Segunda Caida

Phil Schneider, Eric Ritz, Matt D, Sebastian, and other friends write about pro wrestling. Follow us @segundacaida

Friday, April 11, 2025

Found Footage Friday: 1989 Copps Coliseum WWF Show


1/16/89 WWF Copps Coliseum Toronto

MD: This is another Richard Land find and you should be checking out his stuff at (@maskedwrestlers) since he provides about 1/3 of the new footage coming out today.



Red Rooster vs. Danny Davis

MD: This made me feel like I have to check out a lot more Danny Davis, honestly. He got on the mic at the start and said Heenan was paying him for this but he would have done it for free. Then he shoved Taylor and ran around the ring from him, got chased in, did some rope running, stopped, taunted, and walked right into a punch before taking a powder, all before his ring jacket was off. Great stuff to begin. Then came the real stalling as he just pressed himself in the corner and covered his head. When Taylor finally did get him he begged off until he could turn an arm wringer into a clothesline and then he looked pretty solid in control. There was just a spring to his step. He had some nice stuff (a weirdly balanced shot off the second ropes, a throat cross chop when Taylor started to come back) and then begged off again towards the finish where Taylor got him with the Scorpion Deathlock. I enjoyed this one.

ER: Imagine what a crushing day it was when Terry Taylor was told he had to get the top of his hair dyed bright red. I can't imagine, but it's a conversation about your career as a top pro being over and done with. Look at him here, with his blond locks and no red, a man existing as a man and not as a rooster. But I am much more of a Heel Terry Taylor man. Let me see that evil Mark Harmon unleashed, like you find out the guy running your goof around summer school is actually a real hard ass who will probably assault more than one of the students. No, this match is owned by Heel Danny Davis, and I agree with Matt that more Danny research must be conducted. Fans hate this man on sight, even before he gets on the mic to say, "Bobby The Brain Heenan paid me a lot of money to come to this god forsaken place! But brother, he didn't pay me a dime because it's gonna be myyy pleasure." Then he one-handed shoves Taylor.  

Davis has great movement and plays to the crowd expertly, the kind of guy who you'd want to keep as a heel house show undercarder. How he punches Taylor over the referee, that stiff quick short arm clothesline to break an arm wringer, those great running short kicks to a downed Taylor's jaw, his very good short right hands aimed straight at the chin - including a fist shake out after one, thus cementing Davis's status as a Great Puncher - all of it is stuff that Danny Davis performs far better than we've ever given him credit. If you were doubting his Great Puncher status, he also throws nice corner 10 count punches and dropped a hammering fistdrop from the middle buckle, and if that's not the trifecta then man I don't even know what we're doing here. The thing is, even better than his corner 10 counts? His shoulder shrugs in the corner. You remember how Batista always had real awful shoulder shrugs, coming in way too light and making it obvious just how much he was holding back? Soothe yourself by Danny Davis going hard into Taylor's stomach and ask yourself why we don't demand better. Demand Danny Davis. 


Curt Hennig vs. Rick Martel

MD: This was a draw that did air but was clipped in half or so. I can't speak to that version. I will say that the good stuff here was very good. The feeling out process where Hennig won the first few exchanges only for Martel to turn it around and toss him around with all the babyface fire anyone might want was just as good as you'd expect. Martel's one of the only guys I've ever seen that was so into the flow of what he was doing that he'd do flat back dropdowns to set up an armdrag. After that rope running they went into extended controlling of the arm by Martel and they kept it interesting enough, with lots of escape attempts by Perfect, before building to an elaborate bit where it looked like Perfect might get him three times before finally dropping him with a belly to back.

Perfect's control started out engaging (especially as he was still selling the arm) but they went into a long front face lock. Obviously, these are two guys that could work that, and Martel was going to work from underneath well, but it was also clearly eating up a bunch of time in a twenty minute draw. The payoff was good though as again Perfect was going to rush right in to all of Martel's fire. Once he cleared the ring of him that was the time limit so it didn't really even build to the sort of nearfalls you often get with a draw. It more felt like they were just calling it a day (even if Martel tried to invite Hennig back in).

ER: This did not need to be a time limit draw, and it didn't need the moments you knew they were working towards a time limit draw, but I also thought Hennig was fantastic throughout all of it. Look at black trunks Perfect in '89. It's easy to talk about Hennig the bumper but it's really all about Hennig the ball of energy. It's going into every exchange with real aggression, real purpose. You see how hard both men are leaning into a collar and elbow and you see how Hennig throws everything - armdrag, hop toss, fireman's carry - with real purpose. His punches look like he's really trying to mess up Martel's pretty face. This era Hennig was going to come in hard and then feed even harder, making his opponents' bodyslams and hiptosses look more violent than his own. Before things settle down into arm work and front face locks, he takes a great bump off a light dropkick, flying out through the ropes and off and over the ringside table, then faceplanting all around the ring while Canadians lose their minds. 

I love how hard he pushes all the rope running that leads to him eating shit. He pushes Martel fast, like he's trying to get him to mess up a sequence, but it always ends with him on the mat kicking his legs in a hold. He does two different missed charges into the turnbuckles that lead to long series of him eating bigger bowls of shit. The arm work is long but Perfect makes it look so convincing that I heard two different people - women! - yelling for Martel to break his arm. He's good at timing how long to keep the crowd engaged while kicking in a hold, and knows when to start breaking out match ending fireworks. Curt Hennig is perhaps our finest wrestler ever at bumping like a heel who has his shoelaces tied together. A lot of the Minnesota guys were great at that. Was it common practice to work 2 a day drills while pantsed or something? Hennig gets kicked around hard before fleeing at the sound of the bell, and every fall is that of a man escaping a ransomed kidnapping. We act like it's a foregone conclusion that this was "just another match clearly worked as a time limit draw" but this was the first time limit draw that Hennig worked during the Perfect era. This wasn't just a thing he and Martel were doing around the horn, this was a Copps exclusive where some tag specialist took Perfection to the limit. 


Rockers vs. Brainbusters

MD: This had Billy Red Lyons interview the Busters (no Heenan) before the start. Nothing notable but nice to see. The match itself started great with Michaels looking like a huge star outclassing Arn (Arn feeding for it perfectly) and then escaping to slap the hands of the fans like he had escaped with the crown jewels. Then, he, being Michaels, doubled down on it and no sold all of Tully's stuff (Tully still bumped huge for him), and it wasn't until Jannetty came in that they even started the false transitions. Just another case where this would have been better if Michaels took that first win, gave Tully a tiny bit, and then overcame. Ah well. Jannetty looked great as he overcame (including fighting out of the corner and hitting a backflip to reverse a double top wristlock.).

Really a never ending heel in peril (though one full of entertaining individual bits) until Michaels ducked a Tully clothesline on the outside only to run into an Arn one. Thankfully the Busters were great at making the most of their time on top. Michaels knew how to be a star already and was constantly trying to fight back. I think a babyface should be doing that but maybe he didn't quite have the proper escalation in it. Arn crotched himself on Michaels' knees to set up the hot tag and things got chaotic but the Busters fairly quickly snuck one out. The great stuff was absolutely great but in part due to Michaels' tendencies and Arn and Tully being happy to just go along with them, this didn't come together like it could have.

ER: This really did feel like a 15 minute match where Tully bumped and stooged and made narrow misses for 13 of those minutes, and I did not mind that layout one bit. I was wildly entertained watching the Rockers punch through Tully for a long tag, as Tully is wildly entertaining at getting run over by punches. He cannot just walk a straight line to a destination and it's perfect. When he's punched, it's a turning drop to the knee before getting punched in another direction; when he misses, it's a quick turn back to his target to take his medicine. He finds several safe and less safe ways to fall to the floor and continue his constant motion and I loved them all. I loved the theatrical slow mo Sgt. Slaughter bump to the floor and the ways he would fall off the apron into a back bump. He treats every punch from each Rocker as something worth bumping for, and it makes his eventual tag out moment even greater when he turned a near tag out into an inverted atomic drop. The Brainbusters really didn't have a lot of offense here - that Arn clothesline on the floor that the camera missed, Tully's atomic drop to set up his tag, and Arn's spinebuster after ducking a clothesline - but the Rockers didn't really have any offense either. Even when Michaels goes up top after they hit tandem superkicks, he only comes flying off with a punch. And I'll take it. The finish is fantastic, even if uncommon. Marty goes for his first flying headscissors but it's too close to the ropes, and Tully pulls his head down from the apron and slam dunks his head over the top rope.     


Iron Mike Sharpe vs. Paul Roma

MD: I'm honestly a little astounding how good this was. (Eric will not be, but he is a Mike Sharpe truther). It was 80% shtick and 20% Roma hitting dropkicks, but the shtick was really good and Sharpe was incredibly entertaining. He's one of the most vocal wrestlers ever and there were times where I could shut my eyes and still know exactly what was going on just from hearing him stammer. Mainly when he was begging off but not always. And he did a lot of begging off. A lot of stalling. They got tons of mileage out of a handshake bit at the beginning, out of him threatening to leave, out of Roma catching his foot on a kick attempt. Just one bit after the next after the next with Sharpe throwing himself into it completely and Roma being a perfectly fine straight man. It's the sort of match the sheets would have grumbled about in 89 but that plays a lot better in 2025 when there's nothing like it in the world anymore. You can see the value so clearly now. Honestly just a great show for stooging up til this point, and from guys that don't get the credit for it like Davis and Sharpe.

ER: We get an honest to god Iron Mike Sharpe ring entrance and the fact that he is in his hometown of Hamilton, Ontario and announced as such does not give him a single second of goodwill from his town. These are his people, and the people of Ontario fucking hate the mirror that he is holding up for them. The women scream for Roma as he removes his jacket, but when the match is over I will challenge those same women to tell me anything Paul Roma did during the match. They won't be able to, because this is Iron Mike Sharpe's town, and Iron Mike Sharpe's match. To use an already dated out of existence joke format: Mike Sharpe is the Tully Blanchard of Barry Darsows. He has the size and sound and lack of offense of Darsow, but watching him directly after a Tully match you really see what a large adult son Tully Blanchard he is. He is not as hateable on sight as Tully (few men ever have been) but how much of an instant turn off does one have to be within pro wrestling to be booed on sight in his own hometown? 

I love how quickly Sharpe takes armdrags and how it's the only bump he really takes differently than his standard arm waving back bump that he uses for everything else. His swinging arm into Roma's stomach looked excellent and the man gets tied up in the ropes more efficiently than any wrestler other than Andre. But where Andre was always a temporarily inconvenienced giant, Sharpe has a way of making it feel like he just might be stuck in those tangled ropes for the rest of the evening. The finish is outstanding and probably something that no wrestler other than Sharpe would even want to do: Sharpe loads up his cast and swings it at Roma, but Roma catches it and throws Sharpe's loaded arm back into his head. It's so stupid and so hapless that it can only be a Mike Sharpe finish. We didn't know how good we had it, and as Matt points out, it's because nobody comes close to being a Mike Sharpe any more. We didn't recognize how essential different workers were to a roster. 


Greg Valentine vs. Ron Garvin

MD: Another awesome match in their feud. What can you even say about this really? They lay into each other in the corner. Garvin's great at firing back out of it just when you think Valentine has him. Valentine's great at stumbling about and getting a sneaky advantage right until he doesn't. There were some really brilliant specific moments which shows you they weren't just hitting each other blindly. At one point, Valentine's about to do the flop and Garvin catches him so he can hit him one more time first. Valentine takes over with a shinbreaker but when he goes to the second, Garvin nails him before he collapses so they both go down. Finish had Garvin wanting to use the shinguard as a weapon and getting distracted by the ref so he got rolled up but post match he hit a punch version of the Garvin Stomp to a prone Valentine and nailed him with the shinguard anyway. The world would have been better off if we had whole promotions based around this style instead of whatever else we got in the 90s and after.

ER: It would be a good idea if we just kept getting new Garvin/Valentine matches every couple weeks. Every single one we have has been a real gift, and while there are a lot of similarities among them there are always new ideas and ways that certain sequences can be extended. This was, I think, the shortest one we have, and I think going less than 10 actually made their strikes play harder. The first two minutes is just them shoving each other in the chest with both hands and I would have been happy if we never even got to the punches. I could have watched them shove each other and burn out their arms for eight minutes, just to see who would be the first to fall. 

But I do like the strikes. 

Valentine always takes more punches than he gives in the Garvin battles, but I think this one takes the cake. He just gets battered. There is often a corner punch out stretch of their match, and Valentine's selling made this stand out from the rest. Garvin kept punching and chopping him and Valentine kept getting knocked to his ass, hitting the bottom buckle and getting pulled back to his feet only to be punched and chopped some more. When he finally can no longer stand and begins pitching forward into a Flop, Garvin actually holds him up with both hands on his chest. Garvin looks like a support beam propping up a leaning building in the Philippines, and it's all so he can just punch him in the head one more time.  

When Valentine does flop, there is no rest to be had. Garvin starts raking his back and Valentine sells multiple back rakes so well that it made me think of how Tenryu might've sold a back rake if that had been something that any wrestler in WAR ever did (they did not). But it's all back rakes that Valentine sells incredibly, punches to the nose (that Valentine sells incredibly), a fantastic headbutt, and one of those sleepers that starts like a violent clothesline. Garvin is a monster and I don't think there was anyone else on the roster who would have put up with this. Garvin has his own great run of selling when Hammer turns a side headlock into a knee breaker, then does it again. Garvin is limping around on one leg, and after he takes the second knee breaker he landed one big punch that knocked Hammer to his back while it spiraled him into the mat. 

I think calling Garvin's punches after the bell a punch version of the Garvin Stomp kind of undersells how nasty those punches were. Garvin just got into mount and threw disgusting punches while Valentine was on his back. He threw eight of them, and Valentine couldn't really move to absorb them, so Garvin just stood over him raining down shots that built into even more disgusting hammerfists, both fists held together like an ape attacking his handler. Hammer can barely move and has to take a rapid succession of wicked punches and man....is this the best of the Garvin/Valentine matches? I think this one packs in the most action, and it felt like they went even more violent with the shorter runtime. 


Randy Savage vs. Bad News Brown 

MD: This has been out there before but I'm not sure I've ever seen it. It's a street fight. Bad News is out with a Mets shirt. Savage is out with a white shirt with a Gold's Gym tank top over it and grey Zubaz type pants and pink elbow pads so it's a look. Liz looks like Liz. That feels like a missed opportunity. It's basically ten years before its time. You give it a couple more minutes and some more goofiness around the finish and it could have been a 1998 Austin No DQ main event. Brown started with a chair but then missed a punch on the post outside. Savage used the timekeeper's table and kept on him. Then he took the weight belt off and used that. Brown came back with a chair. They set up a table and but the ref got crunched in between it and Brown. That's when we got the Ghetto Blaster and the visual pin, then a hilarious second one as Brown got the ref up and slammed Savage but the ref did a face first bump as he passed out again. When he came to Savage rolled up Bad News for a quick pin and that was that. Post match they went at it with Brown getting an early advantage and Savage fighting back as the locker room cleared. Pretty bizarre to watch overall, but it worked well for what they were doing especially if they went back to it.

ER: This was on the very first DVDVR 80s set, the one that was assembled and arranged differently than all the other eventual sets because this was the very first time we were doing this and nobody had any idea how large this project would grow with subsequent sets. "Controversial" is not the correct word for it but I remember some people wondering why this match was included at the time. There were a lot of imperfections and missing matches on that first set, and I still can't believe that was 20 years ago now. 2005? Impossible. It was not well received by the people who participated in that first ballot. It finished in the bottom 10 out of 100 matches, and it almost surely wouldn't have been included were the set put together with the same method that all subsequent sets were assembled. From the very next set (Other Japan Men's) we were watching every single match from the territory/fed and picking among the very best. There were plenty of matches that should have been included in a WWF 80s set, and we sadly never got to re-do that one. I can't find my initial ballot either, so I have no idea how high/low I ranked it 20 years ago, when I was a 24 year old man, but now I think it's pretty safe to call this pick ahead of its time.  like a pretty ahead of its time fiat pick (that I believe was made by David Bixenspan, credit due).

Maybe it belongs just for the gear. Nobody shows up for a fight like this and they're idiots for that. I loved Bad News in his 50-50 poly-cotton Mets tee and Savage just went over the top with gear. The Golds tank top and Zubaz would have been enough but the tight undershirt and pink elbow pads that looked like knee pads he was wearing on his elbows make it insane. It's possible Big thought it belonged on the set because it was a unique match for 1989 WWF. Savage was the World Heavyweight Champ and it's not like he and Bad News were working Harlem Street Fights around the horn. This was the first (and only one that exists on tape) and they worked just eight total over the next couple months. It's short, it's a tough fight, Savage takes some tough spills - including getting thrown hard over the railing to the concrete, a girl in her neon green sweatshirt helping push him back over the guardrail so he can go after Bad News. Bad News punching the ringpost felt like a novel spot in 1989, and him setting up a table in the corner and running a ref straight through it feels even more novel. That ref got crunched man. The bullshit finish is incredible, with Bad News getting a real long visual pin over the champ, then reviving the referee just for the man to collapse again just as Bad News re-secured the pin. Maybe people disliked it 20 years ago because it was too short? It's less than 8 minutes long, which feels more like a snack than a World Heavyweight Title match, but I'm glad I watched it again now that I'm sliding down the other side of the mountain. 


Jim Duggan/Hercules vs. Ted Dibiase/Virgil

MD: This was already out there as well so I'll keep it quick. Herc and Duggan team up very well. Two versions of the same sort of visual idea with big shots and driving motion. Duggan constantly moving forward especially on his hope spot punches is something I didn't appreciate enough for a lot of my life. Honestly, Dibiase is fine here, feeding and stooging, but he doesn't give himself over to it in the same way a lot of the people earlier in the card. Everything is technically sound but it almost feels more like him putting himself in the right place at the right time in a more modern way as opposed to that sense of total abandon that we got from Davis or Sharpe or (in different ways) the Brainbusters (or in a different way) or Valentine (in a different way). Virgil is interesting here as he never really does much, mainly just plays interference and holds someone for Dibiase. It's actually a clever use for him. This was ok, and fit well on the card. I just don't think Dibiase stood up well to his predecessor heels.


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Thursday, November 28, 2019

Coliseum Video Thanksgiving: Rampage '92

ER: In what has become somewhat of a Thanksgiving tradition, my friend Josh is over on a brisk Thanksgiving day, the heater in the house is turned up, and Josh brought a bag of Coliseum Videos with him (as well as TWO full pies. I'm looking at YOU Pear Cardamom). We randomly grabbed one, and the choice was the EXTREMELY great looking on paper Rampage '92. We pop it into the VCR, and it turns out Rampage '92 has an Old West theme! Sean Mooney is in a old west town like he's in Mad Dog McCree and he shoots a man! Some bronco buster talks trash to Mooney and Mooney just turns around and shoots him! Twice! This tape is going to be great.

Razor Ramon vs. The Undertaker

ER: The fans are weirdly not into this one, but it's really fun and low-key awesome. The slugfest spots all look good but get no reaction, and the two seem to noticeably ramp things up to win the crowd over. Taker takes a bunch of big bumps, missing a high leap elbow, dropping hard on his tailbone for a legdrop, takes a lariat to the floor, and in the coolest moment of the match gets absolutely launched off the top when going for the rope walk. Ramon evens breaks out a chair - stealing it from a security guard! - and bashes Undertaker in the kidneys! And that wasn't a DQ I guess! Gorilla really puts over Taker eating a chairshot to the kidneys, and this is SUPER important because it actually makes Razor Ramon's abdominal stretch make sense!! Ramon goes for a chokeslam which is some nice hubris, only to get reversed, then Taker goes to chokeslam him again and Ramon does a cool escape by using the ropes. And then he just says fuck it and walks out and gets counted out. He knew when to fold 'em, and I respect that.

Shawn Michaels vs. Bret Hart

ER: I can't get super excited for a match between these two. They've matched up a lot. BUT this is a very fun version of their touring match. When these two weren't such total cocks to each other and were generous in the ring with each other, they really did match up nice. Bret is insanely crisp in this match, every strike, every shoulderblock, every elbow, every clothesline, they all looked amazing. Shawn doesn't bump theatrically here, he bumps HARD. There are two different ridiculously fast and hard bumps, one off a simple shoulderblock, the other off a gorgeous diving lariat to the back of his head, and the two were just like chocolate and peanut butter, perfect complementary parts. Sherri is at ringside and an absolute treasure, cutting promos constantly, looking like a wrestling character in a John Waters movie. This was basically the best era of Michaels, before too much ego took over. He was a really fun heel and made for a fun act with Sherri. And I liked his big heavy bumps, liked his strikes thrown with dickhead aggression, does cool running knees, nice backslide, just a good pro wrestler. He was a like a tighter John Tatum, easily the best iteration of him. I thought this match-up was played out when it started, but they really were satisfying opponents, and this was one of the tighter matches I've seen from them.

40 Man Battle Royal

ER: This is just beautiful. And this is an entirely DIFFERENT battle royal than the infamous Berzerker 40 man. This is worth it just for the entrances, as everyone comes out single file and at LEAST 15 people in this are total pasty nobodies. Some of the nobodies (Rick Johnson? Dublin Destroyer?) actually have decent looks and builds but went absolutely nowhere to my knowledge. There are future names like Glen Ruth, and what's cool is that we don't get exclusively jobbers getting eliminated early. In the other 40 man the opening was so great, with Kerry Von Erich just hiptossing every single jobber to the floor immediately, while Berzerker stomped them all in the head. Well in this 40 man, a lot of the jobbers stay in really long! Guys like Jerry Sags and IRS get eliminated before half of the nobodies, and I thought that was pretty awesome. There are plenty of great moments, like Knobbs trying an honest to god shoot takedown of Bret, and Bret completely stuffing it and dropping a full force knee to Knobbs' chest. I swear to you. Glen Ruth and Duane Gill make the final 10, and they pair off in a way that says "Maybe nobody will notice us if we just punch each other". The final 4 is brilliant, as it's British Bulldog, Bret Hart, and THE BEVERLY BROTHERS! Obviously they don't win, but they both get to eliminate Bret! Bulldog smokes them, icing the cake by press slamming Beau into Blake, and it rules. The format of this battle royal was so good, such a unique look with 40 guys shoved into the ring at the same time

Rick Martel vs. Tatanka

ER: The match itself is simple, the chops looked good, it was somewhat dull, but it always amazes me how into Tatanka everyone was. There was some of the power of just WWF telling this guy is someone worth rooting for, but fans also really took to Tatanka. And yet he was never given any kind of title run. Fans were way into him though, and that's cool.

The Beverly Brothers/The Genius vs. Legion of Doom/Paul Ellering

ER: This is an honest shock to me, as I had NO idea that Paul Ellering worked any taped WWF matches, and no idea The Genius was still working taped matches in 1992. I'm blown away right now. Ellering looks in great shape and is just wearing black trunks and boots, but The Genius is wearing a FULL black body suit with neon yellow GENIUS written multiple times down the leg, and a gigantic superhero G on the front of the suit. He looks like he's wearing LA Park's gear, but with GENIUS instead of bones. I have NEVER seen this version of The Genius. I can barely even focus on the match because The Genius is just standing there in a dayglo bodysuit. But what I am able to see of the match, is obviously super fun. The Beverlys and LOD both get to throw big powerslams, and Mike Enos is a tremendous stooge the entire match. You'd think that with Genius on his team, that Genius would be handling stooge duty, but no! Here's Blake Beverly getting shot into the ropes by Hawk, Blake holding onto the rope to stop his momentum before posing to the fans, and then getting leveled by Hawk. At another point Hawk is chopping Beau in the corner, and Blake charges at Hawk from the apron to break it up, Hawk chops him, and Blake just takes a huge banana peel back bump from the apron to the floor. It looked incredible. Animal is our fun hot tag, sending Beau flying with a backdrop, tossing a nice dropkick at Blake, dropping them both with a DDT, big clothesline, another powerslam, and then LOD uses the Rocket Launcher as their finish!!! Genius gets the Doomsday Device post match, but they win with the Rocket Launcher!!

Tito Santana/Virgil vs. Money Inc.

ER: Dibiase comes out wearing the all white Million Dollar Man suit and he looks downright resplendent. His all white trunks/kneepads/boots look amazing. Tito and Virgil get separate entrances and I'm not sure why that is so funny to me. And Dibiase is a real star in this one. He avoids Virgil, so Virgil has to do a blind tag cheat to get in the ring at the same time as him, and when he is finally forced in with Virgil he works real tough, nice punch combos and a big boot to Virgil's stomach, but is also generous with bumps. He and IRS are great cheaters, cutting Tito off from Virgil, and it's just a great formula. Tito is obviously going to be a great FIP, and Money Inc. are giving leverage assists to each other from the apron, constantly keeping Tito from making the tag. The crowd is hot for Virgil's eventual hot tag but it's kind of flubbed (he throws a couple of off balance lariats and gets a little crossed on the ropes) but the crowd is still into it. The match does not end great but it easily had the strongest build of any match on the tape. I don't think I've seen as much end of career Dibiase and this was a real nice showing for him.

Repo Man vs. Randy Savage

ER: This one is pretty active, even if 90% of the action seems to be axe handles. These two kind of walk around ringside and in the ring exchanging axe handles, and it's not super interesting but it's not bad either. This was World Champ Savage, and babyface Savage always gave up a ton of offense in matches. So here we get Repo controlling things with chokes and a nice flying lariat, nice side suplex, a real look at the Repo Man's offensive game. You knew Macho Man was coming back right in the final 30 seconds, but the elbow he hits is gorgeous.

The Berzerker/Papa Shango vs. The Undertaker/Ultimate Warrior

ER: I really really liked this. It was pretty much just what you would want from this match. It was a fast 8 minutes, which meant that nobody got exposed (anybody know what is considered the best Shango/Kama/Godfather match? I can't recall ever seeing a match with him and thinking "now THAT'S a keeper", but they must exist, right?), and everybody could go go go, and they did. Berzerker/Warrior was a genuinely fun match up, and Warrior busted ass in this, as did Berzerker (I guess I had assumed that would happen though). Berzerker bumped all around for Warrior as if he was Savage or Flair, and Warrior ate a big boot really nicely. I mean Warrior looked pretty bad throughout, and he looked so much smaller than Berzerker that it looked weird that he was shoving Berzerker around. But his energy was there and that's important in a match like this. Shango and Taker were more background characters but the money was in the Warrior/Berzerker showdowns. Another match where you can say with no argument that Berzerker worked harder than anybody else in the ring, really a super generous opponent, took his requisite 3 bumps to the floor. Considering all four of these guys weren't considered "workrate legends" during this time, this match was a blast.


ER: This has easily become one of my more anticipated wrestling traditions, and it helps that we've randomly chosen good tapes. Happy Thanksgiving to all!


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Sunday, December 23, 2018

More 80s Christmas AWA! On Heenan! On Martel! On Blackwell and Gagne!


Rick Martel vs. Bobby Heenan AWA 12/25/82

ER: Network puts up new hunky Rick Martel, Rachel is going to be interested in seeing new hunky Rick Martel. Every time we see some early 80s Martel she just exclaims "He's such a good babyface!" This is, I believe, the only wrestler she has said this about. I don't even think she's seen much of The Model era, or how she would even handle heel Rick Martel. Oddly, I think she's seen the '91 Rumble, but Martel lasts so long that it's basically like a babyface Rumble performance, working against the odds. But it is undeniably true that Martel is a fantastic babyface, super expressive and knows how to make things feel like a big deal. Heenan here really comes off like a big deal. He's practically Fit Finlay in how well every single shot lands, and how nicely he takes every Martel shot. He even moves similarly to Fit. Heenan comes off like a total badass, just look how he kicks at Martel from the apron to keep him on the floor or throws winging double chops off Irish whips. Heenan was so good here that it's crazy to me he was only a part timer a couple years later.  Heenan blinds Martel early in the match and Martel is weirdly a guy who is really great at dramatically selling blindness. It's an odd thing to be good at but something everybody clearly knew or they wouldn't have had him still working it into matches a decade later. Martel is great on the defensive in this, but also great on offense. He fired back blindly against Heenan, tossing him with backdrops when Heenan would get close, firing back with great punches (that knock Heenan into the ropes Andre style), kicking at his legs in the ropes (nasty kicks to inner leg), and broke out a textbook sunset flip. The finish was awesome as Heenan gets dropkicked in the back and flies chest first into the middle turnbuckle, made the bump look real violent and worthy of a finish.


Rick Martel vs. Superstar Billy Graham AWA 12/25/83

ER: This was really fun, just a bunch of simple knucklelock exchanges and a nicely worked bearhug by Graham, which is more than enough to frame a nice babyface Martel performance. I like a good bearhug and post-WWF Superstar can still squeeze. I thought he was good at cutting off Martel, especially with a nicely timed throat thrust (a "tae kwon do chop") when Martel was starting to fire back. Maybe Graham's stuff wouldn't have looked as good without someone as expressive as Martel selling it, but the combo worked. Finish is at least a good bullshit finish, as Martel starts making strides and Graham just decides to launch him over the top to the floor for the DQ. Martel took the match finishing bump like a champ.


Jerry Blackwell/Ken Patera/Mr. Saito/Sheik Adnan Al-Kassie vs. Greg Gagne/Jim Brunzell/Ray Stevens/Baron von Raschke AWA 12/25/83

ER: Hell yes, inject this kind of classic multi man action right between my toes. It's JIP 5 minutes but that still gives us 11 minutes of party. The heels all cut off Gagne from his boys, showing how effectively a simple formula can work 35 years later. The heels all took turns distracting the ref to keep Gagne from getting to hot tags and allow double teams, Saito sneaking in with leaping elbows off the middle rope, Patera coming in with a nice cut off shot while Blackwell is busying the good guys, Adnan sneaking in shots, Blackwell hitting a nice falling elbow and later missing a splash, all simple but effective stuff. The whole babyface side is excellent on the apron, keeping everything fired up, Stevens running in to try and do justice, Baron getting to goose step around to thunderous cheers on the hot tag, but Gagne again had an excellent babyface performance and even got to hit this ridiculous double stomp off the middle rope right off Blackwell's belly. This kind of match is like tasty popcorn in a movie, just can't stop eating it.


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Tuesday, October 25, 2016

1980 Match of the Year



PAS: This is for the vacant PNW tag titles and is a master class in tag wrestling.  First falls opens with the heels doing some off the charts stooging, both Rose and Wiskoski are great in-ring bumpers and fly all over the ring for both babyfaces. Then the heels take over and Piper has one of the best Face-In-Peril sections I can remember seeing,  frantically spinning and tumbling and leaping to try to get the tag, just awesome intense timing. There is a wrestling multiverse where Roddy Piper is the great 80’s babyface tag worker, and Ricky Morton is doing Ricky’s Rountable and smashing Snuka with a coconut. Second fall has the heel team working over Martel’s back, including using the broken bottom rope bolt to jab him in the kidneys, the rings in Portland must have been really flimsy because Rose was a maestro at improv work with a busted ring. Third fall is an awesome wild brawl with it all breaking down and the ref throwing out the match. This had all the parts you want in a great tag match. I could easily see this being a legendary feud which spanned decades like MX v. Rock and Rolls.

ER: Simple match, and a real good match. I have never seen fired up underdog Roddy Piper before and it's a blast. We've all seen fired up Piper, but context is key and Phil is right: He was a really great Ricky Morton. You really could see the alternate timeline. Although after the match you hear him screaming unhinged into the mic and you knew he was going to be more than an underdog. I so wish I lived in Portland in the 80s. The personality of the city bleeds into its wrestling and it's so charming. Sandy Barr was wearing a colorfully striped shirt even by Sandy Barr standards, both large heels have ridiculous Prince Valiant haircuts, women bring flowers for their favorite hunks (with one woman bringing flowers for Wiskoski AND Martel!), and these women are rabid from the opening bell despite just the basics being on display. Buddy and Ed get bumped around early, with Wiskoski especially taking an awesome stooge bump into the turnbuckle and then flipping feet over crown all the way across the ring. But pretty soon Wiskoski takes over on Piper with a snug body scissors, and Roddy trying to fight to Martel is so great. They draw it out soooooo long, with Piper inching closer and closer, going crazier the closer he gets, wildly swinging his arms to try and get to Martel. The heels were great at cutting off the ring the whole match and later there was a spot I loved just as much  with Martel knocking Rose down, but before Martel can tag in Piper Rose just punches him in the gut, right off the apron. It made so much sense, as the way Rose was positioned it was far easier to knock Piper off the apron than it would have been to stop Martel. It reminded me of SUWA pushing the ref into the ropes to stop KENTA's springboard. It's just logical quick thinking from the heels. We get plenty of great moments the longer this goes, like Martel taking the nastiest catapult into the ropes, dropping back down across Buddy's knees, or Buddy and Ed bumping all over the place (with Buddy taking two fast and hard bumps over the top to the floor, one of them almost off camera but looking nuts), and then a wild brawl around ringside with Martel and Piper looking legitimately like one of the best American babyface tag teams you've seen. Don Owen comes out and talks about being sick of all this and sets up a No DQ lumberjack match and Rose flips out and grabs him by the jacket and almost swings at him until he's belted and then things break down again. You got Barr holding down Martel, Piper flipping out, Wiskoski getting popped, great stuff.


ALL TIME MOTY MASTER LIST


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