Found Footage Friday: CROCKET CUP 87 NIGHT 2~!

Crockett Cup 87 Night 2 JCP 4/10/87

MD: We had a lot more of Night 2 than Night 1 but some of that was still handhelds or pieced together and this is a big VQ upgrade regardless, so we're just going to go through this as much as possible on the idea that a lot of this is very much Found even if not entirely New.

Round 3

Bob & Brad Armstrong vs. Tully Blanchard/Lex Luger

MD: Really great stuff here. That's not a surprise. There's an extended (almost ten minute) heel-in-peril shine to begin where Tully gets a few moments but mostly gets clowned over and over. What makes this work is how he constantly tries to drive to the corner and everytime things go really wrong for him is when he tries to stretch the rules, like using his foot to make a tag. JJ complains and the Armstrongs do a phantom tag while the ref is dealing with that. I love the wrist control by Bob here. You get such a great look at how he's holding Tully's hand and the torque involved. So simple but so good. Eventually Luger does get in but the Armstrongs come back only for JJ to pull down the rope and send Brad flying.

The FIP isn't as long but they get a lot done quickly, using the guardrail and working over the back. Brutal stuff with Brad on the floor reaching not for the fans, but for his dad even though there's no way to make a tag, just trying to drag strength and power from his love. The hot tag is great too with Bob coming in fiery as can be, laying into the Horsemen with basically machine gun chops in the corner. I got a kick out of the finish which had the ref miss a pinfall due to the chaos and JJ and Tully do a double clothesline with JJ on the apron to pick up the win. It's funny to think that would add so much but it had symbolic value so it totally worked. Good tag and great to see it in this level of video quality.

ER: I thought this was tremendous, 8 perfect minutes of tag team wrestling. Also, 8 minutes reminding us of what a perfect wrestler Tully Blanchard was. Tully was the primary highlight of this, but I think the whole thing was highlights. Every single second of Bullet preventing Tully from tagging out is pro wrestling perfection. Every second. The cameras catching the perfect angles of the inches Bullet was letting Tully get from Luger, the cut to the hand-on-brow disappointment and disgust from JJ Dillon looking like Robert Prosky in Thief, Luger's teenage quarterback hands on hips frustration when the tags keep being prevented, the way Tully's legs dragged and floated when Brad held onto a side headlock, it was all perfect. Luger was a great partner for Tully. This was Luger's best hair era, by fair. It never came close to looking this good again. His fringe, his gentle approach to being a jacked Ramones superfan. I loved how all of Tully's long build to the hot tag was more about Bullet tagging in his son to square up to Luger, who looks like Asshole He-Man. 

Tully Blanchard has the same kind of physical bumping style as Bobby Heenan. Heenan's bumping gets talked about more because it's flashier and one of the greatest bumping styles anyone has ever attempted. Tully doesn't use the same physical movement as Heenan, but he bumps with the same physicality. Tully has the ability to work these inches and near misses as well as he works big looping O-face back bumps when tugged and pulled and thrown by the Armstrongs, in a way that only makes the Armstrong Family Biceps look like main event power. I don't think there's a more perfect bump than Tully ping ponging perfectly onto his belly into the corner right on his mark, after leaning into Brad's missile dropkick. It's that kind of precision that people see in Chris Candido, the things is that Candido is just 0.7 Tully. Candido was tan, shaped, modeled. Tully looked like your friend's dad who was the asshole orthodontist accused of touching a girl under the gas. The guy in your church denomination you don't want to talk to in the lobby after service.

Road Warriors vs. Midnight Express

MD: The feeding early on, especially by Bobby Eaton, is all time great. The way he's able to rush in and take things and contort pro wrestling physics and make it all look good is up there with the very best ever. He somehow hits the guardrail after getting tossed out and you buy it. He makes a press slam into a snake eyes look like a move that people should be doing weekly now but it's something I've barely seen this century and that if anyone else took wouldn't look nearly as good. Likewise, he took a chop (looked like to the chest to me) and then sold his face, pointing to his jaw repeatedly like he just lost three teeth. Lane does okay too, going head over heels just bouncing off a Warrior, but it's not quite the same as Bobby.

When the Express take over on Hawk, it's from going to the eyes again and again and again and double teaming at every point. They just have a few frenetic minutes in charge, but the sheer amount of varied and interesting cheating they're able to do in believable ways is just remarkable. You buy that the ref just didn't see it because they were so good and Animal was so frustrated. Eyerakes, tossing Hawk over the top illegally, using the racket, again and again. When the hot tag comes, everything becomes chaos and the ref goes down. Cornette threw a fireball at Animal and I thought Animal no sold it but on the replay you see that Ellering pulled Cornette's arm so he plausibly just missed. It's a dangerous thing to devalue though so I'm not sure I loved that. To the crowd, it must have looked like Animal just no sold it. Still that infuriated the Roadies and they took the racket and got themselves DQed the ref came to. This was another really good one as they matched up well and everything had the perfect weight to it, save maybe for that fireball at the end.

ER: This is a famously great tag that has never looked or sounded better. The sound on these new uploads is so key, it makes every bump seem like an impossible physical feat to maintain. There's so much good about this, including Bubba, Cornette, and Ellering at ringside. They all got reactions and none of the reactions took away from the others, just an insanely hot match where everything clicked. Bobby Eaton in 4K is truly something to marvel. He and Hawk are a perfect combination of wrestling physicality. Eaton was so gifted, another guy who moved all in his own way...and Hawk wrestles like the ideal jacked cool guy to be knocking Bobby Eaton around. Bobby was such a ham here, in a way that totally works when selling for the Roadies. Hawk hit a short hard chop that was so loud, Bobby improvised on the spot that it him right in the mouth, backpedaling all the way across the ring to tag in Stan. Sell it to the 18,000 people who couldn't see that it hit chest. Lane took some big shots too, getting whipped upside down into the buckles by Hawk and then calmly begging off as Hawk approached, like hey easy man we got other towns to make. Lane getting yanked by the arm from the apron into the ring was such a great bump, the athletic grace of the Midnights combined with the power of the Roadies. Bobby and Stan get great reactions for their bumps, but probably not as big as the reaction Bubba gets when he steps to the apron and removes his coat and hat. Huge. 

The finish is incredible, one of the great chained together bullshit finishes I've seen. The Midnights throw Hawk over the top to the concrete with full distraction, then Bobby hits Hawk in the ribs with the loudest racket shot and kicks him straight in the guts. It completely breaks down into chaos and pandemonium after the bell and it's fucking pro wrestling baby. That's chaining it all together. That's what we used to do. We used to cut off the ring and drink a case of beer and we used to chain bullshit together without reversals of reversals of reversals. A Cornette fireball to endless racket shots to bodies going every direction in perfect chaotic order. The Roadies murder Bobby with a Hart Attack to cap it off. Bubba takes a hit through the ropes that sends him crashing to the apron and down to the guardrail. He looked humongous and the fall was grand. Incredible pro wrestling. 

Rick Rude/Manny Fernandez vs. Superpowers (Dusty Rhodes/Nikita Koloff)

MD: The #1 seed vs. the biggest babyfaces in this. While the first round had its share of fairly lame teams (especially compared to the year before), now in the quarterfinals you see the breadth of the talent here. This was a huge match. They'd only run it once before at a show at the Great Western Forum. It was a way to put the tag champs up against these guys with the belts not on the line. Rude vs. Nikita was such a natural pairing too and they leaned into that early with some fun strength stuff including Nikita breaking out of a full nelson.

Dusty played FIP after taking a post shot on the outside, with him gradually working back towards a comeback and these guys all knew how to milk it of course. Things broke down after Dusty hit a leaping clothesline off the ropes. Rude came in and then Nikita. Manny went for a flying body press but Dusty rolled through for the wins as the fans went nuts. 

ER: This was short but hot the entire way. I love the Raging & Ravishing team. Everyone in Crockett is so physical. I keep using various forms of that word because everyone is so physical in a totally different way. Manny Fernandez doesn't even look like someone who exercises, he looks like the most dangerous man in a bowling alley, but then he's throwing these impressively controlled kneedrops and holding back his body to keep his shots worked, and it's crazy how dangerous he can make himself look while being this safe. Rude is so good at working with Nikita and Manny knew exactly how to work as Rude's partner, I just love how these men fell around the ring. 

Round 4

Giant Baba/Isao Takagi vs. Tully Blanchard/Lex Luger

MD: Baba/Takagi had a draw as Ricky Morton was out (what a shame to lose that weird match). This was a kind of weird one too. Lots of leglocks early. It looked like things would open up when Luger slammed Baba but then he missed an elbow drop and Baba just beat up Luger and Tully. Novel pairings at least and fun to see them take his stuff (chop, big boot, Russian leg sweep). Takagi looked strong in there, good strikes and the fans really got up when he mowed through both Tully and especially Luger. Takagi missed a corner charge and weirdly Luger couldn't get him up for the rack. He hit an elbow drop for the pin instead. Up until the finish I could see there being interest in a Takagi vs Luger match back in Japan but after that, nah.

Dusty Rhodes/Nikita Koloff vs. Midnight Express

MD: This was a blast really, the whole shine especially. There was an early bit where Koloff broke clean on Eaton, Eaton refused to break clean on Koloff, punching him in the face, Koloff gave chase, Eaton dodged a shot back in the ring and pointed to his brain, Koloff slingshotted him back into the ring and then dropkicked him, which was absolutely perfect pro wrestling. Beautiful stuff. Then Lane got thrashed about and claimed it was a tights pull and Eaton got caught in the ropes as Dusty pinballed him again and again in a teeter totter only to fall outside and immediately get hiptossed onto the floor. Pure Eaton right there. He does the silly painless bit to pop the crowd and decides to take the huge bump anyway. Dusty finished it by giving all of the Express and Bubba elbows and basking in the glory of it all.

Heat was on Nikita and they did what the Express did best, fit a ton of egregious offense into a very small amount of time. They focused on the neck cheated in both large ways and small, and made use of numbers and ring-positioning. They pushed it just a little too hard, had just a bit of miscommunication and Nikita used that to hit the Sickle, no hot tag needed. Given all the different finishes at play, it worked. It also felt a bit like a banana peel, definitive as it was, because of the lack of the hot tag, so that almost protected the Express in loss in a weird sort of way.

Ric Flair vs. Barry Windham

MD:A lot to cover in a paragraph or two. This match, given how it was preserved/presented over the years and that it was going back to a relatively dry well, has traditionally not been thought highly of. But I do think it was very good. There are individual bits that I love, and I honestly do think they come together. 

Some of those bits:

• After the initial feeling out, Flair chops Barry in the corner. Barry puts on a grin and storms out. Flair backs off but struts it off. They repeat the process and this time Flair falls down before strutting. Then Flair gets in a knee and does it one more time. This time Barry sells it big but still storms out and threatens to do a ten punch on Flair. He backs down. Flair goes for a cheapshot and Barry fires off on him. It was such a great exchange in part because how it escalates.
• Late in the match, Flair, who has been knocked around both inside and outside the ring, gets an advantage and scales the top. We all know what's coming, but the execution is so different than what we'd see in the years that would follow. Flair slows himself down to jaw with the fans. Once he reaches the top, he does it again. Barry gets up and waits for him to turn. When Flair does, he's shocked and begs off. Barry shoots a punch to his gut before grabbing him. Flair shakes his head repeatedly. Barry goes to throw him. They struggle over it. Flair grabs his hair. Barry finally gets him over.
• The biggest tease of the match is Barry hitting a one legged missile dropkick which looked so out of the norm for 87 that it felt like a big deal. He pins Flair for 3 but flair had his foot on the rope and got his hand there too at the last second. The hand drew the ref's eye to the foot and after he made the count, he had to restart the match. He was beside himself over it.  Barry immediately gets his finisher, being the leaping clothesline off, only for Flair to get his foot on again. The moment had passed.

Structurally, they go from Flair getting a hotshot and taking over and working the arm to Barry coming back and Flair taking back over to work the leg and getting the figure-four. They got in and out with advantages switching, throwing in plenty of high spots and building to some of the big moments above. When Flair wins it after a series of back and forth pin attempts and holding the tights, it's acceptable but not exactly satisfying, but it didn't need to be given the victory that would follow.

Dusty Rhodes/Nikita Koloff vs. Tully Blanchard/Lex Luger

 

MD: Ok, so I'm running out of time on this one and it's definitely been out for years. One thing I do want to point out that you get watching the show in context is how people controlled Nikita and had a chance by targeting the next throughout the show but the whole show builds to this one where they tear the brace off of his neck. So I really did appreciate that in context. 

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Found Footage Friday: 1989 Copps Coliseum WWF Show

1/16/89 WWF Copps Coliseum Toronto

MD: This is another Richard Land find and you should be checking out his stuff at (@maskedwrestlers) since he provides about 1/3 of the new footage coming out today.

Red Rooster vs. Danny Davis

MD: This made me feel like I have to check out a lot more Danny Davis, honestly. He got on the mic at the start and said Heenan was paying him for this but he would have done it for free. Then he shoved Taylor and ran around the ring from him, got chased in, did some rope running, stopped, taunted, and walked right into a punch before taking a powder, all before his ring jacket was off. Great stuff to begin. Then came the real stalling as he just pressed himself in the corner and covered his head. When Taylor finally did get him he begged off until he could turn an arm wringer into a clothesline and then he looked pretty solid in control. There was just a spring to his step. He had some nice stuff (a weirdly balanced shot off the second ropes, a throat cross chop when Taylor started to come back) and then begged off again towards the finish where Taylor got him with the Scorpion Deathlock. I enjoyed this one.

ER: Imagine what a crushing day it was when Terry Taylor was told he had to get the top of his hair dyed bright red. I can't imagine, but it's a conversation about your career as a top pro being over and done with. Look at him here, with his blond locks and no red, a man existing as a man and not as a rooster. But I am much more of a Heel Terry Taylor man. Let me see that evil Mark Harmon unleashed, like you find out the guy running your goof around summer school is actually a real hard ass who will probably assault more than one of the students. No, this match is owned by Heel Danny Davis, and I agree with Matt that more Danny research must be conducted. Fans hate this man on sight, even before he gets on the mic to say, "Bobby The Brain Heenan paid me a lot of money to come to this god forsaken place! But brother, he didn't pay me a dime because it's gonna be myyy pleasure." Then he one-handed shoves Taylor.  

Davis has great movement and plays to the crowd expertly, the kind of guy who you'd want to keep as a heel house show undercarder. How he punches Taylor over the referee, that stiff quick short arm clothesline to break an arm wringer, those great running short kicks to a downed Taylor's jaw, his very good short right hands aimed straight at the chin - including a fist shake out after one, thus cementing Davis's status as a Great Puncher - all of it is stuff that Danny Davis performs far better than we've ever given him credit. If you were doubting his Great Puncher status, he also throws nice corner 10 count punches and dropped a hammering fistdrop from the middle buckle, and if that's not the trifecta then man I don't even know what we're doing here. The thing is, even better than his corner 10 counts? His shoulder shrugs in the corner. You remember how Batista always had real awful shoulder shrugs, coming in way too light and making it obvious just how much he was holding back? Soothe yourself by Danny Davis going hard into Taylor's stomach and ask yourself why we don't demand better. Demand Danny Davis. 

Curt Hennig vs. Rick Martel

MD: This was a draw that did air but was clipped in half or so. I can't speak to that version. I will say that the good stuff here was very good. The feeling out process where Hennig won the first few exchanges only for Martel to turn it around and toss him around with all the babyface fire anyone might want was just as good as you'd expect. Martel's one of the only guys I've ever seen that was so into the flow of what he was doing that he'd do flat back dropdowns to set up an armdrag. After that rope running they went into extended controlling of the arm by Martel and they kept it interesting enough, with lots of escape attempts by Perfect, before building to an elaborate bit where it looked like Perfect might get him three times before finally dropping him with a belly to back.

Perfect's control started out engaging (especially as he was still selling the arm) but they went into a long front face lock. Obviously, these are two guys that could work that, and Martel was going to work from underneath well, but it was also clearly eating up a bunch of time in a twenty minute draw. The payoff was good though as again Perfect was going to rush right in to all of Martel's fire. Once he cleared the ring of him that was the time limit so it didn't really even build to the sort of nearfalls you often get with a draw. It more felt like they were just calling it a day (even if Martel tried to invite Hennig back in).

ER: This did not need to be a time limit draw, and it didn't need the moments you knew they were working towards a time limit draw, but I also thought Hennig was fantastic throughout all of it. Look at black trunks Perfect in '89. It's easy to talk about Hennig the bumper but it's really all about Hennig the ball of energy. It's going into every exchange with real aggression, real purpose. You see how hard both men are leaning into a collar and elbow and you see how Hennig throws everything - armdrag, hop toss, fireman's carry - with real purpose. His punches look like he's really trying to mess up Martel's pretty face. This era Hennig was going to come in hard and then feed even harder, making his opponents' bodyslams and hiptosses look more violent than his own. Before things settle down into arm work and front face locks, he takes a great bump off a light dropkick, flying out through the ropes and off and over the ringside table, then faceplanting all around the ring while Canadians lose their minds. 

I love how hard he pushes all the rope running that leads to him eating shit. He pushes Martel fast, like he's trying to get him to mess up a sequence, but it always ends with him on the mat kicking his legs in a hold. He does two different missed charges into the turnbuckles that lead to long series of him eating bigger bowls of shit. The arm work is long but Perfect makes it look so convincing that I heard two different people - women! - yelling for Martel to break his arm. He's good at timing how long to keep the crowd engaged while kicking in a hold, and knows when to start breaking out match ending fireworks. Curt Hennig is perhaps our finest wrestler ever at bumping like a heel who has his shoelaces tied together. A lot of the Minnesota guys were great at that. Was it common practice to work 2 a day drills while pantsed or something? Hennig gets kicked around hard before fleeing at the sound of the bell, and every fall is that of a man escaping a ransomed kidnapping. We act like it's a foregone conclusion that this was "just another match clearly worked as a time limit draw" but this was the first time limit draw that Hennig worked during the Perfect era. This wasn't just a thing he and Martel were doing around the horn, this was a Copps exclusive where some tag specialist took Perfection to the limit. 

Rockers vs. Brainbusters

MD: This had Billy Red Lyons interview the Busters (no Heenan) before the start. Nothing notable but nice to see. The match itself started great with Michaels looking like a huge star outclassing Arn (Arn feeding for it perfectly) and then escaping to slap the hands of the fans like he had escaped with the crown jewels. Then, he, being Michaels, doubled down on it and no sold all of Tully's stuff (Tully still bumped huge for him), and it wasn't until Jannetty came in that they even started the false transitions. Just another case where this would have been better if Michaels took that first win, gave Tully a tiny bit, and then overcame. Ah well. Jannetty looked great as he overcame (including fighting out of the corner and hitting a backflip to reverse a double top wristlock.).

Really a never ending heel in peril (though one full of entertaining individual bits) until Michaels ducked a Tully clothesline on the outside only to run into an Arn one. Thankfully the Busters were great at making the most of their time on top. Michaels knew how to be a star already and was constantly trying to fight back. I think a babyface should be doing that but maybe he didn't quite have the proper escalation in it. Arn crotched himself on Michaels' knees to set up the hot tag and things got chaotic but the Busters fairly quickly snuck one out. The great stuff was absolutely great but in part due to Michaels' tendencies and Arn and Tully being happy to just go along with them, this didn't come together like it could have.

ER: This really did feel like a 15 minute match where Tully bumped and stooged and made narrow misses for 13 of those minutes, and I did not mind that layout one bit. I was wildly entertained watching the Rockers punch through Tully for a long tag, as Tully is wildly entertaining at getting run over by punches. He cannot just walk a straight line to a destination and it's perfect. When he's punched, it's a turning drop to the knee before getting punched in another direction; when he misses, it's a quick turn back to his target to take his medicine. He finds several safe and less safe ways to fall to the floor and continue his constant motion and I loved them all. I loved the theatrical slow mo Sgt. Slaughter bump to the floor and the ways he would fall off the apron into a back bump. He treats every punch from each Rocker as something worth bumping for, and it makes his eventual tag out moment even greater when he turned a near tag out into an inverted atomic drop. The Brainbusters really didn't have a lot of offense here - that Arn clothesline on the floor that the camera missed, Tully's atomic drop to set up his tag, and Arn's spinebuster after ducking a clothesline - but the Rockers didn't really have any offense either. Even when Michaels goes up top after they hit tandem superkicks, he only comes flying off with a punch. And I'll take it. The finish is fantastic, even if uncommon. Marty goes for his first flying headscissors but it's too close to the ropes, and Tully pulls his head down from the apron and slam dunks his head over the top rope.     

Iron Mike Sharpe vs. Paul Roma

MD: I'm honestly a little astounding how good this was. (Eric will not be, but he is a Mike Sharpe truther). It was 80% shtick and 20% Roma hitting dropkicks, but the shtick was really good and Sharpe was incredibly entertaining. He's one of the most vocal wrestlers ever and there were times where I could shut my eyes and still know exactly what was going on just from hearing him stammer. Mainly when he was begging off but not always. And he did a lot of begging off. A lot of stalling. They got tons of mileage out of a handshake bit at the beginning, out of him threatening to leave, out of Roma catching his foot on a kick attempt. Just one bit after the next after the next with Sharpe throwing himself into it completely and Roma being a perfectly fine straight man. It's the sort of match the sheets would have grumbled about in 89 but that plays a lot better in 2025 when there's nothing like it in the world anymore. You can see the value so clearly now. Honestly just a great show for stooging up til this point, and from guys that don't get the credit for it like Davis and Sharpe.

ER: We get an honest to god Iron Mike Sharpe ring entrance and the fact that he is in his hometown of Hamilton, Ontario and announced as such does not give him a single second of goodwill from his town. These are his people, and the people of Ontario fucking hate the mirror that he is holding up for them. The women scream for Roma as he removes his jacket, but when the match is over I will challenge those same women to tell me anything Paul Roma did during the match. They won't be able to, because this is Iron Mike Sharpe's town, and Iron Mike Sharpe's match. To use an already dated out of existence joke format: Mike Sharpe is the Tully Blanchard of Barry Darsows. He has the size and sound and lack of offense of Darsow, but watching him directly after a Tully match you really see what a large adult son Tully Blanchard he is. He is not as hateable on sight as Tully (few men ever have been) but how much of an instant turn off does one have to be within pro wrestling to be booed on sight in his own hometown? 

I love how quickly Sharpe takes armdrags and how it's the only bump he really takes differently than his standard arm waving back bump that he uses for everything else. His swinging arm into Roma's stomach looked excellent and the man gets tied up in the ropes more efficiently than any wrestler other than Andre. But where Andre was always a temporarily inconvenienced giant, Sharpe has a way of making it feel like he just might be stuck in those tangled ropes for the rest of the evening. The finish is outstanding and probably something that no wrestler other than Sharpe would even want to do: Sharpe loads up his cast and swings it at Roma, but Roma catches it and throws Sharpe's loaded arm back into his head. It's so stupid and so hapless that it can only be a Mike Sharpe finish. We didn't know how good we had it, and as Matt points out, it's because nobody comes close to being a Mike Sharpe any more. We didn't recognize how essential different workers were to a roster. 

Greg Valentine vs. Ron Garvin

MD: Another awesome match in their feud. What can you even say about this really? They lay into each other in the corner. Garvin's great at firing back out of it just when you think Valentine has him. Valentine's great at stumbling about and getting a sneaky advantage right until he doesn't. There were some really brilliant specific moments which shows you they weren't just hitting each other blindly. At one point, Valentine's about to do the flop and Garvin catches him so he can hit him one more time first. Valentine takes over with a shinbreaker but when he goes to the second, Garvin nails him before he collapses so they both go down. Finish had Garvin wanting to use the shinguard as a weapon and getting distracted by the ref so he got rolled up but post match he hit a punch version of the Garvin Stomp to a prone Valentine and nailed him with the shinguard anyway. The world would have been better off if we had whole promotions based around this style instead of whatever else we got in the 90s and after.

ER: It would be a good idea if we just kept getting new Garvin/Valentine matches every couple weeks. Every single one we have has been a real gift, and while there are a lot of similarities among them there are always new ideas and ways that certain sequences can be extended. This was, I think, the shortest one we have, and I think going less than 10 actually made their strikes play harder. The first two minutes is just them shoving each other in the chest with both hands and I would have been happy if we never even got to the punches. I could have watched them shove each other and burn out their arms for eight minutes, just to see who would be the first to fall. 

But I do like the strikes. 

Valentine always takes more punches than he gives in the Garvin battles, but I think this one takes the cake. He just gets battered. There is often a corner punch out stretch of their match, and Valentine's selling made this stand out from the rest. Garvin kept punching and chopping him and Valentine kept getting knocked to his ass, hitting the bottom buckle and getting pulled back to his feet only to be punched and chopped some more. When he finally can no longer stand and begins pitching forward into a Flop, Garvin actually holds him up with both hands on his chest. Garvin looks like a support beam propping up a leaning building in the Philippines, and it's all so he can just punch him in the head one more time.  

When Valentine does flop, there is no rest to be had. Garvin starts raking his back and Valentine sells multiple back rakes so well that it made me think of how Tenryu might've sold a back rake if that had been something that any wrestler in WAR ever did (they did not). But it's all back rakes that Valentine sells incredibly, punches to the nose (that Valentine sells incredibly), a fantastic headbutt, and one of those sleepers that starts like a violent clothesline. Garvin is a monster and I don't think there was anyone else on the roster who would have put up with this. Garvin has his own great run of selling when Hammer turns a side headlock into a knee breaker, then does it again. Garvin is limping around on one leg, and after he takes the second knee breaker he landed one big punch that knocked Hammer to his back while it spiraled him into the mat. 

I think calling Garvin's punches after the bell a punch version of the Garvin Stomp kind of undersells how nasty those punches were. Garvin just got into mount and threw disgusting punches while Valentine was on his back. He threw eight of them, and Valentine couldn't really move to absorb them, so Garvin just stood over him raining down shots that built into even more disgusting hammerfists, both fists held together like an ape attacking his handler. Hammer can barely move and has to take a rapid succession of wicked punches and man....is this the best of the Garvin/Valentine matches? I think this one packs in the most action, and it felt like they went even more violent with the shorter runtime. 

Randy Savage vs. Bad News Brown 

MD: This has been out there before but I'm not sure I've ever seen it. It's a street fight. Bad News is out with a Mets shirt. Savage is out with a white shirt with a Gold's Gym tank top over it and grey Zubaz type pants and pink elbow pads so it's a look. Liz looks like Liz. That feels like a missed opportunity. It's basically ten years before its time. You give it a couple more minutes and some more goofiness around the finish and it could have been a 1998 Austin No DQ main event. Brown started with a chair but then missed a punch on the post outside. Savage used the timekeeper's table and kept on him. Then he took the weight belt off and used that. Brown came back with a chair. They set up a table and but the ref got crunched in between it and Brown. That's when we got the Ghetto Blaster and the visual pin, then a hilarious second one as Brown got the ref up and slammed Savage but the ref did a face first bump as he passed out again. When he came to Savage rolled up Bad News for a quick pin and that was that. Post match they went at it with Brown getting an early advantage and Savage fighting back as the locker room cleared. Pretty bizarre to watch overall, but it worked well for what they were doing especially if they went back to it.

ER: This was on the very first DVDVR 80s set, the one that was assembled and arranged differently than all the other eventual sets because this was the very first time we were doing this and nobody had any idea how large this project would grow with subsequent sets. "Controversial" is not the correct word for it but I remember some people wondering why this match was included at the time. There were a lot of imperfections and missing matches on that first set, and I still can't believe that was 20 years ago now. 2005? Impossible. It was not well received by the people who participated in that first ballot. It finished in the bottom 10 out of 100 matches, and it almost surely wouldn't have been included were the set put together with the same method that all subsequent sets were assembled. From the very next set (Other Japan Men's) we were watching every single match from the territory/fed and picking among the very best. There were plenty of matches that should have been included in a WWF 80s set, and we sadly never got to re-do that one. I can't find my initial ballot either, so I have no idea how high/low I ranked it 20 years ago, when I was a 24 year old man, but now I think it's pretty safe to call this pick ahead of its time.  like a pretty ahead of its time fiat pick (that I believe was made by David Bixenspan, credit due).

Maybe it belongs just for the gear. Nobody shows up for a fight like this and they're idiots for that. I loved Bad News in his 50-50 poly-cotton Mets tee and Savage just went over the top with gear. The Golds tank top and Zubaz would have been enough but the tight undershirt and pink elbow pads that looked like knee pads he was wearing on his elbows make it insane. It's possible Big thought it belonged on the set because it was a unique match for 1989 WWF. Savage was the World Heavyweight Champ and it's not like he and Bad News were working Harlem Street Fights around the horn. This was the first (and only one that exists on tape) and they worked just eight total over the next couple months. It's short, it's a tough fight, Savage takes some tough spills - including getting thrown hard over the railing to the concrete, a girl in her neon green sweatshirt helping push him back over the guardrail so he can go after Bad News. Bad News punching the ringpost felt like a novel spot in 1989, and him setting up a table in the corner and running a ref straight through it feels even more novel. That ref got crunched man. The bullshit finish is incredible, with Bad News getting a real long visual pin over the champ, then reviving the referee just for the man to collapse again just as Bad News re-secured the pin. Maybe people disliked it 20 years ago because it was too short? It's less than 8 minutes long, which feels more like a snack than a World Heavyweight Title match, but I'm glad I watched it again now that I'm sliding down the other side of the mountain. 

Jim Duggan/Hercules vs. Ted Dibiase/Virgil

MD: This was already out there as well so I'll keep it quick. Herc and Duggan team up very well. Two versions of the same sort of visual idea with big shots and driving motion. Duggan constantly moving forward especially on his hope spot punches is something I didn't appreciate enough for a lot of my life. Honestly, Dibiase is fine here, feeding and stooging, but he doesn't give himself over to it in the same way a lot of the people earlier in the card. Everything is technically sound but it almost feels more like him putting himself in the right place at the right time in a more modern way as opposed to that sense of total abandon that we got from Davis or Sharpe or (in different ways) the Brainbusters (or in a different way) or Valentine (in a different way). Virgil is interesting here as he never really does much, mainly just plays interference and holds someone for Dibiase. It's actually a clever use for him. This was ok, and fit well on the card. I just don't think Dibiase stood up well to his predecessor heels.

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FOUND FOOTAGE FRIDAY: OMNI '87~! OTTO~! STRONGBOW~!

Otto Wanz vs. Jay Strongbow Graz, Austria 7/7/79

MD: This is the earliest Otto Wanz footage I'm aware of. It's part of Richard Land's patreon drop for this month. It goes ~40 with 30 of that being actual wrestling and not round breaks. It has an absolutely remarkable crowd. Hopefully he has a bit more of 1979 Austria/Germany in that tape collection because I want to see more of these fans. They were singing and chanting early, but they were up for absolutely everything and did they ever love Otto.

This is also an incredibly rare look at heel Chief Jay Strongbow. Maybe surprisingly, he brought the goods. This was right in the midst of the Valentine feud where Valentine broke Strongbow's leg, and he came in off of that and was an absolute bastard here. Otto spent most of the match trying to fight fair while Strongbow would fire off on him in the corner and punch and tear at his wound. If Otto was able to fire back, he rolled on out to the floor and they repeated the cycle. 

While the fans went way over the top every time Otto fired back, he controlled just a bit too much of this. Strongbow might charge in before the bell and he'd find ways to get under Otto and the fans' skin but he needed to be on top just a little more in the middle rounds. That said, when Otto finally had enough and started hitting back on Strongbow's terms, ignoring the rules, the fans were in high heaven. This wasn't quite as good as the Studd match but it was still an accomplishment for them to be able to go that long and still get it mostly right. Primarily though, this was about atmosphere. Just an amazing crowd; hopefully we get to see them again.

JCP Omni 2/1/87

MD: Almost anyone reading this watched it in real time and knows how special it was. Yes, it was a short card full of "tournament lucha"-esque short matches because we don't have the main event (Flair vs Windham - 60 minutes) as that was on another card, but it was our first new Omni show in years and hopefully the start of a new trend.

Bill Dundee vs.  Dutch Mantel

MD: Dundee was the Central States champ here. Dutch controlled the center to start, was Dundee stooged around, eating a back body drop, complaining about a phantom hair pull, wanting time out. They had a great bit early where Dundee got an eye rake and went for Shoo Baby only for Dutch to get it back and Dundee to take a whip trip. Eventually Bill managed a low blow and took over on the arm for a bit. Mantel hit one of the many great punches in such a short match and they went towards the finish, with Dundee escaping a roll up and pulling the tights for the win. Starting a trend for the night everything looked great in this one.

Bob Armstrong vs. Jimmy Garvin

MD: 30 second crowd pleaser. I wouldn't have minded seeing what they'd do with a little bit of time but it wasn't meant to be. My favorite bit here was Garvin acting like he won after the fact (to no small amounts of heat too).

Arn Anderson vs. Brad Armstrong

MD: These weren't just matches for the sake of matches. This was shortly after Lex's debut and this show was another cog in the machine of getting him over as a key associate of the Four Horsemen, even if he wasn't wrestling on the card.  For something that's been locked in a vault for so long, the amount of care in the production is interesting. It's not just a single camera. They cut to JJ or cut to a reaction from Luger. This was meant to be shown. It just simply never was.

Obviously, Arn and Brad match up extremely well. There's a certain elaboration to the early sequences where they go around one more time than you'd expect or turn things in a way that feels just a little unpredictable while throwing everything they have into it. We had another quasi low blow to set up the heat, two matches in a row, this time off of an Arn inverted atomic drop out of the corner. One of the best things about this set up (more on this next match) was how well we could hear the wrestlers. Arn, after taking over, just says "Now, then..." and what came after the ellipse is his beatdown of Brad. They moved through it quickly with the spinebuster (being the most versatile move in wrestling) serving as a cutoff to a hope spot, before Bard caught Arn coming off the top. Finish had Lex intervene by pulling out the leg on a suplex. Just a small movement, nothing over the top, and then right back into his seat. A way to get him over as efficient and professional. Obviously it would have been nice to get a few more minutes of this but they made the best of the time they had.

Tully Blanchard vs. Wahoo McDaniel

MD: It's hard to go from modern wrestling to any of this, even for me who spends all of his time jumping around time and space. This match is the trickiest though. Everything looks so good and so credible. Every strike is a violent delight. It's almost shocking to see Wahoo chop away in the corner. It's so different from anything else you'd see today. There's nothing framed about it. It's not a product for TV. It's was there to capture every eye in the arena and somehow that translates better onto the screen than something perfectly posed for a hard cam.

Tully is so vocal here, blabbing on about how he's an honorable man, complaining about every perceived offense perpetrated by Wahoo. I imagine only the first few rows could even hear it but it was part of his full immersion into the moment. There was no going through the motions. He was living and breathing the part. It's magic watching him scramble out of the ring or try to dash his way back for a sneak attack only to get caught and have his limbs somehow fall over one another. Selling isn't even the word for how he takes Wahoo's stuff. His portrayal was so good that it warped reality and made the the lie more vibrant than any truth could possibly be. 

The finish was simple, straightforward, matter of fact. Wahoo had him down. JJ drew the ref. Lex casually rose, clocked Wahoo with the belt, and sat back down, crossing his arms. Nothing over the top. Everything subdued. Just a great way to establish Luger.

Elimination Tag: Ron Garvin/Robert Gibson vs. Midnight Express (Dennis Condrey/Bobby Eaton)

MD: Very fun seeing Garvin in there instead of Gibson for whatever reason. He was tagging with Windham regularly at the time, including feuding with the Midnights. You have to love Gibson in the shine. There was the spot where he leaped frogged over Eaton after Condrey had tagged in and you expect Condrey to be about to tag him, but Gibson just stops short and hits a bodyslam instead. Or Eaton feeding for Gibson when he was outside after tagging Garvin in. You'd half expect him to try to take Gibson off the apron with a cheapshot but he just gets nailed over and over. It plays with expectations just a little while feeling totally organic. Likewise, they played with them by having Garvin get his foot on the rope after the Bubba shot, something that followed two finishes where Lex had interfered in a similar way.

This morphed into a conventional tag for a bit with Garvin working from underneath. His comeback just being a shoulder block out of the corner was actually unconventional but fit him perfectly. The racket shot that took out Gibson was pretty nasty. Then, as Eaton was rolling Gibson out, Garvin rolled him up to even the sides. Maybe you would have wanted a second bit of heat to play on the numbers advantage instead but they were wrestling against the clock and these matches were so rare that almost any tweak must have felt new and fresh. They still had Condrey control for a bit until they cracked heads and went into the finish. Garvin went over after the miscommunication, but they made sure to get some heat back on him after the match.

Super Powers (Dusty Rhodes/Nikita Koloff) vs. Ivan Koloff/Vladimir Petrov

MD: Shame we miss out on the Dusty/Nikita entrance here. Non match as the Russians immediately use the chain. It's a little surprising how little the fans seemed to care. They were just happy about Nikita firing back and Dusty and Nikita having their hands raised. Not sustainable but it was early enough into the turn, maybe that was all that mattered. Just a crazy notion in 2024 that people would care so much about their guys winning that they'd accept a non-match like this. Different worlds. You can barely even compare them.

Road Warriors vs. Ragin' and Ravishin' 

MD: Definitely a show where maybe too many heels had the titles. Again, when the Roadies were proclaimed as the winners by DQ, the place went nuts, so maybe I'm wrong. Business doesn't stay good forever though. This was fun just to see Rude and Manny bounce off of the Warriors. When it was time for Hawk to get worked over, he balanced being a Frankenstein's Monster with being properly vulnerable extremely well. It's a tough line to walk but he walked it, things like popping up from the pile driver but only half way, just in his body language. It's tough to play sympathetic while remaining a entirely larger than life but he managed it and that just ramped things up for the hot tag.

ER: An hour of perfectly shot Omni footage shows up with little warning, incomplete but a gift nonetheless. I didn't expect the work to offer us any new insight into any of the workers as most of these undercard matches were short, but I am an easily persuaded man. I have the kind of simple brain that can watch one hour of wrestling from 1987 and come away with new opinions on workers that we have hundreds of hours of footage from. I'm going to say that it's because we got this footage in such sparkling HD, and more importantly some of the most crystal clear sound you will ever hear on a wrestling show. That might have been my favorite part of this gift, that there was no commentary so you didn't even have to turn your TV up too loud to hear details happening in the ring and the crowd that you would have otherwise never heard. I love any new handheld footage that we get. Handhelds might be my favorite kind of wrestling these past few years, giving us the experience of being in the crowd seeing pairings that otherwise never made TV. But this footage? This footage makes it feel like you're standing at ringside in 1987. You can hear so many little things, and the footage looks beautiful. There were 4,500 people in the Omni that night and due to the way they lit the place we can see maybe 30 of them. But we can hear what sounds like 10,000 of them. Wrestling is mic'd so terribly now that crowds are muted, commentary is king, and we realize that the crowds are muted because there just weren't instances of audience members trying to get themselves over in 1987. It was pure. 

When some woman screams out"Work on him, Dutch, work on him!" it's because she cannot stand Bill Dundee. Being here at ringside you can feel how badly these heels were hated, feel how adored every babyface was, and here in-ring insights that we've seen but never heard so clearly. When the ref admonishes Dundee for grabbing Dutch's hair, I've never heard Dundee say anything as hilarious as, "The hair? I don't want to touch his hair." Dutch Mantel did not give anyone a chance to not touch his hair. We get to hear better than ever before, every single Tully Blanchard dumb asshole flip out. Tully looks like Wings Hauser and screams at the ref over every non-infraction like a small-dicked high school assistant basketball coach. You've seen the body language of Tully being the biggest asshole in wrestling but you've never heard him like this. Every wrestler on this card is a wrestler with great body language, but getting such clear audio to pair with the body language is so special. It would have been great enough seeing Manny Fernandez and Rick Rude stumble and beg off from the Road Warriors, but things like hearing Manny screaming out NO! as Rude almost goes for a one-handed knucklelock with Hawk, or Manny screaming NOOOOOO! in a totally different way when he's getting press slammed for the second time. It gives such a new dimension to these workers and these matches. 

The two big tag matches on this show were as great as they looked on paper. Rick Rude was one of the hardest workers in history and my opinion on him goes up whenever we get new footage. I don't think I've ever seen a Rude match where he wasn't On the entire time, and seeing he and Manny both On against the Roadies is just great pro wrestling. Rude and Manny don't just bump all over the place, they're doing a constant physical routine against two of the most physical monsters of the era. Also, is Hawk one of the 100 greatest wrestlers of all time? If you had asked me 5 years ago I wouldn't have considered either Road Warrior for a Top 100, but Hawk was something else man. After going back and seeing how great "washed" 1998 Hawk was and seeing more and more footage from the decade before, it's clear that Hawk never needed Animal to be a real force in wrestling. This man had It. An unreal aura and some damn great in ring. I don't know how many better flying clotheslines I've seen than Hawk's in this tag. The clothesline off the middle or top buckle is one of the tougher clotheslines. You have to worry about your landing more than the impact of your clothesline, so they often land soft. Hawk's lands as hard as any of his running clotheslines and he follows it through all the way to the mat, like he was doing a flying STO. I think I've seen Daisuke Ikeda hit one better, but Hawk, man. I love this guy. 

This was a one hour presentation with nothing but highlights. The crack of Dutch's whip with this HD sound. Dennis Condrey making me ask aloud "wait was Dennis Condrey the better worker in the original Midnights?" The way Big Bubba held Robert Gibson for racket shots, and the perfect timing of Jim Cornette jumping to the apron to racket Gibson mid-headscissors. The way the Ragin Bull chopped Animal harder than either Road Warrior could hit. Lex Luger's two perfect pieces of interference to help Arn and Tully, remaining completely uninvolved in each match until the finish, sitting arms crossed and observing the matches like an indifferent-faced innocent boy, other than two quick moments of a grabbed ankle and a belt to Wahoo's face. The noise these people made for Nikita. This whole show was moment after moment after moment. And finally, we got to see them and hear them clearer than the folks in Atlanta that night. 

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Found Footage Friday: TULLY~! BUDRO~! HARDY VS HARDY~! GANG~! PITTMAN~! FANTASTICS~! BUSHWHACKERS~!

New Dimension Wrestling 7/18/98

MD: This was a show at a racetrack with Chris Cruise and John Hitchcock announcing and Bruce Mitchell in the crowd. The announcing was as insider as it could get for 1998 as Hitchcock spent the whole night trying to pop himself and his friends. It was a moment in time, so there were crotch chops in about three matches but they still put on a good show overall. 

Ring Masters vs. Rikki Nelson/Colt Steel

MD: I'll move through this one quickly as there's a lot to cover here and I'm not outright skipping anything but Abby vs Ric Link (bloody but not much to it, no great Abby cutoffs and there's a better brawl on the card) and Iron Sheik vs Jimmy Snuka (coolest part was to see Sheik with his giant belly still able to do the club gimmick). Nelson could get great heat. Steel had some good looking takedowns and knees. They were working a gimmick where they were rivals that were teaming for the belt. Ring Masters came in on motorcycles and both kind of looked like Jimmy Jam. Crowd didn't want to back them but they were de facto faces and willing to bump. Colt and Steel were the sort of guys who could carry an indy when the big stars weren't there and this was pretty good accordingly but no one's reading for this one.

Ricky Morton vs. Manny Fernandez

MD: At one point this was supposed to be Manny vs Willy Clay and Ricky vs Sheik, because Snuka got there late, but they shifted things back when he arrived. That would have been morbidly interesting but this was far better. Manny based well and gave a lot early (he was going over). The heat was mostly a chinlock with cut offs but if you're going to do that to anyone in the world, Ricky Morton's the guy. Finish had shenanigans. Manny could have a pretty good ten minute match in 98 but I would have liked a bit more imagination when he was leaning on Morton.

Willow the Whisp vs. Surge

MD: The young guys match where they did everything under the sun. Cruise said that they'd be still watching these guys in twenty years so we weren't quite at the "Matt will be world champion and Jeff will be in a wheelchair" mindset yet. What's funny is that you can absolutely see who Jeff would be in Willow, just in the way he moved and in the dives and bumps, but Matt wasn't close to being who he would be yet. He instead did every move he knew, a bunch of stuff he wouldn't be doing in a couple of years, while Jeff's stuff (like the whisper in the wind) was more unique and would stay with him forever. This served its purpose, being spot after spot that let the announcers say that they weren't just a nostalgia act but on the cutting edge as well.

ER: This was so awesome. This was basically the exact kind of match all of us were hoping to see in 1998 when we traded tapes. When I traded for my first FMW tape around this same time, I was blown away by Hayabusa doing things no more crazy than what Jeff Hardy was doing here, only one guy was doing it in the middle of a literal Olympic swimming pool and the other guy was doing it in the pit area of a southern race track. I love these kind of brother vs. brother showcase matches, two guys who learned together and honed their impressively different styles, unleashing everything they know. Just a few years later we got a match with two under 18 year old Briscoes doing 2 count kickouts after top rope sitout powerbombs and that circle of life continued. I think this kind of match showed good reason why both Hardys sat so high up on DVDVR rankings, that for the time were based on matches that some people had seen live. Had I been seeing this kind of thing in rectory basements or bar backyards in 1998 I would have thought it was the best wrestling in the world, too. I think it was more than just big moves and moving from one spot to the next, as you can see the build and escalation throughout, the big guns coming out the longer the match went on. 

The Hardys were just a month or two away from actually getting wins on WWF TV, and now it's 25 years later and both are still in great matches (Their tag against Private Party earlier this year was one of my favorite TV tags of the year so far) but there's an undeniable melancholy to them still wrecking their bodies, no matter how much I love these two for doing so. Jeff was on the cusp of stardom, and here he is stumble walking his way down the bleacher seats looking no different than any VHS video you've ever seen of a teenage backyarder making a dramatic appearance around the corner of his friend's side yard while Mudvayne blared through someone's JVC Kaboom Box. Jeff brought yarder tendencies to the mainstream and became one of the biggest wrestling stars of the 21st century, 100% deserved. I also like how he still throws stomach kicks the exact same way as he did back then, and how Matt knew how to throw several great punches just as well in 1998. Matt had the kind of punches that made a bunch of us fall in love with worked punches. He has a tornado punch that catches Jeff under the chin, two perfect - and I mean perfect - fistdrops, and the longer this goes the more he starts unwinding his excellent overhand rights. 

This has some fantastic spots and some pro wrestling culture that only those of us who were up to our eyeballs in green board would ever understand. Matt is just tossing off moves like he's flipping through a CAW list, and damn does he make it work. He's just casually tossing out a high lift hotshot, Michinoku driver, middle rope legdrop, and missing a top rope springboard moonsault while Chris Cruise is talking about what a great wrestling fan Mike Lano is. Let me tell you, as a Bay Area wrestling fan who had Mike Lano's gigantic sweatpants-covered ass bent over in my direction far too many times as he took intrusive photos at an indy show, I miss those days of making fun of that dude and his huge ass. Jeff is a total lunatic, breaking out things that most of us just weren't seeing in 1998. He lands a superfly splash right on Matt's head and it was 100% on fucking purpose. This man didn't slip and land on his brother's head, he intentionally leapt onto his face. They duplicate a Rey Mysterio spot and make it look as good or better than Rey, when Jeff gets alley-ooped onto the top rope, sticks the landing with no hands, and flips back into a corkscrew moonsault. Some goober on commentary actually drops a JUSTIN Thunder Liger when making a comp to Japanese wrestling. I had to skip back multiple times to hear a Justin Thunder Liger reference in the wild. I remember my friend dying when he was showing his now ex-wife some Liger matches 20 odd year ago, and her asking where the other guy was. "The other guy?" "Yeah. If this guy is Juice, where's Thunder Liger?" Jeff does a big Sabu flip over the top off a chair, crashing them both onto grass, and Matt hits a gorgeous Asai moonsault, landing perfectly vertical with Jeff's chest. After Matt wins, he turns to the camera and says "I'm getting way too old for this," and it plays with the same wistfulness and past begets present wisdom as Johnny Knoxville hopping and limping and laughing through crash footage from 20 years ago.

Fantastics vs. Bushwhackers

MD: An inversion of the classic feud, though this was Jackie and Bobby with no Tommy. I don't know if I've ever quite seen this version of Bobby, in a red full body suit with dark hair and a complete stooge. He came down to the ring with a huge Buff Bagwell style hat and cut a promo about how they were northerners from Ohio and so on. Then the Bushwhackers came out and talked about southern pride, so that was an aesthetic choice. It did draw "Yankee Scum" chants. First third of this was them running a spot and the Fultons running out to get heat, including apparently taking Bruce Mitchell's chair. Then they did the longest "pumphandle my own partner's arm" spot I've ever seen. I was curious if the Bushwhackers would throw back at all to previous iterations of this match up but if anything, they went the other way with the Fantastics stooging to the utmost. It was still a lot of fun to see once but I'm not sure I'd ever have to see it again. 

Craig Pittman vs. One Man Gang

MD: If this was a no DQ and they let it go, it could have been pretty great actually. Pittman was a replacement for Tony Atlas who was the only no show on the entire card. Probably a big step up in 98 too. After the entrances and the push-ups there wasn't much to this in the ring, with the best part being Pittman taking Gang down. Once it spilled out though, it became a pretty great brawl, with tables flying and a brief time in an enclosed cage-like area by the racetrack. they were just laying in chair shots one after the next at one point. It kind of made me wish that Pittman had gotten a 98 ECW run.

ER: After seeing the mildly amusing ways that OMG stalls for time in the first two minutes of this match, I was not expecting this to devolve into such a spirited ringside brawl. I know how much of a fan Matt is of stalling bullshit era John Studd, so I would have expected more love for Gang demanding Pittman remove his belt before starting the match, lest it be used as a weapon. Gang himself devolving things into a weapons brawl a couple minutes later is the kind of dumb heel stuff I love. Just the visual of Gang - the largest man in Concord, NC at the time of this match - demanding an even playing field is great. Pittman hit his peak as a pro wrestler in 1997, when he returned to WCW TV working a much more overt heel style. Due to his military background he spent most of his career with that hanging over him as a babyface, but his punishing style fit so much better as a heel. I can only imagine how well he could have integrated that into Inoki's early 2000s New Japan. 

When this spilled to the floor we got some fun bits of magic, including both Pittman and Gang taking bigger than expected bumps on grass, Pittman spilling painfully over the announce table (Chris Cruise getting upset about his spilled drink in the process), Gang bumping painfully over a chain link fence, and both delivering some hard and some not hard chair shots that still looked painful. Gang even hit Pittman with the metal bar of a camping chair, which I don't think I've seen. I particularly liked when the referee tried to get Gang's chair away from him, and Gang held it up for him to take, then just punched him in the stomach. They punch their way to the exit, Pittman torpedo headbutts Gang in the back, and a shirtless fan holds Pittman back from attacking further. 

Buddy Landel vs. Tully Blanchard

MD: This went 30 and I think there was a high spot at the 20 minute mark and another around the 25 minute mark, but it was still pretty great. They spent a huge chunk of this just trading toeholds with each other, one guy taking down the other, jockeying for positioning, working the escape and then turning it around, up and then down, but never really shifting to rope running. Instead, there were little flourishes like leaving the ring or the head games of a clean handshake or jawing with one another. All of the takedowns looked smooth but competitive and it had a title match feel, leaning even further into that mat-based style than usual. I'm honestly surprised that Landel wasn't stooging more because he was more than capable but maybe Blanchard, who was more of a de facto babyface than anything else, didn't want to play into it much. He did one strut at the beginning but that was about it.

When they did pick up the pace, it was just for one spot that would clearly gave Landel the advantage for the last third. Tully taking out his own leg in the corner looked great, and his selling was spot on as he tried to punch his way back on one leg at times, and otherwise survive the figure-four and continued toeholds. It led to a moment where Tully's leg gave out and he dropped Landel on his own head and on Landel's all at once and both guys sold the impact all the way to the roll up out of nowhere finish. It wasn't the match I was expecting, but in a lot of ways it was just as good if not better.

ER: I thought this was excellent. Tully barely worked post-WWF and any time he would show up anywhere he would look like he's barely lost a step. The only weird thing about retirement Tully is that seeing him was such a rarity that his appearance would always turn him babyface, so we had these weird glimpses of a natural heel working babyface-by-default matches once a year in front of 100 fans and occasionally 3,000 fans every 10 years. It's a weird career and I've yet to be anything but impressed by retirement Tully. This match has to be the peak of what I've seen. This goes an actual 30 minutes and I loved it. It's as minimalist as you can get, but the up close camera work really benefits two guys who are great close-up workers, making a match with hardly any "moves" into something special. Also, we should take a second to appreciate how great Buddy Landel's hair looks here. Usually you don't see such healthy well-conditioned bleached hair, which only lends credence to Buddy really being all natural. 

This was a mat-based match and would have fit right in on the Muga card Tully worked a couple years prior. The stooging was kept shockingly sparse. I say "shockingly" because when you go into a 30 minute main event on a card utilizing a 1/2 mile stock-car track as a backdrop, you'd be right to expect a lot of bullshit. The bullshit was quick and always built the match a bit more, usually it was something as simple as a long hold finally broken up in the ropes, and Buddy rolling to the grass to throw a chair down in a little micro-tantrum. There wasn't a ton of crowd work although both guys were in tune with the crowd. No, the bulk of this was leg work and it was tight, focused and entertaining leg work with interesting interludes. It was a match filled with great small moments, like Buddy Landel's punches or Tully running right at Buddy's leg with a straight kick. Both sold the work well and never skipped steps. Tully was a bastard about how he attacked the leg - kicking it in the ropes, even swinging at it with a clothesline from his knees - that when Buddy turned the tables he dialed it up even more. 

I loved Buddy working a toehold and egging Tully on, getting Tully to throw punches from his back while Buddy kept asking for it right in the chin and pulling his head back. Tully's missed running knee into the buckles looked really nasty, and his staggered selling and unreliable base was really compelling, still swinging at Landel but a step slower. Landel had some classic asshole stuff when he he knew Tully was wounded, even doing a hilarious bit where he held an Indian deathlock while smoking an invisible cigarette. For a match that had basically a couple physics-based Tully armdrags as the major highspots, Tully's knee buckling on a suplex and turning into a spike brainbuster was a helluva a thing to happen. The spot was so crazy that whoever edited this tape showed the brainbuster in slow motion three straight times right after it happened. And yet, Tully and Buddy sold it so perfectly that these dudes might have just meant to do that crazy damn spot. I can sometimes be a high voter on heavyweight minimalist wrestling, but I watch a match like this and can't help but think of all those Ric Flair/Terry Taylor matches that so many people loved on the 80s Watts set, and I know that those matches felt like a weak version of Blanchard/Landel. 

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Tully Collects Quarters at a Fanfest

Tully Blanchard vs. Dustin Rhodes NWA Legends Fanfest 8/10/07

ER: This was literally a day or two before Dustin's return to TNA, this time as Black Reign. The Black Reign era had to have been the worst physical conditioning of his career, and was no question the worst look of his career. His look here was bad in a different way, looking like a man who has been living through a several year divorce. He's not yet 40, has saggy old man arms, bad bod, bad goatee, sleeveless TNA shirt, clearly in worse shape than mid-50s Tully. But Dustin could still go in old man shape, and Tully was in good damn shape, and this was good! JJ Dillon and Baby Doll were at ringside, Tully takes big back bumps from Dustin's great punches, works some nice go behinds, and eventually nails Dustin with a nasty diving chop block to the knee. Dustin is obviously going to be fantastic at selling a knee, and Tully goes after it with a grapevine, with Dustin kicking him off and not once forgetting about that knee. 

Dustin's selling was so good that you would buy a knee injury if you didn't know he worked a TNA PPV later this same weekend. There's a great moment where Tully gets knocked into the corner and Dustin goes to stomp a muddle in him, but can't put any weight on the knee to do any stomping. So he does everything he can to stomp, desperately clinging to the ropes to hold his weight just so he could get a couple boots in on Tully. JJ Dillon passes off a roll of quarters that of course Dustin eventually gets, and the way they used them literally couldn't have been better. Tully doesn't know Dustin has them, runs straight into a punch, lights go out, quarters fly everywhere, beautiful. What's hilarious though is that even though Dustin was selling this incredible knee injury (and continued to all the way to the back), the fans BOO the man because they wanted Tully Blanchard to win! And so Tully is finding all of these quarters in the ring and has no idea what happened, Baby Doll is upset because she was late getting his boot on the ropes, Dillon swings on Dustin and eats and atomic drop that sends him crashing into Tully, it's a ton of bullshit and it rules. 

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Tully Blanchard Teamed with Glacier in 2006, Apparently!

Tully Blanchard/Glacier vs. The Heartbreak Express (Sean Davis/Phil Davis) WORLD-1 3/11/06     Pt. 2

ER: I would love to hear an explanation from the WORLD-1 booking committee about why they chose to team Tully Blanchard with Glacier in a tag title tournament, and then have them work three matches together, into the finals. A Tully/Glacier team is weirder than any combination of any of the weirdest WAR teams, and WORLD-1 clearly saw the opportunity to out-weird WAR and ran with it. Blanchard barely worked in the 2000s and here he is working three matches on a random Friday night in Georgia, teaming with Glacier, because sometimes we do deserve good things. The Heartbreak Express were a great 2000s Florida team, really the perfect kind of opponents for a legendary team like Tully/Glacier. Phil Davis works like Mitch Ryder, and Sean Davis works like Mitch Ryder if Mitch Ryder were 325 lb. They have a great shtick, know how to constantly show ass, and are really good at accidentally hitting each other on miscommunication spots. They're the kind of team I'd love to see working today, specifically on shows that I am attending. 

There's a hilarious moment where Sean attempts to climb to the middle turnbuckle to raise his arms for the fans, and Phil has to stand underneath him, back to back, power squatting his boy up to the middle rope. I have never seen this done before, and it's the kind of thing that would have gotten a great crowd reaction no matter the decade they did it. After, Sean takes a big back bump off the middle buckle, once Phil was no longer supporting his weight. Tully goes for the win by immediately trying a schoolboy on Sean, then jumps him with a babyface cheapshot. Face or heel, Tully will always work heel. They tangle, and there's a great spot where Tully tries to armdrag and then fireman's carry Sean, but the weight is far too much, and Tully tags out for the rest of the match. Glacier is serviceable, and The Heartbreak Express are excellent at working around a broom so he didn't need to do more. They know how to run into each other, throw an elbow strike at Glacier, miss the next one and hit each other. Sean tries to break up a pin and winds up elbowdropping Phil, Glacier fights out of a 2 on 1 corner situation with some nice strikes, and this whole thing was very fun. It did feel incomplete, as you keep expecting to see Tully tag back in, and that doesn't happen. It probably does not happen because someone decided that Tully still had two more matches to get through tonight, for some reason, but the match we got is a super fun 8 minutes spent at your local indy. 

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On Brand Segunda Caida: Tully vs. Ricky...in 2004

Tully Blanchard vs. Ricky Morton NWA-Bluegrass Boogie Bash 2004

ER: Blanchard come out of another several year retirement on a Jimmy Valiant tribute show, in a main event oddly and very specifically announced as having a "16 minute time limit". Don't ask me, the time limit never factored into the match in any way. Blanchard is 50 here, looks to be in great shape (probably much easier to stay in great shape when your body is not beaten up from wrestling), and it's pretty stunning how good he looks in ring after such a long layoff. He is clearly faster than Morton, but Morton is no slouch here. Blanchard really runs into Morton on a shoulderblock, and they both show off how quickly they can both snap off an armdrag, and bump for an armdrag. Tully's rope running is really impressive, and both bump nicely for each other. I'm talking about them like they're total dinosaurs (Ricky is only 47/48 here) but this felt a little more inspired than some other legends main events we get on convention shows. Tully is a great heel, really animated, and his execution on any move he does is excellent. I loved how he tossed Ricky to the floor, loved how he would screech at the ref whenever the ref made a call against him. We did get into a long series of chinlocks, but get this: Tully Blanchard has a really good chinlock. Did the match need three different chinlock sequences? No it did not. But Tully worked all three of them differently, including a great one where he got extra leverage by leaning into Morton's back with a knee. Morton had a nice fiery comeback and threw a couple of great right hands, and Tully's stooging and swinging at air was as great as it was in 1984. The finish is a bit of a mess, with a series of small package reversals where neither guy really looks like their shoulders are down, and then the ref does a distractingly fast count to give Morton the win. The best part of the finish was Tully acting like he won with a small package, and then screeching WHAT!?!? when Ricky was announced as winner. 

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On Brand Segunda Caida: The Only Good Match from Heroes of Wrestling

Tully Blanchard vs. Stan Lane Heroes of Wrestling 10/10/99     Pt. 2

ER: You know what match is a sincerely great piece of pro wrestling? This match right here. Over the past few years we've uncovered some great new Tully matches on New Footage Fridays, and it really opened my eyes to just how much I overlooked Tully. It's not like his ability was ever a secret, but I think my brain always let Arn overshadow him. Arn Anderson is one of my all time favorites, but the years and every piece of new footage have been turning me into a Tully guy. This was the best match on the infamous Heroes of Wrestling PPV, and I'm not actually intending that to be any kind of backhand compliment. Now, it was the best match on Heroes of Wrestling because it was the only good match on Heroes of Wrestling, but this match would have stood out as a good wrestling match on any show. 

Stan Lane's promo to start set a great tone, an actual perfect heel promo, talking down the ring announcer ("I'm sure you're a local guy who wanted to impress his friends but...") and projecting his voice louder and louder as the fans boo louder, getting real heat by talking about how successful he's been since his days as a tag team legend. The promo goes to another level when he talks about his broadcasting success with WWF and ESPN, and then redoes his entire introduction in an incredible Bruce Buffer voice. If Stan Lane actually wanted to be a wrestler in the 90s/00s he could have been part of one of the greatest butterfly effects in mankind's history, as it would have made the existence of Mr. Kennedy completely obsolete. Randy Rosenbloom on commentary says "The women LOVE this guy! Kids, apparently, do not." Indeed, many children in the southeastern United States grew up without fathers thanks to Stan Lane.

Lane also runs down Blanchard during Blanchard's entrance ("This guy's preaching in tents and I'm on ESPN!") and it gives us a great start to the match proper, with Tully chasing Lane all around the ring and getting hit with an elbowdrop after Lane leads the chase back into the ring. Lane has a nice falling clothesline, and Tully fights back with a cool elbow to the back of Lane's head and a great low running dropkick. Blanchard takes a great bump on the floor off an atomic drop, flying into the ringpost on the recoil. Lane shows off some of his great heel karate, hitting a savate kick to the stomach and a nice cross chop. Lane actually has a ton of offense in this, a pretty huge moveset for a guy in his mid 40s who had barely wrestled for 5 years. He's got a good swinging neckbreaker, Russian legsweep, hotshot, and he knows how to make it flow together really well. He doesn't come off like a guy just doing moves he knows, he knows how to make his offense work really well within the match. Tully goes low and drags Lane out of the ring by the trunks, then puts on a figure 4 on the floor for some reason. Now, the finish was the only bad part of the match, but it was a real dry dick of a finish. Tully hits a side suplex and they both pin each other and no fan has ever reacted positively to that finish so everyone leaves upset and/or confused. It was a Bad Finish, but even with this finish it would have played high to the back row of any legends convention weekend, and that means something. 

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AEW Dynamite Workrate Report 3/3/21

What Worked

-Shaq went through a table on a Wednesday night, and I cannot not enjoy that. 

-Even with a truly putrid Luchasaurus performance and a dumb finish with clunky interference from a "masked individual" (the return from a several month absence of the legendary Shawn Spears), it was impossible to not absolutely love the performance from Tully and FTR. They even got JJ Dillon (great touch) and he blasted Jungle Boy with his loafer. But Tully wrestled so much better than anyone could have reasonably expected, and I honestly have no clue how this guy hasn't been putting in a few high profile indy performances every year of the last 25. He had great body shots on Marko and some awesome knee lifts, and was great at working bullshit from the apron (like standing on Jungle Boy's hair!), and for a quick paced match there was not one moment where it looked like things had to be slowed down for him. He was integrated into things perfectly, and that's not really too shocking as his timing has always been excellent. But seeing how good he looked here just made me want to see more, and also want to desperately know how he worked off any ring rust. And that was BEFORE he hit a slingshot suplex! Seriously how has he not been cashing in on indy dates?? FTR also looked excellent, really brutal, Cash Wheeler especially. He was great cutting the ring off, threw a fantastic uppercut, really felt the most like prime Arn I've seen in ages. FTR worked quicker than the much quicker JX, and managed to look punishing the entire time. Awesome performance for all three of them, even though the Arn Horseman fingers during the post-match couldn't have come off more forced. 

-Max Caster's pre-match rap actually got me to choke a bit on my coffee when he dropped the line about Lady Gaga's dog walker. Caster's pre-match raps are easily the best thing about his act, but it's a good part of the act. Match goes below. 

-Marq Quen is great at taking high backdrop bumps and beals, and that is a genuine skill. His regular backdrops look great, but his flipping 450 "backdrop" that landed him on his face looked amazing, incredible height and a wicked landing. Everything else he does goes down below. 

-John Silver had a fun performance in the main, a guy who can chain combos together without making it look like the opponent is waiting to get hit, and a compact powerhouse who believably launched Quen around the ring. Silver beal tossing Quen across the ring looked like Bradshaw throwing around Kaientai. 

What Didn't Work

-Mixed tag worked about as well as it possibly could have, but it was quite the mess. A fun mess at times, but a mess nonetheless. The sight of Shaq in the ring was enough to make me enjoy this, loved how terrible his form was on his overhand chop and it still sounded like the hardest chop Cody has ever taken. The Shaq powerbomb looked great, and I thought it was incredibly stupid that Cody was up seconds later and actually body slammed Shaq. Bodyslamming Shaq 4 minutes into his first pro wrestling match is definitely something that HHH would have done had the WWE been able to bring him in (and seriously, how the hell did WWE never make Shaq a big enough offer to appear at Mania!?), but that doesn't make it any less stupid here. Jade Cargill is going to be a big deal if she sticks to it, but at this point she is maybe almost as good as Midnight? Almost everything she did looked rough (although I liked her spinebuster), and Red Velvet was not the seasoned pro who was going to be able to lead her to anything worthwhile. Nobody else in the match did Velvet any favors either, and having multiple people miss a catch on a moonsault to the floor is something AEW has shown to be unparalleled at. The table spot was great, Cody riding Shaq down into the ground, but a lot of this was bad, even with the lowered expectations of having essentially two non-workers in the match. 

-Fenix/PAC squash match stunk, but at least it was over quick. John Skyler waited bent at the waist for a PAC sliding kick that didn't look good, and Fenix missed a legsweep kick by more than maybe any missed kick I've ever seen. Fenix later did a cool rope walk punt on Skyler's partner on the apron, and that missed by at least a foot. Thigh slap was there though. 

-Tully, you're 67 years old. Just wrestle without a shirt, buddy. Nobody cares if you don't have abs, you don't have to dress like a bike courier.  

-Women's match was rough, so many of the spots looked downright bad. Rose had a really nice face first bump off the apron to the floor for a convincing count out tease, and almost everything else in the match looked bad. Rose seems to have no lifting power whatsoever, her slams all looked like Mizunami was doing all of the lifting herself. The superplex was so bad, and if you can't make it look like you're at least attempting to suplex someone, maybe you should not do a superplex. Mizunami didn't look much better, and her guillotine legdrop may be one of the worst in modern wrestling. The bad spots kept coming throughout, peaking when Mizunami had to stay hung over the ropes for 15 seconds waiting for Nyla's kneedrop, like this was a year 2000 indy match. And for as much as the commentary crew were blown away that that kneedrop didn't finish the match, Mizunami sure was back on her feet immediately doing her own big offense. Bad layout, bad execution, bad match. 

-Ten vs. Caster definitely felt like one of those dreadfully dull matches that would happen before a Raw main event, so it was fitting that this went on at 9:35. Ten especially looked bad, looked like a guy who was wrestling with a concussion. He moved slow, threw bad strikes, and laid around a lot, really odd performance. You'd think a guy would be more excited to get on TV. Caster is real hammy, which is fine, but he needs some offense that actually looks good. Everything looks way too light, bad arm strikes, soft stomps, uninspiring arm work, bad at tying any of the action together. Nice brainbuster, which is something. 

-On a night with a lot of bad offense, Marq Quen had the unreservedly worst offense on the entire card. Show me someone with worst stomps or worst strikes, and I'll show you someone who should consider another profession. You wouldn't expect a non-wrestler to have offense as bad as Quen's, and in fact this show had TWO non-wrestlers with better looking offense! Honestly he should just be a manager. He can take a great backdrop bump while managing, and then wouldn't have to do any offense, which he can't do anyway. 

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New Footage Friday: NWA GREAT AMERICAN BASH TOUR 7/10/87!!

Misty Blue vs. Kat Laroux 

PAS: Surprisingly fiery 3 minute women's match. Laroux comes in with a crutch (fishing rod?) and starts pounding on Blue with it. That sets the tone and it ends up being a nasty little brawl. Blue finishes her off with a superfly splash which is a big move in 1987, and then wears her out with the same crutch.

Chris Adams/Sting vs. Barbarian/Thunderfoot #1

PAS: Weird tag, as you have a bunch of biggish name and then Thunderfoot #1. The sections where the Barbarian was in with either Sting or Adams was pretty cool, and then you had the parts with Thunderfoot. Barbarian vs. Sting was an especially neat match up, I would have liked to have seen that be a feud at some point. Barbarian has to be one of the most underused wrestlers of the 80s and 90s.

Italian Stallion vs. Black Bart

PAS: This was another fun short match. Stallion was really good at what he did, undercard dancing babyface who is going to put up a fight. Bart isn't a guy I normally have a ton of time for, but he was good here too, nice clothesline, bumped well on a monkey flip and the second rope legdrop in a heck of a finisher.

Buddy Roberts vs. Jerry Jackson 

PAS: I am not sure who Jerry Jackson was, he had the feel of WCW's Tom Magee, a roided up guy who they put in with a veteran hand to see what they could do with him. The answer here was not much, there is a reason we never heard of this guy, he was really tentative with his movement, there is a point where he triple clutches before trying a knee drop, and the stuff he hit looked really bad. Magee at least had some highspots, this guy didn't even have that. Roberts is going to do his thing, he is as professional a guy as it gets, but nothing was going to be salvaged here.

MD: I really don't have a lot to say about the undercard. The best thing was the 3 minute Laroux vs Misty Blue sprint. The Sting/Adams tag had the two of them very over in the entrances and at the finish but not during the body of the match itself. I liked Barbarian skulking around the ring weirdly at the start and the clash of the titans opening bit with him and Sting was good but it suffered from too many tags later in the card so the couldn't give it heat. Plus Thunderfoot had no credibility. Stallion vs Bart was fine but I would have rather seen them added to the Sting tag to make it a six man, maybe? I don't know what the Buddy Roberts match was about. He gave way too much if he was the face there. 

Lightning Express vs. Rick Steiner/Eddie Gilbert

PAS: Fun if kind of oddly paced match. The Express take about 75% of it, with a short face in peril section which is mostly a Rick Steiner bearhug. Steiner does have a really nice lookin bearhug though, that is a rawbone strong dude to be squeezing your ribs. Quick hot tag and a finish. Felt like it needed a couple more minutes to really work, but Gilbert is a fun bumper and I enjoy Rick Steiner.

MD: This felt more like a TV match than a house show match. It really didn't have any room to breathe. It was a good match of its kind though. Eddie was maybe a bit too over in front of this crowd. He worked like a competent manager more than anything else, which made Steiner's athletic strongman work seemed all the more potent. I liked how they went the extra mile on the transition: Gilbert drew Armstrong out of his corner which distracted the ref and let Gilbert catch Horner with a knee from the outside coming off the ropes. If they did that spot today (EDIT: Or you know, elsewhere on the card in a match with less thought), they'd ignore the ref distraction and just let the knee happen in plain sight. Most of the heat was a Steiner bear hug with no real hope spots, so there wasn't much there, but the finish was nice and chaotic, if pared down like everything else.


Big Bubba Rogers vs. Jimmy Garvin

MD: Really enjoyable 4 minute match that felt like it could have been a taping dark match main event and the fans wouldn't complain too much. You got all of the hoopla of Garvin getting his entrance, super over as a face. Bubba coming out to the theme from Peter Gunn was so perfect. WWE should have licensed that for his 99 heel run. The match was basically two minutes of Garvin throwing these great punches up at Bubba, Bubba cutting him off, Garvin getting some low blows, Bubba cutting him off, and then after Garvin's last comeback, going into a BS DQ finish that you knew was coming. It was obvious by this point just how much Bubba got it, just in the way he paced things and how he would really milk the selling/bumping on the low blows, etc.

PAS: This was a bunch of fun, super babyface Garvin isn't someone I have seen a ton of, but man he was great. Loved the double strap drop on the suspenders and the energy he had. Bubba had to be 70 pounds heavier then he was during his Bossman days and he really used that girth menacingly, but still had really surprising agility.


Michael Hayes/Terry Gordy vs. MOD Squad 

MD: The first half of this didn't even feel like wrestlers going up against broomsticks. It felt like wrestlers working with the crowd with no opponents at all. Some of that was the handheld cropping which would cut out the Mods entirely. A lot of it was just Hayes (and to a lesser degree Gordy) hamming it up. When the Mods had a chance, they stooged and pinballed valiantly, but they almost didn't have to and this would have been exactly the same. Amusingly, they used the same knee to the back transition but they did it right in front of the ref. The back half of the match was actually a match, with the Mods looking fine in control and Hayes working well from underneath and really engaging the crowd. Amusingly, when you watch a whole card like this, it wasn't just the second knee to the back transition but the third "heel goes to the top" transition so far. But this was a perfectly fine look at the 87 babyface Freebirds doing their thing in front of a less familiar crowd.


Dr. Death Steve Williams vs. Dick Murdoch 

PAS: This was unsurprisingly excellent. Both guys come in with casts on their arms, so it is a battle of who can wreck the other guys arm the most. Williams does this really cool almost torture rack armbar where he hangs Murdoch over Dr. Death's back by his arm. Eddie Gilbert is at ringside for Murdoch and keeps cheap shotting Williams and allowing Murdoch to hit his arm with a cane. We had some great Murdoch stooging where Williams punched him, Murdoch fell into his arms, and Williams propped him up to punch him again. Finish was really cool too with Murdoch flying off the top rope directly into a Williams elbow, felt like a Misawa finish. I really liked how this built from a body part match into a bomb fest. A real hidden gem.

MD: The injury angle where Murdoch took out Doc's arm was in May. The TV match with Doc's comeback was in June. This was July and felt like a more refined version of the TV match that had less color and lower stakes. Doc had a cast that he wasn't supposed to use but that played into the finish. He was as dynamic as you'd expect, both in the way he worked over Murdoch's arm early in in his comeback attempts (even just trying to dart around the ring on his knees to get Murdoch after the initial shot to his arm). The counterpoint was that the early shine armwork was all sorts of loose and weird and nothing actually looked like it ought to hurt, but he was so enthusiastic and Murdoch sold so big that no one was really going to care. You get house show Murdoch in the stretch, which wasn't at all lazy, but was ridiculously over the top in the stooging about. But it's not 1985 or 1995 or whatever. It's 2020 and we're all stuck in our houses and stooging Dick Murdoch is the joy we all need.

Midnight Express (Bobby Eaton/Stan Lane) vs. Ron Garvin/Barry Windham

PAS: This incarnation of the MX was such a fun act, you had dancing Kung Fu Stan Lane, the always amazing Bobby Eaton, Cornette heat seeking on the outside and Big Bubba standing around looking menacing. Windham I though was kind of just there, but Garvin was a blast. He is a guy with some big exciting spots, and he knows how to time his headscissors or big punch for the maximum pop. I think I like the Lane MX more then the Condrey MX, Lane is such an amusing dipshit, his little dancing or strip mall karate adds so much character to the match. I loved him squaring up against Garvin's boxing stance, only to let discretion be the better part of valor, and bailing out.

MD: The difference between this match and comparable WWF Heel-in-peril matches from the same time is how many tricks they pull out. It's not just endless armwork control. It's one elaborate spot after the next and one gimmick after the next. They'll do a blind tag where Barry will get out of the way and Stan will have to leapfrog his own partner only to walk into a slam. Eaton will lose his pants and work for half a minute before realizing it. Bubba will get involved as part of the heel miscommunication that almost brought them to blows (the second of such spots; I'm surprised they didn't do one with Cornette too). Bobby will have the advantage over Garvin for a second but he'll come right back with a great headscissors takeover. When Stan finally takes over (and that takes about three steps, too - a missed elbow drop, a superkick to the gut, and Barry catching Stan's foot but Stan getting him with the other one), the Midnights start dancing victoriously. After all of that, they really needed another minute or two on top though. I love that Barry, even at his size, could still believably go through a smaller guys legs for the hot tag. He was like Dustin in that he could hide his height when he had to work from beneath. Garvin had the instinctive timing of a folk hero. He got more mileage out of pulling Eaton's pants down than most people would get with three minutes of elaborate rope running spots. For all of his eventual flaws, Hebner's timing and attitude in finding the hat in the middle of the ring really added something to the finish. Plus, the last person I was expecting to see during this match was Pat Roach! I'll take a short cut in the match for him.


Arn Anderson/Tully Blanchard/Ric Flair/Lex Luger vs. The Road Warriors/Dusty Rhodes/Nikita Koloff

PAS: What a delight this match was. Watching this you really see the charisma which is missing in today's wrestling. Is there anyone even as charismatic as Nikita in the WWE? Much less someone like Ric Flair or Dusty Rhodes. This match was all fireworks, big moments of the heels bumping, including Tully and Flair feeding into Animal press slams, and Flair taking an atmospheric high backdrop. There is a moment where Dusty tags in and he elbow smashes all four guys at once, so much fun to watch Dusty shuck, jive and jiggle. We get a couple of moments of heat on the faces, which leads to a couple of crazy hot tags. The crowd is on their feet for the entire match and it was really easy to get into the swing of things. Such a thrill to watch.

MD: Just an iconic match, with a hot crowd, where every interaction felt larger than life. The early image of the Horsemen on the turnbuckles and the faces standing tall in their corner will stick with me. Dusty in a circle with the heels launching bionic elbows and double punches is something they could get away with on a house show, but it's also the purest distillation of Dusty possible and I think it elated everyone in a two mile radius. The spot where Arn backs Animal towards a neutral corner so Tully can run up the apron and dive up the top only to get caught and set up an Arn elbow drop is one of the best possible transitions to heel control I've seen in ages, even if they didn't actually use it as such. The big problem with heel-in-peril, by the way, is that it doesn't have the same value as face-in-peril. There it's all build and payoff. There's much less value in a payoff which is the heels taking over, so all the build gets sort of squandered. There's value in a shine in general but usually only so much. Animal becomes vulnerable with the very next spot as he takes a bump out of the ring off a missed clothesline and then gets slammed, but there was really no reason not to let Arn's elbow drop be the move that turned the tide instead. That's all I'm saying. I did like Animal working from underneath as he kept going for the tag but was swarmed at from every angle due to the sheer number of heels. The second bit of heat on dusty was good too and built to a hot tag for Nikita and a that finish was nice and chaotic. You got exactly what you wanted out of this one.

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