Found Footage Friday: 1993 WWF House Show Oakland 2/13/93

WWF House Show Oakland 2/13/93

MD: Richard Land (@maskedwrestlers on Twitter) has launched a new service releasing rarities twice a month. It's honestly more than we can easily keep track of, which is a great thing, but we'll feed stuff into Found Footage Friday as much as we can. Reach out to him for more information. This was a house show that neither Eric or I had ever seen from a period where we have both seen a lot of house shows. 

ER: This is an example of the kind of house show I would have been able to attend at age 12, had my parents not kept secret from me the entire existence of live pro wrestling. We lived about 60 miles north of Oakland/San Francisco. We went into the city regularly for Giants games, occasionally for A's games, once for a baseball card show at the Moscone center, and every Christmas season so my mom could see the big window displays at the downtown SF department stores. We would not have gone into the city to see professional wrestling, and I believe that my parents hid the existence of house shows from me with the same ferocity of Peggy Hill hiding the concept of Competitive Eating from Bobby. Newspaper pages were cut out, lies were told. This show happened just after my 12th birthday and this review should be filled with me sharing memories of that happy day when my father or poor mother took me to this show. But they were trying to raise me right. 

1. Tatanka vs. The Predator

MD: The Predator is Horace Boulder with face paint. We hit this JIP and it's kind of nuts how Tatanka sets the mood immediately. Super hard chops in the corner, everything looking crisp, including an atomic drop. I've gotten the sense in revisits that I didn't appreciate Tatanka enough when I was younger, but everything looked great. He missed an elbow drop which let Predator take over. You'll be happy to know that he had the family legdrop. They worked a pretty decent grounded chinlock with the crowd absolutely going up for Tatanka's hope spots. They were hot for the opener here, especially so when Tatanka started the war dance. He absolutely flattened Predator figuratively with one final chop and then literally with the Samoan Drop. There was a reason why it wasn't just Strongbow but Wahoo as well that gave him the headdress I guess. Nice brisk opener here. I vaguely wonder if there are some great indy Tatanka matches from the late 90s we should try to find. Vaguely.

ER: I am actually a pretty big Horace Boulder Guy. Over the last 25 years of my wrestling fandom I have tried to sell more than one person in my life on the Idea of Horace Boulder/Horace Hogan. How cool is it that there was a guy who out there who was related to the biggest star in pro wrestling and even had the exact same movement, height, and posture as that biggest star, and that he also wrestled exactly the same in a lot of ways. Except that he was Hulk Hogan Without Success. He wrestled like Hogan, if opponents didn't have to treat him like Hulk Hogan and crowds didn't react to his offense as if it were being delivered  by Hulk Hogan. Hulk Hogan Without Success would have been a really funny gimmick. A lot funnier than "The Predator". 

The Predator is a name that invokes the scariest unkillable cool alien presence when it's associated with Arnold's machine gun biceps and John McTiernan's late 80s action perfection dominance. The name "The Predator" invokes the worst possible other horrors when associated directly with pro wrestling, and the singular The implies that he is the worst of them. Begging and pleading with my dad to finally take me into the city to see a wrestling show and suddenly tasked with explaining to him why this man is Thee Predator, and me having no answer because The Predator was a House Show Exclusive over the Winter and Summer months of 1993 and I wouldn't have understood the negative connotations of the word Predator anyway. This would have been one of only three chances for me to see Horace Boulder live in the Bay Area, a fact I wouldn't have appreciated at the time. Imagine living in Colorado and getting to sit in attendance for a Velocity taping dark match of Horace Hogan & Bull Buchanan vs. Mark Henry & Mark Jindrak? God could you imagine. Also of note, in this match, Horace was shaped exactly the same as Gene Snitsky. Exact same build, size, and shape. 

2. Kamala vs. Kim Chee

MD: This show is full of stuff that I feel like we just never had on tape on any other house shows. Kamala was with Slick and didn't want to fight Kimchee at all. That let Kimchee get an early advantage until Kamala started to fight back. An errant Slick distraction allowed Kimchee to whack Kamala with something I couldn't make out given the VQ, but then he erred and went after Slick. Kamala chased him down, fought him off, and crushed him to the delight of the crowd. Post-match Slick put Kimchee's hat on Kamala, so that was fun. This was a lot of shtick in a very short period of time, but the crowd ate it up as well they should.

ER: I wonder if 1993 could be considered our best year of Steve Lombardi, in ring. I'm not sure this match would be the one for you to support that claim. In fact, it had to be a pretty great gig pulling lowest card heel duty against house show Kamala in 1993. You got to bullshit with the referee and fans for a couple of minutes, do some light cardio to get away from the former savage who you keep provoking, and then you settle in to sway your body in response to 1-3 Baba chops, stand still for the thrust kick, and run into the cross chop. Lombardi takes a really big bump over the top to the floor as Kamala exits him from the ring post match, and for something that is probably the most dangerous part of his day, he takes it in a way that would classify as a Memorable Royal Rumble Elimination on any given night. 

3. Terry Taylor vs. Typhoon

MD: Speaking of shtick, this was the second massive physical mismatch in a row and they leaned hard into it. 93 Taylor was, in some ways, at the height of his powers and this was an absolute stall fest. He was strutting, hiding in the ropes, threatening to walk to the back. Everyone in the crowd knew that if Typhoon got his hands on Taylor, he'd lift him up with an armbar or clamp on a headlock or run him over with a shoulder block. Taylor used the ref as cover to get in a throat shot and stayed on the throat until Typhoon started to fight up. Whereas, the crowd was very much behind Tatanka because they wanted to see him triumph, them clapping up Typhoon was more about seeing Taylor get his comeuppance. His cutoff went low instead of high however, and Typhoon even went up for an ill-advised belly to back for him. Taylor then went up and out on the cover attempt, stooging himself about fifteen feet on a kickout. Taylor hitting that suplex actually meant the transition spot of Typhoon reversing a standing vertical (and propelling Taylor across the ring again) was all the more effective though. Finish was Taylor getting some distance with an eyepoke only to leap off the second turnbuckle into a powerslam that was more of a Snow Plow as Typhoon didn't quite get him around. 

ER: 1993 might also be the best year of Terry Taylor, and it's hidden almost entirely on house shows. He has an out of nowhere great Raw match against Mr. Perfect in January and then after a couple more TV appearances he continued working months filling out house shows as the perfect version of himself: A heel Mark Harmon who rubbed people the wrong way with an insincere Nice Guy act. Aloof "Nice Guy" Terry Taylor is a persona that Taylor captures so well that it's one of those things clearly just already being answered by his shirt. I think I would love this match if it were just Terry airing any wrinkles out of his robe before handing it to a ringside attendant. Taylor plays this great fame of Avoid and Strut, never running from Typhoon but showing far too much confidence and acting like an idiot whenever caught. He starts a shoving match and storms the fuck out of the Coliseum, working with the kind of craft that makes 90s House Show Heel From The Territories look like the most fun job in the world. I would take Taylor's full extension slow bounce over from Typhoon's shoulderblock every damn day. Buddy Landel was never this good. 1993 Terry Taylor might be one of the greatest hidden years in wrestling. What looks like a contender for the best in-ring year of Taylor's career, happening in the biggest American company...but hidden almost entirely on house shows. 

Taylor convincingly kicks Typhoon's ass when he takes over. His punches are great, and he acts like a shithead in between every strike. But he also gets pressed through the ropes to the floor during a pin attempt and he makes the spot look as great as it can look, like a French Catch level of comedy and grace. He takes a high backdrop and yells when splatted by an avalanche. I loved the twist before the ending, where Typhoon was ramping up for the finish and Taylor shut it down with an eye poke. I actually got tricked into thinking they were icing things down for another minute or two, until I saw Terry climb to the top. Terry leaps right into a powerslam and then maybe the best part of his whole performance happens, as he just lies flattened and motionless for a hilariously long time, the entire time Typhoon was celebrating and shaking hands with fans after. When Taylor finally starts to stir, he continues making a 90s house show heel look like the most fun job in the whole world, going around the ring claiming that he got his shoulder up in time, before finally hopping to the floor and proceeding to injure his back, limping and openly grimacing, not hiding his pain from the laughter. Terry Taylor feels like a Top 5 guy in 1993 WWF, if we actually got to see more than a handful of matches.  

4. Doink vs. Bob Backlund

MD: I can't wait to read Eric's take on this one. That's true for the whole show, but especially this. It was, in my mind, exactly what you'd think a Backlund vs. Doink house show match would be. Just a perfect opening with Doink almost busting a lung falling over laughing at Backlund's handshake attempt followed by him hitting three measured takeovers before Backlund returned the favor with all three in quick succession. Beautiful stuff. They then took it straight to the mat just liked you want out of goofy Minnesotan wrestling machine and an evil clown, before switching over to extended holds and reversal attempts. When Backlund finally pried an arm away, he spent a good minute teasing a punch as the fans roared and the ref warned only to just go into an armbar instead; not just any, of course, as he made sure to wrench Doink up and over in the most painful manner possible. He just didn't punch him. That would have been unsportsmanlike. Not that he didn't keep teasing it. Doink, skilled harlequin that he was, turned Backlund over and started stretching him, going so far as to chucking him over the guardrail. Eventually Backlund came back and returned favor, hitting an atomic drop that sent Doink through the ropes. Both guys put absolutely everything they had into what they were doing. With Borne, it was what he had to do to get over. With Backlund, it was just who he was. Anyway, Doink was able to capitalize on being half out the ring to take out Backlund's eyes with something nefarious and he scored a quick, cheap pin. We're better off for having seen this.

ER: This is great. Historic even. It's a reason why handheld wrestling is the literal best wrestling. Handhelds capture moments that are manufactured for real people in the room that have a relaxed The Cameras Are Off vibe you would never see on TV. Doink/Backlund is a pairing that's remembered so fondly by those of us who remembered watching it as kids and seeing matwork and finding out what a fucking stump puller is. But there aren't actually that many Doink/Backlund matches, and the TV ones were under 5 minutes. This match was a different animal. This was a different animal because this was Doink working a Bob Backlund Madison Square Garden match. Bob Backlund was weird and awkward in 1993 WWF. He was like unfrozen territory babyface and it was like he had been in a Dead Zone coma for a decade and went right back to working 1983 territory wrestling babyface. And now he's doing it in Oakland, CA, which is hilarious to me. Bob Backlund is the whitest wrestler in history and here he is in Oakland, and it's the literal only time he's wrestled a match in Oakland. Doink is tasked with working a 20 minute match with a goofy 1980 white meat babyface in Oakland...and he succeeds by somehow working AS Bob Backlund. 

Doink the Clown works this match both as Doink, but also as 1980 Bob Backlund, were Backlund a heel and also wearing white grease paint to darken his complexion. Backlund also works as 1980 Backlund and Doink is his heel doppelgänger in the exact same style. This is a long form, mostly quiet match, that easily could have lost the crowd's attention at any point and yet they never did once. This crowd was invested in a recreation of a Bob Backlund/Buddy Rose match from a decade prior. Doink works slow strength spots and mugs whenever Backlund is unable to break the hold, Backlund works his long armbar while Doink takes big comical Backlund bumps. Doink bumps like a clown would bump, and it's perfect. When he finally makes the ropes after Backlund's armbar, Backlund pulls him back and Doink goes flying as if shot out of a cannon. Later he takes a big bump and lands right on his butt with his legs out, like a toddler learning to walk. When Backlund finally pulls off the big atomic drop, Doink springs forward through the ropes to the floor, all leading to him taking a weapon out of his jacket to jab Backlund with. Backlund gets the DQ win and literally runs through the crowd like a maniac, like a Bruiser Brody whose goal was to hurt zero people. 

5. Randy Savage vs. Yokozuna 

MD: This hit just right. Savage did the babyface version of the Taylor shtick to begin. He got on the mic just to go "Ohhh Yeahhh," which by 93 was probably more than enough. He spun around after Yoko started the sumo stomps. He got back on to start a USA chant. He was just late-era WWF Savage in the full body suit holding babyface court. The match itself was pretty straightforward. Yoko dominated with his size. He had these sort of downwards aimed punches that looked devastating. He tossed Savage out and slammed him into the rail. He dropped a leg on him. Savage would try to punch up but five or six punches equaled one of Yoko's. Finally Yoko missed a splash in the corner and Savage staggered him off the top rope before Fuji intervened with the flag, toppling him. Yoko hit a belly to belly for a quick pin. Post-match, he went for the Banzai Drop, missed, and got knocked out of the ring by Savage. There wasn't much to it. It didn't go wrong. They got as much value out of it as possible and I don't think the fans were at all disappointed for what they got.

ER: Matt pointed out that yes this is essentially babyface Terry Taylor vs. heel Typhoon (even though I don't think it's anywhere close to as good as our heel Taylor/face Typhoon match) although with less on the heel side and less on the face side. It's a lesser version of that, basically. Less. But also look how damn far Macho Man flew out of the ring when Yoko threw him to the floor! He didn't have to do that. He could have taken a much more sensible bump to the floor on a house show. I love how Savage punches to his feet, loved his punches to Yokozuna's face (and how Yoko would throw his head back for them) and I loved the way Savage crumpled when Yoko put him down with one return shot. I wish they had a couple extra beats before going right into the belly to belly finish, and I wish Savage had a piece of babyface offense that looked better than his top rope axe handle. It feels like a waste to go to the top rope and only come off with a weak axe handle that looks like spatchcocked hands. 

6. Tito Santana vs. Damien DeMento

MD: These two faced off twenty times between October 92 and the middle of 93. I would have sworn it was more. We have one of their PTW matches. DeMento more or did things right, but it didn't come off great. I'm not sure we needed another bit of early stalling after the Taylor match, even if he had the additional advantage of that special dissonance you get when a bigger guy does it with a smaller one. He took over by jamming Santana on a hip toss and hitting a clothesline. He cut him off with quick eye pokes (again dissonance). The grounded chinlock that made up a chunk of the heat worked in theory because you had someone as good as Santana fighting up out of it, but I'm not sure we needed to see it again this card. The finish was fine. Tito hit the flying forearm in the ropes. As a kid, I knew whenever he hit it and didn't get the win, which, after a certain chronological point was more often than not as his role shifted, he'd be losing. The shift to El Matador gave him El Pase de la Muerte, the shot to the back of the head, and that meant the ending of the match was more open to possibilities. Here though, DeMento landed on him on a suplex attempt back in. Maybe one too many heels going over in a row here? I probably would have liked this more in a bubble.

ER: I cans see Matt is setting me up here to be the Damien DeMento Guy, and maybe that guy is me. I am certainly more of a fan of DeMento's now than I ever have been from 1993-2021. What an odd guy to have basically existed in wrestling for only one year, the kind of guy with minimal ring experience who never would have been hired for this role in any other era. To hear DeMento tell his story, his "I had no experience but I trained with Johnny Rodz and then I worked worked 140 matches in 11 months in WWF and then retired" would sound like a whopper of a lie. "So yeah, there I was working Madison Square Garden with only 40 or so matches under my belt..." yeah sure okay bud. I don't know if DeMento was actually good, but he is a weirdo who came out of nowhere to work a full WWF schedule for a year and then returned to Pennsylvania and that's it, and that's cool. I love the energy he puts behind missed clotheslines, and his short lariat after blocking a hiptoss looked real good. I was impressed with his positioning near the ropes after taking Santana's flying forearm, and his dedication to making it look like he actually grabbed the top rope on his way back in the ring to shift his weight onto Santana. 

7. Steiner Brothers vs. Beverly Brothers 

MD: Unsurprisingly, this was very enjoyable. Here, the shtick worked on so many levels. Beau and Blake put so much energy and enthusiasm and verve into it. They'd try to buddy up with the ref, would hide behind a security guard, would bob in and out between the ropes at high speed. And with 2024 eyes, the anticipation was all about the huge bumps you know that they - the only guys willing to face the Steiners - would be taking. They were working so big that it wasn't even about the people in the last row seeing them; it was on the hope that Verne would see them all the way from Minnesota. And the Steiners obliged, dropping them on their skull for belly to belly suplexes, power slams, and of course the Frankensteiner at the end. Meanwhile, they really kept it moving. The Steiners were constantly fighting from underneath and often retaking the offense only for the Beverlys to have to go underhanded to stay in it and take back control. 

I get that in the years following this, Scott would become more and more listless in his matches and I would even say here that he wasn't necessarily working the crowd or working for the crowd, but he was entirely engaged with what his opponents were doing. You never got the sense that he wasn't trying to fight back, that he wasn't affected and incensed by everything that was happening to him, that he wasn't desperate to get revenge and to make it over to his brother for a tag. He was just laser focused on the Beverlys as opposed to channeling the crowd. It gave everything a more athletic, organic feel, and, after the hot tag, a more chaotic one with bodies flying around and timing perhaps being just a little bit off. It worked for the crowd, however, and it worked for me three decades later.

ER: I love the Beverlys/Steiners as a match. Their 1993 Rumble match might be the WWF MOTY, and Enos/Bloom should be in the discussion for Greatest Steiner Opponents. Enos and Bloom are big guys who bump huge for the Steiners, but in a way that makes it clear that these big bumps are being done by big guys. Mike Enos getting crazy height on a backdrop looked even crazier because it looked like a big man getting tossed up that high. But this is a gem because it's a Steiners/Beverlys match that we would never see on TV. Only on house shows do you get to see Scotty as face in peril, a match constructed much more around Beverlys cut off spots instead of Beverly bumps (those are still saved for the end). Mike Enos was always the praised member of the Beverlys, but Bloom is the one who shines brighter in a house show environment. He's the more expressive heel, the one better at drawing heat, the one better at arguing with the ref, the one who even goes and draws sympathy from a security guard in the aisle, and he also has better punches and stomps. The eventual hot tag was explosive and quick, the real time for Enos to shine. It's incredible to me that this is just the way Mike Enos took the frankensteiner. He wasn't just getting vertically spiked on PPV, he was doing it in front of a few thousand people, working towards that one dad in the crowd with a camcorder. Mike Enos taking the frankensteiner is one of our Great Bumps, a Minnesotan man in mustache and mullet and middle age spread doing the most complicated breakdancing head slide. It's incredible. How did the Beverlys never get a Hasbro? Enos should have had one with neck breaking action. 

8. Crush vs. Shawn Michaels

MD: Not entirely sure how to tackle this one. First and foremost, Sherri was at ringside as a "neutral observer" or some such. She unsurprisingly had the best offense in the match when she got to lay it in on Shawn. She was also really effective in the finish as Shawn was stalking her and she tripped over the ring steps backwards. It was generally a different match when she was involved, more visceral, more gripping. If I had never seen Michaels before, this would be my take: when he took offense early, he was bumping and stooging over the ring, but there was almost too much energy to him. It wasn't focused and channeled the way the Beverly's managed to do it. It felt much more like a guy playing a role. It was easy for him to be press slammed and otherwise tossed around by Crush and he went over the top for it when it was so inherently evident that maybe he didn't have to and it ended up subtracting from the overall effect. When he was on top, however, likely due to the fact that Crush was so much bigger and the effort did need to go into it, he was dogged and persistent and unyielding and his stuff ended up looking really good; it had to in order to be credible. He had no choice. Him putting the extra effort in there paid off whereas in the early stages, when he was stooging, it distracted. And there was nothing more real in the entire match than Michaels, irate, snatching the title belt and smashing Crush over the head to draw the DQ as he tried to check on Sherri. Nine times out of ten, a DQ like that would feel like them searching for a way out of the match. Here, it felt like an act of heated passion in the moment. 

ER: I love that there is one woman captured on camera who is fully into Shawn's entire routine, unafraid to publicly like what she likes. Crush is announced at 257 which must mean Crush was working a heel Buddy Rose act. 1993 was really the peak pro wrestling year for the fried fluffed out mullet, and appropriately we get a large portion of the match built around  the potential pulling and tugging of fluffy split end Rod Beck mullets. After Michaels complains immediately about a hair pull, they spend the next couple minutes with Crush holding him in a side headlock while Michaels' hand keeps drifting up towards that flowing cotton candy, the ref stopping his hand 2-3 dozen times on every side of the ring. Michaels going up for Crush's press slam is an awesome spot. Both men make it look so effortless, with the 257 lb. Crush walking Michaels and holding him up to a couple sides, more and more people getting to their feet the longer Crush has him up, dying to see Michaels thrown into the sun. I liked how Michaels' big bump to the floor focused more on the speed of getting there rather than something showy and athletic. The way he spilled made it look like a man who wasn't fully in control of the landing, even though he was. His selling for Sherri's slaps and kicks was excellent, like a man getting up from his blanket after one too many hornets makes his picnic an impossibility. 

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The Great 16 Man WWF Raw Battle Royal of 2/15/93

16 Man Battle Royal WWF Raw 2/15/93

ER: I've watched this battle royal a couple of times now and I think it's grown into a really fantastic one. I was initially disappointed, as it's the last appearance we have of Berzerker (and his only appearance in a match on Raw), and I'll always be at least a little bit butt-chapped over not getting Berzerker all over these early episodes of Raw. Once I was able to emotionally move past that fact, I was able to enjoy this battle royal for the very real joys within. This is a very active battle royal with some pairings that we never got to see in actual singles matches, a cool mix of a few top guys (Razor, Michaels, Tatanka) and undercarders, painful elimination bumps, and hard work. Razor, Michaels, and Tito gave standout performances, with Tito lasting as a surprise final four, Razor actively punching his way through the entire match, and Michaels punching and bumping and stooging across all of it. Every time I saw Razor in the background he was in a punch out with someone new, either decking Kim Chee right across the jaw, getting lifted into a choke by Typhoon, then turning around and throwing his long right hands to punch anyone close. Michaels throws great jabs throughout (teeing off on Tatanka in the corner) and bumps bigger the longer it goes, capping everything off with a ton of showmanship leading up to his elimination. 

Berzerker is really important to a battle royal, as he's constant motion and never gets stuck just trying to lift someone's leg over a rope. This man has no loyalties (though he does assist heels when approaching a babyface and heel locked in combat) and is endlessly entertaining as he constantly stomps across the ring looking for someone to clobber. Even though he was eliminated sadly early by Kamala, Berzerker was involved in a couple of great bits: Tito leapt off the middle turnbuckle to punch Berzerker in the face (Berzerker held in place), and Berzerker sold it by backpedaling all the way across the ring while punching at the sky; when Owen Hart jumps onto Berzerker's back with a sleeper, Berzerker calmly walks to the nearest set of ropes and dumps Owen right over his head to the floor. I was also wildly entertained by Steve Lombardi's appearance as Kim Chee. The Kim Chee persona plays better to Lombardi's strengths than Brooklyn Brawler does. In this role Kim Chee was mostly just trying to avoid Kamala, and his whole time in the match was spent running away from him, directly into someone else's attack. It all culminated in Kamala chasing Kim Chee through the crowd and into the balcony of the Manhattan Center, which was an awesome visual, spotlight following them as they crawl over chairs and run through the loge seating. 

Bob Backlund was his usual extremely annoying battle royal self, constantly spider monkeying himself on the ropes with his butt sticking out, always a hard man to eliminate. Koko got tossed high over the ropes by Michaels, Damian DeMento got wrecked by Typhoon (also a guy with a fun battle royal performance, digging his fingers into peoples' mouth and eyes while they were holding onto ropes), Berzerker took an expectedly big bump to elimination, Typhoon was a big crashing wave hitting the apron and ring steps on his way to the floor, and the Shawn Michaels elimination was spectacular. The match came down to a final four of Razor, Tatanka, Michaels, and Tito. Razor rolls out of the ring after Tito nails him with the flying forearm, leaving Tatanka and Tito to run wild on Michaels. Michaels gets run back and forth across the ring, post to post, taking those "leap to middle buckle and corkscrew senton the mat" bumps to greater effect with each one. I kept expecting him to comeback and at least dupe Tito into getting thrown out, but I loved how it was just two good babyfaces knocking an asshole heel senseless until they threw him far over the top rope to eliminate him. 

There was a great pre-match angle where they said the 16 Man Battle Royal got changed to a 15 Man Battle Royal because all 15 wrestlers refused to participate in a battle royal with Giant Gonzalez. It was a smart move to protect Gonzalez (and everyone else), but a stupid move in that it did not give us any Berzerker/Gonzalez interaction, or Kamala/Gonzalez; because of that decision we never got to see Iron Mike Sharpe make a dumb face as he backed away from Giant Gonzalez, and we should have been upset. But I liked how they did use Gonzalez, having him come out to ambush and eliminate both Tatanka and Tito, giving Razor the win by sheer luck of him being outside the ring when the fur suit carnage happened.  Tito splatted hard to the mat, a great battle royal effort ended with an unforgiving back bump. Gonzalez looks massive, Razor's mullet de-greased and fluffed out behind him as he celebrates his win, hopping in place repeatedly while his thumbs point squarely to his chest. 

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On Brand Segunda Caida: Tennessee Indy Grab Bag

Bryan Turner has been posting some great unseen or rarely seen southern indy wrestling, and we've been diving in over the past several weeks. Even cherry picking through the best stuff, there are a lot of things he's uploaded that jump out. Here are a couple that jumped out at me today. 

Yokozuna vs. Tatanka MECW 12/99

ER: This is the last recorded match of Yokozuna's career, recorded sometime in December 1999 (two months after Heroes of Wrestling). Yokozuna didn't work many matches in the three years after WWF, and considering that, the match couldn't be edited more painfully. It being the last match of his excellent career, he was obviously at his largest. Knowing that, you'd go into this match expecting a long nerve hold spot in the middle somewhere. If you were editing a match for time to air on local TV, that would be the couple minutes you edit out. Instead, this match is joined in progress for the duration of Yokozuna's nerve hold. From commentary, you get the impression that the beginning of the match was a lot of active Yokozuna work. We start with him already drenched in sweat and breathing hard, and don't get to see what got him that way. When they get standing, you can see Yokozuna still has real quick burst speed. He clearly needed constant rest, as he timed a Tatanka charge really nicely to send Tatanka crashing to the floor, and the entire time Tatanka was on the floor Yokozuna stood bent at the waist, hands on his knees, torso practically horizontal. But, when he had to shut something down or do a quick dodge, he looked surprisingly nimble. His strikes were really good. Arguably the best part of the match was Yokozuna throwing hard rights to brawl down the aisle at the end of the match. He built to his bumps well, with him not bumping (in the footage we have) until Tatanka hits a tomahawk chop off the top, but he takes two more after that one, the third rolling to the floor where this ended. You could tell that there was a great wrestler still in there who could have worked a several more years without the extra 150 pounds. Of course, it's much easier said than done for any man to lose my entire literal person in weight. I sometimes think of Yokozuna still in WWF through 2002, working a whole slew of matches with WCW guys that we never got to see. What a great wrestler. 

Barry Houston vs. Jarell USWO 5/23/03

ER: I believe this is by far the latest Barry Houston we have (and the latest listed match of his that I could find), and it's not exactly the swan song a Houston fan would want to see. Barry Houston is so unlike the Barry Houston you're thinking of right now, that there is a non-zero chance this was some guy using the Barry Houston Name in front of 40 people just outside Nashville. Houston is beefy here, like when Chris Harris showed up for a week in WWE, and he shows no signs of the wrestling ability that made him a cult favorite in WCW. Jarell (graphic reads Jorell but that reads like a Planet Krypton ass name and the announcers clearly call him Jarell then whole match), looks reallll green, and is wearing just khakis and a short sleeve plaid shirt, like he just came straight from his grandparents' anniversary party. Jarell's stomach is already heaving when Houston takes him over with a side headlock to start the match. Jarell has to think  about what move to do next after any move he does, he did bad version of a couple things I like; a bad Jumbo knee lift, and raking Houston's face across the top rope. It's better that someone attempt good wrestling than bad wrestling, if it's going to look bad. Houston has a nice back elbow and clothesline, although Jarell took a bad bump for the clothesline that was so "play wrestling" that it minimized the impact a lot. A chain gets involved and Jarell throws a couple punches somewhere over Houston's head and a few inches in front of his face. Houston's punches look better and have better form, but his were only half successful. One of them was an uppercut that landed somewhere around Jarell's upper boob. I'm happy that an unseen Barry Houston match showed up, but some secrets are better left untold. 

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An Exhaustingly Exhaustive Review of WWF Royal Rumble 1/24/93, Pt. 2

Bret Hart vs. Razor Ramon

ER: Another great match. Perhaps too long, but still a great match. The first 75 minutes of the show is one of the best 75 minute stretches of wrestling you'll find in any era of WWF. A couple pieces could have been placed differently, and the crowd gets weirdly restless in the middle (maybe burned out by too many closely strung together nearfalls? I don't know). This starts with a great opening punch exchange, and Razor never got enough credit at the time for his punches. I'm not sure who else could even make the claim to a better whipping right hand in this era, or any era. Razor's punch doesn't allow much wiggle room and requires a lot of moving parts, and I don't know who threw a similar punch better. Also, Razor and Bret are both great stomp punchers. Razor throws those long rights, whips Bret hard into the turnbuckle, and Bret takes just a classic back first bump into them, making it look almost as violent as his classic chest first bump always looks.  

Hart takes over by working over Razor's leg, kicking it out from under him a few times while holding onto his other leg, slamming it into the ringpost, and it's the only part of the match that feels incomplete or misplaced. It never really leads anywhere, Razor doesn't sell the knee, and I don't think you really needed a leg work segment to set up the Sharpshooter finish 12 minutes later. You can just win with the Sharpshooter, you don't need leg work. Now Razor working over Bret's ribs is much more interesting, and it starts with Razor reversing an Irish whip by jamming a kitchen sink knee into things, then whips Hart low into the corner. Bret slides across the mat ribs first and gets wrapped around the ringpost, and the ribs give Razor a cool focal point for the rest of the match. We DO get Bret going hard chest first to the buckles and we realize, yes, the Bret chest first turnbuckle bump IS the definitive violent corner bump. This particular one is one of Bret's best versions, and think of how many matches that covers. I don't know how Bret's arms didn't go completely numb after hitting the buckles. He ran full speed into them like he couldn't see them and had no idea they were there, and then fell backwards, rigid, to the mat. Most match finishes do not look as nasty as Bret running into the buckles. 

We get a lot of Razor working on Bret with his abdominal stretch, stomps, a stiff shoulderblock, and his always nice fallaway slam. Bret's big comeback from all of that is big, with Razor taking a high  backdrop bump to the floor and then Hart nailing a full body tope (with a couple of sneaky mounted punches thrown in after the landing). They work in a lot of momentum shifts down the stretch, which were all handled well but might have benefitted from one or two of them being dropped. Still, it lead to some classics, including proof that Bret might be the only person who can make the jump off the middle buckle into someone's boot actually look damaging and not silly, and the way he crumbles after hitting it is an incredible sell. It also helps that he hits his Hitman elbow off the middle rope so actually has a reason to be leaping off it into a boot in the first place. The match really should have ended with Bret wriggling out of what surely would have been a match finishing Razor's Edge to trap Razor with a backslide. Nothing that came after was necessary, and the finishing itself came off a little clunky (even with Razor grabbing onto the ropes and Earl Hebner's pant leg to desperately stop the Sharpshooter. Pulling a backslide out of the jaws of a Razor's Edge would have kept Razor stronger, and the backslide looked like a finish (most of the crowd bit hard at the late kickout). Still, even with my criticisms this felt like the 2nd best match on a card with four strong matches. 

Lex Luger debuts as Narcissus in an awkward segment where really nothing at all works. They have the trifold mirror set up in the entrance way, but Luger's gear covers up a lot of his body so you can't even see what all the fuss is about. And there IS fuss. Luger poses to an obstructed view while Heenan lavishes such praise over his body that it nearly approaches Power and Glory workout video levels of uncomfortable. My favorite part was when Heenan drooled over Luger's thighs. "Yes! Look at yourself! Enjoy yourself, Narcissus! Look at his thighs!!!"

The Rumble Match

This is a really really good Rumble, with the only flaw being that it is TOO LONG. It has a great first half and almost felt like a love letter to fans of the territories, as it was front-loaded with several different world and regional champs and that early star power felt big. Within the first 10 entrants we had Flair, Backlund, Dibiase, Lawler, Tenryu and Perfect. Flair and Backlund start it off, and neither Monsoon or Heenan talk about what a historic showdown it legitimately was. When you think of early 80s WWF champ, you think Backlund; When you think of early 80s NWA champ, you think Flair. As best I know, this is the only recorded footage of these two facing each other. There was an early 80s "title unification" match at the Omni but I don't think footage of that was ever shown on TV. So you get a fairly decent chunk of a Flair/Backlund match, years later than you would have wanted it, but they work it like an actual match (as opposed to spending the time trying to lift a guy's leg over the ropes). Papa Shango interrupts as the 3rd entrant but gets disposed of immediately, so we get a 4 minute Backlund/Flair match, and that's pretty neat. Now, Backlund was in this Rumble for over an hour, but I thought he looked pretty bad during at least his first half hour, and 1993 Backlund had a ton of weird timing issues. It often felt like Backlund was purposely trying to throw off his opponents' timing during this run, but he doesn't seem the type to do that. 

The two major standouts of this Rumble are Flair and Lawler. They're each in for just 15-20 minutes but their activity and execution and sheer knowledge of how to work a great Rumble is unparalleled. Flair must have had a running bet to see how many eye pokes he could fit in to his run, as he cuts off every single spot with an eye poke and it's incredible. My favorite was right after Max Moon came in and hit a fiery babyface sequence, and Flair tapped him on the shoulder and poked him in the eyes before just walking off. Lawler looked amazing during his whole run, punching everyone in sight and selling even better, getting into battles with guys we never got to see him battle (like Lawler/Backlund, or Lawler/TENRYU! Just the idea of a Lawler/Tenryu singles match makes me angry that they were even in the same ring and it didn't happen). Lawler has an awesome moment with Max Moon, where Max hits his nice corner spinning heel kick on Lawler, goes for it again and eats a huge backdrop bump to the floor. Huge bumps to the floor were one of the great things about this Rumble as I'd say 2/3 of the eliminations were dangerous bumps or bad landings, and that's an insanely high percentage. Also, Lawler has these incredible lowrider car show screen printed tights. Perfect targets Flair and Lawler and anything those three do with and against each other is gold, and if you want to talk about disgusting eliminations then you have to talk about Lawler and Perfect. 

Lawler takes the highest elimination bump of the match, getting launched by Perfect, and then immediately cashes in that receipt. Dibiase and Koko start shoving Perfect over, and Lawler begins yanking him by the head, really making it look like Perfect was desperately trying to hold on to that bottom rope, turning it into a really violent elimination. Referees are trying to pull Lawler away, guys in the ring are shoving Perfect, and Perfect hangs on to the bottom rope as long as humanly possible. It's, ahem, perfect. Knobbs, Skinner, and Samu have really memorable 3 minute runs, and you need a few high end crash and burn guys to make a Rumble good. Knobbs got a huge crowd reaction and had a real fired up run, Skinner came in like a dangerous potato throwing asshole, and Samu came in throwing headbutts. They all took tremendous bumps to elimination, with Samu's maybe the most dangerous. Undertaker had come out midway through (hilariously right as Lawler was headed back through the curtain, and Lawler gives Undertaker a wide berth) and he eliminates Samu by setting him on the top rope and shoving him hard, Samu flipping onto the apron on his head before going to the floor. Berzerker was fun during his 5 minutes, but with a guy who can eat up that much of the ring you hope for more than 5 minutes. I loved how, when Berzerker entered the ring, he went around the ring literally hitting every single person in the match. He didn't focus on anyone (until following Backlund to the floor and hitting him with a chair) but instead just stomped and clubbed his way through everyone. Koko also had a good run, building off 10 year feuds by going after Lawler while gleefully hiking up his gigantic High Energy windbreaker pants. 

The halves of the match are really clearly divided, as the ring needs to be fully cleared so Giant Gonzalez can debut and attack the Undertaker. I liked the Gonzalez debut, even though they never actually learned how to film him. When a guy is *actually* 8 feet tall, you don't need to film him from the floor up. He's the tallest man in pro wrestling history! Show him from far away so you can see how much larger he is than anything else in the arena! When you shoot him ground up it just makes him look like a normal guy, albeit a normal guy wearing a fur and muscle suit.  The problem is, since you had to clear the ring for that angle, and you front loaded the Rumble with most of the best workers, you're left with IRS, Damien DeMento, and Backlund when the smoke clears. It takes quite awhile to build any of that lost momentum back, with even a Natural Disasters Explode moment feeling tepid. Earthquake went right after Typhoon with no explanation, eliminated him, and then it was never mentioned again (Earthquake was gone at the end of the month and worked WAR for the rest of the year). 

Carlos Colon comes out fairly late, but it's really weird because he clearly belonged in the first half of this when it felt like they were legitimately trying to bring in a ton of regional champs. What would Carlos Colon even mean to a 1993 WWF audience? Also, you better believe Monsoon referred to the 45 year old Colon as a youngster after both he and Heenan had spent the entire match using Backlund's age 43 as a negative against him.  I would love a show of hands at the Arco Arena to find out how many in attendance knew anything about Carlos Colon. They had him announced for the Rumble several weeks before the match, but had only showed a picture of him during Mean Gene's Rumble previews, no footage or anything. It would have been far more valuable to see Colon throwing punches and headbutts at Lawler, Tenryu, and Flair; instead we get to see a lot of Colon against Damien DeMento, which is weird! Tatanka was by far the most exciting worker of the 2nd half of this, and his chops in the corner were thrown with more force than any Flair chop. 

Bob Backlund is 28th elimination, going past the hour mark and getting the most mixed reaction of the match. For the first half hour the crowd audibly hated him, but the longer he stayed in the more the crowd seemed to be pulling for him. When he was eliminated I genuinely could not tell if the loud reaction was applause for him making it that far, or relief that Backlund was not going to be in the main event of WrestleMania. The finish run is Macho Man vs. Yokozuna, which was better than I remembered, but the execution of the finish is as bad as I remembered. They work a 5 minute singles match as the final two, and it's good. Savage gets Yokozuna reeling with axe handles, Yokozuna hits a great thrust kick, Savage fights back, and eventually hits the big elbow. And then Savage pins Yokozuna...in the Rumble...and Yoko kicks out, sending Savage over the top to the floor. I kinda get it, I guess? The pinfall attempt just looks stupid and makes Savage look like a total dweeb, but I guess I can buy that the two of them had been one on one so long at the end that Savage went into Singles Match Mode. But that elimination? One man just cannot press a man from his back, over the top rope, and make it look like anything other than a man jumping over the top rope. Savage does as well as possible in that situation, but surely we could have figured out a better way for Yokozuna to eliminate Macho Man. This Rumble is way too long and dips hard for a bit in the middle, but that first half has some of the best work in Royal Rumble Match history and that alone makes this one of the best Rumbles, warts and all. 

This feels like one of the best WWF PPVs and it's weird that it doesn't get discussed as such. I thought every match was a varying degree of great, with the Rumble Match itself being too long and having too much deadweight but still succeeding due to a lot of hard work from the entrants. Lawler, Flair, Perfect, Dibiase, and several guys who were only in for 3 minutes all had great showings, and it had some of the nastiest elimination bumps of any Rumble. The other 4 matches are great in their specific way, and I think it's important that they all accomplished something very different, all felt very different. The opening tag is one of the great WWF tags of the 90s, Michaels/Jannetty had a better match at a house show the day before (and a much better match a few months later on Raw) but still delivered here, the big boys fight was fast paced and fun, and Hart/Razor gave us a Bret singles match that we rarely saw (they had two PPV matches and to my knowledge no other singles matches that made tape). This was a great show. Every single match is recommended. 

Best Matches: 

1. Beverly Brothers vs. Steiners

2. Bret Hart vs. Razor Ramon

3. Big Boss Man vs. Bam Bam Bigelow

4. The Rumble Match

5. Shawn Michaels vs. Marty Jannetty

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Borga Stepped Into My Life from a Magazine

Ludvig Borga vs. Tatanka  WWF Superstars 10/30/93 - EPIC

ER: It's crazy that this match was on Superstars, because this match felt like something that easily should have taken place on the upcoming Survivor Series PPV. Borga was positioned as the #2 heel at this point and Tatanka was at worst the #4 babyface (behind Bret, Luger, and Razor). Both had undefeated streaks, with Tatanka's now at 20 months, and it would have made way more sense to give this match a PPV platform. I love the Rock n Roll Express but there's no reason they needed a match at Survivor Series when this could have been positioned 2nd from the top. This was really Borga's first big singles match (outside of house shows, he dominated Marty Jannetty at Summerslam, so really the only opponent TV viewers would have seen give him even minor trouble would have been Virgil), so the first real opportunity to see a star get actual offense against him. 

Tatanka was a popular attraction at this point, a popular babyface who did nothing but win matches. But this match is probably the first time I ever heard him get a USA chant, and this match was really the first time the WWF heavily billed him as "An American, Defending America". Despite calling him a Native American often, I am sure many fans viewed him as a foreigner, because wrestling fans don't always have a firm understanding of race and cultural heritage. But here Tatanka was An American, Defending America, after having only previously served as The 4th Most Patriotic American At Best. Now a Proud Native American, Tatanka was never before treated as American as Hogan, Duggan, or Randy Savage - specifically during the 11 summer weeks of 1993 when Savage presumably lived in and slept in his stars & stripes sequined tuxedo and matching cowboy hat. 

Ludvig Borga's hands down best quality is that the second he comes through the curtain until the moment he's out of sight (and assuredly beyond), he looks like he is absolutely disgusted by every person he sees. Borga is filled with revulsion at this life that chose him, and loathes the sticky handed children and mustachioed north easterners who surround him. His scowl is iconic. The match plays out as a satisfying house show main event, with Borga goading the fans the entire time and getting loud heat and playing to all sides of the ring. Watching Borga with a full push behind him really highlights the things he was great at, and by now he was second in WWF only to Lawler at working the crowd. Heels played to crowds more at house shows, but Borga and Lawler were the only ones doing it in all of their recorded matches. Borga works over Tatanka's midsection with punches (finding specific people in the crowd to threaten before and after every one), and they milk a lot out of Tatanka knocking Borga off his feet. Borga misses a big avalanche and Tatanka goes wild with multiple clotheslines to finally knock Borga down, and the man challenges Tatanka to do it again! Borga works this match as if he's 7' tall and 400 lb., dropping down to one knee after a dropkick and getting knocked off balance but not down by chops and clotheslines and eventually gets knocked down by a nice crossbody. 

The USA chants are coming in steady when Borga hits one of the greatest body shots my eyes have seen, when Tatanka ducks a Borga lariat but Borga catches him with a whipcrack full arm shot to the belly that I guarantee was the loudest strike on this show. It's a loud enough sound to stop the USA chants cold and Borga gloats about that, rubbing that punch into the collective faces of Worcester. Borga hits a big vertical suplex and works a long but effective side headlock. This was not an IRS chinlock in the middle of a squash match for reasons nobody could ever know, but instead an actual worked headlock with both making it build to something. There's a surprisingly dominant Borga spot where Tatanka powers up out of a headlock and plants Borga with a hard back suplex, and Borga ROARS to his feet and plasters Tatanka with a lariat right under the chin. You didn't get a lot of no selling in late 1993 WWF so this stood out as some Zeus level shit. When Tatanka starts his war dance, Borga tries cutting him off with punches to the kidneys (which Tatanka has been selling the entire match) but Tatanka powers through, and we get into our finish - my only real fault with the match. Mr. Fuji had come to ringside to act as foreign distraction, and Fuji's distraction allows Borga to waste Tatanka with a folding chair. WWF wasn't using a lot of chairshots in this era, and while it wasn't to the head it was still a loud shot. Borga lunges at and scares a kid in the front row on his way back into the ring, and then pins Tatanka in the middle with only one finger. 

And with that, Ludvig Borga has once again pantsed America in front of the girl he has had a crush on for 3 years, pointing and yelling to all of the other countries about America's baby dick as America scrambled to pull their pants up. We get a post match finish that is greater than any angle that has finished an episode of Raw to this point, with Borga and Yokozuna manhandling and flattening Tatanka while the Quebecers keep Luger tied up. Luger gets to run off the heels, but the Steiners were supposedly locked in the dressing room and Luger was - AGAIN - too late. I think for the angle to have really worked they needed to really wreck Tatanka. Borga needed to do way more cheating to win, and Yokozuna needed more than one banzai splash. But the fans HATE Borga and Yokozuna and the heel side feels incredibly strong right now. This could have given us an excellent Borga/Yokozuna vs. Tatanka/Luger TV tag, but they only used that match a handful of times on house shows...two months later. 

COMPLETE AND ACCURATE LUDVIG BORGA

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WWF MSG House Show 6/12/93

 Full 6/12/93 Show

Tito Santana vs. Papa Shango

ER: Great reaction for Tito from the large MSG crowd, still a guy who was a great attraction on a card and should have had a chance to be on more through the 90s. He was a less heralded Bret of this year, a guy who could have a cool 10 minute match with any heel on the roster. And this was great, but also because House Show Papa Shango is a thing I always get a kick out of, because you have an evil voodoo priest working like a Memphis house show heel. He bumps into the ropes, misses elbowdrops, waves his arms to try to prevent going over on a sunset flip (and then coming up from the sunset flip with a big lariat). He buries kitchen sink knees into Tito's ribs and works like a Dogcatcher and it rules. Kids really react to Shango and he knows it, love him yelling at kids on the floor. He really needs to scare kids more, really go for the jugular and get close. Fans love the finish, when Tito finally reverses one of those kitchen sinks and flips over the leg to schoolboy him. Fun 10 minutes to start the show.

MD: Tito and Shango are not guys that I think of as being around this deep into 93. Tito would last another month or two and Shango a few more after that. Anyway, it's always a good time to comment on these shows with Eric because he and I are usually not too far off taste-wise. Watching Shango interact with the crowd was the most interesting thing here and while, in general, I'm glad he did it and did it so emotively, it came off as more braggart than voodoo monster. I'm not sure if that was because he was cycling towards the end of the gimmick or what. We didn't get as standard a Tito formula as usual here, no lengthy shine and a quick, slick roll up. My second favorite thing on this one was either Shango's cut-offs which for the most part felt huge, or Tito's neat little drop down elbow smash to the back of the head when Shango put his head down (which isn't something I remember him doing very often but had a very Matador feel to it).


Shawn Michaels vs. Razor Ramon

ER: This starts with Howard Finkel receiving a note that Shawn Michaels refuses to come out unless his music plays first, which is a fun pointless thing for a heel to do on a house show. Our cameraman gets a cool zoom out when Michaels first gets into the ring, strutting and fluffing his hair. It's a cool pull back shot to show the size of the crowd, framed really well. Razor Ramon gets a really loud, wild reaction, and starts the match by throwing his toothpick at Michaels' face, which Michaels of course sells as if he got slapped. And this was a great house show match, a match you could use to argue Michaels as the best on the roster in 1993. He looks like he loves nothing more than getting a heel reaction from the crowd, and making sure Razor gets the biggest reaction possible. Michaels has a huge bump night, really treating a match in the Garden as importantly as his King of the Ring match the next night against Crush. He flies far off punches, gets whipped hard into the turnbuckles multiple times, gets kicked off the top rope and takes a huge free fall bump to the floor, all while working these great cheating spots to transition to his bigger pieces of offense. He works a couple of eye pokes in at smart times, hits a big springboard lariat (which Razor bumps for, stands up, and does a great dangerous no-look backwards stagger out through the ropes). Both throw great punches, Michaels works a choke by flattening out his body over Razor, getting his feet hooked on the ropes multiple times for leverage and drawing heat with it. It all builds to a huge moment of Michaels actually taking the Razor's Edge to a huge crowd roar, but Diesel pulls him out before Razor can win the title. Nothing but action, a ton of effective work in under 10 minutes.

MD: In my head, watching this, it felt like 1993 Michaels was very intent to prove himself, as every Shawn Michaels iteration is. But in 1993, he still thought the way to do that was to make his opponent look amazing instead of making himself (and to a lesser degree, the match) look amazing. In other words, he was out to prove to management that he was a top heel in the company by making the babyfaces look like a million bucks while still having the fans care about him. Some of that was the pre-match shtick, some that he was carrying the belt, some of that he had Diesel with him, some that he escaped at the end. His offense had that manic Randy Savage sort of feel, flying this way and that at someone with stuff that wasn't too out of the norm, just hit from a higher angle and with more oomph. It all works and it makes it a shame that Michaels' goals shifted so much in the years to come.


Bret Hart vs. Bob Backlund

ER: This was so great. Hitman works a 30+ minute match with Backlund the literal night before he works a total of 60 minutes across 3 matches. Just an incredible weekend of work for Hart, and this Backlund match looks great when compared against those King of the Ring matches. I think it is clearly ahead of the Bam Bam match and could see an argument for being better than the Razor match. Either way, it's great, and completely different from any of the three PPV matches. This match is all about Backlund being presented as a serious competitor in 1993 WWF, in the venue this man sold out more than almost every other man. Before this he had mostly been fighting Mike Enos and Damien DeMento on house shows, he obviously wasn't working like a guy in any kind of upper card mix. Backlund had wrestled a couple of times at MSG since his return, but this was Backlund working a Bob Backlund Match in the Garden, and it really split the crowd in entertaining ways. It really felt like his true return to the Garden.

Bret Hart didn't really work as the heel, and he didn't need to. Backlund was treated as a serious threat, and the longer it went you had more and more believers shifting their allegiance from Hart to Backlund. There was really only one tiny minor heel story that was paid off by Hart, with Backlund being tentative to accept Hart's frequent handshake requests after breaks in grappling. Backlund treats each handshake like he suspect's Hart of having a joy buzzer, and the crowd doesn't quite know what to make of it...until they get the sense that Hart really DOES have something planned. There's no real reason for them to think that other than Backlund's unfounded suspicions...but they start to believe Hart is going to pull a fast one, and around the 15 minute mark Hart finally turns a handshake into a quick go behind. It doesn't really get him anywhere, but it confirms suspicions, and even though he doesn't do a single other underhanded thing in the match it gives the crowd every reason to root on a Backlund upset.

The grappling in the match is nice and tight, with Backlund working some tight headscissors spots, engaging slow build knucklelock spots, and some very cool leverage work around a Hart hammerlock. Backlund gets to work his classic main event slow burn minimalist matwork again in the Garden, and seeing the crowd slowly won over by the style as the pace quickens is really exciting. Backlund has a great attempt at the one arm lift, getting way down in a squat and getting Hart up, but Hart rolls him back into the hammerlock. When Backlund does finally get the one arm lift he places Hart on the top, Hart hits a big crossbody, Backlund kicks out and then deadlifts Hart into a back suplex. There's a great spot where Hart has his hammerlock and leverages Backlund into a pin, and Backlund reverses by going into a wild splits that made them look like they were playing Twister, eventually reversing Hart's leverage into his own pin. It looked like something that Timothy Thatcher should steal, and the crowd kept getting more and more into Backlund as he slammed into Hart with shoulderblocks. Once Hart nailed his backbreaker and especially the elbow off the middle rope, the crowd clearly thought that was the finish, and when Backlund kicked out there wasn't a bored fan in attendance. It's a great 30 minute build and the payoffs the match builds to are worth it.

In addition to a great match, we get a burgeoning stepdad/son or mother's boyfriend/son relationship between the guy recording this show and an 11 or 12 year old with a lot of questions. You can really hear the kid bonding with this videographer the longer this match goes as the kid shows genuine interest in taping video matches, the guy teaches him a couple of things, answers his questions about wrestling, and they both get involved in the match that neither of them thought could have gone on this long. The man explains some wrestling stuff to the kid, talks about what a big deal Bob Backlund used to be a decade before, and once the kid finds out this man is into Backlund then Backlund immediately becomes the kid's favorite wrestler. "I like Bret, but I like Bob more" is a thing that probably no other 11 year olds said in 1993, but this kid saw a resurgent Bob Backlund as his in, and it worked! Our videographer has an adult friend who tries to talk about Kobashi and Kawada and All Japan, but the kid knows how to shut that down by asking all the right questions about Backlund.

The man explains to the kid that Backlund used to have long matches all the time when he was champ, and they were great. "I have some of them on tape, they're really good." "I'd like to see those! Can we watch them together?" My heart melted. It's adorable. The match is laid out so well that you can hear both of them get really invested in a potential Backlund upset. The man even starts talking about Backlund working his way back into the main event ("Could you imagine Bob Backlund on Raw as champion? In 1993?") and the kid sincerely gets into Backlund's ring work. "He's really strong!" the kid says, after Backlund does his one arm power lift out of a Bret keylock. And the kid only gets more impressed with Backlund's strength as he sees the deadlift back suplex and the atomic drop with Bret held on his shoulder for 8 seconds. The man even teaches the kid some life lessons and is never dismissive with him, actually spending time explaining some things. The kid says some unintelligible insult and the man says "Yeah you shouldn't say that, you could offend somebody." "But I don't understand what's offensive about it." "I'll explain it more later but for now just don't say that." They even go through a routine that you can tell the kid loves, when the man is explaining that the security guard KNOWS he is recording the show, and he goes through a whole "he knows that I know that he knows that I have a camera" and they both keep adding on qualifiers like it's a Bugs Bunny cartoon. It's always a treat to hear kids bonding with father figures, but bonding over Bob Backlund in 1993 is extra special.

MD: I saw this one years back and knew it was something special, but it's been offline for a while so I'm glad it holds up. It definitely tends to be an underrepresented match. To point, my pals Marty and Pete just did a podcast where they went over their top 25 WWF matches of this era and while both talked about different Bret vs. Backlund matches, neither mentioned this one. There's no other WWF match like it from the 85-95 period, not with the time it gets, with the commitment to matwork, with the slow build. I'm not sure Bret has another match like this on tape. There's the extended Backlund headlock segment, in and out, Bret spending a lot of the match working the arm (and because he's Bret, it's not that he works the arm for a bit and then works another limb, even like Backlund, who later goes to the leg; he just keeps working that arm). It has such a build for Backlund's eventual deadlift out of the (rolling) short arm scissors, and yeah, all the while, you have this kid with his accent going from complaining about the long headlock to getting more and more into Backlund. My favorite bit here might be the handshakes, the first of which Backlund really milks accepting (and why wouldn't he accept a handshake from Bret?) and then the second with Bret getting a go behind from and Backlund outwrestling him before Bret goes to the arm. It didn't come off as heelish so much as aggressive and determined by Bret, which is a tricky line to walk but one that he could manage easily in front of that crowd. There were some boring chants early during the headlocks but they didn't seem to last to the end. It's a hell of a performance, a very unique Bret match that broadens his case in general, and yeah, super impressive he did it the night before KOTR 93.


The Undertaker vs. Giant Gonzalez

ER: God if I could have been a kid seeing Giant Gonzalez at a house show. I would have been one of those kids standing there mouth open, in awe. The freakshow aspect of pro wrestling always appealed to me. Seeing the very large Undertaker being completely dwarfed by Giant Gonzalez would have been incredible to me, and while I don't think there are any actual good matches between the two (I wonder what would even be considered the best Giant Gonzalez WWF match?) but it's a crazy spectacle that I will always love. It's mostly clubbing, and it's mostly clubbing that doesn't look great, but Gonzalez had an incredible wingspan and those arms look COOL when he is swinging them way over his head and dropping tree branches onto Undertaker's back. The fans love when Taker fights back with uppercuts, and there are a couple of very cool Gonzalez cut off spots. Gonzalez hits a double chop block into Undertaker's throat and Taker goes down hard, then does a nicely timed zombie sit up, and we get Gonzalez smashing him with a chair. Harvey Wippleman's involvement only adds to the excitement, and the finish is Taker grabbing the chloroform rag from Wippleman. Gonzalez used the chloroform on Undertaker at WrestleMania, and apparently TWO MONTHS later these guys were just killing each other's brain cells on the nightly. Wippleman is driving town to town with a huge bottle of chloroform, has a garbage bag full of rags, and two men totaling nearly 750 lbs. are trying to vaporize each other's nervous systems. It's incredible.

MD: Yeah, this was actually a pretty effective piece of business and it's a testament to WWF as an entity and the crowd as well that they could go from Bret and Backlund working holds for half an hour to this without even blinking. The visual of Undertaker punching up looked great to the point where I was disappointed we didn't get a good look at the last couple as Gonzalezes' body was in the way. The nervehold was fine because Taker worked it well from underneath and the crowd was into it. They kept it vaguely interesting around it too, with Gonzales moving fairly well with the kick and clothesline over the top and Taker creation motion with the whip into the stairs. The most unsettling thing was the extended angle of the nerve hold making me look more closely at the rear end of Gonzales' gear than I ever had before. Some baffling artistic choices there. The chloroform deal is pretty baffling given the size of these guys. That was the "Dr." Harvey Wippleman, bit, right? Somehow I feel like it would have worked better with Big Bully Busick if they worked a "Guy who kidnapped the Lindbergh baby" gimmick with him.


Bam Bam Bigelow vs. Tatanka

ER: Great match, a real hidden gem. This would have been a memorably hot main event match on Raw, and the MSG crowd reacts loudly for both men. I find that even more impressive because this has been a card STACKED with good matches so far and this crowd is showing no signs of burnout. It's uncommon for crowds to get tired and react with low energy to a good match, and this crowd has already seen the biggest babyface in the company work a 30+ minute match. But Tatanka's crowd reactions in 1993 cannot be denied, and Bigelow makes sure they stay strong by constantly jawing with the crowd, keeping them involved. This whole match I kept thinking "man what a great Bigelow performance" but I enjoyed the match so much I went right back and watched it again. And then the whole time I kept thinking "man what a great Tatanka performance". Turns out it's just a great match and both add to that. Bigelow's offense looked really good, loved a series of headbutts Bigelow is really great at occupying himself selling for Tatanka's tomahawk chops, knows how to hold his head and stagger into place really well to give Tatanka time to surprise him with a crossbody or flatten him with a clothesline. Bigelow bumped big for Tatanka, but not too big. He would absorb several tomahawks and then go down hard for a clothesline, or take the chops and then take a bigger chop to fly backwards over the top to the floor incredibly fast (great way to set up the count out finish).

He made Tatanka look very powerful, but his cutoff spots kept people loudly engaged. There were three really REALLY great ones, all of which shut the Tatanka cheers off immediately, and all were so cool that the fans also reacted in the way that they knew they were seeing something cool. The three moments: 1) Bigelow taking chops and reeling while Tatanka ran into the ropes for a lariat, only to be stopped dead by a perfectly timed BBB dropkick. 2) Bigelow lifting Tatanka off the ground into a fireman's carry, and Tatanka wriggling out of it into a sunset flip that Bigelow sells perfectly off balance for a couple seconds...before just crushing Tatanka by sitting down hard on his chest. Bigelow looked so cool in this moment that I half expected the crowd to treat him like the babyface. 3) is expertly placed right after Tatanka started his war dance, hitting a couple chops and dancing around the perimeter of the ring, and Bigelow puts him down with one of his best timed enziguiris I've seen. He nailed Tatanka so well that not only did he come off like the coolest guy in the room (helps when you look, dress, and are shaped like Bam Bam Bigelow) but the crowd instantly seemed convinced that Tatanka was OUT. Great house show match, the kind of match that would be a memorable TV or PPV or Coliseum Video match had it aired there, and not merely recorded by a true saint.

MD: While it's another one I haven't seen in years, I remember being a fan of their Royal Rumble 1994 match, and this makes me think I was probably correct in that fandom. Everything hit here and the crowd was more than happy to come along for the ride. Eric covered this really well so I'm not sure what I can add on specifics. I mean, I primarily want to just talk about the sit out on the sunset flip and how the fans went completely nuts for it. I'll say that Bigelow stood out a little more to me than Tatanka, but that's primarily because he was in control of the match and probably because he was just a big looming presence. That was Eric's first impression too and I think if you're going to just give this one watch, what you'll note too. It wasn't just his offense which was so impactful, but the way he reacted to things, whether it be selling his head after cutting Tatanka off or the exasperation for Tatanka's comebacks after he thought he had him down in the stretch (like after that picture perfect timed enziguiri). 

There wasn't a moment that Bigelow wasn't completely invested in the match and the happy marriage of that investment and the larger than life presence of this monster of a man facing off against someone who obviously believed in himself and his character as thoroughly as Tatanka did made for a crowd that was just electric. You could nitpick that they maybe shouldn't have laid it out to come out of a chinlock after the Taker/Gonzales match did something similar with the nerve hold, but it worked so that's all that matters. Past the squash and the reaction it got, the other moment I loved was Tatanka's final comeback. I love monsters who resort to eyepokes to keep control (like Hansen was apt to do) because of the inherent dissonance of this huge heel having to cut off the babyface that way. The first time Bigelow did it, it worked, but the second time, later in the match, it led to the hulk up. That attention to detail is something they don't need to stick in their matches, but I can assure you that crowd remembered the first eyepoke with derision and when Tatanka no sold the second, they went absolutely nuts.


The Headshrinkers/Afa vs. Kamala/Smoking Gunns

ER: Another strong match, the exact way a trios with these guys should have been worked. It doesn't waste any time and doesn't go any longer than it needs to (just under 10 minutes) but gets great reactions the whole time (a running theme on this show). Things blow up quick and I loved seeing the Gunns and Kamala run wild on the Headshrinkers, with everyone all occupying the same space at once. Fans were very into babyface Kamala, and it was clear he had that same Hacksaw Duggan charisma. Duggan was the easiest to book man of the last 30+ years of wrestling, a perpetually over babyface regardless of his booking. Kamala could have easily been kept as a babyface getting great house show reactions through 1996 at least, and in matches like this he comes off as an actual major star. The crowd (and especially the kid sitting next to our director) is in love with every single movement of the Ugandan savage, and why shouldn't he be? 

The match settles down into the Headshrinkers taking apart Bart Gunn, and Bart can take a nice beating. He gets thrown to the floor and takes a nasty bump, hanging up in the ropes and hitting the apron on his way down. Later he takes a backdrop bump (getting tossed by both of them) that would make Rick Rude take notice. Afa is really great playing his part, choking Bart in the corner from the apron, and it all builds to a really satisfying babyface hot tag. Billy is a good hot tag, loved his reverse bulldog (basically the way you'd take down a calf at the county fair) and when it comes down to Kamala cleaning house and landing his big splash the crowd is losing their minds. I like the house show finish of Kamala getting the visual pin after the splash (pinned stomach down of course) and then getting schoolboyed after getting distracted by Afa. A Headshrinker winning a match with a schoolboy is a little silly, but when it's jungle savage vs. jungle savage you get out of there any way you can.

MD: I actually wish this was on Mania instead of a HH because while the crowd was great, I really wanted to see more of Kamala reacting on the apron and Afa in general. You could mainly spot Afa from his hair here. The Gunns must have been working the Headshrinkers a lot because some of Bart's exchanges (like the jumped over drop toe hold bit that led to a payoff of one later) were pretty sharp. The highlight here was probably when Kamala and the Gunns ran the heels off early and everyone went nuts for it. Afa was moving pretty well for a guy you rarely saw in this sort of situation by this point. I wonder how much Doink turning and becoming a harmless mid-card babyface act hurt Kamala in the long run. You could see him the next year as part of a Quebecers/Polo trio, for instance, or the year following in a mix scenario against the Bodydonnas and Sunny, and so on.

ER: I LOVED Bart hopping out of a drop toehold, glad Matt remembered to mention it. 


Lex Luger vs. Mr. Perfect

ER: Another real treasure, and I sincerely think it is the best Narcissist Luger match we have. Narcissist Luger is really great, a criminally short 4 month run that was cut abruptly and foolishly short. WWF had so many hot acts in 1993 that there was really no reason other than post-Hogan fear to abruptly turn Luger. In hindsight it seems so easy to just keep Duggan/Savage/Yokozuna going through Summerslam, and have Luger beat Bret in the finals of King of the Ring. Duggan was insanely over in 1993 and deserved a reward main event, and a Summerslam match with Yokozuna would have been memorable. Hart still gets to have three great matches and KOTR, Luger obliterates Hart with a loaded forearm to win the crown, you go as far as you want with Hart's comeback match with Luger (Hart in a face mask is optional but Hart beats Luger at Summerslam), Luger gets to wear a crown a look impressed with himself in mirrors for two months, it all writes itself so easily. Their TV (and house shows from what we have) was filled with a ton of over acts, the hot acts were almost equally babyface/heel, the only way to stop this momentum was by suddenly turning any one of these naturally growing acts.

So here we get Luger in full Narcissist mode just 3 weeks before the bodyslam heard round the world, and it's a great coda. The pre-match is filled with great Luger moments, like him pointing out poses to Howard Finkel in the mirror, or his reactions when Finkel announced that Luger's forearm would have to be covered...unless he wanted to pay a $25,000 fine and face a 6 month suspension. Perfect has his own great pre-match moments, spitting his gum at least 10' across the ring at Luger, then getting into a quick nose to nose with Luger. Luger slaps him, Perfect attacks him with his unthrown hand towel, hitting a towel lariat. Luger is a great heel bumper, maximizes fast back bumps and takes them athletically without letting the bump get too flashy. He gets kicked around the edges of the ring by Perfect and takes versions of Perfect's signature rope flip bump without the flip. He's great at being chased around a ring, great at begging off, and we could have had at least 12-18 months of him as the King Narcissist before turning him.

Perfect bumps big for Luger's control, which sounds like an obvious thing to expect, but I think is made much more unexpected (and more impressive) by Perfect knowing he would be working three physical matches (including an arguable match of his career against Bret) the next night. So Perfect taking a huge bump getting through over the top to the floor or hard whipping bumps into turnbuckles felt like much more of a risk knowing he'd have to do it all night next night. Luger drops nice elbows and keeps simple offense snug, throwing an especially nice clothesline that Perfect bumped legs out. Luger is an all time great at late kickouts, and he consistently gets LOUD reactions for late kickouts, really getting people to bite with perfectly timed shoulder lifts, arm shooting upward. The match benefits from its distraction finish (it was going to be either that, a DQ, or a count out), as Shawn Michaels (with Diesel) is very good at being a distraction. Michaels comes out wearing white overalls and sunglasses and gets up on the apron, a genuine distraction that allows Luger to blaze into frame with a potential 25K elbow. Luger gets the pin and well...what might have been.

 
MD: There are a few little things I'd tweak here or there on almost all of these. I'd have Perfect's music hit as Luger was posing. I'd have Luger use some submission targeting the back instead of the chinlock again as he'd been focusing on it for a bit. I'd have Perfect take a few more bumps when Luger was in control. I'd have Perfect survive a forearm with the pad on, maybe. In general though, you judge the match you do get, and this one was a good match. Perfect still had to get revenge from Mania (as they hadn't been to MSG since then) and he came in hot with Luger kept on the run. Probably the best thing about 93 face Perfect is that he got his AWA offense back, and had three or four ways to hurt Luger's leg before locking in a deathlock. If he had a bit more time he would have been able to get the full foot-pressing-into-knee Gagnelock but Luger knocked him out of the ring first. The crowd was big for all of Perfect's comeback attempts, be it a punch on the floor or working out of the chinlock into a top wristlock attempt later, and when he did finally come back, it was beautiful stuff (the kneelift, the neck whip, an awesome leapfrog/turn around/dropkick spot). Michaels' distraction was built off of Fink announcing that they'd be wrestling in a cage on the next card (which we don't get, by the way: it's the elimination 6 man with Shawn/Diesel/Bam Bam vs. Perfect/Jannetty/Tatanka), but it was all timed really well as an excuse for Luger to hit the forearm. We really were robbed of a long Luger heel run in 93.

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WWF King of the Ring 1993

Since we're a day away from potentially getting a new forever king, I thought it would be fun to revisit a legendary monarchy based show. I haven't watched this show in at least 25 years, whenever it was that I rented it from New Release Video in Healdsburg. It's a really strong on paper kayfabe show. You look at the 8 guys who made the KOTR quarterfinals, and the choices are all strong and reflective of who was big at the time. Mr. Hughes is the one hindsight question mark, because looking back there are plenty of people who don't even remember his 4 month WWF run. But his inclusion made sense from a kayfabe perspective, as he had aligned himself with Giant Gonzalez and wrecked the Undertaker on TV. He felt like a big new threat, and stood out as physically imposing during a time there were some really large guys on the roster. 1993 Duggan feels past his expiration, but hardly anyone was getting as big a reactions as Duggan was getting in the first half of 1993. The non-tournament matches are just as logical, with Crush/Michaels the logical and anticipated title match stemming from their great double count out KOTR Qualifier, a tag scramble highlighting the top two heel and face teams, plus the big Yokozuna/Hogan rematch (that would have felt like a MUCH bigger deal had Hogan done more than what, ONE taped interview in the months between Mania and KOTR). On paper this is a real strong show, presenting all of the most popular guys in favorable pairings, and a show I remember really enjoying as a kid. Let's see how it holds up!


Razor Ramon vs. Bret Hart

ER: This was a great match, starting off this PPV better than any match on WrestleMania IX. Razor looks incredibly cool with his green gear, toothpick in mouth and one behind the ear, trying to be as unflappable as possible as the fans all chant 1-2-3. It's really impressive how quickly they got Kid over, and how smartly they played it. This stuff isn't difficult, but watching a simple angle like this over 25 years later - and seeing how they just don't have any kind of patience for this sort of thing now - it's even easier to appreciate. Kid beats him, then Razor demands a rematch while they barely even have Kid on TV for the next month, letting the crowd interest build for him and really building a strong underdog common man. At a certain point they just decided the most creative way to debut someone was to have them win a title on their first night in and then just kind of do nothing with them.

But anyway, the great match. Hart's shoulderblocks weren't effective to start, so he started playing a quickness game with Razor with some armdrags, and does some of that great Bret stuff like taking a bodyslam put not letting go of Razor's arm. Razor takes over with an eyepoke and sends Bret flying HARD into the ringpost, then acts like a real dick about it. He slaps Bret around the head, stomping on BOTH of his hands while Hart is trying to get up (love that), hits the fallaway slam, big running powerslam (that I don't really remember Razor doing), and my favorite thing Razor does all match is miss elbowdrops. Razor missed FOUR elbowdrops, and each miss looked great. The first miss was a big leaping elbow into an empty pool, and the three later in the match was total Elmer Fudd missing every shot he took at Bugs, dropping three in a row as Hart kept rolling out of the way. Every miss looked real painful. He wasn't just taking back bumps, he looked like he was really jamming his elbow right into the mat. The crowd was way into the match at this point, and were flipping out more with every missed elbow, getting really loud as Hart made his comeback with a backbreaker and Russian leg sweep (does anyone besides Bret and Brad Armstrong have a good Russian leg sweep? Who am I forgetting?). The match transitioned back and forth really well, both great at coming up with plausible ways to take over instead of just "my turn". Hart takes the sternum bump into the corner but flips through a Razor's Edge, fights for a backslide, and there is an insanely close 3 count on a Hart small package. Waaaaay too close and the crowd was losing their minds at this point (as was I). Now, the finish itself was only kind of a ding because it came immediately after that small package, and felt a little too similar. Razor was going for a suplex off the top and Hart fell on top of him for the 3. It felt like they needed one other thing in between Hart's surprise small package and him falling on Razor for a 3. I'm not sure what that is, but the near fall was such a huge moment that the fans really hadn't come down, and the very next thing ended the match. Does that make sense? Even so, the match ruled.


Mr. Hughes vs. Mr. Perfect

ER: Mr. Hughes is wearing his pork pie hat and braces and looks like the most powerful ska trombonist in history. This is not only a battle of who advances in the King of the Ring, but a battle over who retains the title of "Mr.". This is also the first and last we see of  Mr. Hughes on WWF PPV, and maybe the last time he ever turned up on PPV anywhere, which is really weird, because look at him! This match was a super fun match up, with Perfect pushing a pace meaning we get fast Hughes, and both guys bump big for each other. Hughes working speed spots with Perfect is too good, as this also had to be the biggest Hughes got. He's really quick, takes a wild armdrag that crashes him into the ropes, flies into a hiptoss, and takes a huge backdrop. Perfect obviously tries to outbump him, flying over the top to the floor off a punch, and then taking super painful looking bumps off Irish whips. Hughes looked like he was really chucking him into the ropes and buckles, and if he wasn't, Perfect was certainly making Hughes look like Andre. Perfect and Hart were both good at making a whip into the buckle look like something that should get a nearfall, that PANK sound of a buckle that they're able to make before crumpling to the mat. This could have been something special, but that's not really what this match was. Hughes grabs the stolen urn and clocks Perfect with it for the DQ. It was directly in front of the ref, and they could have milked a really good match out of a long heat segment on Perfect after the urn shot, but this was a blast while it lasted.


Bam Bam Bigelow vs. Jim Duggan

ER: Duggan had the sickest hair during this era: The perfect Johnny Ramone shag. This was the longest his hair ever got, and he had those perfect bangs. With his American flag singlet and kneepads, waving Old Glory, he looked like he should have been doing the best Freedom Rock commercials. I'm picturing him with that hair doing a rad boogie rock guitar solo, just choogling and making the dumbest guitar solo faces. JR and Macho Man say a bunch of platitudes about how Duggan isn't a quitter, and Heenan hilariously butts in "That's not what I heard. I heard this guy is a big quitter. He used to be known as the town wimp." There's value in knowing your limitations, and they work a nice 5 minute match within those limitations. Hacksaw Ramone is so damn over in 1993, far more than I remember, and he throws great big right hands to back Bigelow up. They run into each other, Bam Bam grabs him in a couple of bearhugs, Duggan fights out, simple but effective big man stuff. Bigelow sets up Duggan by missing a falling headbutt, and Duggan takes a really nice headfirst bump into the turnbuckle after missing a corner charge. The Bigelow headbutt off the top is a nice clean finish to a nice tidy match.


Lex Luger vs. Tatanka

ER: Love the smirk Luger wears on his face during his entire entrance, and I love how he jumps Tatanka the second Tatanka is through the ropes. And this match is the very definition of feast or famine, because we get a lot of Tatanka holding an armbar and Luger holding a chinlock, and the crowd is very silent during those portions. BUT, and this is an important but, the ultra hot sections where everyone is bumping and Luger is pistoning his arm up out of pinfalls at the very last possible second, those all came off great. This is overall a great match that happens to be burdened by a long armbar sequence and a shrug of a time limit draw. The time limit draw is a real dry hump in pro wrestling watching. It has its good sides, because Bam Bam Bigelow automatically goes to the finals, and I get why you don't want to have a big fat guy wrestling three times in the same night, and I think I am fine with a Bye due to time limit draw if it gets a cool fat guy heel into the finals. And it helps that Lex Luger makes Tatanka look like an absolute star here, taking hard back bumps on tomahawk chops and crossbody blocks, and a nice high backdrop bump. When Tatanka starts getting 2 counts on top rope chops and a tight schoolboy, Luger has such expert timing and I'm not sure I've seen very many high quality kickouts than the ones Luger provides here. Luger sets up Tatanka so well and is such a great bumping heel. The time limit draw is a bummer, but with a good end result. And I think Luger salvages it by grabbing the mic and DEMANDING 5 more minutes, because he came here to WIN the King of the Ring and he isn't going to let a time limit draw stop him from that. And after handing the microphone back to Finkel, he lays out Tatanka with a hard clothesline and puts the boots to him while laughing about it. I wish we got a finish, and Luger was working hard enough to deserve a good finish, but I get why they couldn't beat Luger. But a Luger DQ for using the metal plated elbow, leading to a DQ win for Tatanka, and a Bigelow/Tatanka semi final....that would have been a real great addition to an already good PPV.


Bret Hart vs. Mr. Perfect

ER: This is one of those consensus great matches, the kind of match with very few contrarian opinions. It's loved and respected by Meltzer types, 90s kids, and middle aged message board tape trader snobs. It has an easy claim as a top 5 WWF match of the 90s, the kind of match that gets cited as someone's favorite all time match. It wouldn't be controversial to call it Curt Hennig's greatest WWF performance, nor would it be to call it Bret's greatest. It's a legitimately great match and I don't think there's a misstep in the entire match. They keep an incredible pace and have the timing locked down on everything. The opening few minutes was these two showing how easily they could have instantly adapted to any style in the world. Picturing Hart working these same headlock takeover and dropdown exchanges with Negro Casas or Tatsumi Fujinami, and it's watching matches like these makes me realize just how much I love Bret Hart. It might not be a cool pick, but he's high up my personal list of best wrestlers. He and Perfect craft something special, an argument for WWF style, the best example of an extension from the Savage/Steamboat workrate. It's a nearly 20 minute match but there's no fat. The bumping is honest and tough from both men. Perfect wasn't a showoff, but instead landed hard on a backdrop, sold a knee injury through a long home stretch, fit his great ass over crown ropes bump in at the best time, and ate a huge superplex for a great nearfall. 

Hart was a perfect dancer partner for Perfect, and vice versa. Perfect got flung over by the neck a few times, and Hart plastered him with an uppercut. Jim Ross sounded downright flush and beside himself when Hart hit that uppercut. Hart moves through his offense well and blends it naturally into their movement. A great backbreaker drops Perfect, and Perfect does a twinkle toes Rick Rude sell on atomic drop, allowing Hart to get the Russian legsweep as Perfect duck walked. Hart made Perfect look like a killer, flying ridiculously hard chest first into the turnbuckle, and Perfect knocks Hart off the apron to send Hart flying really painfully into ringside gear and the guardrail. It was a painful bump that built the possibility of a count out win. When Perfect comes up limping, that's when Hart takes the chance to go after his leg, and they move around each other really instinctively. The fans sounded ready for a Perfect win as they got very excited (maybe it was a nervous buzz?) when Perfect locked on an excellent sleeper hold, dragging Hart to the mat like Bill Dundee. Both men were getting great reactions, and it was one of those matches where they got almost immediately into the pocket and knew exactly what kind of match to work. The finish was really great, with Perfect luring Bret into a small package by feinting the knee injury, and it's a great enough move that you buy the finish. But Bret reverses it and holds on for just a fraction of a second longer than Perfect was able to. Great match, a flagship match from the biggest wrestling promotion in history. It deserves the praise it gets. 

Yokozuna vs. Hulk Hogan

ER: It never gets talked about because it came directly after the excellent Hart/Perfect match, and because the uncool view of Hogan nostalgia, but just as Hart and Perfect had arguably their greatest WWF performance tonight, you could easily make a case for this being Yokozuna's greatest performance. And really, this is a great Hogan performance too. Outside of the absolutely silly and completely ridiculous finish. That finish is something that any tween with observation skills would have seen coming, just because of the comical costume and fake beard they decided to put Harvey Wippleman as the rogue photog. I can still remember my friend Dave - who saw the PPV - trying to relate exactly what happened to everyone at school the next day. "Before the match started they were showing a bunch of cameramen at ringside, and the camera lingered too long on this one guy..."

So we get a silly finish that closes the door on Hulk Hogan in WWF for nearly a decade, but even with that finish I'm not sure there are better 90s Hogan matches than this one. Shoot, even the silly finish included a fireball, so even when compared to other silly finishes it's still far better. Yokozuna turned in a tremendous brick wall performance, allowing short openings for Hogan only by missing moves (a charge into the corner, a missed big splash) but Hogan immediately gets shut down any time he tries to take fight to Yokozuna. He lands punches, then always goes for a bodyslam that ends in him getting smacked to the mat. I love the simplicity of it, with Hogan getting sliiiiightly further each time, so that when he manages to get Yoko on one leg it feels like a big deal. The crowd gets loud whenever Hogan starts to fire back, sensing his win, and cheer on as he gets some mounted corner punches and even bites Yoko's forehead. I loved Hogan fighting out of a strong bearhug by punching Yoko a dozen times in the head, crowd chanting along, but being unable to do more because of his back. 

Yokozuna just throws Hogan around, with the best moment coming off a fantastic belly to belly suplex. Yoko really flattens him and the crowd seems actually stunned by his kickout, but into the Hulking. He hits several big boots (a little weak looking, but Hogan appeared to be moving pretty gingerly throughout), and Yoko is great at selling them, great at selling the clotheslines without getting knocked over, and they spend enough time on Hogan trying to knock him down any way he can that by the time Yokozuna finally timberrrrs over it's a huge moment, leading to immediate genuine shock when he kicks out of the legdrop. Then we get the rogue cameraman, the fireball, and a big fat awesome Yoko legdrop to finish it. The postmatch destruction is the best, as Yoko drags Hogan's corpse around and hits the Banzai drop, and they do my absolute favorite thing by showing a bunch of super sad small children in the crowd. The best is that dweeb front row center dressed entirely like Hogan, looking like an outright maroon as he has to sit there and watch another man he chose to dress as get annihilated. Imagine that guy the rest of the show, walking sullenly to the bathroom, trudging to the parking lot, being approached by the dozenth person asking "What happened?"

I really do think this is the strongest WWF Hogan match of the 90s, and I'm not certain there are any WCW matches better. Had Hogan treated Vader with the level of awe he had here against Yokozuna, those matches could have been classics. Hogan wasn't as interested in letting someone play brick wall in WCW, he was far too insecure at that point. Yoko was allowed to have a monster performance, and he delivered arguably his greatest single match performance here. The timing was excellent, the build throughout was exactly what it should have been, and again, even the silly finish had a fireball to the face. This match gets roundly dumped on and I don't actually understand why. Yokozuna looked like an unstoppable killer, and looked cool doing it. The match long Hogan comeback teases were worked exactly as the should have been, and I honestly don't think they could have had a better match here. 

The Steiner Bros./The Smoking Gunns vs. Money Inc./The Headshrinkers

ER: This was too rushed which is a real shame, as I was really into what match we got. It gets over 6 minutes, but a match at minimum needs at least one minute per participant to be of much value. And it's clear from what they did in these 6 minutes that they had plenty of material to fill 15. Now, it's not a shock on a big show like this that some things probably ran long so some things may have been cut for time during this match. What we get really does smoke. Dibiase does some quick armdrags with Scott Steiner, and I am reminded that Dibiase is the same age here as I am now, and within a few months Dibiase would be retired from wrestling due to injuries. As I type this, back sore from last night's yoga, I am once again reminded of my mortality. There's a great early spot where Dibiase eats a Steinerline over the top to the floor, bumps around on the floor, gets back in the ring and immediately eats another Steinerline to the floor and bumps around again. Dibiase/Scott Steiner is such a fun pairing, and it is really weird that this match just isn't Steiners vs. Money Inc. for the belts. Bart Gunn gets separated from the pack and I like all of the ways Money Inc. and the Headshrinkers cut him off from the others, like a cool double backdrop and IRS leaping off the top rope with a punch. Bart gets a convincing sunset flip and makes a hot tag to Billy, and Billy comes in blazing with nice clotheslines. 

There is some absolutely hysterical commentary, as throughout this match Jim Ross is - as he'll do - running through every participant's college credentials, including a claim that Billy Gunn went to college on a rodeo scholarship. Finally Heenan blurts out "Do you know anyone who didn't go to school!?" I had to pause it I was laughing so hard. Dibiase hits an awesome hot shot on Gunn and then actually makes Gunn collapse with the million dollar dream. The finish is pretty lame, as Dibiase just lets Gunn collapse, brags to the crowd, and then gets small packaged. I have a lot of questions, don't know why they didn't just put the belts on the Steiners, don't know why they (presumably) cut a bunch of the match out, but I really liked what match we did get. 

Crush vs. Shawn Michaels

ER: This wasn't as great as their KOTR Qualifying sprint, was a little more bloated and had a finish that made Crush look like a doofus again, but it was more proof that the two of them have great chemistry. I'm going to have to watch the Demolition/Rockers tags and their Coliseum Video singles match to really see what they might have accomplished. They didn't have a ton of house show singles or tags, but there are a handful so maybe one is out there. Crush really comes off powerful and charismatic, and it's kind of wild that they kept him getting clowned why Doink for so long because the crowd responds to him so well. It helps when Michaels bounces all over the ring and ringside for him. Crush works sequences speed for speed with Michaels while still coming off heavy, trading leapfrogs and dropdowns while also brickwalling him with shoulderblocks. 

There's a great spot where Crush swings for the fences on a missed clothesline and his momentum makes him skid forward a bit too far, giving Michaels enough time to compose himself first and pop him with a jab. That jab gets him his ass kicked though, as Crush hits a couple big dropkicks to knock Michaels over the top to the floor, and obviously a clothesline on the floor because Michaels is going to bump to the floor. Michaels also takes a big muscled up backdrop bump and we get a cool press slam spot with Crush pressing him three times before tossing him onto the ropes! Michaels basically gets no offense until Diesel gets involved, but then he beats the back of Crush's head into the ringpost like 8 times, and the shots really looked like he was trying to crack open Crush's skull. It was a great way for a small guy to erase the size difference, and Crush sold it really well. Michaels' control segment goes a bit long, but maybe we paid for that with all of those Crush armdrags and leapfrog spots earlier. His comeback is good but I really wish we got a different finish than Two Doinks coming out to distract him AGAIN. The finish itself is strong, with Michaels hitting the superkick to the softened up back of Crush's head (a cool variation he never used) but Crush had to stand there staring at clowns for a lonnnng time. 

Bam Bam Bigelow vs. Bret Hart

ER: On paper, this was the match I was most looking forward to on this show, but I thought it underwhelmed in certain ways and was the weakest of the three Bret matches. I shouldn't complain about such a fun Bigelow showcase - he's a guy I'm happy to see in main events - and this is maybe the most dominant main event of his career. It is very one sided for a long portion of the match, and Hart also comes into the match with a pronounced limp. So the fans get quiet for a lot of it and aren't nearly as loud for Bret's comeback as I expected them to be. The match went 18, but felt more like 24, and the fans in attendance added to that fatigue. Hart really gives a ton of time to Bam Bam, and adds to his own overall very impressive total ring time for the night. The Hart/Razor match was arguably the best match of Razor's WWE run, a top 5 contender at worst. The Hart/Perfect match is a strong contender for best WWE match of the 90s. This match is well regarded but overly long, unable to grab the fans in the same way the prior Hart matches had. 

But this doesn't mean the match isn't plenty fun, and an important match in keeping the opinion of fat guys high against the early internet "Fat Guys Are Bad" rhetoric. Bigelow works a long match and keeps up an agile pace, working methodically over Hart while also hitting more high leaping headbutts than I've ever seen him hit. Every time he took to the air I expected the empty pool landing, except he kept crushing Bret with every. single. one. He gets an incredible false finish with a top rope headbutt, a false finish that I had honestly completely forgotten about, so it played as shockingly as the one in the Juvy/Jericho mask vs. title match for me. Bigelow's work leading up to that pin makes his performance come off like one of the most dominant main events of that era. Hart was limping, and he cannot get anything at all going against Bigelow. BBB hits some of the gnarliest backdrop suplexes I've seen, lifting Hart up soooo high before cutting the elevator cable. Hart came in limping but the match became a compelling methodical back work match. It felt much more like a big WWF late 70s/early 80s main event than a 1993 main event, and that helps the match appeal. Hart gets whipped hard into the buckles several times, getting to show off his all time great corner bump, always making the turnbuckles look rib cage shifting. 

But I do think Bigelow's control goes on for far too long. As much as I love bearhugs, we probably could have dropped one of the four trips back to a bearhug variation. Or, you know what fuck it, this should have had even more bearhug variations. It's the finals of the first ever PPV King of the Ring, have Bigelow lock in half a dozen. His bearhugs do all look great, as crushing as the best Andre bearhugs. We even get a sick over the shoulder variation that Bret sells like a crucifixion. The Luna interference was well utilized and the surprise finish is indeed a surprise to this day. Also, the restart was used well and I like that we didn't get the typical match ending 30 seconds after the restart. We still got another full match once Bigelow's win was (ridiculously) reversed, and that makes this come off like the important main event that it should have. I do think Hart took too long a beating to make the comeback he made, but Bigelow took Hart's offense really well, and the victory roll finish is a believable way to take down a big man. Bigelow had one of his best WWF performances, and it made me want to go back and watch the Hart/Bigelow match on the Bret dvd and see if I still think it's better than this one. Hart worked three very different and all very good matches in one night, and it's the kind of night that solidifies him as one of my very favorite wrestlers. It's not a stylish pick, but I think it's an undeniable one. 

After the match Hart gets a nice coronation, until Lawler comes out and interrupts and absolutely trashes Hart. Lawler smashes the chair over Hart, really bouncing it off his body, and punches the new crown right off Hart's head. I really wish Lawler had been in the KOTR proper, and against all the more freakshow opponents. I think Lawler would have been the best WWF opponent for Giant Gonzalez, and Lawler vs. Mr. Hughes around this time would have been incredible. But the King was such an excellent TV character during this era of WWF, a constant presence while working a quarter the matches as everyone else. There are so many matches I wish Lawler had over his long WWF run, so I savor angles like these that are slices of Memphis inserted in WWF main event angles. 

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