Found Footage Friday: 1989 Copps Coliseum WWF Show

1/16/89 WWF Copps Coliseum Toronto

MD: This is another Richard Land find and you should be checking out his stuff at (@maskedwrestlers) since he provides about 1/3 of the new footage coming out today.

Red Rooster vs. Danny Davis

MD: This made me feel like I have to check out a lot more Danny Davis, honestly. He got on the mic at the start and said Heenan was paying him for this but he would have done it for free. Then he shoved Taylor and ran around the ring from him, got chased in, did some rope running, stopped, taunted, and walked right into a punch before taking a powder, all before his ring jacket was off. Great stuff to begin. Then came the real stalling as he just pressed himself in the corner and covered his head. When Taylor finally did get him he begged off until he could turn an arm wringer into a clothesline and then he looked pretty solid in control. There was just a spring to his step. He had some nice stuff (a weirdly balanced shot off the second ropes, a throat cross chop when Taylor started to come back) and then begged off again towards the finish where Taylor got him with the Scorpion Deathlock. I enjoyed this one.

ER: Imagine what a crushing day it was when Terry Taylor was told he had to get the top of his hair dyed bright red. I can't imagine, but it's a conversation about your career as a top pro being over and done with. Look at him here, with his blond locks and no red, a man existing as a man and not as a rooster. But I am much more of a Heel Terry Taylor man. Let me see that evil Mark Harmon unleashed, like you find out the guy running your goof around summer school is actually a real hard ass who will probably assault more than one of the students. No, this match is owned by Heel Danny Davis, and I agree with Matt that more Danny research must be conducted. Fans hate this man on sight, even before he gets on the mic to say, "Bobby The Brain Heenan paid me a lot of money to come to this god forsaken place! But brother, he didn't pay me a dime because it's gonna be myyy pleasure." Then he one-handed shoves Taylor.  

Davis has great movement and plays to the crowd expertly, the kind of guy who you'd want to keep as a heel house show undercarder. How he punches Taylor over the referee, that stiff quick short arm clothesline to break an arm wringer, those great running short kicks to a downed Taylor's jaw, his very good short right hands aimed straight at the chin - including a fist shake out after one, thus cementing Davis's status as a Great Puncher - all of it is stuff that Danny Davis performs far better than we've ever given him credit. If you were doubting his Great Puncher status, he also throws nice corner 10 count punches and dropped a hammering fistdrop from the middle buckle, and if that's not the trifecta then man I don't even know what we're doing here. The thing is, even better than his corner 10 counts? His shoulder shrugs in the corner. You remember how Batista always had real awful shoulder shrugs, coming in way too light and making it obvious just how much he was holding back? Soothe yourself by Danny Davis going hard into Taylor's stomach and ask yourself why we don't demand better. Demand Danny Davis. 

Curt Hennig vs. Rick Martel

MD: This was a draw that did air but was clipped in half or so. I can't speak to that version. I will say that the good stuff here was very good. The feeling out process where Hennig won the first few exchanges only for Martel to turn it around and toss him around with all the babyface fire anyone might want was just as good as you'd expect. Martel's one of the only guys I've ever seen that was so into the flow of what he was doing that he'd do flat back dropdowns to set up an armdrag. After that rope running they went into extended controlling of the arm by Martel and they kept it interesting enough, with lots of escape attempts by Perfect, before building to an elaborate bit where it looked like Perfect might get him three times before finally dropping him with a belly to back.

Perfect's control started out engaging (especially as he was still selling the arm) but they went into a long front face lock. Obviously, these are two guys that could work that, and Martel was going to work from underneath well, but it was also clearly eating up a bunch of time in a twenty minute draw. The payoff was good though as again Perfect was going to rush right in to all of Martel's fire. Once he cleared the ring of him that was the time limit so it didn't really even build to the sort of nearfalls you often get with a draw. It more felt like they were just calling it a day (even if Martel tried to invite Hennig back in).

ER: This did not need to be a time limit draw, and it didn't need the moments you knew they were working towards a time limit draw, but I also thought Hennig was fantastic throughout all of it. Look at black trunks Perfect in '89. It's easy to talk about Hennig the bumper but it's really all about Hennig the ball of energy. It's going into every exchange with real aggression, real purpose. You see how hard both men are leaning into a collar and elbow and you see how Hennig throws everything - armdrag, hop toss, fireman's carry - with real purpose. His punches look like he's really trying to mess up Martel's pretty face. This era Hennig was going to come in hard and then feed even harder, making his opponents' bodyslams and hiptosses look more violent than his own. Before things settle down into arm work and front face locks, he takes a great bump off a light dropkick, flying out through the ropes and off and over the ringside table, then faceplanting all around the ring while Canadians lose their minds. 

I love how hard he pushes all the rope running that leads to him eating shit. He pushes Martel fast, like he's trying to get him to mess up a sequence, but it always ends with him on the mat kicking his legs in a hold. He does two different missed charges into the turnbuckles that lead to long series of him eating bigger bowls of shit. The arm work is long but Perfect makes it look so convincing that I heard two different people - women! - yelling for Martel to break his arm. He's good at timing how long to keep the crowd engaged while kicking in a hold, and knows when to start breaking out match ending fireworks. Curt Hennig is perhaps our finest wrestler ever at bumping like a heel who has his shoelaces tied together. A lot of the Minnesota guys were great at that. Was it common practice to work 2 a day drills while pantsed or something? Hennig gets kicked around hard before fleeing at the sound of the bell, and every fall is that of a man escaping a ransomed kidnapping. We act like it's a foregone conclusion that this was "just another match clearly worked as a time limit draw" but this was the first time limit draw that Hennig worked during the Perfect era. This wasn't just a thing he and Martel were doing around the horn, this was a Copps exclusive where some tag specialist took Perfection to the limit. 

Rockers vs. Brainbusters

MD: This had Billy Red Lyons interview the Busters (no Heenan) before the start. Nothing notable but nice to see. The match itself started great with Michaels looking like a huge star outclassing Arn (Arn feeding for it perfectly) and then escaping to slap the hands of the fans like he had escaped with the crown jewels. Then, he, being Michaels, doubled down on it and no sold all of Tully's stuff (Tully still bumped huge for him), and it wasn't until Jannetty came in that they even started the false transitions. Just another case where this would have been better if Michaels took that first win, gave Tully a tiny bit, and then overcame. Ah well. Jannetty looked great as he overcame (including fighting out of the corner and hitting a backflip to reverse a double top wristlock.).

Really a never ending heel in peril (though one full of entertaining individual bits) until Michaels ducked a Tully clothesline on the outside only to run into an Arn one. Thankfully the Busters were great at making the most of their time on top. Michaels knew how to be a star already and was constantly trying to fight back. I think a babyface should be doing that but maybe he didn't quite have the proper escalation in it. Arn crotched himself on Michaels' knees to set up the hot tag and things got chaotic but the Busters fairly quickly snuck one out. The great stuff was absolutely great but in part due to Michaels' tendencies and Arn and Tully being happy to just go along with them, this didn't come together like it could have.

ER: This really did feel like a 15 minute match where Tully bumped and stooged and made narrow misses for 13 of those minutes, and I did not mind that layout one bit. I was wildly entertained watching the Rockers punch through Tully for a long tag, as Tully is wildly entertaining at getting run over by punches. He cannot just walk a straight line to a destination and it's perfect. When he's punched, it's a turning drop to the knee before getting punched in another direction; when he misses, it's a quick turn back to his target to take his medicine. He finds several safe and less safe ways to fall to the floor and continue his constant motion and I loved them all. I loved the theatrical slow mo Sgt. Slaughter bump to the floor and the ways he would fall off the apron into a back bump. He treats every punch from each Rocker as something worth bumping for, and it makes his eventual tag out moment even greater when he turned a near tag out into an inverted atomic drop. The Brainbusters really didn't have a lot of offense here - that Arn clothesline on the floor that the camera missed, Tully's atomic drop to set up his tag, and Arn's spinebuster after ducking a clothesline - but the Rockers didn't really have any offense either. Even when Michaels goes up top after they hit tandem superkicks, he only comes flying off with a punch. And I'll take it. The finish is fantastic, even if uncommon. Marty goes for his first flying headscissors but it's too close to the ropes, and Tully pulls his head down from the apron and slam dunks his head over the top rope.     

Iron Mike Sharpe vs. Paul Roma

MD: I'm honestly a little astounding how good this was. (Eric will not be, but he is a Mike Sharpe truther). It was 80% shtick and 20% Roma hitting dropkicks, but the shtick was really good and Sharpe was incredibly entertaining. He's one of the most vocal wrestlers ever and there were times where I could shut my eyes and still know exactly what was going on just from hearing him stammer. Mainly when he was begging off but not always. And he did a lot of begging off. A lot of stalling. They got tons of mileage out of a handshake bit at the beginning, out of him threatening to leave, out of Roma catching his foot on a kick attempt. Just one bit after the next after the next with Sharpe throwing himself into it completely and Roma being a perfectly fine straight man. It's the sort of match the sheets would have grumbled about in 89 but that plays a lot better in 2025 when there's nothing like it in the world anymore. You can see the value so clearly now. Honestly just a great show for stooging up til this point, and from guys that don't get the credit for it like Davis and Sharpe.

ER: We get an honest to god Iron Mike Sharpe ring entrance and the fact that he is in his hometown of Hamilton, Ontario and announced as such does not give him a single second of goodwill from his town. These are his people, and the people of Ontario fucking hate the mirror that he is holding up for them. The women scream for Roma as he removes his jacket, but when the match is over I will challenge those same women to tell me anything Paul Roma did during the match. They won't be able to, because this is Iron Mike Sharpe's town, and Iron Mike Sharpe's match. To use an already dated out of existence joke format: Mike Sharpe is the Tully Blanchard of Barry Darsows. He has the size and sound and lack of offense of Darsow, but watching him directly after a Tully match you really see what a large adult son Tully Blanchard he is. He is not as hateable on sight as Tully (few men ever have been) but how much of an instant turn off does one have to be within pro wrestling to be booed on sight in his own hometown? 

I love how quickly Sharpe takes armdrags and how it's the only bump he really takes differently than his standard arm waving back bump that he uses for everything else. His swinging arm into Roma's stomach looked excellent and the man gets tied up in the ropes more efficiently than any wrestler other than Andre. But where Andre was always a temporarily inconvenienced giant, Sharpe has a way of making it feel like he just might be stuck in those tangled ropes for the rest of the evening. The finish is outstanding and probably something that no wrestler other than Sharpe would even want to do: Sharpe loads up his cast and swings it at Roma, but Roma catches it and throws Sharpe's loaded arm back into his head. It's so stupid and so hapless that it can only be a Mike Sharpe finish. We didn't know how good we had it, and as Matt points out, it's because nobody comes close to being a Mike Sharpe any more. We didn't recognize how essential different workers were to a roster. 

Greg Valentine vs. Ron Garvin

MD: Another awesome match in their feud. What can you even say about this really? They lay into each other in the corner. Garvin's great at firing back out of it just when you think Valentine has him. Valentine's great at stumbling about and getting a sneaky advantage right until he doesn't. There were some really brilliant specific moments which shows you they weren't just hitting each other blindly. At one point, Valentine's about to do the flop and Garvin catches him so he can hit him one more time first. Valentine takes over with a shinbreaker but when he goes to the second, Garvin nails him before he collapses so they both go down. Finish had Garvin wanting to use the shinguard as a weapon and getting distracted by the ref so he got rolled up but post match he hit a punch version of the Garvin Stomp to a prone Valentine and nailed him with the shinguard anyway. The world would have been better off if we had whole promotions based around this style instead of whatever else we got in the 90s and after.

ER: It would be a good idea if we just kept getting new Garvin/Valentine matches every couple weeks. Every single one we have has been a real gift, and while there are a lot of similarities among them there are always new ideas and ways that certain sequences can be extended. This was, I think, the shortest one we have, and I think going less than 10 actually made their strikes play harder. The first two minutes is just them shoving each other in the chest with both hands and I would have been happy if we never even got to the punches. I could have watched them shove each other and burn out their arms for eight minutes, just to see who would be the first to fall. 

But I do like the strikes. 

Valentine always takes more punches than he gives in the Garvin battles, but I think this one takes the cake. He just gets battered. There is often a corner punch out stretch of their match, and Valentine's selling made this stand out from the rest. Garvin kept punching and chopping him and Valentine kept getting knocked to his ass, hitting the bottom buckle and getting pulled back to his feet only to be punched and chopped some more. When he finally can no longer stand and begins pitching forward into a Flop, Garvin actually holds him up with both hands on his chest. Garvin looks like a support beam propping up a leaning building in the Philippines, and it's all so he can just punch him in the head one more time.  

When Valentine does flop, there is no rest to be had. Garvin starts raking his back and Valentine sells multiple back rakes so well that it made me think of how Tenryu might've sold a back rake if that had been something that any wrestler in WAR ever did (they did not). But it's all back rakes that Valentine sells incredibly, punches to the nose (that Valentine sells incredibly), a fantastic headbutt, and one of those sleepers that starts like a violent clothesline. Garvin is a monster and I don't think there was anyone else on the roster who would have put up with this. Garvin has his own great run of selling when Hammer turns a side headlock into a knee breaker, then does it again. Garvin is limping around on one leg, and after he takes the second knee breaker he landed one big punch that knocked Hammer to his back while it spiraled him into the mat. 

I think calling Garvin's punches after the bell a punch version of the Garvin Stomp kind of undersells how nasty those punches were. Garvin just got into mount and threw disgusting punches while Valentine was on his back. He threw eight of them, and Valentine couldn't really move to absorb them, so Garvin just stood over him raining down shots that built into even more disgusting hammerfists, both fists held together like an ape attacking his handler. Hammer can barely move and has to take a rapid succession of wicked punches and man....is this the best of the Garvin/Valentine matches? I think this one packs in the most action, and it felt like they went even more violent with the shorter runtime. 

Randy Savage vs. Bad News Brown 

MD: This has been out there before but I'm not sure I've ever seen it. It's a street fight. Bad News is out with a Mets shirt. Savage is out with a white shirt with a Gold's Gym tank top over it and grey Zubaz type pants and pink elbow pads so it's a look. Liz looks like Liz. That feels like a missed opportunity. It's basically ten years before its time. You give it a couple more minutes and some more goofiness around the finish and it could have been a 1998 Austin No DQ main event. Brown started with a chair but then missed a punch on the post outside. Savage used the timekeeper's table and kept on him. Then he took the weight belt off and used that. Brown came back with a chair. They set up a table and but the ref got crunched in between it and Brown. That's when we got the Ghetto Blaster and the visual pin, then a hilarious second one as Brown got the ref up and slammed Savage but the ref did a face first bump as he passed out again. When he came to Savage rolled up Bad News for a quick pin and that was that. Post match they went at it with Brown getting an early advantage and Savage fighting back as the locker room cleared. Pretty bizarre to watch overall, but it worked well for what they were doing especially if they went back to it.

ER: This was on the very first DVDVR 80s set, the one that was assembled and arranged differently than all the other eventual sets because this was the very first time we were doing this and nobody had any idea how large this project would grow with subsequent sets. "Controversial" is not the correct word for it but I remember some people wondering why this match was included at the time. There were a lot of imperfections and missing matches on that first set, and I still can't believe that was 20 years ago now. 2005? Impossible. It was not well received by the people who participated in that first ballot. It finished in the bottom 10 out of 100 matches, and it almost surely wouldn't have been included were the set put together with the same method that all subsequent sets were assembled. From the very next set (Other Japan Men's) we were watching every single match from the territory/fed and picking among the very best. There were plenty of matches that should have been included in a WWF 80s set, and we sadly never got to re-do that one. I can't find my initial ballot either, so I have no idea how high/low I ranked it 20 years ago, when I was a 24 year old man, but now I think it's pretty safe to call this pick ahead of its time.  like a pretty ahead of its time fiat pick (that I believe was made by David Bixenspan, credit due).

Maybe it belongs just for the gear. Nobody shows up for a fight like this and they're idiots for that. I loved Bad News in his 50-50 poly-cotton Mets tee and Savage just went over the top with gear. The Golds tank top and Zubaz would have been enough but the tight undershirt and pink elbow pads that looked like knee pads he was wearing on his elbows make it insane. It's possible Big thought it belonged on the set because it was a unique match for 1989 WWF. Savage was the World Heavyweight Champ and it's not like he and Bad News were working Harlem Street Fights around the horn. This was the first (and only one that exists on tape) and they worked just eight total over the next couple months. It's short, it's a tough fight, Savage takes some tough spills - including getting thrown hard over the railing to the concrete, a girl in her neon green sweatshirt helping push him back over the guardrail so he can go after Bad News. Bad News punching the ringpost felt like a novel spot in 1989, and him setting up a table in the corner and running a ref straight through it feels even more novel. That ref got crunched man. The bullshit finish is incredible, with Bad News getting a real long visual pin over the champ, then reviving the referee just for the man to collapse again just as Bad News re-secured the pin. Maybe people disliked it 20 years ago because it was too short? It's less than 8 minutes long, which feels more like a snack than a World Heavyweight Title match, but I'm glad I watched it again now that I'm sliding down the other side of the mountain. 

Jim Duggan/Hercules vs. Ted Dibiase/Virgil

MD: This was already out there as well so I'll keep it quick. Herc and Duggan team up very well. Two versions of the same sort of visual idea with big shots and driving motion. Duggan constantly moving forward especially on his hope spot punches is something I didn't appreciate enough for a lot of my life. Honestly, Dibiase is fine here, feeding and stooging, but he doesn't give himself over to it in the same way a lot of the people earlier in the card. Everything is technically sound but it almost feels more like him putting himself in the right place at the right time in a more modern way as opposed to that sense of total abandon that we got from Davis or Sharpe or (in different ways) the Brainbusters (or in a different way) or Valentine (in a different way). Virgil is interesting here as he never really does much, mainly just plays interference and holds someone for Dibiase. It's actually a clever use for him. This was ok, and fit well on the card. I just don't think Dibiase stood up well to his predecessor heels.

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Found Footage Friday on Saturday: LAWLER~! IDOL~! RICH~! BAM BAM~! ROSE~! HENNIG~! SHEEPHERDERS~! NIGHTMARES~!

Sheepherders vs. Nightmares CCW 1/17/87

MD: Charles has received a new set of DVDs in the mail. He's going through it and has already identified some very interesting sounding lost matches. Be sure to follow his work in general. Here's one of the matches and it's a very straightforward, very solid tag. Got to love Solie here, first calling the Sheepherders "twisted steel" which made me wonder where he was about to go with that, and then refusing to differentiate Butch or Luke or Davis or Wayne for the entirety of the match, just calling them "A Nightmare" etc. Thanks Gordo.

This hit all the right notes balancing being grounded and maintaining a slightly chaotic feel throughout. During the shine, the Sheepherders kept rushing out of the ring every time the Nightmares got the better of them. It put a certain sort of punctuation on everything and really got across the slickness of the Nightmares. I'm pretty sure it's Wayne that works FIP here, and the transition was this great over the top bump due to the rope being pulled down. He got color as time went on and had some really well timed hope spots. When the fans started to chant USA, he'd reward them by giving them hope. That's exactly how these things should work. Always be struggling to get back into it but struggle the most when the fans are getting behind you. Some nice cutoffs too, including him going to the wrong corner. Plus a missed tag due to drawing the ref. They did a bit where the Sheepherders chair use backfired to set up the hot tag and had everything thrown out on the comeback as they used a chair successfully this time. The Nightmares got the best of them on a subsequent attempt and everyone brawled to the back. A good use of thirteen minutes of your time.

ER: Love this kind of 10 minute forward moving simplicity. When I think of Nightmares tags I think of minimum three great Danny Davis bumps. This had no Danny Davis bumps and instead had one great Ken Wayne bump that built to a great Davis hot tag. In between that bump and that tag we got the Sheepherders clubbing and kicking ass. Aggressive Sheepherders were a thing man. What a cool team. I would have loved to see heel Bushwhackers in WWF. Heel Bushwhackers during that couple month of '93 when Rock n Roll Express was in. Do we have any of the Well Dunn house show tags? They have such a great asskicking look here. I've always appreciated how clean Butch Miller's bald spot was. He had that young Bob Hoskins cut. Luke Williams had great pop and execution that you'd never expect even if you were familiar with some of their best brawls. He had this nice missed Hitman elbow off the middle buckle (more like a diving forearm smash) and paid it off later as they're cutting off Wayne when he hits a truly excellent falling elbow on him. You don't think of "precisely worked offense" when you think of the Sheepherders or Bushwhackers. Ken Wayne's backwards bump over the ropes to the floor was a cool Big Bump of a match to set up the nice long heat, which had one of those really well done moments when a ref cuts off a freshly tagged babyface with a near spear, making for a waist tackle and actually holding Davis in the air for a moment as Davis is reaching past his shoulders to join the fray. The eventual hot tag was hot, Luke bumping these nice careening pratfall bumps while getting punched around by both Nightmares. As they fight to the floor, Butch monkey flips the ringside commentary table onto himself in the chaos after getting smashed into it. It's all hot. 

Jerry Lawler/Bam Bam Bigelow vs. Austin Idol/Tommy Rich Memphis 3/9/87

PAS: Lance Russell saying "Tommy Rich is split wide open" is my love language. Incredible stuff, one of the best matches we have unearthed in the history of this project. Wild bloody Memphis brawling with three of the greatest ever to do it in Rich, Idol and the King. Add in a green but game Bam Bam Bigelow, who came off as such a force of nature. 9 minutes bell to bell with the wild pushed pace of a bar brawl. So much of this feud was built around nasty ball shots, and I loved how they teased the posting on Lawler, and then had Lawler finish Idol with a top rope fistdrop to the nuts, an awesome NO DQ finish. Bam Bam flying through the hard ringside wood table was wild and unexpected and the post match beatdown and bloodying of Lawler was tremendous, especially considering how rarely Lawler bled. Pure joy, the platonic ideal of what I want from wrestling and a hell of thing to wake up to. 

MD:  I feel like you could watch this a dozen times and see something remarkable that you hadn't noticed yet each time. It's great that Russell is not looking on some sort of monitor but calling what he's seeing, so we hear different tastes of chaos than what's right in front of us. I've seen this a couple of times now but on my last watch the things that stood out the most were the way the heels just charged into every bit of offense, Lawler's ability to create organic and interesting violence from all sorts of obtuse angles at any point, and how well a guy as relatively early into career as Bigelow knew when to give and when not to give. There was a sense that Rich and Idol really needed to get either Lawler or Bigelow (the latter being more of a challenge) down and out of the match to control 2-on-1, but they simply couldn't. Lawler was too savvy and Bigelow was just too much. The big moment in that case was when Lawler more or less blocked the chair shot and came back to even the odds. Maybe my favorite bit of all of this from bell to bell is when Lawler scoots up from the second rope to the top to hit the very low fist drop as Solie notes it's legal in this match. The way the table bounces and contracts as Bigelow hits it post match is a wild bit of physics to really cap everything off. You can read about this one but it's really best experienced yourself.

ER: Our 1980s DVDVR sets were so comprehensive. The first time Phil and I met, we hung out in his parent's apartment watching 4 hours of handheld 1989 Memphis footage and made the historic decision to each vote YES to include the match that would go on to place 125th out of 125 matches on that set. The Memphis set was better for having Jerry Lawler, Jeff Jarrett, and Freddy Krueger vs. Dutch Mantel, Master of Pain, and Ronnie P. Gossett. Just like it was better for including Buddy Landel vs. Freddy Krueger. Also, what kind of idiots were voting on that thing who thought there were 121 matches better than Jackie Fargo vs. Jimmy Hart? Anyway, if that Ronnie Gossett trios match had been unearthed in 2024, you would be reading about it on Segunda Caida. Instead, we're talking about a match that could have placed in the Top 10 of that Memphis set if we had it then. If we had it then, one of the Freddy matches wouldn't have made the cut, so this is for the best. It's incredible we're still getting new matches of this caliber. What a powerhouse, even better than it sounds on paper. 

I've watched this thing three times now and I've come away with a new favorite thing each time. Well, that's not true. My favorite thing ever single time is Lawler piledriving Austin Idol and dragging him spread eagle to the turnbuckles, climbing to the middle buckle, doing that perfect pause that Lawler does to build suspense on whether or not he thinks he needs to come off the top rope, then doing that perfect no look step to the top rope he does (that is one of my favorite signature movements of any wrestler in history), before flying off with the greatest fistdrop ever committed to tape. If there was one man in the world I trusted to safely fistdrop me in the balls from the top rope, it would be Lawler, but it's still a real Wheelbarrow on a Tightrope situation and I don't know if I can name a wrestling finish I've ever loved more. Look at the way Idol straightens and kicks his legs! Look at the way Idol holds and rubs his balls with his left hand during every second of his post-match spike attack on Lawler! I might have been too bearish in thinking this was only a Top 10 Memphis set match. 

So my favorite thing is locked in. But Matt's right about seeing something remarkable each time you watch. By the third viewing I was wondering if I had ever seen a babyface physically chasing a heel through the crowd during a brawl. I've seen a hundred ECW matches where guys walked together in the crowd while holding each other's hair, but I don't think I ever saw anyone getting punched in the face and running from the back of the arena for the safety of the ring only to run directly a Bam Bam Bigelow punch. God I wish I could have seen Chris Candido do just that, even if Candido was no Tommy Rich or Austin Idol. Rich and Idol took offense, ran into offense, and turned violent as great as any heel team of the 80s. Lawler and Bigelow were great at surprising them with a punch or a knee, and it's incredible how well everyone in this match had a constant innate sense of where everyone else was at all times. I've never seen such precise, out of control chaos. 

Everyone in this match was constantly turning around into a punch or turning around to punch someone, and there was more struggle in these 10 minutes than I see on entire wrestling cards now. Not every punch came easy, a face didn't get smashed into a guardrail every time someone tried. Lawler held onto the ropes to prevent Idol from pulling his balls into the ringpost like he was fighting against being pulled into hot lava. Bam Bam shoved Idol's head back by the chin before punching him and it looked like violent mafia shit. I couldn't believe Bigelow's bump through the ringside table, and was astounded that a match that ended with The Greatest Finish Ever wasted no time moving into the biggest bump of the match and some of the most violent sharp stake work we've seen. If Lawler punched one ball of Idol's he was going to take it out on his face with a broken piece of wood, and Lawler's gusher after being run face first into Idol running at him with a stake tells me that fistdrop crushed nuts. Tommy Rich is like Bobby Eaton for me, a guy who I love more with literally every new match I see. If there was a wrestler today who moved in and around and through a brawl the way Tommy Rich does here, I'd show you my favorite wrestler in the world. I watched this match a fourth time while writing about it. 

Buddy Rose vs. Curt Hennig Portland 7/2/88

MD: This was a special "Curt Hennig returns" episode of TV. He commentated on a match, cut a promo with the babyfaces, wrestled Buddy, and then came out at the end to explain to the ref how the heels cheated to have a result overturned. The appearance was setting up a match against DeBeers who he said was part of why he lost the World Title two months earlier. My memory is a little iffy on that one though. Rose was primed for a loser leave town match with the Assassin. The stakes on this particular TV match, however, was that the loser would end up a dunk tank later that weekend. Curt would be in WWF by the end of the month after a few more AWA shots, but here, he felt like a very big deal. In some ways it reminds me a little, thematically, of that post-world title match between Martel and Race right before Martel goes to WWF. Just a last burst of someone being a certain sort of star before they ended up stamped by the WWF machine for the rest of their career.

The match was very fun but obviously, coming in at just ten minutes, wasn't going to live up to the previous Hennig vs Rose feud. Some of the usual brilliance though. Buddy started by turning a rear bearhug into a dropping body scissors. Then after Curt escaped, Buddy dodged something with a cartwheel only for Hennig to get him in that self same drop down body scissors. They did a tit-for-tat bit with Buddy bumping off the top with a press, only for Curt to turn it into a great small package when Buddy tried to get him the same way. Cute finish where Hennig was able to eat a Superplex but hook the legs at the last second and get a shoulder up. That meant Buddy thought he won and started to gloat only to realize what had happened and that he had a dunk tape in his future. Just a fun glimpse of something that had been out of our reach for a long time.

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Found Footage Friday: TEAM USWA~! TEAM WCCW~! THUNDERDOME~! BRET~! FLAIR~! MONTERREY DEEP DIVE~!

Thunderdome Cage Match: Team USWA (Bill Dundee/Danny Davis/Jeff Jarrett/Billy Joe Travis/Gary Young) vs. Team WCCW (Eric Embry/Tom Prichard/The Awesome Kong/El Grande Pistolero/Steve Austin) USWA 1991

MD: This is going to be a found week. I swear I've seen this before but it could just be a phantom memory or I'm getting it confused with some NWA Anarchy match or something. Everyone's in the cage to start and there are handcuffs set up around the cage. Whichever team gets handcuffed to the cage first loses and the survivors get the key and get to unlock their partners for five minutes of pure, unfair violence. There's also a pinfall stip but it's confusing to everyone how it works even if it plays into the finish. 

Kong gets handcuffed right as the match starts, which gives the babyfaces an advantage from the get go and also takes out of play the biggest physical threat in the match. It's a choice, I guess. There is that sort of danger you get from let's say a NJPW elimination match, where if you get too close to someone who's handcuffed, you can get disrupted or grabbed. That too plays into the finish. In general though, Kong is a non-factor here. There's one solid visual of all of the USWA guys attacking him post match (which gives away the finish, sorry), but in general, he's gone from the get go. Pistolero might have been Gypsy Joe. If that's the case, it's a shame he didn't get to do much either as he's one of the first guys to get handcuffed. 

They cover a lot of ground in less than ten minutes here, though. Everyone gets bloody pretty quickly. People get slammed into the cage. They change dance partners and make some use of numerical advantages when they come up. the USWA side is pretty solid and you have at least Embry and Prichard on the other side, given who gets taken out early and the fact that Austin is green but game. It comes down to Travis and Prichard. Prichard gets too close to Jeff who nails him. Travis rolls him up but he's too close to Embry who breaks it up. Prichard is able to handcuff Travis and get the key. Dundee kicks Prichard who loses the key. Young gets it. The heels win but the babyfaces get free and the fans are delighted by the beatdown that follows. Pretty clever stuff all around. I think there's room for this gimmick in 2024.

PAS: This was basically an all punches match, and luckily we have 6-8 of the greatest punchers in wrestling history throwing hands. If all it is is Bill Dundee and Eric Embry throwing hands, Dayenu. Add that to Billy Joe Travis uppercuts, lots of blood and a crowd pleasing finish. Pure candyfloss pro-wrestling pleasure. I am not sure it would work in 2024, who even throws good punches anymore, but shit it worked in 1991.

ER: I thought this was incredible. I can't believe how much they did in 10 minutes, and I never expected it to swell to an insanely sadistic babyface conclusion. There are seven great punchers doing literally nothing but throwing punches and literally everybody bleeds. The Thunderdome stipulation is low key brutal and actually more violent than anything in the PG-13 Beyond Thunderdome. They did these matches with Robert Fuller and Eddie Gilbert replacing Gary Young (that's a plus) and Billy Joe Travis (that's a lateral and a totally different vibe). I get Kevin Nash being unavailable but I wonder if they tried to get Al Green...

On paper I wouldn't have thought handcuffing every one of your opponents to the cage would work, but then I laughed the moment Amazing Kong got cuffed 1 second into the match and spent the rest of the time hoping someone would come near enough to kick out at. Everyone else was too busy throwing punches. They all looked great, but my favorite bit was when Dundee (who looked incredible all match) finally got cuffed and Eric Embry was trying to line up a punch on someone, but he back into Bill Dundee who caught him with a short punch to the cheek and then a harder punch while he was stunned. Jarrett had tremendous fire throughout, Nightmare Danny Davis always comes off like Rutger Hauer in a street fight in these kinds of matches, and Billy Joe Travis is an incredible dirtbag with real babyface fire. You can tell by looking at him that he's a dirtbag, but the man is a fighter and when he's on your side you want that. 

The finish is downright sadistic. The winning team - the team who cuffs every opponent to the cage - then gets 5 minutes to beat their extremely disadvantaged opponents without mercy. Prichard wins the handcuff key for WCCW but Dundee kicks it away, meaning Gary Young gets it and uncuffs all the USWA guys, who - despite losing - proceed to fuck up every member of World Class to a rousing babyface reaction. This is such a long beating that I kept waiting for the Memphis fans to turn on their own. Seriously, after the match it's just 5 mean being beaten bloodier and bloodier by the good guys, desperate to fight back but chained to a cage, the Good Guys lining up shots at sitting ducks. When the halfway announcement of 2.5 minutes comes, it's already felt like this beating has gone on far too long. This is a merciless beating and the blood flows freely as Team Memphis just stomps on dead bodies like total psychopaths, never once stopping to consider if what they were doing was the correct choice. Ethics aside, every second of this was amazing. What I thought was a silly gimmick that would get in the way of what would have been a better 5 on 5 tag, turned out to enhance every part of it. 

Tigre Universitario/Principe Franky vs. Bello David/Bello Guerrero CMLL 12/92

MD: Deep into the crates here, as Roy didn't even break the matches out of these episodes. I'm going to try to go through each and every one however. Between the pre-match interview and the primera, I got the sense that David and Guerrero were in the midst of a gimmick change maybe. David had a Millionaire name as well and he might have recently lost a match? Luchawiki isn't much help there. Tigre and Franky were in matching gear and worked well as a tandem.

This was crowd-pleasing, action-packed undercard lucha though. There are a few clips; when we come in, they're hitting a foul on Franky and control for most of the primera. Lots of well put together double-team stuff, mostly double clotheslines and back body drops and elbow drops and the sort. The tecnicos come back and hit some flashing stuff including a great rowboat to win the caida. There's some fun stuff with Guerrero accidentally hitting the ref on the outside as well. The rudos got their fall back in the segunda (and showed more exotico tendencies) and everything built to cycling and a pretty exciting finishing stretch where Tigre and Franky continued to work well together (both with an alley-oop into a double axe handle in the corner and the tandem topes into the seats towards the end). The finish had each side getting a fall but Franky accidentally hitting the ref as David kept dodging dropkicks; he locked in a submission but the ref DQ'd him as David was tapping. Entertaining stuff all around.

Bret Hart vs. Ric Flair WCW 2/20/98

MD: Again, this feels like something we would have seen at some point, but it's still worth watching. MGM Grand House show from early 98. They fit a ton into the first few minutes, with Bret sort of stumbling bemused through Flair's act. It's entertaining but I'm not sure I'd call it particularly great or resonant. Definitely entertaining though. That means he has a slap fight with Charles Robinson, trading inverted atomic drops, eating an eye poke in the corner off a break, putting Flair in a figure-four, that sort of thing. Bret got serious fairly quickly once Flair took over, working from underneath as Flair hit some vicious stuff on the floor and a really nice belly to back. We get what I assume to be a brief cut so we never see how Bret gets out of the figure-four but he goes full Lawler for the finish, dropping his strap and fighting out of the corner before hitting some moves of doom and locking in the Sharpshooter. Definitely a moment in time and certainly crowd-pleasing.

ER: There were a lot of Bret/Flair matches that happened, but we don't have as many of them as I assumed. Most of what we have exist as handhelds (I believe Souled Out '98 and the excellent Smack 'Em Whack 'Em title change are the only two officially released bouts) including the great '93 Boston Garden iron man. But almost all of the handhelds was during their long series of '92/'93 WWF house shows. WCW, despite running Hart/Flair within a month of Bret joining the company, rarely ran the match. This happened the month after Souled Out and then they didn't interact for nearly two years. This match is the weakest of the Bret/Flair matches we have, but I don't think that's really an insult. The WWF matches are all great, and while it's been some years since I watched Souled Out '98, that match was at minimum praised at the time. 

This is nowhere near as ambitious as their WWF house show title matches 5 years prior, and it worked much more as a compact greatest hits. We're missing a portion that may or may not be significant (I am leaning towards Somewhat Significant, as the crowd is rather loud through Bret's struggle in the figure four, and when we clip to them standing in the corner they have gone quiet. We could have missed 30 seconds or 8 minutes), and the focus their title matches have isn't really here. The ending, especially, seems a bit too simple: we clip to Bret taking down both straps, backbreaker, Hitman elbow, suplex, sharpshooter with no fight. It was too tidy for the drama they are each capable of. They were both such more compelling during Flair's control segment. Flair and Bret are each guys who are good at yanking on a leg, Bret's inside cradle and backslide were each strong nearfalls, and I popped for a Bret enziguiri while working underneath that felt like an underutilized Bret tactic. The smaller moments of this were better than the broader moments. I particularly loved the way Bret sank to his seat in the corner after getting Flair cheapshots him in the eye, and how he recoiled when Flair did it again standing. 

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