Found Footage Friday: EDDIE~! JANNETTY~! COLT~! GANG~! REY~! GERMANY~!

MD: Going to finish out last month's Richard Land Germany knowing we've got some 81 footage to go through too (Rudge vs. Bret Hart for one).

9/6/80

Axel Dieter vs. Kim Duk

MD: Just a clip. We come in JIP. We get no finish. It's almost entirely Duk chopping Dieter with karate strikes. Overhand shots. I've seen a lot of Duk between Germany and Puerto Rico and that one cool Korea match that came up last year. And he can be very good. He really can. And we get flashes of that here right at the end when he's scrapping with Dieter who's firing back. The chops are quicker. They hit harder. He's actually trying to cut a resurgent warrior off instead of just marking time. Usually though, I find him lacking and I did in the first bit here. He's relatively big and has a great look and a clear personality and he just does the bare minimum to limited effect a lot of the times. But when it is time to go, he goes hard. Not much here.

Sal Bellomo/Achim Chall vs. Jim Harris/Tom Shaft

MD: Something of a slight tag but another look at Shaft and another chance to see Pre-Kamala Harris. There was some tomfoolery early where neither Harris nor Shaft wanted to be in there (past one shaky bit at the start, Harris fed pretty well for early shine), but as you can imagine, Harris was able to take over fairly quickly. It was interesting to see him do the handshake with one hand behind is back on his knees deal, which led to the transition. He had a misunderstanding with the ref. Due to the nature of the rules, you have to connect a pin to your last move in some way shape or form. His big splash defied that and he had to make sure to get in an extra bodyslam and quick pin to win the fall. Shaft did not impress. He could grind someone down but whenever he tried to do anything more (like a butt butt where he barely got off the ground) it just lacked oomph and energy. 

Not much to say about the faces. Bellomo took massive back body drops here and Chall came in hot on the hot tag. Good strikes. Bellomo won the second fall with a body block but everything got thrown out, with the heels getting DQed for illegal double teaming early into the final fall. More educational than entertaining overall.

9/13/80

Chris Colt vs. Louis Lawrence

MD: I knew how great Chris Colt was. I've seen him in a bunch of different territories, right? But watching him in these German matches is a whole different beast. He's itchy. That's the word. He wrestles like he's seeing colors wherever he looks and it's wild. Everything he does is worth watching, whether it's strutting around the ring as he's being announced or pointing at the ref, paranoid, between rounds. At the end of one round he was trying to get out of a headlock with roll ups and lifts where he got taken over, and he just decided to lay there in the middle of the ring once the bell rang. Lawrence had to come over and pour water on him and then he freaked out. Constant motion, constant manic energy, just fascinating to watch.

Lawrence, unfortunately, was not fascinating to watch, but I guess he provided a sane baseline for everything going on around him. There was one point where he just put him in a cross toehold for a few minutes and Colt WAS entertaining in it but they could have been doing a hundred more entertaining things. Finish was pretty hilarious as Colt guided the ref to the ropes to look out so he could climb them to do an elbow drop off the top. But the ref only looked for a second. It clearly didn't work. Just a "Look over there" that was futile, but the ref let him get away with it anyway. Maybe it was legal there and he thought it wasn't? Who knows? Anyway every match we get with him here is well worth watching.

Eddie Guerrero vs. Marty Jannetty ECW Enter Sandman 5/13/95

ER: We only had this (already short) match in very clipped form, and now we have all six minutes. Eddie had wrestled a 30 minute draw earlier in the night against Malenko and who could say what could ever have happened in that one. Maybe someday we'll get to see any of the Malenko/Guerrero matches but for now I'll watch this unclipped match for the first time and...see why ECW originally clipped it so much. This isn't that great! That's unexpected! This is one of those times where I was really hoping for a hot go go go short match, two guys who can work some speed and never otherwise wrestled, and instead it's kind of slow and sleepy and structurally confused. Eddie seemed tired and Marty worked down to his sleepy foe. Eddie and Dean had jerked each other off for a half hour earlier but Joey Styles wasn't pushing Eddie being tired from an earlier match whatsoever on commentary, so I guess this was just a couple quick guys working at 75%. Eddie pokes Marty in the eyes and scrapes his boot across his face but otherwise does nothing else heelish. Heatless backslides, ramp up that doesn't ramp, never reaches drama. Eddie's snapped off huracanrana finish looked good. Great leg hooking. 

One Man Gang vs. Flash Flanagan WWF 2/3/98

MD: Gang dark match. He had dropped some weight from his peak and was up against Flash Flanagan. My big takeaway is that he had a lot to add to the company if they were to bring him in but that this match didn't necessarily serve him. He worked the crowd well. His clubbers looked great. He had pretty decent presence. He shouted out "Shut your hole" which popped everyone. He gave Flash a ton though, and while it was generally earned, it was probably too much and serving too many masters. I think the fans saw the two of them too differently and it didn't do Flash any favors. If he had to work from underneath even more and had to really scrape for every inch he got it would have done him better and I think it would have served the match (and Gang) too. Kind of weird what might have been here. You could see him all over the card, the lost member of DOA, an Oddity, or the third man in a Bossman/Shamrock Corporation trio?

ER: I love getting a look at these dark/tryout matches because some of them are good, some of them aren't, and some of them are weird. This one was kind of weird, as it was laid out almost like a double showcase. I"m not certain it did a good job of showcasing Gang, but it played like a Flash Flanagan babyface showcase while also playing as a "here are all of my various skills" showcase for Gang. By that, I mean it felt like Gang was showing every thing that he could possibly do, without necessarily putting that into a coherent match. Think of it like someone auditioning for SNL by doing a bunch of impressions rather than doing a tight set utilizing those impressions. This was slower than it should have been, because it felt like Gang showing his entire skillset, in order. You can see how he works a crowd or gets verbal with a ref, you see what offense he can do, then you see how good he is at taking and selling offense. Some of Gang's offense looked great: he drops a pair of sick elbowdrops that are, quite frankly, perfect, he gets his boot up in the corner right to Flanagan's chin and gets an audible OOF from the crowd, and his follow up clothesline following through to his knees looked great.  

But I don't think I expected, going into this, how much more valuable Gang would be at putting over a fired up babyface. He was fantastic at taking and selling Flash's offense. Part of it was that Flash Flanagan had great offense. His missile dropkick is strong (Gang hangs in the whole way and takes it to the chest), and he has a cool springboard dropkick that starts in the ring and gets aimed at Gang in the corner. He has several kinds of nice punches and is great at "punching up" to the much larger Gang. He even has a couple big back elbows that looked like they would indeed move a guy Gang's size. But I don't think Flash's offense works as well without a guy selling it as well as Gang. This wasn't just about bumping, it's about being a humongous man believably getting knocked around by a smaller heavyweight, and Gang was so good at getting punched around into place. But he topped it all with a ridiculous spot where he gets hung up across the corner ropes like Shawn Michaels and splashed repeatedly by Flash until falling to the mat. I loved it, never seen anything like it before. A man the size of One Man Gang using the rope corners like a hammock alone looked absurd, but every time Flash hit him his large body would get rearranged into a different hilarious position. Body sagging, legs propped up like legs that size never are, finally falling gracelessly to the mat. Ridiculous. 

I would have loved One Man Gang in 1998 WWF, even if he was just a guy working Sunday Night Heat. Reuniting the slimmed down Twin Towers would have been booking directly to me, and with Gang recently on the payroll it would have made them more likely to bring the Towers back as a triumphant patriotic babyface team at the end of 2001. 

 

Eddie Guerrero/Kurt Angle/Edge vs. Undertaker/Kane/Rey Mysterio WWE 7/2/05

MD: Enough of a lost Japan house show match to write about certainly. We miss a huge amount of it but we get the beginning and the end and there's plenty to see. For one thing, this might have been the best use of Kane ever. He was tagged in early when Guerrero and Angle were basically trying to throw Edge under the bus. They had dodged Rey and Edge thought he was going in to face him only to get Kane. Lots of goofing around and it's all entertaining as the characters crash up against each other. Best part might have been Eddie trying for a sneak attack only to run when Kane turned his head. When Eddy finally gets in there, the crowd tries to encourage him which is all very funny. 

For what actual action we see, we get a good Eddie and Rey exchange where Eddie bases all over the place for him and then Edge feeding and feeding for Undertaker and that's pretty much what he's best at so it all works for me. It's much preferable to things being the other way around. Then we come back for the finish where Eddie got to goof against all the babyfaces and the ref with a chair. House shows are the best sort of wrestling? Sure seems it.

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Found Footage Friday: 80s SPAIN~! PANTHER~! PSICOSIS~! REY~! FANTASTICS~! KIKUCHI~!

Santi Rico(c) vs. Manuel Acapulco 3/30/83

MD: Spanish wrestling! Don't get too excited. This looks like a one off and it is well, well past the glory years. As an overall presentation, it's fascinating though. This is on a variety show of sorts and likened to when they had someone run two days straight from one city to another or a stunt man on. Here it's the defense of a title. That said, they were ready to put their best foot forward and it was a celebration in its own way.

The centerpiece was not Mr. Ferraras, the president of the Castilian federation who was interviewed beforehand and presented  the belt/sash (a nice collection of flags upon it) to the world champion at the end. It wasn't the wrestlers, Santi Rico billed from Spain who had been active for a few years at least and Acapulco (Montezuma?) who was billed from Mexico. Apparently neither had 100 matches under his respective belt. More on them later. It wasn't even Quasimodo, our friend from the French footage, who was known in French as the Caribbean Cyclone, who was there to witness and talk about his school of 30 wrestlers he was training. 

The centerpiece, to me was Bobby Deglané, who even with my rough Spanish and YouTube's translate function, came off as an exceptional commentator, especially for someone who was never on national TV as such. He was a stalwart of the radio days however and was as poised and collected as one could be. He introduced all the rules (which part of the foot you could hit with, for instance, or the twenty count on the outside which was different than boxing) and explained all the techniques. They describe the realness of wrestling as half spot and half spectacle and he was quick to point out the damaging effects of shots to the head for instance. 

Some of the normative things were interesting. They called it American wrestling, Catch as Catch Can. The referee had a whistle for rope breaks. It was set up in six rounds of five minutes with a minute in between. There were ring girls to kiss cheeks and present trophies at the end as well as hold up the round numbers. They even said "Seconds out" at the start so there were elements of British wrestling as well as French (or vice versa depending on how things developed). The crowd was very into it despite being potentially unfamiliar.

And the wrestling was ok, spirited, high effort. It was rough around the edges based on what you'd expect, but that made sense given how quiet the scene was. I'd say that Acapulco looked the smoother of the two as one out of every three things Rico.went for didn't quite work. A lot of the holds did, headscissors, inner armbars, headlocks, mares, with all of the escapes. Rico had dropkicks and they varied. Acapulco leaned rudo as the match went on, throwing knees and rabbit punches and eventually headbutts that led to color (have to make things feel legitimate). This was not Cesca vs. Catanzaro. I'd say it wasn't even Flesh Gordon vs. Eliot Frederico but it was a pretty fascinating glimpse into a people trying to showcase and remember their lost tradition, a tradition that we've more or less accepted that we'll only ever be able to marginally touch.

Isamu Teranishi/Tsuyoshi Kikuchi vs. Fantastics (Bobby Fulton/Tommy Rogers) AJPW 1/11/91

https://www.youtube.com/watch?v=4HjFd7h3fKU

MD: We've missed a few matches from AJPW Classics but it's a bit tricky since some of what gets shown are matches we already had JIP where we just get the first 5 minutes. Maybe we still should go back for something like MVC vs. Jumbo/Taue but I never know. This, however, is, I think, new. And it's fun if flawed.

I struggle with this Fantastics run as they tend to do a lot of stuff and really eat up their opponents if possible. They got the memo and knew they had to look strong in order to be over in All Japan but it really doesn't make for great matches, especially when they're up against Footloose. Then you just get noise. This was better than that because they were able to dominate and Kikuchi's a lot of fun working from underneath. Lots of individual fun stuff whether it was Teranishi trying (and sometimes succeeding) to land on his feet against Rogers or the Fantastics hitting a bunch of double teams. 

Still, when Kikuchi was able to fire back or Teranishi able to stand strong, the Fantastics generally just shrugged it off. The worst of this was when Fulton missed an axe handle onto the guardrail from the apron. Pretty good spot, something you don't see every day. Didn't change the trajectory of the match a bit. Ah well. This isn't Can-Ams vs. Kikuchi, that's for sure. Still pretty fun for what it was though. Just what it was had a ceiling.

ER: I thought this was real tough, hard fought, with a feeling like it was going to turn unprofessional any moment. There were moments of miscommunication between Rogers and Teranishi, but it added to the vibes of Something Going Down. Really, it was probably just because everyone worked real stiff and kept fighting all match. Matt correctly notes some seemingly big spots that don't change the trajectory of the match, but I thought that just made everyone come off tough, wanting to fight. I like Asshole Bully Fantastics as their style is totally different. You still see those moments of babyface grace - look at how clean Tommy Rogers hits a sunset flip off the top - but there are more moments of these little guys throwing real shots. Rogers throws two hard back elbows at Kikuchi's eye when he seems surprised by a hammerlock reversal, so Kikuchi throws two elbow smashes at his eye. I love when Kikuchi is targeted with real abuse, like they all know he can take it and it gives them license to fill up their asshole meter. 

Tommy Rogers bodyslams Kikuchi from the ring out to the damn floor, just slips out the back and throws him over the top on his back. It looked more like John Nord eliminating a job guy from a battle royal, not little power pack Tommy murdering a fellow junior. It looks nasty...but Bobby Fulton's full speed baseball slide dropkick as Kikuchi is recovering looked even worse. Fulton flew between the bottom and middle ropes and connected so flush that he bounced back clean. Now, I expected this to lead to a long heat section on Kikuchi, but there's that thing about everyone just coming off tough, because when they go outside to capitalize Kikuchi just fights them both off with elbows and a stiff clothesline. Bobby Fulton looked like a real killer here, even more than Rogers, and seemed to work a bit better with Teranishi. I was shocked by how fast old man (same age as me) Teranishi flipped onto his feet, and Fulton seemed surprised by it as well. Kikuchi's comeback was real choice, ducking a tandem clothesline and hooking Fulton's waist for a "surprise" German suplex that Rogers instantly dropped an elbow on. The finish was real sick too, with Fulton scooping up Kikuchi for a Samoan drop and flinging Rogers onto him with a cannonball. The Fantastics worked as bully heels in All Japan better than the similar sized State Patrol, and I bet there are many who have never seen them quite like this. 

Blue Panther/Cien Caras/Psicosis vs. Konnan/Rey Misterio Jr./Angel Azteca Promo Azteca 11/30/96

MD: Roy says this is new and even though it cuts out before the finish, that's over 20 minutes and when you look at who's in it, it's worth checking out. Blue Panther was paired with Konnan early and it was sort of fascinating what they did. I'm not saying it was always exactly what I wanted, but it was always interesting. Panther had all of his tricked out stuff and Konnan just sort of roughed his way through in a believable, competitive way. Psicosis or Caras would sneak in to get cheapshots whenever he had the advantage. Rey and Psicosis was old hat but the best damn hat you might want with how Psicosis would base for Rey and Caras and Azteca had some stalling and cheapshots around Azteca getting things in. That was the primera, ending with some rope running with Panther and Azteca and Konnan vs. the world before he set Rey up with a monkey flip right into a 'rana that was pretty damn spectacular.

Segunda has a brief but great Blue Panther vs. Rey exchange and Psicosis stooging beautifully as he was heading into the ropes when Rey was doing the 619 dive tease and he bumped on it. Psicosis also got jammed on a monkey flip in the ropes by Konnan and took a bump over the top after some great struggle. Caras overpowered Rey and the rudos took over. They kept the beat down going into the tercera (including Blue Panther just tearing at Konnan's eye) before Konnan mounted a big comeback against everyone and things picked up towards the finish as it all cuts off. Some very fun pairings and imaginative stuff here though. Tons of personality too.

ER: Any time 20+ minutes of prime footage turns up of these guys, it needs to be covered, and this is a fun as hell way to watch these guys, so many fun exchanges and individual performances. Any new Rey/Psicosis interactions are going to cause excitement, and the more Psicosis footage we get (there is a lot) the more obvious it is how much better he was before WCW. WCW really sanded all the edges off a tremendous all around rudo and boiled him down to being a base with a couple big bumps who wasn't really great at working 3 minute singles matches. Whenever I watch a lucha match from the same exact era he was working WCW, he's so much more of a character, so much more fully formed, so much more of a star. His stooging is an incredible part of his rudo character, one that was mostly boiled away when he became Rey's touring dance partner. Here it's alive and thriving. Tripping over the ropes and getting upset with the ref about it is a great Psicosis trademark that wouldn't have translated to American audiences but was perfect for Mexican audiences. He's able to work more violently here than he would in WCW, and him being more of a flagrant asshole gives greater weight to all of his big bumps. 

My favorite things about this were the Panther/Konnan matwork in the primera, and Cien Caras's increased involvement as the match went on. I don't think I've ever seen Panther hit the mat with Konnan and I thought it was awesome. I am someone who thinks Konnan is better than given credit for while acknowledging that many of the criticisms are fair. He doesn't look like someone who can keep up with Panther on the mat, but he doesn't need to. Panther doesn't need someone who can mirror his abilities on the mat, he is good at working with anyone's personality and ability. Konnan is no slouch, and I like the strength component he brings to mat reversals. Panther may catch him with slickness and technical ability but Konnan is able to use strength to adjust the hold around himself. There was a cool takedown where Panther went inside and used his body to force a single leg, working himself up to an armbar, and Konnan started escaping from it by getting one of Panther's legs in a scissor and forcing it one direction, then grabbing the leg nearest his head and pushing that another direction, so both wound up in this awesome tangle where Panther still had a sub but Konnan was forcing his limbs apart. 

If Psicosis was someone who dumbed his style down for American TV audiences, Cien Caras was a star whose character wouldn't have translated to American audiences at all. He is such a stud, but wouldn't be perceived as a stud to Americans, so all of the great stuff he does here wouldn't get over at all. This cool Mexican stud in his goatee, who keeps going for cheap shot attacks all match and bumping almost to avoid interaction. I loved the end of the segunda, where his boys started being pinned and he bumped himself over the top to the floor, eating shit in the process, running away from Konnan just to avoid being one of the guys taking the fall. But in the primera he also bumped around for Azteca and took a big charge over the top to the floor after missing him, setting up one big bump on offense to get over his big "own goal" bump later, meanwhile always running in and kicking an opponent hard to break up a pin. It's a shame we don't have the finish as I really wanted to see the payoff of Panther goes after Konnan's eye, but you don't need to watch this for its Great Match potential, just watch it to see some legends at various peaks, doing exchanges you haven't seen. 

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Found Footage Friday: MICHAELS~! GOLDUST~! CACTUS~! SABU~! REY~! PSICOSIS~! GALLAGHERS~!

Doc Gallagher/Mike Gallagher vs. Scotty Andrews/Donn Lewin 1950s Buffalo

MD: Wrestling Films has posted a lot of things lately but a lot we already had. This one does seem new to us though. It's a relatively rare look at Donn Lewin (Mark's brother, who we have a 1951 match we're very high on) though they do say he was a twelve year vet here. The Gallaghers are, of course, very good at what they do, and what they do is cheat, goozle, and clubber. Stooge too. Andrews and Lewin control early and Mike really scrambles to try to make it to the corner while in a top wristlock and it's fun stuff. They trade off keeping that wristlock on until the Gallagher's start switching off with illegal chokes themselves. Honestly, for an old tag, it all breaks down sort of quickly, building to Doc holding the rope down so that Scotty crashes and burns to the floor. It all came off quite well and the crowd, even in the studio, was hot for it. Lewin had good fire in the ring while this was going on but he wasn't the legal man so him pinning a Gallagher didn't matter. They got Scotty back in there and made short work of him. Very fun sub-ten minute match here.

Cactus Jack/Psicosis/Sabu vs. Rey Misterio Jr./Super Calo/Winners IWAS 10/21/95

MD: This was an Arezzi show with AAA and ECW talent and was a gem. Of course, with the Vault, we just get the primera, but we'll take it. I do wish sometimes they'd go a little further on some of this. Why just give us Goldust/Michaels if they have the whole card (maybe they don't?). Why give us just Gonzales and Hogan interacting after the finish if they have the whole Money Inc. vs. Megamaniacs lumberjack tag (that they must), etc. But we take what we can get, and this is a very cool thing to have.

It's the primera, so you get some posturing, some ambushing, and a couple of exchanges. Psicosis is great here, tossing a chair in at first, mocking Rey with a little dance from the apron, and then taking all of Rey's stuff like an absolute king, including getting pressed head first into the post in an impossible sort of way that he made seem not just possible but feasible. They teased Jack vs. Rey for a moment there but we ended up with Jack vs. Calo instead, still a fun and weird scenario. That was mostly Jack's forearms in the corner but they were great, so I'm not going to complain. Sabu got to take some of Winners stuff and land on him repeatedly. Winners tends to look super charismatic in this era (it's after the point where he lost his mask). It builds to chaos and Rey hitting the tightest 'rana on Psicosis to pick up the fall. Every indication here is that the rest of the match (even if it ended in a no contest) would have been just as fun, plus they probably would have mixed up the pairings a bit. Ah well. We didn't think we'd ever get even this much so we're glad to have it.

ER: I fully second everything Matt said about the unnecessary tease aspect of the WWE Vault. Here's one scorching hot half of one match from a Chicago AAA show. Let me see the Koji Kitao/Masaaki Mochizuki match. Let me see what 2 Cold Scorpio does on a show with cool luchadors. There's a Superstars taping Dark Match Jarrett/Bulldog ladder match released on the same drop as the incredible Michaels/Goldust match we praise below, but from that same Superstars taping there was a Sid/Kama vs. Michaels/Undertaker dark tag and that's the kind of shit that I would also really want to see. If they have one, they have the other, so just put the shows up man. We don't get shows, we get teases of footage that isn't being released. 

That said, we now have extended sequences of Cactus Jack repeatedly elbowing Super Calo in the face like an early version of Necro Butcher in Chikara. It's amazing how much faster Cactus was in '95 compared to '97. That bump card filled up fast and the Jack/Calo pairing would have been so different just a couple years later. This feels like the best year for it to have happened. Cactus elbows him in the face but good, and he also takes two big bumps to the floor for him, including getting clotheslined over the top and later fully catching his missile of a dive. Winners looked so good, a guy who went on to an iconic gimmick but in '95 made a fascinating "what if" among the guys who could have crossed over to the US mainstream, instead of just being thrown out to die on a couple of WWF shows. His plancha soars far off camera and he had such potent tecnico energy any time he got in the ring. Did he really debut the Abismo Negro gimmick at the Royal Rumble? Anyway, Rey/Psicosis was so amazing in '95. I said Cactus lost a lot of speed just two years later but seeing Rey/Psicosis in '95 after watching all of their '97 work and you see so many things that slowed down and got changed. Rey still had his original knees here and was so much faster, while Psicosis had a smoothness that had vanished by summer of '97. "Clunkiness" sounds like I'm insulting his work, but compare some of his bumps here to the same ones two years later, and those later bumps seem like someone doing clunky versions of Psicosis bumps. His ringpost bump is incredible, getting alley-ooped into the ringpost but doing it in a way that looked so alien, just amazing. His fold on Rey's huracanrana bends physics, like he was a human Popple whose head could easily be folded into his own ass. 

 

Ladder Match: Shawn Michaels vs. Goldust WWF 8/24/96

MD: This is not new, per se, but it's an amazing footage upgrade to a match that I've seen at least a few times. It's one of those matches that we give people new to the community on the way in (like Dump vs. Omori or the Savage vs. Garvin cage match). What we had before, however, was a pretty blurry handheld, and this is crisp and beautiful single camera ringside footage. Early on when Goldust brings the ladder towards the ring, you can hear it scraping against the ground perfectly. It's quite the footage upgrade.

And it's a match worth seeing again. When we handed it to people, we'd say it was one of the best ladder matches ever. So much of that is because they delay the use of the ladder. It shows up early as Dustin goes for it and then once in the heat as he puts it over the guardrail and ring to create a hard surface to drop Shawn on, but other than that, it really doesn't come into play until the back half when they start to try to win thing. 

What you get before that is a rough but generally conventional match between Shawn and Dustin where all of Dustin's stuff, which generally looks great to begin with, looks all the better because of Shawn taking it. Just the drop down punch alone maybe never looked better. A bit of extra zing and extra electricity. It means instead of having a match full of contrived spots around the ladder with a lengthy set up and dashing one's suspension of disbelief, they just get to do their thing, and their thing was as good as almost anyone in the world in 96 and we have so little footage of them doing it together.  

The setting is great, an outdoor show at the Canadian National Exhibition Stadium (the site of The Big Event) with a giant Ferris Wheel lit up in the background. The card was stacked with gimmick matches (casket, strap, street fight, etc.) so it's pretty remarkable that they showed the discipline that they did. You get some big bumps (Shawn over the top, a splash off the ladder), but it's all smartly put together. Early on they tease a Curtain Call and then Superkick. Dustin pulls off the turnbuckle pad to do some more damage. Late in the match, Dustin takes a bump off the ladder into it face first but recovers to try to catch Shawn in the Curtain Call while he's climbing. This time when Shawn goes up and over he actually hits the Superkick and is able to win. It just hits a bunch of marks between thought and execution with just enough discipline to hold it all together, to put it above any number of more spectacular ladder matches. Now we get to see it so much more clearly.

ER: This is some incredible footage. I'm not saying this as any kind of brag, but I stopped watching new WWE matches well over three years ago and I haven't looked back. It wasn't a decision I made where I consciously said, "After today, NO MORE!" Because it wasn't a conscious decision, it was the culmination of something that had been building up for several years. There will always be enough people on the roster who I enjoy watching, but what began majorly turning me away was the entire presentation of the product, of the wrestling. I don't think there has ever been a wrestling fed in history who makes their in-ring product look shittier than modern WWE. What an ugly product, directed by people who seemingly hate wrestling, with garish LED lights and quick camera cuts and identical match structures designed to be ROLLING into commercial breaks. Everything is bright as hell, phony as hell, manufactured as hell, and as inauthentic as possible. This match could have feasibly happened in WWE some time in the last 5 years, but you take this exact match and present it the way WWE now presents pro wrestling, and the whole thing would have been half as effective. 

The ring work in this is undeniable. We hardly have any Dustin/Michaels matches (how many of the other Goldust/Michaels World Title house show matches do we even have? Any?) so that makes this extra special. Dustin Rhodes told me that Shawn Michaels is one of his four favorite wrestlers of ALL TIME. One of the four on his Mount Rushmore (with the others being his father, Terry Funk, and Barry Windham). I can't imagine higher praise for a peer, and you can see that respect - mutual respect - in the brilliant and extremely energetic way this match was worked. 

But you can really see that energy because of the way this match was filmed. One camera, at ringside, now in HD detail so crisp that it feels like you're roving ringside while two greats in their prime worked close up magic in an amazing outdoor carnival setting. 20,000 polite but excited Canadians outdoor with a lit up Ferris Wheel in the background like a nighttime Super Nintendo background. The work in the ring was so clear, the camera so embedded into the action, that you feel the very hard bumps both men take and see just how hard they're hitting each other and, eventually, a ladder. The sound is so good that you're put directly in the middle of this carnival. The sound of Dustin's back hitting the ladder is or Michaels hitting a table engulfs you. You run this exact same match today, only with WWE's modern direction and lighting, and it would play as half effectively. 

All of Dustin's strikes - his great worked punches, his great stiff punches, his hard slaps - would be jumped away from, all of Michaels' big bumps - taking an almost Falcon Arrow on a ringside table, springing away from a Dustin uppercut, recoiling off the ropes after being tipped off the ladder more than once - would have been hit with the ugliest fast zooms and held for reactions. Even the small bits of comedy play better from this live ringside angle. I cannot tell you how hard I laughed at the very beginning of the match at the face Michaels makes, when Goldust - jumpsuit hugging those buns tighter than you could ever imagine - approaches him in a flirtatious manner and Michaels uncomfortably looks off to the side, like he doesn't want to make eye contact for fear of being lured in. 

I wish we had a dozen more Michaels/Dustin matches. We have a Raw match and this excellent ladder match, where you can see their off the charts chemistry. 

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WWE WrestleMania 39 Night One Live Blog 4/1/23

 

1. John Cena vs. Austin Theory

ER: Just once I want one of those Make A Wish kids to go into business for himself. Eventually, one of them has to realize that they have full diplomatic immunity, a Get Out of Jail Free card that has unlimited uses. One year we're going to get a MAW heel turn and that kid will burn out a legend. Cena and I have the same exact bald spot and he has the exact same Miller's Outpost jorts that I had in 6th grade, so clearly I'm pulling for him. Cena sells Theory's punches very generously but I like how Theory bit his way out of the STF. Theory throws stomps with the same physical movement as Randy Orton, but doesn't have the finishing strength of Orton's stomps. Cena's stumbling and staggering is what's making this. The way he staggered down to a knee when Theory jumped on him during the sleeper, but I'm not sure any of it was as good as his Namaste prayer hands before doing the five knuckle shuffle. The fistdrop itself was thrown better than he typically threw it over the last decade. 

2. Street Profits vs. Alpha Academy vs. Ricochet/Braun Strowman vs. Viking Raiders

ER: Otis looks fatter since last I saw him, which shows he's a man who truly understands the Grandest Stage of Them All. You want to play to the back row? Fatten up my boy. Ivar's dumb spin kick hit harder than I expected, Erik's knee lift looked good, and the fucking Doomsday clothesline was fucking murder. The tandem powerbomb on Ford looked great but goddamn replay that clothesline. They really should have built longer to Gable hitting the rolling German on Braun. I mean it looked cool, but how cool would his Dead End have looked towards the end of the match after already trying it a couple times? His missed splash is full commitment and so is Ivar's missed moonsault, and capping it with a treacherous shaky Braun top rope splash that hits was sweet sweet icing. Braun's splash looked like the kind of splash we don't get enough Today: messy, and performed by those who do not normally go to the top rope. The tower powerbomb spot was unnecessary and beneath what they had been building to, even if I liked the twist of Ricochet riding Ford down like Clark Griswold hanging onto his ladder. They had been doing a good job mixing up pairings and they took too long tying up every man. But Braun's long stretch of ringside shoulderblocks being blown up by Dawkins made this great again. Dawkins hit Braun as hard as he could too. That shoulderblock would have given me a lifetime injury. Then Ricochet hits the most gorgeous springboard shooting star press balls first into Dawkins' face. For a wrestling company who forgot how to film wrestling a couple decades ago and has seemingly got even worse at it, they set up and shot the shoulderblock and shooting star perfectly. Ford's pin breaking and match winning splash was good. This was good. 

3. Logan Paul vs. Seth Rollins 

ER: I haven't watched any WWE program since Elimination Chamber, but the hype video for this match has made me more excited than I've ever been to see a Seth Rollins singles match. I also know really next to nothing about Logan Paul, only that I've loved everything he's done in pro wrestling. I don't think I'm ever going to understand what Seth Rollins' vibe is supposed to be. Is he like if Willy Wonka was a farmer's market jock? A hipster mom who is obsessed with being the one in the friend group who keeps up with trends? Is he just a guy who misses a big stomp by about 7 feet while wearing attention pants? He's the kind of guy who wears big eyeglasses without needed eyeglasses?  

I like how Logan Paul uses his boxing sparingly. I bet most in his position would do feet shuffling Shane McMahon bullshit. Paul understands to use 1-2 punches to mean something, doesn't have enough of a Wrestler Brain to do unnecessary strike exchanges. He makes his punches into actual turning points of the match. Rollins' triple suicide dives look better than normal, because Paul walks into and towards each one. Usually Rollins' opponents just stand still waiting for contact, leaving Rollins to just lightly bounce off, looking like he was trying not to hit the guy he was trying to hit. Paul walked into these and took growing, appropriate bumps backward in reaction. Find me Rollins dives that look better than these and we'll see a pattern with the opponents' catches. The KO punch nearfall was great and Paul's high leap into the sitout powerbomb was like prime Juventud. 

Bye Bye Bitch is a line that can be pulled off by John Early, but it can't be pulled off by Seth Rollins. High end nearfall after the pedigree and Paul's missed splash through KSI, who I have heard referred to as Logan Paul's Business Partner. Michael Cole calling for YouTube Phenomenon KSI to Capture Another Viral Moment is a 0.6 on the Fallon/Hilton Scale of poor shilling. Literally every nearfall in the match worked great, and the only thing wrong with the match is the company's insistence on keeping the old tired stars at the top at the expense of the young hungry rising stars. I wonder what the actual percentage of WWE in-ring employees are actually pissed off about how much better Logan Paul understands wrestling than they do? Or do they not actually realize this, because they don't understand wrestling as well as he does? 

4. Dakota Kai/Iyo Sky/Bayley vs. Becky Lynch/Trish Stratus/Lita

ER: "You gotta take the WWE Universe out of this early," is such a sucky commentary sentence. Becky Lynch is better as a heel because she's better at taking offense than doing offense, so the match being structured around Damage Control cutting her off from a low energy Lita was smart. She hung in for Sky's nice springboard dropkick. Lita always manages to look like she's never actually gone running in her life. Lita has the worst body language of anybody in the ring so it's a weird choice to keep such an extended heat segment on her. Trish is more explosive but also sells way better. Her reactions to Bayley kicking at her and talking shit would have had the right kind of glowering eyes reaction. Lita just kinda flops around like a fish, like she's trying to make a baby laugh. Trish's assisted handstand rana to the floor gets some set-up excuse because the finished product and Kai's crash into Sky looked good. Hats off to Trish for running face first into Bayley's baseball slide too. After praising the camera work in the tag scramble, I gotta wonder whose decision it was to keep the camera on Lita during this match's breakdown. Mae Young's stomach kicks never looked as bad as the kicks Lita threw here. If someone wants to volunteer their time to a Segunda Caida project that I personally do not want to do, your feature here can be documenting every single part-time model WWE ever employed who threw a better stomach kick than Lita. Remember all those Diva search competitions that I assume some people watched? How many of them were actually worse than Lita here? I can't imagine many were. Dawn Marie and heel Torrie Wilson only look like Fujiwara-level legends in comparison. 

5. Dominik Mysterio vs. Rey Mysterio

ER: Seth Rollins can wear all the try hard entrance jackets he wants, it will never be as good as Dominik's shitty spiked Hot Topic Alucard coat and his entrances will never be as good as Dominik wearing that coat out of an ambulance in his father's mask. Jeers, however, for Rey's American Made-era Hogan gear. That's like the second worst Hogan era next to the N-word era, or the Nick prison phone call era. I think those were the same Hogan eras. Rey goes to the belt whipping way too early. My mom used to use a wooden spoon, but you don't START with the wooden spoon. Even she knew that you throw a slipper or flip flop before you go to the wooden spoon. This isn't as good as it should be, and that's too bad. Seeing them doing armdrags and some of these other exchanges feels like them working some other match, where they were still tag partners but were forced to work 5 minutes of a gauntlet against each other. Dominik's mom held back too much on the slap, even the water thrown into Aaliyah's face didn't sting like it should have. It gets better when Dom really starts killing his father with a Michinoku driver, but there weirdly isn't any kind of father vs. son vibe. It just feels like a Finn Balor Smackdown match. The late match interference shouldn't be the thing adding energy to your match. Santos Escobar shouldn't be getting the big dive in your father/son match. This was a let down. 

6. Rhea Ripley vs. Charlotte

ER: I think Charlotte is leaning more into her Drag Queen era and I hope she keeps leaning harder. Has that been the entire point of The Queen run and I've just missed it? I haven't watched for a long time. I love David Arquette's wrestling, and Charlotte could be a really good Alexis Arquette. Her puffer vest robe is incredible, like she's the Cruella de Vil of litigious Aspen ski slope house wives. The shoulderblock exchange looked good, and Charlotte full assed the lariat that sent Rhea to the floor. That's a good sign for this one. Charlotte's knife edge chops do read more like a drag routine strike than an actual knife edge chop. The wrist action is all wrong, which makes it either bad wrestling or too on-the-nose for a drag routine. Rhea is a strong body vice and I liked the way she fought up from her back out of it. Rhea working as poor man's Dump Matsumoto is really good. The Queen Smells Blood sounds like an incredible drag revue, and Charlotte's chops suddenly come to life during her comeback. I like how Rhea staggered and knee buckled to her feet to lift Charlotte, and the head spike DDT reversal looked awesome.  Their showdown strike exchange stunk, but Rhea's stomach kick and foot stomp to stop the nonsense was a good way to snap out of it. I think I like them doing a messy 2003 GHC Title match the longer they do it, but it started iffy. Once Rhea dropped Charlotte on her face with a suplex it looked like Rikio/Takayama. One of the biggest appeals of Takayama's brilliant early 2000s was that he understood the value of a horse faced weird body wrestler getting suplexed on their face. The big nearfalls worked even if the moonsault press is still going to be overshot. Middle buckle Riptide with a high folded pin is a good 2003 NOAH finish. I'm happy Rhea won this. The shot of her holding the belt with the Actually Cool WWE Babylon Oscars stage lording over her was a great visual. 

7. Sami Zayn/Kevin Owens vs. The Usos

ER: This starts real slow and I'm not sure Jey's side headlock was good enough for the slow start. Sami's big bump to the floor and Jey's elbow suicida kick it into gear though. Jimmy is better cast as the guy who cuts off the ring from the apron than the guy controlling the heat, so not all of the Uso control felt like it was working. Owens' hot tag was necessary, swan dive and frog splashes a nice kick back up. This had a tough act to follow but I'm surprised at what a Regular Match this feels like, even with Owens' dives. Sami's big splash felt a little anti-climactic after Owens had already done like 5 variations of that same thing, but this crowd loves Sami and that's cool. I just wish it didn't feel like such a major step down from where he was at Elimination Chamber. I didn't feel the drama of all the superkicks, and there was a mistimed Sami kickout that was supposed to be BIG but the crowd reacted dead silent. The reaction was there for the 1D kickout and Jey was good enough at the in-ring monologue portion of the evening. Some of it felt too I'm Sorry, I Love You and I knew they had the potential to hit there I'd rather them lean into more ass kicking. All of the Usos tandem superkicks were really well timed. They threw a half dozen of them and they all managed to connect at the same time. That's a really impressive consecutive success rate on that. This is easily Michael Cole's best call of the night, as his energy - which usually feels like an alien trying to blend in - actually captured the mood the more the crowd began to Believe. 

Best Matches: 

1. Logan Paul vs. Seth Rollins

2. Rhea Ripley vs. Charlotte

3. Tag Scramble

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Found Footage Friday: Second Annual Ilio DiPaolo Memorial Show/97 WCW House Show

Second Annual Ilio DiPaolo Memorial Show - WCW - 6/7/97

MD: This starts with Tony Parisi doing the national anthem for both Canada and the States, a pretty classy DiPaolo video with a ton of footage, and then switches from gallant to goofus for a martial artist (Gary Castanza) tribute video that really needs to be seen. Later on, they did a presentation on Buffalo boxing champs and brought out Carmen Basilio. The Legends presentation was nice, with guys like Ladd and Waldo Von Erich and Kurt Von Hess coming out and Thesz speaking. They did a presentation with Jim Kelly to set up the Savage match (more on that later). 

ER: The Ilio DiPaolo tribute video really was great, with an actual shocking amount of DiPaolo footage against at least a dozen different opponents. WWE owns more footage than any company in history and none of their video packages come close to using this many unique matches per package. Perhaps even more shocking, is how much footage they had for martial artist Gary Castanza's tribute package. I'm not sure my family has a photograph of me later than my high school graduation photo, but WCW is somehow in possession of hours upon hours of Gary Castanza footage to cull from. We're lucky they had that access, as Castanza is one of my all time favorite breeds of martial artist: A man who looks like Randy Marsh who also invented his "own style of fighting". You should watch him fight, but you will not be surprised that much of his "own style of fighting" involved standing in one place and throwing guys who grab him in a very specific way, like a Steven Seagal aikido expo. From the plentiful footage of this man's life, it appears like he fleeced a ton of police departments into paying for his self defense training programs, and I will always get behind a guy who got paid money to make cops look like idiots. Oh, and definitely watch 12:47 of the video to see Castanza screaming in full close-up while wearing some kind of bite suit helmet. After a warm and somber video tribute to this local community hero, Brian Knobbs brings Castanza's widow and three young children in the ring while yelling "MAKE SOME NOISE" into the mic directly next to their faces. 

Greg Valentine/Dory Funk Jr. vs. Tony Parisi/Gino Brito

MD: This had the local newspeople announcing and seconding and was very much the legends match on the card. And then Valentine and Funk skipped the shine entirely and went right to heat, the jerks! It wasn't idle stuff either as they were getting it on Parisi and Valentine kept rushing over to elbow Brito in the skull to stop tags and draw off the ref. Valentine/Dory teamed a bit in 83 and they were a well-oiled machine here, really complementing one another. Valentine, of course, wasn't afraid to bump and stooge around the ring when it was comeback time either. After a spirited, but brief, comeback ending with a Brito figure-four on the Hammer, they went into a second round of heat, building to Parisi having enough and rushing in and a DQ-drawing blatant ref bump. The fans didn't love the non-finish but at least old-timer babyfaces got their hands raised. For guys who were very much inactive, Brito and Parisi more or less held up their own. I was expecting more matwork and feeling out, not a trip straight to heatseeking, but it all worked out for the best. And hey, post match newsman second for the heels, Art Wander went after the babyface second with way more fire than you'd expect, and was revealed to be nWo.

ER: This match did not have any right being as entertaining as it was, as 3/4 of the wrestlers were 55 years old and two of those men had not been worked in a wrestling ring for a decade. Tony Parisi showing out was an especially nice surprise, and after seeing him here I'm bummed we didn't get him working any northeast 90s indies. This was all about Valentine and Funk being assholes and throwing nothing but elbows and jaw rattling uppercuts, cutting off the ring and making blind tags. Parisi was a really great babyface here, and the crowd was insanely loud for he and Brito. This was a huge show with a listed attendance of 13,000, held in the arena where the Buffalo Sabers play. This show drew a larger crowd than nine (!) of their 1997 PPVs. From the sound of the crowd, it certainly feels like that 13,000 figure is correct. Heel Valentine and Dory were so entertaining, and Parisi was really great at getting more and more fired up until he was throwing punches with the energy of a babyface half his age. There were so many satisfying beats in this, with some totally unexpected surprises, like Dory hitting a fucking brainbuster on Gino Brito, bringing him into the ring from the apron. 

Valentine really cracked the ref to draw the DQ, and the ref had this great backward leap into a flat back bump landing. Then we got a post-match with local newscasters that was insane! Art Wander was a Buffalo sports radio personality who was definitely older than any of the match participants, and he went after another sportscaster like a fucking psycho. He tore the guys' cool ass jacket and they scrapped and got thrown to the mat in a way that...honestly looked like what an actual fight between two men in their mid 50s/early 60s would actually look like. If two of the weird older guys at your office got in an unexpected fight over something stupid, it would look exactly like this, which means this ruled. You can still find Angelfire pages that list Jim Neidhart as a onetime member of DX just for getting tricked by them on one episode of Raw, and I think that means Art Wander should be listed as an official nWo member. Also, the page has both of them represented by South Park caricatures. 

Dean Malenko vs. Alex Wright

MD: Eric can speak much better than I can about 97 WCW and Dean in specific. That said, they really did adapt to the crowd for this match. Wright trashed the town on the mic to begin and it was for the US title so there were some stakes, but they crowd just didn't go up for the early matwork. It was good too with Wright using cartwheels to position himself. The second Dean started to lay in some shots and throw a suplex, they came alive, and they loved booing Wright's dancing and loved it more when he ate a dropkick over the top as comeuppance for it. They shifted to a formula where Wright would cheat to stay on top, throw uppercuts and stomps to keep the crowd simmering, and then Dean would come back by beating him around the ring until he cheated to get back heat. There was a pretty good near-fall laden finishing stretch with the crowd hating Wright's cut-offs and going nuts for the Texas Cloverleaf. I'm not sure if this one was because they had more freedom to adapt as it was a house show and not a PPV or what, but they did a good job of it here.

ER: The two Ilio DiPaolo shows he worked were literally the only times Alex Wright worked Buffalo, and it's to our benefit as he immediately recognizes that he is going to be booed as a Eurotrash heel and fully plays up that archetype. This was very soon after Wright started acting more overtly heel on television, so this is his big house show breakout with the new character. Because of the defined face/heel dynamic, and because Wright works a lot of this getting heat on Malenko, it is a much better match than they would have had on actual WCW TV or PPV. It lengthens sequences that would have been outright eliminated on TV, like every part of Wright working the mat, allowing for that extended Wright heel control that there wouldn't have been enough time for. WCW was not a house show company at this point, and we don't have anywhere close to as many WCW house show fancams as we do WWF, so I loved this look at them working to a crowd rather than working to an Orlando theme park studio. Malenko's best matches during this era are when he is the active underdog, fighting to comeback against a larger opponent. Wright was often presented on TV as a cruiserweight and here he more correctly works as a big tall guy who can keep a little guy down. 

Malenko had a really nice corner clothesline and hard vertical suplex, but instead of getting the long and pointless Malenko chinlock, Wright quickly broke that chinlock with a jawbreaker and took over. Wright worked uppercuts, leaping kicks, hard ground and pound, axe handles, all good control while the fans hated him. Malenko really benefits from working as fast underdog, as he's good at timing and good at quick execution, so his brief comebacks (like when he dodged a Wright charge and hit a cool quick crossbody off the top) work really well. The finish was sudden but worked nicely within the context of the match, as Malenko again dodged a Wright charge at the last minute, sending Wright neck first into the top rope on a missed crossbody, allowing the quick Cloverleaf application. This would not have been the match we'd have otherwise gotten from them in 1997, and I wish we had more looks at what could have been happening on WCW midcards. 

 

Public Enemy vs. The Steiner Brothers

MD: We have several Steiners vs. PE matches but they all tend to go around 6 minutes. This got at least double that and they used the extra time for pure, glorious house show BS. They jawwed on the house mic, insulted the Bills, insulted the crowd, and then Rocco refused to lock up with Scott. He stalled his way right into Rick's fist on the apron, then got upset and tried to leave until they threatened to fine them $1000 if they didn't make the ten count. Unsurprisingly, the fans loved the mad scramble back to the ring and Rocco had so much heat that someone was shining a laser pointer at him. That's pure 1997 heat right there.

They made good use of the back half of their time, with Grunge really throwing himself into all of the Steiners' shots, Scott returning the favor for Public Enemy, Rick cleaning house on a hot tag with the suplexes and Steinerlines you'd expect, Rocco and Scott setting up the finish with a great bit of chair choking to keep them out of the way, and said finish being Grunge own-goaling himself through the table. Scott's frustrating by this point (and probably far earlier) as he has all of the tools and the size and the look to go with them, is perfectly willing to sell and hit hard, and has a real affection for Rick, but just refuses to connect with the crowd. That animosity for them that he channeled so well as Big Poppa Pump a year later, made him a tough babyface to get behind here. Rick would be mimicking a chicken and driving Rock nuts and Scott barely wanted to revel in things with the crowd when they were loving the ten count. Really good stooging performance by Grunge and especially Rock here. All the stuff you probably only got on house shows.

ER: There were a lot of Steiners/Public Enemy tags but never ever one like this. As I say a lot, WCW was NOT a house show fed at this point. They were a TV product, and they had a LOT of TV. This tribute show was nearly halfway through 1997, and WCW had only run 23 house shows. For comparison sake, WWF had already run 56 house shows, but they also only had 3 hours of TV a week. Anyway, as I said, even though we got a ton of Steiners/PE TV matches, I've never seen one like this, with Public Enemy playing overt crowd-antagonizing heels with the Steiners almost as after thoughts. If you somehow saw this match, and had never seen either team before, there's no doubt you would leave thinking that Public Enemy were the big stars and the Steiners were more of a generic meathead team. 1997 Steiners just do not have the same appeal as they had even a couple years (maybe even one year?) prior. Scott just looked tired. He had no energy, barely engaged the crowd, and often stood on the apron leaning on the ropes listlessly waiting for his hot tag. And really, in this match, that's all he needed to do. 

Public Enemy were perfect at stalling, hitting all the beats, sprinting back to the ring to get one hand under the ropes to break a count (after being threatened with a $1,000 fine). Rocco got up on the guardrail to get down in people's faces, and threw stiff shots at Scott until getting caught in a press slam and thrown into Grunge. Any time PE would take a single piece of offense, they'd roll to the floor to stall more. Grunge gets upended by Rick's high powerslam, rolls to the floor selling his back while Rocco called for time outs and got on the railing again. I loved Grunge taking over by blindsiding Scott with a lariat from the apron, turning the match briefly into a PE brawl, with Rock choking Scott on the floor with a chair. Grunge went through his own tables a lot, and this was a great version of that spot, as you're watching him set up his table and know that he's taking too long, and the crowd gets excited when they see him taking too long, and of course crashes right through it into a loss. Heel Public Enemy could have been a real great use of them in WCW, but I also understand their value in dancing with Orlando grandmas. They were a fun babyface team, but after seeing them here it really feels like we missed out on a potentially great WCW heel run. 

Randy Savage vs. Diamond Dallas Page

MD: Savage and his dad interrupted the Jim Kelly presentation and the back and forth was just a bit too long as Kelly obviously was stretching outside of his skillset. Still, due to both the angle and the sheer star power, Page was super over and Savage had tons of heat. They worked something of a sprint, with Savage explosive in his cutoffs and cheapshots and Page putting it all out there including a dive. Finish had a ref bump and Kelly knocking Savage off the top to set up the diamond cutter, with him going into business for himself with a couple of elbow drops that the ref had to ignore. Jim Kelly was not a top-tier celebrity interloper but they worked around him well enough and the crowd was happy anyway. 

ER: Missy Hyatt called Jim Kelly an absolutely clueless lover, and he appears to be equally clueless at doing wrestling angles. Unlike his encounter with Missy, this went much longer than a few seconds. When Kelly and Macho Man were shoving each other, it didn't even look like Kelly had been involved in any kind of physical altercation in his life. This man has no sort of physical charisma. You wouldn't have even guessed he was an athlete, let alone a Hall of Fame quarterback. He looks and moves much more like David Flair appearing on Nitro before he started to train. The "elbowdrop" Kelly hit on Savage after the match-ending Diamondcutter was one of the least athletic things I've seen, and I had to watch it a couple of times just to make sure that it was supposed to be an elbowdrop and not just him slipping and falling on Savage. A slip and fall probably would have looked better and made better impact. 

But the match between Savage and DDP kicked plenty of ass. DDP and Savage had great chemistry, both knew how to bump really well for each other, and DDP's aggression played well into Savage's stooging, like when DDP flew out of the ring with a pescado when Savage rolled to the floor to stall. Every Savage punch was treated like a big moment due to DDP's selling, the way he staggered with split legs after a standing blow or the way Savage blocked a sunset flip with one pointed shot. I thought DDP's offense looked really great as taken by Savage, like that awesome high lift atomic drop or the pancake piledriver, but I wish we could have seen a couple more beats of action before Kelly shoved Savage off the top. Every camera missed the Diamondcutter, but somehow captured two different angles of Jim Kelly falling on Savage with far worse form that Art Wander had earlier. They hilariously cut to one of the Bills linemen at ringside immediately after Kelly's "elbowdrop" and he was making this perfect "yeah I don't know about that, man..." face. That elbowdrop was worse than every single interception that man threw during his near complete quest to lose every single Super Bowl of the 1990s. 

Chris Benoit vs. Meng

MD: If not for FFF I don't really see Benoit anymore. They have to come to me. That said, I wasn't as against seeing this one as I might have been five years ago. I wouldn't have sought it out, but I didn't avoid it. And it was ok. This crowd was very much into guys hitting each other hard and when they did that, the match worked for me. That was the first half or so (which instilled some broader issues with everything overall maybe). Benoit would charge forth and really put himself into his kicks and chops and punches. Meng would absorb. Benoit would make a mistake, like slamming Meng's head into the turnbuckle or go for one too many chops. Meng would take back over until Benoit was able to miss a move. Eventually things built to Meng pile driving Benoit on the floor and then leaning on him with chokes and what not. It was fine but I don't think the fans were along for the ride. They wanted more of the early stuff and not heat and comeback. Benoit would get a hope spot or two but again, it wasn't scrapping. The finish had a German and a dive, but when Benoit went for his second dive, Meng caught him with the Tongan Death Grip, Benoit in the ring, Meng on the apron. He got counted out, a finish that satisfied no one and didn't accomplish anything that an agent might hope it would on paper. If they cut out the middle and end and just had them throw themselves at one another for another five minutes until the thing got thrown out, I have a feeling this particular audience would have been all the happier.

ER: I've been writing ALL about 1997 WCW for an upcoming book project, and Chris Benoit is someone (maybe the literal only one) that I am getting tired of writing about. Before starting that project I was like Matt, not actively seeking out Benoit and only writing about him if he was part of a show or match that I was only writing about for other, not-Benoit guys. But writing about 1997 WCW means that I'll be writing about 60-80 Benoit matches and well, that was my choice.

But I did really like this match and I appreciated how Meng worked it much more than I appreciated Benoit's contributions. Meng is the most feared man in the last 30 years of pro wrestling, at least to me, because the thought of losing my nose - let alone from a person biting my nose off my face! -  is one of my biggest nightmares. Maybe my biggest. My nose is easily my best facial feature. It ties my entire face together. If I lost this beauty I have no idea how I would go about my life. I've grown too accustomed to the way I look and cherish the few plus features I've been blessed with. It's too late for me to rebuild my confidence from scratch and confront life with a massive physical deformity. I handled several years of high school acne, but I can't go through that stage again. As I do not actively seek out fights with huge Tongans, I should be safe, but just knowing there are people out there who could conceivably bite off a nose has haunted me. 

However, this Meng who bites noses clean off faces is not a Meng that shows up in the ring very often. With all the stories you've heard about Meng, you'd expect more existence of savage in-ring beatdowns, and those matches just don't really exist. He gets his nose biting kicks outside the ring, sunshine. But this match is more of a glimpse of what that Meng would look like, and it's great. He throws two chops to Benoit that would end the day of a normal man, and works a lot of this like a real freight train. His big arm swinging strikes all looked great, and he would punctuate strike exchanges with a big smashing headbutt. He also threw transition moves like bodyslams with real big move energy. Benoit's big strength is that he has no problem weathering the kind of beating this Meng could throw at him, and I liked how he fought back by timing boots to stop charges, and that suicide dive he built to was huge. Meng's Piledriver on the floor was the kind of mean badass shit he rarely did on WCW TV, another glimpse into an alternate WCW that this show has given us. I didn't mind the Tongan death grip cool down sections, even though this would have made a better 7 minute all out war that just ended with a DQ or count out, if it was going to end in a count out anyway. The cool down kind of built to a finish that wasn't going to be happening, so why not just lay waste to each other and go out in an explosion? 

Dean Malenko vs. Rey Mysterio Jr. 

MD: This was supposed to be Rey vs. Juvi and Juster came out saying Juvi wasn't there but they still wanted to give the crowd WCW's best high-flyer and he had an open challenge. Dean came out to put the title up. In front of this crowd, I don't think Juvi would have done the trick either. You probably needed Fuerza. Dean did an admirable job hitting his wrestling-someone-smaller-than-him offense and getting Rey everywhere that he needed to be to hit his stuff, most spectacular being the press up to the top from what felt like the middle of the ring so he could hit a twisting body press. He caught all the dives too. Even though Dean was de facto bully and the crowd oohed and ahhed at Rey's hope spots and comeback, Dean and Wright had managed to get the crowd behind him earlier and he was all the more admirable for putting the title on the line with no notice in his second match of the night. Rey wasn't exactly drawing the usual amount of sympathy, even when he was writhing on the outside. Still, you can't fault the action, especially considering Dean was doing double duty. Another finish (a double pin) that the fans hated. There's very little reason for these sorts of finishes on a house show. I'm not saying they could have made Dean in Buffalo by having him cleanly staving off Rey's challenge, but it might have helped for future appearances without hurting Rey in the least. 

ER: I think this era of Malenko and Rey were a good match for each other, while also being capable of playing into each other's worst traits. Juvy was supposed to be in Malenko's spot, and even though we got a lot of Juvy/Rey TV matches from this time I would have really liked to see a house show Juvy/Rey. Despite what promoter Gary Juster proclaimed about Rey before the match, I think Juvy was easily the craziest and even most inventive high flyer WCW had on their roster. Rey is a legend and deserves every piece of praise he gets, but 1997 Juventud was on some whacked out shit. You watch months of Juvy matches, and you see how many different pieces of offense he was coming up with every time out. Rey had certain spots he always hit and tended to hit them the same way; Juvy had a higher error rate but also tried out a ton of new material. There are comics who can work their classics, and then there are guys who go out there constantly working new bits and throwing twists on old material. Rey could surprise with the greats, but when he was in with a Technically Good Base like Malenko, you were almost surely going to get the exact same match Rey and Malenko often had with each other. There's less Wild Card factor when they wrestle each other. Juvy - in the best of times and worst of times - truly embodied Wild Card Spirit. This also made me think about Juvy vs. Malenko, which is a match that barely happened, despite both guys working constantly on TV at the same place for 3 years while having exactly these style of matches with everyone else. 

Rey/Malenko matches always have several incredible looking moments, and also seem to be paced exactly the same: They go go go for a couple minutes, then they go into long stretches of Dean just holding Rey on the mat until Rey gets up and runs fast for 20 seconds, and then Dean holds onto him for another minute, and it keeps going like that until eventually one of the times Rey stands up leads to a disappointing finish. Dean is a strong base for Rey, and knows how to set up spots that end with spectacular Rey showcases, but also there's a completely detached artlessness to a lot of it. You'll get one of the most insane and perfectly executed spots - like Rey getting whipped up onto the turnbuckles and flying back with a corkscrew moonsault that Dean runs directly into - but then it's followed up with Dean looking downright bored waiting for 5 o'clock to hit while holding onto a rear naked choke. Whenever Malenko is wrestling anyone smaller than he, there never seems to be any kind of sense that he's using these holds to advance the match. It almost always seems like he's only using these holds so that both can catch their breath for the next stunt. Resting is somewhat essential when you're moving like they do, but it doesn't have to feel so blatant. Malenko in control often makes it feel like there is no sense of an actual match or any kind of fight, but much more two circus performers that are catching their breath before their next trapeze stunt. 

Rey doesn't help that feeling, either. He goes along with all of it, as whenever he's pulled to the mat he is always immediately unmoving and practically comatose, tongue literally hanging out the side of his mouth like he's a vegetable, until it's time for him to "fight" to his feet (in quotations as it's usually just him standing up while Dean loosely acknowledges his headlock) and then sprinting and jumping for another 20 seconds. Rey was just not very engaging in holds yet, which I think is the main reason that they weren't drawing any sympathy from this specific crowd. It feels like too obvious an exhibition, when Rey simply flips a switch to go from innovative flyer to a bedridden grandmother too weak to reach for her pain pills. Rey got so much better at drawing sympathy in holds the older he got, and he's been one of the best sympathetic salesmen for ages now. 

The pacing for this pairing will just always be lifeless holds interspersed with some of the coolest movement you've seen, and I don't think it would take much to tweak that formula into a more fully formed match. Rey's rope flip seated senton to the floor looked amazing, and the springboard version into the ring looked just as great, and Malenko catches each of them like a real pro...but watching Malenko matches at this stage of my life means that I'm always going to wish that Malenko could have acted like a small human man actually landed ass first on his chest, instead of just viewing every single move as an opportunity to start a series of seesaw 2 counts. The moves all look spectacular, but they sure would mean a lot more if every single one of them didn't lead to Malenko just turning them into his own pinfall sequence. 

Lex Luger/Giant vs. Scott Hall/Kevin Nash

MD: Fun house show Hall performance here. At one point he was stooging around after three inverted atomic drops by Luger and you can see Nash breaking on the apron. Giant was on the apron for the entirety of the match until the hot tag as Luger worked the shine on Hall and Nash took over on Lex from there. You could do a lot worse than having a massive bellowing presence in the corner slamming the turnbuckle and cheering Lex on. Nash, to his credit, took a big bump over the top off of a Giant dropkick after the hot tag. Lex flew around a bit when he was knocking Hall about, but then didn't go down on the power slam towards the end, which was a little weird. Finish was Luger (the illegal man) racking Hall (the illegal man) while Giant stopped Nash from using the belt and used it himself to draw a DQ that also looked like Luger and Giant might have won the belts. There was a lot of trash in the ring at the end and the funny image of Hall and Nash laid out as the Fugees played over the loudspeaker. They probably ran this exact match a bunch in this era.

ER: This was a big house show match in 1997, and it's a good match with big star power. But I also think it's a repeat example of how Giant/Luger didn't ever quite fully click as a team, and yet another example of what incredible chemistry Hall and Nash had. This was a great Hall performance, and a great Nash performance, and watching them felt like they could have been placed in any era of US wrestling history and stood out as the most popular, charismatic team. The Outsiders bumped for a significant portion of this and yet felt like huge stars the entire time. Hall stooged around for Luger and took several inverted atomic drops, never going full Rick Rude, but always knowing exactly what he was doing. As much as I enjoyed their stooging, I thought the best parts were Nash going after Luger and then bumping big down the stretch for both Luger and Giant. Nash throws his big knee lifts, back elbows, and big boots, while Hall runs distraction from the apron (including getting forearmed off by Luger into a big bump on the floor) to allow Nash to remain in control.

Giant's strength is a role reversal, as he's better at taking a beating and building to a Luger tag, than he is standing on the apron waiting for his hot tag. The weakest part of his apron work is that the more verbal he gets, the more ridiculous he sounds. There's just something dopey about the biggest man in the arena yelling "Come on Lex, you're #1!" You're a fucking GIANT, dude, just yell a bunch of words that aren't. You don't even need to form sentences, just fucking shout. Maybe Andre could have pulled off yelling "You got this, pal!" at Haku or Baba (in fact he definitely could have, he's the greatest), but The Giant cannot. 

Kevin Nash somehow got summed up (by people who hate wrestling) as a lazy worker who always took the night off, and the more House Show Nash shows up from this era the more ridiculous that summation looks. Nash is also a giant, and the way he bumps in this match is yet another example of how he was one of the best bumping big men of his time. There's one gigantic bump, when Giant finally makes the hot tag and is running clotheslines through the Outsiders, and he throws a dropkick that sends Nash flying over the top to the floor. Nash takes a Berzerker level bump to the floor, and he's one of the few guys from the 90s who was actually bigger than John Nord! But it's not only his big bumps to the floor (which he almost always used in big matches, and in different ways), it's the way he goes down like a light for that belt shot, or the way he takes big man bumps without slowing down the offense feed. The man was a really great bumper who somehow got the reputation of someone who barely moved in the ring. 

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Found Footage Friday: SMOTHERS~! CENA~! MYSTERIOS~! REIGNS~! USOS~! PANAMANIAN APUESTAS~! MICHAELS~! WELL DUNN~!

Cirujano de la Muerte vs. Emperador Panamanian Lucha 1988

MD: I'm not sure if anyone else is keeping up with the vein of Panamanian lucha we've gotten over the last year but we'll be sure to revisit it now and again. This was a mask match that dropped recently and it was bloody, heated, minimalist, and at times a little odd in ways that's right down our alley. Cirujano de la Muerte, being the Surgeon of Death, had the traditional medicinal wrestler white mask look. He reminded me of the Assassin or Dream Machine in some ways. He had pretty solid strikes that came from interesting angles and once he ripped the mask and really got going on Emperador, used an object to high effect. He also had a way of stooging on his bumps and strutting around the ring like a chicken to get maximum heat. I'm a fan. Emperador, in his eventual comeback after getting bloodied up, had a novel sort of running, jumping hammer shot, but otherwise, his strikes weren't as good. Still, he ripped at the mask and worked a wound and the crowd went nuts when he got the objects and started to get revenge and made the surgeon's white gear red. It was short lived though, as Cirujano smashed a bottle over his head and went back on him as they moved towards a finish, an out of nowhere 'rana.  There were a copy of spots in this, coming occasionally at slightly odd angles like Cirujano's strikes did, but for the most part this was straightforward woundwork the whole way through. Post-match continued the antics as Cirujano got what was coming to him. A match like this isn't for everyone, but to us, it's timeless and effective and beautiful. Now if Emperador just had slightly better punches.

ER: It's always a joy to find stuff like this. We have some full territory documentation of several 1988 territories, and then you get something from Panama that looks comparable to other stuff from that era while also looking somehow influenced by nothing. You can't really tell who they learned on, and it reveals a lot about how a lot of this is just knowing when to hit your beats and pace the momentum. Both throw their signature strike in a way you haven't seen anyone quite replicate, Cirujano throwing a hooking jumping right hand, and Emperador throwing a variation on the Baba chop. Nobody else throws a Baba chop, nobody else has quite the same hopping headbutt delivery as Carlos Colon, nobody throws a punch like the Crusher; these two have their own strikes, that might not be as good as those others', but they are different and I always like that. Cirujano had an all time great dance taunt. It was part chicken dance, part merengue, just a flawless combination. It's like Paul Lynde doing Jagger. If Jeff Jarrett had learned this dance taunt instead of just aping the Fargo strut, he would have been the biggest heel in Memphis. Emperador has some fantastic stumble selling, rolling and bouncing into and off of the ropes, like a standing Red Bastien gag, theatrical but really great body movement. There's mask ripping, a fucking bottle of chianti used as a weapon, a real good crowd brawl that sends people running (including a great dad running off with a little boy under each arm), and a mirthful unmasking. Love it.  

Tracy Smothers/Chris Michaels vs. Well Dunn Brandenburg, KY 2000s

MD: Some of my favorite wrestlers are the ones that are always on, always in the moment, always engaged. Terry Funk, Negro Casas, Nick Bockwinkel, Eddy Guerrero 97-on, Eddie Kingston. There are those guys and then there's 2000s Tracy Smothers, the guy who breaks the meter. There's not a moment of this match, including the period before and after it starts, that he's not engaging, engaging with his partner, with his opponents, with the ref, with the crowd, with the ring announcer, with his valet, with the laws of physics. He engages so thoroughly, so constantly, so dynamically, that he invokes wrestling to one of its highest possible degree, he engages with a reality of his own making and forces us to watch. That's a bit different than drawing us all into a shared reality where we toss away, for a time our suspension of disbelief, but it's certainly fun to watch nonetheless. 

I'm not sure if the crowd believed any more than usual on this night, but they certainly felt something, and he didn't give them a second to catch their breath long enough to think about any of it. He was constantly and consistently jawing with the fans (almost causing one guy to charge the ring simply because Smothers called him old repeatedly), trying to trick the ref with phantom clap tags, frustrating the crowd by trying to start a babyface clap when he was clearly a heel, bumping off of his opponent's offense and taking an extra bump just for the hell of it, hugging Michaels when something went his way, taking a powder after feeding like a champ when they didn't, from the first moment he walked out, to the finish where he got his comeuppance after using an object, to the post match promo putting over their next appearance at the next show and getting his heat back almost instantaneously by teasing the crowd that there was more to come. Michaels and Well Dunn played their parts, but you could have sent him out alone with a mic or with a broomstick to wrestle and he would have move hearts and fried brains just as soundly.

ER: This was pure heaven. Tracy Smothers has an act that makes me laugh at things I've seen him do a couple dozen times, playing some of the oldest hits in wrestling and always playing them with passion. Tracy is the angry southern Iron Mike Sharpe, and I'd hope you know that is a high compliment of an excellent character. Mike Sharpe did some of these routines in opening matches in the Northeast for a good decade, and Tracy takes it and ups the anger and violence and death threats. It's beautiful. This is Tracy stooging, stalling, and aggressively pointing fingers at every person in attendance. He gets into it with an old man, threatens to punch an "old hag" in the face, threatens kids, anything but actually lock up. This is a match where Tracy does more fake tag hand claps than I think I've ever seen in a match. Tracy Smothers holds a good crowd in a small rundown Kentucky building in the palm of his hand for 15 minutes, and I don't think he did any offense other than a handful of well timed (and loaded) punches. 

I like Well Dunn a lot, and I like Chris Michaels, but this could have been Tracy with literally any three wrestlers on the planet and been the exact same show. A team like Well Dunn is almost wasted in a role like this, because this was a role any green babyface team could have pulled off. Tracy was the ultimate in-ring safety net in a match like this. There is a lot of Not Wrestling and it is all Very Entertaining Wrestling. Tracy takes a couple of big bumps, one on a noggin knocker on the apron, others just bumping for punches, one just because he didn't realize Steve Doll was behind him. The match built to a great Rex King hot tag where he lays out Smothers and Michaels with consecutive hard clotheslines, and does his awesome hooking heel kick in the corner. Tracy's valet distracts King and Smothers blasts him with a loaded fist, then does the most hilarious and ridiculous pin, sitting down on King's chest and flexing his biceps, leaving himself wide open for King to steal the win. The post-match is great, with Smothers and Michaels blindsiding Well Dunn with a great loaded fist (Smothers) and an excellent superkick (Michaels, far and away the biggest piece of offense in the match), then some classic Smothers mic work. When Smothers ends the night saying "I got a major surprise for you on the 8th. Somebody's gonna DIE!" you know that's the good stuff. 

John Cena/Rey & Dominik Mysterio vs. Roman Reigns/Usos WWE 8/1/21

MD: This was just last year, but it's found footage to us. It's a little amazing how conservative this was structurally, very Tito Santana, more so than you'd expect out of a Strike Force tag even. Rey started, teased Cena coming in but ate a cheapshot. That meant he had to handle things himself and when it came time to tag, he tagged Dominik. They hit a double team, but Dom got stuffed by the Usos pretty quickly and then played face-in-peril for most of the rest of the match.

Reigns came in sparingly, but I really liked how the first hope spot, where Dominik tried to fire back on him, was less about him potentially getting the tag and more about him daring to show defiance. There was a real sense of hierarchy there that almost never plays so well in WWE. As the beating continued, he got his reps in against the Usos, with some subsequent hope spots better than others (the one where he kicked them both over the top from a prone position was pretty dubious). Meanwhile, Cena and Rey worked the corner as well as you'd expect. Cena wasn't going to be in for more than a couple of minutes, but he was still having a blast out there. After the hot tag, Cena played the hits, though there was a pretty inexplicable ref bump that didn't feed into anything. I wouldn't call the structure of the match lazy so much as it was distilled and set up to hype the crowd as much as possible to see the attraction. It was still a little weird when you think about it, because in a babyface Andre trios, for instance, he'd do more in the first third and wouldn't be saved all for the end.

ER: I really liked this, and I think it's another piece of evidence that Dominik is an underrated worker. He's not ever going to be his father, but that's a dumb statement because no other wrestler is his father. This whole match settled down pretty quickly into a 12 minute Dominik vs. The Usos match, and I thought Dominik was just as good as the face in peril as the Usos were at bumping for him and preventing his tags. I liked how Dominik stood up to Roman on the apron, and how that got him an immediate headbutt that lead to his next 12 minutes of trouble. Everyone in the match had main event house show timing down perfectly, with Dominik really good at getting *this* close to Cena's reaching hand before an Uso would get him back to the corner, or a great moment late in the match where both Usos gets bumped to the floor and Dominik begins his slow crawl to his corner. Roman was great on the apron as his cockiness turned to frustration and his frustration turned to panic, yelling at both Usos to get up off the floor to stop the tag. Jey eventually ran in and dropkicked Cena and dragged Dominik by the leg back to their corner. 

It's all house show timing, but the timing needs to be there or it just feels rote. I don't think this ever felt rote, I think they teased it along really well and the crowd just wanted to see Cena the longer Dominik took a beating. When Dominik did finally make the tag it was explosive, making me feel a nostalgia for Cena that I didn't realize I had. I didn't actually know Cena worked any house shows last year, just thought he worked Roman at Summerslam. Seeing he worked 15 matches - all house shows and dark matches save Summerslam - was a surprise, and after years of hearing every male in the building loudly boo him, I loved hearing everyone cheering for him like they were little kids. 

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Found Footage Friday: EDDIE~! CHAVO~! MANDO~! REY~! FIERA~! ESPANTO~! NAVARRO~!

Rey Mysterio Jr. vs. Eddie Guerrero WWE 4/8/05

MD: 20 minutes or so, with Eddy bringing out a Make-A-Wish kid to begin and Carlito getting in his house show interaction with the two of them (and a bit of Torrie) at the end. So it's not the thirty minutes that the video suggests but it still gets a ton of time. Eddy and Rey were the tag champs together at this point so that made it feel even more special and timely for this week.

They use the time to really let things breathe, with Eddy attacking Rey's arm with a lot of different and varied holds. Maybe what I loved the most about this was how into it the crowd was based on the way they put over each bit of wrenching or cinching of a hold. Eddy would land a drop toe hold out of nowhere and the fans would "oooof" in unison. He'd do a headstand to tighten up a hammerlock and it'd lead to an "ooooh." You have to love that level of investment on even simple things. It is hard, sometimes, to go from 70s French wrestling where everything, a top wristlock or a hammerlock or a short armscissors would have a four minute elaborate series of escape attempts to 21st century wrestling where we have to live with one huge fly mare out of Rey instead of three attempts of it with Eddy hanging on, but that's a me thing, not a match thing.

When Rey really got going, he really got going, hitting from one direction and then the next and the next, all fluid, all with oomph, all believable. Eddy could do no wrong at this point. He cheated and the fans chanted his name, so while he was the aggressor and Rey had to work from underneath, it still felt like a babyface match, just with different tools used than usual used to achieve the same ends. That was a testament in itself. Having not seen it for a while, I love to see Eddy do the three amigos, because unlike all of the tribute spots now, there's no hesitation to milk the moment. He just bursts into the sequence. The finish was the old, tried and true, splash mountain into a 'rana, but it, like everything else in the match looked great and got over huge.

PAS: The dream is to find the bloody house show brawls these two had, but it is really cool to see them work a basically scientific face vs. face match, even with Eddie being a lovable cheat. Really simple effective wrestling with Rey taking a corner post bump and Eddie really showing every step in how to crank and damage an arm. Good point about the Three Amigos, he has a ton of explosion and force on the move, which is never really captured by the tribute spots. I love getting another chance to watch Eddie, what an electric and compelling performer he was

Eddie Guerrero/Chavo Guerrero/Gacela vs. La Fiera/Espanto Jr./Predator Juarez

MD: This is posted on the Juarez YouTube page and is about ten minutes but only a few of an actual match before mask pulling, post match fighting, and Chavo making challenges. Eddy had some really good strikes here though. That's my biggest takeaway. It's not something I usually think of when I think of pre-modern Eddy. In the short amount of footage we have here, he launched a spinning backfist, an awesome European uppercut that reached for the ceiling, and a really nice elbow smash, and then post-match took a bunch of shots well and sympathetically as he was tied up in the ropes. You catch him too early in his career and he often comes off as an afterthought. That wasn't at all the case here. Just given who was in this one, if we had more of it, or if there even was more of it, it'd probably have been good, but we come in on the chaotic violence and as chaotic violence goes, it's solid stuff.

Mando Guerrero vs. Negro Navarro

MD: The only record I see on Cagematch with these two is from 1981 in Los Angeles. It's possible. Navarro is certainly young with a full head of hair. There's a brief bit in English in between the Spanish commentary. Fact of the matter is that I don't know. What I do know is how well these two are matched up. Both have a certain amount of over the top theatricality in what they do. In his later career, Navarro would overlay that on top of the maestro style. Mando was more apt to roll around the ring and eat up opponents. Here, Navarro had control with bit offensive flourishes. He'd grab what I assume is Mando's cape and wrap it around his hand to beat him down. He'd bite. He'd pose. Mando would fight his way back, making sure to preen to the crowd for half a second before big shots. Navarro would cut him off. Just when I thought the 8 minutes of footage that we have would cut off without a finish, Mando snuck through the ref's legs for a roll up and a banana peel win. Whatever vintage it is, it's a good look at Navarro earlier in his career and a very apt pairing.

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WrestleMania 38 Night One Live Blog 4/2/22

And so, I find myself alone and with nothing at all interesting to do on a beautiful Saturday afternoon, and I feel my brain slowly slipping into actually thinking the writing about WrestleMania in real time is a good idea. I know it's a bad idea, and yet I feel compelled for reasons that are beyond me. I have only seen one WWE show this year (including TV and PPV) and that was Royal Rumble, which was...exactly as bad as most of the Rumbles have been over the past decade or so. I actually thought the men's rumble was fairly salvageable, while the women's rumble was one of the worst things ever put on WWE programming. And so, after watching one bad one one mediocre 60 minute battle royals, my poisoned brain thought that writing about WrestleMania would somehow be a productive use of mine or anyone else's time. I don't know what matches are on this show, I did not watch the pre-show and I have not seen any 2022 WWE TV. All I know is that people whose opinions I trust are not at all excited about this show, and that perversely must have made me more interested. We're all sickos and idiots. Simple as that. 

1. Shinsuke Nakamura/Rick Boogs vs. The Usos

ER: It is unfathomable that they did not have a single pre-show match while hosting a TWO HOUR pre-show. Injuries and a half dozen DUI have prevented the Usos from teaming up at the past few Manias. The Usos cut Nakamura off from Boogs with some simple kicks and holds (only worthwhile one was Jey's low boot on the apron), then Jimmy and Nakamura are both exhausted 3 minutes in and must build to a hot tag. Boog's axe handle offense should look better, and I think it used to look better. Having Boogs' knee buckle while lifting both Usos is a smart way to take him out of things, and a knee blowing out from lifting too much is far easier to fake than a prolapsed asshole. I'll give the fans huge credit, because they are loud as hell for this match, which would be immediately forgotten minutes after it took place on Smackdown. The Jey superkick while Jimmy was holding Nakamura's hair looked great, and wow this is not a great start to the Grandaddy of Them All. Honestly fucked that the Harder Farmer didn't take Boogs' place once Boogs hurt his knee. 

2. Drew McIntyre vs. Happy Corbin

ER: It's weird being the one guy into Baron Corbin, but I am. Are more people into Corbin now? Do they not like him because he looks like a tall athletic Colin Robinson? I like the way Corbin and Drew move around each other. They're similar size and have a couple similar movements, except one is dressed like Waylon Mercy had Waylon Mercy worked at a Fire Island gift shop. I like Corbin's overhand rights, but liked a little underhand punch he threw a couple times even more. I don't know if I've seen him throw that punch really, but obviously I'm going to support guys adding new punches to their matches. They're the same size, but the match is clearly being worked with Corbin as the heavyweight and McIntyre as the 2000s Edge-style cruiserweight who people don't seem to realize is 6'4. Drew is out here taking the Mysterio bump into the guardrail and hitting a running swanton into Corbin and Moss, missing his running dropkick when Corbin ducks out of the way. Corbin is the one throwing big punches and going for big slams, Drew is the one constantly leaving his feet. Asskicker Drew is better than 260 lb. Finn Balor Offense Drew, but I thought Corbin did a great job pushing the pace of this and setting up Drew's big misses and leaning into his hits. This was good, but underwhelming for WrestleMania. 

3. Rey & Dominik Mysterio vs. Logan Paul/The Miz

PAS: Dominik Mysterio wearing the Gringo Locos gear as a tribute to his real dad.

ER: Dominik's gear is incredible, the first actual good ring gear of his career...and Logan Paul goes and one-ups him by wearing the million dollar Pikachu around his neck. Can't help but dig a guy who clearly gets it. I liked Paul's big leapfrogs and dropdown splits, but Bad Bunny didn't flinch on strikes in his match and you can't lean out of a Rey kick. Rey's not going to be the one who stiffs you man, you gotta stay in to the end. I love Rey's little ashy gray goatee poking out of his mask, and I love Paul committing to the running powerslam even more. Brother held on for dear life and followed it through. I wish someone had clued Paul into Kawada kicks, because Paul in the black and yellow doing trolling little kicks to the forehead would be a perfect bit of offense for him. I liked Paul's Blockbuster and his bump off the apron, and after I was ready to tease him after he flinched, he's tightened everything up since that flinch. There will be a handful of wrestlers on this show whose work doesn't look as good as Paul's (with Boogs already arguably one of them). Miz put a bunch of extra flash into Mysterio's great swinging DDT, and then showed he is the bigger man by doing the Three Amigos as tribute to Dominik's real dad. I'm fully on Team Paul when he does the Three Amigos and then does the shoulder shimmy up top before hitting a very good frog splash, but then he sets up Rey's 619 as well as anyone since mid 2000s Chavo with a great missed clothesline stumble. I thought this was pretty great. Everyone was on and the layout let everyone shine. Everyone knew when to hang back and when to take the moment, and it just coming together and building. Constant smile on my face during this one. 

4. Biance Belair vs. Becky Lynch

ER: Texas Southern marching band doing Belair's entrance is so damn cool, and I loved the big brass touches they added as accompaniment to her theme. Once they started enhancing the existing them and not just playing a marching band version, it was next level. I don't know if this is a hot take or not, but Becky's chopped mullet looks so much better than that shitty Mad Max pompadour that has covered wrestling like a foul stench. I am a mark because I fully bit on the 10 second finish. They did it before, it wouldn't be shocking for them to do it again! The longer the match goes the more I love Becky's look. She looks like she'd be at a club in Liquid Sky. Her suplexes look fine, but the rope drape legdrop needs some work. I appreciate that this thing isn't 50-50 reversals of reversals, but I think Becky was in control for way too long and Bianca is far more impressive on offense than when she's selling. It's really weird that they are not letting Bianca do anything powerful. Becky not only gets to do all of the offense, but she also gets to slip out of every piece of Belair offense. When I finally think Becky is going to be planted with a powerbomb, it gets reversed. Belair's 450 looks so much cooler with the braid, but Becky Lynch coming up way short on the Molly Go Round and axe kicking Bianca in the face looked even better. Once the Manhandle Slam (ugh) happening on the steps I again bought into that false finish, thinking they could plausibly do a count out finish and even getting me to think that they would have put this as the main event if they were actually doing a title change. So, they got me to fully bite on two different false finishes, and that has to mean it's a good match. It shows they fully understand the story they're selling and know how to play off of fan expectations, and that's awesome. I still think there were ways to give Bianca more during the match as I don't think Lynch needed 15+ minutes of control just because she was losing the belt, but I cannot argue that the match was a success. 

5. Seth Rollins vs. Cody Rhodes

I can't say I'm very excited for this match, but I'm sincerely happy for the people who wanted Cody. I was a big fan of In the Weeds AEW era Cody, a guy who was no longer really had a role in the company he helped found, an interesting take on the played out shades of gray character as he actually felt like a real shades of gray person. But Cody Rhodes in the WWE doesn't sound interesting in any way to me, it takes all of the edge away from that weird character he was leaning into. But I will give all the credit in the world to Cody, because I don't think that anyone could have predicted that he would ever be getting this kind of Stadium show WrestleMania reaction even 5 years ago. I don't know the program that pairs these two up, and I don't understand Rollins' Epic Bacon Dalton Castle gimmick but we'll give it a shot. The vertical suplex to the floor was a great sprawling Cody bump, and it feels like they're making their small scale stuff a bit more upscaled for the stadium, and that's cool. I don't know if the match itself is grabbing me, but Rollins had bigger chops and a harder back elbow than normal and Cody's armlocks looked good, Rollins flies 20 feet over a table off an okay Cody tope, etc. The pinfall trading and strike reversals mostly looked bad, but at its core this was a Seth Rollins vs. Seth Rollins match and I couldn't vibe with it even with the crowd so loudly behind Cody. The move trading doesn't work for me, the bad Rollins Kings Road Tribute strikes don't work for me, but I do like that Cody understands internal WWE match logic of Invoking Legend Offense To Set Up Finisher is a surefire victory. I never would have guessed Cody would be getting among the loudest reactions at a WrestleMania, and I don't see how he can maintain this level of intrigue while in WWE, but for now people got what they wanted. 

6. Ronda Rousey vs. Charlotte

ER: I'm not sure why I'm not more excited for comeback Ronda. She was one of my favorite things in pro wrestling during her initial run so maybe she just has some of the stink from that brutal Royal Rumble on her. Charlotte needs to throws a tighter back elbow. It's Ronda Rousey Charlotte, you can work like an asshole. The grappling was good and I like how Ronda rag dolled Charlotte on a couple of takedowns and tied her up in the ropes, but also took a cool flipping back bump to the floor when Charlotte reversed her. Charlotte responds to my note about her back elbow by walloping the entire side of Ronda's head with head arm and elbow, then runs face first into a Ronda kneelift. Weirdly, Rousey feels more like a rookie wrestler now than she did in 2018, and this whole thing is becoming a weird piece of theater. I don't know which page they are supposed to be on, I don't know who is messing up what, but it's kind of making the match more compelling? Charlotte's moonsault looks bad enough on its own, she doesn't need someone fucking up her timing. This is super disjointed and would be better if Charlotte got unprofessional, but it's staying a bit too genial. I said that it was too genial right as they stated kicking each other in the mouth on the mat. The end stretch was fine, the figure 8 and breaking of the figure 8 looked cool, but this match never threatened to be anywhere near as good as their Survivor Series 2018 match. Rousey was having great singles matches with every woman on the roster in 2018, and based on her big match performances in 2022 I just don't think that's a thing that's going to be happening this time around. 

7. Stone Cold Steve Austin vs. Kevin Owens

ER: I can't believe they're actually giving us a wrestling match. I can't believe Stone Cold Steve Austin is coming back after like 20 years away and he's going to have a t-shirt and shorts match against Kevin Owens of all people. I will stop waiting for Austin to rip the shirt off, or tear the jorts off to reveal the black trunks underneath, but my only real base level hope for this is that it isn't anywhere near as depressing as the Bret/Vince match. The throwback Austin stuff in the ring certainly looked like a guy in his 50s who hadn't wrestled in a couple decades working through some of his classic mannerisms at a convention show. What I was not expecting, was this match suddenly getting great when they move it to the floor. Owens is game for taking big bumps around ringside, but I was actually shocked when Austin took a massive bump into the ringpost. I mean I was not expecting Steve Austin to wrestle, let alone take actual peak era Austin bumps, so this is insane. The crowd brawl was really good and Owens was so good at stumbling and tumbling his way down aisles at the perfect pace for Austin to follow along punching him. Good rhythm. Austin is one of my favorite wrestlers of all time, and no part of me would have predicted a few hours ago that I'd be seeing him take a vertical suplex onto concrete tonight. What a madman. This guy had a cool thing going by being the guy who never came back to give Hogan - or anyone - their dream match, and who knows maybe he sees Sting doing an insane balcony dive and goes "Hell Stone Cold Steve Austin can take a stupid bump on concrete". Owens is good a bumping down the long entrance ramp and Austin looks like he's having a great time out there, and I'm happy they're delivering much more than they needed to. I bet plenty of people would be happy just seeing a Stunner, so I imagine they are ecstatic seeing an actual Stone Cold brawl. Owens re-signs and main events WrestleMania with the biggest white whale retired wrestler in history, and my hat is off to WWE for actually giving a stadium of people a show filled with actual moments that they wanted, not ones that WWE wanted them to want. 

2022 MOTY MASTER LIST

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