AEW (and NJPW) Five Fingers of Death 2/23 - 3/1

NJPW New Beginning USA 2/27/26

Athena vs Syuri

MD: There isn't a single universal theory of pro wrestling. But if there was just one word that could define it all, could push towards the ideal, one word that you could boil everything down to, it would be immersion. That's the goal. You don't want people to believe it's real. You want people to invest in the false reality of it. Now, maybe one way to get them to invest is by being as real as possible. That's a means, not an end though. Instead, it's about being as engrossing, as captivating, as fascinating as possible, while building a world the audience (in person and televised) can escape to, a place that they prefer to reality itself.

And to accomplish that, the one word becomes three. Commitment, consequence, consistency.

Which brings us to one of the most immersive wrestlers going today, or back to her. Back to Athena.

Here she was positioned as challenger to Syuri's IWGP Women's Championship. Her own ROH title was not on the line, nor was Syuri's NJPW Strong title. 

But despite her role as challenger, and despite the eventual outcome, and even despite Syuri's own athleticism and charisma, Athena commanded the room.

It is because she is entirely committed to her act. There are no strings. There is no net. When you watch her on the screen, she provides you with no reason to doubt who and what she is. There's no carefully set up collaborative spots, no hesitation before she leaps headlong into danger. And maybe most of all, there's no pausing to come up with a correct reaction, no remembering to hit her mark. She hits a move. A move hits her. There is instant reaction. For every action there is a reaction, and for her, it comes off like the most natural thing in the world no matter how over the top and dynamic she may be. 

She portrays a character that is erratic, vengeful, malicious, that writhes at every failure, that is infuriated by her opponent's every act of defiance, that is strong and athletic and entirely vulnerable in the most human ways. For as dominant as she is, for as much as she takes up the air in the room, she is a few pennies short of a dollar, is unhinged and unpredictable, and whatever poise and polish she shows, impressive as those things may be, do not hide cracks so big you could consider them fault lines, the sort that lead to continental drift.

There is strength in vulnerability. The greatest wrestlers have always known that. In vulnerability there can be found the most human elements of a character-driven performance. A wrestler who comes off as cool and untouchable, above it all, ironic, cannot tap into any of that same humanity. Athena, for all of her triumphs, so often evokes the most human of failings, all turned up to 11.

Everything went hard early here, both the wrestling and the character work. They crashed into each other on the lock up. Syuri broke clean against the ropes. Athena offered a (left) hand. Syuri looked to the crowd... Athena is eternally erratic. At some point in the match she's going to throw that magic elbow but would it come with the shake? Here the answer was yes, but Syuri was ready. She ducked and they went right back into a feeling out process worthy of a title match: mat wrestling, rope running, until Syuri locked her into a single underhook suplex and started in on the arm. 

That would be the great equalizer for Syuri in the match and the great opportunity for Athena, as a performer, to act and react and be as vulnerable as possible. While she sold for a bit after the initial submission attempt, it was just the start of a longer story. Instead they went to the floor. Syuri knocked her back but Athena was too strong, too fierce, too ready and hefted her up to mercilessly toss her into the guardrail.

This, before her arm deteriorated further, was Athena's time to shine on offense. She hit her running punch in the corner and followed it with one of the only front handsprings in pro wrestling history that undeniably increases momentum and impact instead of just being a piece of flair. She snatched Syuri in a front facelock and spun around with her. She even hit the magic forearm out of nowhere. But she couldn't put Syuri away.

Instead, emotional cracks started to show, a seething frustration, and that brief inner distraction opened the door for Syuri to come back and start to dismantle the arm with various submissions. It was still back and forth. Athena was able to roll Syuri up with a counter that sent her careening into the corner. She was able to stop things flat and flip her into the Koji Clutch, but the damage had been done. 

Athena's selling wasn't just when the holds were on or immediately after. It wasn't even between her own moves. It impacted everything she did, the entire way she moved. If she was going to head up to the top, she'd be a half step slow because she only had one arm to work with. When she tried to slingshot back in, she couldn't gather proper momentum and ended up caught into a DDT. It took everything she had to force Syuri up to counter a triangle with power bombs and the first two didn't have nearly the oomph to them that they normally would. It took three to escape. 

It's because she wasn't checking boxes and she wasn't selling for the sake of selling. Instead she was embodying a character in a specific situation. Her arm was injured and it was a quality she had to deal with in every single action and reaction. It was definitional. It limited the way her character could move; it opened up any number of narrative possibilities as she lashed out again and again, as she constantly showed desperation and frustration on her face and in how she interacted with the referee, the fans, and her own inner heart; and it provided the character of Syuri any number of plausible, compelling opportunities to mount a comeback or double down and do more damage to Athena.

In the end, Athena managed an almost miraculous counter into a modified tombstone but couldn't put the weight upon Syuri to fully keep her down. With one bullet left to fire, she went up to the top for the O-Face, but she was that half step slow given that she had to drag her arm beside her. Syuri was able to dodge, to strike, to put a diminished Athena out of her misery and get the win. 

Athena presents herself as an ouroboros of emotion and reaction, constantly boiling over, a powder keg always waiting to explode. It's what makes her maybe the most fascinating and engrossing wrestler to watch today. With some wrestlers you're afraid to look away because you might miss a move or an athletic feat, and that's true with Athena as well, but she takes it so much further. If you look away even for a moment, you will absolutely miss some expression or little (or big) movement or even just a flick of her eyes that carries with it madness and destruction. Everything matters. Everything is monumental. Of course the crowd is immersed. So far as 2020s wrestling goes, she is immersion personified.

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NJPW Wrestle Dynasty 1/5/25

 

Athena vs. Persephone vs. Willow Nightingale vs. Momo Watanabe 

ER: I'm kind of shocked by how good this was and how well they kept up a certain energy for 10+ minutes. But I also think a lot of it just might have been Athena. I think this was 10 minutes of waiting for what Athena was going to do next. She is pure lighting and can go go go. She leaps into everything at a doggish pace. She hits the mat and people hard. She gets thrown into a fast tope a minute in and I'm not sure it's the 4th coolest thing she did all match. I thought Persephone really shined in a match where they all got time to shine (and did). She had some big bumps and lands with good weight, real good babyface energy and a unique strength spot approach. Willow got the attention of a big crowd multiple times, and Watanabe was fine fourth wheel. But every great moment led to Athena making it greater. She worked into and out of sequences with everyone so well. She's like if Low Ki really loved Manami Toyota. It's electric. She chokeslams Persephone on the apron like a small Taue demon. When she hits the Eclipse on Willow it's like the finisher 2 Cold Scorpio was jealous he didn't invent. 

Willow makes the Eclipse even better by taking her straps down in power before turning into it. You know I am a big fan of Lawler strap lowering and lowering the straps before taking the final shot is arguably the best use of the straps. I love Willow. But Athena is as must watch in a match like this as prime Juvy. The opening 3 minutes was so hot and as well timed as the greatest 4 ways, and I didn't think the energy level could be maintained. Because of Athena, it was. She ran everything together and there were a lot of strong timing peaks from the other three. The finish was kind of silly, with Thekla not committing on interference enough for what should have been the finish and then Momo hitting Athena across the head with A FUCKING BASEBALL BAT as hard as she can, it comes off a bit ridiculous. Like your scoop suplex was cool, do a few of those and give your opponent something to actually sell. What's Athena supposed to do with a baseball bat shot to the head, work a brain damage angle for 10 months?  

Dustin Rhodes/Sammy Guevara vs. Yoshinobu Kanemaru/SHO

ER: Man this was good. This was most likely Dustin's last ever match in Japan. Maybe not. I wouldn't bet against him. But this was the first match he'd wrestled in Japan since 2010. The thing is, Dustin was never a Japan guy. You'd never know it from watching this match. This was a great performance that connected with a crowd that was seated far away from him, in a way where they seemed familiar with him just because his wrestling style is That Good. He's a man with an improbably long and impressively durable high end career and he's wrestling his first match in the Tokyo Dome in 30 years. It's an amazing return. He shows out for it. 

Dustin working against these two guys is weird and fun. The size difference between he and SHO is insane and SHO sells it as such all match. Dustin is tireless when he needs to be and makes the most out of a total name grab bag random set of career opponents. Do a fucking shining wizard thing that looks awesome, fuck yeah! Dustin's hot tag where he just wastes both of them is the best. SHO is taking Dustin clotheslines aimed at the jaw they both get powerslams he can still somehow give in the same twisting form. SHO takes almost all of Dustin's shit and he takes it so well. Once he bounced across the ring for a 55 year old code red, Dustin obviously knew this guy knew the deal and knew the Man. 

I never got the hate for Sammy. I think he's pretty great. I like a kid who's not a bad kid but also a little shit. A nice guy who is capable of saying something pretty mean to your sister. He does moonsaults with wild abandon and takes the farthest back body drop bumps of anyone on any of these rosters. Does a Good Superkick still matter in 2025? I think it can. If it can, then Sammy has some of the consistently best. Not just in execution, but in placement within a match. He has this way of milking goodwill out of every indie spot that's ever been overused: superkicks, back crackers, cutters, but maintains the timing to make all of them feed well into a legend like Dustin's offense. Kanemaru's moonsault across Dustin's knees looked pretty bad, but I guess if you were in a fight with Dustin the smartest thing you could do is target his knees so let's give Kanemaru Body Part Specific Moonsault Credit here. He still gets docked for not holding up his end of the match with his shtick. Dustin rules. 

Lucha Gauntlet

ER: Good lucha highspot showcase except it kept getting interrupted by less talented New Japan guys who threw the rhythm off. Mascara Dorada and Hechicero were standouts. Hechicero doing his thing within a growing throng of competitors was cool every time he was the focus, but I especially liked him tying up Fujita in knots when they were the only two. Dorada kept finding new ways to deliver and take offense, always throwing in something extra. He kept finding a new way to flip for a kick, and the key to Dorada at his best is he has this way of adding an extra flip or twist but making it look like it wasn't mapped way out ahead of time. His tope into Soberano was awesome, and Soberano was the best at catching everyone's dives during the big dive train. After he hit a tornillo with a million twists, they had him out front and center saving everyone's bacon.   

Hiroshi Tanahashi vs. Katsuyori Shibata

ER: This was an "Exhibition Match" but I am unclear on what was being exhibited. We know that Tanahashi has bad leg injuries and cannot move, but he has also had many other matches this year which were not just him exchanging chops with someone for 4 minutes before time expired. The one minute of collar and elbow lock up was much more engaging than the 4 minutes of chopping that followed. Meltzer went ***1/4 on this which might honestly be his most ridiculous rating ever. Calling a match 7 stars, we all know that's stupid, but he rated this higher than the Dustin tag and the women's 4 way, which were actual GOOD matches! Nobody could squint their eyes and even call this a match. It would be like giving Inoki ***1/4 for people lining up to take his bom-ba-ye slaps. What exactly was Meltzer rating here? What subtext am I missing that made it Good, Actually, that Tanahashi is incapable of throwing chops with any strength? 

Mercedes Mone vs. Mina Shirakawa

ER: I thought this was a really good Mina performance - one of her best long singles match showings I've seen - but I couldn't get into what Mercedes was doing. She had this weird way of silently emoting to the crowd, a PC thing that doesn't play at all in a gigantic dome. She would silently sell through her teeth as Mina was working over her leg, then sell her leg by doing a bunch of offense that required her to slam her knee into things. I don't think her teeth selling played in the large venue and I think she went to wordless crying faces too soon. Meanwhile, Mina was savagely going after her leg in ways she doesn't do in AEW. I loved all her knee breakers and the way she'd kick the inside of Mone's knee, slamming her knee into the mat and maneuvering into figure 4 leg locks (quicker than I thought she was capable of doing). Mone scrambling for the ropes was one of her only bits of selling I liked. Mina was working over Mone's knee not to soften her up for some submission, but to leave her prone for her impact DDTs, and I loved all of Mina's impact DDTs. But Mone was working this more like a "Things I Wanted To Do in the Tokyo Dome" so she was bridging up to hit the three amigos (feeling way out of place in this match) and then doing offense based entirely around fucking up her own knees: several different codebreaker/back crackers, a gutbuster, the meteora, just a total disconnect from the great match Mina was working. 

Brody King vs. David Finlay

ER: I don't know if I bought Finlay's offense against King, but I bought the way King took Finlay's offense and the way they made the most out of their misses. Finlay got sidestepped early on a charge into the guardrail, a great last second feint by King that sends Finlay into a gross full speed miss...but then Finlay hits that same flying body attack into King later in the match, delivered at the exact same speed and impacting King the way his body impacted the railing. I like that kind of commitment to not just a miss, but to show your delivery and execution is consistent and real. King is great at misses too, with a great miss very early on a charge into the corner. I love the specific way he hit the turnbuckle pad, like a dog who ran full speed into a sliding glass door. When this settled into Monster vs. Man it was at its best. Finlay's strikes look terrible so it made sense when King was knocking him around with his actual good elbow strikes, and Finlay does Staggered By Strikes selling better than I thought. The finish felt too abrupt for a match that had a good pace, but I kind of liked Finlay being unable to hit a sunset flip powerbomb out of the corner...only to just lift and hit a regular powerbomb right after. King made the Overkill look like a finish, dropping down fast face first into Finlay's knee. 

Claudio Castagnoli vs. Shota Umino 

ER: There aren't actually people out there who hype up Umino as some kind of good wrestler, right? I sure don't see that kind of praise, and I see no reason for that praise. This guy brings very little to the table. His strikes would not break through a spiderweb, and his selling is nonexistent. The first three minutes is just Claudio running him ribs first into the ringpost and a half dozen guardrails and I was looking forward to a match where Claudio beats the hell out of this man who could only exist in a post-Marufuji Japanese wrestling landscape. But this guy really has nothing once the actual moves are delivered. He is not bad at taking and selling a move itself, but once the moment has passed he is onto his bullshit. He fights this too often as Claudio's equal, but none of his offense makes him look equal to anyone. He is a less effective Kentaro Shiga, and lucky for him Claudio is good at taking all of his overly complicated DDTs. The one time Umino's damaged ribs came back into play was the only real compelling part of the match: Claudio's scorpion deathlock. This hold won me over the longer Claudio had it locked it. At first I thought it was for a pointless build to a bad Umino comeback, but the longer Claudio had it applied and the harder Umino fought for the ropes, the more I thought it could actually finish the match. The more I wanted it to finish the match, because I didn't want to see what kind of do-si-do reversal of a reversal nonsense Umino broke out for the home stretch. He made the ropes, he do-si-do'd, he somehow won without ever looking convincing in any way. 

Although he did do one thing well, and I couldn't believe it. HOW is Umino the guy who can throw good looking downward strike elbows to the head and neck?! Nobody makes those look good! Here's the lightest elbow striker on the card and he's lighting Claudio up while balancing on the ropes? What is the deal with this guy. 

Konosuke Takeshita vs. Tomohiro Ishii

ER: This was the match I was expecting them to have and was a good version of that match, which is a match that I don't much care for. There are a lot of parts of an Ishii match that won't make sense when applied to most other wrestlers, because he is going to take punishment until he cannot. So it annoys me when Takeshita acts shocked at Ishii absorbing punishment. When Takeshita hits the Raging Fire falcon arrow off the buckles and Ishii kicks out, he sits there on his but in disbelief for an entire 30 seconds (!), filming an extended Performance Center tryout reaction because the guy who absorbs punishment kicked out of something like 7 minutes into a match. I hate this shit. Like man if I know he's going to get up and start exchanging elbows then you should clearly know this man will kick out of things and get up to fire off some elbows. 

Ishii will take plenty of punishment and I only find that so entertaining in 2025. He's a nut, this is what he does. He will get dropped on the top of his head on a German suplex, Takeshita trying to compress any more vertebrae that haven't been compressed yet, and Ishii will take a big clothesline bump on the back of his head. As tired as I am of stand and trade showdown wrestling, I did actually like them holding waistbands and throwing their hardest shots of the match, and how Takeshita levels him with one of his hardest elbows after they let go of the waistbands. I hate how we seemingly have to sit through a lot of bad stand and trade to get to the part where "this time we really mean it" but they did a good job of making the shots mean something more down the stretch. Ishii's popped me with a frankensteiner that I through looked great, and was a nice payoff to Takeshita taking an eternity to set up a powerslam off the top rope. I bought into Ishii's lariats down the stretch. Takeshita threw some of his best strikes and Ishii built up to his biggest lariats, but even though the shots landed harder in the last half, I still never truly feel a sense of escalation as a lot of the selling is the same in the first few minutes as it is in the last few minutes. I guess we are supposed to be surprised that it is Still Going On but that sounds like a terrible way to structure a wrestling match. Can you still believe we're doing this shit? 

My favorite little moment was Ishii's lunging back elbow after absorbing lots of elbows and kicks in the corner. Takeshita held his chin afterward in a way that made it feel like an actual real moment, like he got popped and knew this was going to be the first of many. He recognized Ishii's fight, and Ishii made a single shot resonate more than a dozen Takeshita had just thrown. But the longer these things go the longer those shots all blend together. 

Young Bucks vs. Great-O-Khan/Jeff Cobb vs. Hiromu Takahashi/Tetsuya Naito

ER: Man I don't know. Maybe this would have been better if it were a simple tag match instead of this three way tag, because this three way tornado tag format stinks. Shoot maybe even with the three way format but guys actually waiting to tag in on the apron it would have worked, but this does not. Guys appear and disappear at will, and the longer guys disappear the more reminder that it's all about blatantly setting up a bunch of spots that never add up to much. There's plenty of superkick spamming, plenty of suplex spamming, plenty of dives that nobody seems to have any idea how to catch. There were plenty of spots that looked good. I like the way Cobb throws a German suplex, I liked when Matt was struggling in the tree of woe and all his strands of pearls were hanging in his face as he sputtered, and I thought the Bucks staying vocal throughout (including telling the ringside cameras they were going to go make love to their wives) brought something. But the disappearances were too frequent for chained spots that didn't land so hot, and the glue joining those spots was awful. Naito looks completely lost at times waiting for what to do next, and the only way he and Takahashi know how to interject into a spot is with bad kicks to the stomach. O-Khan was gone far too much to make an impression and the Bucks conveniently sold based on when they needed to be in position, with no regard to what move they were selling. That's the worst, and that's what kept happening all match. 

Jack Perry vs. Yota Tsuji

ER: One of those matches where nobody really looked good but one guy looked better, and it went longer than you'd want but only because it wasn't that good. They didn't do much wrong, besides not wrestling a compelling or good or watchable match. Perry has good DDTs and a couple better suplexes than you'd think but Tsuji is a real zero. What's the entry point with Tsuji? What is the draw? How does the Raymond Chandler's Carmen San Diego Zoo Suit entrance gear tie into a guy who is so on the nose The Worst Influences of Edge that he even has a Spear finisher and makes spooky faces? Perry was good at cutting off several Tsuji charges/spears, catching one in a well timed DDT and stopping another with a sly kick. I like Perry as a heel more than I did as a babyface and I think he's closer to being a good wrestler now. His personality is much more natural. I would have probably liked Edge more if he tried doing a Spanish Fly in 2002. After Perry takes the spear for the loss, he exits the arena holding a hot water bottle to his tummy and maybe Perry is actually a good wrestler. 

Kenny Omega vs. Gabe Kidd

ER: I typically do not connect with big match Kenny Omega, and I don't believe I have ever connected with a single thing that Gabe Kidd has done, but I think I loved this. This was a 12 match show and I'm not sure there was a match I was looking forward to less. Well, I knew the Yota Tsuji match would be worse, but I knew this would be twice as long and I knew the show was already five hours long. I mentally wrote this one off, and yet I found myself hooked from the start. Kenny works this like he actually cannot stand Kidd, which is something I never get from Omega matches. I always get "he is trying to have an EPIC match with X" but I never get "he is extremely annoyed by this guy and wants to hurt him" and that makes me enjoy this Kenny Omega match so much more than his usual 6+ star affairs. I also think it's fantastic that Omega is hellbent on not adjusting his ring style to account for his exploding insides and deteriorating body so now his biggest matches have this extra layer of deep pain and human stupidity that finally adds Consequence to his work. 

He bounces Kidd's body on the apron and ringside like he has no regard for his safety, bouncing him off the ropes to the floor, a snap dragon on the floor, and a big powerbomb onto a table in the announcer's area. It's one thing for him to have little regard for his opponent's body, but it's key to his character (and his character is clearly just himself) that he also has little regard for his own body. I got actually invested into him being unable to stop himself from flinging his body into dives and stupid bumps all match while his innards are screaming and his legs and hips cry out for some goddamn mercy. That disregard for self and opponent only gets cooler when disgusting suplexes into edges of chairs turn into unprotected chairshots in the year 2025. Real 1999 Chairshots taking place at a Tokyo Dome show so sparsely attended that the reactions may as well have been piped in. Kidd takes the nastiest chairshot after braining Omega with a couple. He felt that fucking swing bad too, because he sure gets his hands up quick when Omega comes swinging again. 

Drilla Moloney and Clark Connors unexpectedly added to this match without ever getting involved. Kidd's crew of ringside fuck boys yelling around the ring made the side of an idiot getting destroyed even better, and it seemingly made Omega wreck Kidd even harder with suplexes. There's just no good way to take a snap dragon off the top rope. Kidd's knees get smashed straight into the mat and that might be even more disgusting than the neck damage. 

The early shift to Kidd is great, culminating in Kidd kicking out of a double underhook piledriver, with Omega pulling back on that leg the same way he does when he knows he's getting a 3 count, comes off more obnoxious than "first in a series of moves that shouldn't be kicked out of" and I loved the juxtaposition of him kicking out of a dangerous looking piledriver that should have finished most matches, into making Omega scream with an abdominal stretch. Gabe Kidd slips out of a One Winged Angel into a Desperation Abdominal Stretch, elbow dug deep into Omega's inflamed intestines, and it is one of the all time best uses for an abdominal stretch in wrestling history. Kidd going into Payback Mode ruled. His knee to Omega's guts landed harder than Omega's V-Triggers and contributed led to a future where Omega has a few feet of intestine being removed. Not satisfied with damaging Omega's insides, he always wants him concussed. He spikes Kenny on his head with a short piledriver, and when Omega reverses a powerbomb with a rana, Kidd does not accept that reversal and just drops to his knees with a ganso bomb. There's not attempted lift into a convoluted spot, he just drops Kenny onto the back of his head. I'm laughing my ass off about it when Kidd piledrives him again. 

But if Omega can keep his guts in his body he isn't going to be slowed by head trauma. He has been through fights that Gabe Kidd hasn't yet imagined, and before long he is kneeing this man in the face repeatedly. A double middle fingers spot is something that comes off hack in 2025, but Gabe Kidd possesses the exact correct dumb guy energy to make a last gasp double bird from the knees feel exactly like something he would do when he's about to lose a fight. Kenny grabbing those middle fingers like handlebars to drive the final V-Trigger home was the best. Kidd played the best version of his character and I don't think any of this felt like Great Match mode, it felt like dangerous escalation with great big match selling. Maybe the match didn't need to be a half hour, but I thought it was a rare case where the extra time made the match better. They didn't use the extra time on more kickouts from bigger moves, it was almost always spent letting in pain. The way they sold the big move punishment and exhaustion made it all resonate, made it feel real. Kenny wrestles like a guy who is in pain and Kidd wrestles like a guy too dumb to stop taking damage. Ospreay wouldn't have the guts to sell offense as long as Omega and Kidd did, and that made me feel their story.  

Zack Sabre Jr. vs. Ricochet

ER: I loved Ricochet for the first 30 seconds, and thought he was good enough for the next 20 minutes as an overwhelmed guy whose offense keeps getting lighter and lighter in the face of an unflappable champ who hits much harder. But those first 30 seconds, man. It's always great when a heel jumps somebody at the bell. When I think of a heel team rushing some babyfaces, it's almost always with punches and clubbing arms, almost always as just another way to get into the action. No different than a collar and elbow start. When it's used to debilitate an opponent, it can approach brilliance. Think Tenryu blindsiding Giant Baba with a suicide dive into Giant Baba in the 1989 Tag League. Ricochet doesn't have debilitating weapons, but he uses speed and heel flying to throw Sabre off and I loved it. A heel ambushing their opponent with a suicide dive, springboard dropkick, Sasuke Special, and springboard 450 splash before they can get their ring jacket off, is fantastic. A hot 30 second Jersey All Pro match-finishing stretch as a heel ambush.  

I don't think he kept up that attitude or energy or idea execution the rest of the match, but I also don't think it mattered because him flying into Sabre's buzzsaw was entertaining because he couldn't keep it up. The first 30 seconds worked so well because it could only work for so long. While Sabre's full body European uppercuts to take control felt plan in comparison, that was something that could be kept up for 20 minutes. Sabre hits hard early and keeps it up all match long, and once he started hitting Ricochet I don't think anything else Ricochet hit had the same immediacy. Like he ran and ran until he got a wake up call and then lightened up, hoping it would make Sabre lighten up. Sabre's shots all look dangerous, but Ricochet is still hanging onto a light springboard clothesline, chops that hit lighter the longer the match goes, arms that barely club back. His combos are also too slow, and there are almost a half dozen times where he leaves Sabre waving in the breeze like an idiot so he can do another spin. Had the story of the match actually been "Sabre endures punishment and Ricochet slows the more punishment Sabre takes" then this could have been incredible. Sometimes I think they were working that story, and those were the best parts. Other times I think Ricochet's offense just didn't work because it didn't work, and it would have been hit that way regardless. I didn't buy Ricochet as a worthy Sabre challenger, but I liked when the match was structured around not buying Ricochet as a Sabre challenger. 

Sabre's dedication to believing that being the IWGP Champ means hitting hard and trying to get guys to hit hard is what made this good, and Ricochet did well at not understanding that this was not a battle he was going to overcome and Sabre was not going to be moved off that hill. Sabre was good at reacting to a lot of Ricochet's stuff that didn't belong in the match and turning it into something painful. Sabre catching an Asai moonsault with a cravat feels like something Chris Hero had to have done in Chikara at least once. It's fun, and then everything else is very mean. Ricochet's rolling vertical suplexes going from the ring to the apron to the floor was a lot of painful bumps for a dumb spot. Sabre's selling is almost enough to make it work, especially the way he got up at 18 but lost his balance and slipped back into the guardrail before making it in. Ricochet calls him a motherfucker and Sabre laughs at the idea. I'm a motherfucker? Ricochet, a man who doesn't slap very hard, is dumb enough to challenge a guy who can slap very hard to a kneeling slap fight. It only takes two exchanges for him to get to his feet. Sabre even tells him, "You're back in Japan now, mate." Is this match about how Ricochet has Dragons Gate Mindset and isn't catching on that Sabre fancies himself as submission wrestling Scott Norton? I like that. 

So, there can't be any complaints against Sabre's submissions anymore, correct? I always felt they were hilariously wrong, but if those opinions persist anywhere they only look more wrong now. His execution is fast and it always looks extremely painful. The way he bent back Ricochet's legs for a bridged figure 4 variation, the limb wrenching llave he pretzeled him into, the neck snapping ankle cranks he kept doing. Every strike and every twist looked painful and every sub he trapped Ricochet in looked potentially match finishing. The problem might have been that everything Sabre did looked so effective, that very little Ricochet did looked as effective. Ricochet's worked punches to drop Sabre at the end of the match were good worked punches...but the spot in question didn't call for well-worked punches, they were supposed to be KO shots that each dropped Sabre to his knees. I love a good worked punch, but they don't "work" when they're the only worked looking strikes in a match, and now they are supposed to be dropping the champ. Ricochet's mid-match slow down does set up the finish nicely, as he throws his sliding clothesline so slow that Sabre just snatches his arm out of the air and maneuvers him disgustingly into a modified Rings of Saturn. I kept going back and forth on this. I liked Ricochet, and I liked the story of his bullshit not standing up to Sabre's strong style...but the match story was inconsistent because sometimes his bullshit would stand up to Sabre and then a minute later it would be clear that his bullshit was supposedly equal to Sabre...

 

Well, the opening women's match was so good that I got lured into watching and writing about an entire show from a fed I don't love...and while there were some more rewards there was also way more stuff I didn't like. The Omega/Kidd match was great, the women's match was great, Mina was great in her match, the luchadors showed out in their gauntlet, the Dustin tag was incredibly fun, and most of the people I dislike wrestled expectedly bad. Two great matches on a 5 hour card isn't much of a success rate, but I'm glad I took the time to watch them. 

2025 MOTY MASTER LIST

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Tony Halme's All Alone, Feeling the Tears Falling Down from His Eyes

 

Different Style Fight: Tony Halme vs. Vader NJPW 10/13/91 - EPIC

ER: What a gift. With this week's discovery of Vader joyfully practicing moonsaults on his trampoline, it felt right to celebrate this different style gift. Tony Halme's Different Style Fights with Hashimoto and Aoyagi are what made me dive deeper down this Borga rabbit hole of mine and come out the other side a changed man. Now we have 7 of his 9 total Different Style Fights (I'm not holding my breath for his fight against Larry the Villain, whoever the hell that is) and finally have his first against Vader. We had his second and third matches with Vader (the second match was also a Different Style Fight, the third and final bout merely a "regular" match) and I say with no hyperbole that this one is the Certified Classic of the three. Their 10/18/91 Fight is nowhere near as good as this match, and after finally seeing their first encounter I fully understand why that match didn't live up to its on-paper potential. 

This one was their first fight, and THIS was their war. THIS was their fight. THIS was the match where they left everything in the ring. It would have been impossible to recapture aura and spectacle like this just a few days later. How could they? This is also, by far, the longest Different Style Fight Halme ever had (a couple of them went into the 4th round, this one goes all the way to the 6th) and the longest match of his lengthy New Japan run. It's incredible. The way they hit each other makes it look like they won't make it out of the 3rd, and the way Halme's stomach is heaving makes it look like they won't make it out of the 2nd. 

Of note: Chris Benoit in Halme's corner, which is pretty fascinating. By all accounts Tony Halme was a sweet young man with no questionable belief systems until some time in mid 1991, so now that we finally have video of this encounter we can pinpoint the exact moment Halme was mentored into being a real piece of shit. 

R1: A bit of a feeling out, each getting a knockdown in the corner but neither with any clue how quaint those knockdowns would seem 15 minutes later. Halme landed several uppercuts into Vader's left side, high up, and it built to both thudding each other with multiple shots to the stomach. Halme started throwing straight rights over Vader's left eye that Vader has to stop with a Fujiwara takedown, riding out the round holding him down. 

R2: Vader threw punches just as hard as Halme, except Vader was wearing the gloves he always wore and Halme was wearing larger boxing gloves. Needless to say, that means Vader was hitting harder. He upended Halme with a clothesline and locked in a grounded crossface chickenwing, which looked even more nasty because Halme just isn't that flexible. When he let go of it Vader punched the face down Halme in the back of the head. It looked so petty that right after Vader seemed to allow Halme to give him some receipts, sticking his head out with no defense so Halme could take some swings, a level of trust and insanity that only adds to Vader's legend. Vader isn't completely generous though, as after allowing the receipts he headbutts Halme hard between his nose and eyeball, so...

R3: Third round started with Halme bullying Vader into the corner but being staggered back out of it by punches. Halme is great at being staggered. His best selling of the match was any time Vader hit him into a forced backward retreat. Halme looks more blown up with every bump. Every time he takes a back bump it looks like he won't be able to stand back up, and that's before Vader lifts him up for a back suplex. I don't know how much help Halme was giving him on that one, but he seemed more scared about potentially tipping back onto his head, which made the entire lift look dangerous. Stomach heaving, Halme eventually gets up throwing arms, buying himself some time by dropping Vader to a knee, then goes for broke. He catches Vader with a full arm swinging right-left that sends Vader rolling out to the floor, and when Vader gets back into the ring he's sporting a big cut over his right eye. Suddenly Vader looks to be breathing just as hard as Halme... 

R4: Vader's cut is spraying blood down his chest and arm, way more than I expected. Vader is bleeding fast and Halme's punches aren't even aimed at the cut. It's like Halme is knocking the blood out of the other side of his head. When Vader emerges from the corner, he lands a shot I thought would put Halme down but Halme weathers it and starts throwing some focused left body/right head combos that eventually crumble Vader into a bent knee 180. The right side of Vader's face is fully masked in crimson while the left side doesn't have a single drop of blood on it. The visual is incredible. Somebody needs to capture this Vader on canvas. Vader refuses to let the ref check his cut, both men look gassed, and Vader manages to trap Halme in the corner to bounce some shots off the top of his head. Halme can't damage Vader when he's tied up in the corner, can't extend his long arms, and when a roundhouse right drops Halme to his seat, he is literally saved by the bell. Several seconds after the round ends Halme is still frozen on one knee, holding the top rope, unable to stand or pull himself to his feet without great difficulty. He needs the aide of a child murderer just to get to his feet. The shell of a man who turned the famously kind Finn evil has to  slap Halme on the ass and assist him back to his corner.

R5: Round 5 is Vader desecrating the largest human corpse. A 10-7 round, nothing but survival for Halme, but at what cost. He can barely move his arms and Vader has a second wind. The bell rings and a second later Halme's bell gets rung when Vader splats him with an avalanche. Halme was not expecting Vader to make it across the ring so quickly. It's a sign of what's to come, as Halme isn't on his feet for more than a second at a time the entire round. Vader hits a front slam and Halme hits the mat and rolls over so slowly, in a way that looks like he just got jumped out of a gang and they finally stopped putting the boots to him. I figured a disgusting - truly disgusting - Vader lariat would be the end of things, but Vader now looks like a guy who does not want this to end. He fires up the crowd and hits a running standing splash that lands full weight on Halme's ribs and I don't know how Halme ever got back up. Vader is now filled with energy and the crowd keeps egging him on, so he plays out the rest of the round holding Halme in a dragon sleeper and the fans love it.

R6: An absolutely shocking turn of events. I and everyone in Chiba knew that this round would be the end...we just didn't think it would be the end of Vader. Halme can't move from his corner so Vader starts the match the same way he started the 5th, with another avalanche. It feels like the perfect strategy against a man who can't defend himself, but when Vader does it again...Halme manages to move, and while stepping aside he throws a right hand into Vader's stomach like Vader was Arn attempting an axe handle. Halme has one chance, and that's to start swinging for his life, and when Vader sees him swinging for broke he starts swinging for broke. Vader keeps getting knocked down and Halme looks like he'll fall over any second, leaning on the ropes every chance he gets, mouth wide open, hanging himself by the armpits over the top rope so deep that 2 Cold Scorpio has to run over to shove the Finn's mouthguard back in. Vader foolishly keeps standing back up and keeps thinking he can weather Halme's big arm swings, and he keeps thinking this, and keeps getting dropped, and keeps taking longer to get back up...until he can't. I did not see this Halme win coming, the crowd didn't see this Halme win coming, and Vader was incredible at being someone who also did not see it coming.  

We now have all three Halme/Vader matches. One of them is a good idea, one of them is a great match, but this one is an outright classic. 

COMPLETE AND ACCURATE TONY HALME

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2024 Ongoing MOTY List: Danielson vs. Sabre

 

2. Bryan Danielson vs. Zack Sabre Jr. NJPW 2/11/24

ER: I watched this match some time last year and fell in love with it, planned on writing it up to add to my glacially growing MOTY lists, but other wrestling felt like it was more worthy of my writing time, more worthy of coverage. This match was in no way under the radar as an acclaimed match. Who hadn't heard about or seen this match? Who needed to be convinced to seek out one of the most praised matches from Danielson's brilliant farewell tour? So, I devoted my energy to other things and now, after seeing Bryan at DEAN~! 2 beautifully bear witness to the power of independent wrestling, I thought it would be a good idea to revisit this match. 

Yes, I understand this match is not an Independent Pro Wrestling Match. Clearly. New Japan is the biggest wrestling promotion on that side of the world and this took place in a large arena in Osaka. But Bryan Danielson defined indy wrestling, and Sabre was a wrestler who I fully got into after seeing him up close and live on indy wrestling shows. The close up magic was always my favorite part of indy wrestling. There's nowhere to hide when you're in a quiet gymnasium and some guy with thick glasses is sitting 8 feet away while you're working strikes. It was good that I got to see John Cena live when I was 20, to hear a gassed up green bodybuilder literally shout out spots across an echoing indoor soccer arena, just as it was good that I got to see Necro Butcher fall fully on top of my girlfriend's sister at the one wrestling show she ever attended. 

I fell in love with Danielson's wrestling after getting to see him at least a dozen times live and up close, from gyms to garages to county fairs. Any lingering doubts I had about Sabre vanished when I got to see him give and take seemingly impossible punishment from 10' away, my love fully realized when I was standing in the perfect location to witness him leave a boot imprint bruise on Dan Makabe's neck. It wasn't that long ago when people were saying Sabre was a skinny guy who wrestled an "unbelievable" matwork style, and it wasn't so many years before that when Danielson was spoken of as an incredible wrestler who would never be taken seriously on a big league level. Times certainly have changed. 

I am constantly at odds with modern wrestling. Wrestling has never been more easily accessible, and yet I have never felt on such a completely different page from modern interests and styles than I do now. So many guys wrestle like so many other guys that it feels like every guy has wrestled every other guy a couple dozen times, homogenous styles making it seem like every possible match has been regularly happening for years and been done to death. Considering that, I was surprised that there weren't already a dozen different Danielson/Sabre matches, but merely four, split down the middle by a 15 year gap. It feels, on paper, so predictable that they would make great opponents that I just assumed they had been out there being great opponents for each other during every year Danielson wasn't a) in WWE or b) critically injured. But no, there wrestled four times, and this will (surely?) be the last time. It is their definitive match, and it is so good that noted wrestling historian Dave Meltzer gave it an unprecedented 5 1/2 stars (!), an honor he has only bestowed upon his favorite several dozen matches over the last two years. 

This match was fantastic at being the match I expected it to be, and even better at being a match that could break out into something different at any time. It skated a line between "close your eyes and picture the match you think Sabre/Danielson would have" and "maybe these two are going to go 30 minutes of constantly struggling over every single hold with no breaks of any kind". I don't need a match to subvert my expectations for me to enjoy it. Often I want a match to do the exact things I am expecting it to do. And, while I thought the match was at its most thrilling when it was subverting my expectations and teasing the unknown, I also appreciated the ways that it played directly into expectations. While the structure played into my expectations, the brutality somehow exceeded them. This never felt like two guys working a Dream Match Farewell, it always felt like a brutal match that kept tipping further and further into unprofessional territory, in a way that only felt more engaging the longer it went, with the possibility of either man's body actually breaking feeling like a real thing that could happen. So the match built incredibly as a well laid out wrestling match, while ramping up the intensity appropriately in time with the build. 

The beginning was playful and didn't feel the need to rush. When I say "playful" I mean playful in a way that would rip the ligaments of most humans, but it was playful for them. These two are not normal men, and they are testing each other and it is playful and painful. One of the best things about Fujiwara was how happy he could look in matches. When he smiled about what a dickhead he was being a dick or after taking a kick to the teeth, he looked like he was doing the exact thing he most wanted to be doing in this world and loving it. Danielson's farewell run was at its best whenever he could not hide how much fun he was having, and that pure joy was evident in nearly his entire AEW run. Sabre was smiling and laughing too, but his laugh was more pensive; the dance partner who wasn't sure how far this smiling battered old guy was going to take things. They were testing each other, in different ways, while also entertaining each other with something they each love doing: wrestling. 

I didn't see a single second of inactivity on the mat. There was constant advancement without ever seeming like they were in charted waters. In a wrestling world where every reversal feels like it skipped the move entirely and went straight to the mapped out reversal, this looked like RINGS. It was the kind of matwork where you couldn't grab a headlock without having a palm jammed into your jaw, no way to scramble for a leg without getting your own leg bent weird. Snapmare reversals looked so good they would have been bought as a first fall finish to men in suits watching front row in the 50s. Ankles were targeted, some moves delivered with a sigh of relief, less desperation maneuver more clever quick thinking escape. Sabre adjusts his submissions on the fly to keep Danielson from getting from the ropes, and it felt like a Johnny Saint spot...if Saint had ever worked as a heel sadist. I lived through the era where indy wrestlers began seeing their first Johnny Saint match, and you couldn't go to a show without someone throwing their name into the hat of "who could do the worst Lady in the Lake". I always felt the Johnny Saint Rip Off descriptor was unfair to Sabre, and I think he's been exceeding that tag for a decade now. The history is there, but the ceiling of viciousness was never this high for Johnny. 

The stiff work was even stiffer than I expected, and the worked violence was so tight that it made me question what was legit and what wasn't. Was Danielson really mule kicking Sabre straight in the kneecap, or did it just Look Good? Was Danielson really trying to no sell like Kikuchi until Sabre starting kicking him in the face, making Kikuchi homage impossible? Sabre has one of the greatest worked headbutts, and I also get the sense he has a great shoot headbutt. Does the 5 minute Fujiwara/Kikuchi match from fucking Ice Ribbon exist on tape? ICE RIBBON are the ones who ran Fujiwara/Kikuchi? How could that be? 

Anyway, Danielson's downward strike elbows are maybe the only thing I wished Danielson would have dropped from his arsenal. It was tough to make them Look Good, and they inspired as many horrid copycats as The Lady in the Lake. But Danielson had the best version of this spot that dozens have now done much worse. Here, his 12 to 6 elbows were the best they've ever looked...or had the close up magicians fooled me again? It sure looked like Danielson was crossing a line with them while breaking a triangle, and I loved how he was acting like a guy who knew he was clearly crossing a line. Their off-timed body shots to block strikes felt like they each could have been intentionally trying to throw the other's timing off within a worked sequence or in a playful shoot way. They worked as beautifully together as anyone with a brain thought they would.

My faults with the match are minimal but I think important: The top rope back suplex felt like it was from a different match. It's a 32 minute match and most of it had been two guys struggling against the other's force, and now suddenly it was two guys kind of holding still so Sabre can make sure he's balanced and Danielson can find his footing. Everything else felt like two men trying to neutralize the other, and the suplex felt like two friends working together to boost each other over a pretty high fence. The finish itself was kind of a letdown. I kept liking parts of it - Sabre pulling back on Danielson's leg after the Zack Driver, then throwing his other leg over to clamp it down made me think that was it. That leg looked like a nail in a coffin - but I didn't love the rush for pinfalls, and the submission reversals suddenly felt more like Dean Malenko style Early Anticipation mapped out matwork. When you get half a match of Real Shit and finish with that, it's a harsh intrusion of 2024 Wrestling right when you're about to climax. Unfortunate placement by them, unfortunate wording by me. 

Those complaints aren't what I'm going to think about when I recall this match. This match was far more than that. It stands as one of the highest points of 2024 Wrestling, and no matter what I think about modern wrestling, I mean that as positively as possible. 

2024 MOTY MASTER LIST

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Found Footage Friday: PIRATA~! MS-1~! JAGUAR~! DEVIL~! FUJINAMI~! KOSHINAKA~! CHOSHU~! SAITO~!

Devil Masami vs. Jaguar Yokota AJW 9/7/83

Kadaveri: I think the context of this match finally surfacing needs a bit of explanation for those who aren't 80s Joshi nerds. Jaguar Yokota and Devil Masami were the top two stars of AJW in the 1981-84 period in between Jackie Sato retiring and the Crush Gals becoming megastars. This WWWA Singles Title match was the main event to one of the biggest shows of the era and essentially the blowoff to their feud, which goes back at least as far as them feuding over the AJW Junior Title in 1980. Jaguar & Devil went on to form the tag team 'Empress Duo' and never wrestled each other in a singles match again.

Sadly though, the match was missing. The source for most of the early 80s AJW footage you'll see online is one Japanese guy's collection of home-recorded VHS tapes of AJW broadcasts on Fuji TV. I got in contact with him a few years ago and specifically asked him if he had this match, as I noticed a Crush Gals vs. Mimi Hagiwara & Noriyo Tateno match (https://www.youtube.com/watch?v=U_qqf3xDkrE) from the same show was circulating. Turns out that back in 1983 when recording the episode he'd mistakenly inserted a tape with only about 25 minutes left, so we got the first match of the episode but then it cut off and the main event wasn't recorded. Imagine making a little error like that, and finding out someone from another continent is upset about it 40 years later. It's far from the only big match of that era missing but I'd say it's the most historically important one. I'd hoped for years that surely someone else had recorded and kept a copy, but most of these older Japanese fans aren't very online so this hypothetical person might not even be aware that they have something rare.

In more recent times there have been different people uploading their own recordings of 80s AJW broadcasts to YouTube, which has filled a few gaps. You might see me in the comments asking if they have the 1983 Jaguar vs. Devil Title match, but to no avail. Despite there being no footage, I felt this match was important enough then when I made the 1980s Joshi Set last year I inserted a magazine description of the match into the video (https://vkvideo.ru/playlist/640112534_2/video640112534_456239022) to let everyone know the match happened, rather than just disregarding it entirely.

So for decades, all we had to go on to learn about this match was descriptions in Japanese media at the time, and references to it in future interviews. When Devil Masami defeated Dump Matsumoto to win the WWWA Singles Title in 1985, she referenced this match in her post-match interview, saying that she felt her performance had made up for her deporable display in the 1983 bout, where she was so upset about losing that she'd threatened to quit there and then. At the time, AJW was still running a strange mix of worked pro-wrestling with an element of legitimate competition. Specifically, while most matches were entirely worked, sometimes they'd do matches where the majority was worked for entertainment purposes, but there was no pre-determined winner. Rather, after some kind of signal had been given, the wrestlers would take turns to try and legitimately pin the other for a 3 count.

Then in July 2024, this Japanese blogger uploaded clips from the match, saying that someone who had a copy invited him to his house to watch it and allowed him to record some moments on his phone.  https://ameblo.jp/kimumasa992/entry-12860724586.html I only had to watch a few seconds of the clips to verify that this indeed was the 9/7/83 title match. Whether this directly led to the full match being uploaded isn't clear, but it's possible the buzz among the tiny number of 80s Joshi nerds about this footage being confirmed to exist caught the ear of the mysterious uploader who put up the whole broadcast several months later.

Now to the match itself. The match length was 38:26, with 25 minutes shown on the TV edit. My more wider thoughts on it is that it changes my ideas on the development of AJW's house style by quite a bit. My working theory at the moment is that in early 1984 we saw their working style(s) diverge into what ended being the most varied but somehow still cohesive wrestling products of the era.

Firstly, there was an escalation in quickening the pace of matches and adding innovative moves, which brought us the style most associated with Jaguar Yokota, the Crush Gals and the Jumping Bomb Angels.
Secondly, while brawls and evil cheating heels totally existed beforehand, Dump Matsumoto kept that style relevant by upping the ante considerable, adding horror elements and a level of unhinged spectacle far beyond anything the likes of Abdullah the Butcher ever did. Thirdly, in what feels like a restraining move on the other two trends (even if not conscious), there was a movement (in big title matches especially) towards slower, epic feeling matches based around holds (taking some influence from early shoot style) and longer control segments compared to the far more fluid Joshi house style. I associate this more with Devil Masami, but Yukari Omori also excelled in this.

What's thrown me off about this one is, while Devil Masami was still in her uber-heel phase here, this match is actually fought more like a 'Style Three' type of match that I thought didn't come until around a year later. There's barely any dirty play from her at all in fact, even though she doesn't do her turn from heel to 'tweener' until a big angle in February 1984. So I think this match is in fact a first draft in front of a live audience of the style that really peaked in the Crush Gals boom era of 1985-86. Also, this is before the UWF's first show, so while I do know that shoot style did influence some AJW wrestlers a bit after this, it clearly wasn't the only thing going on.

We get an opening flurry in the first couple of minutes where both wrestlers get to throw some offense but to little effect, and then things settle down and for the next ten minutes this is very grounded wrestling. Sometimes they're on the mat exchanging holds, and they switch things up by taking to their feet for tests of strength, but the one consistent thread is that Jaguar is the superior wrestler. Devil is competitive and gets ahead a few times, but Jaguar always comes out on top in these exchanges. There's a familiar moment where Jaguar has Devil in a facedown leglock and Devil just can't break out of it and tries going for the ropes, familiar because Devil would put Chigusa Nagayo in a similar predicament in their big title match two years later.

Eventually Devil needs to break this dynamic and she does it by throwing Jaguar headfirst into the ring post and throws her into some chairs on the outside. Within  the context of the match I guess this is a dirty play, but watching Devil up to this point with her liberal use of weapons and outside interference, it barely counts.

This doesn't work well for Devil though. Jaguar flies back into the ring and unloads some big flying offense on her before taking back control and getting her on the mat stuck in a hold again. It's an unconventional layout in that Jaguar is the smaller, faster babyface, but actually she's the one who's trying to keep things grounded and slowed down with Devil fighting from underneath. So it feels like she's the one whose comeback has been built to when she manages to counter Jaguar's hold with a headscissors and then hits a cool seated-piledriver like move for her first protracted segment of offense of the match. We get some feats of strength with her big delayed bodyslams but soon they're back on the mat but Devil has Jaguar grounded now. Her camel clutch feels like such a more heelish hold than anything Jaguar did however. But this just leads up to what I think is the match highlight, one of the sickest ganso bombs I've ever seen it's borderline attempted murder. Devil just plants Jaguar straight down on her head and Jaguar stays down looking like she'd had the life knocked out of her.

The big ganso bomb changes the match completely. The next section is all Devil-dominance and Jaguar is selling like she's at 50% energy at most for the next several minutes. It's not the kind of 'holding a specific body part' selling we're more used to in modern times, just a general sense of being out of it and just about holding on to survive. Jaguar does get in a counter by hitting a backdrop, but is too hurt to capitalise and they tease a double KO for a bit before they're both up (Devil actually gets up first). Jaguar also tries hiding out on the outside to recover, making the most of the 20 count. It's a really good selling performance. Bear in mind we are missing about 13 minutes of the match (I assume nothing was cut from here on as it's the finishing stretch and the time calls add up), so the exhaustion on display probably made a bit more sense if we were seeing this in full.

Now we get to the spicy bit. The ring announcer makes the call for 35 minutes passed, and Devil goes for the win as per the secret rules. She stands horizontally to Jaguar, who is lying flat back on the match, and Devil just goes down flat to try and hold her down for the 3 count. On the replay, I have to admit, it looks like Jaguar cheats a little bit. The rule was that you're not allowed to try to bridge out until the cover has already been applied, but she goes up a split second before. Might not have made a difference, but Jaguar is able to turn onto her front and keep herself in the match. It's her turn to try to win next. Devil again goes for a cover, but those in the know will see she wasn't trying to win this time, it's a spot for Jaguar to do her signature bridge out straight to her feet to come running off the ropes, which she follows with a very nice jump over Devil's head (she gets impressive height on it) to get back into the match. Her turn is next

The spiciness continues. Jaguar hits a butterfly suplex and she goes for the win as per the rules. Devil's shoulders are clearly down as Jaguar begins the cover, and she tries to fight her way out of it but can only get one shoulder up at any one time. There's an almighty struggle over this, but Jaguar definitely does manage to pin Devil's shoulders for a 2 count. But a 3? Well, this video quality isn't great so it's not entirely clear, but it does look to me that Devil's shoulder was up just before the 3. Anyway, Devil was convinced her shoulder was up and was outraged. I've read all about this incident but never seen it for myself, with Devil saying the referee was biased and Jaguar says Devil was just mad she lost. But she goes right over the announcer table to scream at Commission Ueda (who isn't just an on-screen authority, he was actually the most powerful person in the company who wasn't a Matsunaga) that she's been screwed.

While it would still be the norm for rookie matches, this would be the last time AJW had a World Title be decided by shoot-pin rules. Which is another thing which makes this match historically significant and I'm so glad we finally got to see it. While that aspect of the company would be downplayed going forward, they also created a template for the kind of epic title match that AJW would really specialise in over the next few years. This is a lot rougher than the later matches, there are some lulls in the action (I mean in terms of being captivating, not literal movement) and it feels like it'd take a little while longer for the AJW crew to fully figure out how to get the most out of this style. I'd say the 7/19/82 match between these two is still probably the better match, albeit a very different one. It feels a bit weird to give this a star rating considering the context, but I'm going to give this a flat 4. But for it's place in history this is a must watch for anyone interested in 80s Joshi. I'm so happy this has finally surfaced.

MD:  To my credit, I am back in 1979 still, right? And while I've seen the Dump stuff that's canonical, I'm less versed on this stuff. But this is a big match, and a lost match, and we'll jump right in. It really felt like a title match and a struggle, especially the holds where it was obvious just looking at Masami and Yokota just how much effort they were putting into them, and especially the finish which had Yokota forcing Masami's shoulders down almost from force of will alone (or as Kad pointed out, from true force alone). This had kinetic action that ground back into the holds in a way that gave the match substance. It never broke down into chaos or interference. It always went back to the center and therefore it never lost its way.

Throughout the match, Yokota would get an advantage with speed and grit, often times just throwing her body at Masami (which is really how the match started), and then Masami would grind her down with power (again, how the match started) and bombs. Some of the specific holds really worked for me, such as the way they were able to trade bodyscissors early, working basically all the way around the world shifting holds and positions until they switched places on who had on the bodyscissors. 

Masami would drive Yokota out of the ring or leave her laying, but Yokota came back again and again. The comeback towards the end had her basically vault straight up over Masami's head before hitting a rana. Even then Masami shut her down and tossed her off the second rope from a fireman's carry. So while it was all grounded, they built to some pretty big spots, before the finish which was scrappy as could be and still felt contested nonetheless. I don't know if those shoulders were down.

Riki Choshu/Masa Saito vs. Tatsumi Fujinami/Shiro Koshinaka 9/5/88

MD: This one's on us. We've had access to this HH since 2018 or whatever but I don't think anyone actually gave it a good look. It's the IWGP Heavyweight champion and the IWGP Jr. Heavyweight Champion up against the tag champs for the belts. And it's really good and goes twice as long as I expected. 

After some opening title match feeling out between Saito and Fujinami (two of the most credible guys ever so it was good like you'd expect), Shiro wants to tag in against Choshu and we're off to the races. Koshinaka is a guy that I like a lot more in tags than singles. He (and Takano/Cobra) were really expected to be the heirs to Tiger Mask in having exciting, over the top Jr. Title matches and you really end up with a lot of noise. But he was a plucky underdog with a special connection with the crowd and a real sense of theatricality. Earlier in 88, he started being the only guy in the promotion (not even Inoki) who would sometimes "Hulk Up" and the fans couldn't get enough of it.

Here he quickly got outgunned by the superior hierarchical forces and what we ended up with was a tale of survival as he tried to punch his way out of first Saito's Prison Lock and then Choshu's Scorpion. There's probably nothing the fans in 88 New Japan would eat up more than someone fighting valiantly against holds like that and at one point they were clapping along to each valiant Koshinaka punch in a way that I'm not sure I've seen them do before. They cycled through this twice until, fighting a Scorpion attempt, Koshinaka was able to crawl over and make the tag.  

I thought things would go home shortly hereafter (once Koshinaka recovered enough to make it back in of course) and there was a bit of that, with Fujinami having to survive some of the holds Koshinaka fought out of as they targeted his knee. Shiro did come back in and they had the advantage for a while, but they were fighting from a deficit. It was Fujinami that got overwhelmed instead, posted on the outside by Saito and opened up to create a dramatic (and surprising) next act to the match as Saito bit the wound and Fujinami fought for his life.

Koshinaka tries to intervene and got trapped in the ropes just as Fujinami turned the tide, fighting off both Saito and Choshu until Choshu's lariat finally prevailed. Super dramatic stuff, the sort of which you can only get out of New Japan at its best. 

Pirata Morgan vs. MS-1 (hair vs hair) CMLL 3/15/91

MD: There's a moment at the end which is honestly remarkable and we're going to lead with that. After a solid tercera where I'm not sure MS-1's selling was warranted, but they sort of made you go for it anyway, Morgan gets a small package through countering a move for the pin. The commentary says that this move was invented by Lex Luger, champion of the world, and is called the Total Package. Honestly, this was worth dusting off just for that.

This is in the found, or at the very least, underlooked category. I'm sure most people haven't seen it. It's interesting but doesn't rise to the level you'd want it to, mainly due to some narrative quirks. It has some things you almost never see in a hair match, and despite Morgan wearing white with his black, it doesn't get quite as bloody as I thought it would.

We come in with MS-1 controlling in the primera. He is, of course, good at that. Morgan goes for a few comebacks but the ref gets in his way; it's that kind of match. They make a big deal out of the fact Morgan doesn't have a second. After MS-1 puts him away to win the first fall, he absolutely cracks him on the post on the outside. They made it sound as loud as any shot like that I've ever heard but then there isn't the massive amount of blood to follow it up. Morgan tries to come back with some big shots but the ref again gets in his way, which feels like an inversion to earlier apuestas matches. It'd be like the ref disrupting things after Chicana's big comeback punch vs MS-1. It just felt wrong.

As the segunda goes on, MS-1 keeps pulling Morgan up, which you almost never see in a hair match. He steps on his chest and then steps off before the three, that sort of thing. Eventually, Morgan tries coming back again and this time the ref pushes him out of the ring. That was the cue for Morgan's brother and Hombre Bala to come out to second him which symbolically turns the tide of the match and leads to his big comeback and some big dives before the finish. Along the way, there are some other weird quirks like Morgan rolling in the ring to get into position and some rope running that felt out of place, but in general, it ends well with that famous move invented by Luger and the fans are happy with the outcome. It all could have been just a bit more grounded and grisly though. 

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Found Footage Friday: RIP NISHIMURA~! NAGATA~! GENTARO~! NAKANISHI~! CHONO~! TENZAN~!

Hiroyoshi Tenzan/Masahiro Chono vs. Manabu Nakanishi/Osamu Nishimura NJPW 06/05/02

MD: This is an hour draw where we never had the full version until recently. They structure the time extremely well all things considered, with a few major story beats to loop together the characters, the work, and the big moments. The first ten minutes were primarily Nakanashi paired with Tenzan and Nishimura paired with Chono, worked fairly even. They had time to breathe though and that meant a bit more struggle and effort to lock in or escape from every hold. Nakanishi and Tenzan brought little sprinkles of bombast and over the top theatrics and Chono and Nishimura were grounded and focused.

From there, they spent around ten minutes working on Tenzan, leading to a big entry Chono and a little less than twenty minutes working on Nishimura, including some big bits of hope including a superplex/toss off the rope combo. Nishimura was credible enough to stay in it and keep the crowd invested, so they were up and ready when Nakanishi came in like a truck, using feats of (as the commentary put it) "superhuman" strength to fight both off, including lifting both over his head at once. When he went for a German, however, his leg went out, setting up the back two-fifths of the match. 

It had seemed like maybe they were going into the finish, but instead Nishimura had to step forth and he did so iconically, taking his boots off and becoming an absolute wrestling machine, switching from one opponent to the other and keeping his head more than above water. Just when it seemed like he was getting swept under, there was Nakanishi, bandaged up for an extended comeback and finishing stretch. The match had one last wrinkle though, one thing to put it over the top and force the champion on their back foot in a very visual way. Nakanishi shot a knee into Tenzan and he bled big. That gave the last ten minutes a bloody, desperate overtone as they rushed on towards the draw. This warranted the time it got, with all of the comebacks and momentum shifts feeling suitably huge and the iconic moments even huger.

PAS:  Very cool match that I don't think I had ever watched before. Nishimura has always been one of my guys, but I was lower on Nakanish, Tenzan and 2000s Chono, and I imagine the length kept me from watching it in 2002, and it has never been something I have considered revisiting. Nishimura's passing and the new footage of it all, led me to advocate for this, and I am glad I did. 

Just a couple of all-time moments in this match. I loved the idea of Nakanishi on this Incredible hulk run of power spots and the injury being non-contact. If it was a real injury, tremendous improv, if it was part of the match, hell of an idea. Nishimura pulling off his boots is an iconic leading man moment from one of wrestling's great character actors, and instantly became one of my favorite strap drop momentum changes ever.. I did kind of wish that, that moment and the big Nakanish return from the back, led more quickly into the finish, I liked the finish run and the Tenzan blood, but there was some dead time in between the Nakanishi return and the big ending, which felt like it could have been trimmed, still hell of piece of business and a tribute to the greatness of Nishimura.

Osamu Nishimura vs Yugi Nagata - European Rounds NJPW 06/02/05

MD: Ah, a handheld of two guys in black trunks wrestling. That's what you want out of NJPW. This on the fabled Italy tour and was really European rounds. They went five to a draw. I liked it quite a bit actually. Balanced, good work, good anticipation, good story. The first round was mostly even, just feeling out but I liked how they made every touch seem like it could lead to something. Nagata took over with a kick in the ropes (unclean break) and he got carded for it but that was a small price to pay to break the stalemate (or the slight Nishimura advantage) and take over. 

He kept control through a roundbreak but one too many kicks led to his doom as Nishimura caught it for a dragon screw. Likewise, he kept control through a ropebreak (charging forth with a leaping kick to ensure he'd keep it right at the start of the round), and pressed the advantage with a figure-four. He couldn't get the win though and they leaned into the last round with some big bombs as they worked towards they draw. This worked for me as something different and they leaned into the gimmick well with Nagata holding his own. They could have gone back to Japan and done these matches for years and told interesting stories with them. We'd probably be in a better pro wrestling world if they did. 

Osamu Nishimura vs. GENTARO VKF 11/16/15

MD: Pretty enjoyable 20+ minutes here as they just went hard with one another. For the first half of the match GENTARO would try to press an advantage (anything from a vein-popping headlock to slamming Nishimura's head into the turnbuckles to a headscissors to a bow and arrow) and Nishimura had not just an answer for each but suitable punishment in return, most especially a nasty European Uppercuts. 

Midway through, things spilled outside, and Nishimura absolutely cracked GENTARO's knee with a shin breaker on a chair and started dismantling the leg. Sometimes you're watching a match and something takes a turn and even after watching for years and years you still get that feeling in your stomach of "how is this guy ever going to come back from that?" The answer was that Nishimura missed a knee drop off the top and GENTARO was able to slam his knee into the post with a shinbreaker of his own.

From there they were both on one leg and fought hobbled against one another, including a few figure-four attempts by GENTARO, one of which he was finally able to lock on outside the ring, staying in it for almost the entire twenty count. All of this was very good, with lots of struggle to try to prevent the hold and plenty of consequence for being in it. Finish came out of nowhere as GENTARO got it on again only for Nishimura to turn it and almost immediately get the submission. On the one hand, it made sense given the damage to the knee and how hard they were fighting over the hold. On the other, I'm not sure I've ever seen a submission on a turned Figure-Four before.

ER: This was so great. It's Nishimura at his best. He's the same age as I am right now and he looks 60, but moves like a tough 30 year old. He's a rare breed, a Masa Fuchi type who looks like a polite salaryman in his own Japanese Nobody. He has such a dedication to making every step of a match look earned, an honesty that is something became really important to me. He hits guys in slightly different ways and makes simple transitions look like rewarding events. There's so much satisfaction in watching a pro work slowly but effectively through a figure 4 or Indian deathlock. The camera work in VKF is really great and amplifies Nishimura's style. 

The ringside camera films inside the ring like they're aiming to show that there are no tricks or illusions in Nishimura's work. It's an honest camera for an honest style. But that close-up realism pays off when the match escalates to hard strikes and real impact. Nishimura had an incredible uppercut sandwich when he went full weight into GENTARO'S neck and jaw, then went low with one into his thigh, then went back to the neck and jaw just as hard as the first. He drove some of the hardest full body downward strike elbows into GENTARO'S quad, escalated things further with a knee breaker on a chair, attacked it in ways I wasn't expecting. When he hits a big kneedrop from the middle rope across the leg, it's the same movement that leads to a miss and transition back to GENTARO later. There's that honesty. I like when GENTARO realized he was losing this fight but looking for ways out, suddenly getting really serious about a Count Out win still being on the table while the ref calmly insisted that Nishimura was clearly on the apron. There are no bad Nishimura finishes, they always feel like one man won with a submission that was well earned, and I love the way Nishimura specifically showed his work while earning those wins. A true craftsman. 

2015 MOTY MASTER LIST

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Found Footage Friday: NJPW 85~! DANCING ANDRE~! CAPTAIN REDNECK~! INOKI~! BACKLUND~! SHARPE~! ADONIS~! HIRO~!

NJPW 5/18/85

Masked Superstar vs. Kim Su Hong (https://www.youtube.com/watch?v=ZbKieuAaBEQ)

MD: Kim is a South Korean wrestler who shows up on these NJPW cards now and again. I can't say that he stands out much. I love Eadie, love him, one of my favorites, but in New Japan he is so often a gatekeeper, just an incredibly credible wall for people to push off against. He takes 90% of this. Still some neat small things like losing Kim early and then claiming he was oiled up. That sort of being alive within the match. All of his stuff looks mean and credible with both a killer neckbreaker and then a twisting drop down into a front facelock. He also whacks him with something outside of the ring to big effect. Kim does come back late and his stuff is middling, some good, some bad. Superstar drops down on him and nails him with a clothesline to end it.

ER: We don't have Hashimoto/Sano, or the Canek/Enrique Vera tag, but we have Masked Superstar throwing Finlay level clubs to Su Hong's chest and killer knees to the side of the head. I liked how Superstar held the ropes to block a single leg and just went right back to clubbing. Superstar kind of jams Su Hong up on his small pieces of offense, running too hard into dropkicks that really shouldn't have moved him but looked worse with how he treated them. His clothesline looked like a match finishing clothesline and there's a good chance I won't watch a Kim Su Hong match the rest of my life. 

Super Strong Machine vs. Tony St. Clair (https://www.youtube.com/watch?v=5pADWavSmgM)

MD: Just a credible back and forth match. I wouldn't say any of the transitions were particularly interesting but everything looked good. SSM is a tank and St. Clair can hold his own. They traded advantages and holds. Machine had a nice leaping headbutt off the ropes and a killer clothesline. St. Clair turned a headlock into a backbreaker (by slipping out, not a Robinson backbreaker). Good finishing stretch where St. Clair got a nearfall on a sunset flip in but Machine was able to get a German for the win. Wakamatsu got involved pre-match even though Machine wanted nothing to do with him and then tried to attack SSM post match only to get thrashed for his trouble. Added a little spice to what would have otherwise been a meaty but straightforward midcard match.

ER: This crowd is so fired up for Super Strong Machine. He was getting clapping Misawa-type chants during his entrance. I wasn't expecting Tony St. Clair to look larger than Strong Machine. My mental pictures don't always give me accurate reads but both are 15-20 pounds in the opposite direction I picture them. Made it look good when Tony started hitting Machine. SSM can work real tough and St. Clair looked like he was moving him good with his back elbow and uppercut, sharp front chancery. His dropkick pushes up under the chin and he makes a whip into the buckles look like it made all his limbs go briefly numb. I like the way these two hit each other. St. Clair is great at leaning into lariats while selling how much he doesn't like taking them. Strong Machine has one of my favorite German suplexes. Both of them work exactly how Bret Hart would have worked New Japan in 1994. 

Kengo Kimura/Seiji Sakaguchi vs. Adrian Adonis/Dick Murdoch (https://www.youtube.com/watch?v=5bqyZdnuwVU)

MD: Honestly, this is yet another all time Murdoch performance, and on a house show too. Granted, the stuff I loved here was stuff Meltzer wouldn't have liked anyway but what are you going to do about it. For instance, there's a moment in the middle where Sakaguchi's on a rampage. He takes out Adonis and then goes to the apron to get Murdoch and Murdoch moves to the other side of the post and the crowd cracks up. It's great. But it's such a tiny little wrestling thing. His reactions are great throughout. The way he takes the Inazuma leg lariat by covering his face like he'd just lost his nose is amazing. Dick Murdoch. Captain Redneck, or as they call him in NJPW, the Super Rodeo Machine.

This had a great heat on Kimura where he kept almost coming back and Murdoch and Adonis would just make a quick tag. Eventually, instead of going for a hold, he threw a dropkick instead and made it to Sakaguchi. They did another bit of heat on Kimura and then a big hot comeback. Everything ended up thrown out. Post match they had both a great bit with a chair and being afraid of it and an even better one of double elbowing the ref. Great stuff.

ER: Great Dick Murdoch handheld matches are the best, because not only do you get to see Dick Murdoch being the greatest pro wrestler, but it makes me think of DEAN. To take us back at least 15 years, the moment I always remember from Segunda Caida Radio - something I am not sure exists online anymore, but was loved by all the real SC Heads - was DEAN making fun of Meltzer for thinking Dick Murdoch was a guy who only worked for the cameras. By then we had a lot of handheld footage and had all seen Murdoch wrestling exactly the same as in all of his great matches. DEAN had seen Murdoch live. We were all talking about how great Dick Murdoch was, but DEAN was the one who saw him live and knew how good he was off camera. I always think about DEAN doing a bit as Murdoch, where he's dogging it in Korakuen and does a Don Knotts reaction when he sees a Japanese guy in the crowd with a huge 1985 camcorder.  

This is the only match on this show that doesn't have a listed cagematch runtime, and I didn't realize it would be the longest match of the show. And in that time, Dick Murdoch kept putting on a performance that grew in elegance the longer they went, arguably peaking two minutes after the count out when he got cheers for beating up the referee and then running shenanigans around a chair swinging Kengo Kimura. The match goes long enough that we get several momentum shifts and each one peaks the action and story and Murdoch grows with the story. I think my favorite part was when he had been worked over for awhile and got to tag out, and he stayed in the ring shaking out and rubbing his arm after tagging in Adonis, not participating in but watching Adonis lay a beating on Kimura. The cattle branding looked like a wild rapids ride, his punches matched the energy at all times, and he sold Kimura's like they were the stiffest punches of the match. The fans treated him after the match like a charming folk hero. 

The Cobra (c) vs. Hiro Saito (https://www.youtube.com/watch?v=BIud5l0HlGc)

 

MD: I am not at all a Cobra guy. I think some of his Rocco matches are really bad, for instance, as he tried to fill a post-Tiger Mask gap and ended up with the worst of two worlds. A lack of substance and not even all that much style. Action for the sake of action and the action tends to frankly just be okay. This was great though, and so much of that was on the contrast. Saito is the prototypical cruiserweight bully and he gave everything weight and heft as the two of them threw everything they had at each other.

 

That meant that when Cobra was going to do an unnecessary backflip charging at Saito in the corner, Saito would come back and take his head off with a lariat. Or if he'd get pushed off after a kick and do another backflip within the ring, Saito would dropkick him out and crush him with a dive. They worked it like a title match starting with holds and going back to them, building to big spots and exchanges, with meaningful momentum shifts usually based around a big reversal/mistake/missed move. As time went on they traded some really great pile drivers and the dives you'd expect. Saito got a German mid match but couldn't put away with it and down the stretch Cobra finally escalated to a Tiger Suplex for a win. Very good lost Jr. Heavyweight Title match.

ER: We don't really talk much about how cool Hiro Saito is, and for how long he was cool. He's cool in all the eras. He was cool when I started getting New Japan tapes in 2000, and he was a bleach blond black beard surf punk with a tight bod, punk groupies and surf licks. Cobra feels like a throwback in 1985 by comparison, and it's punk scum vs. Mil Mascaras. Cobra's Mil hits hard, and Saito keeps spiking Mil with martinetes. The crowd was real into Saito's grounded piledriver when Cobra tried standing out of a headscissors, and they kept coming alive when they see how tough and well worked. I knew it was really good when Cobra's cravat into a stump puller and how Saito slowly powers out of it by eventually digging into Cobra's mask and hitting a GREAT fistdrop. Direct, hard. His piledriver after is perfect. Two kids in the crowd invent TomK's famous Dueling Chant 15 years before he did while Saito takes a crazy bump getting dropkicked to the floor. Cobra's kip up to dropkick is as beautiful as anything by our most graceful lucha legends. Saito hits a massive tope that is what you want a tope to be. I was going to write about how Cobra's flying offense isn't as good as his matwork and hitting but then he hits a piledriver so good that I felt I shouldn't harp on his lesser offense. Hiro Saito is so good. He's such a hard bumper, and strong, and fast. His forceful kickout just after 3 is the exact right energy. 

Andre the Giant vs. King Kong Bundy (https://www.youtube.com/watch?v=0kntbQ5SjUs)

 

MD: I wasn't going to cover this one since it was already out there, but it's pretty remarkable. My gut says that this was during the period where Andre was really breaking down, before his surgery and the switch to the singlet, but also before he really figured out how to work his late era style. So he was left in there against Bundy not entirely sure what he could or couldn't do. And what he ended up doing was being as entertaining as humanly possible. Yes, they did the bit where Bundy walks up the ropes to try to escape a hold and gets dropped, but Andre's mannerisms and little dance moves in this one are all over the place. Little shuffle steps. Hand motions. Weird faces. Outright dancing. He doesn't do the Fargo Strut but basically everything else you can imagine. And the fans do respond to it. I mean, who knows. Maybe he was just ribbing, maybe he was drunk, but I've only ever seen him do one or two of these little crazy finger motions or screw around like this, not build a whole match around it.

ER: I think every single Andre match I write about has me talking about some little thing I've never seen Andre do before, and I always mean it. But this Andre is an entirely new Andre. This is a house show taped by some saint, and without it I'm not sure we ever get to see Andre as a dancing babyface. It's incredible. I've seen Andre do something that could be considered sassy before but never a full match of him working as Dusty Rhodes. It's incredible. It doesn't start right away, but when it starts it does not stop. It feels like it's going to be your standard great Andre performance, smothering the humongous Bundy, muscling him into corners, hooking him in heavy sleepers, and I was excited about how he was going to sell for Bundy's comebacks. But when things take a turn, they really take a turn. I certainly was not expecting Bundy to walk up the ropes like Bret when Andre had a sleeper locked on, a real Dig Up mentality, and when Andre just drops the big man flat the crowd erupts. 

That's when Quirky Andre comes out. He makes the cuckoo sign, twirling his finger around his ear, and then does a kind of soft shoe routine, a little tap dance with a hard final step, like he's letting everyone in on his bit. If he'd had a cane and top hat it only would have made more sense. He keeps it up. While holding Bundy in another standing choke, he floats some butterfly steps, skipping in place in a movement that I have not once seen Andre do. He becomes Dusty Rhodes, flip flopping and flying. Bundy himself seems confused, he doesn't seem to understand the timing of the dancing and the strikes, leaning out of Andre's first punch after a perfect dance, so Andre has to catch him even harder with a backhand. This is truly an Andre I've never seen. Bundy takes a huge bump over the top to the floor and eventually just leaves, but not before more Andre dancing. How does history's greatest wrestler keep raising his stock? You think you've seen everything the biggest spectacle in wrestling history has done, but he keeps bringing out new tricks. This is no different than if a dancing babyface Stan Hansen match had just been discovered. It's bizarre, it's great, it's nothing you've seen. It's Andre.   

Bob Backlund/Iron Mike Sharpe vs. Antonio Inoki/Tatsumi Fujinami (https://www.youtube.com/watch?v=PsW8GclZnt4)

 

MD: Honestly, I was here for Backlund vs Inoki and we really don't get that. What we do get is very good though. A lot of it is Sharpe being as vocal as humanly possible in a ring but entertaining and credible. Most of the rest, though, is Fujinami vs Backland and of course they match up so well. They matched up well years earlier and they match up even better now that Fujinami is a credible heavyweight. Right place, right time, smooth, slick, imapctful. And yes, they do a great short arm scissors sequence leading to the Gotch lift, just like you'd want. I just wanted a little bit more Inoki in here though. 

ER: I went into this wanting the most Popeye noises ever heard in one wrestling match. This was our chance. I wanted to hear Backlund and Iron Mike Oh-Whoa-Whoa-Whoaing all over the ring in the only time these two ever tagged. But we didn't get that. Backlund ceded the constant vocals to Sharpe and Sharpe ran with them. Backlund was shockingly silent. 1985 Backlund is interesting. It's his first year at sea after his long reign on top. I wonder what drove him to wrestle that year, seeing how much he pulled back for several years after. He surely could have been working regular Japan schedules had he wanted to, so he clearly just didn't want to. He only worked this one short New Japan tour and now we have another small piece of it. Sharpe vs. Inoki is an amusing footnote. You look at this tag and you've never seen a more obvious Taking the Fall guy than Iron Mike. Backlund's matwork with Fujinami was something I could have seen a lot more of. The crowd was so into Backlund's slow powerful reversals, but most of this tag felt like it was just about to kick into gear and never really did.

COMPLETE AND ACCURATE ANDRE THE GIANT

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AEW Five Fingers of Death 12/30 - 1/5

Stardom New Year Dream 1/3/25

Athena/Thekla vs. Mina Shirakawa/Tay Melo

MD: Pretty fun attraction tag here with a lot of moving parts. You had Athena debuting in Japan, her first time teaming with Thekla, her first time facing Mina, Tay's first match back in forever. Lots of interesting stuff. Athena was absolutely herself here. There was a moment relatively early on when Thekla was taking it to Tay on the outside where Athena seemed to be just soaking it all in and Thekla yelled at her to go after Mina, but other than that, the full Athena experience. She didn't adapt her act, but then she didn't have to. The stuff early on where she was able to react to Mina in her natural element was excellent (and I get the idea that Mina is thought to be underutilized relatively in Stardom, but she also felt entirely natural and confident here; more on that in a second). Since not that many people saw this, they can easily play this back in the states to high effect. The bit where Mina had Athena trapped and forced her to clap to We Want Mina was a great bit I'm not sure I'd seen out of her before and of course Athena's facial expressions during it were gold.

I really liked Thekla here too, incredibly vocal, always talking to Athena, to her opponent, to the ref, to the crowd. I'm not entirely sure it worked but I think a lot of that wasn't necessarily her fault. Just match card placement and lack of familiarity maybe. Tay looked good coming off such a long break. I don't think they nearly tapped into what they could have with her as an over the top heel, but she has a natural likability that mixes well with the MMA stylings. She'll be a fresh opponent for Athena if they wanted to go that route, but one great thing about Athena is that she came out of this with natural, organic animosity towards everyone anyway, even her own partner.

WrestleDynasty 1/5/25

Athena vs. Momo Watanabe vs. Willow Nightingale vs. Persephone 

MD: Honestly, this was one of the most enjoyable four-ways I've seen in forever. Usually they're a doomed sort of match because of contrived spots, nothing resonating, people acting completely out of character to make things work, and wrestling physics getting thrashed, plus lots and lots of people laying outside the ring. This had some of that but not much at all.

What made it work was that everyone stayed true to both who and what they were. There was a sort of different styles feel to this at times and there were mini stories within and then individual moments that both played on them and happened around them. Persephone worked well with Willow as a base but she also seemed absolutely intent to run gutsy strength spots against her and she managed around three throughout the match each one hitting better than the next. While I don't think Momo was the biggest presence here, she had a strong heel vs heel standoff with Athena. 

Then you had the moments. Athena, Willow, and Persephone reacted so well to everything that happened around them (with Momo not quite getting the same opportunity to do so that I saw). Athena would nail Willow with a forearm in the corner, the biggest most natural and organic smile and turn right into a shot from someone else. Likewise after Willow snuck in to make a pin or Persephone realized she had and opening. They were feeling the moment and riding the high of it all. Nothing (not even the dives) felt overly contrived. The finish was not just clever but played off the previous tag and was gripping visually. It looked like Watanabe took Athena's head off. Definitely one of the best 4-ways I've seen in ages. It just worked (and that is no small thing).

Dustin Rhodes/Sammy Guevara vs. Sho/Yoshinobu Kanemaru

MD: This is a fun bonus to 2025 that you would not have predicted, maybe ... well, ever. Just a fun pre-show match where Sammy really got to shine. That meant the big moonsault early, a nice face-in-peril performance including absolutely sailing across the ring on a back body drop. I was kind of sort of wondering how many more chances he'd get but maybe he deserves one more to reframe himself as a big-bumping upper mid-card heel (a la 1989-90 Mr. Perfect) who can make the up and coming babyfaces look great. Down the stretch you got Kanemaru/Dustin shtick which is really what you wanted in the first place and wouldn't mind seeing again. I liked the bit during the heat when Sho stepped on the belt too. You don't see that specific jerk move often. This hit the right marks.

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I don't repost every twitter notepad essay here (so if you want to see them all, give me a follow: https://x.com/MattD_SC) but I think this one maybe deserves it.  

The Emperor and his Clothes: Will Ospreay Coming off of World's End

Kyle Fletcher had an amazing Continental Classic. Coming off of Full Gear, he was that rarest of beasts in 2024, the heel who actually had heat. On that first night against Shelton Benjamin, the fans let him know it. Both he and Shelton leaned hard into the opportunity and they had maybe the clearest, sharpest heel vs face matchup AEW offered in ages. He went on to have similarly remarkable matches against Okada and Briscoe before ending the round robin section against Garcia in a match that felt like a prelude to a bountiful, vibrant future before us.

It all led to the semi-final (re)match against Will Ospreay. If you had asked me a week and a half ago, I would have told you without hesitation, without doubt, that AEW had to strap up Will Ospreay as soon as possible. He had to be the guy to lead the company, the hot hand. The Death Riders experiment stumbled because of a lack of commitment by the company to let it be a true central focus. Now with the soft reboot onto MAX, they should run with a hot babyface and push him hard. I like Ospreay as a personality even if he's not my favorite wrestler. He's earnest and warm and amiable. He can obviously make a splash with his physical prowess.

And they had assembled a sort of Ospreay-verse of suitable opponents over the last year: Fletcher, Ricochet, Takeshita, Okada, guys who had that extra gear to keep up with him. Even better, all four of them were starting to stooge and stall and play to the crowd differently, so not only did they have that extra high gear, but the low gears they needed to serve as contrast and get under the skin of the fans so that it wasn't all fireworks all the time, so that the fans weren't just glad to be there and witness Greatness but that they also wanted to see Ospreay triumph and the heels fail. It seemed like a pretty solid engine for success, even despite my own misgivings.

After World's End, I have second thoughts. As spectacular as he is, I just don't think Ospreay has the wherewithal to be the sort of breakthrough ace they need. He can make a splash, but to diminishing returns. It's all because he leaves so many narrative opportunities on the table in his matches. He takes up the air in the room so nothing can breathe. It's fine with an attraction. It's fine with the International Champion there to have matches like this; it's not fine on the guy you want to build the company around. Not as he is now.

The Fletcher match started out well. Ospreay shined early and Fletcher, scoundrel that he was, retreated from the ring and stalled to force it to breathe a little,  to give it weight and contrast. This built to Fletcher catching Ospreay on the floor and lawn darting him into the barricade, opening him up. From there, it was lovely pro wrestling, Fletcher working the wound meticulously, wretchedly. Eventually, he savored it too much giving Ospreay a hope spot, which Fletcher cut off with another lawn dart into the turnbuckles.

All of this was to set up the big counter spot to send them into the finishing stretch, a third lawn dart attempt turned into a poisonrana. All well and good. The problem is that in between the cut off and the comeback, Ospreay had an extended 50-50 segment with strike exchanges and escalating counters. By the end they weren't booing Fletcher (unlike every other Fletcher C2 match despite him being more vile than ever) but instead cheering the match.

Likewise, in the Okada match, Ospreay, coming in damaged, survived a first round of heat only to get caught up in the ropes and hurt his leg. Okada started on it but it was just a tease as they went into 50-50 for the entire second half of the match.

There isn't one right match structure. There isn't one right way to tell a story. But if you're going to run with a babyface ace, there may be a best way. There are human impulses that manifest in most fiction. You build up emotional pressure. You pay it off. For some reason, Ospreay seems mostly disconnected from this notion.

Vs Fletcher, it would have worked so much better if Ospreay, despite brief moments of hope, didn't get to come back and stand tall until after that third lawn dart attempt. The pressure would have built far more and they could have done strike exchanges and everything else down the stretch to greater effect. Vs Okada, they wanted to mimic the NJPW tournament final style, but they could have still done so much of that after Okada worked a second round of heat. He was losing and he would have more protected him more after gutting through two heat segments.

I'm not telling you you're wrong for loving these matches. They are spectacular and exciting, but these great things can be even better if he stayed focused on letting them build without throwing in a bunch of counter sequences mid match. He jumps to sensation too soon and leaves emotion on the table. Without realizing that (or having someone that understands the ebb and flow of wrestling matches help him with it, be it a coach, someone like Jake Roberts who has spoken about it at length and in the most wonderfully vulgar ways, or TK himself who I know gets it), I don't see how he can possibly be the babyface ace they need.

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