Found Footage Friday: BACKLUND IN KUWAIT~! BUSHWHACKERS~! CONDOR~! ESTRADA~! PSICOSIS~! VOLADOR~! WINNERS~!

AAA TV 5/21/95

MD: A new Roy Lucier drop. I think the top two matches were already out there so we'll dive into the undercard. 

Karloff Lagarde Jr./Mr. Condor/Perro Silva vs. Brilliance/Diamante/Zafiro

MD: I loved the primera beatdown here. The rudos just hopped out as Mr. Condor wrapped a cape around a tecnico's neck even as he was coming in with the valets and the commentators were just casually announcing who would be in the match. Business as usual. Some gnarly stuff on the beatdown with Condor's arching power bombs, a giant lifting face plant, and Perro Silva looking like a beast between the way he threw himself into things and this brutal reverse hotshot where he dropped the back of the neck onto the top rope with a spinebuster like twist instead of the throat. Argh. 

This was going just two falls with a fed up fiery tecnico foul finish so they actually teased a comeback early in the segunda which was pretty spirited, tossing rudos into the crowd and what not, before it got cut off to set up yet another comeback a minute or two later. Sort of a false short segunda (almost makes you wonder if there was a cut, but I don't think there was). Down the stretch Mr. Condor bled all over the place even on the undercard and the tecnicos got a lot of revenge but they lost their cool and the rudos took this one by DQ. Everyone leaned hard into their roles here and the match was fun because of it.

Antifaz del Norte/Panterita del Ring/Volador/Winners vs. Arandu/Jerry Estrada/Misterioso/Psicosis

MD: Some of our Monterrey pals here in the form of Panterita and Arandu (who came out to the Flash Gordon theme by Queen!). Very nice to see them in this mix with some of the AAA mainstays. That's an awesome rudo side right there. And honestly, this was great. The primera was at least somewhat subdued. Misterioso was leaning hard into his gringos loco look and attitude and was dodging Volador. Arandu bumped all over the place. Estrada teased his big bump over the top but didn't give it to people. Psicosis was an absolute jerk paired with Antifaz. I love watching him just exist and antagonize people, even on top of his basing and offense and bumping. He's one of the best bullheaded jerks in wrestling history. Anyway, the tecnicos took it after some exchanges and general chaos with Volador getting a shot in on Misterioso on the outside too.

Things went absolutely nuts in the segunda though. They started destroying both Antifaz and especially his mask. Somehow Estrada got a fork and started to stab away, lick the thing, paint his face with blood, just have a merry time. Then the comeback had all the crazy bumps you might imagine. Psicosis took the corner knee over the top bump as wild as I've ever seen it. Estrada just got yeeted into the third row like a rocket on a reverse whip. I'm not sure I've ever seen that concrete ground look harder and more solid. Finish was the rudos getting back in and getting Antifaz' mask off so thoroughly and clearly in the camera that someone could have picked him out of a police lineup. Just wild stuff in the back half.

Mr. Bob Backlund/Leif Cassidy vs. The Bushwhackers WWF Kuwait Cup 5/11/96 

MD: Recent Richard Land upload. I had thought we'd be getting the Yokozuna tag vs. Backlund, but nope, we've got the Bushwhackers instead. I don't know exactly how much Mr. Bob Backlund heel footage we have but whatever we have, especially after he got shunted down the card, it is 100% not enough. He's as absurd and over the top here as humanly possible and it's wonderful. First off, he comes out to the Rockers theme with Leif and he wants absolutely nothing to do with him. Cassidy tried to bow down to him and go for a handshake and point to the Bushwhackers and everything under the sun and Backlund just shook his head and shouted NOOOO. 

Then, there'd just be random booing no matter what Cassidy and a Bushwhacker was doing in the ring and the camera would cut over and Backlund would be out there on the stage gesticulating to the crowd and going wild and getting huge heat. When he came down he went right after some kid in a Bret shirt and he never really let up. It takes minutes for the match to begin because every time you think it might, he has another fit to huge crowd reaction. When they get going, they do some heel miscommunication spots almost immediately and then have Backlund get shown up by a Bushwhacker, including sneaking out and pointing to his head only to have him right behind and then hiding in the corner just to get bitten on the butt.

They eventually take over on Luke's arm and it's all pretty good with some hope spots and cutoffs until he finally makes the tag and they do one last bit of miscommunication before Butch gets the roll up. Just unbelievably entertaining. Lightning in a bottle. If you could follow one wrestler around to every house show, 96 Backlund feels like a great one to pick. 

ER: When you get access to a 1996 Kuwait show where Bob Backlund is the third oldest (second youngest?) guy in the match, I feel we are then obligated to write about that match. There is so little footage of Mr. Bob Backlund from this era and now we officially have our most substantial look at him. I loved Backlund's look and attitude during 95/96, when he was mostly a house show worker and cantankerous TV presence, but we don't have a lot of footage of him actually wrestling. We have so much footage of his 92/93 babyface return, which I think is mostly awful (unless I find one credible source telling me that it was an elaborate troll and he was fucking up every single non-Doink wrestler's timing intentionally, then I might like it), but not nearly enough of heel Mr. Bob Backlund. Now we have real footage of Backlund charging at a Kuwaiti 11 year old and getting in his face, just because he was wearing a Bret Hart shirt. Backlund singled that kid out and went straight for him (and the kid loved it). 

Throughout my wrestling fandom, not that long ago in the grand scheme, I had no room for bullshit in my wrestling. I wanted action, and I wanted wrestlers to get to the action. I'm not sure when it changed, or what inspired my initial dislike of it. I viewed it as "guys not wanting to work" and maybe it was due to Scott Keith and others demonizing of stall tactic wrestlers like Larry Zbyszko, spurned on by older local indy wrestlers who were taking a Friday night off in the ring. When we did the initial WWF 80s set, I had the Rockers/Rougeaus Full Bullshit match (from France or Italy) ranked very, very low. Not many years after that, the Rougeaus match in Puerto Rico where they take forever to lock up while getting pelted with diapers and other garbage became one of my favorite matches to show friends who were and were not wrestling fans. I don't know when the change happened, when I went from wanting action to embracing bullshit. The change happened quick, I know that, and is surely directly related to indy wrestling styles becoming about All Action, no doubt caused by similar people to me who grew up being told that bullshit and stalling in wrestling was bad. 

Now, most wrestlers are petrified to let anything breathe. Well, either they are petrified or they honestly have no idea what it even means to let a match, or sequence, breathe. They surely never watched wrestlers who knew how to do this, and they surely won't be seeking any who did so. Bullshit became extremely rare (and has only gotten rarer) and now that action is the literal only thing on the menu, I find that I cannot wait to shove my nose in a steaming plate of Bullshit whenever I have the opportunity. And Mr. Bob Backlund was allllll Bullshit. This entire match is 90% bullshit, and I chose to prioritize it over the two awesome lucha matches unearthed above. I don't think anyone takes a bump until well past the 10 minute mark, although Backlund does get knocked off the apron by Cassidy, and he hits the ground running and gets in the faces of more fans. So look, I'm not saying all of this was good. The Bushwhackers are old and they aren't going to bump or throw punches that look good - although Butch Miller throws a fucked up clothesline to Cassidy's neck on his hot tag - and a lot of the bullshit won't seem unique to anyone who had the privilege of seeing guys like Honky Tonk Man work indy shows in the late 90s, but the unique setting and the bizarre pairing and the rarity of Fully Unhinged Mr. Bob Backlund made this well worth your time. Backlund does none of his strength routine, none of his amateur wrestling, and I don't even think he took a bump. Yet he was On during every second he was on screen, a true weirdo being his weirdest self in the weirdest possible live wrestling environment. 

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Found Footage Friday: NJPW 85~! DANCING ANDRE~! CAPTAIN REDNECK~! INOKI~! BACKLUND~! SHARPE~! ADONIS~! HIRO~!

NJPW 5/18/85

Masked Superstar vs. Kim Su Hong (https://www.youtube.com/watch?v=ZbKieuAaBEQ)

MD: Kim is a South Korean wrestler who shows up on these NJPW cards now and again. I can't say that he stands out much. I love Eadie, love him, one of my favorites, but in New Japan he is so often a gatekeeper, just an incredibly credible wall for people to push off against. He takes 90% of this. Still some neat small things like losing Kim early and then claiming he was oiled up. That sort of being alive within the match. All of his stuff looks mean and credible with both a killer neckbreaker and then a twisting drop down into a front facelock. He also whacks him with something outside of the ring to big effect. Kim does come back late and his stuff is middling, some good, some bad. Superstar drops down on him and nails him with a clothesline to end it.

ER: We don't have Hashimoto/Sano, or the Canek/Enrique Vera tag, but we have Masked Superstar throwing Finlay level clubs to Su Hong's chest and killer knees to the side of the head. I liked how Superstar held the ropes to block a single leg and just went right back to clubbing. Superstar kind of jams Su Hong up on his small pieces of offense, running too hard into dropkicks that really shouldn't have moved him but looked worse with how he treated them. His clothesline looked like a match finishing clothesline and there's a good chance I won't watch a Kim Su Hong match the rest of my life. 

Super Strong Machine vs. Tony St. Clair (https://www.youtube.com/watch?v=5pADWavSmgM)

MD: Just a credible back and forth match. I wouldn't say any of the transitions were particularly interesting but everything looked good. SSM is a tank and St. Clair can hold his own. They traded advantages and holds. Machine had a nice leaping headbutt off the ropes and a killer clothesline. St. Clair turned a headlock into a backbreaker (by slipping out, not a Robinson backbreaker). Good finishing stretch where St. Clair got a nearfall on a sunset flip in but Machine was able to get a German for the win. Wakamatsu got involved pre-match even though Machine wanted nothing to do with him and then tried to attack SSM post match only to get thrashed for his trouble. Added a little spice to what would have otherwise been a meaty but straightforward midcard match.

ER: This crowd is so fired up for Super Strong Machine. He was getting clapping Misawa-type chants during his entrance. I wasn't expecting Tony St. Clair to look larger than Strong Machine. My mental pictures don't always give me accurate reads but both are 15-20 pounds in the opposite direction I picture them. Made it look good when Tony started hitting Machine. SSM can work real tough and St. Clair looked like he was moving him good with his back elbow and uppercut, sharp front chancery. His dropkick pushes up under the chin and he makes a whip into the buckles look like it made all his limbs go briefly numb. I like the way these two hit each other. St. Clair is great at leaning into lariats while selling how much he doesn't like taking them. Strong Machine has one of my favorite German suplexes. Both of them work exactly how Bret Hart would have worked New Japan in 1994. 

Kengo Kimura/Seiji Sakaguchi vs. Adrian Adonis/Dick Murdoch (https://www.youtube.com/watch?v=5bqyZdnuwVU)

MD: Honestly, this is yet another all time Murdoch performance, and on a house show too. Granted, the stuff I loved here was stuff Meltzer wouldn't have liked anyway but what are you going to do about it. For instance, there's a moment in the middle where Sakaguchi's on a rampage. He takes out Adonis and then goes to the apron to get Murdoch and Murdoch moves to the other side of the post and the crowd cracks up. It's great. But it's such a tiny little wrestling thing. His reactions are great throughout. The way he takes the Inazuma leg lariat by covering his face like he'd just lost his nose is amazing. Dick Murdoch. Captain Redneck, or as they call him in NJPW, the Super Rodeo Machine.

This had a great heat on Kimura where he kept almost coming back and Murdoch and Adonis would just make a quick tag. Eventually, instead of going for a hold, he threw a dropkick instead and made it to Sakaguchi. They did another bit of heat on Kimura and then a big hot comeback. Everything ended up thrown out. Post match they had both a great bit with a chair and being afraid of it and an even better one of double elbowing the ref. Great stuff.

ER: Great Dick Murdoch handheld matches are the best, because not only do you get to see Dick Murdoch being the greatest pro wrestler, but it makes me think of DEAN. To take us back at least 15 years, the moment I always remember from Segunda Caida Radio - something I am not sure exists online anymore, but was loved by all the real SC Heads - was DEAN making fun of Meltzer for thinking Dick Murdoch was a guy who only worked for the cameras. By then we had a lot of handheld footage and had all seen Murdoch wrestling exactly the same as in all of his great matches. DEAN had seen Murdoch live. We were all talking about how great Dick Murdoch was, but DEAN was the one who saw him live and knew how good he was off camera. I always think about DEAN doing a bit as Murdoch, where he's dogging it in Korakuen and does a Don Knotts reaction when he sees a Japanese guy in the crowd with a huge 1985 camcorder.  

This is the only match on this show that doesn't have a listed cagematch runtime, and I didn't realize it would be the longest match of the show. And in that time, Dick Murdoch kept putting on a performance that grew in elegance the longer they went, arguably peaking two minutes after the count out when he got cheers for beating up the referee and then running shenanigans around a chair swinging Kengo Kimura. The match goes long enough that we get several momentum shifts and each one peaks the action and story and Murdoch grows with the story. I think my favorite part was when he had been worked over for awhile and got to tag out, and he stayed in the ring shaking out and rubbing his arm after tagging in Adonis, not participating in but watching Adonis lay a beating on Kimura. The cattle branding looked like a wild rapids ride, his punches matched the energy at all times, and he sold Kimura's like they were the stiffest punches of the match. The fans treated him after the match like a charming folk hero. 

The Cobra (c) vs. Hiro Saito (https://www.youtube.com/watch?v=BIud5l0HlGc)

 

MD: I am not at all a Cobra guy. I think some of his Rocco matches are really bad, for instance, as he tried to fill a post-Tiger Mask gap and ended up with the worst of two worlds. A lack of substance and not even all that much style. Action for the sake of action and the action tends to frankly just be okay. This was great though, and so much of that was on the contrast. Saito is the prototypical cruiserweight bully and he gave everything weight and heft as the two of them threw everything they had at each other.

 

That meant that when Cobra was going to do an unnecessary backflip charging at Saito in the corner, Saito would come back and take his head off with a lariat. Or if he'd get pushed off after a kick and do another backflip within the ring, Saito would dropkick him out and crush him with a dive. They worked it like a title match starting with holds and going back to them, building to big spots and exchanges, with meaningful momentum shifts usually based around a big reversal/mistake/missed move. As time went on they traded some really great pile drivers and the dives you'd expect. Saito got a German mid match but couldn't put away with it and down the stretch Cobra finally escalated to a Tiger Suplex for a win. Very good lost Jr. Heavyweight Title match.

ER: We don't really talk much about how cool Hiro Saito is, and for how long he was cool. He's cool in all the eras. He was cool when I started getting New Japan tapes in 2000, and he was a bleach blond black beard surf punk with a tight bod, punk groupies and surf licks. Cobra feels like a throwback in 1985 by comparison, and it's punk scum vs. Mil Mascaras. Cobra's Mil hits hard, and Saito keeps spiking Mil with martinetes. The crowd was real into Saito's grounded piledriver when Cobra tried standing out of a headscissors, and they kept coming alive when they see how tough and well worked. I knew it was really good when Cobra's cravat into a stump puller and how Saito slowly powers out of it by eventually digging into Cobra's mask and hitting a GREAT fistdrop. Direct, hard. His piledriver after is perfect. Two kids in the crowd invent TomK's famous Dueling Chant 15 years before he did while Saito takes a crazy bump getting dropkicked to the floor. Cobra's kip up to dropkick is as beautiful as anything by our most graceful lucha legends. Saito hits a massive tope that is what you want a tope to be. I was going to write about how Cobra's flying offense isn't as good as his matwork and hitting but then he hits a piledriver so good that I felt I shouldn't harp on his lesser offense. Hiro Saito is so good. He's such a hard bumper, and strong, and fast. His forceful kickout just after 3 is the exact right energy. 

Andre the Giant vs. King Kong Bundy (https://www.youtube.com/watch?v=0kntbQ5SjUs)

 

MD: I wasn't going to cover this one since it was already out there, but it's pretty remarkable. My gut says that this was during the period where Andre was really breaking down, before his surgery and the switch to the singlet, but also before he really figured out how to work his late era style. So he was left in there against Bundy not entirely sure what he could or couldn't do. And what he ended up doing was being as entertaining as humanly possible. Yes, they did the bit where Bundy walks up the ropes to try to escape a hold and gets dropped, but Andre's mannerisms and little dance moves in this one are all over the place. Little shuffle steps. Hand motions. Weird faces. Outright dancing. He doesn't do the Fargo Strut but basically everything else you can imagine. And the fans do respond to it. I mean, who knows. Maybe he was just ribbing, maybe he was drunk, but I've only ever seen him do one or two of these little crazy finger motions or screw around like this, not build a whole match around it.

ER: I think every single Andre match I write about has me talking about some little thing I've never seen Andre do before, and I always mean it. But this Andre is an entirely new Andre. This is a house show taped by some saint, and without it I'm not sure we ever get to see Andre as a dancing babyface. It's incredible. I've seen Andre do something that could be considered sassy before but never a full match of him working as Dusty Rhodes. It's incredible. It doesn't start right away, but when it starts it does not stop. It feels like it's going to be your standard great Andre performance, smothering the humongous Bundy, muscling him into corners, hooking him in heavy sleepers, and I was excited about how he was going to sell for Bundy's comebacks. But when things take a turn, they really take a turn. I certainly was not expecting Bundy to walk up the ropes like Bret when Andre had a sleeper locked on, a real Dig Up mentality, and when Andre just drops the big man flat the crowd erupts. 

That's when Quirky Andre comes out. He makes the cuckoo sign, twirling his finger around his ear, and then does a kind of soft shoe routine, a little tap dance with a hard final step, like he's letting everyone in on his bit. If he'd had a cane and top hat it only would have made more sense. He keeps it up. While holding Bundy in another standing choke, he floats some butterfly steps, skipping in place in a movement that I have not once seen Andre do. He becomes Dusty Rhodes, flip flopping and flying. Bundy himself seems confused, he doesn't seem to understand the timing of the dancing and the strikes, leaning out of Andre's first punch after a perfect dance, so Andre has to catch him even harder with a backhand. This is truly an Andre I've never seen. Bundy takes a huge bump over the top to the floor and eventually just leaves, but not before more Andre dancing. How does history's greatest wrestler keep raising his stock? You think you've seen everything the biggest spectacle in wrestling history has done, but he keeps bringing out new tricks. This is no different than if a dancing babyface Stan Hansen match had just been discovered. It's bizarre, it's great, it's nothing you've seen. It's Andre.   

Bob Backlund/Iron Mike Sharpe vs. Antonio Inoki/Tatsumi Fujinami (https://www.youtube.com/watch?v=PsW8GclZnt4)

 

MD: Honestly, I was here for Backlund vs Inoki and we really don't get that. What we do get is very good though. A lot of it is Sharpe being as vocal as humanly possible in a ring but entertaining and credible. Most of the rest, though, is Fujinami vs Backland and of course they match up so well. They matched up well years earlier and they match up even better now that Fujinami is a credible heavyweight. Right place, right time, smooth, slick, imapctful. And yes, they do a great short arm scissors sequence leading to the Gotch lift, just like you'd want. I just wanted a little bit more Inoki in here though. 

ER: I went into this wanting the most Popeye noises ever heard in one wrestling match. This was our chance. I wanted to hear Backlund and Iron Mike Oh-Whoa-Whoa-Whoaing all over the ring in the only time these two ever tagged. But we didn't get that. Backlund ceded the constant vocals to Sharpe and Sharpe ran with them. Backlund was shockingly silent. 1985 Backlund is interesting. It's his first year at sea after his long reign on top. I wonder what drove him to wrestle that year, seeing how much he pulled back for several years after. He surely could have been working regular Japan schedules had he wanted to, so he clearly just didn't want to. He only worked this one short New Japan tour and now we have another small piece of it. Sharpe vs. Inoki is an amusing footnote. You look at this tag and you've never seen a more obvious Taking the Fall guy than Iron Mike. Backlund's matwork with Fujinami was something I could have seen a lot more of. The crowd was so into Backlund's slow powerful reversals, but most of this tag felt like it was just about to kick into gear and never really did.

COMPLETE AND ACCURATE ANDRE THE GIANT

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Found Footage Friday: 1993 WWF House Show Oakland 2/13/93

WWF House Show Oakland 2/13/93

MD: Richard Land (@maskedwrestlers on Twitter) has launched a new service releasing rarities twice a month. It's honestly more than we can easily keep track of, which is a great thing, but we'll feed stuff into Found Footage Friday as much as we can. Reach out to him for more information. This was a house show that neither Eric or I had ever seen from a period where we have both seen a lot of house shows. 

ER: This is an example of the kind of house show I would have been able to attend at age 12, had my parents not kept secret from me the entire existence of live pro wrestling. We lived about 60 miles north of Oakland/San Francisco. We went into the city regularly for Giants games, occasionally for A's games, once for a baseball card show at the Moscone center, and every Christmas season so my mom could see the big window displays at the downtown SF department stores. We would not have gone into the city to see professional wrestling, and I believe that my parents hid the existence of house shows from me with the same ferocity of Peggy Hill hiding the concept of Competitive Eating from Bobby. Newspaper pages were cut out, lies were told. This show happened just after my 12th birthday and this review should be filled with me sharing memories of that happy day when my father or poor mother took me to this show. But they were trying to raise me right. 

1. Tatanka vs. The Predator

MD: The Predator is Horace Boulder with face paint. We hit this JIP and it's kind of nuts how Tatanka sets the mood immediately. Super hard chops in the corner, everything looking crisp, including an atomic drop. I've gotten the sense in revisits that I didn't appreciate Tatanka enough when I was younger, but everything looked great. He missed an elbow drop which let Predator take over. You'll be happy to know that he had the family legdrop. They worked a pretty decent grounded chinlock with the crowd absolutely going up for Tatanka's hope spots. They were hot for the opener here, especially so when Tatanka started the war dance. He absolutely flattened Predator figuratively with one final chop and then literally with the Samoan Drop. There was a reason why it wasn't just Strongbow but Wahoo as well that gave him the headdress I guess. Nice brisk opener here. I vaguely wonder if there are some great indy Tatanka matches from the late 90s we should try to find. Vaguely.

ER: I am actually a pretty big Horace Boulder Guy. Over the last 25 years of my wrestling fandom I have tried to sell more than one person in my life on the Idea of Horace Boulder/Horace Hogan. How cool is it that there was a guy who out there who was related to the biggest star in pro wrestling and even had the exact same movement, height, and posture as that biggest star, and that he also wrestled exactly the same in a lot of ways. Except that he was Hulk Hogan Without Success. He wrestled like Hogan, if opponents didn't have to treat him like Hulk Hogan and crowds didn't react to his offense as if it were being delivered  by Hulk Hogan. Hulk Hogan Without Success would have been a really funny gimmick. A lot funnier than "The Predator". 

The Predator is a name that invokes the scariest unkillable cool alien presence when it's associated with Arnold's machine gun biceps and John McTiernan's late 80s action perfection dominance. The name "The Predator" invokes the worst possible other horrors when associated directly with pro wrestling, and the singular The implies that he is the worst of them. Begging and pleading with my dad to finally take me into the city to see a wrestling show and suddenly tasked with explaining to him why this man is Thee Predator, and me having no answer because The Predator was a House Show Exclusive over the Winter and Summer months of 1993 and I wouldn't have understood the negative connotations of the word Predator anyway. This would have been one of only three chances for me to see Horace Boulder live in the Bay Area, a fact I wouldn't have appreciated at the time. Imagine living in Colorado and getting to sit in attendance for a Velocity taping dark match of Horace Hogan & Bull Buchanan vs. Mark Henry & Mark Jindrak? God could you imagine. Also of note, in this match, Horace was shaped exactly the same as Gene Snitsky. Exact same build, size, and shape. 

2. Kamala vs. Kim Chee

MD: This show is full of stuff that I feel like we just never had on tape on any other house shows. Kamala was with Slick and didn't want to fight Kimchee at all. That let Kimchee get an early advantage until Kamala started to fight back. An errant Slick distraction allowed Kimchee to whack Kamala with something I couldn't make out given the VQ, but then he erred and went after Slick. Kamala chased him down, fought him off, and crushed him to the delight of the crowd. Post-match Slick put Kimchee's hat on Kamala, so that was fun. This was a lot of shtick in a very short period of time, but the crowd ate it up as well they should.

ER: I wonder if 1993 could be considered our best year of Steve Lombardi, in ring. I'm not sure this match would be the one for you to support that claim. In fact, it had to be a pretty great gig pulling lowest card heel duty against house show Kamala in 1993. You got to bullshit with the referee and fans for a couple of minutes, do some light cardio to get away from the former savage who you keep provoking, and then you settle in to sway your body in response to 1-3 Baba chops, stand still for the thrust kick, and run into the cross chop. Lombardi takes a really big bump over the top to the floor as Kamala exits him from the ring post match, and for something that is probably the most dangerous part of his day, he takes it in a way that would classify as a Memorable Royal Rumble Elimination on any given night. 

3. Terry Taylor vs. Typhoon

MD: Speaking of shtick, this was the second massive physical mismatch in a row and they leaned hard into it. 93 Taylor was, in some ways, at the height of his powers and this was an absolute stall fest. He was strutting, hiding in the ropes, threatening to walk to the back. Everyone in the crowd knew that if Typhoon got his hands on Taylor, he'd lift him up with an armbar or clamp on a headlock or run him over with a shoulder block. Taylor used the ref as cover to get in a throat shot and stayed on the throat until Typhoon started to fight up. Whereas, the crowd was very much behind Tatanka because they wanted to see him triumph, them clapping up Typhoon was more about seeing Taylor get his comeuppance. His cutoff went low instead of high however, and Typhoon even went up for an ill-advised belly to back for him. Taylor then went up and out on the cover attempt, stooging himself about fifteen feet on a kickout. Taylor hitting that suplex actually meant the transition spot of Typhoon reversing a standing vertical (and propelling Taylor across the ring again) was all the more effective though. Finish was Taylor getting some distance with an eyepoke only to leap off the second turnbuckle into a powerslam that was more of a Snow Plow as Typhoon didn't quite get him around. 

ER: 1993 might also be the best year of Terry Taylor, and it's hidden almost entirely on house shows. He has an out of nowhere great Raw match against Mr. Perfect in January and then after a couple more TV appearances he continued working months filling out house shows as the perfect version of himself: A heel Mark Harmon who rubbed people the wrong way with an insincere Nice Guy act. Aloof "Nice Guy" Terry Taylor is a persona that Taylor captures so well that it's one of those things clearly just already being answered by his shirt. I think I would love this match if it were just Terry airing any wrinkles out of his robe before handing it to a ringside attendant. Taylor plays this great fame of Avoid and Strut, never running from Typhoon but showing far too much confidence and acting like an idiot whenever caught. He starts a shoving match and storms the fuck out of the Coliseum, working with the kind of craft that makes 90s House Show Heel From The Territories look like the most fun job in the world. I would take Taylor's full extension slow bounce over from Typhoon's shoulderblock every damn day. Buddy Landel was never this good. 1993 Terry Taylor might be one of the greatest hidden years in wrestling. What looks like a contender for the best in-ring year of Taylor's career, happening in the biggest American company...but hidden almost entirely on house shows. 

Taylor convincingly kicks Typhoon's ass when he takes over. His punches are great, and he acts like a shithead in between every strike. But he also gets pressed through the ropes to the floor during a pin attempt and he makes the spot look as great as it can look, like a French Catch level of comedy and grace. He takes a high backdrop and yells when splatted by an avalanche. I loved the twist before the ending, where Typhoon was ramping up for the finish and Taylor shut it down with an eye poke. I actually got tricked into thinking they were icing things down for another minute or two, until I saw Terry climb to the top. Terry leaps right into a powerslam and then maybe the best part of his whole performance happens, as he just lies flattened and motionless for a hilariously long time, the entire time Typhoon was celebrating and shaking hands with fans after. When Taylor finally starts to stir, he continues making a 90s house show heel look like the most fun job in the whole world, going around the ring claiming that he got his shoulder up in time, before finally hopping to the floor and proceeding to injure his back, limping and openly grimacing, not hiding his pain from the laughter. Terry Taylor feels like a Top 5 guy in 1993 WWF, if we actually got to see more than a handful of matches.  

4. Doink vs. Bob Backlund

MD: I can't wait to read Eric's take on this one. That's true for the whole show, but especially this. It was, in my mind, exactly what you'd think a Backlund vs. Doink house show match would be. Just a perfect opening with Doink almost busting a lung falling over laughing at Backlund's handshake attempt followed by him hitting three measured takeovers before Backlund returned the favor with all three in quick succession. Beautiful stuff. They then took it straight to the mat just liked you want out of goofy Minnesotan wrestling machine and an evil clown, before switching over to extended holds and reversal attempts. When Backlund finally pried an arm away, he spent a good minute teasing a punch as the fans roared and the ref warned only to just go into an armbar instead; not just any, of course, as he made sure to wrench Doink up and over in the most painful manner possible. He just didn't punch him. That would have been unsportsmanlike. Not that he didn't keep teasing it. Doink, skilled harlequin that he was, turned Backlund over and started stretching him, going so far as to chucking him over the guardrail. Eventually Backlund came back and returned favor, hitting an atomic drop that sent Doink through the ropes. Both guys put absolutely everything they had into what they were doing. With Borne, it was what he had to do to get over. With Backlund, it was just who he was. Anyway, Doink was able to capitalize on being half out the ring to take out Backlund's eyes with something nefarious and he scored a quick, cheap pin. We're better off for having seen this.

ER: This is great. Historic even. It's a reason why handheld wrestling is the literal best wrestling. Handhelds capture moments that are manufactured for real people in the room that have a relaxed The Cameras Are Off vibe you would never see on TV. Doink/Backlund is a pairing that's remembered so fondly by those of us who remembered watching it as kids and seeing matwork and finding out what a fucking stump puller is. But there aren't actually that many Doink/Backlund matches, and the TV ones were under 5 minutes. This match was a different animal. This was a different animal because this was Doink working a Bob Backlund Madison Square Garden match. Bob Backlund was weird and awkward in 1993 WWF. He was like unfrozen territory babyface and it was like he had been in a Dead Zone coma for a decade and went right back to working 1983 territory wrestling babyface. And now he's doing it in Oakland, CA, which is hilarious to me. Bob Backlund is the whitest wrestler in history and here he is in Oakland, and it's the literal only time he's wrestled a match in Oakland. Doink is tasked with working a 20 minute match with a goofy 1980 white meat babyface in Oakland...and he succeeds by somehow working AS Bob Backlund. 

Doink the Clown works this match both as Doink, but also as 1980 Bob Backlund, were Backlund a heel and also wearing white grease paint to darken his complexion. Backlund also works as 1980 Backlund and Doink is his heel doppelgänger in the exact same style. This is a long form, mostly quiet match, that easily could have lost the crowd's attention at any point and yet they never did once. This crowd was invested in a recreation of a Bob Backlund/Buddy Rose match from a decade prior. Doink works slow strength spots and mugs whenever Backlund is unable to break the hold, Backlund works his long armbar while Doink takes big comical Backlund bumps. Doink bumps like a clown would bump, and it's perfect. When he finally makes the ropes after Backlund's armbar, Backlund pulls him back and Doink goes flying as if shot out of a cannon. Later he takes a big bump and lands right on his butt with his legs out, like a toddler learning to walk. When Backlund finally pulls off the big atomic drop, Doink springs forward through the ropes to the floor, all leading to him taking a weapon out of his jacket to jab Backlund with. Backlund gets the DQ win and literally runs through the crowd like a maniac, like a Bruiser Brody whose goal was to hurt zero people. 

5. Randy Savage vs. Yokozuna 

MD: This hit just right. Savage did the babyface version of the Taylor shtick to begin. He got on the mic just to go "Ohhh Yeahhh," which by 93 was probably more than enough. He spun around after Yoko started the sumo stomps. He got back on to start a USA chant. He was just late-era WWF Savage in the full body suit holding babyface court. The match itself was pretty straightforward. Yoko dominated with his size. He had these sort of downwards aimed punches that looked devastating. He tossed Savage out and slammed him into the rail. He dropped a leg on him. Savage would try to punch up but five or six punches equaled one of Yoko's. Finally Yoko missed a splash in the corner and Savage staggered him off the top rope before Fuji intervened with the flag, toppling him. Yoko hit a belly to belly for a quick pin. Post-match, he went for the Banzai Drop, missed, and got knocked out of the ring by Savage. There wasn't much to it. It didn't go wrong. They got as much value out of it as possible and I don't think the fans were at all disappointed for what they got.

ER: Matt pointed out that yes this is essentially babyface Terry Taylor vs. heel Typhoon (even though I don't think it's anywhere close to as good as our heel Taylor/face Typhoon match) although with less on the heel side and less on the face side. It's a lesser version of that, basically. Less. But also look how damn far Macho Man flew out of the ring when Yoko threw him to the floor! He didn't have to do that. He could have taken a much more sensible bump to the floor on a house show. I love how Savage punches to his feet, loved his punches to Yokozuna's face (and how Yoko would throw his head back for them) and I loved the way Savage crumpled when Yoko put him down with one return shot. I wish they had a couple extra beats before going right into the belly to belly finish, and I wish Savage had a piece of babyface offense that looked better than his top rope axe handle. It feels like a waste to go to the top rope and only come off with a weak axe handle that looks like spatchcocked hands. 

6. Tito Santana vs. Damien DeMento

MD: These two faced off twenty times between October 92 and the middle of 93. I would have sworn it was more. We have one of their PTW matches. DeMento more or did things right, but it didn't come off great. I'm not sure we needed another bit of early stalling after the Taylor match, even if he had the additional advantage of that special dissonance you get when a bigger guy does it with a smaller one. He took over by jamming Santana on a hip toss and hitting a clothesline. He cut him off with quick eye pokes (again dissonance). The grounded chinlock that made up a chunk of the heat worked in theory because you had someone as good as Santana fighting up out of it, but I'm not sure we needed to see it again this card. The finish was fine. Tito hit the flying forearm in the ropes. As a kid, I knew whenever he hit it and didn't get the win, which, after a certain chronological point was more often than not as his role shifted, he'd be losing. The shift to El Matador gave him El Pase de la Muerte, the shot to the back of the head, and that meant the ending of the match was more open to possibilities. Here though, DeMento landed on him on a suplex attempt back in. Maybe one too many heels going over in a row here? I probably would have liked this more in a bubble.

ER: I cans see Matt is setting me up here to be the Damien DeMento Guy, and maybe that guy is me. I am certainly more of a fan of DeMento's now than I ever have been from 1993-2021. What an odd guy to have basically existed in wrestling for only one year, the kind of guy with minimal ring experience who never would have been hired for this role in any other era. To hear DeMento tell his story, his "I had no experience but I trained with Johnny Rodz and then I worked worked 140 matches in 11 months in WWF and then retired" would sound like a whopper of a lie. "So yeah, there I was working Madison Square Garden with only 40 or so matches under my belt..." yeah sure okay bud. I don't know if DeMento was actually good, but he is a weirdo who came out of nowhere to work a full WWF schedule for a year and then returned to Pennsylvania and that's it, and that's cool. I love the energy he puts behind missed clotheslines, and his short lariat after blocking a hiptoss looked real good. I was impressed with his positioning near the ropes after taking Santana's flying forearm, and his dedication to making it look like he actually grabbed the top rope on his way back in the ring to shift his weight onto Santana. 

7. Steiner Brothers vs. Beverly Brothers 

MD: Unsurprisingly, this was very enjoyable. Here, the shtick worked on so many levels. Beau and Blake put so much energy and enthusiasm and verve into it. They'd try to buddy up with the ref, would hide behind a security guard, would bob in and out between the ropes at high speed. And with 2024 eyes, the anticipation was all about the huge bumps you know that they - the only guys willing to face the Steiners - would be taking. They were working so big that it wasn't even about the people in the last row seeing them; it was on the hope that Verne would see them all the way from Minnesota. And the Steiners obliged, dropping them on their skull for belly to belly suplexes, power slams, and of course the Frankensteiner at the end. Meanwhile, they really kept it moving. The Steiners were constantly fighting from underneath and often retaking the offense only for the Beverlys to have to go underhanded to stay in it and take back control. 

I get that in the years following this, Scott would become more and more listless in his matches and I would even say here that he wasn't necessarily working the crowd or working for the crowd, but he was entirely engaged with what his opponents were doing. You never got the sense that he wasn't trying to fight back, that he wasn't affected and incensed by everything that was happening to him, that he wasn't desperate to get revenge and to make it over to his brother for a tag. He was just laser focused on the Beverlys as opposed to channeling the crowd. It gave everything a more athletic, organic feel, and, after the hot tag, a more chaotic one with bodies flying around and timing perhaps being just a little bit off. It worked for the crowd, however, and it worked for me three decades later.

ER: I love the Beverlys/Steiners as a match. Their 1993 Rumble match might be the WWF MOTY, and Enos/Bloom should be in the discussion for Greatest Steiner Opponents. Enos and Bloom are big guys who bump huge for the Steiners, but in a way that makes it clear that these big bumps are being done by big guys. Mike Enos getting crazy height on a backdrop looked even crazier because it looked like a big man getting tossed up that high. But this is a gem because it's a Steiners/Beverlys match that we would never see on TV. Only on house shows do you get to see Scotty as face in peril, a match constructed much more around Beverlys cut off spots instead of Beverly bumps (those are still saved for the end). Mike Enos was always the praised member of the Beverlys, but Bloom is the one who shines brighter in a house show environment. He's the more expressive heel, the one better at drawing heat, the one better at arguing with the ref, the one who even goes and draws sympathy from a security guard in the aisle, and he also has better punches and stomps. The eventual hot tag was explosive and quick, the real time for Enos to shine. It's incredible to me that this is just the way Mike Enos took the frankensteiner. He wasn't just getting vertically spiked on PPV, he was doing it in front of a few thousand people, working towards that one dad in the crowd with a camcorder. Mike Enos taking the frankensteiner is one of our Great Bumps, a Minnesotan man in mustache and mullet and middle age spread doing the most complicated breakdancing head slide. It's incredible. How did the Beverlys never get a Hasbro? Enos should have had one with neck breaking action. 

8. Crush vs. Shawn Michaels

MD: Not entirely sure how to tackle this one. First and foremost, Sherri was at ringside as a "neutral observer" or some such. She unsurprisingly had the best offense in the match when she got to lay it in on Shawn. She was also really effective in the finish as Shawn was stalking her and she tripped over the ring steps backwards. It was generally a different match when she was involved, more visceral, more gripping. If I had never seen Michaels before, this would be my take: when he took offense early, he was bumping and stooging over the ring, but there was almost too much energy to him. It wasn't focused and channeled the way the Beverly's managed to do it. It felt much more like a guy playing a role. It was easy for him to be press slammed and otherwise tossed around by Crush and he went over the top for it when it was so inherently evident that maybe he didn't have to and it ended up subtracting from the overall effect. When he was on top, however, likely due to the fact that Crush was so much bigger and the effort did need to go into it, he was dogged and persistent and unyielding and his stuff ended up looking really good; it had to in order to be credible. He had no choice. Him putting the extra effort in there paid off whereas in the early stages, when he was stooging, it distracted. And there was nothing more real in the entire match than Michaels, irate, snatching the title belt and smashing Crush over the head to draw the DQ as he tried to check on Sherri. Nine times out of ten, a DQ like that would feel like them searching for a way out of the match. Here, it felt like an act of heated passion in the moment. 

ER: I love that there is one woman captured on camera who is fully into Shawn's entire routine, unafraid to publicly like what she likes. Crush is announced at 257 which must mean Crush was working a heel Buddy Rose act. 1993 was really the peak pro wrestling year for the fried fluffed out mullet, and appropriately we get a large portion of the match built around  the potential pulling and tugging of fluffy split end Rod Beck mullets. After Michaels complains immediately about a hair pull, they spend the next couple minutes with Crush holding him in a side headlock while Michaels' hand keeps drifting up towards that flowing cotton candy, the ref stopping his hand 2-3 dozen times on every side of the ring. Michaels going up for Crush's press slam is an awesome spot. Both men make it look so effortless, with the 257 lb. Crush walking Michaels and holding him up to a couple sides, more and more people getting to their feet the longer Crush has him up, dying to see Michaels thrown into the sun. I liked how Michaels' big bump to the floor focused more on the speed of getting there rather than something showy and athletic. The way he spilled made it look like a man who wasn't fully in control of the landing, even though he was. His selling for Sherri's slaps and kicks was excellent, like a man getting up from his blanket after one too many hornets makes his picnic an impossibility. 

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WWF UK Rampage 93

 

I really like how Rampage 93 is filmed. It looks and sounds like an incredibly well produced handheld, capturing a neat up-close house show vibe. It's 12,000 loud people in Sheffield and the crowd and ring are mic'd like you were there live. It's a real house show card too, with tag guys split into singles and a 10 minute Brooklyn Brawler match. 

1. Fatu vs. Brian Knobbs

ER: Nasties were so over that Knobbs was able to go around the ring milking NASTY chants for two straight minutes without anyone losing interest. Knobbs was like a big fat sloppy Hogan to this crowd, and he is a pretty great fat sloppy Hogan. I love how Brian Knobbs runs the ropes like fat guy. Not a fat guy wrestler, just a fat guy. He runs the ropes like an overweight principal who gets in the ring at a school fundraiser to do a completely ill-advised spot. If your principal ran the ropes like Knobbs, you'd think he was just being fun dorky Mr. Wilson. But Brian Knobbs is like the school's weird janitor getting in the ring and running the ropes like a fat lunatic, and kids fucking love it. 

2. Doink vs. Kamala 

ER: Doink keeps wrestling Kamala to the mat and it's so damn cool. Nobody ever rushes in and grabs Kamala in a single leg and then start working half grapevine armbars on him. Doink is working Iowa shooter holds on Kamala and I don't know if I've ever seen anyone do that. Kamala falls in ways he doesn't usually fall, because nobody ever thought to work like Lou Thesz against Kamala. Doink runs into Kamala's comebacks really well, and there was a big time Kamala moment where he got sick of the armbars and just started swinging wildly on Doink as Doink scrambled to the corner. Kamala pinning Doink the wrong way took up too much of the runtime. 

3. Mr. Perfect vs. Samu

ER: Samu is so damn good during their opening rope running. He sticks every piece of Perfect's precise timing. He's the one doing the close call dropdown and leapfrog, and he's hitting them all while also working as careening out of control chubby guy. When they do more rope running he does another dropdown, then shuts it down with a cool clothesline. When Perfect gets thrown over the top to the floor, he REALLY gets thrown over the top to the floor. Perfect goes face first into the ring steps like he's trying to lose an eye. All of Samu's strikes look really powerful and Perfect bumps painfully for them, not doing big athletic bumps. His bumps to the floor were all really fast and I thought they had real complementary body language during their strike exchanges. Good rhythm. Perfect's inside cradle is a really great nearfall, but I do think they rushed to the finish. Needed a bit more build to the Perfect Plex. The whole match felt like a nice slow stiff build and then the finish was just bim bam boom. Bump to the floor, missed splash, Perfect Plex. This was all still really good, one of the best WWF singles matches of the year, but a finish that felt like part of the same match would have made it even better. 

4. Bob Backlund vs. Damien Demento

Why does it feel like I've seen half a dozen Demento/Backlund matches? Were these two just at the perfect corresponding place on the heel/face totem pole alignment, working low stakes face/heel back and forth, and there just happened to be some guy who followed WWF on tour to make sure and document several different Demento/Backlund matches with his camcorder? This is an official release obviously, but it feels like I've seen several Damien Demento/Bob Backlund matches and I'm just not sure how that's possible. They don't really have chemistry but they don't not have chemistry, they just fill about 7 minutes and it's fine, and some part of me has spent my life watching dozens of Bob Backlund/Damien Demento matches that were filmed by a Bad Dad, or perhaps the Greatest Dad. Demento took a big Berzerker bump to the floor and Backlund made a lot of great Popeye Whoa-Whoa-Whoa noises so maybe this was actually fucking great. 

5. Typhoon vs. Brooklyn Brawler

ER: What does it mean to the people of Sheffield, England, to see a man dubbed The Brooklyn Brawler? Had tales of the Brawler's Brooklyn Brawls made their way to South Yorkshire? Was Enzo Castellari's 1990: The Bronx Warriors been an underground UK hit, leading to a rising knowledge among UK teens of the various Five Borough Fighting Styles? Regardless, the people of Sheffield were treated to a real active Brawler performance, one that will no doubt be one of the great showcases of the best of his 1993, where he keeps running away from and running into Typhoon. He is great at getting leveled by Typhoon and building suspense by avoiding getting leveled, but things really jump a level when Typhoon finally misses an elbow and Brawler starts stomping his way through a really fun match. 

Brawler stomps away at Typhoon's head, stomps him right between the legs, stands on his throat, bites at his face, and stands on top of his back while Typhoon is draped over the bottom rope, surfing on him while pulling back the top rope reigns like Chris Elliot riding Melora Walters out to sea in Cabin Boy. He chokes and rakes at the eyes of a prostrate Typhoon, shouting out an amusing "Come on, that's a count!" while Typhoon's shoulders are down during the choke. This is among the longest Brawler control segments I've seen and I thought it was cool how he kept kicked at Typhoon's leg and really dominating this, keeping the big man down. When you knowingly go into a Typhoon match against Brooklyn Brawler, I don't think any of us would have expected it to be a mostly dominant Brawler performance with a quick and definitive Typhoon comeback victory right at the end. When Typhoon takes over, it is for good, and it is great. Brawler, who had been doing so well, makes the mistake of whipping Typhoon into the corner. Typhoon reverses that whip and follows Brawler in with a killer avalanche, then pulls Brawler by the arm directly into a perfect powerslam. I don't anticipate a better 1993 Steve Lombardi match from this one, but this is surely among his best matches of the 90s. 

6. Shawn Michaels vs. Crush

ER: I loved this. Anybody who ever got mad at me online for making fun of how terrible Shawn Michaels was during most of his last decade, should at least acknowledge how in the bag I am for 1993 Shawn Michaels. My 2000s and beyond criticisms come from a place of sadness, not glee. 1993 Shawn Michaels was a high speed John Tatum with better execution. He could push a pace without dropping the story at any point, was great at big momentum shifts, and knew how to work every size opponent instead of just mostly working the same match regardless. He was incredibly active but in ways nobody else was, flopping and stooging and bumping unnecessarily big, a great heel to get over the power of his opponent while looking like a joke, without ever looking like a joke. 

Crush and Michaels seemingly always had great chemistry as opponents. They have two big singles matches after this one in 1993: Their great King of the Ring Qualifier which is one of the great unheralded 5 minute matches, and their bloated but overall good IC Title match at King of the Ring, and there's a 1991 singles match on some Coliseum video or foreign Superstars airing. I wish we had more Rockers/Demolition matches or any of the 1993 Crush/Michaels house show matches to paint a fuller picture, but all the evidence we have paints them as natural opponents. 

This is the better version of the King of the Ring qualifier, as it had a much longer Crush control sequence before the great Crush ringpost bump, and more Michaels offense after his takeover. It's great. Michaels gets his ass beat in a non-stop sprint, getting pie-faced and pinballed across the ring, enough so that Heenan has to start bemoaning a Michaels title loss, and it's hilarious. 

"Can you imagine the embarrassment? 'Where did you lose your Intercontinental Title? In Sheffield?!' How could you ever live that down?"

Crush has a great way of catching a high speed Michaels in a bearhug - which Michaels escapes by throwing punches at his eye - and I love how he's able to go on bursts of matching Michaels for speed, then ends a quick moving exchange with something huge and forceful like a big backbreaker. There's an incredible press slam section where Crush walks Michaels around in full extension press for half a minute, walking him toward several sides of the ring and offering him up to the front row. When they saw how great Crush was at walking Michaels around the ring in a press slam, they really should have set up a Bam Bam/Spike Dudley spot with crowd plants, it would have played in Michaels highlight videos for the next 25 years. We'll settle for Michaels getting clotheslined over the top to the floor in the way that only 1993 Shawn Michaels was getting clotheslined to the floor. 

His comeback after a match-long beating is convincing, working smart spots to control a big man, like driving his knee into Crush's kidneys and then shoving him face first into the ringpost. Who remembered how great Crush was at taking ringpost bumps? Every one that he's taken in his Michaels matches has been Lawler-level great. The finish of this one is a less satisfying "Michaels just leaves" fuck finish than the KOTR Qualifier double count out, but I was really getting into the way Michaels was wearing Crush down after the ringpost bump. He just keeps coming off the ropes with axe handles until Crush gets dropped to all fours, then he comes off the ropes with an elbowdrop to the back of his neck. With an actual finish, this becomes one of the 10 best WWF matches of 1993 WWF. 

7. Lex Luger vs. Hacksaw Jim Duggan 

ER: Jim Duggan was such a megastar in 1993 that he was able to drape himself in the American flag and lead the Sheffield Arena in loud USA chants. This was just a couple months after Duggan was the first person to knock Yokozuna off his feet, a moment I loved but wouldn't have thought that it would have a huge impact across the pond. Yokozuna had done an in-ring promo before this match and lingered at ringside the whole match, and when Luger's entrance music hit he was announced as "The NarCISSus" Lex Luger. Like the flower, not like the Greek myth. But they are merely afterthoughts, because the place comes unglued when Duggan's music hits. This is a 12,000 strong crowd and Duggan is wearing his USA singlet and USA kneepads, and gets the entire crowd to chant USA. Can you even entertain the IDEA of a foreign crowd chanting USA at a WWE show any time during the past 20 years?? You'd think this was in Alabama, not Yorkshire. USA chants. Loud. What a different time. Luger might as well have not even been in the ring. 

Luger works this as a stooge for Duggan, bumping around for Duggan's running clotheslines and playing into spots like trying to smash Duggan's head into the turnbuckles, only to have it reversed. Duggan was treated like Hogan and it was like I was watching this match from some weird alternate timeline. 1993 Duggan's appeal to live crowds was undeniable. 1993 Luger is a far better wrestler than Duggan, but Duggan would have drawn a far bigger number than Luger with a PPV match against Yokozuna. These two work the loosest match I've seen in 1993 WWF, leaning out of every clothesline and every strike, and it didn't matter an ounce. This was a Rick Reuschel/Mark Buehrle soft contact battle and it completely worked for the live crowd. Yokozuna sits down on Duggan's chest out on the floor and rolls him back in the ring, and there's a great show closing segment when Mr. Perfect runs out to start beating on Luger before Duggan can be pinned. As loud as the crowd was for Duggan, they react to Perfect as if he was the biggest name on the show (which was true, so that checks out). The main thing this match accomplished was making me genuinely want to see a Luger/Yoko vs. Duggan/Perfect tag match, which is a match they set up perfectly here and then never mentioned it again. All they did was run Luger/Perfect and Yoko/Duggan singles matches the rest of the tour. It's wild how many interesting workrate and fan service matches they left on the table during this era. 

Go out of your way to watch this for the great Samu/Perfect and Michaels/Crush matches, and a total surprise in Brooklyn Brawler/Typhoon. 

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Found Footage Friday: LAWLER~! DUNDEE~! FABS~! BACKLUND~! INOKI~! FUJINAMI~! IRON MIKE~! 87 NJPW 5x5~!

Antonio Inoki/Tatsumi Fujinami vs. Bob Backlund/Iron Mike Sharpe NJPW 5/18/85

MD: There was some bluster between Sharpe and Inoki, as a foreigner punching above his weight class by trying to call Inoki into a match was common for mid-80s NJPW, but this was really about Backlund and Fujinami. You'll get through this and you'll remember their rope running and chain wrestling to a degree, as they were pretty perfectly matched up against one another. You'll probably note the moment when Sharpe and Backlund took over and how Backlund was more aggressive than usual, sportsmanlike but still something of a de facto heel, which is interesting in 85. His running powerslam was especially great. What will stick with you the most - and really what you should watch this for - is the long short arm scissors sequence towards the end. You watch a hundred Backlund matches and half of them, at least, will be about him working towards picking someone up from a short arm scissors. But this was still really well worked, with the fans going up for every attempt and Fujinami believably maintaining control, even if he wasn't the world's heaviest guy. I really love Backlund's footwork and positioning here as he tries to work into the Gotch lift, which is more elaborate than what I remember out of WWF Title era. It feels like a huge deal when he finally muscles Fujinami onto the top rope. Of course, not long after, Sharpe gets kicked in the back of the head by Inoki, but what are you going to do? 

ER: I didn't plan on falling in love with Iron Mike Sharpe over the past year, but I think it's important to follow your heart wherever it might take you. My love of Iron Mike Sharpe has, up until this point, never ventured outside of the States. It hasn't really ventured that far outside of New York State, specifically. I love Sharpe most in his early 90s house and Raw appearances, when he's at his best combination of big bumping stooge and local institution. I've never seen a single Mike Sharpe match from Japan, so this is a very exciting find for me. And whatever my thoughts on the match, you have to love that at one time Sharpe was doing his near constant grunting and growling through a sold out Korakuen main event. Inoki actively avoids Backlund and Sharpe takes on a lot of dirty work, No No No No No'ing his way through an Inoki octopus and several ankle picks that left him defenseless. This was no cheating, stooging Sharpe, this was a guy who shook his head and yelled in submissions while hoping to land big swinging body blows and heavy kneelifts when able to stand. 

The one amusing piece of offense Sharpe got in on Inoki was while Inoki was bending his leg, and Sharpe fought free from the move by clasping both hands around Inoki's chin. Clasping onto Inoki's chin is at least tantamount to tugging on Superman's cape, so I call this a win. The fans were excited to see Backlund, and after this one week New Japan tour his visits would all be separated by periods of several years. Backlund and Fujinami had several singles matches against each other and had nice rhythm. Backlund's headscissors had a nice snap and I like how he bumped dropkicks sideways into the ropes. Their rhythm is most apparent during the short arm scissors sequence, with Backlund working through it with an on the nose promptness. He begins every scissor legged roll through lift attempt at near exact 80 second intervals, with each 80 second stretch containing different obstacles, all building to the successful lift. Sharpe was run over soon after, but I liked his and Backlund's excitingly simple finishing stretch of hard bodyslams. Imagine Bob Backlund and Mike Sharpe representing North America to the fine people of Japan, two weirdos who made a whole nation believe we all constantly make Popeye sounds.  

Elimination: Tatsumi Fujinami/Riki Choshu/Akira Maeda/Kiyoshi Kimura/Super Strong Machine vs. Seiji Sakaguchi/Yoshiaki Fujiwara/Nobuhiko Takada/George Takano/Keiji Mutoh NJPW 10/6/87

MD: This only really gets fifteen minutes bell to bell, which isn't *nearly* enough time for one of these, especially given who's in there. But it does give the match a sort of sprint feel, with a lot of quick action and a lot quick switches. Honestly, this almost felt like a Survivor Series version of a classic New Japan 5x5, only with more violence and harder strikes. It's also a lot more one sided than most of these that I've seen, which sort of makes sense when you realize the murderer's row of NJPW stars on the one side of the ring, and George Takano and Keiji Mutoh on the other. You could have stacked a couple more minutes at almost any point of this and it would have been good wrestling, but where I wish they did more was right at the end. You had Fujinami, Choshu, Maeda, and Kimura all on one side, with only Fujiwara on the other. Fujiwara survived for a bit but even he couldn't last long against those four. Given the numbers game and the lack of big stakes and big narratives, it ended up like the exception that allows for the rule on other elimination matches which all end up as one on one big drama affairs.

Jerry Lawler/Bill Dundee vs. The Fabulous Ones MCW 5/1/99

ER: I had never seen this, and it was so great. The ultimate crowd pleaser, in front of one of those great big Nashville Fairgrounds crowds. It wasn't a super common thing to see Lawler and Dundee tagging, but this crowd couldn't care less because it was WAY less common to see the Fabulous Ones.  They hadn't tagged for nearly 4 years at this point, and neither were what you'd call Active since that last tag. Lane was fully retired and Keirn mostly ran his wrestling school in Florida, occasionally (very occasionally) working. It probably also helped that Lane and Keirn showed up and actually looked good for their age. This wasn't a paunchy retirement tour, these were two guys in their late 40s who looked GOOD for their late 40s. The fans are loud for the Fabs the whole match, and Dundee and Lawler lean into it. Lawler took two great backdrops and would run squealing to Dundee on the apron, and Dundee stooged around for the Fabs, always getting caught with a Lane kick after gloating about something (the best was when he banana peeled after getting his legs swept by Lane while strutting). 

Stacy Carter starts passing a weapon back and forth to Lawler, and it rules. He hits a bunch of great short right uppercuts to Lane. Lawler keeps cutting Lane off from Keirn, and it just makes the fans chant louder for Steve and Stan. We even get an extra tease before Stan makes it over to Steve! I love when the hot tag doesn't come when it looks like it's going to come, and here Lawler knocks Lane into the ropes while Dundee runs all the way around the ring to knock him to the floor. The hot tag to Keirn is hot as expected, and the finish is a perfect fusion of 1999 Jerry Springer wrestling with classic Tennessee: Carter gets on the apron and starts a striptease, drawing all of the Fabs' attention, meanwhile Lawler and Dundee are gathering the high heels that she's thrown. It leads to the hilarious moment of Lawler getting brained by a high heel at the hands of Dundee, and immediately pinned. A heel Lawler/Dundee team against a babyface Fabs was the exact thing I needed, and I wish we had more heel Lawler from this era.

MD: Eric had watched this years ago but it's finally back up again thanks to Bryan Turner. He hit the high points really well, but I'd like to add an overall feeling I had for it. I think there was a certain freedom to Memphis in 1999 that may not have existed ten years earlier. It was always broad, of course, but it was always well aware of its broadness, well aware of what worked for the crowd, but still having to balance that with the understanding of how it was viewed by the rest of wrestling. That meant that even as they had the Bruise Brothers strut around or Kamala tromping through a back yard or the House of Gullen or Hector Guerrero and his chili powder, it never quite let itself go all the way over the top in the ring. They always wanted Lawler to be world champion somehow someday. By this point, though, the ship had sailed, the ambitions had shrunk, and it wasn't even about survival anymore. It was a cherry on top, and that let this match really sing and soar and go wildly over the top in being as Memphis as something could possibly be in all the best ways. It felt like this perfect cross-section of masters still being able to go at a high level and any semblance of forced legitimacy just totally gone from their antics. In short, it was a blast.

COMPLETE AND ACCURATE JERRY LAWLER

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The Great 16 Man WWF Raw Battle Royal of 2/15/93

16 Man Battle Royal WWF Raw 2/15/93

ER: I've watched this battle royal a couple of times now and I think it's grown into a really fantastic one. I was initially disappointed, as it's the last appearance we have of Berzerker (and his only appearance in a match on Raw), and I'll always be at least a little bit butt-chapped over not getting Berzerker all over these early episodes of Raw. Once I was able to emotionally move past that fact, I was able to enjoy this battle royal for the very real joys within. This is a very active battle royal with some pairings that we never got to see in actual singles matches, a cool mix of a few top guys (Razor, Michaels, Tatanka) and undercarders, painful elimination bumps, and hard work. Razor, Michaels, and Tito gave standout performances, with Tito lasting as a surprise final four, Razor actively punching his way through the entire match, and Michaels punching and bumping and stooging across all of it. Every time I saw Razor in the background he was in a punch out with someone new, either decking Kim Chee right across the jaw, getting lifted into a choke by Typhoon, then turning around and throwing his long right hands to punch anyone close. Michaels throws great jabs throughout (teeing off on Tatanka in the corner) and bumps bigger the longer it goes, capping everything off with a ton of showmanship leading up to his elimination. 

Berzerker is really important to a battle royal, as he's constant motion and never gets stuck just trying to lift someone's leg over a rope. This man has no loyalties (though he does assist heels when approaching a babyface and heel locked in combat) and is endlessly entertaining as he constantly stomps across the ring looking for someone to clobber. Even though he was eliminated sadly early by Kamala, Berzerker was involved in a couple of great bits: Tito leapt off the middle turnbuckle to punch Berzerker in the face (Berzerker held in place), and Berzerker sold it by backpedaling all the way across the ring while punching at the sky; when Owen Hart jumps onto Berzerker's back with a sleeper, Berzerker calmly walks to the nearest set of ropes and dumps Owen right over his head to the floor. I was also wildly entertained by Steve Lombardi's appearance as Kim Chee. The Kim Chee persona plays better to Lombardi's strengths than Brooklyn Brawler does. In this role Kim Chee was mostly just trying to avoid Kamala, and his whole time in the match was spent running away from him, directly into someone else's attack. It all culminated in Kamala chasing Kim Chee through the crowd and into the balcony of the Manhattan Center, which was an awesome visual, spotlight following them as they crawl over chairs and run through the loge seating. 

Bob Backlund was his usual extremely annoying battle royal self, constantly spider monkeying himself on the ropes with his butt sticking out, always a hard man to eliminate. Koko got tossed high over the ropes by Michaels, Damian DeMento got wrecked by Typhoon (also a guy with a fun battle royal performance, digging his fingers into peoples' mouth and eyes while they were holding onto ropes), Berzerker took an expectedly big bump to elimination, Typhoon was a big crashing wave hitting the apron and ring steps on his way to the floor, and the Shawn Michaels elimination was spectacular. The match came down to a final four of Razor, Tatanka, Michaels, and Tito. Razor rolls out of the ring after Tito nails him with the flying forearm, leaving Tatanka and Tito to run wild on Michaels. Michaels gets run back and forth across the ring, post to post, taking those "leap to middle buckle and corkscrew senton the mat" bumps to greater effect with each one. I kept expecting him to comeback and at least dupe Tito into getting thrown out, but I loved how it was just two good babyfaces knocking an asshole heel senseless until they threw him far over the top rope to eliminate him. 

There was a great pre-match angle where they said the 16 Man Battle Royal got changed to a 15 Man Battle Royal because all 15 wrestlers refused to participate in a battle royal with Giant Gonzalez. It was a smart move to protect Gonzalez (and everyone else), but a stupid move in that it did not give us any Berzerker/Gonzalez interaction, or Kamala/Gonzalez; because of that decision we never got to see Iron Mike Sharpe make a dumb face as he backed away from Giant Gonzalez, and we should have been upset. But I liked how they did use Gonzalez, having him come out to ambush and eliminate both Tatanka and Tito, giving Razor the win by sheer luck of him being outside the ring when the fur suit carnage happened.  Tito splatted hard to the mat, a great battle royal effort ended with an unforgiving back bump. Gonzalez looks massive, Razor's mullet de-greased and fluffed out behind him as he celebrates his win, hopping in place repeatedly while his thumbs point squarely to his chest. 

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An Exhaustingly Exhaustive Review of WWF Royal Rumble 1/24/93, Pt. 2

Bret Hart vs. Razor Ramon

ER: Another great match. Perhaps too long, but still a great match. The first 75 minutes of the show is one of the best 75 minute stretches of wrestling you'll find in any era of WWF. A couple pieces could have been placed differently, and the crowd gets weirdly restless in the middle (maybe burned out by too many closely strung together nearfalls? I don't know). This starts with a great opening punch exchange, and Razor never got enough credit at the time for his punches. I'm not sure who else could even make the claim to a better whipping right hand in this era, or any era. Razor's punch doesn't allow much wiggle room and requires a lot of moving parts, and I don't know who threw a similar punch better. Also, Razor and Bret are both great stomp punchers. Razor throws those long rights, whips Bret hard into the turnbuckle, and Bret takes just a classic back first bump into them, making it look almost as violent as his classic chest first bump always looks.  

Hart takes over by working over Razor's leg, kicking it out from under him a few times while holding onto his other leg, slamming it into the ringpost, and it's the only part of the match that feels incomplete or misplaced. It never really leads anywhere, Razor doesn't sell the knee, and I don't think you really needed a leg work segment to set up the Sharpshooter finish 12 minutes later. You can just win with the Sharpshooter, you don't need leg work. Now Razor working over Bret's ribs is much more interesting, and it starts with Razor reversing an Irish whip by jamming a kitchen sink knee into things, then whips Hart low into the corner. Bret slides across the mat ribs first and gets wrapped around the ringpost, and the ribs give Razor a cool focal point for the rest of the match. We DO get Bret going hard chest first to the buckles and we realize, yes, the Bret chest first turnbuckle bump IS the definitive violent corner bump. This particular one is one of Bret's best versions, and think of how many matches that covers. I don't know how Bret's arms didn't go completely numb after hitting the buckles. He ran full speed into them like he couldn't see them and had no idea they were there, and then fell backwards, rigid, to the mat. Most match finishes do not look as nasty as Bret running into the buckles. 

We get a lot of Razor working on Bret with his abdominal stretch, stomps, a stiff shoulderblock, and his always nice fallaway slam. Bret's big comeback from all of that is big, with Razor taking a high  backdrop bump to the floor and then Hart nailing a full body tope (with a couple of sneaky mounted punches thrown in after the landing). They work in a lot of momentum shifts down the stretch, which were all handled well but might have benefitted from one or two of them being dropped. Still, it lead to some classics, including proof that Bret might be the only person who can make the jump off the middle buckle into someone's boot actually look damaging and not silly, and the way he crumbles after hitting it is an incredible sell. It also helps that he hits his Hitman elbow off the middle rope so actually has a reason to be leaping off it into a boot in the first place. The match really should have ended with Bret wriggling out of what surely would have been a match finishing Razor's Edge to trap Razor with a backslide. Nothing that came after was necessary, and the finishing itself came off a little clunky (even with Razor grabbing onto the ropes and Earl Hebner's pant leg to desperately stop the Sharpshooter. Pulling a backslide out of the jaws of a Razor's Edge would have kept Razor stronger, and the backslide looked like a finish (most of the crowd bit hard at the late kickout). Still, even with my criticisms this felt like the 2nd best match on a card with four strong matches. 

Lex Luger debuts as Narcissus in an awkward segment where really nothing at all works. They have the trifold mirror set up in the entrance way, but Luger's gear covers up a lot of his body so you can't even see what all the fuss is about. And there IS fuss. Luger poses to an obstructed view while Heenan lavishes such praise over his body that it nearly approaches Power and Glory workout video levels of uncomfortable. My favorite part was when Heenan drooled over Luger's thighs. "Yes! Look at yourself! Enjoy yourself, Narcissus! Look at his thighs!!!"

The Rumble Match

This is a really really good Rumble, with the only flaw being that it is TOO LONG. It has a great first half and almost felt like a love letter to fans of the territories, as it was front-loaded with several different world and regional champs and that early star power felt big. Within the first 10 entrants we had Flair, Backlund, Dibiase, Lawler, Tenryu and Perfect. Flair and Backlund start it off, and neither Monsoon or Heenan talk about what a historic showdown it legitimately was. When you think of early 80s WWF champ, you think Backlund; When you think of early 80s NWA champ, you think Flair. As best I know, this is the only recorded footage of these two facing each other. There was an early 80s "title unification" match at the Omni but I don't think footage of that was ever shown on TV. So you get a fairly decent chunk of a Flair/Backlund match, years later than you would have wanted it, but they work it like an actual match (as opposed to spending the time trying to lift a guy's leg over the ropes). Papa Shango interrupts as the 3rd entrant but gets disposed of immediately, so we get a 4 minute Backlund/Flair match, and that's pretty neat. Now, Backlund was in this Rumble for over an hour, but I thought he looked pretty bad during at least his first half hour, and 1993 Backlund had a ton of weird timing issues. It often felt like Backlund was purposely trying to throw off his opponents' timing during this run, but he doesn't seem the type to do that. 

The two major standouts of this Rumble are Flair and Lawler. They're each in for just 15-20 minutes but their activity and execution and sheer knowledge of how to work a great Rumble is unparalleled. Flair must have had a running bet to see how many eye pokes he could fit in to his run, as he cuts off every single spot with an eye poke and it's incredible. My favorite was right after Max Moon came in and hit a fiery babyface sequence, and Flair tapped him on the shoulder and poked him in the eyes before just walking off. Lawler looked amazing during his whole run, punching everyone in sight and selling even better, getting into battles with guys we never got to see him battle (like Lawler/Backlund, or Lawler/TENRYU! Just the idea of a Lawler/Tenryu singles match makes me angry that they were even in the same ring and it didn't happen). Lawler has an awesome moment with Max Moon, where Max hits his nice corner spinning heel kick on Lawler, goes for it again and eats a huge backdrop bump to the floor. Huge bumps to the floor were one of the great things about this Rumble as I'd say 2/3 of the eliminations were dangerous bumps or bad landings, and that's an insanely high percentage. Also, Lawler has these incredible lowrider car show screen printed tights. Perfect targets Flair and Lawler and anything those three do with and against each other is gold, and if you want to talk about disgusting eliminations then you have to talk about Lawler and Perfect. 

Lawler takes the highest elimination bump of the match, getting launched by Perfect, and then immediately cashes in that receipt. Dibiase and Koko start shoving Perfect over, and Lawler begins yanking him by the head, really making it look like Perfect was desperately trying to hold on to that bottom rope, turning it into a really violent elimination. Referees are trying to pull Lawler away, guys in the ring are shoving Perfect, and Perfect hangs on to the bottom rope as long as humanly possible. It's, ahem, perfect. Knobbs, Skinner, and Samu have really memorable 3 minute runs, and you need a few high end crash and burn guys to make a Rumble good. Knobbs got a huge crowd reaction and had a real fired up run, Skinner came in like a dangerous potato throwing asshole, and Samu came in throwing headbutts. They all took tremendous bumps to elimination, with Samu's maybe the most dangerous. Undertaker had come out midway through (hilariously right as Lawler was headed back through the curtain, and Lawler gives Undertaker a wide berth) and he eliminates Samu by setting him on the top rope and shoving him hard, Samu flipping onto the apron on his head before going to the floor. Berzerker was fun during his 5 minutes, but with a guy who can eat up that much of the ring you hope for more than 5 minutes. I loved how, when Berzerker entered the ring, he went around the ring literally hitting every single person in the match. He didn't focus on anyone (until following Backlund to the floor and hitting him with a chair) but instead just stomped and clubbed his way through everyone. Koko also had a good run, building off 10 year feuds by going after Lawler while gleefully hiking up his gigantic High Energy windbreaker pants. 

The halves of the match are really clearly divided, as the ring needs to be fully cleared so Giant Gonzalez can debut and attack the Undertaker. I liked the Gonzalez debut, even though they never actually learned how to film him. When a guy is *actually* 8 feet tall, you don't need to film him from the floor up. He's the tallest man in pro wrestling history! Show him from far away so you can see how much larger he is than anything else in the arena! When you shoot him ground up it just makes him look like a normal guy, albeit a normal guy wearing a fur and muscle suit.  The problem is, since you had to clear the ring for that angle, and you front loaded the Rumble with most of the best workers, you're left with IRS, Damien DeMento, and Backlund when the smoke clears. It takes quite awhile to build any of that lost momentum back, with even a Natural Disasters Explode moment feeling tepid. Earthquake went right after Typhoon with no explanation, eliminated him, and then it was never mentioned again (Earthquake was gone at the end of the month and worked WAR for the rest of the year). 

Carlos Colon comes out fairly late, but it's really weird because he clearly belonged in the first half of this when it felt like they were legitimately trying to bring in a ton of regional champs. What would Carlos Colon even mean to a 1993 WWF audience? Also, you better believe Monsoon referred to the 45 year old Colon as a youngster after both he and Heenan had spent the entire match using Backlund's age 43 as a negative against him.  I would love a show of hands at the Arco Arena to find out how many in attendance knew anything about Carlos Colon. They had him announced for the Rumble several weeks before the match, but had only showed a picture of him during Mean Gene's Rumble previews, no footage or anything. It would have been far more valuable to see Colon throwing punches and headbutts at Lawler, Tenryu, and Flair; instead we get to see a lot of Colon against Damien DeMento, which is weird! Tatanka was by far the most exciting worker of the 2nd half of this, and his chops in the corner were thrown with more force than any Flair chop. 

Bob Backlund is 28th elimination, going past the hour mark and getting the most mixed reaction of the match. For the first half hour the crowd audibly hated him, but the longer he stayed in the more the crowd seemed to be pulling for him. When he was eliminated I genuinely could not tell if the loud reaction was applause for him making it that far, or relief that Backlund was not going to be in the main event of WrestleMania. The finish run is Macho Man vs. Yokozuna, which was better than I remembered, but the execution of the finish is as bad as I remembered. They work a 5 minute singles match as the final two, and it's good. Savage gets Yokozuna reeling with axe handles, Yokozuna hits a great thrust kick, Savage fights back, and eventually hits the big elbow. And then Savage pins Yokozuna...in the Rumble...and Yoko kicks out, sending Savage over the top to the floor. I kinda get it, I guess? The pinfall attempt just looks stupid and makes Savage look like a total dweeb, but I guess I can buy that the two of them had been one on one so long at the end that Savage went into Singles Match Mode. But that elimination? One man just cannot press a man from his back, over the top rope, and make it look like anything other than a man jumping over the top rope. Savage does as well as possible in that situation, but surely we could have figured out a better way for Yokozuna to eliminate Macho Man. This Rumble is way too long and dips hard for a bit in the middle, but that first half has some of the best work in Royal Rumble Match history and that alone makes this one of the best Rumbles, warts and all. 

This feels like one of the best WWF PPVs and it's weird that it doesn't get discussed as such. I thought every match was a varying degree of great, with the Rumble Match itself being too long and having too much deadweight but still succeeding due to a lot of hard work from the entrants. Lawler, Flair, Perfect, Dibiase, and several guys who were only in for 3 minutes all had great showings, and it had some of the nastiest elimination bumps of any Rumble. The other 4 matches are great in their specific way, and I think it's important that they all accomplished something very different, all felt very different. The opening tag is one of the great WWF tags of the 90s, Michaels/Jannetty had a better match at a house show the day before (and a much better match a few months later on Raw) but still delivered here, the big boys fight was fast paced and fun, and Hart/Razor gave us a Bret singles match that we rarely saw (they had two PPV matches and to my knowledge no other singles matches that made tape). This was a great show. Every single match is recommended. 

Best Matches: 

1. Beverly Brothers vs. Steiners

2. Bret Hart vs. Razor Ramon

3. Big Boss Man vs. Bam Bam Bigelow

4. The Rumble Match

5. Shawn Michaels vs. Marty Jannetty

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WWF Handheld Reno, NV 1/23/93

Running a 2,000 attendance house in a 12,000 capacity arena just a day before the Royal Rumble, this show had a couple unique matches I wanted to see and a nice snowy winter season happening outside. 

1/23/93 Full Show

The Predator vs. Jim Powers

ER: God bless early 90s camcorder dads who knew how short the battery life on their camcorders were, yet always overextended themselves thinking they could afford to record Jim Powers working Tony Garea tribute matches and still have enough battery for the main event. Memories of every plug of the school gymnasium being hogged by dad's charging their extra batteries. Predator is Horace Boulder under a mask, and it's really funny to me to have a guy named PREDATOR but have him working a lot of pointing at his head after dodged charges or complaining about Powers pulling the tights. Predator seems like a risky gimmick to assign someone in wrestling, but it also makes me laugh thinking about the Predator pointing at his head in the jungle right before Arnold sneaks up behind him with a schoolboy. Predator was the only one keeping this match interesting as Powers is all bad punches and arm wringers. There was a nice spot where Predator blocked a sunset flip and then punched the mat going after Powers, and I like  a guy who pulls his opponent face first into the turnbuckles by grabbing the waistband of his trunks. Predator does an admirable job selling Powers' punch and kneelift to set up his match finishing powerslam, and we collectively thank this camcorder dad for editing out a long Predator chinlock where Powers' abdomen was desperately heaving. 

Samu vs. Owen Hart

ER: This was a better version of the Powers/Predator match in half the time, with our undaunted director also opting to trim out Samu's chinlock. WWF loves having a babyface make their comeback after being held in a chinlock, and this man recognized what he should and shouldn't be filming. Here Owen gets that sunset flip that Jim Powers couldn't turn, but it only gets a one count and Samu hits him with a thrust kick after. There's a fun stretch where it felt like Owen could pull it off, after hitting a nice spinning heel kick and then knocking Fatu off the apron. I thought he was going to put Samu away with a missile dropkick, but Fatu snuck up and knocked Owen balls first into the top turnbuckle, Samu putting him away with a follow-up superplex. After the match, Owen continues selling his balls in the ring long after the Headshrinkers have left, even explaining to the ref what happened from his back. Owen makes the Vader V with his right hand and then uses the edge of his left hand to chop at that V, explaining what the top turnbuckle did to his balls. The ref nods understandingly before exiting the ring. 

Yokozuna vs. Earthquake

ER: This showdown would have looked insane to my 12 year old eyes, a clash of the two (probably) largest men I had ever seen. Little could anyone in attendance have known how rare this match was going to be. Their sumo match on Raw over a year later was their only televised match, and other than that they had only a few scattered house show matches, many of them in California. Seems cruel to present an Earthquake as a babyface in California but that's what they do. This was great in its too brief existence. We get some good shoving to start, Earthquake showing off his footwork to dodge Yokozuna's shoves, running into Yokozuna with shoulderblocks that make both take a step back. Yokozuna takes over with a back elbow to counter an Earthquake avalanche, and runs over Earthquake like it's nothing. Maybe I just get dewy-eyed and sappy during a wrestling match between two gigantic fat guys, but I tell you the air went out of the crowd when Earthquake took that back bump. Yokozuna dropped a gorgeous legdrop and Earthquake did a full body spasm like he had just been decapitated, and I was shocked at how quickly and easily Yokozuna put things away with the banzai splash. This match felt big enough to be a PPV attraction and get 12 minutes. But some things can only be contained in short starbursts. This was only their second match, and all 3 of these minutes were great. But it's a shame that we never got to see them have an actual war of the colossus.

The Beverly Brothers vs. The Undertaker

ER: This was advertised on the arena sign as Undertaker vs. Papa Shango, so I guess they felt like since they blatantly false advertised one of the two matches they announced for this show, the best way to pay that back was by just having three minutes of Undertaker laying waste. The great twist, is that I think this 3 minute sprint is more entertaining than any Undertaker/Soul Taker match I can remember. Undertaker vs. Papa Shango doesn't play as big as it should, but this handicap match was like a T-Rex vs. two velociraptors. But, well, two dumb jock velociraptors. This looked like it was going to be a one-sided mauling, both Beverlys getting run over by Undertaker for a minute straight after cheapshotting him before the bell. Bloom and Enos are both great bumpers, and they play this match like they were Kaientai, and it was the best. They get some brief control, when Bloom hits Taker with a chair and Enos snaps his neck over the top rope. The crowd reactions for Taker's deadman sit-ups keep getting louder, and the Beverlys act more and more annoying the longer they're in control. Undertaker has a fun time with the whole thing, and it looked like he was doing his own separate bit at ringside as he kept stumbling and falling into Mike McGuirk. Beverlys hit a bunch of elbowdrops after hitting a tandem vertical suplex, but leave their backs turned for far too long around a man known for rising from the dead, and the Reno kids lost it when he sat up again and ran wild. Enos takes a huge cartwheeling bump over the top to the floor to sell an uppercut, Bloom gets finished in ring by the Tombstone.

Berzerker vs. Bob Backlund

ER: Berzerker is a great house show act, as he works with the crowd and does unique bits more than any other wrestler from this era, even more than Flair. Here he barks ar Backlund and starts whipping at him with the belt from his tunic while Backlund is folding his ring jacket, that belt coming closer and closer with each whip. The crowd reacts with some real hostility to this one, the Reno crowd booing Backlund's dorkiness at the bell and only mildly getting behind him when he swept Berzerker's leg into Berzerker doing the splits. Berzerker getting his leg swept or kicked into doing the splits is the kind of spot that should get a big reaction every time, but this is a weird pairing and the crowd didn't seem to like it. It's funny when Berzerker rolls out of the ring and is out of camera sight, but you can hear him Hussing around ringside at people. They take a long time to lock up, with Berzerker repeatedly challenging Backlund to reach up and grab his right hand way up in the air, and Backlund responding with trepidation. 

The crowd seems annoyed that the match isn't starting at first, and then Berzerker keeps milking the annoyed reaction to build more and more heat, until the crowd is loudly mocking Berzerker with Huss chants and he is doing back bumps out of frustration. Berzerker finally does get that knucklelock and forces Backlund to his knees, and Backlund valiantly fights to his feet before rolling through to his own top wristlock, which Berzerker breaks with his fist. It's like they're working a Jack Brisco/Killer Khan match straight out of 1979, and that, while simple at times, mostly works. Berzerker eventually takes one of his big backwards bumps to the floor and then marches angrily down the aisle, drawing heat the whole way. In ring he hits a couple of bodyslams and jaws at fans, and works a long (probably too long) bearhug which eventually ends with Backlund somewhat lamely just falling on Berzerker for the pin. A fan either near the camera or holding the camera thinks aloud that this was one of the worst matches he has ever seen. This was not a classic, and was somehow the second longest match on the show, but it did have its rewards.  

Ric Flair vs. Mr. Perfect

ER: This was a real crowd pleaser, the kind of strong 15 minute match that you'd want to see if you were excited to see either of these two, checking off all the greatest hit Flair boxes without ever feeling like it was coasting. Flair is a guy who can play the greatest hits and not feel like he's bored with them and can still throw in a couple surprises with a smile. It's cool seeing how big he can work a house show match, taking some painful high bumps (on a hard ring) while working toward specific sides of the crowd. He's a guy who is excellent at causing a stir in a specific section of the building, knows how to pick fights with people from the ring, and knows how to get great heat for 15 minutes. He does all his shtick and does it get: He shoves Perfect a couple times and gets slapped each time, he takes a long walk down the aisle after eating a shoulderblock, he gets caught going up top and takes a hard bump getting press slammed down, obviously he's going to take a high backdrop. 

When he's on offense he's cheating, and it gets a rise the entire time. I'm gonna give the cameraman credit for partially obscuring the lens when Flair threw a low kick and eye poke, as if he was helping Flair cheat to transition. Flair worked over Perfect's arm and held a grounded headlock while planking his legs on the middle rope. He does the full routine on two sides of the ring, and the spot our cameraman picked couldn't have framed it any better. Flair was practically working this entire routine for this guy. Flair really rubs his cheating in to our side of the ring, at one point holding just one straightened leg on the ropes while bicycling his free leg. We also get a perfectly framed shot of Flair holding his calf over Perfect's throat, like Flair was putting on a show especially for us. The finish stretch is great, with stiff chops from both, Flair getting his trunks yanked down for a good sunset flip nearfall, and then keeping them down to the glee of the crowd when he ducks his way right into a Perfect Plex. Classic house show stuff, 100% success rate. 

Shawn Michaels vs. Marty Jannetty

ER: Shawn gets announced first and does a great job getting heat just by taking off his chaps. He also tries to grab Mike McGuirk a couple times and it gets people upset because he looks like a guy who would definitely try to grab a woman. Marty is wearing fantastic turquoise and zebra tights with perfect tassels, honestly some of his best gear. A stark, damning contrast to the atrocities he would would inflict upon the Royal Rumble crowd the next night. This match had the finish stretch of that next night's match but was pretty different overall, and probably even better. There's a long Michaels abdominal stretch spot that has an excellent first act but then probably carries on a bit too long in the second act before rushing through the third. You can usually wrap up your abdominal stretch spot in one act, but it was still a great hammy Michaels performance. The best kind of hammy Michaels is house show shithead Michaels, where he's shaking his ass at the crowd and giving people in the front row cocky asshole smirks, and those abdominal stretches give him plenty of time to rub some specific fans' noses in it. Michaels goes into control really quick in this match (he skipped and floundered around the ring for a lot of okay Marty offense the next night), sending Jannetty frisbeeing into the ringpost. 

He works over Marty's arm with hammerlocks and strikes, and once he's worked over the arm enough he starts working over Marty's midsection. I love when a heel switches targets after suitably damaging one area. There's a great spot where he drops Jannetty stomach first over a chair on the outside, which at least gives us good reason to work that abdominal stretch for so long. The great first act on that stretch that I mentioned earlier, is Michaels locking it in near the ropes (for cheating purposes) and a nice build to Marty hip tossing his way out of it. But right as Marty gets there, Shawn holds onto the tope rope to block, and the blocked toss re-injures Marty's arm. GREAT spot. The finish stretch has a lot of similarities to the PPV match the next night, working out the timing for a couple of spots: Jannetty catching Michaels with a DDT after Michaels thought he got out of the way of a fistdrop, and Michaels missing a superkick only to be nailed with one for a close 2. If anything, Earl Hebner was really rushing counts, which didn't give a lot of time for the nearfalls to settle in, but added a manic feel that the crowd did respond to. Since Sherri wasn't here, the finish was different, simple, and well done. Michaels gets thrown into the buckles and slumps into them, but ducks out of the way of a great Jannetty missed avalanche and then scrambles onto him for a quick pin. He shoots a quick Fuck Yeah glance at a person at ringside he'd been taunting the whole match, and BAM, Shawn Michaels has left the building. 

COMPLETE AND ACCURATE WWF 305 LIVE

COMPLETE AND ACCURATE BERZERKER

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