AEW Five Fingers of Death 5/11 - 5/17 Part 2

AEW Collision 5/16/26

Darby Allin vs Sammy Guevara

MD: There's a peace to be found in inevitability. The character of Darby Allin is careening towards destruction and he feels better than he's ever felt in his life. His body cannot sustain this pace. He cannot last. It's not suicidal tendencies. It's the universe falling into its proper place. He is champion. He will defend that title at every opportunity. In this, he has purpose. He will fight as hard as humanly possible. He will drag his opponents down into the depths with him. He will survive right until he won't. There is no place for doubt. There is no place for questioning. There's barely any place for thought. It's not nihilism. It is nirvana.

That's why, upon entering the ring as his music played, he bowed his head towards the mat. It wasn't exhaustion, save maybe for the exhilarated exhaustion of a job well down. It was peace. Perhaps it was a shallow sort of peace, one without true introspection, but it was peace nonetheless, and a peace associated with having climbed the highest of mountains, achieved the greatest of goals, a sort of peace that very few could contest.

Which is why he did not see coming Sammy Guevara boot crashing straight down upon his head.

....

And that's all I got. Sorry guys. I don't think I was feeling this one. I caught this a day later. Lots of wrestling this weekend. That meant I had already seen both the insane swanton off a ladder through a table, and then the very interesting spot of Darby passing out during the Scorpion. 

What I didn't realize, because you can never realize much from clips, was that they were basically how the match started. After curb stomping Darby, Sammy beat him a bit more, cut him off a bit, and put him through the table. About a minute later, Darby had gotten Sammy into the Scorpion Deathlock and passed out. And then maybe half a minute later, Darby was back on the top rope and Sammy pushed him off.

Darby IS the exception to every rule. He IS the cockroach that will survive the apocalypse. On some level this does make sense in context, a greater context of not just the match but his entire reign, hell, his entire life. 

But I'm not at all sure this maximized the dramatic tension (in fact, I'm pretty sure it didn't). After this, Sammy stayed on Darby but Darby kept trying to come back. Some of the cutoffs were quite good like Sammy hitting a cutter on Darby as he tried for a tope. It made some sense given who and what Darby is and the overall hierarchy at play, and to a lesser extent the fact that Sammy was fooling around a bit, but just because something can be waved away on paper doesn't mean that it will work for everyone in the moment. While I'm usually drawn in by Darby's bumping, selling, and desperate attempts to fight back, I think this one had lost me and didn't quite get me back.

You know what could have gotten me back though? If I saw something brilliant in the character of Sammy Guevara, something I could latch on to. He was cocky. He hit his stuff. He went right after Darby to start. 

But who is he? Is he the guy who despite being a pro wrestler in a kayfabe world is still desperate to get that 5* rating from Dave? That's kind of interesting in its own way so long as he's the only one like that and he plays into it as a character and not as the guy behind the character. That he sees himself as an artist and that his art isn't appreciated due to cronyism and lack of opportunity and being screwed. THAT could be interesting in its own way so long as he stayed fully immersed in a fictional world. 

Or is he the guy who was supposed to be someone at 26 in 2019 and now is looking around at 32 having seen his peers and even those younger than him pass him by, someone who realizes that despite the swagger, despite the mustache, despite still calling himself a pillar in a world where the other pillars have long since stopped, that he's running out of chances. That's interesting. It could create a sort of wretching, wretched desperation, one that either he hides behind a mask or behind self-delusion. 

No, he's not either of those things. He's not much of anything. The problem is that sort of character has to permeate through literally everything he does. You have to feel it dragging itself out of the screen and crawling down your throat. It has to make you uncomfortable, not in the way an overt horror character makes you uncomfortable, but in the way something far more real, something that reeks of disappointment and failure, might make you uncomfortable. That could be compelling, massively compelling, but it would mean that Sammy would have to be incredibly self-aware, incredibly vulnerable, incredibly brave.

And there aren't many wrestlers today that brave. I don't fault him for taking half measures and playing at playing at something instead of embracing it. Who the hell wants to embrace failure as a path to success? But this is pro wrestling and counter-intuitively, that's a path, and I don't see all that many other paths for Sammy anymore. He's pasted over his old workrate stylings with a patina of smarmy stooging to try to keep up with a changing world, but the entire endeavor lacks soul and verisimilitude. 

If he could somehow pull it off, maybe we might feel uncomfortable in a good way, in a compelling way, when we see Sammy Guevara wrestle. 

Instead, we're just uncomfortable in a bad way, all the more so when he takes a massive bump or hits a massive spot. 

With Darby, it is serene. With Sammy, it is jejune. Worse than that, it is mundane. 

In every way that Darby Allin is found, Sammy Guevara is lost.

He worked hard. He hit clean. He'll get some stars. 

But he won't find what he's looking for.

Not like this.

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AEW Five Fingers of Death 11/10 - 11/16 Part 2

AEW Collision 11/15/25

FTR/RUSH/Sammy Guevara vs Kevin Knight/Mike Bailey/Juice Robinson/Bandido

MD: An eight man tag can be an opportunity or an excuse.

It can be an opportunity. 

You have eight wrestlers. How do they interact? Both the partners and opponents. I want the camera to linger on what happens when FTR gets into the ring with LFI for the first time (Cash was quick to go slap hands and greet). These are disparate characters, disparate styles, disparate personalities. It's interesting. It makes the world seem more robust. Hiptosses are great. It's not always about hiptosses. I want to see who these people are and what they think about each other. What the hell does Dax think about Rush? That's interesting. Likewise, Juice hanging back and waiting for Bandido to show up so he could do Guns Up with him and then Bandido realizing what he wanted and getting excited and into it. That's interesting. That's compelling. It's vivid and real and immersive. It draws you in.

It's about the narrative opportunities of having more wrestlers and their attributes to work into the match. It opens the door for creative possibilities. You have Rush's intensity, Dax's hard hitting, Bandido's strength, Bailey's agility, Sammy's attitude, Knight's explosiveness, Juice's charisma, and Cash's wild abandon. And that's just one attribute from each of them. The wrestlers can mix and match all of that. Everything can be bigger. The stooge spots can involve more people. You can go for a double heat instead of a single. There are choices for who gets the hot tag, how to do the cut offs. It's more options, more room for creativity. Maybe most of all, it's also a way to further multiple stories at once and seed future interactions and matches.

It can be an excuse.

Eight people. Eight sets of signature spots. Eight guys who can take bumps. The action can flow and flow and flow and never stop. Someone can bump and the next person can be right there, fresh and on his feet, ready to jump right in and get revenge. You can drown the fans with an endless waterfall. Everyone gets their stuff in. Everyone gets to shine. Everyone gets to show off. The spots escalate endlessly. There's no ceiling. There's no bottom. There's no reason to ever stop. 

Except of course there is, because without stopping nothing can have meaning. Without leaning into tag rules, nothing can truly resonate. But it can be an excuse not to do those things, because you can just keep cycling people in and out forever. 

Cleverness for the sake of cleverness, spots for the sake of spots. It seems to be some wrestlers' fondest wish. Endlessly entertaining, almost certainly ephemeral. 

Usually, depending on who's in the match, an eight-man tag in AEW can be one or the other. 

This one, given who was in it, sort of straddled the middle. There was just enough connective tissue. They let things get chaotic, but then they brought it back to the center. There were foundational moments: Knight mocked the heel corner with the tranquilo pose and when he got thrashed by LFI they did it back to him. Sammy teased a swanton early only to leap down and screw with the fans. When he tried the same thing later, it cost him and helped lead towards the hot tag. Speedball hit his moonsault kneedrop in the ring to finally get that hot tag but then wiped out on the apron, clearing him out of the way for the finish. 

There were excessive moments, most especially early chaos which built to FTR eating Juice's stylized punches, Rush trucking him out of nowhere, and simultaneous JetSpeed dives. 

Ultimately, everything came down to Rush and Bandido, then opened back up as everyone got involved for one last bit of excess, only to cycle back around to Rush and Bandido once more for the finish. Moreover, it came back to the characters at play, their familiarity with one another and lack of familiarity with one another, as Rush got shoved into FTR to position himself for a slightly askew 21-Plex. 

If I had my way, I'd prefer something a little more grounded with chaos even more controlled than this, but it's a big tent promotion and sometimes an excuse is what's needed. Thankfully, here, that excuse didn't leave the opportunities on the table like it so often does.

ROH TV 11/13/25

Athena/Billie Starkz vs Hyan/Maya World

MD: Here's what makes pro wrestling great. 

Athena demanded to start the match. She held out her hand to Maya World for her usual insulting left-handed, draping code of honor shake. She immediately clocked her with the magic forearm, absolutely floored her.

And all that? That was Athena selling.

That was her selling the frustration of eating a rare pinfall from Harley Cameron (of all people) during the tag tournament, of having to defend against Harley now, of being eliminated from the tag tournament when she and Mercedes were the favorites, of Kris Statlander getting into her business, of Billie letting her down, of Mercedes not doing her part (and being able to claim that Athena didn't do hers), of not being part of the first Blood & Guts. 

Grievance after grievance all going into that one seething, agitated, impatient shot. 

This was an enhancement match. Hyan and Maya are on the rise but this was to continue Athena's story. She'd sell for their offense, but she'd sell more for the ghosts in her own mind, a burgeoning obsession over Harley. She'd call Harley out within the match, even as she punished Maya or Hyan. She'd take it out on Billie, so distracted and distraught that she'd all but chop her instead of tagging her, would get in a senseless argument which would allow her to get dropkicked from behind.

The secret truth in pro wrestling is that true strength lies in vulnerability, that it's selling which draws the fans in to get behind a babyface and that showing weakness, be it physical, emotional, or moral is how a heel gets heat. So even as Athena ate up Hyan and Maya, she was being eaten up on the inside, and her performance made that clearly evident to the world. 

Meanwhile, it was on Billie, Hyan, and Maya to react. For Billie that was trying to soothe Athena's wounds through inflicting collaborative violence, of showing the emotional impact of Athena's abuse upon her, of being distracted herself. For Hyan and Maya, it was being on their back feet due to the brutality and coming in hot when opportunities arose. 

The end result was an entertaining match which was laser-focused on promoting the title bout to come. And it all hinged on Athena selling something bigger and more complex than a punch or a kick from the second she walked through the curtain to the second the camera faded on her post-match. 

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AEW Five Fingers of Death 10/6 - 10/12

AEW Collision 10/11/25

LFI (RUSH/Sammy Guevara/Dralistico) vs. MXM TV (Johnny TV/Mason Madden/Mansoor)

MD: Hey, it's a multifunctional TV match. In and out in under 4 minutes, not counting the set up. That gave everything the sense of chaos you want out of a Rush match. Now that Caster's no longer doing the challenge (at least temporarily), this fills that spot on the card, gives fans the surprise of not knowing who will come out, lets Mansoor stooge big (here flipping onto his face and then trying foolishly to attack Rush), lets the challengers figure out how to deal with the problem of Mason Madden (catching him mid-pose with tandem kicks and then dodging him as he crotched himself) and work fairly even with Johnny to start. They fit in a huge spot with Dralistico crashing Johnny into the guardrail on his 'rana, a bit of sizzle with Taya hitting one off the apron herself, and then, just like last week with DCF, the big bomb train on Mansoor. Put LFI over strong to set up their trios titles challenge, entertained the crowd, filled a few minutes, and set things up by having Eddie's music interrupt them for the next match. Perfectly effective pro wrestling right here.

Eddie Kingston vs. Beast Mortos

MD: Another week, another match, another step to climb. You watch Eddie and you feel his pain. When he gets knocked down, that hurts, yeah, because of course it does. But it hurts him to get up too, to turn the body, to get his feet under him, to press up against the weight of the world and find his way back to his feet. It hurts. It doesn't hurt Speedball when he gets up. It doesn't hurt Kevin Knight. It hurts Eddie. Every single time. 

It's a contradiction lately. Every time it gets harder than the last. Yet every time it gets easier too. Because he's working his way back out of his hole, working his way back up to the light, working his way back to who he was when he won the Continental Classic and held three titles at once. 

But yeah, it hurts.

He was more of himself here. Two weeks ago, if he tried a shoulder block on Mortos, he'd crumble. Now he stood firm. He forced Mortos out of the ring, forced him to ask for a time out, forced him to push the dissonance hard. He's so big and so fierce and he had to rely on an eye poke. That hurt too but it probably felt good and right, because Eddie forced him into that spot. That was a victory right there, the only sort of victory Eddie knows, the kind where he ends up with a finger in his eye for his trouble.

Yeah, he went for the uraken right off the bat, because Mortos is a threat and because Eddie's not yet Eddie yet, not really, not all the way. But when that didn't work, he didn't stop, he didn't look down, he kept on pressing. And that meant that while Mortos got the better of him for a time, that he was able to fight back, able to get under him and hit an exploder, and able to hit a uraken that didn't feel like a fluke for once, that felt instead like like a more commanding, more dominant strike. 

So yeah, it hurts, it all hurts, it'll always hurt, but with each step, Eddie gets closer and closer to finding himself once more. 

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AEW Five Fingers of Death 9/22 - 9/28

AEW Collision 9/27/25

Eddie Kingston/HOOK vs Big Bill/Bryan Keith [Tornado Tag]

MD: So here's what I think is going on. I think Kingston's having a comeback like Japanese wrestlers traditionally come back, where they really struggle in their first few matches and they need to build back up in a very kayfabe sense. Yes, some of it is that he's against Bill, who is, in fact, Big, but that's just the feel I get. He was on the shelf for over a year. He's not as young as he used to be. He's a fighter, a slugger, even a champion, but he's got to pull himself back against some of the hardest competition in the world. It's such an Eddie thing to do. Everything is a struggle. Everything is hard. But then everything becomes worth doing and every victory, even small ones within matches, mean so much more.

The problem is that it's 2025 and we're in the US and no one's actually telling this story in a way that the fans can understand. There hasn't been a video package on it. Commentary isn't talking about it. Here, Bill and Keith took out Eddie early and he was just there on the floor while they double teamed Hook (as it was a tornado tag) and Bill sort of ran interference blocking off Eddie from getting back in. 

And it 100% fit the idea that Eddie has to build back up and regain his strength and power and stamina and just find who he is again and until then, Hook has to survive on faith against adversity. And as an aside, some of his selling as he was pulling himself up with the ropes was just excellent. Best I've seen out of him. Worth noting. BUT to the fans in that audience, I think they just had no idea why Eddie wasn't rushing the ring, because he's Eddie, and of course he wants to get in a fight. And eventually they did and of course they got behind him then, but the last thing you can afford is for fans to question their faith in Eddie because things just aren't properly explained to them.

ROH TV 9/25/25

LFI (RUSH/Sammy Guevara) vs Ross/Marshall Von Erich

MD: This was filmed during the Philly residency, towards the end, and it definitely had a lot working against it. Sons of Texas vs Shane Taylor Promotions and Rush/Sammy vs Outrunners both worked because the crowd had someone to latch on to. But in neither case, that someone was one of the teams in this match. They were anti-Texas and anti-cowboys and they were certainly anti-Sammy. They were vaguely pro-Rush but it's easy to get behind the Outrunners, even in Philly. If this was in WV the following week, it probably would have worked better.

This was closing the circle on the Sammy turn and checking the box but it could have been a lot more heated and a lot more fiery but I think they knew the crowd wouldn't get behind it as much. It needed a bit more because I've never quite seen THESE Von Erichs in a situation where they could get hot like their dad and uncle (and that could still come if they ran this back in Texas or somewhere else) and because Sammy and Rush are still coming together. Sammy's sort of figuring out the act and the possibility in the moment. And there is a lot to tap into there given the personalities at play but you kind of wish they could get a house show run to work it all out first. 

So instead of the Von Erichs getting revenge for what Sammy did and almost getting the titles, the crowd bounced all over the place until they had fun with Marshall's hat. That, at least, built to a nice moment of comeback but ultimately, I think this just had too much working against it. If they ran it back in two months in front of a different crowd, who knows? 

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D3AN~!!! Day 4: SAMMY~! MORTOS~! DRALISTICO~! CHEESEBURGER~! ISOM~! TITUS~!

DEAN~!!! 3 9/6/25

LFI (Sammy Guevara/Beast Mortos/Dralistico) vs Cheeseburger/Eli Isom/Rhett Titus

MD: Let's embrace the chaotic indie spirit of a random match popping up out of nowhere. We don't have a choice after all and embracing it would be a very DEAN thing to do. And why the hell not, right? Look, DEAN liked all of these guys. Yes, DEAN was great at finding things to like about almost anyone who had something to like, especially in the early 2020s, but he was also great at highlighting what those things were. More on this at the end because of Sammy's promo. 

This was definitely structured as an enhancement sort of match with name talent. Powers and Roma and Brunzell on a late 80s Superstars and that's okay. It meant that Isom could fire back a bit and give everything just a bit more dramatic weight. You know what to expect with Mortos (that headbutt) and Dralistico (throwing himself into his offense for good or ill, here good), but Sammy was the one to watch. 

Sammy's been paying his dues as Dustin's little buddy for the last year+, title belt or no, putting in the effort as a babyface. But now he gets to stretch and preen. They're still working it out. Him matching Rush's Tranquilo pose with his little bit of breakdancing works great. It didn't work quite as well with Mortos and Dralistico just standing beside him. Otherwise, they were a pretty well oiled machine here.

And of course the post-match promo was funny for what it was. Surreal to a degree to hear Sammy talk about Dean. Bobby Heenan is on record for giving someone advice in WCW that instead of saying they hated the fans, they should say they love them (the advice was not taken) and Sammy more or less did that here. Him referencing "pillars" in 2025 is a good bit. And then saying that he, and his stablemates were Dean's favorite wrestlers. Also a good bit. Sammy's online, of course. He's got that "Where are my five stars?" promo that he's never going to live down (Sorry), but I can't imagine him in these circles. So the fact that he didn't and wouldn't and couldn't know that DEAN was big on guys like Mortos and RUSH, but that he absolutely loved Sammy's JAS run with Tay, for instance, makes it even more funny. 

No, Sammy was not one of Dean's favorites, but in his own inestimable way, Dean loved wrestling more than anyone. And that meant he was going to find every awesome thing about Sammy and embrace them and shout it from the rooftops. There are absolutely things that Sammy does that I think are very good (and no, I'm not going to list them here), but I've written up a bunch of his matches with Dustin over the last year+ and while I’ve been fair and even-handed, I’ve not shouted anything from rooftops. So, though he didn't know any of this, though he was doing the right thing to get heat, what Sammy really did was remind me once again just what we lost when we lost the big guy. 

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AEW Five Fingers of Death 8/25 - 8/31

AEW Dynamite 8/27/25

Darby Allin vs Claudio Castagnoli (Falls Count Anywhere)

MD: Johnny Valentine is attributed with the quote "I can't make them believe that wrestling is real, but I can make them believe I'm real," and it's a quote that doesn't have a lot of meaning in 2025, that shouldn't have a lot of meaning in a post-kayfabe world. But Darby makes it mean something. In so many ways, this was a tribute to ECW, the most of which being the tribute to the Bam Bam vs Spike press slam.

But my memory of ECW had a lot more garbage can lid shots. Not quite this. Even that press slam was into the crowd which was somehow softer than the announce desk. That had more of a celebratory feel to it and this was far more grisly, the commentary cutting out so that the trainwreck could happen in deathly silence save for whatever utterances the shocked crowd could make.

And even then, the bumps kept coming. And even then, Darby's primary offense was to use his own body as a weapon, and Claudio flaunted his superhuman strength, something that we all believe is very real indeed. And when Claudio shows real personality like his annoyed impatience at the commentary team taking too long to move? He's even better.

I have things that I prefer in wrestling. My prevailing logic is that the best wrestlers are the ones who get the absolute most out of the absolute least. That's the artistry to me. But I'm not about to deny how special Darby's bumps are, not about to diminish how he puts his body on the line. But I'm also not about to say that's the entirety of the equation. 

Because it's not. 

How did Claudio get Darby into Press Slam position in the first place? Darby had been in the midst of a comeback after all. He had just climbed a support pillar and launched his own body into Claudio. He was in charge for maybe the first time in the match. But then his body simply gave out. In the midst of firing off, he dropped to his knee, held his back. No one else in wrestling is selling like this. No one else makes sure to show the toll of absolutely everything in the way that he moves. So many others would take offense and then move absolutely normally when it was their turn to take over. Not Darby. He makes you feel like he's real, like he's in that much agony, and here it served the story and let Claudio fire back. 

Likewise when he was mounting a defiant comeback on the floor. You can call it late match selling or full body selling, but even just moving away from Claudio, even just leaning into throw a shot, the way that his body lurched and strained and stumbled was best in the world stuff. People may complain about the bumps, but so long as he sells like that, they're not gratuitous. Do I think they're essential? For someone that can sell this well? It's tricky because the audience is conditioned to expect certain things from him and they're conditioned to think he can take a certain amount of damage, but then wrestling is symbolic and fans can be conditioned otherwise. I personally think he could get by with one big bump a match instead of seven. Or even one big bump every three matches and it'd all mean just a little more. He's that good at selling and he'd still make it feel that real.

But either way I can't deny how great it is to have him back on his TV. And either way I'm sure as hell not about to look away because both the car crash and Darby somehow walking away (and triumphing!) are some of the most compelling things in pro wrestling..  

ROH Death Before Dishonor 8/29/25

RUSH/Sammy Guevara vs Outrunners 

MD: And lo, we change out Dustin for Rush and TK continues to get me to write about Sammy Guevara. The good news here is that he was made for the 2300 Arena and these Philly Fans who were born to hate him. And honestly, I really liked the dynamic between him and Rush. I likened Rush to Randy Savage not long ago and the parallels are striking. He has that same unpredictable energy, puts his all into his physicality, expresses a sort of paranoia thinking the world is out to get him in the ring.

And he cares first and foremost and entirely earnestly about his family. He loves his dad, just like Savage loved Poffo. He looks out for his brother, just like Savage looked out for Lanny. And here, Sammy became a new brother to him, and it was touching in its own twisted way. Rush seemed honestly thrilled for everything Sammy did. When the fans were chanting expletives at him, all he heard was the world singing his new brother's praises. 

Sammy fell right in line. It wasn't always smooth but it was always natural. When Rush dropped down into the Tranquilo pose, it took Sammy a second to catch up, but when he did, he did his breakdance spin right down to match him. They weren't always on the same page, but they got there, and once they did, the act worked for all its contrast and for how heartfelt Rush, monster that he is, seemed to be about the arrangement. 

And the Outrunners played their part. A lot of that was to give Rush and Sammy something to push against, but they're an act that probably would have gotten grief in the Arena at various points (and probably would have been over big at others; it depends on where they were in their lifecycle), here everything built well to the double elbow. That's one other thing about Rush relative to Savage. Despite his need to look tough and protect himself, he's still willing to give when it's times to give, willing to play ball to serve the match. I imagine that's doubly so when he's going over and winning a belt.

Anyway, on night one, this act worked. We'll see what sort of staying power it has and how consistent Rush can be with it. 

Athena vs Mina Shirakawa

MD: The fact that this match kept the crowd after the spectacle that was Bandido vs Hechicero is remarkable. Some of that is that the finishing stretch in that match was a little more measured than Bandido vs Takeshita despite still being huge and weighty, but so much of that was on the two personalities at play here. 

Mina is magnetic, electric. She is a star. She knows how to work a crowd, to move hearts and minds like an idol is trained to. And Athena has the best reactions in wrestling. And react she did, fuming, seething, furious over Mina's antics, even before the bell as her new Meanie Minion let his eyes and notoriously weak attention span wander and as Mina played right in to the Philly/Dallas rivalry.

They were evenly matched to start, but Athena was a half step off her game, thrown as she was. It meant Mina was the aggressor, and again, Athena's reactions here, just the look on her face as she successfully cartwheeled out of a headscissors takeover only to have to avoid a series of kicks... it's like nothing else in wrestling today. She's so alive in the moment, so present, so able to cut all the strings and just exist as her character at all times.

They set it up early to make it seem like Mina believably had her number, right to the moment where that damaged hand went smack into the ringpost on the outside. Athena dodged, expressed true malicious glee at the mishap that followed, and immediately went to work. She smacked the hand on the commentary booth, smashed it behind the stairs, tied it up in a turnbuckle pad and kicked away. She wrestled like a madwoman unleashed, embodied the chaos that she, a fallen goddess, represents. She took her time, playing to the crowd, dancing, smiling, facewashing Mina with her foot. Sometimes it let Mina get a moment of hope, but she snatched it away. A complete performance by maybe the most immersive performer in wrestling.  

The character of Athena rides these waves of chaos and fury, and sometimes, it doesn't work out for her. Here, she had her heart set on hitting a running kick on Mina while she was seated on the outside. It failed once. It failed twice, and suddenly the match opened back up. Athena's leg was wounded and Mina honed in on it, both with offense like the ringpost figure-four and with cutoffs like a dragon whip on the way back in. All throughout, Athena's selling was amazing, working on one leg, fighting through the pain but making every effort seem almost mythic. 

In 2025, the most interesting way to talk about wrestling isn't necessarily to note dropped limbwork. So long as it's plausible, I look at it more of a lost opportunity than anything else, primarily because of how compelling Athena's limping selling was here, because of how much weight it gave everything in the match. Even then, I don't know if I'd have been frustrated by Mina dropping the hand selling through her working on Athena's leg and the big bombthrowing that following except for the fact that it started with the hand being broken and they went back to it at the end. Just something to note. For me, if Mina gave some lip service to it through the third quarter of the match, it would have kept everything tighter. More of a lost opportunity than an overall blemish.

That's because last quarter of the match was incredibly compelling, with them slugging on their knees, throwing bombs, the drama of the Koji Clutch and the Figure-Four, how Athena stopped the Glamorous Driver Mina by going to the hand and then survived it when Mina finally hit it. And at every point, whether she was kipping up or escaping the third Driver attempt by going up and over, Athena showed the toll of the match by selling that leg, by reacting in the moment, by being the most alive pro wrestler in the world. 

So they kept the crowd even though that was a minor miracle, and so Athena had another great match as she marches on to 1000 well-deserved days. 

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AEW Five Fingers of Death 7/7 - 7/13

AEW All In 7/12/25

Dustin Rhodes vs Sammy Guevara vs Kyle Fletcher vs Daniel Garcia

MD: Look, at the end of the day, we don't know what we don't know. I'd love to get into the booking here. I'd love to try to make sense of this situation and I will to a degree, but there's a lot we don't know, some of which may become more apparent over the next few weeks as they decide what to do next with the TNT title. Here's what we do know.

Adam Cole is beloved...

Not a hard one here. He comes off like the nicest guy in the world. His peers drop the masks (sometimes literal) and speak incredibly highly of him. I have my opinions of how that has and hasn't connected into his ringwork and if you're reading this, you probably know what they are, but even those have never come from a point of wanting anything other than for the guy to succeed. He's been through some really tough injuries and made a couple of valiant comebacks and I hope he gets to come back and prove me wrong about my criticisms. Nothing would make me happier. 

When the news was first announced, I noted that I wanted them to just do a forfeit; yes, even on a stadium show, because that would have gotten so, so much heat for Fletcher and because enough babyfaces were probably winning at the top of the card (I had thought Omega might be going over Okada at that point but half figured Mercedes was going to beat Toni so it was a wash). I get the sense TK really doesn't ever want to underdeliver on something he promoted but sometimes there's more longterm value in trying to get the heat on the heel and not the booker (and Callis is better than that at most) and it would have set up a Fletcher reign perfectly. You still could have done the Cole theme (which is what the fans wanted the most here) and the speech. Which leads to this:

It was Fletcher's moment...

It's no big surprise that I'm incredibly high on Fletcher. You always saw little sparks during commercial breaks but at some point he went from being Ospreay's young boy clone to the most surprising heel in wrestling. For me, it was right at the start of the C2 and the Benjamin match where he rode the wave of the crowd and helped get Shelton over as a mega-face on that night. You can go back to the Komander match that slightly preceded it though. 

Regardless, he's showing amazing instincts in getting underneath the crowd's skin, in taking his time, in living in the moment, and in adapting on the fly. If wrestling is a form of interactive theater, and if we've gotten into a world with far too many pre-planned spots, sequences, and counters, he's the panacea to that illness, the future of pro wrestling, because he is so able to (whether he knows it or not) pull from the heatseeking tradition of the past.

If the TNT title is a de facto TV title, with open challenges and defended on TV, he's perfect to run out the time limit and survive by the skin of his teeth week after week. No one thought Cole was winning. This was one of the only singles matches on the whole show that wasn't a main event and it was because it was Fletcher's time, his mid-card title coronation. 

But when you make a substitution, you put a babyface over.

Is that a Paul Boesch rule? I think it might be. Regardless, it's generally a pretty good one. It's an even better one in a world where you didn't want to burn a town. From what I hear, the biggest problem with All In for those there was the length of the show (lengthened to assault SNME in retribution or not) and maybe that's something to tackle somehow next year.

As it was, if you were going to do the speech, then yes, it did make some sense to put Dustin over. I do think the fans were down during the match, bummed out by the severity of Cole's words. The concussion rumors came out later but it sounded even more dire than that in the moment. It's a little hard to tell given how the stadium was mic'd though. Given the build of Garcia's ten count punches, for instance, I refuse to believe the fans weren't counting along even if we couldn't hear it on PPV. 

And we love Dustin. Of course I'm glad Dustin went over. I have no idea how banged up he might be. Excalibur mentioned his shoulder and knees (a couple of times). He wrestled three times in two days and the Infantry match was pretty good. They do really deserve the ROH belts sometime soon for how far they've come but I get not doing it in Texas. I will say that the pre-show match was a little rough in general and leave it at that.

But yes, I'm glad Dustin went over and got his moment. I'm glad he's got a new contract. I'm glad that he can still go at such a high level, even if I do think he shies away a bit from his comparative advantage (strikes, selling) in a moment where heels exactly like Fletcher need babyfaces who know how to maximize their value. At one point before Bandido beat Jericho I had wanted him to win the ROH title here so he'd finally have that World Title, but in some ways, him finally getting the TNT title was a better journey. And that leads us to..

The Match Itself

They were still announcing Cole vs Fletcher until the night of the show (and my initial want for THAT was Fletcher to stall, Cole to finally get his hands on him, to go for the Sunrise too soon, and for Fletcher to pull his head up to crotch him and get a quick roll up and run to the back with the belt; sometimes you want to make people feel things). Plus Dustin, even the pro that he is, and Sammy had two other matches in a 24 hour period. 

With that in mind, this came together quite well really. Some of that was having Garcia and Fletcher as your anchors. Garcia brings so much to the table in a situation like this. He can fit into technical matches, spotfests, brawls, sprints. He can go full-on babyface or have an aggressive chip on his shoulder. He's been around AEW so long that he has history with almost everyone. In this case, it was with Sammy, who had given him the long leather pants at one point and was involved with the genesis of the dance. So they got to have a few moments in there working together before they came to blows.

And Fletcher was the straw that stirred the drink, the catalyst who everyone would work against, who would take opportunistic advantages, who would pull Garcia out of the ring when he had the Dragontamer on, who got to eat big crow by having all three of his opponents hit him with the Unnatural Kick in the most crowd pleasing spot of the match.

It was a spot that got him out of the way for a while as well. They did a pretty good job of that, including with a Sammy dive or two. The only spot that came off as entirely contrived to me was the dual figure-fours. Again, the last thing I want to see in a four-way match is a "waterfall" spot of people doing things they wouldn't normally do (it's ok if they do things that they WOULD do). Which is unfortunate because it's in almost every one. Garcia is a guy will use multiple submissions, and Fletcher got to make a scene over it, so ultimately it was plausible and it led to a great payoff after it got reversed. Fletcher seemed to want to reach for Garcia's hand and they almost had a moment before coming to their senses and pummeling each other. So here the cost, not too high in the first place, was worth the moment I suppose. I think Garcia's superplexes spot is a big mistake on multiple levels and that he'd accomplish more standing out with something like a heart punch that could be made to be over with the crowd despite not being nearly as flashy/damaging, but that's not something to litigate now.

I'm not going to say Sammy isn't a useful guy in these things in bringing action, movement, and sensation. I think in some ways he's gotten lapped by, let's say, Kevin Knight who was taking all sorts of gnarly bumps in the tag match that followed this. He hits clean and does what he's supposed to when he's supposed to do it, but I never quite find the soul in what he's hitting. You bought the animosity between him and Dustin towards the end after the miscommunication superkick, but just because you buy something doesn't mean it's entirely compelling (plausibility is a starting point, not the end point). 

All in all, though, it was an accomplishment that this was as solid as it was. Maybe it felt more like it belonged on Collision than in a stadium but it was more or less a cold match that came after a chilling speech. They got the crowd back a match or two later and this was there to stop the bleeding, make sure no one felt let down by something they were expecting, and to give Dustin the big homestate celebratory moment. 

Given the circumstances (and again, I bet I only know half of them, but what I do know is still daunting), it's a credit to the wrestlers involved that it came together as well as it did. I know that sometimes plans change and they never quite course correct. I still think that Fletcher could be an amazing TV champ, and I think that he could have a generational rivalry (think Cena vs Orton) against Garcia, but time will tell where everything falls now. On this night, given the situation they were facing, one that no one would have wanted them to face, I think they did the very best they could.

ROH Supercard of Honor 7/11/25

Athena vs Thunder Rosa

MD: Here's another one where it's best to just focus on the text. There was an intellectual challenge here. I remember watching Athena beat Mercedes Martinez for the title in Texas a couple of years ago. She had just started the heel run and she was gaining a ton of traction and momentum with Martinez presented as the babyface as the situation but the match itself was a bit of a muddle because the local fans really wanted to root for Athena.

So even though Rosa was a clear babyface coming into this one, they knew they'd have a problem and I think they set up the match accordingly. In this case, it was by having dueling bodypart work. Athena (who has plenty of varied and interesting offense) went after the back early, and Rosa sold for much of the match helping to create openings for Athena. Athena eventually ended up with a bum arm and that served as an equalizer. The sum of these two allowed for momentum shifts that weren't necessarily based on heel/face dynamics so the crowd was allowed to chant for both of them.

Then, late match, things took a pivot with Athena trying to escape up the ramp and Billie getting involved (though she got tossed into the stairs and she, herself, was able to sell her abdomen, even into the post match interview). So in order to land the plane they had Athena hit the big bomb through a table on the ramp onto Rosa and lean full heel. After that point, they got out of it pretty quickly, with Athena doing a great job listing to one side as she (still impressively) hefted Rosa up for the top rope bomb. 

I think if they had tried a more conventional heel vs face match for 10+ minutes, the crowd would have been much more of a problem. By leaning on the bodypart selling and introducing the notion of alignment only at the end, they still allowed for a satisfying finishing stretch but without the match collapsing in on itself before that and with Athena not losing any momentum heading into All In itself. 

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AEW Five Fingers of Death (And Friends) 5/19 - 5/25

AEW Double or Nothing 5/25/25

Ricochet vs Mark Briscoe (Stretcher Match)

MD: What a tricky line to walk. The first half of this was full of comedy, full of real shine. The back half was a bloody horrorshow. It was, from start to finish, a stretcher match, a grudge match. From the second Ricochet walked out in his cosplay robe, he had heat. From the moment Mark Briscoe walked down with his mohawk, he was lauded. There was a "This is Awesome" chant towards the end despite it all.

So many disparate things on paper. If you had read that paragraph to me a year ago, I would have told you that the match had to a discombobulated mess, something that refused to commit, that tried to be everything to everyone and ultimately was not enough of anything.

But that wasn't this match. Not at all. Everything in that first paragraph came together to form a singular vision. That actually doesn't do it justice. It gets it backwards. All of those things didn't come together to create a vision, they were created by the vision itself.

It all comes down to how thoroughly Ricochet commits as a performer. The nexus of the character is that he is so gotten to by the crowd, by his opponents, by his own place in the world, that everything becomes a slight and every slight becomes a drive towards lashing out, towards a level of violence that far exceeds the transgressions.

There's never a sense that he's in on the joke, never a sense that he's out there "entertaining" the crowd. It's always that they're getting under his skin, always that they're causing an affront, always that he wants to strike back at them and the babyfaces they love so much. He never looks down. When he's in charge, he's gloating and sticking it to him. When he's getting his comeuppance, he throws everything into it. Even though he hits "cool" offense, he makes it so it never seems as such. He makes amazing things irritating just by doing them. He went so far as to tease the table and push it back under the ring just to deny the fans even a little bit of what they wanted. That takes an amazing level of commitment and confidence. It's laudable. It's almost the exact opposite approach that one would have thought he would have taken in AEW.

And Briscoe, as a wrestler, as a character, is wise to the world. He is confident in himself and confident in the crowd. He wants to cause Ricochet as much pain as possible but he knows there's more pain to be inflicted on the inside than on the outside. He married humiliation (even the mohawk!) with physical damage here. And it went well for him (and for the crowd) right until it didn't.

He used the cleaning spray on Ricochet's head. Ricochet used it in his eyes. He meant to use the chair as a springboard. Ricochet tossed it into his face. The response was an escalation to the action, because Ricochet was well and fully gotten to, because, in his heart of hearts, he was selling the pain he felt on the inside.

Once he took over, he didn't look back, he didn't stop. Once he drew blood, he meant to keep drawing it again and again and again. But then Mark Briscoe, a folk hero, once awoken, wasn't one to stop either. He could go forever, the human representation of that memorable, symbolic image of a crutch stopping the ambulance door from closing.

In the end, it went even a step even farther, Ricochet hiding the scissors around the ring, a preemptive attack even before Briscoe did the first thing to his bald head (one that shows the hypocrisy of Ricochet's argument all the clearer). When even that wasn't enough, he was ready with a low blow, a low as could be for Ricochet has no bottom. He'll sink forever selling his emotional damage all the way. And that's why this worked when so many similar things simply never would. That's why the This Is Awesome chant was about Ricochet getting comeuppance and not about fans enjoying spectacle for the sake of spectacle. Embracing vulnerability is a hell of a thing. More wrestlers should try it.

Hurt Syndicate vs Sons of Texas

MD: When we look back at this one down the line, we'll think more about the MJF moments, accidentally distracting the ref for the Unnatural Kick, offering the ring to Shelton which let Dustin and Sammy get back into it, that ultimate moment of Lashley embracing him after teasing dissent and then crashing through the barricade and his opponent. The story will play out and we'll see the match for the things that went right and went wrong for MJF.

As it's own entity, it was probably the best Hurt Syndicate match so far. When Dustin was in there with Shelton, they were scrapping hard. When Shelton was in there with Sammy, he knew exactly what to give. That's no small thing. Shelton's a big guy but he spent a chunk of his career in the land of the giants. For him to shift to a relative super heavyweight this late into his career is impressive. And of course Lashley vs Sammy was all sorts of amazing feats of strength (and agility for Sammy taking them).

Because this followed the Ricochet match, we didn't get that bloody Dustin face-in-peril we might have gotten otherwise. The point of this match was to further the broader story while giving the Syndicate a good challenge. It wasn't abut Dustin reliving his Double or Nothing past. Here, the Syndicate had to lean a bit more unlikable. That meant we didn't get to see Shelton pinball Sammy back and forth between the apron and the barricade (which  I badly wanted). Instead he did it once so that MJF could choke him while the ref wasn't looking. It's ok. Sometimes a match has to be what it needs to be and not what I want it to be. And this was what it needed to be and a very good version of that as well. Maybe someday in the future we'll still get to see Sammy pinballed. One can always hope.

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AEW Five Fingers of Death 5/12 - 5/18

ROH TV 5/15/25

Dustin Rhodes/Sammy Guevara/Marshall Von Erich/Ross Von Erich vs Mason Madden/Mansoor/Ariya Daivari/Tony Nese

MD: There are a couple of different ways to do an 8-man tag. You can lean hard into the tag gimmick by creating a sense of danger and difficulty just from the sheer numbers at play. Any time someone gets too close to not just the wrong corner but even the center of the ring ropes, there's a chance that a knee or arm may reach out. That evokes the sense of those 80s New Japan elimination tag for instance, creating a mood where all of these wrestlers are trapped with one another, the babyface getting dragged down as face-in-peril most of all. Or you can just toss the tag rules out the window and run rapid fire spots with people running in and out, making use of those sheer numbers to keep the action going and going with no logical reason for it to ever stop or for anything to sink in. 

Anyone who knows me is going to know what I prefer. And this did a pretty good job at it for the first two thirds. In that case, you'd maybe run through individual pairings until you got into the heat but they avoided that for a specific reason, Dustin's more or less cracked a code, or at least I think he thinks he has. When he's with the Von Erichs, he drops back and delays getting in the ring until after the hot tag. They find some way to contrive it, whether he's attacked before the match or just slips back into the scenery of the numbers like here. 

In 2025, it's tougher than ever to figure out what the fans actually want. In 1985, they wanted to see the heel vanquished and the babyface triumphant and a clear win or at least a clear beating, or ideally both. While there are increasingly heels on the AEW/ROH working to get under the skin of the fans and get actual heat, and while maybe in time, that will restore some of those old incentives, fans today seem to want their candy. Candy can come in a number of forms, but it's generally something they can brag about seeing or experiencing, whether that's a five star match, a debut, a crazy spot, or just getting to sing along to a theme song or as part of a chant. 

Getting to see Dustin Rhodes is a form of candy. He's a legend, an attraction, someone who knows how to work a crowd from underneath as well as anyone else alive. For 80% of the viewing audience, he was part of their childhood, whether they started watching in 1990, 2000, 2010, or 2020. Who knows how many more times anyone will get to see him wrestle live. He's candy. And by holding himself back, he makes the fans earn it and makes his arrival into the ring mean all the more. That also lets him put the Von Erichs front and center for both the shine and the heat, giving them reps and getting the fans used to them in both roles. 

The other aspect of an 8-man is all the characters at play, and given the heel side, that was bound to go well. MxM interacted with the Athletes with the cheer at the start, by pushing them out of the way of danger. They were able to switch things up with the spot where Madden drapes an opponent over the ropes and Mansoor hits an apron senton. Last time Madden caught someone trying to hit a tope. This time, it was due to Mark Sterling getting involved as a distraction. It's a great spot but it'll only feel organic if they keep thinking it through in creative ways. Here it was the transition to heel control which made it all the better. 

Things did build to Dustin and even more so to Sterling getting hit by the Golden Globes/Shattered Dreams/Unnatural Kick and then the claws. They always have the ref dramatically look away when that happens. Maybe they didn't need to when it was the manager getting kicked? Anyway, it was a crowd pleasing finale and a good presentation overall. I would have liked another minute or two of heat but they were probably working against the clock, but other than that, I had a good time with it.

AEW Collision 5/16/25

Dustin Rhodes/Sammy Guevara vs Lio Rush/Action Andretti

MD: This was a #1 contender's match for the shot at Double or Nothing. I can't say it really felt like one, especially when Dustin was doing his fake dive bit in the middle and given a relatively anti-climactic finish where Sammy jammed Andretti's torture rack neckbreaker finisher to hit his own. In general, I like matches ending like that now and again, without a clear exclamation point, but maybe not a match with stakes? 

Of note, we got much more of Dustin in this one, including him working face-in-peril because the alchemy is different in a straight up tag than a six or eight-man and there's less of a need to showcase Sammy. That said, Dustin was excellent at slapping the mat at various points and selling the leg and really doing his half to explain why he wasn't making it to the corner despite making it look like he was fighting as hard as possible.

We know that about Dustin though. More importantly, this was the first time that I really got CRU as a team. The Top Flight breakup/feud did no one any favors but seeing them up against some contrast, they really came off like a swarming menace, in the way they took over, in cutting the ring off with Dustin, in that late match flurry against Sammy. Real Kaientai DX actually, in a way that I'm not sure anyone else is matching right now. There's maybe something there and I hadn't felt that before. They need something else. There would be worse fates for them than to become Ricochet's guys, for instance, especially if he ever lands a singles title and has to be protected more (he's pretty bulletproof right now). So this was pretty good for what it was, but I didn't quite feel the weight. I do think the PPV match could be good if Dustin can hook the crowd.

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AEW Five Fingers of Death 2/17 - 2/23

ROH Global Wars 2/17/25

Sons of Texas (Dustin Rhodes/Sammy Guevara) vs MxM Collection

MD: When people wonder why they should sign up for Honor Club and why ROH exists in the first place in 2025, this is a very easy answer. This sort of match doesn't exist anywhere else in the world right now, especially with so few house shows actually happening. It had that perfect combination of shtick and athleticism, all structured with a double heat and a big celebratory start and finish, getting exactly the time it needed with no commercial breaks or interruptions in front of a very game crowd, with everyone in the arena (ref, wrestlers, crowd) playing their parts perfectly. Maybe it's not the most marketable or lucrative sort of match or the most exciting overall but it's clever, engaging, and in a lot of ways a comfort when we need one the most.

I got a real kick out of the early comedy especially as they managed a good two minutes on the Rougeaus Kip Up act. Allan had posted a clip of that the other day. Not saying that's where they got it but if they did, more power to them. They had Mansoor do one, then teased Dustin doing it hard, building up anticipation, making it seem like Sammy would do it instead, and finally setting the stage for Dustin to go for it, only for Mansoor to try for an elbow drop. Dustin has a way of not showing ass on these little antics which on the one hand, may limit heat a little, but on the other, makes total sense given he's such a vet that in kayfabe would have seen it all and done it all. It ended with Sammy kipping up after all. Then they did the same sort of thing with dives, with Dustin doing the spineroonie and Sammy doing a ridiculous 450 to the floor. Some of his stuff in here looked astoundingly good and while it wouldn't be my thing normally, it works well as part of the contrast with Dustin.

They cycled through heat on Dustin and then Sammy, with MxM having enough interesting and varied stuff and playing to the crowd with their act to make all of this compelling, especially given how good Dustin is at selling and how much of a force Mason is in general. Yes, the MxM act, as is, probably has a ceiling. They commit admirably nonetheless, and within that ceiling they are entertaining and absolutely belong on the card weekly. Wrestling is broad and varied and there's room for all sorts of acts so long as the talent and commitment is there. And speaking of entertaining, the whole finishing stretch was just that, shattered dreams and all. This event felt like a Clash of the Champions overall (compared to Grand Slam's Insurrextion feel) so this would have been fine for a blowoff. Unless they end up doing something crazy like a blindfold match, I'm not quite sure where this feud now goes, but this hit the balance extremely well overall.

Athena vs Alex Windsor

MD: I talked about how MJF worked a traveling champ type match last week against Dustin in Austin and in some ways this was even more so than that. What was striking, as much as anything else was how Athena really made Windsor come off as a threat. That's not to say Windsor didn't bring anything to the table. She did, a nice mix of strength and speed and technique, and loads of confidence, especially on a stage like this, but it was how Athena reacted to it and how serious she, notoriously known for taking opponents lightly due to her own dominance, took Windsor almost from bell to bell.

It was probably most evident early as Athena came off as almost wary, quick to retreat, even to the floor. Yes, she'd celebrate and milk it once she was there, but she's one to charge in forearm first, not to let her opponent define the pace. Moreover, she had to really rely upon her athleticism with a couple of very fancy bits of acrobatics that we don't usually see out of her. It all added to the idea that Windsor was a real threat, which, of course, made every advantage that she was able to get on her and the ultimately win mean all the more. This was more World Champion 70s Terry Funk than completely unpredictable 80s Terry Funk, still a little unhinged but more savvy than destructive. I liked seeing that slightly different side of her here and it bodes well as she continues to keep the act rolling that she's able to call upon that extra degree of versatility.

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AEW Five Fingers of Death 12/30 - 1/5

Stardom New Year Dream 1/3/25

Athena/Thekla vs. Mina Shirakawa/Tay Melo

MD: Pretty fun attraction tag here with a lot of moving parts. You had Athena debuting in Japan, her first time teaming with Thekla, her first time facing Mina, Tay's first match back in forever. Lots of interesting stuff. Athena was absolutely herself here. There was a moment relatively early on when Thekla was taking it to Tay on the outside where Athena seemed to be just soaking it all in and Thekla yelled at her to go after Mina, but other than that, the full Athena experience. She didn't adapt her act, but then she didn't have to. The stuff early on where she was able to react to Mina in her natural element was excellent (and I get the idea that Mina is thought to be underutilized relatively in Stardom, but she also felt entirely natural and confident here; more on that in a second). Since not that many people saw this, they can easily play this back in the states to high effect. The bit where Mina had Athena trapped and forced her to clap to We Want Mina was a great bit I'm not sure I'd seen out of her before and of course Athena's facial expressions during it were gold.

I really liked Thekla here too, incredibly vocal, always talking to Athena, to her opponent, to the ref, to the crowd. I'm not entirely sure it worked but I think a lot of that wasn't necessarily her fault. Just match card placement and lack of familiarity maybe. Tay looked good coming off such a long break. I don't think they nearly tapped into what they could have with her as an over the top heel, but she has a natural likability that mixes well with the MMA stylings. She'll be a fresh opponent for Athena if they wanted to go that route, but one great thing about Athena is that she came out of this with natural, organic animosity towards everyone anyway, even her own partner.

WrestleDynasty 1/5/25

Athena vs. Momo Watanabe vs. Willow Nightingale vs. Persephone 

MD: Honestly, this was one of the most enjoyable four-ways I've seen in forever. Usually they're a doomed sort of match because of contrived spots, nothing resonating, people acting completely out of character to make things work, and wrestling physics getting thrashed, plus lots and lots of people laying outside the ring. This had some of that but not much at all.

What made it work was that everyone stayed true to both who and what they were. There was a sort of different styles feel to this at times and there were mini stories within and then individual moments that both played on them and happened around them. Persephone worked well with Willow as a base but she also seemed absolutely intent to run gutsy strength spots against her and she managed around three throughout the match each one hitting better than the next. While I don't think Momo was the biggest presence here, she had a strong heel vs heel standoff with Athena. 

Then you had the moments. Athena, Willow, and Persephone reacted so well to everything that happened around them (with Momo not quite getting the same opportunity to do so that I saw). Athena would nail Willow with a forearm in the corner, the biggest most natural and organic smile and turn right into a shot from someone else. Likewise after Willow snuck in to make a pin or Persephone realized she had and opening. They were feeling the moment and riding the high of it all. Nothing (not even the dives) felt overly contrived. The finish was not just clever but played off the previous tag and was gripping visually. It looked like Watanabe took Athena's head off. Definitely one of the best 4-ways I've seen in ages. It just worked (and that is no small thing).

Dustin Rhodes/Sammy Guevara vs. Sho/Yoshinobu Kanemaru

MD: This is a fun bonus to 2025 that you would not have predicted, maybe ... well, ever. Just a fun pre-show match where Sammy really got to shine. That meant the big moonsault early, a nice face-in-peril performance including absolutely sailing across the ring on a back body drop. I was kind of sort of wondering how many more chances he'd get but maybe he deserves one more to reframe himself as a big-bumping upper mid-card heel (a la 1989-90 Mr. Perfect) who can make the up and coming babyfaces look great. Down the stretch you got Kanemaru/Dustin shtick which is really what you wanted in the first place and wouldn't mind seeing again. I liked the bit during the heat when Sho stepped on the belt too. You don't see that specific jerk move often. This hit the right marks.

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I don't repost every twitter notepad essay here (so if you want to see them all, give me a follow: https://x.com/MattD_SC) but I think this one maybe deserves it.  

The Emperor and his Clothes: Will Ospreay Coming off of World's End

Kyle Fletcher had an amazing Continental Classic. Coming off of Full Gear, he was that rarest of beasts in 2024, the heel who actually had heat. On that first night against Shelton Benjamin, the fans let him know it. Both he and Shelton leaned hard into the opportunity and they had maybe the clearest, sharpest heel vs face matchup AEW offered in ages. He went on to have similarly remarkable matches against Okada and Briscoe before ending the round robin section against Garcia in a match that felt like a prelude to a bountiful, vibrant future before us.

It all led to the semi-final (re)match against Will Ospreay. If you had asked me a week and a half ago, I would have told you without hesitation, without doubt, that AEW had to strap up Will Ospreay as soon as possible. He had to be the guy to lead the company, the hot hand. The Death Riders experiment stumbled because of a lack of commitment by the company to let it be a true central focus. Now with the soft reboot onto MAX, they should run with a hot babyface and push him hard. I like Ospreay as a personality even if he's not my favorite wrestler. He's earnest and warm and amiable. He can obviously make a splash with his physical prowess.

And they had assembled a sort of Ospreay-verse of suitable opponents over the last year: Fletcher, Ricochet, Takeshita, Okada, guys who had that extra gear to keep up with him. Even better, all four of them were starting to stooge and stall and play to the crowd differently, so not only did they have that extra high gear, but the low gears they needed to serve as contrast and get under the skin of the fans so that it wasn't all fireworks all the time, so that the fans weren't just glad to be there and witness Greatness but that they also wanted to see Ospreay triumph and the heels fail. It seemed like a pretty solid engine for success, even despite my own misgivings.

After World's End, I have second thoughts. As spectacular as he is, I just don't think Ospreay has the wherewithal to be the sort of breakthrough ace they need. He can make a splash, but to diminishing returns. It's all because he leaves so many narrative opportunities on the table in his matches. He takes up the air in the room so nothing can breathe. It's fine with an attraction. It's fine with the International Champion there to have matches like this; it's not fine on the guy you want to build the company around. Not as he is now.

The Fletcher match started out well. Ospreay shined early and Fletcher, scoundrel that he was, retreated from the ring and stalled to force it to breathe a little,  to give it weight and contrast. This built to Fletcher catching Ospreay on the floor and lawn darting him into the barricade, opening him up. From there, it was lovely pro wrestling, Fletcher working the wound meticulously, wretchedly. Eventually, he savored it too much giving Ospreay a hope spot, which Fletcher cut off with another lawn dart into the turnbuckles.

All of this was to set up the big counter spot to send them into the finishing stretch, a third lawn dart attempt turned into a poisonrana. All well and good. The problem is that in between the cut off and the comeback, Ospreay had an extended 50-50 segment with strike exchanges and escalating counters. By the end they weren't booing Fletcher (unlike every other Fletcher C2 match despite him being more vile than ever) but instead cheering the match.

Likewise, in the Okada match, Ospreay, coming in damaged, survived a first round of heat only to get caught up in the ropes and hurt his leg. Okada started on it but it was just a tease as they went into 50-50 for the entire second half of the match.

There isn't one right match structure. There isn't one right way to tell a story. But if you're going to run with a babyface ace, there may be a best way. There are human impulses that manifest in most fiction. You build up emotional pressure. You pay it off. For some reason, Ospreay seems mostly disconnected from this notion.

Vs Fletcher, it would have worked so much better if Ospreay, despite brief moments of hope, didn't get to come back and stand tall until after that third lawn dart attempt. The pressure would have built far more and they could have done strike exchanges and everything else down the stretch to greater effect. Vs Okada, they wanted to mimic the NJPW tournament final style, but they could have still done so much of that after Okada worked a second round of heat. He was losing and he would have more protected him more after gutting through two heat segments.

I'm not telling you you're wrong for loving these matches. They are spectacular and exciting, but these great things can be even better if he stayed focused on letting them build without throwing in a bunch of counter sequences mid match. He jumps to sensation too soon and leaves emotion on the table. Without realizing that (or having someone that understands the ebb and flow of wrestling matches help him with it, be it a coach, someone like Jake Roberts who has spoken about it at length and in the most wonderfully vulgar ways, or TK himself who I know gets it), I don't see how he can possibly be the babyface ace they need.

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AEW Five Fingers of Death 12/16 - 12/22 Part 2

AEW Collision 12/21/24

Claudio Castagnoli vs Darby Allin

MD: This had a great beginning and a great finishing stretch and both were somewhat invalidated by what immediately happened thereafter. Claudio is a guy who, like Christian, is used to working matches against the same opponent multiple times. While Christian is a genius in that area, Claudio is no slouch. The C2 in general has allowed him to play upon spots and finishes and invert them over time.

In this case, Claudio and Darby played off the start of their last match together, where Claudio kept moving out of the way whenever he got knocked to the floor early, thwarting Darby's attempt to dive on him. This time, he didn't wait for the bell. Instead he leaped right at Claudio, clinging on to him all the way up the ramp and enabling the balcony dive. That was a great start considering what had come before, but I don't think it meant much in the grand scheme of the match. Once the bell rang, Claudio hit a lifter and followed it with a ridiculous Giant Swing. That did give him the advantage but it also gave him a huge round of applause. Remember, this is the guy who betrayed Bryan Danielson. At times, the crowd is going to have to "give it to him" because he is so impressive but doing one of the biggest swings ever in AEW in front of this slightly smarkier crowd was probably a mistake. There's been too many such things out of Claudio as of late and it's not doing any favors for the Deathriders storyline, already struggling as it's cordoned off into one small area of the main event and not creating any overarching effect on the show overall (save for the first few weeks). 

Of course these two are a natural pair for heat and hopespots and comeback and it was all impressive. I liked how Claudio would at times just lift Darby up by the waist and that's something he ought to do more if he can. And then the finishing stretch hit just right with another big spot through a table on the floor, and Claudio going for his recent finishing move, that clothesline after an opponent barely makes it in from the count. Sometimes patterns can get too repetitive and take you out of a match because it's no longer believable but I buy these guys getting into this situation given the physical force that is Claudio Castagnoli. So Darby ducks it and they keep going through levels of escalation, with Darby finally getting hit with it and kicking out, with Claudio going for the Ricola Bomb only for Darby to turn it into a Code Red, for Claudio to get his knees up on the Coffin Drop, and then to hit the Ricola Bomb leading to a kickout not once but twice. With anyone else it might be a bit much but with Darby, at this point so late in the C2 it felt like proper escalation.

It built to a pretty clever finish where Claudio, frustrated by Darby's resilience in the face of his best moves, went for a chair. The ref took it and when distracted, Claudio hit him with knucks. Clever finish, right? 

One little problem.

Red Velvet had turned heel the night before doing it to Leyla Hirsch in an even more clever way since she used a turnbuckle rod and a hidden wrench she had gotten from under the ring. Same finish (which is not a common finish! I've barely ever seen the sort of switcheroo played out here, ever!) two nights in a row in front of the same crowd, one of which being a heel turn. Not to mention that the knucks would be a better gimmick for Velvet anyway as a puncher (I've got a campaign going for her to dust off the Heart Punch; I think it'd be unique and super over). I don't even know what to say. I haven't seen a lot of complaining online so they probably get away with it, but you'd almost have to put Velvet in the Deathriders and say that Claudio had been inspired by her actions or something otherwise to cover it. They lucked out I guess, but it, like the Swing and the opening flourish not meaning anything, definitely put a blemish on an otherwise excellent match. 

ROH Final Battle 12/20/24

Dustin Rhodes/Sammy Guevara vs The Righteous (Double Bullrope Match)

MD: This was a good complete package with a solid build that added something different (and violent) to a pretty well put together PPV overall. I think, especially given the build, I would have wanted a bit more of a straight brawl instead of something so plunder-filled with tables and ladders and what have you, but that's hard to avoid in almost any match of this sort in the era that we live in. We see what Blood and Guts and War Games look like these days. 

That said, my favorite parts of this were when Dutch and Dustin were brawling out on the ramp (even if it devolved quickly into Dutch's Bossman slam) and surprisingly Sammy laying in forearms on Vincent on the floor (which quickly led to Sammy hitting the post and eating an Orange Sunshine). I could have used about thirty percent more of that (or sixty, or ninety, but I get it). Speaking of Sammy taking that, despite the Tornado Tag nature, they did a good job of getting people out of the way so that the big themes could play out, most especially through Dutch going through the barbed wire table of course. And Sammy wiping out as well. 

I thought those key moments hit. The nearfalls with Sammy making a last second save all worked for me. What worked even more was how at one key juncture, it was Vincent, having escaped the Rope, using it to choke out Dustin. You'd expect that moment and the subsequent comeback by Dustin to belong to Dutch, and Dutch was the one Dustin beat in the end, but despite the familial connection being Dutch's, Vincent was the one who was pulling the strings, and in this case, pulling the rope around Dustin's neck. 

At some point, I really would like to see AEW/ROH trust in a crowd to do a more minimalist brawl, especially when there's a solidly built issue like this one, but maybe this wasn't the match for that (I'm not entirely sure Dustin feels like what he has to offer along those lines is enough for a 2024 audience, though it is, 100% because no one can do it like he can). It certainly wasn't the crowd. More on that momentarily. 

Athena vs Billie Starkz

MD: When you look at a match as a thought experiment interesting things can happen. In this case, they were putting together and executing a match with over a year of build, yes, but also with just a few weeks of build, but more importantly, one where most of the crowd and the audience watching at home weren't actually familiar with either. That's fascinating. I had misgivings about the build, which I noted last week, but the reaction online didn't pick up on my misgivings at all; instead people were just frustrated that Billie didn't win on her second chance and that Athena wasn't freed up to go to the main roster. 

It showed a clear lack of understanding of the week to week storytelling that was occurring. Tourists dipping in on ROH for a PPV and the year end PPV at that, and ones with ulterior motives and interests as well. They didn't plan on hanging around ROH so they wanted Athena where they could more easily and regularly see her. They're more familiar with the idea of Billie Starkz than the Billie Starkz who has been on screen in 2024 and more than that, the idea of an idea of someone like Billie Starkz, a young talent beloved because of her indie run who was ready to take a title. 

I won't speak to real life, but on screen, she wasn't. She absolutely wasn't ready to win. I know everyone made fun of Heyman noting how early the Bloodline storyline was in being completed, but here it's valid. Billie hasn't even really seen the light yet. She's still a heel. She's just a bullied, put upon heel who petulantly stomped her foot until she got a title shot. She wanted more attention not Athena. She didn't outright claim that Athena was evil or wrong or had to be stopped. If anything, she was trying to be her own Athena. If their match last year really got her established in MIT, then ultimately this one should start the road for her to leave it and find herself, but I'm not 100% that's the path they're going to take with her. I do think Athena is headed for bigger and better things, at least in the short term. I'd like to see Billie get some different mentor but outside of Emi Sakura (and wouldn't that be interesting?), no one in house really fits the bill. 

I thought the match itself was good. Just to focus on the finishing stretch, the moment where Athena clearly has an advantage and could go for the O-Face but chooses to use the mic instead out of paranoia/a lack of more fiber/Lexy wanting to please her and then almost losing because of that was a perfect character beat. And that moment in the corner after she had eaten Billie's finisher once and ended up back on her shoulders with the turnbuckle pad in hand is an absolutely perfect encapsulation of Athena as a talent. Yes she's agile. Yes she's believable. But it's her emotiveness in the moment! She went from the worry that she was up in the electric chair position to the surprise that she had the turnbuckle pad in her hand to the savvy bit of control that she could hit the poison rana all within a split second and it played out on her face like a method actor. She was living it and it was all organic and not overwrought. No one else in wrestling today can do that. 

But yeah, it must be weirdly aggravating to book a PPV more or less how you should, but having the fans just unprepared for what they're about to see. The 2024 ROH PPVs have a much better build than 2023 ROH PPVs, with the TV really setting things up, even if I don't agree with every decision, but it's almost wasted on the audience that tunes in a couple of times a year relative to the crazy sort of sickos matches they were doing without build previously. Like I said, an interesting thought experiment. This match certainly deserved a better reception online overall.

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AEW Five Fingers of Death 11/11 - 11/17

ROH 11/14/24

Dustin Rhodes/Sammy Guevara vs Love Doug/TJ Crawford

MD: Dutch having Dusty's cowbell as one of his last students is a good compelling real life wrinkle to the feud. I think on some level, I don't want to think about Dutch having a life outside of being a member of the Righteous though. It's not like they're wildly fleshed out as characters. I don't know why Vincent became who he is. He's just here fully formed and snapping, so it's kind of weird to think of Dutch in development doing promo class with Dusty. It'd be interesting if they were able to link this to how he fell somehow. I guess it's a sort of "don't open the door, unless you are willing to fully walk through it" sort of deal. Unless they're putting the belts on the Righteous, they're kind of okay as two dimensional characters who serve as physical threats. If they're going to try to do anything more out of them, I think we need to get to the heart of what makes them tick more. This could be a good step along that road or it could be messy depending on how this places out.

Likewise, the idea of Dustin and Sammy having a tag match and the Righteous having one on the same show, with a Righteous beat down after the former, is a pretty good bit of work too. Just nice, straightforward booking keeping things moving. Here it let them introduce the cowbell too, carried by the commentary. And the Righteous' new finisher which is Vincent picking someone up in a fireman's carry and then Dutch hefting both of them over his shoulder. 

The match itself was fun fluff with Shot Through the Heart feeding and feeding and feeding, with no care for the rules. Normally, I'd cry foul but they basically just kept running into Dustin and Sammy's offense, save for a brief respite while they were waiting for Sammy to hit a dive. It fit the characters. It fit the moment. It put Dustin and Sammy over strong right before they were about to get wiped out and the emotional element was to be introduced. Just good episodic pro wrestling TV.

AEW Rampage 11/15/24

RUSH/The Beast Mortos vs Alec Price/Richard Holliday

AEW Collision 11/16/24

RUSH/The Beast Mortos vs The Acclaimed

MD: The squash on Rampage was effective. We've seen Mortos basing for smaller luchadores and working against other talent equal, but it was very nice to see him just crushing people. The Buzz Sawyer-esque power slam stood out as much as anything else. 

The Acclaimed match needs to be unpacked a little more. Let's talk about the Acclaimed first. Something has to give. I don't know what that is yet. Traditional pro wrestling booking would have it look like Caster was going to go with the Hurt Syndicate and Bowens be the one to do it first. That would be a mistake. For one, Caster can't be a babyface. He took the FIP here and it felt GOOD. It felt great to see Rush take the cord and flip him over his head to the floor. That was one of the most refreshing, rewarding, satisfying moments of the year in AEW. You want to see him get beat up. And it's wrestling, so he can use that, not as some sort of edgelord heel like he's been as a face, but instead as a stooging, heatseeking, scummy, scuzzy Eric Embry/Rip Rogers type. It's obvious by this point that Perry isn't going to really lean into that so there's still a window. 

That leaves us with Bowens. I think Bowens could be a successful aggressive, athletic heel, sure. But why? He's one of the two most likable guys in the company off screen. He's got a great story. People want to get behind him. He's short which would be a detriment as a heel but works fine as a babyface who can go and who can bring it. Look, I get it. Whatever the company wants to do right now, it's not Tsuruta-gun vs the Super Generation Army. Maybe we'll get there in a few months, maybe not. Daniel Garcia is Misawa in that case. He's 100% Miswa, unquestionably Misawa. Maybe Hook is Kawada, maybe not. There was a world where Yuta could have been Kobashi but he's Taue now, the turncoat. Bowens is one of the only guys in the company that can be Kobashi, that can push up against monsters bigger and stronger with him through heart and intensity and passion alone. Just let him be himself and let him face off against all the darkness in the world. The fans will get behind him. They got behind the Acclaimed an idea, a concept, a hand gesture, an attitude. They'll get behind Bowens as a person. I'm sure of it. He just needs to believe in himself and to have the company believe in him. The fans believing in him? That's the easy part. 

And then there are RUSH and Mortos. Given what's happening with the Acclaimed right now and just the general positioning of LFI I would have much preferred a roll up pin after Mortos wiped out in the corner as opposed to him eating the Arrival/Mic Drop combo. It might be counter intuitive but one protects him more than the other. You can forgive a banana peel roll up more. 

Here's another "Look". Look, I get that RUSH has a history of... you know, everything under the sun, right? Being uncooperative, having a few injuries, supporting Cuatrero, all sorts of stuff. But if you're going to have him on your roster and pay him well and use him steadily anyway, USE HIM. There are maybe four people on the roster (with two of them being Mox and Athena) who can bring the same level of seething, immersive intensity. Rush is a generational talent. When he was gone more often then not, it was fine to use him as a sort of gatekeeper/mercenary for bounty situations because he's instantly credible just by showing up in the ring. Now that he's a more of a weekly character, he can't just be a normal guy. 

I'm pretty sure that one of the biggest matches they can put on for the Texas All In, at least if you care about walkup, is finally getting LA Park to put his mask up against Rush's hair. Rush's hair was one of the biggest draws in Mexico for years in the 2010s. Granted, I don't know the lucha politics nor do I want to in this case. The point more is this. He draws the eye. He captures attention. He has that feel to him of "Well, it's not all real, but maybe it's a little real when this guy is in there." Someone said a few days ago that if Rush knew what Caster had been saying on his rap, the match might have gone very differently. Obviously on one level you don't want that, but it's a double-edged sword. Genius and madness go hand in hand in pro wrestling, and you have to tap into the talent you have as much as possible. Give him a brass knucks title and feud him with the wildest people on the roster. Build to he and Moxley completely dismantling the set in the world's craziest no contest. Make him the threat that Bowens has to overcome over time like Hansen to Kobashi. Something. Anything. He's lightning in a bottle. Use him to light up the world.

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AEW Five Fingers of Death 9/16 - 9/22

ROH 9/19/24

Dustin Rhodes/Sammy Guevara vs Alex Reynolds/Evil Uno

MD: This was a Proving Ground match and was touted to me as the Dark Order going full Larry stalling. And that's not quite what this is. When Larry stalled, it was to build up heat for the first bit of contact in the match, ramping up the pressure and getting under the skin of the fans. What people often don't understand about him, having just heard the stories or working off decades' old memories, was that when it was time for that first bit of contact, he was super high energy and paid off all the build. 

This was a different flavor to stalling. Here, it was about the Proving Ground time limit and all about the Dark Order running out the clock to get a title shot. That's the unique wrinkle of the ROH eliminators. I've seen a bunch of these in the last year or two and while there might be moments down a stretch where someone just tries to stay alive or even lock in a hold, I don't think I've seen one where the heels tried to avoid contact from the get go and do everything they could to just pass the time. Obviously that, too, gets under the skin of the fans because they want to see action, but in some ways it's better (in the eyes of the fans) and in some ways it's worse. It's more underhanded and craven since there's a goal behind it but it's also a little bit clever and purposeful as opposed to Zbyszko just being as obviously irritating as possible. In both cases, there's mind games at play too, so that bit's a wash.

To me, this isn't deconstructing pro wrestling but is instead leaning hard into the rules and the norms. It's not tearing it down but building on the inherent logic. I don't think you'd want to see it in every match but like I said, this was one of the first time I've seen it out of dozens and dozens. And it worked. It was different. It was interesting. It presented a unique challenge for Dustin and Sammy and they had to be as aggressive as possible just to force the Dark Order to engage. That in and of itself, opened them up to make mistakes and fall into traps, especially with Silver on the floor running (literal) interference. So when they did go over in the end, paying off a lot of the things that had been teased but denied due to the avoidance by the Dark Order (like the dives) and going deep with things like Dustin's very unexpected Shining Wizard, it meant all the more. Not only did they beat the Dark Order, but they also beat the passage of time as well. That was a good double triumph to set up the 6-on-2 beatdown to end the show. I still haven't seen that pristine and perfect stalling performance I want in 2024 where one gives one's self totally up to the spirit of it all, but this was an enjoyable TV match cousin to such a thing.

AEW Collision 9/21/24

Dustin Rhodes/Sammy Guevara vs Mike Bennett/Matt Taven (Bunkhouse Brawl)

MD: Everyone's focused on the blood and Taven's bumps into the chair, but there was some very smart stuff here. Taven and Bennett are from MA (though admittedly Boston, or, you know, Carver, and Springfield aren't exactly the same) so not only did Dustin and Sammy come out in the local hockey team's shirts (with new tandem music), but they were also in their street clothes while the Kingdom were in their wrestling gear. Somehow that made them seem less genuine and more heelish. 

The big thing, however, was that they made sure all of the tables and plunder was set up pre-match. This started the show (after whatever ROH matches they taped or dark matches they had) and they had the luxury of having everything ready. It meant that Dustin's dive off the stage through a table with his bulldog or Sammy's cutter out of nowhere through a table didn't need any set up. They were brisk and sudden and shocking. Then, during the commercial break when things calm down a bit as the TV format forces, they were able to set up another table or two. Barring having a Fonzie or Nana out there, this was a really effective way to prevent the match being a quarter setting things up. 

That made everything else easier. The heel transitions/cutoffs were good (Dustin getting reversed into his own set up in the corner, Sammy getting tagged by a chair on his dive, the double superkick as Dustin charged up the ramp with a taser). Likewise the comeback spots: Dustin's double groin claw, Sammy turning the Dirty Deeds into his GTH, worked just right. The high spots were memorable, those brutal landings on chairs, including Taven's after they hit the Doomsday Device over the top and he errantly landed on one on the ramp, Sammy going off the ladder. And all the weapons fit in, the chairs, the belt, the cowbell, the barbed wire Shattered Dreams. It was definitely a lot of stuff, but the Kingdom and Dustin knew what they were doing and Sammy added that extra bit of energy and panache. I'm not sure how this will stack up against everything else this year, but you can't say it's not another notch in the belt of Dustin and another great Fight Without Honor from the Kingdom.  

Darby Allin vs Evil Uno

MD: With Danielson at home selling the injury, there was definitely a worry of a sort of overwhelming NWO-esque doom and gloom with Mox and company. The combination of Yuta's very existence and the fire he's showing mid-way through his matches and Private Party foolishly but bravely standing up for themselves is pushing back against that, giving what Mox is doing the sort of traction to push off against that he himself is saying he's providing to Zay and Quen. Darby's front and center for Grand Slam, however, and while we've seen him act in contrast to Mox and physically stand up to him up til now, the backstage promo leading up to the Uno match and then the match itself took things to an entirely different level.

It's war. For this to work, it can't be Mox running through everyone as they try to act sportsmanlike. People can't just play the 1985 Jumbo card as Choshu came in infecting everyone and everything around him with violence. They have to be Tenryu and meet the violence head on. And Darby not only fought with that level of intensity here, but he also forced it out of Uno. Even if Darby manages to triumph over him and keep his title shot, Mox isn't just going away. You don't make a statement with a turn like that and just go back into the woodworks and have another fishing trip. The darkness is here to stay and the dark intensity and violent passion is the thing that can make AEW stand out. It's not the grisly excessiveness of Hangman vs Swerve from All Out, not every week, but it's a Hansen-ian impulse of wrestlers pushing each other to the absolute limit week in and week out. What that looks like, what those limits are, how it all plays out, the different mix of alchemy when you have fliers and technicians and brawlers, when you have luchadores and disciples of the territories and walkers of the King's Road all clashing against one another... well, that's what's going to make it interesting. 

And it was interesting here. Uno took every advantage, but more than that, he wrestled like a man infected, like a feral beast, throwing his hefty frame into Darby from every angle. He was an out of control locomotion. Sometimes it worked, sometimes he crashed and burned, but he kept coming. Darby, in turn, fought as he always did, but instead of just throwing his own body at Uno, he ripped at the mask and bit at the skull. There's so much interesting to be mined here. Just as Uno threw himself with wild abandon to rise to the level Darby inspired in him, Darby made his own potential mistake, choosing to use Moxley's bulldog choke to prove a point instead of something of his own that might have more easily won the day. You push people this far, and much like Darby's facepaint, you see all the skeletons in the closet of their soul. It's the most fascinating, most human element you can distill in pro wrestling.

There's a change in the air. You can all but taste it watching the show over the last few weeks. Something is lurking in the hearts of the combatants. Something is awakening within them. Jon Moxley opened Pandora's Box and if they can fully tap into this energy found within, maybe this company can find a comparative advantage that no one else can match. TK, if our old DVDVR decoder rings are still working and you're picking up on the signal, this is the noise. Play it loud, play it hard, embrace it. Ride the wave and it'll take us all as far as we can possibly go. 

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AEW Five Fingers of Death 8/19 - 8/25 Part 1

MD: No PR this week due to some power issues on the island. Good stuff coming though so stay tuned. Thought I'd get a jump on some AEW since there's a lot coming this weekend.

ROH TV 8/22/24

Dustin Rhodes/Marshall Von Erich/Ross Von Erich/Sammy Guevara vs Matt Bennett/Mike Taven/John Silver/Alex Reynolds

MD: If I was in the live crowd, this one would have baffled me a bit. This was taped before the tag title change on Collision so it followed most immediately from the high heat end to the last ROH show. It was a fun, quick-moving, high spirited celebratory match, anchored by a frenetic finishing stretch and from Dustin making the most (as he always does) of being face-in-peril. But in chronological filming order, it had to seem a little offputting to be just so over the top. The crowd had no way of knowing that the emotional beat in the middle would be the action (and interference) packed title change after all.

Watching it on TV, on the other hand, it worked very well for what it was trying to do. That meant the claws came early. It meant Sammy got to take someone's phone and film himself during the shine. It meant Bennett and Silver stooging all over the ring for Dustin. It meant some heel miscommunication before they settled in on the heat. I've said it before but pro wrestling isn't math. Except for sometimes the southern tag formula kind of is. You don't want a heel-in-peril scenario where the shine is way too long. You don't want everything to break down too early so people are rushing in and out for the last half of the match without any structure or trappings. The one thing that can rectify either problem and most other problems, is if you have a really dynamic heat section, even if short. A lot of times that's on the heel team; The Midnight Express could make so much out of just a few minutes, but having a great face-in-peril working from underneath works too and Dustin's the best in the world right now.

So when things did break down, it was ok. Having Silver/Reynolds in there to help direct traffic like the savants they are didn't hurt. Some of the Kingdom's stuff worked right into their wombo combo stuff and it just felt right. And then it all built to a really huge claw/over the shoulder powerslam move by Marshall that we don't actually see that often but that is very impressive. While the tag title match was really how the residency ended, this is our last look at it, and in both cases it ended up on an up note.

AEW Dynamite 8/21/24

Darby Allin/FTR vs The Young Bucks/Jack Perry

MD: I scooted through this quickly the first time and I wasn't going to go back for it; perfect excuse with all the wrestling going on. Hell, I could write about Jarrett vs Daivari or that Big Bill vs Hook match that sounds fascinating instead if I needed another match for a Part 1, right? I might still. But then ol' Joseph rated it 4 stars and I had to admit that I moved through it pretty quickly the first time and... well, let's give it another look.

I really enjoyed the way it stemmed from the Okada vs Claudio match. As I noted in my thoughts on the company the other day, Dynamite does have a tendency to move too quickly from one thing to the other and not let moments resonate. Excalibur is a master of "And now"-ing and "But whatabout"-ing. When it happens organically like this, in that old ECW way, it adds an air of both excitement and connectiveness. There are some tricky bits with that. What does FTR feel about Claudio, for instance? While I understand both the presence that allows for it and the utility of it, the BCC being so mutable is overall problematic. Yuta can't be a shitheel rat boy one day and working from underneath against Swerve sympathetically the next. He just can't. You end up, over time, with 60% gain that you'd otherwise get on both. 60% of Claudio is a lot still, but it's not 100% of Claudio and the company needs 100% of everything they can get. Last note: everyone got the message that if you're going to use time announcements, you have to do it more frequently both within a match and overall, right? No need to reiterate that, I hope. Consistency is everything in pro wrestling.

Ok, on to the actual match; enough stalling. Back to southern tags. This had a very short shine, but one with Darby flying out of the ring twice, heavy brawling, and the double Sharpshooter tease, followed by a great transition with the Doomsday Device kick. Then the heat was on Darby, where if Dustin's #1, Darby might be #2, so that helps. We haven't seen a ton of straight up tags with the Bucks and Perry (it felt like they established the Okada/Bucks combo better) so this felt fresh and dynamic, with a great hot tag and good rousing comeback by FTR.

After that, things broke down a little too early for my liking maybe, but this is a teaser for the weekend and they didn't have a few more minutes to loop into, let's say, a second heat segment on Dax. So it got the job done. Sometimes the job isn't to have the best match possible. Having the Elite try to pack their bags and go got over the bigger picture story better than leaning hard into pure quality for the sake of quality so good on them. Cash's dive was a hell of a thing. I like Dax, the way he thinks about wrestling, how hard he works. But as I think about the necessary moneyball replacement scenario for Bryan Danielson facing AEW in the future (and TK can do moneyball so long as he thinks about it that way), Cash is a guy that almost feels like the middle ground between Mox and Danielson in a way that even at 37 still seems untapped. The last thing he seems to want to do is wrestle singles matches, but in a post Danielson world, maybe people have to be made to stretch (they need to tap into the untapped). Anyway, I always love the Powerplex combined with whatever their partner has, and the Coffin Drop is a great choice there. So yes, this was effective, absolutely got the job done, and hit a lot of positive marks along the way.

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