Found Footage Friday: MICHAELS~! GOLDUST~! CACTUS~! SABU~! REY~! PSICOSIS~! GALLAGHERS~!

Doc Gallagher/Mike Gallagher vs. Scotty Andrews/Donn Lewin 1950s Buffalo

MD: Wrestling Films has posted a lot of things lately but a lot we already had. This one does seem new to us though. It's a relatively rare look at Donn Lewin (Mark's brother, who we have a 1951 match we're very high on) though they do say he was a twelve year vet here. The Gallaghers are, of course, very good at what they do, and what they do is cheat, goozle, and clubber. Stooge too. Andrews and Lewin control early and Mike really scrambles to try to make it to the corner while in a top wristlock and it's fun stuff. They trade off keeping that wristlock on until the Gallagher's start switching off with illegal chokes themselves. Honestly, for an old tag, it all breaks down sort of quickly, building to Doc holding the rope down so that Scotty crashes and burns to the floor. It all came off quite well and the crowd, even in the studio, was hot for it. Lewin had good fire in the ring while this was going on but he wasn't the legal man so him pinning a Gallagher didn't matter. They got Scotty back in there and made short work of him. Very fun sub-ten minute match here.

Cactus Jack/Psicosis/Sabu vs. Rey Misterio Jr./Super Calo/Winners IWAS 10/21/95

MD: This was an Arezzi show with AAA and ECW talent and was a gem. Of course, with the Vault, we just get the primera, but we'll take it. I do wish sometimes they'd go a little further on some of this. Why just give us Goldust/Michaels if they have the whole card (maybe they don't?). Why give us just Gonzales and Hogan interacting after the finish if they have the whole Money Inc. vs. Megamaniacs lumberjack tag (that they must), etc. But we take what we can get, and this is a very cool thing to have.

It's the primera, so you get some posturing, some ambushing, and a couple of exchanges. Psicosis is great here, tossing a chair in at first, mocking Rey with a little dance from the apron, and then taking all of Rey's stuff like an absolute king, including getting pressed head first into the post in an impossible sort of way that he made seem not just possible but feasible. They teased Jack vs. Rey for a moment there but we ended up with Jack vs. Calo instead, still a fun and weird scenario. That was mostly Jack's forearms in the corner but they were great, so I'm not going to complain. Sabu got to take some of Winners stuff and land on him repeatedly. Winners tends to look super charismatic in this era (it's after the point where he lost his mask). It builds to chaos and Rey hitting the tightest 'rana on Psicosis to pick up the fall. Every indication here is that the rest of the match (even if it ended in a no contest) would have been just as fun, plus they probably would have mixed up the pairings a bit. Ah well. We didn't think we'd ever get even this much so we're glad to have it.

ER: I fully second everything Matt said about the unnecessary tease aspect of the WWE Vault. Here's one scorching hot half of one match from a Chicago AAA show. Let me see the Koji Kitao/Masaaki Mochizuki match. Let me see what 2 Cold Scorpio does on a show with cool luchadors. There's a Superstars taping Dark Match Jarrett/Bulldog ladder match released on the same drop as the incredible Michaels/Goldust match we praise below, but from that same Superstars taping there was a Sid/Kama vs. Michaels/Undertaker dark tag and that's the kind of shit that I would also really want to see. If they have one, they have the other, so just put the shows up man. We don't get shows, we get teases of footage that isn't being released. 

That said, we now have extended sequences of Cactus Jack repeatedly elbowing Super Calo in the face like an early version of Necro Butcher in Chikara. It's amazing how much faster Cactus was in '95 compared to '97. That bump card filled up fast and the Jack/Calo pairing would have been so different just a couple years later. This feels like the best year for it to have happened. Cactus elbows him in the face but good, and he also takes two big bumps to the floor for him, including getting clotheslined over the top and later fully catching his missile of a dive. Winners looked so good, a guy who went on to an iconic gimmick but in '95 made a fascinating "what if" among the guys who could have crossed over to the US mainstream, instead of just being thrown out to die on a couple of WWF shows. His plancha soars far off camera and he had such potent tecnico energy any time he got in the ring. Did he really debut the Abismo Negro gimmick at the Royal Rumble? Anyway, Rey/Psicosis was so amazing in '95. I said Cactus lost a lot of speed just two years later but seeing Rey/Psicosis in '95 after watching all of their '97 work and you see so many things that slowed down and got changed. Rey still had his original knees here and was so much faster, while Psicosis had a smoothness that had vanished by summer of '97. "Clunkiness" sounds like I'm insulting his work, but compare some of his bumps here to the same ones two years later, and those later bumps seem like someone doing clunky versions of Psicosis bumps. His ringpost bump is incredible, getting alley-ooped into the ringpost but doing it in a way that looked so alien, just amazing. His fold on Rey's huracanrana bends physics, like he was a human Popple whose head could easily be folded into his own ass. 

 

Ladder Match: Shawn Michaels vs. Goldust WWF 8/24/96

MD: This is not new, per se, but it's an amazing footage upgrade to a match that I've seen at least a few times. It's one of those matches that we give people new to the community on the way in (like Dump vs. Omori or the Savage vs. Garvin cage match). What we had before, however, was a pretty blurry handheld, and this is crisp and beautiful single camera ringside footage. Early on when Goldust brings the ladder towards the ring, you can hear it scraping against the ground perfectly. It's quite the footage upgrade.

And it's a match worth seeing again. When we handed it to people, we'd say it was one of the best ladder matches ever. So much of that is because they delay the use of the ladder. It shows up early as Dustin goes for it and then once in the heat as he puts it over the guardrail and ring to create a hard surface to drop Shawn on, but other than that, it really doesn't come into play until the back half when they start to try to win thing. 

What you get before that is a rough but generally conventional match between Shawn and Dustin where all of Dustin's stuff, which generally looks great to begin with, looks all the better because of Shawn taking it. Just the drop down punch alone maybe never looked better. A bit of extra zing and extra electricity. It means instead of having a match full of contrived spots around the ladder with a lengthy set up and dashing one's suspension of disbelief, they just get to do their thing, and their thing was as good as almost anyone in the world in 96 and we have so little footage of them doing it together.  

The setting is great, an outdoor show at the Canadian National Exhibition Stadium (the site of The Big Event) with a giant Ferris Wheel lit up in the background. The card was stacked with gimmick matches (casket, strap, street fight, etc.) so it's pretty remarkable that they showed the discipline that they did. You get some big bumps (Shawn over the top, a splash off the ladder), but it's all smartly put together. Early on they tease a Curtain Call and then Superkick. Dustin pulls off the turnbuckle pad to do some more damage. Late in the match, Dustin takes a bump off the ladder into it face first but recovers to try to catch Shawn in the Curtain Call while he's climbing. This time when Shawn goes up and over he actually hits the Superkick and is able to win. It just hits a bunch of marks between thought and execution with just enough discipline to hold it all together, to put it above any number of more spectacular ladder matches. Now we get to see it so much more clearly.

ER: This is some incredible footage. I'm not saying this as any kind of brag, but I stopped watching new WWE matches well over three years ago and I haven't looked back. It wasn't a decision I made where I consciously said, "After today, NO MORE!" Because it wasn't a conscious decision, it was the culmination of something that had been building up for several years. There will always be enough people on the roster who I enjoy watching, but what began majorly turning me away was the entire presentation of the product, of the wrestling. I don't think there has ever been a wrestling fed in history who makes their in-ring product look shittier than modern WWE. What an ugly product, directed by people who seemingly hate wrestling, with garish LED lights and quick camera cuts and identical match structures designed to be ROLLING into commercial breaks. Everything is bright as hell, phony as hell, manufactured as hell, and as inauthentic as possible. This match could have feasibly happened in WWE some time in the last 5 years, but you take this exact match and present it the way WWE now presents pro wrestling, and the whole thing would have been half as effective. 

The ring work in this is undeniable. We hardly have any Dustin/Michaels matches (how many of the other Goldust/Michaels World Title house show matches do we even have? Any?) so that makes this extra special. Dustin Rhodes told me that Shawn Michaels is one of his four favorite wrestlers of ALL TIME. One of the four on his Mount Rushmore (with the others being his father, Terry Funk, and Barry Windham). I can't imagine higher praise for a peer, and you can see that respect - mutual respect - in the brilliant and extremely energetic way this match was worked. 

But you can really see that energy because of the way this match was filmed. One camera, at ringside, now in HD detail so crisp that it feels like you're roving ringside while two greats in their prime worked close up magic in an amazing outdoor carnival setting. 20,000 polite but excited Canadians outdoor with a lit up Ferris Wheel in the background like a nighttime Super Nintendo background. The work in the ring was so clear, the camera so embedded into the action, that you feel the very hard bumps both men take and see just how hard they're hitting each other and, eventually, a ladder. The sound is so good that you're put directly in the middle of this carnival. The sound of Dustin's back hitting the ladder is or Michaels hitting a table engulfs you. You run this exact same match today, only with WWE's modern direction and lighting, and it would play as half effectively. 

All of Dustin's strikes - his great worked punches, his great stiff punches, his hard slaps - would be jumped away from, all of Michaels' big bumps - taking an almost Falcon Arrow on a ringside table, springing away from a Dustin uppercut, recoiling off the ropes after being tipped off the ladder more than once - would have been hit with the ugliest fast zooms and held for reactions. Even the small bits of comedy play better from this live ringside angle. I cannot tell you how hard I laughed at the very beginning of the match at the face Michaels makes, when Goldust - jumpsuit hugging those buns tighter than you could ever imagine - approaches him in a flirtatious manner and Michaels uncomfortably looks off to the side, like he doesn't want to make eye contact for fear of being lured in. 

I wish we had a dozen more Michaels/Dustin matches. We have a Raw match and this excellent ladder match, where you can see their off the charts chemistry. 

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Found Footage Friday: 1989 Copps Coliseum WWF Show

1/16/89 WWF Copps Coliseum Toronto

MD: This is another Richard Land find and you should be checking out his stuff at (@maskedwrestlers) since he provides about 1/3 of the new footage coming out today.

Red Rooster vs. Danny Davis

MD: This made me feel like I have to check out a lot more Danny Davis, honestly. He got on the mic at the start and said Heenan was paying him for this but he would have done it for free. Then he shoved Taylor and ran around the ring from him, got chased in, did some rope running, stopped, taunted, and walked right into a punch before taking a powder, all before his ring jacket was off. Great stuff to begin. Then came the real stalling as he just pressed himself in the corner and covered his head. When Taylor finally did get him he begged off until he could turn an arm wringer into a clothesline and then he looked pretty solid in control. There was just a spring to his step. He had some nice stuff (a weirdly balanced shot off the second ropes, a throat cross chop when Taylor started to come back) and then begged off again towards the finish where Taylor got him with the Scorpion Deathlock. I enjoyed this one.

ER: Imagine what a crushing day it was when Terry Taylor was told he had to get the top of his hair dyed bright red. I can't imagine, but it's a conversation about your career as a top pro being over and done with. Look at him here, with his blond locks and no red, a man existing as a man and not as a rooster. But I am much more of a Heel Terry Taylor man. Let me see that evil Mark Harmon unleashed, like you find out the guy running your goof around summer school is actually a real hard ass who will probably assault more than one of the students. No, this match is owned by Heel Danny Davis, and I agree with Matt that more Danny research must be conducted. Fans hate this man on sight, even before he gets on the mic to say, "Bobby The Brain Heenan paid me a lot of money to come to this god forsaken place! But brother, he didn't pay me a dime because it's gonna be myyy pleasure." Then he one-handed shoves Taylor.  

Davis has great movement and plays to the crowd expertly, the kind of guy who you'd want to keep as a heel house show undercarder. How he punches Taylor over the referee, that stiff quick short arm clothesline to break an arm wringer, those great running short kicks to a downed Taylor's jaw, his very good short right hands aimed straight at the chin - including a fist shake out after one, thus cementing Davis's status as a Great Puncher - all of it is stuff that Danny Davis performs far better than we've ever given him credit. If you were doubting his Great Puncher status, he also throws nice corner 10 count punches and dropped a hammering fistdrop from the middle buckle, and if that's not the trifecta then man I don't even know what we're doing here. The thing is, even better than his corner 10 counts? His shoulder shrugs in the corner. You remember how Batista always had real awful shoulder shrugs, coming in way too light and making it obvious just how much he was holding back? Soothe yourself by Danny Davis going hard into Taylor's stomach and ask yourself why we don't demand better. Demand Danny Davis. 

Curt Hennig vs. Rick Martel

MD: This was a draw that did air but was clipped in half or so. I can't speak to that version. I will say that the good stuff here was very good. The feeling out process where Hennig won the first few exchanges only for Martel to turn it around and toss him around with all the babyface fire anyone might want was just as good as you'd expect. Martel's one of the only guys I've ever seen that was so into the flow of what he was doing that he'd do flat back dropdowns to set up an armdrag. After that rope running they went into extended controlling of the arm by Martel and they kept it interesting enough, with lots of escape attempts by Perfect, before building to an elaborate bit where it looked like Perfect might get him three times before finally dropping him with a belly to back.

Perfect's control started out engaging (especially as he was still selling the arm) but they went into a long front face lock. Obviously, these are two guys that could work that, and Martel was going to work from underneath well, but it was also clearly eating up a bunch of time in a twenty minute draw. The payoff was good though as again Perfect was going to rush right in to all of Martel's fire. Once he cleared the ring of him that was the time limit so it didn't really even build to the sort of nearfalls you often get with a draw. It more felt like they were just calling it a day (even if Martel tried to invite Hennig back in).

ER: This did not need to be a time limit draw, and it didn't need the moments you knew they were working towards a time limit draw, but I also thought Hennig was fantastic throughout all of it. Look at black trunks Perfect in '89. It's easy to talk about Hennig the bumper but it's really all about Hennig the ball of energy. It's going into every exchange with real aggression, real purpose. You see how hard both men are leaning into a collar and elbow and you see how Hennig throws everything - armdrag, hop toss, fireman's carry - with real purpose. His punches look like he's really trying to mess up Martel's pretty face. This era Hennig was going to come in hard and then feed even harder, making his opponents' bodyslams and hiptosses look more violent than his own. Before things settle down into arm work and front face locks, he takes a great bump off a light dropkick, flying out through the ropes and off and over the ringside table, then faceplanting all around the ring while Canadians lose their minds. 

I love how hard he pushes all the rope running that leads to him eating shit. He pushes Martel fast, like he's trying to get him to mess up a sequence, but it always ends with him on the mat kicking his legs in a hold. He does two different missed charges into the turnbuckles that lead to long series of him eating bigger bowls of shit. The arm work is long but Perfect makes it look so convincing that I heard two different people - women! - yelling for Martel to break his arm. He's good at timing how long to keep the crowd engaged while kicking in a hold, and knows when to start breaking out match ending fireworks. Curt Hennig is perhaps our finest wrestler ever at bumping like a heel who has his shoelaces tied together. A lot of the Minnesota guys were great at that. Was it common practice to work 2 a day drills while pantsed or something? Hennig gets kicked around hard before fleeing at the sound of the bell, and every fall is that of a man escaping a ransomed kidnapping. We act like it's a foregone conclusion that this was "just another match clearly worked as a time limit draw" but this was the first time limit draw that Hennig worked during the Perfect era. This wasn't just a thing he and Martel were doing around the horn, this was a Copps exclusive where some tag specialist took Perfection to the limit. 

Rockers vs. Brainbusters

MD: This had Billy Red Lyons interview the Busters (no Heenan) before the start. Nothing notable but nice to see. The match itself started great with Michaels looking like a huge star outclassing Arn (Arn feeding for it perfectly) and then escaping to slap the hands of the fans like he had escaped with the crown jewels. Then, he, being Michaels, doubled down on it and no sold all of Tully's stuff (Tully still bumped huge for him), and it wasn't until Jannetty came in that they even started the false transitions. Just another case where this would have been better if Michaels took that first win, gave Tully a tiny bit, and then overcame. Ah well. Jannetty looked great as he overcame (including fighting out of the corner and hitting a backflip to reverse a double top wristlock.).

Really a never ending heel in peril (though one full of entertaining individual bits) until Michaels ducked a Tully clothesline on the outside only to run into an Arn one. Thankfully the Busters were great at making the most of their time on top. Michaels knew how to be a star already and was constantly trying to fight back. I think a babyface should be doing that but maybe he didn't quite have the proper escalation in it. Arn crotched himself on Michaels' knees to set up the hot tag and things got chaotic but the Busters fairly quickly snuck one out. The great stuff was absolutely great but in part due to Michaels' tendencies and Arn and Tully being happy to just go along with them, this didn't come together like it could have.

ER: This really did feel like a 15 minute match where Tully bumped and stooged and made narrow misses for 13 of those minutes, and I did not mind that layout one bit. I was wildly entertained watching the Rockers punch through Tully for a long tag, as Tully is wildly entertaining at getting run over by punches. He cannot just walk a straight line to a destination and it's perfect. When he's punched, it's a turning drop to the knee before getting punched in another direction; when he misses, it's a quick turn back to his target to take his medicine. He finds several safe and less safe ways to fall to the floor and continue his constant motion and I loved them all. I loved the theatrical slow mo Sgt. Slaughter bump to the floor and the ways he would fall off the apron into a back bump. He treats every punch from each Rocker as something worth bumping for, and it makes his eventual tag out moment even greater when he turned a near tag out into an inverted atomic drop. The Brainbusters really didn't have a lot of offense here - that Arn clothesline on the floor that the camera missed, Tully's atomic drop to set up his tag, and Arn's spinebuster after ducking a clothesline - but the Rockers didn't really have any offense either. Even when Michaels goes up top after they hit tandem superkicks, he only comes flying off with a punch. And I'll take it. The finish is fantastic, even if uncommon. Marty goes for his first flying headscissors but it's too close to the ropes, and Tully pulls his head down from the apron and slam dunks his head over the top rope.     

Iron Mike Sharpe vs. Paul Roma

MD: I'm honestly a little astounding how good this was. (Eric will not be, but he is a Mike Sharpe truther). It was 80% shtick and 20% Roma hitting dropkicks, but the shtick was really good and Sharpe was incredibly entertaining. He's one of the most vocal wrestlers ever and there were times where I could shut my eyes and still know exactly what was going on just from hearing him stammer. Mainly when he was begging off but not always. And he did a lot of begging off. A lot of stalling. They got tons of mileage out of a handshake bit at the beginning, out of him threatening to leave, out of Roma catching his foot on a kick attempt. Just one bit after the next after the next with Sharpe throwing himself into it completely and Roma being a perfectly fine straight man. It's the sort of match the sheets would have grumbled about in 89 but that plays a lot better in 2025 when there's nothing like it in the world anymore. You can see the value so clearly now. Honestly just a great show for stooging up til this point, and from guys that don't get the credit for it like Davis and Sharpe.

ER: We get an honest to god Iron Mike Sharpe ring entrance and the fact that he is in his hometown of Hamilton, Ontario and announced as such does not give him a single second of goodwill from his town. These are his people, and the people of Ontario fucking hate the mirror that he is holding up for them. The women scream for Roma as he removes his jacket, but when the match is over I will challenge those same women to tell me anything Paul Roma did during the match. They won't be able to, because this is Iron Mike Sharpe's town, and Iron Mike Sharpe's match. To use an already dated out of existence joke format: Mike Sharpe is the Tully Blanchard of Barry Darsows. He has the size and sound and lack of offense of Darsow, but watching him directly after a Tully match you really see what a large adult son Tully Blanchard he is. He is not as hateable on sight as Tully (few men ever have been) but how much of an instant turn off does one have to be within pro wrestling to be booed on sight in his own hometown? 

I love how quickly Sharpe takes armdrags and how it's the only bump he really takes differently than his standard arm waving back bump that he uses for everything else. His swinging arm into Roma's stomach looked excellent and the man gets tied up in the ropes more efficiently than any wrestler other than Andre. But where Andre was always a temporarily inconvenienced giant, Sharpe has a way of making it feel like he just might be stuck in those tangled ropes for the rest of the evening. The finish is outstanding and probably something that no wrestler other than Sharpe would even want to do: Sharpe loads up his cast and swings it at Roma, but Roma catches it and throws Sharpe's loaded arm back into his head. It's so stupid and so hapless that it can only be a Mike Sharpe finish. We didn't know how good we had it, and as Matt points out, it's because nobody comes close to being a Mike Sharpe any more. We didn't recognize how essential different workers were to a roster. 

Greg Valentine vs. Ron Garvin

MD: Another awesome match in their feud. What can you even say about this really? They lay into each other in the corner. Garvin's great at firing back out of it just when you think Valentine has him. Valentine's great at stumbling about and getting a sneaky advantage right until he doesn't. There were some really brilliant specific moments which shows you they weren't just hitting each other blindly. At one point, Valentine's about to do the flop and Garvin catches him so he can hit him one more time first. Valentine takes over with a shinbreaker but when he goes to the second, Garvin nails him before he collapses so they both go down. Finish had Garvin wanting to use the shinguard as a weapon and getting distracted by the ref so he got rolled up but post match he hit a punch version of the Garvin Stomp to a prone Valentine and nailed him with the shinguard anyway. The world would have been better off if we had whole promotions based around this style instead of whatever else we got in the 90s and after.

ER: It would be a good idea if we just kept getting new Garvin/Valentine matches every couple weeks. Every single one we have has been a real gift, and while there are a lot of similarities among them there are always new ideas and ways that certain sequences can be extended. This was, I think, the shortest one we have, and I think going less than 10 actually made their strikes play harder. The first two minutes is just them shoving each other in the chest with both hands and I would have been happy if we never even got to the punches. I could have watched them shove each other and burn out their arms for eight minutes, just to see who would be the first to fall. 

But I do like the strikes. 

Valentine always takes more punches than he gives in the Garvin battles, but I think this one takes the cake. He just gets battered. There is often a corner punch out stretch of their match, and Valentine's selling made this stand out from the rest. Garvin kept punching and chopping him and Valentine kept getting knocked to his ass, hitting the bottom buckle and getting pulled back to his feet only to be punched and chopped some more. When he finally can no longer stand and begins pitching forward into a Flop, Garvin actually holds him up with both hands on his chest. Garvin looks like a support beam propping up a leaning building in the Philippines, and it's all so he can just punch him in the head one more time.  

When Valentine does flop, there is no rest to be had. Garvin starts raking his back and Valentine sells multiple back rakes so well that it made me think of how Tenryu might've sold a back rake if that had been something that any wrestler in WAR ever did (they did not). But it's all back rakes that Valentine sells incredibly, punches to the nose (that Valentine sells incredibly), a fantastic headbutt, and one of those sleepers that starts like a violent clothesline. Garvin is a monster and I don't think there was anyone else on the roster who would have put up with this. Garvin has his own great run of selling when Hammer turns a side headlock into a knee breaker, then does it again. Garvin is limping around on one leg, and after he takes the second knee breaker he landed one big punch that knocked Hammer to his back while it spiraled him into the mat. 

I think calling Garvin's punches after the bell a punch version of the Garvin Stomp kind of undersells how nasty those punches were. Garvin just got into mount and threw disgusting punches while Valentine was on his back. He threw eight of them, and Valentine couldn't really move to absorb them, so Garvin just stood over him raining down shots that built into even more disgusting hammerfists, both fists held together like an ape attacking his handler. Hammer can barely move and has to take a rapid succession of wicked punches and man....is this the best of the Garvin/Valentine matches? I think this one packs in the most action, and it felt like they went even more violent with the shorter runtime. 

Randy Savage vs. Bad News Brown 

MD: This has been out there before but I'm not sure I've ever seen it. It's a street fight. Bad News is out with a Mets shirt. Savage is out with a white shirt with a Gold's Gym tank top over it and grey Zubaz type pants and pink elbow pads so it's a look. Liz looks like Liz. That feels like a missed opportunity. It's basically ten years before its time. You give it a couple more minutes and some more goofiness around the finish and it could have been a 1998 Austin No DQ main event. Brown started with a chair but then missed a punch on the post outside. Savage used the timekeeper's table and kept on him. Then he took the weight belt off and used that. Brown came back with a chair. They set up a table and but the ref got crunched in between it and Brown. That's when we got the Ghetto Blaster and the visual pin, then a hilarious second one as Brown got the ref up and slammed Savage but the ref did a face first bump as he passed out again. When he came to Savage rolled up Bad News for a quick pin and that was that. Post match they went at it with Brown getting an early advantage and Savage fighting back as the locker room cleared. Pretty bizarre to watch overall, but it worked well for what they were doing especially if they went back to it.

ER: This was on the very first DVDVR 80s set, the one that was assembled and arranged differently than all the other eventual sets because this was the very first time we were doing this and nobody had any idea how large this project would grow with subsequent sets. "Controversial" is not the correct word for it but I remember some people wondering why this match was included at the time. There were a lot of imperfections and missing matches on that first set, and I still can't believe that was 20 years ago now. 2005? Impossible. It was not well received by the people who participated in that first ballot. It finished in the bottom 10 out of 100 matches, and it almost surely wouldn't have been included were the set put together with the same method that all subsequent sets were assembled. From the very next set (Other Japan Men's) we were watching every single match from the territory/fed and picking among the very best. There were plenty of matches that should have been included in a WWF 80s set, and we sadly never got to re-do that one. I can't find my initial ballot either, so I have no idea how high/low I ranked it 20 years ago, when I was a 24 year old man, but now I think it's pretty safe to call this pick ahead of its time.  like a pretty ahead of its time fiat pick (that I believe was made by David Bixenspan, credit due).

Maybe it belongs just for the gear. Nobody shows up for a fight like this and they're idiots for that. I loved Bad News in his 50-50 poly-cotton Mets tee and Savage just went over the top with gear. The Golds tank top and Zubaz would have been enough but the tight undershirt and pink elbow pads that looked like knee pads he was wearing on his elbows make it insane. It's possible Big thought it belonged on the set because it was a unique match for 1989 WWF. Savage was the World Heavyweight Champ and it's not like he and Bad News were working Harlem Street Fights around the horn. This was the first (and only one that exists on tape) and they worked just eight total over the next couple months. It's short, it's a tough fight, Savage takes some tough spills - including getting thrown hard over the railing to the concrete, a girl in her neon green sweatshirt helping push him back over the guardrail so he can go after Bad News. Bad News punching the ringpost felt like a novel spot in 1989, and him setting up a table in the corner and running a ref straight through it feels even more novel. That ref got crunched man. The bullshit finish is incredible, with Bad News getting a real long visual pin over the champ, then reviving the referee just for the man to collapse again just as Bad News re-secured the pin. Maybe people disliked it 20 years ago because it was too short? It's less than 8 minutes long, which feels more like a snack than a World Heavyweight Title match, but I'm glad I watched it again now that I'm sliding down the other side of the mountain. 

Jim Duggan/Hercules vs. Ted Dibiase/Virgil

MD: This was already out there as well so I'll keep it quick. Herc and Duggan team up very well. Two versions of the same sort of visual idea with big shots and driving motion. Duggan constantly moving forward especially on his hope spot punches is something I didn't appreciate enough for a lot of my life. Honestly, Dibiase is fine here, feeding and stooging, but he doesn't give himself over to it in the same way a lot of the people earlier in the card. Everything is technically sound but it almost feels more like him putting himself in the right place at the right time in a more modern way as opposed to that sense of total abandon that we got from Davis or Sharpe or (in different ways) the Brainbusters (or in a different way) or Valentine (in a different way). Virgil is interesting here as he never really does much, mainly just plays interference and holds someone for Dibiase. It's actually a clever use for him. This was ok, and fit well on the card. I just don't think Dibiase stood up well to his predecessor heels.

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Found Footage Friday: LOST 1990 WWF HOUSE SHOW~!

WWF House Show Wisconsin Fieldhouse 10/28/90

ER: I love these "undocumented" WWF house shows so much. It's like they never existed, WWF out here running secret shows in podunk towns. Matt and I wrote about a WWF Boy Scout Fundraiser show from '92, which is one of my favorite show reviews we've ever done for Segunda Caida. These shows are special. The WWF showing up in some nothing central Wisconsin town with $9 tickets sold at the local hardware store, like when some mudshow Harlem Clowns barnstormers played members my small childhood town's fire and police departments in our high school gymnasium. I was $9, my dad took me and a couple friends, and we laughed when this one Healdsburg, CA cop kept getting Clowned. I had no idea who the Harlem Clowns were before but saw the ads in our local paper, the Healdsburg Tribune, and Healdsburg wasn't a place that got "events". We were going to a town event, like when the fair would come to town. That's the best part about a show like this: It's not filmed as a wrestling show. It's filmed as a Town Event. WWF sold cheap tickets to a show at Marshfield, Wisconsin's high school gym and we get to watch the home video. My dad didn't bring the camcorder to that Harlem Clowns game, the way he would to my baseball games or recitals, but somebody's dad did. If there are a few guys out there who run a Barnstorming Basketball blog, I hope they find it. 

1. Shane Douglas vs. Black Bart

MD: This is amazing footage to have in the first place as we'd never even had the card for this, just the date. This is clipped, but you still get probably half the match. Tail end of 1990 is when I first got into wrestling as a kid (a little bit of a late arriver) so seeing Black Bart and Shane Douglas in a WWF ring is just natural for me. As an opening match on a B or C show, things could have been a lot worse. Bart was a well-oiled machine by 91; he knew what to do. He knew what not to do. He knew when to do it. He could still execute it well enough. He was never going to be the star that he claims he was going to be if you listen to him do interviews now but he could be just as valuable on an undercard as he was in 85 when he was feuding with Ron Bass in JCP. He was solid enough here that it makes me want to go back and look at his WCW and GWF stuff the following year. It's funny to think that your real bottom of the card heels in 90 WWF were Buddy Rose and Black Bart. Your bottom of the card faces were Powers and Brunzell with Douglas just a bit above them maybe as a real up and comer. Bart worked Dustin a lot around this time as well.

From what we see here, it's paint by numbers, but the numbers add up and the paint is vibrant and the kids in the crowd are into it. Douglas is snappy in his shine, including a nice headscissors takeover and Bart sailing across the ring on an armdrag. We don't see the actual transition but we come in with Bart dropping Shane over the top rope. They then work a chinlock up and down but Shane gets the crowd behind him and he's dynamic enough in the rope running out of it. The finish is a sunset flip back out of the corner and it gets a big pop. Douglas had some legs as a babyface here and they could have done something with him. There are probably dozens of shoot interviews I'm not going to listen to for why they didn't. 90-91 Bart is the one that might get another look from us though.

ER: I thought this was a great opener, and I don't think I realized how good Black Bart would be for Shane Douglas. I have seen more than enough early 90s Douglas and I don't think he typically looks as good as he did here. Bart is a big guy, the kind of big guy that dads in the crowd look at and think "yeah now that's a big guy" and the perfect kind of big guy to take Douglas's babyface fire. There were hundreds of guys working matches just like this and Bart and Douglas were doing it better than most of them. Bart really was a (for me at least) much better Ron Bass, but I don't think I ever thought of Shane Douglas as being a potentially great Ricky Morton. He looked like a great Ricky here. His two headscissors were incredible. Everything Douglas did, Bart made look better, but those headscissors would have looked great against anyone. They were the classic Robert Gibson/Marty Jannetty style and Bart is a big sold guy who is able to "stand" with them longer. Those style headscissors are always more satisfying to me when you can see the babyface actually working to take their opponent over, so Bart being able to hold Douglas up for that pause before getting slid across the ring just makes them pop. The crowd is wild for everything they do (a beautiful running theme on the afternoon) and it made the simplest things sing. 

2. Warlord vs. Tom Stone

MD: This is more like it. Tom Stone has a windbreaker that fits 1990 perfectly. Warlord is lacking Slick but has the full half helmet and armor and staff. I watched some 87 Warlord in New Japan recently where he was the Dangerous Violence Warlord and very green. That Warlord would have given Stone half of the match. This one did not. It was worked like an enhancement match. Real Immovable Object vs. Stoppable Force stuff. Stone tried some clotheslines and punches and staggered Warlord a little but he did a good job portraying how shocked he was that things weren't working instead of doing what Duggan or Bossman would do and build up momentum. That meant he ran into a clothesline eventually. Warlord was really good at setting his stuff up, a bit lift of the arm before coming down with it, that sort of thing, but the impact never lived up to the preamble. Stone's big comeback was two eye rakes and the biting of the eye which seemed to confuse the crowd more than anything else. Then he ran into a lovely big boot and ate the running power slam. This didn't try to be more than what it should have been because of the setting. That meant no lengthy nerve hold. Unless Stone's family was in the crowd, I don't think anyone was disappointed at its absence.

ER: I'm a big Tom Rocky Stone guy, even though he's someone we barely write about. He's a guy I kept trying to get on the DVDVR 80s AWA set, just because I wanted him represented somehow. What's the best Tom Stone match? I have no idea. He didn't get anywhere near the same match length opportunities as the similar-but-different Iron Mike Sharpe, was never used by WWF as a job guy who would put up a fight or could occasionally win. Stone had to do things to stand out while rarely getting out of 2 minute losses. Here, we get 5 minutes of Stone and while none of his offense is really sold, it's a much broader picture of the kind of personality Stone could bring to a loss (that looked like it was headed towards a loss every second of the match). I love his windbreaker, love his dedication to the job guy singlet (the one with the horizontal strap joining the shoulder straps), and love how he still knew how to land offense that looked good while knowing it wouldn't be acknowledged. His clotheslines looked great, his punches looked even better - grabbing Warlord's head with his left and throwing heavy shots with his right - but his perplexed looks in the corner took the cake. He had no entry point into Warlord, he knew he had no entry point, and knew he had no shot. 

Everybody in Marshfield knew that Tom Stone had no shot. He was Mr. Belding in a way that is necessary but now completely unrepresented in wrestling. I don't think any wrestler projected School Principal than Tom Stone. If you didn't know better, you'd think he actually was a teacher at Marshfield High. We have all watched and attended wrestling shows where a teacher from that gymnasium's high school got into the ring. I went to a show at Antioch High School to see Greg Valentine and Sabu and Antioch High School's football coach wrestle. Tom Stone is the most subtly, skillfully acted goofball science teacher wrestling at his school's fundraiser. He's made for this show. He's the fucking Bruno Sammartino of this specific kind of show. His frustration at his own ineffectiveness, a great "here it goes" shake of the head, and a total surprise when he raked at Warlord's eyes and actually bit his eye! A reminder that Tom Stone is a bad guy who actually wants to win. A great pro wrestler. 

Warlord looked like trash. I've watched a lot of Maxx Muscle matches and Warlord was not as good as Maxx Muscle. He has no weight of any kind behind anything he did. His big boot was light, his clothesline soft. That's not really important. If Warlord had walked by me in my town's high school gym when I was 9 years old, my jaw would have been dropped. Gassed out guy in a helmet and Conan weapon would impress the hell out of 9 year old me. Warlord looks huge in a high school gym. You've never seen a bigger person in that building. His match ending powerslam was a real powerslam, an important lesson for wrestlers in "ending the match on a high note". Save your best thing for your last thing. Marshfield will remember Warlord's size and powerslam and nothing else he did. That means it worked. 

 

3. Sgt. Slaughter vs. Nikolai Volkoff

MD: Legitimately shocking. Slaughter came out to huge, huge heat with Adnan and the flag and singing the Iraqi anthem and calling people maggots. Volkoff had a huge pop and the US flag. I do like how this is an inversion. By that I mean, if you ever see a parody of pro wrestling, you'll never see the foreign guy as the face and the American as the turncoat, and Volkoff was super super over during the summer of 90. The whole bit he did with the scouts made him something like the third or fourth top babyface in WWF, at least for a few months. It really did set up the heel Slaughter character well and this was a mauling. Slaughter ambushed Volkoff from behind as Adnan was waving the flag at him and he never let up. His stuff was pointed and credible, mean, just rubbing Volkoff's face in the ground, plastering him with shots from every angle, just being relentless. Warlord is supposed to be slow and methodological, but the difference in the actual perceived impact was telling. You keep looking for Volkoff's comeback and it never gets there. He just eats a bunch of elbow drops and the camel clutch, followed by a post match beating.

ER: When Matt sent me the card for this show it hadn't crossed my mind that Sgt. Slaughter would be bringing his Iraqi Sympathizer routine to this high school. It would have been so fucking wild if someone came flying an Iraqi flag into my school when I was a kid. How could people in central Wisconsin process a guy coming into their town and rooting for Iraq? Do they know the formula? Could they understand it was all part of the show? What's the percentage of Believers? The Gulf War was fresh in 1990. I, a child, would not have been permitted to show any kind of allegiance with Iraq on school grounds and I wish I could have seen the reactions from my town's adults. Sgt. Slaughter praising Iraq and shouting a G rated Tracy Smothers promo at the unexpecting crowd is an incredible sight on its own, but, even as a child, I would have expected Sgt. Slaughter's comeuppance to be arriving any minute. 

Matt's not wrong about how loved Volkoff was that summer, but even if he hadn't been, it was a man waving a large American flag in the face of a man waving an Iraqi flag at what was basically the onset of the Gulf War. Everybody in that building knew that America would come out of this looking good. 

And then Sgt. Slaughter just fucked Volkoff up for several minutes and got him to tap without ever absorbing a single shot, then continued fucking Volkoff up after winning. I and everyone in Marshfield knew that it was only a matter of time before one of Slaughter's constant barrage of kicks to the ribs and big man shots to the body got turned back against him, and instead American got run the fuck over and buried like if the first 15 minutes of Red Dawn had been the whole movie. I don't know if I have ever seen America fare worse in a high school gymnasium. This might be our greatest document of America in the role of Yoji Anjo flying to America fight Rickson Gracie. 

4. Rockers vs. Power and Glory

MD: Really good tag. Great Michaels performance too but everyone was on here. It started with Jannetty hitting a top rope fist on Hercules who was swinging his chain in the middle of the ring for an awesome visual to start and never really let up. Rockers kept outquicking Power and Glory's attempt to cheat to take over to keep the shine but it was overall pretty brisk. Nothing wore out its welcome. When Jannetty was in there (and getting a chant), Shawn was engaged on the apron. It took a fairly complex series of three or four cheating attempts to finally take over on Michaels. They mostly worked over his leg. There was a great hope spot where Roma was stepping on the ankle to prevent him from tag and so he could taunt Jannetty and Michaels worked himself halfway up and did a sort of falling punch which looked perfect given the HH quality. They were drawing a bunch of heat by attacking Jannetty on the apron and focusing on the leg, building to Michaels kicking Herc into the corner on a spinning toe hold. Jannetty came in hot setting up the finish where Michaels, having been tossed outside, pulled Hercules away allowing Jannetty to duck the double clothesline and hit a cross body on Roma. Fans were into this and if anything, I could have used an extra minute or two.

ER: Great tag match from two of the great WWF tag teams. Power and Glory were so good. Of course the Rockers were good but Power and Glory were so good. Hercules and Paul Roma are each guys who don't give enough credit. Hercules' as a worker keeps looking better and better the more I revisit that era. He's another act that plays huge in a high school gym. Look how he swings the chains, knowing exactly how close he can stand to Marty Jannetty to not actually chain whip the man while still swinging the chains at full extension. Paul Roma, meanwhile, holds up tremendously, as he's the greasiest slimeball around and looks and acts like someone who should be the greasiest slimeball around. He was born into being an asshole. You cannot look like Paul Roma and not be a jackoff. This building understood that on sight, and they also understood that the Rockers were the coolest boys in town. Marty Jannetty especially got a huge reaction, and the opening of this match should have been the way a classic PPV match happened. Hercules swinging chains in Marty's face, Marty climbing to the top rope and leaping off with a fist to the face. 

I love watching southern tag formula in American gyms. Bad versions of it usually work, great versions of it lead to ear splitting joyous reactions. When Marty tags in after Michaels has been getting his leg kicked and stomped over? It's impossible to picture anything or anyone getting a louder reaction. Power and Glory did nothing over the top to work over Michaels' knee, other than look exactly the way Power and Glory look and simply kicking and stomping at his leg. They didn't need to do anything else, the energy was perfect. It could have gone on another 10 minutes and it only would have gotten better with each minute. This crowd would have been along for every stomp and every close tag. I do wish Michaels had been cut off from a tag one or two or three more times, but this deserved every scream of that hot tag. The Marty chants are calorific icing. 

5. Koko B. Ware vs. Boris Zhukov

MD: Koko looks like a million bucks here. Most entertaining, compelling, engaging babyface in the world. Zhukov does his part to start, stalling early while Koko keeps the USA chants going and holds court in the ring, and then walking right into a whole lot of stooing shtick. The best bit was when Koko would headbutt him and Zhukov would stagger and then Koko would mock the stagger. Legitimately funny stuff. Eventually Zhukov dragged him down into that nerve hold I was worried about in the Warlord match, but it worked here far better. Some good hope spots and cutoffs before Koko came back and eventually won it with a missile dropkick so high that he basically bounced off the top of Zhukov's head. I'm not doing this one justice but it was very good for what it was.

ER: Was every person on this roster just the perfect High School Gym Attraction? Any child who sees Koko B. Ware dance into their gym, literal parrot on his shoulder, bronze suit glittering, looking like the coolest confident most fun person in the world. A Megastar cartoon of a man. I dated a girl my age whose connection to wrestling was watching Sunday morning WWF with her brother, and Koko B. Ware was her favorite. How couldn't he be the favorite? Do you know how wide I smiled and how my voice went up when a hot girl told me she loved Koko B. Ware at some point in her life. That's special. We'll have that. I smile when I pass my Koko Hasbro. If, instead of Koko B. Ware - a name every American should be allowed to hear once in their life, because it's a fake name that has a real chance to stick with someone after hearing it just one time. What's a better pro wrestler name than Koko B. Ware? Gorilla Monsoon? Probably. But not many. We should have been given Attitude era Koko. Lives would have changed. The charm of children asking questions on pro wrestling handhelds is one of the truly innocent and charming experiences in our scumbag obsession of choice. Suddenly every child in every part of this building had questions when Koko B. Ware appeared in their lives. 

6. Texas Tornado vs. Mr. Perfect

MD: I don't know about this one. It had some weird, weird structural things that would have made more sense if Perfect had the belt and wasn't the challenger. He attacked Kerry on the way in, but Kerry came back, hit the tornado punch on the floor, and then started play King of the Mountain, keeping Perfect out of the ring. It was pretty back and forth after that with Perfect able to chip away but never hold control for long. Kerry was going to Kerry. They definitely felt more room to breathe given that this was a house show that no one was ever going to see. Perfect BLOCKED the discus punch on the inside. Kerry hit it another time or two in the match incidentally, just twirling around after his punches. Kerry kicked out of the PerfectPlex. At some point, you got the sense that maybe they were just having fun with it because they were on a B show in Wisconsin? 

The finish was fun with Perfect undoing the turnbuckles but Kerry cutting him off and running him across the ring to faceplant him into the metal. Perfect did a triple gainer in the air exactly as you'd want him to in that situation but he still managed to kick out at too. It didn't matter much though as Kerry just spun around the ring at full speed to hit the tornado punch one last time for the win. Post-match, Hennig just decided to lay there for a bit. It was an entertaining house show performance (and has value along those lines certainly) but I don't it necessarily had the substance to go along with the sizzle.

ER: I wish we had sound during Kerry's entrance because that crowd looked loud and Kerry took a long time with it, slow walked it in his perfect jacket. But we have all of this full match, and I loved it a lot more than Matt. I thought this was a great match, a stiff dominating heel Perfect performance against a tough fight back aw shucks babyface Kerry performance. Kerry spammed variations on the discus punch in between a consistently dominant Perfect attack. This was really physical. When Perfect bumped for Kerry, he bumped for Kerry, but when he hit Kerry he hit Kerry. Every punch and every chop Perfect threw played directly into this camcorder lens 12 riser seats up. Perfect was an unrelenting attacker, smothering our sculpted god. Two different times in this match, Perfect flung himself over the top rope to the floor to continue an attack as quickly as possible. Our cameraman misses a huge Perfect bump to the floor that gets the gym jumping to their feet, but you can see his feet go over the top, and it looked no different than him flying out to the floor just to punch Kerry in the face. Blocking the discus punch was a legit surprise, and a heel out punching the babyface champion famous for his punches. That's a hero facing a real threat, and Perfect looked like a real threat, easily the most violent worker on the show. Kerry kicking out of the Perfect Plex would have shocked me live; Perfect flipping for a discus punch would have delighted me.  

7. Earthquake vs. Hacksaw Jim Duggan

MD: Earthquake had Hart with him and Jimmy even did the introduction for him. There was some fun house show goofing here too with Duggan catching Earthquake trying to cheapshot him a number of times. Quake was one of the best ever at knowing just how much to give and exactly when to give it. He was doing all of the Hogan poses too and it got big heat. He knew how to be a monster. He knew how to accentuate the things that made him larger than life. It's not quite the same as how Andre did it, because Andre had such a unique presence that he was accentuating being Andre. With Quake it was more about running a scientific experiment to prove beyond any matter of doubt that physics actually matter. Duggan got in a lot of shots and even got close once or twice (close being making him wobble or teasing a slam). Jimmy helped him take over eventually and he had some bear hugs that didn't look like the most amazing things in the world from the HH vantage but were naturally believable enough. Duggan was able to get hope spots through dodging and firing back but he was cut off. His comeback was pro wrestling perfection as Quake wobbled more and more, including this bit of remarkable fancy footwork to really get it across and build up the drama, before Duggan finally hit the three point stance. Hart intervened but eventually got squashed in the corner as Duggan moved and they sent the fans home happy with a quick roll up pin. We have the Summerslam Fever match between these two and some tags, but I think this was a pretty rare matchup overall and unsurprisingly, they matched up well together.

ER: Earthquake looks so massive here, in ways that we will never see in pro wrestling again. I don't think people realize just how much a big fat bearded guy fearlessly running ropes as fearlessly as God himself meant to our fandom. I don't know if I've committed to anything in my life as fearlessly as Earthquake commits to running ropes, and honestly it inspires me. I've been going on and on about how every wrestler on this roster is made to shine in a high school gymnasium but will you look at how perfect Earthquake and Jim Duggan look in high school gym of a town that had a Carl's Jr. but didn't get a McDonalds until 1991. Duggan's punches all looked like shit, and it didn't matter, because when it came time for Earthquake to tease out a Berzerkeresque spot where he legs keep splitting farther and farther apart with each subsequent Hacksaw clothesline, we were somehow witnessing Earthquake putting more faith into his adductor muscles than he puts into the ropes. I was so certain he was hitting the mat on that third clothesline, plopped down on his butt, and when he went full leg spread hunch forward it was like the greatest Andre spot that Andre never did. These men knew. Some kid went into their town's new-ish McDonalds that day and told them "Nick sent me," and later that night saw Earthquake vanquished by America. What a day. 

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Jim Duggan's Best WWF Match

 

Jim Duggan vs. Shawn Michaels WWF Raw 5/10/93

ER: I think, from other wrestling writers, when reading a lead such as "Jim Duggan's Best WWF Match" you might think it was some kind of trick. Then you read the review and it's just talking about the 1992 or 1988 or 2009 Royal Rumble and Duggan is barely mentioned and you realize you have indeed been duped by Sensational Pro Wrestling Headlines That Are Technically Correct. I'm not here to trick you. You know that by now. I'm not interested in tricks. I'm just here to talk plainly about Jim Duggan's Best WWF Match, and regardless of your interpretation of that statement I think you will be satisfied. This is both a) Duggan's Best WWF Match, b) The Hardest Duggan Worked in a WWF Match, and c) The Best Duggan Ever Looked in a WWF Match. Whatever definition of "Best" you came into this with, I think I will have your bases covered. 

Admittedly I am higher on Duggan than most, recognizing the strengths and weaknesses that he brought to the last 30 years of his career. But even as a supporter of his strengths (and someone who was even a fan of his 2006-2008 WWF comeback) I can admit that often the best WWF/WCW Duggan matches were due to his opponent. That doesn't mean that Duggan brought nothing to these matches, but I would say the vast amount of "From WWF On" Duggan matches that I enjoy are due to an opponent working around Duggan as an opponent. Duggan is often more of an obstacle to work around than a guy to work with. This was even more true by the time he was in WCW. Regal vs. Duggan, Craig Pittman vs. Duggan, even Roadblock vs. Duggan, these are match-ups that were entertaining due to fun wrestlers working around a large obstruction. Jim Duggan was not someone who was interested in having Great Matches, and I love how durable and popular he remained by working a safe style. He was clearly a smart man, working as a stupid man. 

So I have no idea what got into him for this one match. I can't think of another WWF match he had anywhere close to this match, the longest recorded singles match of his entire WWF tenure. We're not really buying the accuracy of the supposed 20-25 minute house Savage matches, anyway. Until I see video evidence I think it's far more likely that whomever reported those numbers was actually watching a 15 minute match that felt like a 25 minute match. This match was an actual long TV singles match that goes through two commercial breaks, not some house show fantasy. It's a lumberjack where all the lumberjacks - Bam Bam Bigelow, Mr. Hughes, Typhoon, Terry Taylor, you know the real big guys - save Yokozuna were actually wearing flannel shirts. It's absurd, and their appearance made me assume before the match started that the lumberjacks would be heavily involved in cartoon fashion. And yet, the lumberjacks were hardly a factor, except for Yokozuna's very important involvement in the finish. 

Oh, well then surely Shawn Michaels was the one covering for Duggan! This was a long singles match that was clearly made palatable by the great Shawn Michaels slipping on banana peels! Nope, that's not it either. Michaels bumps like a normal man, still taking great bumps, but not as one bumping in service to himself as he often does. Did he take one of the highest backdrops a man could possibly take? Getting vaulted up higher into the air as Duggan shoves his already-high-in-the-air-knees up and over even higher, resulting in one of the highest non-Rick Rude backdrops in company history? Yes. Michaels was great in this match. But I think Hacksaw was even greater. 

Duggan takes an actual furious attack to Michaels and keeps the attack going nearly the entire match. It is the most energetic I have seen Duggan in a WWF ring and it's a sight. His strikes have purpose, he drops elbows with weight, he does a vertical suplex! This man doesn't just do a vertical suplex, he does a delayed vertical suplex! Think about it. Explore the Hacksaw corners of your brain, and try to recall if you've seen Jim Duggan do a vertical suplex, let alone hang onto one for awhile. This was a match for a title, and Duggan was fighting like a man who really really wanted to win that title. Michaels had shown up for the match in street clothes on crutches, trying to duck the challenge, and here's Duggan ripping clothes off Michaels back. This proves the theory that, If Jim Duggan Is Ripping Another Man's Clothes Off During A Match, You Are Watching A Great Duggan Match. He looks incredible. His Johnny Ramone shag was his best ever haircut, and his large American flag singlet-covered belly hangs down like a pregnant dog's. When he misses his Old Glory kneedrop, he misses it like a man who doesn't care about his knees. 

Michaels is a guy who wears cowboy boots whenever he gets the chance, but this match is the match where he finally takes one of those boots off to do the best thing you can do with a cowboy boot in wrestling: hit a guy with a big belly directly in the head with the heel of that boot. But Jim Duggan has a similar-but-different asset to black wrestlers and islanders: His head is not so hard as to be impervious to headbutts, but it is a head that is so empty that the heel of a cowboy boot cannot began to damage it. The same goes for Michaels desperately trying to lock in a sleeperhold and chinlock: You are only expending your own average trying to cut off blood flow to the man who already has limited brain activity. This was the last big Duggan match. Duggan went on to have a US title reign the next year and a TV title reign during the Russo era of WCW, and neither of those actual title wins felt like anywhere close to as big a deal as this title challenge. The US title reign felt like something written into Hogan's contract, the TV title  run was written as "who would be the funniest guy to put a literal garbage title on"; this match was the last time Duggan felt like he was actually fighting for something. 1993 WWF is the easiest year to re-book in hindsight. This match, ending when Duggan is thrown to the floor and flattened by Yokozuna, leading to Mr. Perfect going after Michaels for the DQ, clearly set up programs that never got satisfyingly paid off. Duggan should have challenged Yokozuna for the World title on PPV, Perfect should have challenged Michaels for the IC title at King of the Ring, Crush should have slammed Yokozuna on the Intrepid after Duggan softened him up, etc. The Luger turn ruined everything that the first half of the year had been building to...

but somewhere in all that mess we got an actual great Jim Duggan WWF match.    

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Found Footage Friday: 1993 WWF House Show Oakland 2/13/93

WWF House Show Oakland 2/13/93

MD: Richard Land (@maskedwrestlers on Twitter) has launched a new service releasing rarities twice a month. It's honestly more than we can easily keep track of, which is a great thing, but we'll feed stuff into Found Footage Friday as much as we can. Reach out to him for more information. This was a house show that neither Eric or I had ever seen from a period where we have both seen a lot of house shows. 

ER: This is an example of the kind of house show I would have been able to attend at age 12, had my parents not kept secret from me the entire existence of live pro wrestling. We lived about 60 miles north of Oakland/San Francisco. We went into the city regularly for Giants games, occasionally for A's games, once for a baseball card show at the Moscone center, and every Christmas season so my mom could see the big window displays at the downtown SF department stores. We would not have gone into the city to see professional wrestling, and I believe that my parents hid the existence of house shows from me with the same ferocity of Peggy Hill hiding the concept of Competitive Eating from Bobby. Newspaper pages were cut out, lies were told. This show happened just after my 12th birthday and this review should be filled with me sharing memories of that happy day when my father or poor mother took me to this show. But they were trying to raise me right. 

1. Tatanka vs. The Predator

MD: The Predator is Horace Boulder with face paint. We hit this JIP and it's kind of nuts how Tatanka sets the mood immediately. Super hard chops in the corner, everything looking crisp, including an atomic drop. I've gotten the sense in revisits that I didn't appreciate Tatanka enough when I was younger, but everything looked great. He missed an elbow drop which let Predator take over. You'll be happy to know that he had the family legdrop. They worked a pretty decent grounded chinlock with the crowd absolutely going up for Tatanka's hope spots. They were hot for the opener here, especially so when Tatanka started the war dance. He absolutely flattened Predator figuratively with one final chop and then literally with the Samoan Drop. There was a reason why it wasn't just Strongbow but Wahoo as well that gave him the headdress I guess. Nice brisk opener here. I vaguely wonder if there are some great indy Tatanka matches from the late 90s we should try to find. Vaguely.

ER: I am actually a pretty big Horace Boulder Guy. Over the last 25 years of my wrestling fandom I have tried to sell more than one person in my life on the Idea of Horace Boulder/Horace Hogan. How cool is it that there was a guy who out there who was related to the biggest star in pro wrestling and even had the exact same movement, height, and posture as that biggest star, and that he also wrestled exactly the same in a lot of ways. Except that he was Hulk Hogan Without Success. He wrestled like Hogan, if opponents didn't have to treat him like Hulk Hogan and crowds didn't react to his offense as if it were being delivered  by Hulk Hogan. Hulk Hogan Without Success would have been a really funny gimmick. A lot funnier than "The Predator". 

The Predator is a name that invokes the scariest unkillable cool alien presence when it's associated with Arnold's machine gun biceps and John McTiernan's late 80s action perfection dominance. The name "The Predator" invokes the worst possible other horrors when associated directly with pro wrestling, and the singular The implies that he is the worst of them. Begging and pleading with my dad to finally take me into the city to see a wrestling show and suddenly tasked with explaining to him why this man is Thee Predator, and me having no answer because The Predator was a House Show Exclusive over the Winter and Summer months of 1993 and I wouldn't have understood the negative connotations of the word Predator anyway. This would have been one of only three chances for me to see Horace Boulder live in the Bay Area, a fact I wouldn't have appreciated at the time. Imagine living in Colorado and getting to sit in attendance for a Velocity taping dark match of Horace Hogan & Bull Buchanan vs. Mark Henry & Mark Jindrak? God could you imagine. Also of note, in this match, Horace was shaped exactly the same as Gene Snitsky. Exact same build, size, and shape. 

2. Kamala vs. Kim Chee

MD: This show is full of stuff that I feel like we just never had on tape on any other house shows. Kamala was with Slick and didn't want to fight Kimchee at all. That let Kimchee get an early advantage until Kamala started to fight back. An errant Slick distraction allowed Kimchee to whack Kamala with something I couldn't make out given the VQ, but then he erred and went after Slick. Kamala chased him down, fought him off, and crushed him to the delight of the crowd. Post-match Slick put Kimchee's hat on Kamala, so that was fun. This was a lot of shtick in a very short period of time, but the crowd ate it up as well they should.

ER: I wonder if 1993 could be considered our best year of Steve Lombardi, in ring. I'm not sure this match would be the one for you to support that claim. In fact, it had to be a pretty great gig pulling lowest card heel duty against house show Kamala in 1993. You got to bullshit with the referee and fans for a couple of minutes, do some light cardio to get away from the former savage who you keep provoking, and then you settle in to sway your body in response to 1-3 Baba chops, stand still for the thrust kick, and run into the cross chop. Lombardi takes a really big bump over the top to the floor as Kamala exits him from the ring post match, and for something that is probably the most dangerous part of his day, he takes it in a way that would classify as a Memorable Royal Rumble Elimination on any given night. 

3. Terry Taylor vs. Typhoon

MD: Speaking of shtick, this was the second massive physical mismatch in a row and they leaned hard into it. 93 Taylor was, in some ways, at the height of his powers and this was an absolute stall fest. He was strutting, hiding in the ropes, threatening to walk to the back. Everyone in the crowd knew that if Typhoon got his hands on Taylor, he'd lift him up with an armbar or clamp on a headlock or run him over with a shoulder block. Taylor used the ref as cover to get in a throat shot and stayed on the throat until Typhoon started to fight up. Whereas, the crowd was very much behind Tatanka because they wanted to see him triumph, them clapping up Typhoon was more about seeing Taylor get his comeuppance. His cutoff went low instead of high however, and Typhoon even went up for an ill-advised belly to back for him. Taylor then went up and out on the cover attempt, stooging himself about fifteen feet on a kickout. Taylor hitting that suplex actually meant the transition spot of Typhoon reversing a standing vertical (and propelling Taylor across the ring again) was all the more effective though. Finish was Taylor getting some distance with an eyepoke only to leap off the second turnbuckle into a powerslam that was more of a Snow Plow as Typhoon didn't quite get him around. 

ER: 1993 might also be the best year of Terry Taylor, and it's hidden almost entirely on house shows. He has an out of nowhere great Raw match against Mr. Perfect in January and then after a couple more TV appearances he continued working months filling out house shows as the perfect version of himself: A heel Mark Harmon who rubbed people the wrong way with an insincere Nice Guy act. Aloof "Nice Guy" Terry Taylor is a persona that Taylor captures so well that it's one of those things clearly just already being answered by his shirt. I think I would love this match if it were just Terry airing any wrinkles out of his robe before handing it to a ringside attendant. Taylor plays this great fame of Avoid and Strut, never running from Typhoon but showing far too much confidence and acting like an idiot whenever caught. He starts a shoving match and storms the fuck out of the Coliseum, working with the kind of craft that makes 90s House Show Heel From The Territories look like the most fun job in the world. I would take Taylor's full extension slow bounce over from Typhoon's shoulderblock every damn day. Buddy Landel was never this good. 1993 Terry Taylor might be one of the greatest hidden years in wrestling. What looks like a contender for the best in-ring year of Taylor's career, happening in the biggest American company...but hidden almost entirely on house shows. 

Taylor convincingly kicks Typhoon's ass when he takes over. His punches are great, and he acts like a shithead in between every strike. But he also gets pressed through the ropes to the floor during a pin attempt and he makes the spot look as great as it can look, like a French Catch level of comedy and grace. He takes a high backdrop and yells when splatted by an avalanche. I loved the twist before the ending, where Typhoon was ramping up for the finish and Taylor shut it down with an eye poke. I actually got tricked into thinking they were icing things down for another minute or two, until I saw Terry climb to the top. Terry leaps right into a powerslam and then maybe the best part of his whole performance happens, as he just lies flattened and motionless for a hilariously long time, the entire time Typhoon was celebrating and shaking hands with fans after. When Taylor finally starts to stir, he continues making a 90s house show heel look like the most fun job in the whole world, going around the ring claiming that he got his shoulder up in time, before finally hopping to the floor and proceeding to injure his back, limping and openly grimacing, not hiding his pain from the laughter. Terry Taylor feels like a Top 5 guy in 1993 WWF, if we actually got to see more than a handful of matches.  

4. Doink vs. Bob Backlund

MD: I can't wait to read Eric's take on this one. That's true for the whole show, but especially this. It was, in my mind, exactly what you'd think a Backlund vs. Doink house show match would be. Just a perfect opening with Doink almost busting a lung falling over laughing at Backlund's handshake attempt followed by him hitting three measured takeovers before Backlund returned the favor with all three in quick succession. Beautiful stuff. They then took it straight to the mat just liked you want out of goofy Minnesotan wrestling machine and an evil clown, before switching over to extended holds and reversal attempts. When Backlund finally pried an arm away, he spent a good minute teasing a punch as the fans roared and the ref warned only to just go into an armbar instead; not just any, of course, as he made sure to wrench Doink up and over in the most painful manner possible. He just didn't punch him. That would have been unsportsmanlike. Not that he didn't keep teasing it. Doink, skilled harlequin that he was, turned Backlund over and started stretching him, going so far as to chucking him over the guardrail. Eventually Backlund came back and returned favor, hitting an atomic drop that sent Doink through the ropes. Both guys put absolutely everything they had into what they were doing. With Borne, it was what he had to do to get over. With Backlund, it was just who he was. Anyway, Doink was able to capitalize on being half out the ring to take out Backlund's eyes with something nefarious and he scored a quick, cheap pin. We're better off for having seen this.

ER: This is great. Historic even. It's a reason why handheld wrestling is the literal best wrestling. Handhelds capture moments that are manufactured for real people in the room that have a relaxed The Cameras Are Off vibe you would never see on TV. Doink/Backlund is a pairing that's remembered so fondly by those of us who remembered watching it as kids and seeing matwork and finding out what a fucking stump puller is. But there aren't actually that many Doink/Backlund matches, and the TV ones were under 5 minutes. This match was a different animal. This was a different animal because this was Doink working a Bob Backlund Madison Square Garden match. Bob Backlund was weird and awkward in 1993 WWF. He was like unfrozen territory babyface and it was like he had been in a Dead Zone coma for a decade and went right back to working 1983 territory wrestling babyface. And now he's doing it in Oakland, CA, which is hilarious to me. Bob Backlund is the whitest wrestler in history and here he is in Oakland, and it's the literal only time he's wrestled a match in Oakland. Doink is tasked with working a 20 minute match with a goofy 1980 white meat babyface in Oakland...and he succeeds by somehow working AS Bob Backlund. 

Doink the Clown works this match both as Doink, but also as 1980 Bob Backlund, were Backlund a heel and also wearing white grease paint to darken his complexion. Backlund also works as 1980 Backlund and Doink is his heel doppelgänger in the exact same style. This is a long form, mostly quiet match, that easily could have lost the crowd's attention at any point and yet they never did once. This crowd was invested in a recreation of a Bob Backlund/Buddy Rose match from a decade prior. Doink works slow strength spots and mugs whenever Backlund is unable to break the hold, Backlund works his long armbar while Doink takes big comical Backlund bumps. Doink bumps like a clown would bump, and it's perfect. When he finally makes the ropes after Backlund's armbar, Backlund pulls him back and Doink goes flying as if shot out of a cannon. Later he takes a big bump and lands right on his butt with his legs out, like a toddler learning to walk. When Backlund finally pulls off the big atomic drop, Doink springs forward through the ropes to the floor, all leading to him taking a weapon out of his jacket to jab Backlund with. Backlund gets the DQ win and literally runs through the crowd like a maniac, like a Bruiser Brody whose goal was to hurt zero people. 

5. Randy Savage vs. Yokozuna 

MD: This hit just right. Savage did the babyface version of the Taylor shtick to begin. He got on the mic just to go "Ohhh Yeahhh," which by 93 was probably more than enough. He spun around after Yoko started the sumo stomps. He got back on to start a USA chant. He was just late-era WWF Savage in the full body suit holding babyface court. The match itself was pretty straightforward. Yoko dominated with his size. He had these sort of downwards aimed punches that looked devastating. He tossed Savage out and slammed him into the rail. He dropped a leg on him. Savage would try to punch up but five or six punches equaled one of Yoko's. Finally Yoko missed a splash in the corner and Savage staggered him off the top rope before Fuji intervened with the flag, toppling him. Yoko hit a belly to belly for a quick pin. Post-match, he went for the Banzai Drop, missed, and got knocked out of the ring by Savage. There wasn't much to it. It didn't go wrong. They got as much value out of it as possible and I don't think the fans were at all disappointed for what they got.

ER: Matt pointed out that yes this is essentially babyface Terry Taylor vs. heel Typhoon (even though I don't think it's anywhere close to as good as our heel Taylor/face Typhoon match) although with less on the heel side and less on the face side. It's a lesser version of that, basically. Less. But also look how damn far Macho Man flew out of the ring when Yoko threw him to the floor! He didn't have to do that. He could have taken a much more sensible bump to the floor on a house show. I love how Savage punches to his feet, loved his punches to Yokozuna's face (and how Yoko would throw his head back for them) and I loved the way Savage crumpled when Yoko put him down with one return shot. I wish they had a couple extra beats before going right into the belly to belly finish, and I wish Savage had a piece of babyface offense that looked better than his top rope axe handle. It feels like a waste to go to the top rope and only come off with a weak axe handle that looks like spatchcocked hands. 

6. Tito Santana vs. Damien DeMento

MD: These two faced off twenty times between October 92 and the middle of 93. I would have sworn it was more. We have one of their PTW matches. DeMento more or did things right, but it didn't come off great. I'm not sure we needed another bit of early stalling after the Taylor match, even if he had the additional advantage of that special dissonance you get when a bigger guy does it with a smaller one. He took over by jamming Santana on a hip toss and hitting a clothesline. He cut him off with quick eye pokes (again dissonance). The grounded chinlock that made up a chunk of the heat worked in theory because you had someone as good as Santana fighting up out of it, but I'm not sure we needed to see it again this card. The finish was fine. Tito hit the flying forearm in the ropes. As a kid, I knew whenever he hit it and didn't get the win, which, after a certain chronological point was more often than not as his role shifted, he'd be losing. The shift to El Matador gave him El Pase de la Muerte, the shot to the back of the head, and that meant the ending of the match was more open to possibilities. Here though, DeMento landed on him on a suplex attempt back in. Maybe one too many heels going over in a row here? I probably would have liked this more in a bubble.

ER: I cans see Matt is setting me up here to be the Damien DeMento Guy, and maybe that guy is me. I am certainly more of a fan of DeMento's now than I ever have been from 1993-2021. What an odd guy to have basically existed in wrestling for only one year, the kind of guy with minimal ring experience who never would have been hired for this role in any other era. To hear DeMento tell his story, his "I had no experience but I trained with Johnny Rodz and then I worked worked 140 matches in 11 months in WWF and then retired" would sound like a whopper of a lie. "So yeah, there I was working Madison Square Garden with only 40 or so matches under my belt..." yeah sure okay bud. I don't know if DeMento was actually good, but he is a weirdo who came out of nowhere to work a full WWF schedule for a year and then returned to Pennsylvania and that's it, and that's cool. I love the energy he puts behind missed clotheslines, and his short lariat after blocking a hiptoss looked real good. I was impressed with his positioning near the ropes after taking Santana's flying forearm, and his dedication to making it look like he actually grabbed the top rope on his way back in the ring to shift his weight onto Santana. 

7. Steiner Brothers vs. Beverly Brothers 

MD: Unsurprisingly, this was very enjoyable. Here, the shtick worked on so many levels. Beau and Blake put so much energy and enthusiasm and verve into it. They'd try to buddy up with the ref, would hide behind a security guard, would bob in and out between the ropes at high speed. And with 2024 eyes, the anticipation was all about the huge bumps you know that they - the only guys willing to face the Steiners - would be taking. They were working so big that it wasn't even about the people in the last row seeing them; it was on the hope that Verne would see them all the way from Minnesota. And the Steiners obliged, dropping them on their skull for belly to belly suplexes, power slams, and of course the Frankensteiner at the end. Meanwhile, they really kept it moving. The Steiners were constantly fighting from underneath and often retaking the offense only for the Beverlys to have to go underhanded to stay in it and take back control. 

I get that in the years following this, Scott would become more and more listless in his matches and I would even say here that he wasn't necessarily working the crowd or working for the crowd, but he was entirely engaged with what his opponents were doing. You never got the sense that he wasn't trying to fight back, that he wasn't affected and incensed by everything that was happening to him, that he wasn't desperate to get revenge and to make it over to his brother for a tag. He was just laser focused on the Beverlys as opposed to channeling the crowd. It gave everything a more athletic, organic feel, and, after the hot tag, a more chaotic one with bodies flying around and timing perhaps being just a little bit off. It worked for the crowd, however, and it worked for me three decades later.

ER: I love the Beverlys/Steiners as a match. Their 1993 Rumble match might be the WWF MOTY, and Enos/Bloom should be in the discussion for Greatest Steiner Opponents. Enos and Bloom are big guys who bump huge for the Steiners, but in a way that makes it clear that these big bumps are being done by big guys. Mike Enos getting crazy height on a backdrop looked even crazier because it looked like a big man getting tossed up that high. But this is a gem because it's a Steiners/Beverlys match that we would never see on TV. Only on house shows do you get to see Scotty as face in peril, a match constructed much more around Beverlys cut off spots instead of Beverly bumps (those are still saved for the end). Mike Enos was always the praised member of the Beverlys, but Bloom is the one who shines brighter in a house show environment. He's the more expressive heel, the one better at drawing heat, the one better at arguing with the ref, the one who even goes and draws sympathy from a security guard in the aisle, and he also has better punches and stomps. The eventual hot tag was explosive and quick, the real time for Enos to shine. It's incredible to me that this is just the way Mike Enos took the frankensteiner. He wasn't just getting vertically spiked on PPV, he was doing it in front of a few thousand people, working towards that one dad in the crowd with a camcorder. Mike Enos taking the frankensteiner is one of our Great Bumps, a Minnesotan man in mustache and mullet and middle age spread doing the most complicated breakdancing head slide. It's incredible. How did the Beverlys never get a Hasbro? Enos should have had one with neck breaking action. 

8. Crush vs. Shawn Michaels

MD: Not entirely sure how to tackle this one. First and foremost, Sherri was at ringside as a "neutral observer" or some such. She unsurprisingly had the best offense in the match when she got to lay it in on Shawn. She was also really effective in the finish as Shawn was stalking her and she tripped over the ring steps backwards. It was generally a different match when she was involved, more visceral, more gripping. If I had never seen Michaels before, this would be my take: when he took offense early, he was bumping and stooging over the ring, but there was almost too much energy to him. It wasn't focused and channeled the way the Beverly's managed to do it. It felt much more like a guy playing a role. It was easy for him to be press slammed and otherwise tossed around by Crush and he went over the top for it when it was so inherently evident that maybe he didn't have to and it ended up subtracting from the overall effect. When he was on top, however, likely due to the fact that Crush was so much bigger and the effort did need to go into it, he was dogged and persistent and unyielding and his stuff ended up looking really good; it had to in order to be credible. He had no choice. Him putting the extra effort in there paid off whereas in the early stages, when he was stooging, it distracted. And there was nothing more real in the entire match than Michaels, irate, snatching the title belt and smashing Crush over the head to draw the DQ as he tried to check on Sherri. Nine times out of ten, a DQ like that would feel like them searching for a way out of the match. Here, it felt like an act of heated passion in the moment. 

ER: I love that there is one woman captured on camera who is fully into Shawn's entire routine, unafraid to publicly like what she likes. Crush is announced at 257 which must mean Crush was working a heel Buddy Rose act. 1993 was really the peak pro wrestling year for the fried fluffed out mullet, and appropriately we get a large portion of the match built around  the potential pulling and tugging of fluffy split end Rod Beck mullets. After Michaels complains immediately about a hair pull, they spend the next couple minutes with Crush holding him in a side headlock while Michaels' hand keeps drifting up towards that flowing cotton candy, the ref stopping his hand 2-3 dozen times on every side of the ring. Michaels going up for Crush's press slam is an awesome spot. Both men make it look so effortless, with the 257 lb. Crush walking Michaels and holding him up to a couple sides, more and more people getting to their feet the longer Crush has him up, dying to see Michaels thrown into the sun. I liked how Michaels' big bump to the floor focused more on the speed of getting there rather than something showy and athletic. The way he spilled made it look like a man who wasn't fully in control of the landing, even though he was. His selling for Sherri's slaps and kicks was excellent, like a man getting up from his blanket after one too many hornets makes his picnic an impossibility. 

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WWF UK Rampage 93

 

I really like how Rampage 93 is filmed. It looks and sounds like an incredibly well produced handheld, capturing a neat up-close house show vibe. It's 12,000 loud people in Sheffield and the crowd and ring are mic'd like you were there live. It's a real house show card too, with tag guys split into singles and a 10 minute Brooklyn Brawler match. 

1. Fatu vs. Brian Knobbs

ER: Nasties were so over that Knobbs was able to go around the ring milking NASTY chants for two straight minutes without anyone losing interest. Knobbs was like a big fat sloppy Hogan to this crowd, and he is a pretty great fat sloppy Hogan. I love how Brian Knobbs runs the ropes like fat guy. Not a fat guy wrestler, just a fat guy. He runs the ropes like an overweight principal who gets in the ring at a school fundraiser to do a completely ill-advised spot. If your principal ran the ropes like Knobbs, you'd think he was just being fun dorky Mr. Wilson. But Brian Knobbs is like the school's weird janitor getting in the ring and running the ropes like a fat lunatic, and kids fucking love it. 

2. Doink vs. Kamala 

ER: Doink keeps wrestling Kamala to the mat and it's so damn cool. Nobody ever rushes in and grabs Kamala in a single leg and then start working half grapevine armbars on him. Doink is working Iowa shooter holds on Kamala and I don't know if I've ever seen anyone do that. Kamala falls in ways he doesn't usually fall, because nobody ever thought to work like Lou Thesz against Kamala. Doink runs into Kamala's comebacks really well, and there was a big time Kamala moment where he got sick of the armbars and just started swinging wildly on Doink as Doink scrambled to the corner. Kamala pinning Doink the wrong way took up too much of the runtime. 

3. Mr. Perfect vs. Samu

ER: Samu is so damn good during their opening rope running. He sticks every piece of Perfect's precise timing. He's the one doing the close call dropdown and leapfrog, and he's hitting them all while also working as careening out of control chubby guy. When they do more rope running he does another dropdown, then shuts it down with a cool clothesline. When Perfect gets thrown over the top to the floor, he REALLY gets thrown over the top to the floor. Perfect goes face first into the ring steps like he's trying to lose an eye. All of Samu's strikes look really powerful and Perfect bumps painfully for them, not doing big athletic bumps. His bumps to the floor were all really fast and I thought they had real complementary body language during their strike exchanges. Good rhythm. Perfect's inside cradle is a really great nearfall, but I do think they rushed to the finish. Needed a bit more build to the Perfect Plex. The whole match felt like a nice slow stiff build and then the finish was just bim bam boom. Bump to the floor, missed splash, Perfect Plex. This was all still really good, one of the best WWF singles matches of the year, but a finish that felt like part of the same match would have made it even better. 

4. Bob Backlund vs. Damien Demento

Why does it feel like I've seen half a dozen Demento/Backlund matches? Were these two just at the perfect corresponding place on the heel/face totem pole alignment, working low stakes face/heel back and forth, and there just happened to be some guy who followed WWF on tour to make sure and document several different Demento/Backlund matches with his camcorder? This is an official release obviously, but it feels like I've seen several Damien Demento/Bob Backlund matches and I'm just not sure how that's possible. They don't really have chemistry but they don't not have chemistry, they just fill about 7 minutes and it's fine, and some part of me has spent my life watching dozens of Bob Backlund/Damien Demento matches that were filmed by a Bad Dad, or perhaps the Greatest Dad. Demento took a big Berzerker bump to the floor and Backlund made a lot of great Popeye Whoa-Whoa-Whoa noises so maybe this was actually fucking great. 

5. Typhoon vs. Brooklyn Brawler

ER: What does it mean to the people of Sheffield, England, to see a man dubbed The Brooklyn Brawler? Had tales of the Brawler's Brooklyn Brawls made their way to South Yorkshire? Was Enzo Castellari's 1990: The Bronx Warriors been an underground UK hit, leading to a rising knowledge among UK teens of the various Five Borough Fighting Styles? Regardless, the people of Sheffield were treated to a real active Brawler performance, one that will no doubt be one of the great showcases of the best of his 1993, where he keeps running away from and running into Typhoon. He is great at getting leveled by Typhoon and building suspense by avoiding getting leveled, but things really jump a level when Typhoon finally misses an elbow and Brawler starts stomping his way through a really fun match. 

Brawler stomps away at Typhoon's head, stomps him right between the legs, stands on his throat, bites at his face, and stands on top of his back while Typhoon is draped over the bottom rope, surfing on him while pulling back the top rope reigns like Chris Elliot riding Melora Walters out to sea in Cabin Boy. He chokes and rakes at the eyes of a prostrate Typhoon, shouting out an amusing "Come on, that's a count!" while Typhoon's shoulders are down during the choke. This is among the longest Brawler control segments I've seen and I thought it was cool how he kept kicked at Typhoon's leg and really dominating this, keeping the big man down. When you knowingly go into a Typhoon match against Brooklyn Brawler, I don't think any of us would have expected it to be a mostly dominant Brawler performance with a quick and definitive Typhoon comeback victory right at the end. When Typhoon takes over, it is for good, and it is great. Brawler, who had been doing so well, makes the mistake of whipping Typhoon into the corner. Typhoon reverses that whip and follows Brawler in with a killer avalanche, then pulls Brawler by the arm directly into a perfect powerslam. I don't anticipate a better 1993 Steve Lombardi match from this one, but this is surely among his best matches of the 90s. 

6. Shawn Michaels vs. Crush

ER: I loved this. Anybody who ever got mad at me online for making fun of how terrible Shawn Michaels was during most of his last decade, should at least acknowledge how in the bag I am for 1993 Shawn Michaels. My 2000s and beyond criticisms come from a place of sadness, not glee. 1993 Shawn Michaels was a high speed John Tatum with better execution. He could push a pace without dropping the story at any point, was great at big momentum shifts, and knew how to work every size opponent instead of just mostly working the same match regardless. He was incredibly active but in ways nobody else was, flopping and stooging and bumping unnecessarily big, a great heel to get over the power of his opponent while looking like a joke, without ever looking like a joke. 

Crush and Michaels seemingly always had great chemistry as opponents. They have two big singles matches after this one in 1993: Their great King of the Ring Qualifier which is one of the great unheralded 5 minute matches, and their bloated but overall good IC Title match at King of the Ring, and there's a 1991 singles match on some Coliseum video or foreign Superstars airing. I wish we had more Rockers/Demolition matches or any of the 1993 Crush/Michaels house show matches to paint a fuller picture, but all the evidence we have paints them as natural opponents. 

This is the better version of the King of the Ring qualifier, as it had a much longer Crush control sequence before the great Crush ringpost bump, and more Michaels offense after his takeover. It's great. Michaels gets his ass beat in a non-stop sprint, getting pie-faced and pinballed across the ring, enough so that Heenan has to start bemoaning a Michaels title loss, and it's hilarious. 

"Can you imagine the embarrassment? 'Where did you lose your Intercontinental Title? In Sheffield?!' How could you ever live that down?"

Crush has a great way of catching a high speed Michaels in a bearhug - which Michaels escapes by throwing punches at his eye - and I love how he's able to go on bursts of matching Michaels for speed, then ends a quick moving exchange with something huge and forceful like a big backbreaker. There's an incredible press slam section where Crush walks Michaels around in full extension press for half a minute, walking him toward several sides of the ring and offering him up to the front row. When they saw how great Crush was at walking Michaels around the ring in a press slam, they really should have set up a Bam Bam/Spike Dudley spot with crowd plants, it would have played in Michaels highlight videos for the next 25 years. We'll settle for Michaels getting clotheslined over the top to the floor in the way that only 1993 Shawn Michaels was getting clotheslined to the floor. 

His comeback after a match-long beating is convincing, working smart spots to control a big man, like driving his knee into Crush's kidneys and then shoving him face first into the ringpost. Who remembered how great Crush was at taking ringpost bumps? Every one that he's taken in his Michaels matches has been Lawler-level great. The finish of this one is a less satisfying "Michaels just leaves" fuck finish than the KOTR Qualifier double count out, but I was really getting into the way Michaels was wearing Crush down after the ringpost bump. He just keeps coming off the ropes with axe handles until Crush gets dropped to all fours, then he comes off the ropes with an elbowdrop to the back of his neck. With an actual finish, this becomes one of the 10 best WWF matches of 1993 WWF. 

7. Lex Luger vs. Hacksaw Jim Duggan 

ER: Jim Duggan was such a megastar in 1993 that he was able to drape himself in the American flag and lead the Sheffield Arena in loud USA chants. This was just a couple months after Duggan was the first person to knock Yokozuna off his feet, a moment I loved but wouldn't have thought that it would have a huge impact across the pond. Yokozuna had done an in-ring promo before this match and lingered at ringside the whole match, and when Luger's entrance music hit he was announced as "The NarCISSus" Lex Luger. Like the flower, not like the Greek myth. But they are merely afterthoughts, because the place comes unglued when Duggan's music hits. This is a 12,000 strong crowd and Duggan is wearing his USA singlet and USA kneepads, and gets the entire crowd to chant USA. Can you even entertain the IDEA of a foreign crowd chanting USA at a WWE show any time during the past 20 years?? You'd think this was in Alabama, not Yorkshire. USA chants. Loud. What a different time. Luger might as well have not even been in the ring. 

Luger works this as a stooge for Duggan, bumping around for Duggan's running clotheslines and playing into spots like trying to smash Duggan's head into the turnbuckles, only to have it reversed. Duggan was treated like Hogan and it was like I was watching this match from some weird alternate timeline. 1993 Duggan's appeal to live crowds was undeniable. 1993 Luger is a far better wrestler than Duggan, but Duggan would have drawn a far bigger number than Luger with a PPV match against Yokozuna. These two work the loosest match I've seen in 1993 WWF, leaning out of every clothesline and every strike, and it didn't matter an ounce. This was a Rick Reuschel/Mark Buehrle soft contact battle and it completely worked for the live crowd. Yokozuna sits down on Duggan's chest out on the floor and rolls him back in the ring, and there's a great show closing segment when Mr. Perfect runs out to start beating on Luger before Duggan can be pinned. As loud as the crowd was for Duggan, they react to Perfect as if he was the biggest name on the show (which was true, so that checks out). The main thing this match accomplished was making me genuinely want to see a Luger/Yoko vs. Duggan/Perfect tag match, which is a match they set up perfectly here and then never mentioned it again. All they did was run Luger/Perfect and Yoko/Duggan singles matches the rest of the tour. It's wild how many interesting workrate and fan service matches they left on the table during this era. 

Go out of your way to watch this for the great Samu/Perfect and Michaels/Crush matches, and a total surprise in Brooklyn Brawler/Typhoon. 

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