Segunda Caida

Phil Schneider, Eric Ritz, Matt D, Sebastian, and other friends write about pro wrestling. Follow us @segundacaida

Friday, August 01, 2025

Found Footage Friday: 80s SPAIN~! PANTHER~! PSICOSIS~! REY~! FANTASTICS~! KIKUCHI~!


Santi Rico(c) vs. Manuel Acapulco 3/30/83

MD: Spanish wrestling! Don't get too excited. This looks like a one off and it is well, well past the glory years. As an overall presentation, it's fascinating though. This is on a variety show of sorts and likened to when they had someone run two days straight from one city to another or a stunt man on. Here it's the defense of a title. That said, they were ready to put their best foot forward and it was a celebration in its own way.

The centerpiece was not Mr. Ferraras, the president of the Castilian federation who was interviewed beforehand and presented  the belt/sash (a nice collection of flags upon it) to the world champion at the end. It wasn't the wrestlers, Santi Rico billed from Spain who had been active for a few years at least and Acapulco (Montezuma?) who was billed from Mexico. Apparently neither had 100 matches under his respective belt. More on them later. It wasn't even Quasimodo, our friend from the French footage, who was known in French as the Caribbean Cyclone, who was there to witness and talk about his school of 30 wrestlers he was training. 

The centerpiece, to me was Bobby Deglané, who even with my rough Spanish and YouTube's translate function, came off as an exceptional commentator, especially for someone who was never on national TV as such. He was a stalwart of the radio days however and was as poised and collected as one could be. He introduced all the rules (which part of the foot you could hit with, for instance, or the twenty count on the outside which was different than boxing) and explained all the techniques. They describe the realness of wrestling as half spot and half spectacle and he was quick to point out the damaging effects of shots to the head for instance. 

Some of the normative things were interesting. They called it American wrestling, Catch as Catch Can. The referee had a whistle for rope breaks. It was set up in six rounds of five minutes with a minute in between. There were ring girls to kiss cheeks and present trophies at the end as well as hold up the round numbers. They even said "Seconds out" at the start so there were elements of British wrestling as well as French (or vice versa depending on how things developed). The crowd was very into it despite being potentially unfamiliar.

And the wrestling was ok, spirited, high effort. It was rough around the edges based on what you'd expect, but that made sense given how quiet the scene was. I'd say that Acapulco looked the smoother of the two as one out of every three things Rico.went for didn't quite work. A lot of the holds did, headscissors, inner armbars, headlocks, mares, with all of the escapes. Rico had dropkicks and they varied. Acapulco leaned rudo as the match went on, throwing knees and rabbit punches and eventually headbutts that led to color (have to make things feel legitimate). This was not Cesca vs. Catanzaro. I'd say it wasn't even Flesh Gordon vs. Eliot Frederico but it was a pretty fascinating glimpse into a people trying to showcase and remember their lost tradition, a tradition that we've more or less accepted that we'll only ever be able to marginally touch.


Isamu Teranishi/Tsuyoshi Kikuchi vs. Fantastics (Bobby Fulton/Tommy Rogers) AJPW 1/11/91

https://www.youtube.com/watch?v=4HjFd7h3fKU

MD: We've missed a few matches from AJPW Classics but it's a bit tricky since some of what gets shown are matches we already had JIP where we just get the first 5 minutes. Maybe we still should go back for something like MVC vs. Jumbo/Taue but I never know. This, however, is, I think, new. And it's fun if flawed.

I struggle with this Fantastics run as they tend to do a lot of stuff and really eat up their opponents if possible. They got the memo and knew they had to look strong in order to be over in All Japan but it really doesn't make for great matches, especially when they're up against Footloose. Then you just get noise. This was better than that because they were able to dominate and Kikuchi's a lot of fun working from underneath. Lots of individual fun stuff whether it was Teranishi trying (and sometimes succeeding) to land on his feet against Rogers or the Fantastics hitting a bunch of double teams. 

Still, when Kikuchi was able to fire back or Teranishi able to stand strong, the Fantastics generally just shrugged it off. The worst of this was when Fulton missed an axe handle onto the guardrail from the apron. Pretty good spot, something you don't see every day. Didn't change the trajectory of the match a bit. Ah well. This isn't Can-Ams vs. Kikuchi, that's for sure. Still pretty fun for what it was though. Just what it was had a ceiling.

ER: I thought this was real tough, hard fought, with a feeling like it was going to turn unprofessional any moment. There were moments of miscommunication between Rogers and Teranishi, but it added to the vibes of Something Going Down. Really, it was probably just because everyone worked real stiff and kept fighting all match. Matt correctly notes some seemingly big spots that don't change the trajectory of the match, but I thought that just made everyone come off tough, wanting to fight. I like Asshole Bully Fantastics as their style is totally different. You still see those moments of babyface grace - look at how clean Tommy Rogers hits a sunset flip off the top - but there are more moments of these little guys throwing real shots. Rogers throws two hard back elbows at Kikuchi's eye when he seems surprised by a hammerlock reversal, so Kikuchi throws two elbow smashes at his eye. I love when Kikuchi is targeted with real abuse, like they all know he can take it and it gives them license to fill up their asshole meter. 

Tommy Rogers bodyslams Kikuchi from the ring out to the damn floor, just slips out the back and throws him over the top on his back. It looked more like John Nord eliminating a job guy from a battle royal, not little power pack Tommy murdering a fellow junior. It looks nasty...but Bobby Fulton's full speed baseball slide dropkick as Kikuchi is recovering looked even worse. Fulton flew between the bottom and middle ropes and connected so flush that he bounced back clean. Now, I expected this to lead to a long heat section on Kikuchi, but there's that thing about everyone just coming off tough, because when they go outside to capitalize Kikuchi just fights them both off with elbows and a stiff clothesline. Bobby Fulton looked like a real killer here, even more than Rogers, and seemed to work a bit better with Teranishi. I was shocked by how fast old man (same age as me) Teranishi flipped onto his feet, and Fulton seemed surprised by it as well. Kikuchi's comeback was real choice, ducking a tandem clothesline and hooking Fulton's waist for a "surprise" German suplex that Rogers instantly dropped an elbow on. The finish was real sick too, with Fulton scooping up Kikuchi for a Samoan drop and flinging Rogers onto him with a cannonball. The Fantastics worked as bully heels in All Japan better than the similar sized State Patrol, and I bet there are many who have never seen them quite like this. 


Blue Panther/Cien Caras/Psicosis vs. Konnan/Rey Misterio Jr./Angel Azteca Promo Azteca 11/30/96

MD: Roy says this is new and even though it cuts out before the finish, that's over 20 minutes and when you look at who's in it, it's worth checking out. Blue Panther was paired with Konnan early and it was sort of fascinating what they did. I'm not saying it was always exactly what I wanted, but it was always interesting. Panther had all of his tricked out stuff and Konnan just sort of roughed his way through in a believable, competitive way. Psicosis or Caras would sneak in to get cheapshots whenever he had the advantage. Rey and Psicosis was old hat but the best damn hat you might want with how Psicosis would base for Rey and Caras and Azteca had some stalling and cheapshots around Azteca getting things in. That was the primera, ending with some rope running with Panther and Azteca and Konnan vs. the world before he set Rey up with a monkey flip right into a 'rana that was pretty damn spectacular.

Segunda has a brief but great Blue Panther vs. Rey exchange and Psicosis stooging beautifully as he was heading into the ropes when Rey was doing the 619 dive tease and he bumped on it. Psicosis also got jammed on a monkey flip in the ropes by Konnan and took a bump over the top after some great struggle. Caras overpowered Rey and the rudos took over. They kept the beat down going into the tercera (including Blue Panther just tearing at Konnan's eye) before Konnan mounted a big comeback against everyone and things picked up towards the finish as it all cuts off. Some very fun pairings and imaginative stuff here though. Tons of personality too.

ER: Any time 20+ minutes of prime footage turns up of these guys, it needs to be covered, and this is a fun as hell way to watch these guys, so many fun exchanges and individual performances. Any new Rey/Psicosis interactions are going to cause excitement, and the more Psicosis footage we get (there is a lot) the more obvious it is how much better he was before WCW. WCW really sanded all the edges off a tremendous all around rudo and boiled him down to being a base with a couple big bumps who wasn't really great at working 3 minute singles matches. Whenever I watch a lucha match from the same exact era he was working WCW, he's so much more of a character, so much more fully formed, so much more of a star. His stooging is an incredible part of his rudo character, one that was mostly boiled away when he became Rey's touring dance partner. Here it's alive and thriving. Tripping over the ropes and getting upset with the ref about it is a great Psicosis trademark that wouldn't have translated to American audiences but was perfect for Mexican audiences. He's able to work more violently here than he would in WCW, and him being more of a flagrant asshole gives greater weight to all of his big bumps. 

My favorite things about this were the Panther/Konnan matwork in the primera, and Cien Caras's increased involvement as the match went on. I don't think I've ever seen Panther hit the mat with Konnan and I thought it was awesome. I am someone who thinks Konnan is better than given credit for while acknowledging that many of the criticisms are fair. He doesn't look like someone who can keep up with Panther on the mat, but he doesn't need to. Panther doesn't need someone who can mirror his abilities on the mat, he is good at working with anyone's personality and ability. Konnan is no slouch, and I like the strength component he brings to mat reversals. Panther may catch him with slickness and technical ability but Konnan is able to use strength to adjust the hold around himself. There was a cool takedown where Panther went inside and used his body to force a single leg, working himself up to an armbar, and Konnan started escaping from it by getting one of Panther's legs in a scissor and forcing it one direction, then grabbing the leg nearest his head and pushing that another direction, so both wound up in this awesome tangle where Panther still had a sub but Konnan was forcing his limbs apart. 

If Psicosis was someone who dumbed his style down for American TV audiences, Cien Caras was a star whose character wouldn't have translated to American audiences at all. He is such a stud, but wouldn't be perceived as a stud to Americans, so all of the great stuff he does here wouldn't get over at all. This cool Mexican stud in his goatee, who keeps going for cheap shot attacks all match and bumping almost to avoid interaction. I loved the end of the segunda, where his boys started being pinned and he bumped himself over the top to the floor, eating shit in the process, running away from Konnan just to avoid being one of the guys taking the fall. But in the primera he also bumped around for Azteca and took a big charge over the top to the floor after missing him, setting up one big bump on offense to get over his big "own goal" bump later, meanwhile always running in and kicking an opponent hard to break up a pin. It's a shame we don't have the finish as I really wanted to see the payoff of Panther goes after Konnan's eye, but you don't need to watch this for its Great Match potential, just watch it to see some legends at various peaks, doing exchanges you haven't seen. 


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Saturday, April 27, 2024

Found Footage Friday: EIGEN SIX MAN~! PARK~! BANDA~! ESTRADA~! REYNA~! MIGHTY ATOM~!


Harry Monte/Farmer Spatts vs. Billy Curtis/Cowboy Clatt NWA Hollywood 5/23/53

MD: This was a midget's match that goes about 25 minute. It was announced at the start as "the miniature mastodons of the mat, the mighty midgets." These guys all had gimmicks upon gimmicks. On one side was Farmer Georgie Spots from Hogwash, Arkansas, and "The Mighty Atom" Mr. Harry Monte. The other side had Cowboy "Pee Wee" Paul Clatt and Hollywood Billy Curtis. And of course, the Kansas Whirlwind, Olympic Champion (1932) Pete Mehringer was the ref. This was a little bit a tale of two matches. When Clatt and Spatts were in there, there was more comedy. Spatts was barefoot, for instance, and that came into play with stomps. There were bits where they ended up on top of the ref or accidentally on his back giving him a chinlock. While not exclusive, when Monte was in there, it did feel a little different. He was the champion apparently and seemed pretty skilled. Look, I'm never going to say no to an old midgets match. 

A lot of the time the comedy hits and they show a ton of commitment. I've seen a lot. This looked different than most. I'd almost explain it like with this analogy: when Monte was in there, more so than any US midget match I've ever seen, it felt like a minis match relative to the lucha of the day. That is to say, it was faster, sprintier, sprawlier. When it was Monte and Curtis in there, it had a wild energy of them going for holds and advantages. It lacked the precise technique of shootstyle, maybe, but had the same feel of jockeying for openings. There were moments of levity but in practice they were presented with more dignity than you'd expect, especially given the slew of gimmick names that started the match. Even the post-match interviews were more like what you'd expect from any of the other names of the time, talking about issues with the ref and recovering from injury and vying for the title. I like comedy spots as much as the next guy but much like some of the women's matches from this era show us a potentially different path, this did as well. There's some alternate reality out there where guys like these paved the way for a division even snappier and more exciting than junior heavyweights. 


Kenta Kobashi/Mitsuo Momota/Rusher Kimura vs. Haruka Eigen/Isamu Teranishi/Motoshi Okuma AJPW 10/20/89

MD: All of the Eigen/Okuma stuff is fun but it's especially fun when Rusher's in there. You end up seeing this dynamic so many times that you cherish the familiar and appreciate the variation. This had both being a six man with Teranishi hanging out with the shitheels. I've seen Teranishi on the other side as someone who would put Eigen in his place, but it was nice to see him as part of the problem, not part of the solution. And of course, you have Kobashi, one who's ever closer to finding himself, on the other side. That said, there was plenty of familiar here. It started with Eigen shaking Teranishi and Kobashi's hand but refusing to shake Rusher's. Then when Rusher took offense, he pushed him. They locked up, immediately got in the ropes, and Eigen slapped him before taking him back to his corner and getting out of there. Being an AJPW six-man, there was the usual cycling. You'd rarely see a guy get tagged in before everyone else on his side had their turn. 

The pairings were more situational than hierarchical. Rusher eventually tagged out but Okuma could take back over at a moment's notice with a headbutt. There was plenty of headbutt fun in general, whether it be Eigen running someone in to Okuma's head or all the bad guys recoiling in fear as Rusher's indomitable head overcame them. My favorite bit was when they kept laying them on until Okuma finally got him from behind and knocked him down and did a little dance in victory. Eigen's crew were very good at pulling things back into their corner and they even pulled out the triple clubber at times. When Kobashi got in there, he came in hot and got to do a bunch of things before Teranishi got to smack him down enjoyably. Teranishi is a guy who just hits a little harder despite his relative spot on the card. Eigen got to hit the spit spot shots on Kobashi and never got comeuppance along those lines, though Kobashi did toss him off the top and then set the stage for Rusher to come in and mow him down for the win. This is just some of the most watchable wrestling imaginable, guys who were credible and dangerous and could go but that were just having fun out there with themselves, each other, the crowd, us thirty-five years later.

ER: I knew how much I really truly loved wrestling when I consciously noticed how much I love old man All Japan matches. I love them. I've always loved them. I loved the first old man match I ever saw, a concept I had never heard of before but understood and fell in love with instantly. I was a teenager buying All Japan tapes in the mail within my first two months On The Internet because Mitsuharu Misawa was #3 on the PWI 500 that year behind Steve Austin and Goldberg, and I owned Steve Austin and Goldberg shirts that I purchased from Millers Outpost, but had never heard of Mitsuharu Misawa. Or Kenta Kobashi, who was just a couple spots behind Misawa. I clearly needed to see All Japan Pro Wrestling, without actually knowing how to see it or what specific matches to seek. But I found someone selling AJPW Comm Tapes - whatever those were - and sent them an honest to damn god money order for them. I went to the post office to get a money order to buy Acclaimed Japanese Wrestling over the internet. The first All Japan tape had clips of old men spitting at the crowd while people covered themselves with newspapers, and then all of those old men headbutting each other. This was not the wrestling that I expected, but I was so surprised by All Japan old men that I loved all of them, and there has not been a time since that my love for them stopped growing. 

I call them old men, but they seemed a lot older when I was a teenager. Now I am the same age as Haruka Eigen in this match, and only a few years younger than Rusher Kimura and Motoshi Okuma. These are much younger versions of the old men that I saw, but the Old Man All Japan match is a style as much as it is a literal description of a match. This was men, peers of mine now, working a match in the style of Old Tough Men and it just always looks like a 4 star match to me. The pace goes quick, there's never any kind of slow down in the action, the pairings cycle through constantly (outside of an extended beatdown of Kimura, when you think the entire match might be building around cutting him off from his team, as many of these matches went), and you have the cool element of a 22 year old Kenta Kobashi who was nowhere near who he would be in just a few years. 

As these things tend to, it all just broke down into old men headbutting each other harder than you or I could handle. Okuma has been a real revelation for me over the last couple years, here at the end of his career and never cooler. He brings the headbutt thunder to Rusher and doesn't let up, headbutting him from the apron and then running back to his corner to tag in so that he can continue headbutting Legally. Everybody headbutts in this match. Eigen comes in to sneak attack guys with headbutts and keep momentum on his team's side, Okuma headbutts any time he gets the chance, Teranishi and Momota throw headbutts of their own to keep with the spirit, and eventually everyone gets silent when Okuma headbutts Kobashi right in the nose and mouth. Momota as a fired up babyface is beautiful, tagging in and going nuts on the heels with open hand chops. "You want to headbutt my fucking friends? You want to hit people? I'll fucking hit people. I'll hit all of you!" Eigen bends Kobashi back over the ropes and hammers away at his chest, setting up his own spit spot before the spit spot existed. Men headbutt each other in the back of the head, Okuma runs harder into clotheslines than he runs his own head into other skulls, and Haruka Eigen might be the greatest shit stirrer in wrestling. Another low card old man classic. 


Remo Banda/Rudy Reyna/Mano Negra vs Principe Island/Meztizo/Jerry Estrada CMLL 1989/1990

MD: The opening interview mentions Christmas just happening and there's some mention of 1990 so I wonder if this was just in January maybe? Again, there are some great guys in here. This is Park pre-Park teaming with Jerry Estrada in all of his glory against Super Parka/Volador pre-those things, exotico-turned-tecnico Reyna (who remains awesome in all of this footage) and they get a ton of time to have a very complete match. My biggest complaint is that it was just a little unfocused, but it was a lot of great things that maybe never came together; there was still plenty to like. For instance, the opening pairing (and posturing beforehand) was Remo Banda vs Estrada, which made a lot of sense given they had similar teased out hair and style. They worked well together. The other pairings were good, though I would have rather seen Reyna and Principe matched up. Mano Negra was just sort of there and I don't have a good sense of Meztizo even after watching this. 

The second round of pairings gave us Principe vs. Remo Banda which is a rematch from Panama and just like there, they came off like sparring partners who trained so hard against each other they could to an extra gear with wilder stuff. Even just for a minute or two it was great to see them do their thing against each other again. Likewise, the bit we got of Estrada vs Reyna was very good and full of motion and shtick. The segunda started with some really wonderful, imaginative work where Remo Banda fought off all the rudos, full of a bunch of clever spots you don't see all that often. The beatdown, once we got there, was gnarly stuff, with Principe dragging Remo Banda around the ring or stepping on his hair and pulling his arms up, and Estrada just beating Reyna around ringside with great punches. That made it all the better when Reyna started to come back with the best punches that you'll see this week. It devolved into chaos, leading to Estrada exiting the ring with one of his insane signature bumps and the tecnicos finishing off the remaining rudos. This didn't become a bloody war but as fairly conventional matches go, it had a lot of what I usually look for.



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Friday, December 01, 2017

Now The Earth Was Corrupt in the Sight of Yoshiaki Fujiwara

Pete over at PWO unearthed a bunch of previously unseen New Japan HH which includes some previously unseen early Fujiwara jams. Because there is all of this Fujiwara handheld stuff, plus a couple more new PWFG shows, I am going to intro a Fujiwara advent calendar. New Fujiwara review every day until Christmas!


Yoshiaki Fujiwara/Riki Choshu vs. Roland Bock/Micha Nador NJPW 8/6/81 - GREAT

Neat chance to look at baby Choshu, young Fujiwara (who still looked 45) and a couple of Euro dudes with very little footage. This was an undercard tag, so it didn't have a lot of big dramatic moments, but it had a bunch of nifty smaller ones. Loved the opening Nador v. Fujiwara sections with Fujiwara doing a bunch of spots holding on to a hammerlock. There was also a cool fast reversal section between Nador and Fujiwara later in the match. Bock was fun as a steamroller, he looks like David Crosby but he portrays a powerhouse well, he comes in with some big shoulder blocks and finishes the match with a couple of violent Irish whips into the corner and a nice butterfly suplex.

Yoshiaki Fujiwara/Kengo Kimura/Osamu Kido vs. Animal Hamaguchi/Isamu Teranishi/Ryuma Go NJPW 8/29/82 - GREAT

This was sort of a Choshu's army style six-man before the Choshu's army was a thing. The IWE boys really brought the pace, Go especially was a workrate machine for 1982, he must have really had some demons for his career to end up where it did. Fujiwara isn't a guy you think about as a workrate sprint guy, but he was unsurprisingly awesome in this, throwing cool looking snap suplexes, hitting these cool open hand chops to the head, and isolating Hamaguchi and blasting him with headbutts. Finish was cool with Animal hitting a nifty airplane spin into fallaway slam on Fujiwara for the pin. I also liked how they kept brawling after the bell. I imagine they ran a variation of this trios every show and I imagine it was always great.

COMPLETE AND ACCURATE FUJIWARA

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