Found Footage Friday: 1993 WWF House Show Oakland 2/13/93

WWF House Show Oakland 2/13/93

MD: Richard Land (@maskedwrestlers on Twitter) has launched a new service releasing rarities twice a month. It's honestly more than we can easily keep track of, which is a great thing, but we'll feed stuff into Found Footage Friday as much as we can. Reach out to him for more information. This was a house show that neither Eric or I had ever seen from a period where we have both seen a lot of house shows. 

ER: This is an example of the kind of house show I would have been able to attend at age 12, had my parents not kept secret from me the entire existence of live pro wrestling. We lived about 60 miles north of Oakland/San Francisco. We went into the city regularly for Giants games, occasionally for A's games, once for a baseball card show at the Moscone center, and every Christmas season so my mom could see the big window displays at the downtown SF department stores. We would not have gone into the city to see professional wrestling, and I believe that my parents hid the existence of house shows from me with the same ferocity of Peggy Hill hiding the concept of Competitive Eating from Bobby. Newspaper pages were cut out, lies were told. This show happened just after my 12th birthday and this review should be filled with me sharing memories of that happy day when my father or poor mother took me to this show. But they were trying to raise me right. 

1. Tatanka vs. The Predator

MD: The Predator is Horace Boulder with face paint. We hit this JIP and it's kind of nuts how Tatanka sets the mood immediately. Super hard chops in the corner, everything looking crisp, including an atomic drop. I've gotten the sense in revisits that I didn't appreciate Tatanka enough when I was younger, but everything looked great. He missed an elbow drop which let Predator take over. You'll be happy to know that he had the family legdrop. They worked a pretty decent grounded chinlock with the crowd absolutely going up for Tatanka's hope spots. They were hot for the opener here, especially so when Tatanka started the war dance. He absolutely flattened Predator figuratively with one final chop and then literally with the Samoan Drop. There was a reason why it wasn't just Strongbow but Wahoo as well that gave him the headdress I guess. Nice brisk opener here. I vaguely wonder if there are some great indy Tatanka matches from the late 90s we should try to find. Vaguely.

ER: I am actually a pretty big Horace Boulder Guy. Over the last 25 years of my wrestling fandom I have tried to sell more than one person in my life on the Idea of Horace Boulder/Horace Hogan. How cool is it that there was a guy who out there who was related to the biggest star in pro wrestling and even had the exact same movement, height, and posture as that biggest star, and that he also wrestled exactly the same in a lot of ways. Except that he was Hulk Hogan Without Success. He wrestled like Hogan, if opponents didn't have to treat him like Hulk Hogan and crowds didn't react to his offense as if it were being delivered  by Hulk Hogan. Hulk Hogan Without Success would have been a really funny gimmick. A lot funnier than "The Predator". 

The Predator is a name that invokes the scariest unkillable cool alien presence when it's associated with Arnold's machine gun biceps and John McTiernan's late 80s action perfection dominance. The name "The Predator" invokes the worst possible other horrors when associated directly with pro wrestling, and the singular The implies that he is the worst of them. Begging and pleading with my dad to finally take me into the city to see a wrestling show and suddenly tasked with explaining to him why this man is Thee Predator, and me having no answer because The Predator was a House Show Exclusive over the Winter and Summer months of 1993 and I wouldn't have understood the negative connotations of the word Predator anyway. This would have been one of only three chances for me to see Horace Boulder live in the Bay Area, a fact I wouldn't have appreciated at the time. Imagine living in Colorado and getting to sit in attendance for a Velocity taping dark match of Horace Hogan & Bull Buchanan vs. Mark Henry & Mark Jindrak? God could you imagine. Also of note, in this match, Horace was shaped exactly the same as Gene Snitsky. Exact same build, size, and shape. 

2. Kamala vs. Kim Chee

MD: This show is full of stuff that I feel like we just never had on tape on any other house shows. Kamala was with Slick and didn't want to fight Kimchee at all. That let Kimchee get an early advantage until Kamala started to fight back. An errant Slick distraction allowed Kimchee to whack Kamala with something I couldn't make out given the VQ, but then he erred and went after Slick. Kamala chased him down, fought him off, and crushed him to the delight of the crowd. Post-match Slick put Kimchee's hat on Kamala, so that was fun. This was a lot of shtick in a very short period of time, but the crowd ate it up as well they should.

ER: I wonder if 1993 could be considered our best year of Steve Lombardi, in ring. I'm not sure this match would be the one for you to support that claim. In fact, it had to be a pretty great gig pulling lowest card heel duty against house show Kamala in 1993. You got to bullshit with the referee and fans for a couple of minutes, do some light cardio to get away from the former savage who you keep provoking, and then you settle in to sway your body in response to 1-3 Baba chops, stand still for the thrust kick, and run into the cross chop. Lombardi takes a really big bump over the top to the floor as Kamala exits him from the ring post match, and for something that is probably the most dangerous part of his day, he takes it in a way that would classify as a Memorable Royal Rumble Elimination on any given night. 

3. Terry Taylor vs. Typhoon

MD: Speaking of shtick, this was the second massive physical mismatch in a row and they leaned hard into it. 93 Taylor was, in some ways, at the height of his powers and this was an absolute stall fest. He was strutting, hiding in the ropes, threatening to walk to the back. Everyone in the crowd knew that if Typhoon got his hands on Taylor, he'd lift him up with an armbar or clamp on a headlock or run him over with a shoulder block. Taylor used the ref as cover to get in a throat shot and stayed on the throat until Typhoon started to fight up. Whereas, the crowd was very much behind Tatanka because they wanted to see him triumph, them clapping up Typhoon was more about seeing Taylor get his comeuppance. His cutoff went low instead of high however, and Typhoon even went up for an ill-advised belly to back for him. Taylor then went up and out on the cover attempt, stooging himself about fifteen feet on a kickout. Taylor hitting that suplex actually meant the transition spot of Typhoon reversing a standing vertical (and propelling Taylor across the ring again) was all the more effective though. Finish was Taylor getting some distance with an eyepoke only to leap off the second turnbuckle into a powerslam that was more of a Snow Plow as Typhoon didn't quite get him around. 

ER: 1993 might also be the best year of Terry Taylor, and it's hidden almost entirely on house shows. He has an out of nowhere great Raw match against Mr. Perfect in January and then after a couple more TV appearances he continued working months filling out house shows as the perfect version of himself: A heel Mark Harmon who rubbed people the wrong way with an insincere Nice Guy act. Aloof "Nice Guy" Terry Taylor is a persona that Taylor captures so well that it's one of those things clearly just already being answered by his shirt. I think I would love this match if it were just Terry airing any wrinkles out of his robe before handing it to a ringside attendant. Taylor plays this great fame of Avoid and Strut, never running from Typhoon but showing far too much confidence and acting like an idiot whenever caught. He starts a shoving match and storms the fuck out of the Coliseum, working with the kind of craft that makes 90s House Show Heel From The Territories look like the most fun job in the world. I would take Taylor's full extension slow bounce over from Typhoon's shoulderblock every damn day. Buddy Landel was never this good. 1993 Terry Taylor might be one of the greatest hidden years in wrestling. What looks like a contender for the best in-ring year of Taylor's career, happening in the biggest American company...but hidden almost entirely on house shows. 

Taylor convincingly kicks Typhoon's ass when he takes over. His punches are great, and he acts like a shithead in between every strike. But he also gets pressed through the ropes to the floor during a pin attempt and he makes the spot look as great as it can look, like a French Catch level of comedy and grace. He takes a high backdrop and yells when splatted by an avalanche. I loved the twist before the ending, where Typhoon was ramping up for the finish and Taylor shut it down with an eye poke. I actually got tricked into thinking they were icing things down for another minute or two, until I saw Terry climb to the top. Terry leaps right into a powerslam and then maybe the best part of his whole performance happens, as he just lies flattened and motionless for a hilariously long time, the entire time Typhoon was celebrating and shaking hands with fans after. When Taylor finally starts to stir, he continues making a 90s house show heel look like the most fun job in the whole world, going around the ring claiming that he got his shoulder up in time, before finally hopping to the floor and proceeding to injure his back, limping and openly grimacing, not hiding his pain from the laughter. Terry Taylor feels like a Top 5 guy in 1993 WWF, if we actually got to see more than a handful of matches.  

4. Doink vs. Bob Backlund

MD: I can't wait to read Eric's take on this one. That's true for the whole show, but especially this. It was, in my mind, exactly what you'd think a Backlund vs. Doink house show match would be. Just a perfect opening with Doink almost busting a lung falling over laughing at Backlund's handshake attempt followed by him hitting three measured takeovers before Backlund returned the favor with all three in quick succession. Beautiful stuff. They then took it straight to the mat just liked you want out of goofy Minnesotan wrestling machine and an evil clown, before switching over to extended holds and reversal attempts. When Backlund finally pried an arm away, he spent a good minute teasing a punch as the fans roared and the ref warned only to just go into an armbar instead; not just any, of course, as he made sure to wrench Doink up and over in the most painful manner possible. He just didn't punch him. That would have been unsportsmanlike. Not that he didn't keep teasing it. Doink, skilled harlequin that he was, turned Backlund over and started stretching him, going so far as to chucking him over the guardrail. Eventually Backlund came back and returned favor, hitting an atomic drop that sent Doink through the ropes. Both guys put absolutely everything they had into what they were doing. With Borne, it was what he had to do to get over. With Backlund, it was just who he was. Anyway, Doink was able to capitalize on being half out the ring to take out Backlund's eyes with something nefarious and he scored a quick, cheap pin. We're better off for having seen this.

ER: This is great. Historic even. It's a reason why handheld wrestling is the literal best wrestling. Handhelds capture moments that are manufactured for real people in the room that have a relaxed The Cameras Are Off vibe you would never see on TV. Doink/Backlund is a pairing that's remembered so fondly by those of us who remembered watching it as kids and seeing matwork and finding out what a fucking stump puller is. But there aren't actually that many Doink/Backlund matches, and the TV ones were under 5 minutes. This match was a different animal. This was a different animal because this was Doink working a Bob Backlund Madison Square Garden match. Bob Backlund was weird and awkward in 1993 WWF. He was like unfrozen territory babyface and it was like he had been in a Dead Zone coma for a decade and went right back to working 1983 territory wrestling babyface. And now he's doing it in Oakland, CA, which is hilarious to me. Bob Backlund is the whitest wrestler in history and here he is in Oakland, and it's the literal only time he's wrestled a match in Oakland. Doink is tasked with working a 20 minute match with a goofy 1980 white meat babyface in Oakland...and he succeeds by somehow working AS Bob Backlund. 

Doink the Clown works this match both as Doink, but also as 1980 Bob Backlund, were Backlund a heel and also wearing white grease paint to darken his complexion. Backlund also works as 1980 Backlund and Doink is his heel doppelgänger in the exact same style. This is a long form, mostly quiet match, that easily could have lost the crowd's attention at any point and yet they never did once. This crowd was invested in a recreation of a Bob Backlund/Buddy Rose match from a decade prior. Doink works slow strength spots and mugs whenever Backlund is unable to break the hold, Backlund works his long armbar while Doink takes big comical Backlund bumps. Doink bumps like a clown would bump, and it's perfect. When he finally makes the ropes after Backlund's armbar, Backlund pulls him back and Doink goes flying as if shot out of a cannon. Later he takes a big bump and lands right on his butt with his legs out, like a toddler learning to walk. When Backlund finally pulls off the big atomic drop, Doink springs forward through the ropes to the floor, all leading to him taking a weapon out of his jacket to jab Backlund with. Backlund gets the DQ win and literally runs through the crowd like a maniac, like a Bruiser Brody whose goal was to hurt zero people. 

5. Randy Savage vs. Yokozuna 

MD: This hit just right. Savage did the babyface version of the Taylor shtick to begin. He got on the mic just to go "Ohhh Yeahhh," which by 93 was probably more than enough. He spun around after Yoko started the sumo stomps. He got back on to start a USA chant. He was just late-era WWF Savage in the full body suit holding babyface court. The match itself was pretty straightforward. Yoko dominated with his size. He had these sort of downwards aimed punches that looked devastating. He tossed Savage out and slammed him into the rail. He dropped a leg on him. Savage would try to punch up but five or six punches equaled one of Yoko's. Finally Yoko missed a splash in the corner and Savage staggered him off the top rope before Fuji intervened with the flag, toppling him. Yoko hit a belly to belly for a quick pin. Post-match, he went for the Banzai Drop, missed, and got knocked out of the ring by Savage. There wasn't much to it. It didn't go wrong. They got as much value out of it as possible and I don't think the fans were at all disappointed for what they got.

ER: Matt pointed out that yes this is essentially babyface Terry Taylor vs. heel Typhoon (even though I don't think it's anywhere close to as good as our heel Taylor/face Typhoon match) although with less on the heel side and less on the face side. It's a lesser version of that, basically. Less. But also look how damn far Macho Man flew out of the ring when Yoko threw him to the floor! He didn't have to do that. He could have taken a much more sensible bump to the floor on a house show. I love how Savage punches to his feet, loved his punches to Yokozuna's face (and how Yoko would throw his head back for them) and I loved the way Savage crumpled when Yoko put him down with one return shot. I wish they had a couple extra beats before going right into the belly to belly finish, and I wish Savage had a piece of babyface offense that looked better than his top rope axe handle. It feels like a waste to go to the top rope and only come off with a weak axe handle that looks like spatchcocked hands. 

6. Tito Santana vs. Damien DeMento

MD: These two faced off twenty times between October 92 and the middle of 93. I would have sworn it was more. We have one of their PTW matches. DeMento more or did things right, but it didn't come off great. I'm not sure we needed another bit of early stalling after the Taylor match, even if he had the additional advantage of that special dissonance you get when a bigger guy does it with a smaller one. He took over by jamming Santana on a hip toss and hitting a clothesline. He cut him off with quick eye pokes (again dissonance). The grounded chinlock that made up a chunk of the heat worked in theory because you had someone as good as Santana fighting up out of it, but I'm not sure we needed to see it again this card. The finish was fine. Tito hit the flying forearm in the ropes. As a kid, I knew whenever he hit it and didn't get the win, which, after a certain chronological point was more often than not as his role shifted, he'd be losing. The shift to El Matador gave him El Pase de la Muerte, the shot to the back of the head, and that meant the ending of the match was more open to possibilities. Here though, DeMento landed on him on a suplex attempt back in. Maybe one too many heels going over in a row here? I probably would have liked this more in a bubble.

ER: I cans see Matt is setting me up here to be the Damien DeMento Guy, and maybe that guy is me. I am certainly more of a fan of DeMento's now than I ever have been from 1993-2021. What an odd guy to have basically existed in wrestling for only one year, the kind of guy with minimal ring experience who never would have been hired for this role in any other era. To hear DeMento tell his story, his "I had no experience but I trained with Johnny Rodz and then I worked worked 140 matches in 11 months in WWF and then retired" would sound like a whopper of a lie. "So yeah, there I was working Madison Square Garden with only 40 or so matches under my belt..." yeah sure okay bud. I don't know if DeMento was actually good, but he is a weirdo who came out of nowhere to work a full WWF schedule for a year and then returned to Pennsylvania and that's it, and that's cool. I love the energy he puts behind missed clotheslines, and his short lariat after blocking a hiptoss looked real good. I was impressed with his positioning near the ropes after taking Santana's flying forearm, and his dedication to making it look like he actually grabbed the top rope on his way back in the ring to shift his weight onto Santana. 

7. Steiner Brothers vs. Beverly Brothers 

MD: Unsurprisingly, this was very enjoyable. Here, the shtick worked on so many levels. Beau and Blake put so much energy and enthusiasm and verve into it. They'd try to buddy up with the ref, would hide behind a security guard, would bob in and out between the ropes at high speed. And with 2024 eyes, the anticipation was all about the huge bumps you know that they - the only guys willing to face the Steiners - would be taking. They were working so big that it wasn't even about the people in the last row seeing them; it was on the hope that Verne would see them all the way from Minnesota. And the Steiners obliged, dropping them on their skull for belly to belly suplexes, power slams, and of course the Frankensteiner at the end. Meanwhile, they really kept it moving. The Steiners were constantly fighting from underneath and often retaking the offense only for the Beverlys to have to go underhanded to stay in it and take back control. 

I get that in the years following this, Scott would become more and more listless in his matches and I would even say here that he wasn't necessarily working the crowd or working for the crowd, but he was entirely engaged with what his opponents were doing. You never got the sense that he wasn't trying to fight back, that he wasn't affected and incensed by everything that was happening to him, that he wasn't desperate to get revenge and to make it over to his brother for a tag. He was just laser focused on the Beverlys as opposed to channeling the crowd. It gave everything a more athletic, organic feel, and, after the hot tag, a more chaotic one with bodies flying around and timing perhaps being just a little bit off. It worked for the crowd, however, and it worked for me three decades later.

ER: I love the Beverlys/Steiners as a match. Their 1993 Rumble match might be the WWF MOTY, and Enos/Bloom should be in the discussion for Greatest Steiner Opponents. Enos and Bloom are big guys who bump huge for the Steiners, but in a way that makes it clear that these big bumps are being done by big guys. Mike Enos getting crazy height on a backdrop looked even crazier because it looked like a big man getting tossed up that high. But this is a gem because it's a Steiners/Beverlys match that we would never see on TV. Only on house shows do you get to see Scotty as face in peril, a match constructed much more around Beverlys cut off spots instead of Beverly bumps (those are still saved for the end). Mike Enos was always the praised member of the Beverlys, but Bloom is the one who shines brighter in a house show environment. He's the more expressive heel, the one better at drawing heat, the one better at arguing with the ref, the one who even goes and draws sympathy from a security guard in the aisle, and he also has better punches and stomps. The eventual hot tag was explosive and quick, the real time for Enos to shine. It's incredible to me that this is just the way Mike Enos took the frankensteiner. He wasn't just getting vertically spiked on PPV, he was doing it in front of a few thousand people, working towards that one dad in the crowd with a camcorder. Mike Enos taking the frankensteiner is one of our Great Bumps, a Minnesotan man in mustache and mullet and middle age spread doing the most complicated breakdancing head slide. It's incredible. How did the Beverlys never get a Hasbro? Enos should have had one with neck breaking action. 

8. Crush vs. Shawn Michaels

MD: Not entirely sure how to tackle this one. First and foremost, Sherri was at ringside as a "neutral observer" or some such. She unsurprisingly had the best offense in the match when she got to lay it in on Shawn. She was also really effective in the finish as Shawn was stalking her and she tripped over the ring steps backwards. It was generally a different match when she was involved, more visceral, more gripping. If I had never seen Michaels before, this would be my take: when he took offense early, he was bumping and stooging over the ring, but there was almost too much energy to him. It wasn't focused and channeled the way the Beverly's managed to do it. It felt much more like a guy playing a role. It was easy for him to be press slammed and otherwise tossed around by Crush and he went over the top for it when it was so inherently evident that maybe he didn't have to and it ended up subtracting from the overall effect. When he was on top, however, likely due to the fact that Crush was so much bigger and the effort did need to go into it, he was dogged and persistent and unyielding and his stuff ended up looking really good; it had to in order to be credible. He had no choice. Him putting the extra effort in there paid off whereas in the early stages, when he was stooging, it distracted. And there was nothing more real in the entire match than Michaels, irate, snatching the title belt and smashing Crush over the head to draw the DQ as he tried to check on Sherri. Nine times out of ten, a DQ like that would feel like them searching for a way out of the match. Here, it felt like an act of heated passion in the moment. 

ER: I love that there is one woman captured on camera who is fully into Shawn's entire routine, unafraid to publicly like what she likes. Crush is announced at 257 which must mean Crush was working a heel Buddy Rose act. 1993 was really the peak pro wrestling year for the fried fluffed out mullet, and appropriately we get a large portion of the match built around  the potential pulling and tugging of fluffy split end Rod Beck mullets. After Michaels complains immediately about a hair pull, they spend the next couple minutes with Crush holding him in a side headlock while Michaels' hand keeps drifting up towards that flowing cotton candy, the ref stopping his hand 2-3 dozen times on every side of the ring. Michaels going up for Crush's press slam is an awesome spot. Both men make it look so effortless, with the 257 lb. Crush walking Michaels and holding him up to a couple sides, more and more people getting to their feet the longer Crush has him up, dying to see Michaels thrown into the sun. I liked how Michaels' big bump to the floor focused more on the speed of getting there rather than something showy and athletic. The way he spilled made it look like a man who wasn't fully in control of the landing, even though he was. His selling for Sherri's slaps and kicks was excellent, like a man getting up from his blanket after one too many hornets makes his picnic an impossibility. 

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WWF Handheld Reno, NV 1/23/93

Running a 2,000 attendance house in a 12,000 capacity arena just a day before the Royal Rumble, this show had a couple unique matches I wanted to see and a nice snowy winter season happening outside. 

1/23/93 Full Show

The Predator vs. Jim Powers

ER: God bless early 90s camcorder dads who knew how short the battery life on their camcorders were, yet always overextended themselves thinking they could afford to record Jim Powers working Tony Garea tribute matches and still have enough battery for the main event. Memories of every plug of the school gymnasium being hogged by dad's charging their extra batteries. Predator is Horace Boulder under a mask, and it's really funny to me to have a guy named PREDATOR but have him working a lot of pointing at his head after dodged charges or complaining about Powers pulling the tights. Predator seems like a risky gimmick to assign someone in wrestling, but it also makes me laugh thinking about the Predator pointing at his head in the jungle right before Arnold sneaks up behind him with a schoolboy. Predator was the only one keeping this match interesting as Powers is all bad punches and arm wringers. There was a nice spot where Predator blocked a sunset flip and then punched the mat going after Powers, and I like  a guy who pulls his opponent face first into the turnbuckles by grabbing the waistband of his trunks. Predator does an admirable job selling Powers' punch and kneelift to set up his match finishing powerslam, and we collectively thank this camcorder dad for editing out a long Predator chinlock where Powers' abdomen was desperately heaving. 

Samu vs. Owen Hart

ER: This was a better version of the Powers/Predator match in half the time, with our undaunted director also opting to trim out Samu's chinlock. WWF loves having a babyface make their comeback after being held in a chinlock, and this man recognized what he should and shouldn't be filming. Here Owen gets that sunset flip that Jim Powers couldn't turn, but it only gets a one count and Samu hits him with a thrust kick after. There's a fun stretch where it felt like Owen could pull it off, after hitting a nice spinning heel kick and then knocking Fatu off the apron. I thought he was going to put Samu away with a missile dropkick, but Fatu snuck up and knocked Owen balls first into the top turnbuckle, Samu putting him away with a follow-up superplex. After the match, Owen continues selling his balls in the ring long after the Headshrinkers have left, even explaining to the ref what happened from his back. Owen makes the Vader V with his right hand and then uses the edge of his left hand to chop at that V, explaining what the top turnbuckle did to his balls. The ref nods understandingly before exiting the ring. 

Yokozuna vs. Earthquake

ER: This showdown would have looked insane to my 12 year old eyes, a clash of the two (probably) largest men I had ever seen. Little could anyone in attendance have known how rare this match was going to be. Their sumo match on Raw over a year later was their only televised match, and other than that they had only a few scattered house show matches, many of them in California. Seems cruel to present an Earthquake as a babyface in California but that's what they do. This was great in its too brief existence. We get some good shoving to start, Earthquake showing off his footwork to dodge Yokozuna's shoves, running into Yokozuna with shoulderblocks that make both take a step back. Yokozuna takes over with a back elbow to counter an Earthquake avalanche, and runs over Earthquake like it's nothing. Maybe I just get dewy-eyed and sappy during a wrestling match between two gigantic fat guys, but I tell you the air went out of the crowd when Earthquake took that back bump. Yokozuna dropped a gorgeous legdrop and Earthquake did a full body spasm like he had just been decapitated, and I was shocked at how quickly and easily Yokozuna put things away with the banzai splash. This match felt big enough to be a PPV attraction and get 12 minutes. But some things can only be contained in short starbursts. This was only their second match, and all 3 of these minutes were great. But it's a shame that we never got to see them have an actual war of the colossus.

The Beverly Brothers vs. The Undertaker

ER: This was advertised on the arena sign as Undertaker vs. Papa Shango, so I guess they felt like since they blatantly false advertised one of the two matches they announced for this show, the best way to pay that back was by just having three minutes of Undertaker laying waste. The great twist, is that I think this 3 minute sprint is more entertaining than any Undertaker/Soul Taker match I can remember. Undertaker vs. Papa Shango doesn't play as big as it should, but this handicap match was like a T-Rex vs. two velociraptors. But, well, two dumb jock velociraptors. This looked like it was going to be a one-sided mauling, both Beverlys getting run over by Undertaker for a minute straight after cheapshotting him before the bell. Bloom and Enos are both great bumpers, and they play this match like they were Kaientai, and it was the best. They get some brief control, when Bloom hits Taker with a chair and Enos snaps his neck over the top rope. The crowd reactions for Taker's deadman sit-ups keep getting louder, and the Beverlys act more and more annoying the longer they're in control. Undertaker has a fun time with the whole thing, and it looked like he was doing his own separate bit at ringside as he kept stumbling and falling into Mike McGuirk. Beverlys hit a bunch of elbowdrops after hitting a tandem vertical suplex, but leave their backs turned for far too long around a man known for rising from the dead, and the Reno kids lost it when he sat up again and ran wild. Enos takes a huge cartwheeling bump over the top to the floor to sell an uppercut, Bloom gets finished in ring by the Tombstone.

Berzerker vs. Bob Backlund

ER: Berzerker is a great house show act, as he works with the crowd and does unique bits more than any other wrestler from this era, even more than Flair. Here he barks ar Backlund and starts whipping at him with the belt from his tunic while Backlund is folding his ring jacket, that belt coming closer and closer with each whip. The crowd reacts with some real hostility to this one, the Reno crowd booing Backlund's dorkiness at the bell and only mildly getting behind him when he swept Berzerker's leg into Berzerker doing the splits. Berzerker getting his leg swept or kicked into doing the splits is the kind of spot that should get a big reaction every time, but this is a weird pairing and the crowd didn't seem to like it. It's funny when Berzerker rolls out of the ring and is out of camera sight, but you can hear him Hussing around ringside at people. They take a long time to lock up, with Berzerker repeatedly challenging Backlund to reach up and grab his right hand way up in the air, and Backlund responding with trepidation. 

The crowd seems annoyed that the match isn't starting at first, and then Berzerker keeps milking the annoyed reaction to build more and more heat, until the crowd is loudly mocking Berzerker with Huss chants and he is doing back bumps out of frustration. Berzerker finally does get that knucklelock and forces Backlund to his knees, and Backlund valiantly fights to his feet before rolling through to his own top wristlock, which Berzerker breaks with his fist. It's like they're working a Jack Brisco/Killer Khan match straight out of 1979, and that, while simple at times, mostly works. Berzerker eventually takes one of his big backwards bumps to the floor and then marches angrily down the aisle, drawing heat the whole way. In ring he hits a couple of bodyslams and jaws at fans, and works a long (probably too long) bearhug which eventually ends with Backlund somewhat lamely just falling on Berzerker for the pin. A fan either near the camera or holding the camera thinks aloud that this was one of the worst matches he has ever seen. This was not a classic, and was somehow the second longest match on the show, but it did have its rewards.  

Ric Flair vs. Mr. Perfect

ER: This was a real crowd pleaser, the kind of strong 15 minute match that you'd want to see if you were excited to see either of these two, checking off all the greatest hit Flair boxes without ever feeling like it was coasting. Flair is a guy who can play the greatest hits and not feel like he's bored with them and can still throw in a couple surprises with a smile. It's cool seeing how big he can work a house show match, taking some painful high bumps (on a hard ring) while working toward specific sides of the crowd. He's a guy who is excellent at causing a stir in a specific section of the building, knows how to pick fights with people from the ring, and knows how to get great heat for 15 minutes. He does all his shtick and does it get: He shoves Perfect a couple times and gets slapped each time, he takes a long walk down the aisle after eating a shoulderblock, he gets caught going up top and takes a hard bump getting press slammed down, obviously he's going to take a high backdrop. 

When he's on offense he's cheating, and it gets a rise the entire time. I'm gonna give the cameraman credit for partially obscuring the lens when Flair threw a low kick and eye poke, as if he was helping Flair cheat to transition. Flair worked over Perfect's arm and held a grounded headlock while planking his legs on the middle rope. He does the full routine on two sides of the ring, and the spot our cameraman picked couldn't have framed it any better. Flair was practically working this entire routine for this guy. Flair really rubs his cheating in to our side of the ring, at one point holding just one straightened leg on the ropes while bicycling his free leg. We also get a perfectly framed shot of Flair holding his calf over Perfect's throat, like Flair was putting on a show especially for us. The finish stretch is great, with stiff chops from both, Flair getting his trunks yanked down for a good sunset flip nearfall, and then keeping them down to the glee of the crowd when he ducks his way right into a Perfect Plex. Classic house show stuff, 100% success rate. 

Shawn Michaels vs. Marty Jannetty

ER: Shawn gets announced first and does a great job getting heat just by taking off his chaps. He also tries to grab Mike McGuirk a couple times and it gets people upset because he looks like a guy who would definitely try to grab a woman. Marty is wearing fantastic turquoise and zebra tights with perfect tassels, honestly some of his best gear. A stark, damning contrast to the atrocities he would would inflict upon the Royal Rumble crowd the next night. This match had the finish stretch of that next night's match but was pretty different overall, and probably even better. There's a long Michaels abdominal stretch spot that has an excellent first act but then probably carries on a bit too long in the second act before rushing through the third. You can usually wrap up your abdominal stretch spot in one act, but it was still a great hammy Michaels performance. The best kind of hammy Michaels is house show shithead Michaels, where he's shaking his ass at the crowd and giving people in the front row cocky asshole smirks, and those abdominal stretches give him plenty of time to rub some specific fans' noses in it. Michaels goes into control really quick in this match (he skipped and floundered around the ring for a lot of okay Marty offense the next night), sending Jannetty frisbeeing into the ringpost. 

He works over Marty's arm with hammerlocks and strikes, and once he's worked over the arm enough he starts working over Marty's midsection. I love when a heel switches targets after suitably damaging one area. There's a great spot where he drops Jannetty stomach first over a chair on the outside, which at least gives us good reason to work that abdominal stretch for so long. The great first act on that stretch that I mentioned earlier, is Michaels locking it in near the ropes (for cheating purposes) and a nice build to Marty hip tossing his way out of it. But right as Marty gets there, Shawn holds onto the tope rope to block, and the blocked toss re-injures Marty's arm. GREAT spot. The finish stretch has a lot of similarities to the PPV match the next night, working out the timing for a couple of spots: Jannetty catching Michaels with a DDT after Michaels thought he got out of the way of a fistdrop, and Michaels missing a superkick only to be nailed with one for a close 2. If anything, Earl Hebner was really rushing counts, which didn't give a lot of time for the nearfalls to settle in, but added a manic feel that the crowd did respond to. Since Sherri wasn't here, the finish was different, simple, and well done. Michaels gets thrown into the buckles and slumps into them, but ducks out of the way of a great Jannetty missed avalanche and then scrambles onto him for a quick pin. He shoots a quick Fuck Yeah glance at a person at ringside he'd been taunting the whole match, and BAM, Shawn Michaels has left the building. 

COMPLETE AND ACCURATE WWF 305 LIVE

COMPLETE AND ACCURATE BERZERKER

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Yoshiaki Fujiwara Has a Hasty Temper and Exalts Folly

Yoshiaki Fujiwara/Daisuke Ikeda v. Horace Boulder/Hisakatsu Ooya FUN 12/12/95

This was more of an FMW tag with PWFG dudes in it, then a PWFG tag with FMW guys, the latter would have been more interesting. Boulder and Ooya are fine here, Boulder's skullet is magnificent and he hits a nice tope, Ooya has a great back suplex, but Fujiwara and Ikeda working figure fours and elbow drops is fine, but not what makes them compelling. Reminds me a little of weak sauce NOAH Ikeda, you can still tell how great they are, but they are a little stuck in second gear.

COMPLETE AND ACCURATE FUJIWARA

COMPLETE AND ACCURATE IKEDA

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