Of course he did. His wounds may have been healing. Given how he came out from the back energized, basking in the fans' unlikely adoration, maybe he felt like the world was healing, but he's no fool. He knew what he was up against. He had to throw Benjamin off balance.

Instead, Benjamin threw him head over feet and with absolute ease, slipping under him and flipping him, getting behind him for a very early German. Moxley dodged out of the way and tried for a choke. Shelton tripped him and went for the ankle lock on that damaged leg (something he had a very direct lineage with). Moxley went for strikes and Shelton met him right in the center, escalating almost immediately to a spin kick that Mox ducked just by the skin of his teeth. Mox tried piefacing him. Shelton hit another effortless German. Moxley went for chops (perhaps weakened ones due to a poor base from his leg injury). Shelton outchopped him. 

But then, Mox got a foot up in the corner, knocked Shelton out with a clothesline over the top, and ah, this would be when the wheels would turn. Now Shelton was in Moxley's world on the floor. The only thing that turned, however, was Moxley as Shelton reversed a whip into the barricade and then clotheslined him over it. They brawled up and down the stairs and into the crowd. Moxley seized a momentary advantage as one might expect, coming back over the rail first and grabbing a chair, but Shelton was right there, leaping over it with a flying clothesline. Mox went in and out of the ring to break the count and buy some space. He got caught on the way out, German'd again. 

Shelton was running him ragged but he was Jon Moxley and still had a lot in the tank. Maybe that was enough to throw Shelton off after all, maybe. They pressed head against head on the floor, and Mox goaded him in, allowing him to pry off an arm and use it to toss Shelton arm-first into the ringsteps.

I'm going to put a marker here because this is where what I've been trying to do (maybe not all that easy already) got a lot harder.

Up until this point, there had been some lip service on commentary on how Shelton and MVP had talked a gameplan and how he wasn't supposed to follow Mox to the floor or around the arena, but it hadn't really played out. You could make an argument that Mox had a momentary advantage after coming out of the stands. You could make one that he had rope-a-doped Shelton a bit on the floor, eating that German to create an opening with the arm. You can make a lot of arguments. I'm not sure in this case that the actual creative decisions, selling, or the overall portrayal holds up.

Let's continue and see how it goes though. So Moxley had created an opinion with the arm. He tries to press it. Shelton struggles against it both by locking fingers on a cross-armbreaker and through punching his way out. Mox does chip away at the arm though and that takes them through the commercial break. At the end of the day, that's ALL it does though, for as they come back, Mox is up on the top rope for no real discernible reason other than to set up Shelton's spot where he leaps up and tosses him off. That arm? That one opening Mox earned? He won't go to it again. Shelton won't sell it again. 

Instead, Shelton tosses Moxley around a bit more on as part of a babyface-coded comeback. The match hadn't given the crowd a ton to work with when it came who to root for. Mox had been valiantly fighting from underneath for a lot of this. But he'd pushed away the shake at the start. He went to the eye once. Shelton worked underneath during the break. There were chants for both men throughout. Time was ticking down and the onus was on Benjamin to either win or last to the limit because even if Moxley loses here, it only sets up a title match. 

They end up working the back third 50-50. Mox comes back with a cutter out of nowhere. Shelton drops him with a power bomb out of corner ten count punching. Mox survives a STF of sorts and follows it up with a low bridge counter and a dive to the floor. He's bleeding now, because of course he is, but he's up and with an advantage. He runs into Paydirt (but kicks out). Shelton goes to the injured knee to hit a superkick but Mox is ready for a second one and hits the Paradigm shift (Shelton survives it). And they go into a fevered last minute, ending with Shelton getting stacked up out of nowhere on a triangle choke with only seconds left on the clock.

And, if you read back through that, it's a bit of a mess. It's ugly. The match was ugly. Some of the execution was ugly. Not everything hit clean. The selling was ugly. The crowd wasn't directed one way or another. There was less focus on Moxley's leg than you'd think and a lot of it was implicit. Past setting him up for a superkick, it had nothing to do with the back half of the match. That armwork that Mox used to contain Shelton? That was just for the commercial break. It didn't connect well with the rest of the match. 

There was no reason why Mox went to the top when he was in control other than to set up a spot to come back from the break to. There was no reason why he didn't do more to go back to the arm later since it had been working for him when nothing else was. You could rationalize that he, as a character, lost the plot and was getting desperate and lashing out or whatever else. And I've done that if you've read what I've written over the last few months. But I didn't feel that here. I didn't get that connective tissue. The text and the performances don't back it up to me. 

What I'm trying to say is this. What I've done lately with Moxley isn't rocket science. It's not Shakespeare. It's pulling together narrative threads from the text and context, from the performances and creative choices and creating a narrative throughline, just pulling it all together to try to highlight the themes and the mood and the big plot points, to highlight the story being presented.

And that was harder here than with other matches. The data points didn't necessarily line up with a clean narrative. What I personally came out with wasn't nice and neat. 

It was ugly and messy and I didn't necessarily enjoy it as much as the other matches. Most of the spots made sense in the moment but they didn't come together the same way for me. The transitions and momentum shifts didn't stand up in the same way. What was being presented on commentary didn't entirely bear out on screen. My understanding of the characters as presented didn't sync with what I was watching and I couldn't easily course correct with the new information I was given.

Maybe that was me. Maybe it made more sense to someone else. I think the live crowd at times weren't sure what they were supposed to feel. 

Now all that said, it was still a pretty entertaining match, and maybe even a successful one. Shelton came out looking strong. Mox came out looking like he just barely survived, but that he survived (and shoot Shelton's hand at the end, another step on his journey or more of his bullshit exhibited, I don't know). It gave people a fresh match-up. Maybe it did numbers to start the show. Maybe it's something they can go back to later. Maybe it'll lead to something more with Lashley. Or maybe it just marked time before Moxley ends up in a more focused feud. 

And not everything needs to be a nice, neat story. Sometimes the story can be that life is ugly and pro wrestling is ugly and two guys fighting each other is ugly and not everything in life does make sense. This did create a sort of mood of being nasty and uncooperative and competitive. 

But I would argue that almost everything is better with tighter storytelling. You can still get that feeling that things are going off the rails without things actually going off the rails and a lot of times, if done with care and focus, that feeling becomes all the more tangible and visceral. Sometimes that is explicit. Sometimes it's just making sure that the things that are done are sold and framed and resonate. 

There are so many matches in 2025/2026 where it doesn't happen nearly as well as it could or it arguably should. I don't tend to write about those matches. I wrote about this one in part to highlight how special so many of those other matches are in comparison, and that even though tight, coherent storytelling ought to be the starting point that everything builds upon, so often it isn't.  

To pull out one thing and get ahead of a counter-argument, the issue here isn't that Shelton didn't sell the arm. It's not about checking a box. The issue is that time was spent (invested!) where it seemed like the armwork was working and then that didn't have consequence in the match and it didn't make sense why Moxley went away from it. For me, the wrestlers didn't do enough to explain why things went from moment A to moment B and explore well enough the consequences of both the individual moments and the moments put together. This match had multiple instances like that and they left aside some natural storytelling beats that would have pulled things together better.

Did that somehow invalidate the work that they did do? No, I don't think so. Could that work have been better enhanced? Yeah, probably, and if it had been, and if it had all come together better, I could have made this last paragraph here more evocative and thematic. Instead of talking at a distance, I could have been leaning harder into the heartbreak of an opportunity slipping through Shelton's fingers when he had wrestled so strong a match and how this fits into Moxley's redemption story despite the possibility of tragedy being right around the corner. The tragedy instead, I suppose, was that the match though full of gripping individual moments didn't quite get me there in the end. 

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AEW Five Fingers of Death (and Friends) 12/29 - 1/4/26

AEW Collision 1/3/26

Darby Allin vs Wheeler Yuta

MD: Darby Allin vs Gabe Kidd from World's End didn't hit for me. It may have hit for some people and I get that, because there was nothing wrong about the match or how it was laid out. Moreover, it had build. It had story. Kidd wanted to make a mark. His stop/start, off/on role as a Death Riders associate is a little shaky given his NJPW commitments and the fact that he only partially seems to fit the ethos (a lot of tearing down, not a lot of building up, but that maybe works well with Mox's hypocrisy). He came out of nowhere to help put Darby through a flaming table. He showed up again later to toss him down some stairs. Darby wanted revenge. It wasn't a cold match, even if it had a sputtering build due to Darby's participation in the C2 and subsequent injury. 

I don't think it hit for the crowd though. Some of that was the build, sure, and some a lack of connection to Kidd overall. Some was the way the PPV was set up. By the time the crowd got to this match, they'd already made it through the plunder-laden chaos of FTR vs Gunn/Robinson, which had at least two incredibly memorable table bumps, not to mention Babes of Wrath vs Athena/Mercedes which was a more conventional all-action spotfest. There were diminishing returns in the moment.

I think there were even more diminishing returns at play though. This is my fifth year in a row writing about Darby, albeit with some gaps. He's amazing at what he does, one of the best I've ever seen at telling an in-ring story about absorbing punishment and getting the fans to get behind him as he survives and survives and survives until he can find a way to overcome. They fans believe in him. Incredible babyface. But there's a sense like many other great babyfaces over the years, maybe he had his moment and it passed him by. He chose a different accomplishment, climbed Everest instead of climbing the AEW mountain and taking the title. And now, while Moxley is moving on to bigger and better things, he's still waging a war against the Death Riders that seems to matter less every day.

There's something compelling about that, maybe, something interesting and tragic, a World War II soldier trapped on an island of his own making, an island that exists wholly within his mind, with no one to tell him that the world had moved on without him. But I'm not sure that entirely came through in the Kidd match.

It did, however, come through a little more clearly vs Yuta, and I thought the match in general worked far better.

Some of that was situational. There are different constraints and possibilities and responsibilities to be a Collision main event on a residency show on a night where a lot of the core audience is more focused on the 1/4 Tokyo Dome show, than to try to fight for air on an overpacked AEW PPV. 

Some of it is that, unlike Kidd, Yuta is one of the most over heels in the country. People will deny it. These people are wrong. He appears on the screen or comes out from off screen to interfere as he is so apt to do and the place reacts immediately. That reaction isn't just that they want him to go away. It's that they want him to go away specifically by getting killed by a babyface. That's very different. Are they paying money to see him getting killed? Is he impacting ratings? I have no idea. But I do know that he gets a more consistent, more visceral reaction than almost anyone. 

He wrestles in a manner that ensures it too. There's nothing to latch on to. Look at the layout here. Darby took control almost immediately during the feeling out process. Yuta was smarmy and it looked like he'd get immediate comeuppance, but he hid behind Marina on the floor and got a cheapshot in. Even then, he couldn't press the matter. He went for a suplex and Darby kneed him in the skull. He charged in and Darby clowned him in the corner. It was only when Marina got involved once again that he was able to take over with another cheapshot and a brutal neckbreaker onto the apron. Then when he was on top, he preened and taunted, mocking both Darby and the crowd (and the crowd's love for Darby). He was vulnerable, upstaged, outgunned, reprehensible. Not a single cool thing about him, but laser-focused on getting a reaction the whole way through.

Yuta spent the whole match serving Darby and his gripe with PAC, serving Marina and her upcoming with Toni Storm, serving the need to end the show on a high, serving everyone but himself. He took over in the stretch only due to Marina getting tossed, Storm rushing out to brawl with her, and Garcia sneaking in to get a cheapshot. Even then, he was able to hit his finisher on the apron (another amazing Darby bump) but not capitalize. His attempt to do so was to mock Darby with a Scorpion Deathlock only to have that be his quick and decisive (two Coffin Drops and lifted up for a snap Scorpion from Darby). In being so vulnerable, in being so unlikable, Yuta finds a strength that very few wrestlers in 2025-6 are willing to find. He made this work in ways that Kidd, presented far stronger, couldn't. Situations were different, yes, but you get the sense that Yuta can be counted on to make just about anything he's asked to do work. 

One last thought on Darby: as I said, he's a natural babyface given his bumps and his resilience. Six years is a long time for anything, however. It's only in the last month or two that I've started to wonder if something needs to give. If you have a few minutes and haven't seen it yet, check out Darby Allin on Hey EW with RJ City. There's a heel there just waiting to happen, one that channels some of Darby's natural personality, and I think maybe it's time for him to explore it.

 

Shelton Benjamin vs Dante Martin

MD: This should have worked. It was a good story on paper. 

Scorpio Sky has a certain level of credibility. He's a former singles and tag champion. He's got some size, presence. But he's been snakebit and he wasn't there on that night. So Dante Martin steps up. Yes, Dante's somewhat bigger than he was a couple of years ago, but he's all about speed and agility when up against the monster that is Shelton Benjamin. Shelton was always an amazing athlete, but the world had gotten smaller around him and now he towers over his opponents, a force. 

Shelton would toss him around. Dante would use his speed to create opportunities. Shelton would give exactly as much as he should give. Dante would earn (not take but earn) moments of offense and the fans would appreciate them all the more for the effort put in. Contrast makes the world go round.

Yes, the crowd saw Benjamin as a bigger star. Yes, they wanted to see Benjamin toss Dante around. Yes, they wanted to see Benjamin hurt people. Everyone knew this was just to heat Shelton up for Mox, but Dante's a likable young man, and the match had a secret weapon in its pocket.

As they went towards the break, Dante leaped up to the top rope only to get shoved off, crashing down on the guard rail chest first, a nasty bump. The match stopped. Christopher Daniels and the doctor went to check on Dante during the commercial break. MVP walked over and cut a little promo that Dante should call it a night; there'd be no shame in it. Dante, obviously hurting, told off MVP and Shelton, and they were off to the races.

At least they should have been. It was a moment of defiance that should have worked. Yes, the crowd would still go up for Shelton, but they should have gotten into Dante's comebacks. It was a good idea on paper. 

It didn't work. Shelton honed in on the chest, and I'm just not sure Dante's selling was consummate to what was happening. Dante fired backed with forearms and either got cut off or made openings for himself, but I'm not sure the crowd bought those openings were enough. Maybe he should have been a little more opportunistic in dodging Shelton to show just how high the stakes were? Dante sold to a degree and he hit stuff, but there was never a sense that he was appealing to the crowd, that he needed them, that they should get behind him. He didn't give them enough to latch on to. Daniels is relatively new in his role as a second. Babyface mangers are tough in general, but the idea is that you slap the mat and lead the fans at the right times and get them going, right? If you had an Amira Blair or Matt Menard out there, I think this might have worked, but Daniels didn't quite hit the mark. 

If this didn't work, it's not because Shelton didn't give Dante enough or because he ate him up. Yes, he hit big stuff on him, but I almost felt like he gave Dante too much after the huge bump when before it he had made Dante work a little more. 

I'm glad they did this. I'm glad they tried it. I think the idea was sound. I think there are things to learn here, especially when you compare and contrast this with Wheeler Yuta's performance against Darby. Details matter. They have to matter. The second you surrender to the notion that they don't matter, then there's no point of doing anything. You can have the best idea in the world, the best spots, the best bumps, the most exciting action, but if you don't get the details right, then it's not going to hit nearly as well as it could have, or nearly as well as it should. When that happens, it's not a call for nihilism and permission to just give up and hit spots and try to pop a crowd by overwhelming it. To me, it's the exact opposite. No matter how much the crowd wanted to see Shelton hurt people, this not only could have worked, it should have worked. In trying to figure out why it didn't (and why Darby vs Yuta did), there things to learn that can make anything and everything work better moving forward.

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AEW Five Fingers of Death (And Friends) 5/19 - 5/25

AEW Double or Nothing 5/25/25

Ricochet vs Mark Briscoe (Stretcher Match)

MD: What a tricky line to walk. The first half of this was full of comedy, full of real shine. The back half was a bloody horrorshow. It was, from start to finish, a stretcher match, a grudge match. From the second Ricochet walked out in his cosplay robe, he had heat. From the moment Mark Briscoe walked down with his mohawk, he was lauded. There was a "This is Awesome" chant towards the end despite it all.

So many disparate things on paper. If you had read that paragraph to me a year ago, I would have told you that the match had to a discombobulated mess, something that refused to commit, that tried to be everything to everyone and ultimately was not enough of anything.

But that wasn't this match. Not at all. Everything in that first paragraph came together to form a singular vision. That actually doesn't do it justice. It gets it backwards. All of those things didn't come together to create a vision, they were created by the vision itself.

It all comes down to how thoroughly Ricochet commits as a performer. The nexus of the character is that he is so gotten to by the crowd, by his opponents, by his own place in the world, that everything becomes a slight and every slight becomes a drive towards lashing out, towards a level of violence that far exceeds the transgressions.

There's never a sense that he's in on the joke, never a sense that he's out there "entertaining" the crowd. It's always that they're getting under his skin, always that they're causing an affront, always that he wants to strike back at them and the babyfaces they love so much. He never looks down. When he's in charge, he's gloating and sticking it to him. When he's getting his comeuppance, he throws everything into it. Even though he hits "cool" offense, he makes it so it never seems as such. He makes amazing things irritating just by doing them. He went so far as to tease the table and push it back under the ring just to deny the fans even a little bit of what they wanted. That takes an amazing level of commitment and confidence. It's laudable. It's almost the exact opposite approach that one would have thought he would have taken in AEW.

And Briscoe, as a wrestler, as a character, is wise to the world. He is confident in himself and confident in the crowd. He wants to cause Ricochet as much pain as possible but he knows there's more pain to be inflicted on the inside than on the outside. He married humiliation (even the mohawk!) with physical damage here. And it went well for him (and for the crowd) right until it didn't.

He used the cleaning spray on Ricochet's head. Ricochet used it in his eyes. He meant to use the chair as a springboard. Ricochet tossed it into his face. The response was an escalation to the action, because Ricochet was well and fully gotten to, because, in his heart of hearts, he was selling the pain he felt on the inside.

Once he took over, he didn't look back, he didn't stop. Once he drew blood, he meant to keep drawing it again and again and again. But then Mark Briscoe, a folk hero, once awoken, wasn't one to stop either. He could go forever, the human representation of that memorable, symbolic image of a crutch stopping the ambulance door from closing.

In the end, it went even a step even farther, Ricochet hiding the scissors around the ring, a preemptive attack even before Briscoe did the first thing to his bald head (one that shows the hypocrisy of Ricochet's argument all the clearer). When even that wasn't enough, he was ready with a low blow, a low as could be for Ricochet has no bottom. He'll sink forever selling his emotional damage all the way. And that's why this worked when so many similar things simply never would. That's why the This Is Awesome chant was about Ricochet getting comeuppance and not about fans enjoying spectacle for the sake of spectacle. Embracing vulnerability is a hell of a thing. More wrestlers should try it.

Hurt Syndicate vs Sons of Texas

MD: When we look back at this one down the line, we'll think more about the MJF moments, accidentally distracting the ref for the Unnatural Kick, offering the ring to Shelton which let Dustin and Sammy get back into it, that ultimate moment of Lashley embracing him after teasing dissent and then crashing through the barricade and his opponent. The story will play out and we'll see the match for the things that went right and went wrong for MJF.

As it's own entity, it was probably the best Hurt Syndicate match so far. When Dustin was in there with Shelton, they were scrapping hard. When Shelton was in there with Sammy, he knew exactly what to give. That's no small thing. Shelton's a big guy but he spent a chunk of his career in the land of the giants. For him to shift to a relative super heavyweight this late into his career is impressive. And of course Lashley vs Sammy was all sorts of amazing feats of strength (and agility for Sammy taking them).

Because this followed the Ricochet match, we didn't get that bloody Dustin face-in-peril we might have gotten otherwise. The point of this match was to further the broader story while giving the Syndicate a good challenge. It wasn't abut Dustin reliving his Double or Nothing past. Here, the Syndicate had to lean a bit more unlikable. That meant we didn't get to see Shelton pinball Sammy back and forth between the apron and the barricade (which  I badly wanted). Instead he did it once so that MJF could choke him while the ref wasn't looking. It's ok. Sometimes a match has to be what it needs to be and not what I want it to be. And this was what it needed to be and a very good version of that as well. Maybe someday in the future we'll still get to see Sammy pinballed. One can always hope.

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WWE TLC 2020 Late Blog

My sister is moving in a month, so I spent the weekend with her packing boxes and moving things into her garage. A stunt show PPV I can have on in the background and pay partial attention to sounds like it could be fun. Not super familiar with the card so I'm kind of going in blind, which hopefully leads to being pleasantly caught off guard. Am very excited for Sasha/Carmella.

Daniel Bryan/Otis/Chad Gable/Big E vs. King Corbin/Cesaro/Shinsuke Nakamura/Sami Zayn 

ER: Bryan keeps shaving the sides of his head higher and higher, and he continues his career trend of Always Having the Hair of a 10 Year Old. Otis is wearing a Vader singlet, and this match looks like something that can't miss on paper. These 8 guys in a 2000s NOAH setting would light things on fire, so I'm high hoping this one. And it was actually really good. It had a great Coliseum Video feel to it, the way it was worked, and the way it was 4 babyfaces vs. 4 heels and they're mostly aligned because of being either a face or a heel. Zayn was avoiding Big E and running around the ring and hiding like Jimmy Hart, and it was balanced well with quick tags and a brief cool down to build to the big finish run. Corbin is good at working cool down (that's an actual compliment) and good at inserting himself in the hot finish, Bryan glues all this together to build to the big Otis hot tag, and the finish stretch move chaining all looked good. Cesaro hits this awesome deadlift Dr. Bomb and just lets him go, Corbin hits a great spinebuster on Otis, we get our big showdown between Big E and Zayn and Zayn gets caught. It's all very satisfying pro wrestling. 

AJ Styles vs. Drew McIntyre

ER: I really liked this, but thought the ladder stuff really took away from the match at points. I liked the first 8 minutes when no weapons were used the best, with Styles bumping big around the ring and ringside. He took hard hits into the buckles, got dropped ribs first a couple times on the barricade, got thrown over a table with chairs on it as if he were in a fight in a closed bar, and it was great. Setting up tables and climbing ladders changed the pace of the match, which they made up for by building to hard landings (Styles gets tossed hard on a ladder and thrown over the top through a table at ringside), so everything looks like it really stings. But I think the ladder climbing really took me out of it as the climbing doesn't feel anywhere near as climactic as had they just been wrestling. Miz cashing in his briefcase and then doing the slowest possible climb really made this stip feel stupid, though I think the fight choreography when they got to all three fighting on the ladders was good. Styles working over McIntyre's leg lead to a couple nice moments, like the calf slicer through the ladder. Styles' bump off the ladder to the floor looked sick, and Miz was made to look like an absolutely tremendous fool. Also, I do not need Miz in the title scene and him losing in this kind of fashion is perfectly fine for me. A match that lost me, but one that also had a lot of good (front loaded), but needed an editor. 

Sasha Banks vs. Carmella

ER: I thought this was really good, as good as I was hoping it to be. It had a couple twists and turns, made Carmella look like a worthy challenger, built to a feverish home stretch, one of those matches where a better opponent helps bring out the best parts of Carmella. Sasha is really great at this point, so much that it always bums me out that none of this is playing in front of live crowds. Sasha feels like she'd be the biggest thing in 2020 wrestling if there were live shows. I'm really glad this was a straight match and not worked under the TLC stip, a straight match was the right choice and the drama over nearfalls and submissions is more interesting than climbing and falling. The involvement of Reginald was good, loved him catching Carmella on a dive, ducking Sasha, and tossing her into a headscissors. And the payback was well played late in the match with Sasha hitting a meteora and then getting blasted by a couple superkicks for a genuinely strong nearfall. I thought Carmella could actually win it there. Sasha was great at running into everything Carmella had, and both kept things real close on sunset flips and small packages. It's really nice seeing such fine execution on pinfall attempts. I loved both of Carmella's submissions, both of them look like sick lucha maestro subs and are both somehow locked on just as smoothly. Both of those subs would look awesome applied by Negro Navarro or Blue Panther, but it also looks awesome applied by Carmella. It makes me happy. This whole match was fun throughout, really made me smile and enjoy the wrestling the whole time. A very tight build and explosive finishing stretch, just another great Big Match Sasha performance. 

Shelton Benjamin/Cedric Alexander vs. Xavier Woods/Kofi Kingston

ER: This was good, and kept up the same fun energy the entire rest of the show has had so far. This has been a very fun show, everyone feels like they're trying a couple new things in the ring, it's made things feel special so far. This tag was no different, and it made me realize that I appreciate that The Hurt Business actually seems to be growing as an idea. I like that it wasn't one of those ideas where WWE seems on board with it for two weeks and then loses all interest, instead it seems like they're letting it grow naturally. It's given new life to Shelton Benjamin and made him as relevant as he's been in 15 years. If they want to they could let him ride out a couple more years as an upper card tag worker and he'd be great at it. It's also been good for Cedric Alexander, who instead of being one of several similar 205 Live babyfaces, his style feels more focused for being in a regular tag team. Both teams worked a fun fast big bumps style, and kept the match to a brisk 10 minutes for maximum impact. I love how definitively Hurt Business won the belts. There was no bullshit, just a dominant team catching the champs. Benjamin hit a pop up superplex that should play in Hurt Business highlight videos, and the Alexander backcracker finisher is the premier use of that overused move, and shows that an overplayed move can still be used effectively. I'd love to see the Hurt Business continue to evolve and even add members, and would love to see them have a run with multiple title holders in the stable. This whole match really got me into the potential of them, so I'd call that a huge success. 

Nia Jax/Shayna Baszler vs. Asuka/Charlotte

ER: I was just thinking the other day that I had not missed Charlotte, and yet I was happy to see her here just because I will take any new face in this match rather than see Lana in the main women's program on Raw. It's poorly executed, it's obvious, the commentary screams all of the bullet points for how we're supposed to feel about it all, but I just don't want Lana in these matches anymore. That said, I wish it didn't feel like Charlotte was immediately Superwoman again. It felt like she just ran through Nia and Shayna, and while I admit the Nia/Shayna hasn't lived up to its potential, they should be a pair who are on Charlotte's level. You can make an argument for the surprise factor, they weren't expecting her, but they just got outmatched and I didn't like that. Asuka automatically feels like the smaller banana with Charlotte around, as she had to spend the match being the one to take a lot of Nia and Shayna's offense. But Asuka is good at that and I liked the way her hip attack took Nia out of things at the finish. Still, this match played into my worse fear, that we're going to go straight back to a Charlotte-dominated scene. 

Roman Reigns vs. Kevin Owens

ER: This didn't feel far off, but this didn't work for me. I didn't like the Uso interference, and Uso made to look as effective as a manager only type. There were a lot of big spills - maybe too many - yet I thought several of the biggest ones were shrugged off in the name of blocking someone's climbing. I was not into the slow climbs no matter how earned they were with big bumps. I thought going to Uso for every big Reigns comeback came off weak, and that it would have been perhaps more played out to have the interference happen in only one big moment instead of all through the match, but it would have made for a better match and made it appear Owens had more of a chance. Roman going through the barricade looked fantastic, and was one of the best looking "leveled barricade" spots they've done. No matter how I felt about the match layout as a whole, I thought that looked the best. Owens took some nasty falls into ladders (Roman too), but these slow paced Roman walking matches have not been my thing. 

So, I had a really fun time watching this show, and the vibe seems to be turning with those last couple matches, turning into something much less good. The tag match and Reigns match were not my thing but I also don't think they were bad. BUT. It feels like I would be tossing a lot of goodwill and pleasant memories right out the window if I put myself through a Randy Orton/Fiend match. I mean what kind of psychopath would I have to be to do that? 2020 has been difficult enough, why would I put myself through all of that? Let's go out on a high note, and be happy for the fun stuff we did get. 

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WWE Clash of the Champions 2017 Live Blog

1. Mojo Rawley vs. Zack Ryder

ER: I liked these two together, more than I'll ever like Ryder on his own, and I guess I'll never really understand their need to break teams up before they really do much with them. If we strung together all the PPV pre-show matches from 2017, you'd wind up with a pretty great 2 hour special. This is another nice showing, with Ryder taking a couple big bumps, getting a nice comeback, and then getting obliterated on the finish. Ryder gets shoved from the top rope to the apron to the floor, taking a mean tumble, then Mojo runs around the ring to awesomely check him into the barricade. Back in and the camera nicely picks up a Mojo big boot with his boot staying on Ryder's face all the way down to the mat. Ryder's comeback is at minimum explosive, even if the cameras zoomed in too hard on his thigh slaps, the impression of impact was at least there. But Mojo's 1-2 finish was really cool, taking out Ryder's knee with a diving block, and then blasting him with that running forearm in the corner. Fun opener, hopefully Mojo doesn't get totally lost.

2. Bobby Roode vs. Dolph Ziggler vs. Baron Corbin

ER: Just FYI, it still sounds incredibly stupid when someone bumps over the barricade and someone shouts that they just got knocked "into the WWE Universe!" They got clotheslined over a short wall. Does the WWE Universe only start once we've passed the plane of the barricade? Does nothing happening inside a WWE ring count as part of the WWE Universe? Are the concession stands part of the WWE Universe, since they're beyond the barricade? Is someone urinating in the arena bathroom urinating into the WWE Universe? Does it apply to both people AND places? Is someone buying a WWE t-shirt an example of "The WWE Universe purchasing the WWE Universe within the WWE Universe'? It's beyond the worst. Roode and Ziggler don't match up well, Ziggler leans out of simple things like stomach kicks and then just doesn't connect on his own. But someone (Graves?) just said Ziggler may be the greatest performer in WWE history, so what do I know? I have no clue what actual performance metrics you would have to fudge to even squint and believe that statement. Roode has taken big moves nicely in this, splatting face first on the famouser and getting big height on a spinning slam from Corbin, takes Ziggler's big DDT really nicely. I really liked Corbin trying to vulture Roode's win, only for Roode to throw him to the floor and Corbin breaking up the pin anyway. If I didn't care for him the rest of the match, Ziggler at least made the finish work: Corbin was about to hit End of Days on Roode and Ziggler jumped in at the perfect moment with the Zig Zag, the momentum also slamming Roode tailbone first into the mat to presumably keep him from breaking up the pin. This was fine, crowd was really into it though and that counts for something.

3. Aiden English/Rusev vs. Shelton Benjamin/Chad Gable vs. Big E/Kofi Kingston vs. The Usos

ER: Fans are really stoked for Rusev Day, so we got a nice hot crowd tonight, good to hear, and it warms my heart to hear English getting a great reaction. This starts with a pretty great car crash as Kofi gets tossed into a plancha, an Uso hits his big no hands plancha to the other half of the match, and Benjamin launches an Uso with a belly to belly off the top. Kofi eats a great boot and ring post shot courtesy of Rusev after goofing around. Rusev doesn't have time for that nonsense on Rusev Day. I like how English is doing a bunch of solid little things in what most want to be a spotfest: doing nice grounded punches off in the corner of the camera, locking in and wrenching a nice headlock. Don't let the match style conform you. The Texas Tornado style of the match feels a bit to crowded, and it's making half the guys wait to do their spots while the other half does their spots. It's messing up flow. Why is this the match without extra refs? This is kind of a mess even though everyone is working hard. I think Big E might have arguably the best standing splash in wrestling history. It's got the incontestable best height and the impact is great. Kofi springboards into the ring and gets stuck with a great Benjmain powerbomb, and they are freaking killing me with these Rusev/English nearfalls. There were three pins all in a row that looked like they could plausibly win the belts. Come onnnnn. The finishing stretch is flat out GREAT. Rusev and Big E have a great battle over the Accolade, with E almost powering out before Rusev bends him back violently. Gable comes in and hits a tremendous deadlift German on Rusev, just dumping him on his shoulders, then hits a rolling chaos theory on English that dumps him even more violently. We get a sneaky Uso tag as Gable tries for another chaos theory, couple superkicks and a big splash finishes him, straight up fire finish. Awesome stuff.

4. Natalya vs. Charlotte

ER: Alright, and now for nobody's favorite gimmick match! Natalya is a far better heel when she doesn't actually realize she's being a heel. Her acting like a heel is just hammy. She's a much better A-Rod style "heel who doesn't know that she's disliked" heel. Who in wardrobe allowed Carmella and Lana to both wear red swimsuits? Also, Carmella's suit looks like a placeholder for her actual, real gear...except she's been wearing it for months. Tamina continues having the worst gear, it's like they tailored Viscera's old gear and gave it some darting. Charlotte takes a nice awkward bump to the floor, and I liked the bridge up to dodge a baseball slide. Charlotte is good at coming up with cool ways to engage the lumberjacks, really liked Natalya pushing off the figure 4, sending Charlotte flying into a dive on Ruby Riott. Tamina runs point on catching a Charlotte moonsault to the floor, which predictably means that she bumps out of the way before the moonsault hits and 6 women take bumps anyway. Tamina is so bad you guys. She did absorb all of the Naomi springboard, so I guess I shouldn't be so harsh. Thankfully we don't have to endure a Natalya win, and Charlotte worked hard in a difficult gimmick match.

Natalya threatening to leave WWE is like a parent threatening to take their kids broccoli away. "That's it, you keep mouthing off, now I'm giving you another spoonful of mac and cheese and YOU don't get any more broccoli! Actually, why don't you go to your room and play video games and then see how you feel!"

5. Breezango vs. Bludgeon Brothers

ER: I know I just said a few minutes ago that Tamina has the worst gear possible...but my god the Bludgeon Brothers. They look like a Hot Topic was destroyed in a hurricane, and a seamstress assembled their outfits out of found scraps. I have no idea what vibe they're going for. So many studs and zippers and hanging bits and that riveted cummerbund corset awkard tight bits side by side awkward loose bits. And the match is over. A straight match between these two would have been really fun. But, I guess we were running long (no we weren't)?

6. Shinsuke Nakamura/Randy Orton vs. Sami Zayn/Kevin Owens

ER: I'm not totally sure who this match concept is supposed to appeal to. This tag match with a normal referee already had a chance to be pretty uninteresting, but jamming two authority figures into it as mildly disagreeing distractions should practically guarantee it's no good. The fans, to their ever loving credit tonight, are into it. Still! They're still excitedly chanting for this show. The great finish to that tag match feels like an hour ago and we haven't accomplished much since then, and they're still chanting for their guys. I like it. Props to Orton for hitting a chinlock literally 10 seconds into the match. Zayn and Owens are also working their share, but they at least are making them look good, with Zayn going after the eyes and nose bridge and Owens making his snug. I'm kind of okay with them cutting the ring off with chinlocks for as long as the crowd can take it. All of Nakamura's kicks to Owens look really good, loved the falling enziguiri as Owens caught a kick to the chest. Bryan and Shane haven't even been very involved in the match itself but man they are so distracting, with the camera purposely keeping them both in frame most of the time. "Triangle!" "Shoulders were down!" means that someone decided to get a Dental Plan/Lisa Needs Braces joke into things, which we were probably all hoping for. My god Shane's facials and movements might officially make him a worst guest ref than Shawn Michaels. I think he's been worse than current Red Shoes in this...but may even be Michaels bad. That's really bad. Boy that finish was really bad. Who could have wanted any of this? I know Orton has been snail slow in his PPV matches the last two years, and this whole match he seemed even slower as everyone had to let this guest ref angle breathe a bit. Woof.

7. Jinder Mahal vs. AJ Styles

ER: I really liked this, and while a lot of it was because of another excellent Styles performance, I thought Mahal worked smart and didn't overreach, thought both worked together to craft an interesting match around each man's strengths. There was also that real fear from a lot of people that Mahal was going to win the title again (while I don't hate Jinder, I also wanted to see AJ hold the belt longer), so the fear and tension on some of the nearfalls was there. Jinder worked over AJ's ribs in simple and effective ways, and AJ made a point of landing in all sorts of nasty ways on his ribs. Styles bumped huge into the timekeeper's area, just about the most painful way you can get into that area. Jinder just worked simple knees and kicks and holds targeting AJ's ribs. The springboard block was great, with Jinder hitting the ropes to knock AJ off, and AJ naturally landing ribs first again. Mahal keeps up the targeted attacks with a big gutbuster and awesome flapjack (Styles takes a flapjack better than maybe anyone), and I liked Styles' comeback Pele kick (with Mahal going for the kill with his cobra clutch slam only off the middle rope). I didn't love the finish with Styles just kicking out of the slam to eventually roll Mahal into the Calf Crusher, but the whole thing built really solidly and I love how serious they're treating the Calf Crusher. I loved when the top guys all had submission finishers in 2003, so I would not mind going back to that. Styles can basically do no wrong at this point.

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WWE Hell in a Cell 2017 Late Blog

1. Hype Bros vs. Chad Gable/Shelton Benjamin

ER: I almost always end up enjoying these pre-show matches, they're usually structured more satisfying that the actual PPV matches. I have no clue why. And the pre-shows continue to deliver as this tag was awesome. Gable was a real beast, and the trap arm belly to belly on Mojo alone would have probably made this work, and I dug the sequence that set it up (Gable lands on his feet missing a moonsault, catches Mojo in the suplex, then hits the moonsault). Mojo played a good FIP, had some well-mapped kickouts off some big Gable spots, but was also there to make some nice saves for Ryder. Gable eats a big shoulderblock from Mojo, hits Ryder with a killer spear in the corner to knock him to the floor. We had a lot of constant movement, which made the nearfalls more exciting. Wasn't sure which team was gonna get the win, which also helped add to the excitement. I could watch a match like this every day. Classic formula, good personality.

2. The New Day vs. The Usos

ER: These guys start with absolute lunatic bumps and crazy bumps are gonna make me get into a violent cagematch. Big E is a nutso bumper for a guy his size, and in one minute we get to see him splat onto the floor at high speed, then hit his spear to the floor (that I can't believe he still does!), an Uso takes a running leap into the cage, and things are crazy. Woods gets a chair thrown at his head and bumps to the floor and we get a good nearfall off a superkick. I get less interested in kendo stick use, but full credit to Usos for clever usage when they trap Woods in the corner to set up the hip attack. E gets caught on a spear and Jimmy punches him right in the freaking ear, then E runs him into the ringpost. They set up some crazy spot where E gives Jimmy a uranage off the apron to the floor, onto the sliding knees of Woods. It doesn't go flawless, but it's something that looks more violent the more messy it was. You basically had Uso getting thrown violently off the floor and landing off kilter on a pointed knee. It could have injured several men at once. Now Jey gets locked into a cell corner by 4 strategically placed kendo sticks, with Woods throwing shots to the ribs while Jey can't move (So.....New Day are the babyfaces...right?). They keep coming up with more dangerous spots, now with the Usos setting up a doomsday device on the floor with Big E up on the shoulders, and an Usos flying through the ropes with a crossbody. Knees and elbows and bodies are flying everywhere. Usos do a couple great big splashes, and then the handcuffs come out. Usos hang Woods over the ringpost by his cuffed wrists and beat his prone body with kendo sticks. Good lord. But they spend so much time on Woods that by the time they get to E he is ready to do damage, and proceeds to do some spectacular damage, throwing them with suplexes and running them violently into the cell. But the Usos keep going back to Woods' ribs, more kendo attacks, huge double splash, this whole thing was nuts. New Day had a great comeback and Woods valiantly tried to keep going despite the beatdown. These guys went all out, came up with some clever uses of tired gimmicks, really amped up the violence. I don't anticipate anything else on the card approaching this level of violence.

3. Rusev vs. Randy Orton

ER: After a match like that, you know Orton is the guy to go out and try hard! He does momentarily shut my mouth by taking a nice bump to the barricade and a fallaway slam on the floor. I miss Rusev as a top heel, and I miss Lana being on TV. Rusev is better than most at setting up Orton offense. I really liked the strikes he was throwing that were meant to be caught by Orton, and liked him holding the ropes to make Orton miss an armdrag. But things get fairly uninteresting once Orton went into his finishing run of offense. They made it pretty clear that Rusev had no chance. Fans were into it, but Orton is super stale to me (unique hot take!). I guess just gimme a Rusev/English tag team so I can see them work the other fun teams every week. I'd rather see that at this point since I doubt Rusev will make it back to the main events.

4. Tye Dillinger vs. Baron Corbin vs. AJ Styles

ER: Tye Dillinger's entrance cape looks like something Meng the Merciless might wear to a long weekend at Fire Island. I haven't really been following this story so I'm not sure why Dillinger is added, but Styles makes it known pretty early that he'll be trying his damndest to have a killer match. Corbin hits him with some hard elbows and Styles gets launched off a hip toss. It looked fantastic. We get some fun misdirections with Dillinger splashing Styles in the corner, then Corbin missing an attack on Tye but hitting AJ, then Styles gets pinballed ribs first off the ringpost and skids to the floor. Styles is a loon in this, flying full force into every possible surface. He seriously looked like he was trying to break down the ringside barrier with his body. Corbin locks on a super nasty cravate on Dillinger and Styles continues stealing the show, getting punched out of the air on a springboard by Corbin and ragdolling to the mat. Corbin takes a nice bump to the floor and eats a cool sliding knee from Styles, then Styles takes a big backdrop from Dillinger. Dillinger has some shockingly nice corner 10 count punches (I say shocking because his other strikes don't leave much of an impression on me), and if you're going to have one good set of punches with his 10 gimmick, those are the ones to have. I also really liked Dillinger kicking his way out of the Clash, which is weirdly something they don't do that often. Styles is turning in maybe his greatest performance since the Elimination Chamber earlier this year, and as I type that he takes a bananas choke slam from Corbin, insane height. And the finish was real fun with Styles levelling Dillinger with the forearm, then getting booted violently to the floor by Corbin (and you know Styles splats onto the floor, Corbin punts him right in the chest and Styes flies down practically head first) as Corbin steals the win. This match...was really damn good, and I went into it not caring at all. People are really busting ass on this show.

5. Charlotte vs. Natalya

ER: I tend to really like "big match" Natalya, while almost completely disliking Natalya. Charlotte is good at selling a knee injury and Natalya is good at doing perfunctory legwork. This took me a while to get involved but I got there once Charlotte's knee buckled doing a kick to Nattie's jaw. The moonsault to the floor was crazy, and chair to the leg finish was fine. I liked the touch of the ref removing Charlotte's boot, and Natalya had a great grin while posing with the belt. It seems like people really hate Natalya and think she's a bad heel, but I get annoyed just by looking at her, sooo...

6. Shinsuke Nakamura vs. Jinder Mahal

ER: "What Nakamura needs to do is grind this match to a jinder maHALT." Me, making grade F puns off of things Corey Graves says. Nakamura was like Rachel's favorite wrestler before he got called up to the main card, now she hardly reacts to him. One year ago she was flipping out live for him at the NXT show, scrambling to get out her camera. Now she just left the room to change the laundry. Admittedly she has zero interest in Mahal, so that could play into it. "Slow, Methodical, Effective" should be the slogan on the next Jinder Mahal shirt. Nak maybe didn't get the memo that you're supposed to be recklessly violent with the Singhs. He gives a couple knees, but very safe. They're only out there to take super dangerous bumps or get kicked in the ear. One of them takes an okay bump off the apron, but Styles took like 5 crazier bumps to the floor earlier. The nearfall off the kinshasa was decent, and I wish we could have gotten more brawl through the crowd so I could see more bald event security guys joylessly pretending men aren't fake fighting inches from their face. They're like the Queen's Guard, but with bald heads and tucked in blue polo shirts. And my god they are going to have Jinder break Backlund's title reign record, aren't they?

7. Bobby Roode vs. Dolph Ziggler

ER: You hear those stories about prospective employees who don't get a job because the employer finds a bunch of embarrassing drunk or stoned photos on their public Facebook page? Some day an employer is going to find a bunch of 2009 posts where I constantly praise Ziggler and realize I am clearly the least qualified person for any job. Ziggler locks on an early sleeper and Graves says "Ziggler might put Roode to sleep!" If Heenan were still with us he then would have said "He's already put the viewing audience to sleep, why not Roode!?" Rest in peace, Bobby. Though I don't really hate the minimalism of this match. It feels like a house show match, out of place on a PPV. Ziggler hitting the famouser out of a sleeper looked good. But whatever the reason this isn't grabbing me. I did really dig the finishing stretch, so that's something. Ziggler misses a superkick, gets hit with a boss spinebuster; Dolph hits a slick roll up to reverse the glorious DDT, Roode misses a corner charge and they do a just-the-right-amount-of-silly rolling prawn holds, each one showing more and more butt. Dolph hitting the Zig Zag immediately after the match while Roode's music starts playing. That's the kind of teeth the rest of the match needed.

8. Shane MacMahon vs. Kevin Owens

ER: I am unashamed to admit that I am completely loving this match. Shane jumps Owens and starts throwing those MacMahon brand potato punches (I could totally see a poorly designed WWE shirt with cartoon potatoes that says MacMahon Brand Potatoes and then the back says something stupid like "Want Fries With That!?") where 60% of them miss completely and the other 40% all land on the most annoying places possible. Shane is the blind squirrel accidentally finding Owens' ear and nose bridge. I am now over the moon as Shane sweeps the leg and then does a cartwheel kick!! Holy lord this rules. Shane dropkicks the cage door into Owens and Owens boots him off the apron, with Shane taking a big no look bump backwards into the cage. Match still rules. Shane eats a senton and cannoball, then Owens swantons right into Shane's knees. Shane sells the knee convincingly afterwards, then punches Owens in the ear a few times. Shane's face keeps getting redder, and then he misses a shooting star press! And then Owens hits a full force frog splash! OMG Shame MMAcMahon grabs a triangle off a pop up powerbomb, then grabs it again from the apron leading to him getting powerbombed onto the steps. People are shitting on this match but it feels like a total miracle match to me. Owens misses a cannonball off the apron through a table with aplomb. This still rules. Shane gets DDT'd hard on the entrance ramp, and it was the least flashy spot so far but looked great. You knew they were going up to the top of the cage, because MacMahon wants to make his father proud or something? And the Russian leg sweep on top probably won't get talked about after the show, but you know they both smacked the back of their heads on the support beam part of the cage. They're doing a lot of stuff up on the cage, and I keep waiting for a giant hole to get torn through as they both die on their way down. I likely would have rolled an ankle taking my first step onto the top of the cage. I dug all the teasing around getting thrown off the cage, and Shane's kicks to the ribs while climbing down were sharp. Owens takes a big bump off the cage and yeah, you know Shane's gonna do something stupid now. And my god that was crazy. And Zayn saved Owens!! Holy cow the timing of that was amazing, with Zayn grabbing Owens' hand as Shane came violently crashing - HARD - through that table. That did not look like a classic Shane crash pad landing. That looked like a Parkour Fail video. And weirdly this doesn't totally feel like Zayn turning heel, it feels like Zayn pushing slightly towards heel and Owens getting pulled slightly towards face. This match FAR exceeded any kind of expectation I had for it. I'm kind of stunned how much I loved it. Really.

ER: Was this the WWE PPV of the year? There's so damn many that I honestly can't remember what has happened this year. But the low points were kept brief, the two Cell matches overly delivered, and that triple threat over-delivered. These WWE shows that look bleh on paper seem to always crush it. This was a quality PPV man, these folks busted butt.

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New Japan Pro Wrestling on AXS TV Episode 13 Workrate Report

1. Minoru Suzuki & Shelton Benjamin vs. Takashi Iizuka & Toru Yano (5/25/14)

So uhhhh, I have obviously not seen Iizuka in awhile as he is now essentially Rusher Kimura doing an Ox Baker impression. And this is an odd thing for them to air as Iizuka turns on Yano before the bell and joins Suzuki-gun, but I guess I can't complain too much about Suzuki being Suzuki. I have no idea what Iizuka's deal is but this does seem like an amusing late career reinvention.

2. Kazuchika Okada vs. AJ Styles (5/25/14)

So last week we saw their 5/3 match which was very much not good, with tons of limp Bullet Club interference. Interference in a match is one thing, but jeez at least make it look good. AJ with his floppy hair and pouty attitude always comes off like an argumentative teenager to me. This match didn't have nearly the amount of BC interference as the 5/3 match, but it still wasn't that great. These two just don't seem like a very good match for each other. A lot of the work within was fine, but even though they were doing some things that should have built drama, I did not feel any sort of drama. Just like last week AJ looked really good, took a couple big bumps (including a great one through the ropes to the floor) and Okada took one of his own off a giant hip toss to the floor, with him landing right on his tailbone. The last match Okada did a great job - in match and on promo - putting over the Styles Clash, so the fans got amped for the couple Styles Clash struggles we saw. They also got amped for the Rainmaker, but I thought all his set ups for that looked real bad, with him taking a long time to hug Styles close so that WHEEEEE he could spin him around into a clothesline. This whole thing never felt like it hit into high gear. They were going through some of the motions, but it just didn't work.

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WWECW Workrate Report 8/11/09

1. Zack Ryder vs. Shelton Benjamin

This feud was set up last week when Ryder jumped Shelton while Shelton was singing a Hootie & the Blowfish song. Although Matt Stryker explains that it's all about the traditionalist throwback wrestler in Shelton Benjamin taking on the modern style of Ryder. Yep, the first thing I think about when I watch Shelton Benjamin matches is how much of a throwback he is, just he and Ole Anderson bitching about when guys REALLY knew how to cut off a ring. I do think Ryder works better as a heel, but we have problems as Benjamin doesn't really know how to work as a face. Ryder hits a nice dropkick off the 2nd rope and we hit a weird moment in the match where both guys start selling like they've been in a war 90 seconds in, even though only 3 moves have been done. Then a neckbreaker happens and I genuinely can't tell who was giving the neckbreaker and who was taking it, and I don't know if they know either as they sell it exactly the same. This seems to be something that happens in Shelton Benjamin matches, where I rewind moves and I can't tell who is supposed to be taking what, and who is doing what to whom. Ryder did a vertical suplex, Shelton flipped over and landed on his feet...and then they both fell to their backs and sold. I have zero fucking idea who did what to whom. Match only goes like 3 minutes so it's not like that was the one thing holding this back from being good.

2. Vladimir Kozlov vs. Kevin Brooks

Fans chant "You Can't Wrestle" at Kozlov and boy is that still really annoying. Kozlov and Zeke continue to try and shatter jobber vertebrae and slam the poor little guy around a bunch, whipping the back of his head off the mat in the process. These really need some Chris Nowinski "The More You Know" type stats comparing back bumps to car accidents.

3. Paul Burchill vs. Yoshi Tatsu

This was really fun but then ended 2 minutes in when Katie Lea interfered. It was a really fun 2 minutes and they squeezed a whole lot of damn moves into 2 minutes, but a 2 minute match ending in interference is what it is. Burchill had an awesome double knee drop, Tatsu threw some nice kicks and a cool elbow drop, and then it all stopped. Hurricane returned and attacked Burchill post-match. I totally forgot he came back and was still in WWE this late.

4. Tyler Reks vs. Tom James

This match gets 75 seconds, so we've had 4 matches that have been given a total of 7 minutes on this episode. Fuck that noise.

5. William Regal vs. Tommy Dreamer

Once I saw the match announced I immediately assumed it was the infamous elbow match, but this was actually a different yet also completely awesome match. I'll level with you, this may have been the single greatest individual Tommy Dreamer performance I've ever seen. The whole match I was waiting for and expecting the moment where his elbow starts to swell to alarming levels, cringing every time Regal would slam Dreamer's arm into the post or stomp on it or whip it into the mat, knowing that Dreamer's selling wasn't *really* as good as it looked since his arm was going to blow up at any moment. But when it never did I was faced with the realization that Tommy Dreamer just sold his arm better than most human beings have ever sold an arm. The match really is incredible. Dreamer comes in with a taped up arm and Regal just goes off on that fucking thing. He yanks it and twists it in all sorts of gross ways, stomps on it, works a bunch of cool holds on it (some of Regal's best matwork in his WWE career). Things roll to the floor and Regal kicks it against the ring post and good lord did that look painful. Dreamer fights back in really nice, convincing ways, as Regal is fixated on putting him away with the Knee Trembler but Dreamer keeps ducking out of the way of it. Every time Regal misses it allows Dreamer to control for a bit, until Regal invariably grabs him by that arm and tries to dislocate it from Dreamer's body. There was a great punch exchange towards the end that was real quick with really nice shots from both guys, with Dreamer even mixing it up with right hands and body shots!! This match was just incredible. Really a career performance from Dreamer, and one of Regal's absolute best career performances. Something you could show anybody with a passing interest in either guy, and they'd then be convinced each was an awesome worker.


WWECW MASTER LIST

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WWECW Workrate Report, 7/21/09

1. Yoshi Tatsu vs. William Regal

This starts out being all about Tatsu eating a beating, with Regal dishing elbows all over, kicks to the chest, uppercuts, big suplexes (standing exploder and delayed butterfly), straightjacket choke...and also all about Striker being an annoying prick on commentary ("the modified Kanemoto strong style of Tatsu" "this is just the opportunity Piston Honda needs" seriously fuuuuuuuck you). This is basically 4 straight minutes of Regal stiffing Tatsu until Tatsu hits a nice Pele kick, and then a whole barrage of other kicks that were too fast for Regal. Regal catches Tatsu up top, and I *LOVE* Regal pulling his kneepad down before he goes for his running knee finish. I thought Greg Valentine moving his shin guard before he used the figure 4 was cool when I was a kid, and that kinda shit is still awesome. But Regal gets caught with a high kick running in and Tatsu gets the surprise win. Real fun match.

2. Ezekiel Jackson vs. Mike Williams

45 seconds, 3 moves, but they were all pretty great. Williams runs into a big boot, Zeke runs him over with a giant clothesline, and then spikes him with his brutal standing urunage. Kozlov comes in afterwards to hit his chokeslam/spinebuster on poor, poor Mike Williams.

3. Goldust vs. Shelton Benjamin

Man Goldust has a beautiful right hand. I think I like the uppercut more than the overhand but I can't decide. Shelton pusses out of taking the butt butt and we'll see if I enjoy 3 straight Benjamin matches in 3 straight weeks of TV. Shelton does do a cool neckbreaker cravate so I can get behind that. Goldust has such a cool run of offense with his snap powerslam, nasty kick to a prone Shelton, hard atomic drop and an honest to god proper bulldog. All of his classic offense sure makes a lot of Benjamin's indied up offense look ridiculous. Who started the idiotic trend where moves involve pulling or dropping a guy onto your own knee? All that shit looks stupid. Benjamin does some sort of springboard...something...into a Goldust uppercut, but it looked really bad. Shelton did his springboard and just landed on his feet in front of Dustin, as if he were supposed to miss a move, but he just jumped in and landed flat on his feet. He then does one of those horrible bits of Marufuji offense where he flings himself over the top to the floor while at the same time kinda sorta vaguely pulling Goldust neck first into the top rope. It just looked like Goldust's face bounced off the ropes while Benjamin went flying out of control and spilled nastily onto the floor. I'm not sure what viewer would get the impression that Goldust got the worst of that move. And then Benjamin wins with his "grab guy and pull them down to the mat, landing much harder than my opponent". Boy this was really bad. Really awesome Dustin offense interspersed with him having to get into position for Benjamin's weird masochistic offense. The whole thing just looked like Benjamin taking moves, and then doing moves to himself. Crowd was dead and confused. So Benjamin had two glorious weeks, and EVERY SINGLE THING that made him cool those last couple weeks was completely absent here. It's really hard to put into words how detrimental he was to this match.

4. Tyler Reks vs. Paul Burchill

I gotta root for my boy Reks here, now that he is a resident of my little 7,000 population town of Cotati, CA. If you see a tall jacked dude with dreadlocks down at Oliver's Market, the odds are favorable that it's Tyler Reks. This was apparently Reks' TV debut. And as much as I want to root for Reks here, this match is a pretty incredible match to showcase how great Burchill had gotten before being released. He has these cool punches to Reks' chest, really made Reks duck on some missed clotheslines that would have just leveled Reks, awesome running double knee spot in the corner, super high bump on a backdrop, etc. He even made the chinlock sequence look good as he lied down with it and really made it look like he was choking the life out of Reks. Reks' offense at least tries to be clever, but it all lands pretty soft. Nothing he did was bad in context, it just really didn't have much oomph. Any time a guy his size does springboard dropkicks and springboard crossbodies it can't help but look impressive, but I found myself being more impressed by his ability than the actual moves. Still the match was the proper length and peaked at the right spots, so all in all this was good.


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WWECW Workrate Report: 7/14/09

1. Christian vs. Shelton Benjamin

Well this makes two straight shows and two straight Shelton Benjamin performances I really liked. I watched very little ECW at the time (didn't have SyFy) so most of this I'm seeing years removed, but I still watched PPVs and Superstars and all that stuff and I didn't ever remember thinking "Hey Shelton is looking GOOD lately!" But damn if he hasn't been looking awesome in July '09 ECW. This was another trademark good Christian TV match with Shelton working over Christian's left arm in all sorts of cool ways, like hyperextending it over his knee and dropping knees on it while prone. Christian is a champ and sells it great throughout the whole match. Shelton is a real stand out here with his offense and overall viciousness that I've never seen him display at all. He hits a running knee lift here that looks just painful, and also finally utilizes his amateur wrestling that always gets talked about but never actually gets used in his matches. He had a couple cool takedowns and a rad Oklahoma roll that really felt like he could have shoot pinned Christian if he wanted to. His big leap to the buckles spot actually gets built to perfectly, with the first attempt failing and allowing Christian to transition back to offense, and the 2nd seeing him hit a great single arm DDT off the top on Christian's bum wing. Christian also is the only guy who knows how to take Shelton's goofy finisher, as Christian is always great at spiking himself on DDT-type moves. Color me a Shelton Benjamin fan. Who woulda thunk.

2. Paul Burchill vs. Yoshi Tatsu

I remember Burchill when he started as a pirate, when he wasn't very good and the only thing that people online hyped him for was his indyrageous Spanish Fly finisher. But somewhere along the way he apparently got really good and started wrestling like a Regal/Finlay hybrid. He drops a GREAT elbow, hits a mean senton and then starts choking and fish hooking Tatsu. Good lord. Yoshi blows a springboard spot and Burchill doesn't miss a beat by picking him up and planting him with a nasty Saito suplex. Ending is both disappointing and satisfying, with Yoshi reeling and hitting a flash head kick. The kick looked good and I like them pushing his kicks as lethal, but I wanted more than the 3.5 minutes they gave me. Bittersweet.

3. Goldust vs. Zack Ryder

Yessss. I'm been jonesin for some Dustin lately (one of the reasons I popped in some ECW discs) and he looks every bit as great as you would expect. The surprise is that Ryder looks pretty good, too. His stuff works much better as a heel than as a goofball face. He went over super clean and that's pretty lame, as if you thought Benjamin's finisher was silly then Ryder's is just ridiculous. It takes forever for him to set it up, holding his shin to the back of a guy's neck and then taking a back bump. It's like he saw an old Murdoch match and dug the Cattle Branding, and then thought "How can I take that concept, but make it look like absolute dogshit?" And man did he succeed. Rest of the match was cool with tons of great Dustin punches and a tremendous butt-butt. Way too short (barely over 4 minutes) but any Dustin on my TV is a very good thing.

4. Sheamus vs. Roman Cornell

This has to be pretty soon after Sheamus' debut as nobody seems to know who he is. Whoever Roman Cornell is/was, he looks better than Sheamus in this match. He threw some pretty nice punches and leaned way into the (not yet named) Brogue Kick. This was short and inoffensive.

5. Vladimir Kozlov vs. Tommy Dreamer

This will be a good test to see how good Kozlov got at this point. And you know? The match kinda works. Dreamer obviously tries and sometimes his stuff doesn't look good but he throws a bunch of shit at the wall. It's actually kind of funny how much different moves he busts out here, like a super chubby Rocky Romero. I like a lot of individual spots in this one though they don't totally add up to much. Great spot on the floor with Koslov dishing kicks at Dreamer, and then missing a high kick and nailing a ringpost. It made a real satisfying clang and Kozlov didn't hold back on it. It didn't really lead to anything, but in a vacuum it looked cool. Kozlov goes over nice and clean which was a shock as Dreamer was still champ and Christian won the #1 contender last week. Sets up a decent feud I suppose.


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WWECW Workrate Report: 7/9/09

So there seems to be some nostalgia lately for WWECW and I totally get it. Any fed that throws out weekly Finlay, Goldust, Mark Henry, Regal, Christian, and Matt Hardy matches and gives them plenty of time to work is something that I definitely miss. I liked that WWECW was booked in a vacuum as it gave it more of a WCW Sat. Night feel. I like Main Event, and I enjoy Saturday Morning Slam, but ECW had a real awesome feel and really did feel like it was booked separately from the other shows. That is pretty important because the matches have a little more weight than other syndie matches. You get the feel that weird things can happen like Yoshi Tatsu getting a push without Vince noticing. It brings me back to odd things like Stevie Night Heat with Stevie Richards coming up with a gimmick without office approval because nobody watched his show. In a day of micro-managed wrestling this is an important thing.

1.  Nikki Bella vs. Katie Lea Burchill

Seems like kind of a horrible show to start off on when this is the match that leads things off, but then Nikki takes a giant bump to the floor to start and I shut my mouth. Nikki doesn't seem to be very good but it works for her as it makes her bumps way more dangerous (one spot sees her supposed to land on the apron but she ends up tumbling all the way to the floor), making Katie's backbreaker seem more brutal and taking a neckbreaker more painfully than most girls would take it. The match was only 3 minutes long but you've seen way worse Diva's matches than this.

2. Yoshi Tatsu vs. Shelton Benjamin

So...when did Shelton Benjamin get good? I don't remember liking his stuff around this time, and I know I didn't like his ROH stuff, but he was pretty great here as a smug methodical heel (as opposed to his usual role of black guy who jumps high, which has since been filled by Kofi Kingston). I mean there are not many 8 minute Shelton singles matches that I enjoy, but this was really good. Tatsu's comebacks were peppered in nicely and Shelton had a cool fighter's way of trying to block Yoshi's kicks. And when Shelton would cut Yoshi's offense off it was always followed by him actually selling prior damage! The fans were getting way behind Tatsu here and that's just further evidence that Shelton was working as an effective heel. Match was also worked in a way that whenever Shelton tried any of his high jumping antics, they would always backfire and would lead to Tatsu getting the advantage, but when he stuck to clubbing and throwing Tatsu around he stayed in control (he hit a vicious standing overhead belly to belly which is like something Dave Taylor would pull out). Only complaint was with his finisher, which was that awful jumping leaping DDT-ish faceplant-y sort of thing that always looks like he's taking the move and the other guy is not sure how to land. That needs to go.

3. Ezekiel Jackson vs. Jack Meridol

AWESOME squash match. Jackson just beat the snot out of this kid. All his clubbing shots sounded like Meridol was getting hit with a 2x4 and Zeke was tossing this guy around recklesssly and it looked awesome. He just plants Meridol with a urunage and my spine ached. Is Zeke even still employed by WWE? I haven't heard his name in over a year.

4. Vladimir Kozlov vs. Christian

Boy not quite 4 years later and this show is just a total graveyard of past WWE talent. Is Christian still with WWE? I don't remember the last time I saw him. This is a number one contenders match for Tommy Dreamer's title (boy the ECW title looks awful), and boy this match was awesome. I know Kozlov has been involved in matches I liked, but it seems like he had become a genuine good worker at this point (although Christian was really great at working TV matches during this period). The opening mat exchanges are all really good, and then Kozlov takes a great bump over the top to the floor after missing a charge. Christian was never one to allow somebody to top him with stupid over the top bumping, so a minute later Kozlov knocks him off the apron and Christian lands on his side in a nasty way. All Kozlov's offense looks cool and painful, especially his sit out torture rack that ragdolled Christian. Kozlov also leans into a missile dropkick head first and that's awesome. Match was really good.


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