Found Footage Friday: OMNI 84~! SPOILER~! GARVIN~! JAKE~! ROAD WARRIORS~! ROOP~! ROGERS~!

GCW Omni 4/22/84

Tommy Rogers vs. Bob Roop

MD: We come in JIP here and you get the ambiance immediately as people in the crowd are shouting "hit him!" and "break his arm!" These two matched up very well for an opening match. They had a nice rope running exchange where Rogers ducked a clothesline and hit a cross body and some really good hammerlock switches. Rogers had an interesting sunset flip in this stretch too, one where he had to really struggle to get over and it's so different from anything you'd see today. He controlled on the arm for a bit but Roop took over just by grinding his heel into Rogers's face after standing up out of an armbar. So simple, so nasty, so effective. He really kept things moving on offense, switching between jumping knees and neckbreakers to just holding the ropes to step on Rogers' throat and and using an abdominal stretch. Rogers just punched his way back but it was with a perfect bit of 'fed up' head shaking and the punches looked good, especially after Roop sent himself sailing off the ropes right into one. Then they went into Roop bumping around for him until Rogers lifted up on a corner charge and got a roll up out of the corner. Different sort of opener than usual given the contrast. I enjoyed it.

ER: Based on the 10 minute call, this is only JIP by 30 seconds or so and it's great. Rogers is small but has real power, Roop leans into Rogers' offense and bumps with real respect, and punishes Rogers when the match calls for it. Roop is a dense, tough guy, and Rogers hits him and uses leverage in a way that makes his long control compelling. Roop is great at selling Rogers' focused arm work, at one point gripping the rope to slowly stretch out his arm, using the ropes to provide restraint while he rolled his shoulder. Roop is Shooter Ned Beatty, strong at injecting realism into matches where you might not be looking. When Rogers holds onto a bodyslam and turns it into a quick nearfall, it's the only time I've seen that spot look like a shoot. Bob Roop can be so realistic in everything he does, that every part of my brain believed he was trying to bodyslam Rogers. I wasn't expecting Rogers to snare him and drag him over when Roop tossed him away from his body. 

Roop moves to control by standing up in an armbar, one of my favorite spots. I love when a guy holds the bar, legs straight to his opponent's body. As he's standing, trying to break, Roop pulls himself up straight by the ropes, ref Nick Patrick focusing on Rogers' shoulders. When Patrick makes Roop break, he does so while stepping down onto Rogers' nose and mouth. Roop is great in control. He does no unique offense, but he does it using movement that nobody else uses. His elbowdrop lands heavy and his legdrop looks clean. His backbreaker has great bounce, truly backbreaking. He throws a straight right punch that might be the single best punch on the show. Several of his punches are in consideration. He bumps for Tommy Rogers' comeback like Tommy has the best punches on the show, arms slapping the mat in big rolling back bumps, going up for a back body drop, toppling over for a knee to the gut. There's a great misdirection before Rogers gets the win, as he wriggles out of a bodyslam and throws a dropkick upon landing, but Roop coolly takes on step back to avoid the dropkick. Roop doesn't capitalize, but the last minute doubt in Rogers win made his sunset flip after ring more true. Georgia was great at that kind of finish, setting up the win with a near loss like a marathon runner briefly stumbling down the final straightaway. Fantastic back and forth, a real tough opener. 

Tim Horner/Sweet Brown Sugar vs. Les Thornton/Rocky Jones

MD: I think Rocky Jones was Mike Masters. Again, it's weird to have a tag as the second match of the card on these Omni shows (from what we've seen at least). This was a fun one though. Jones and Thornton were in matching blue. There was a long shine where they got clowned a ton, first by Sugar on his own and then with phantom tags in headlocks. The heels did something similar with headscissors but it was a phantom heat too as the babyfaces took over soon enough. Horner got greedy and attacked Thornton on the apron and got swarmed for his trouble. Lots more switches behind the ref's back by the heels and the crowd hated each and every one of them, making that same audible buzz that you'd get for punches back then, just the negative version of it. Some good hope spots and Horner getting dragged back before he got a maybe-too-easy tag to Sugar and the babyfaces romped the heels on the way to a Sugar missile dropkick and Horner roll up and victory. 

ER: I'm not going to pretend I know who Rocky Jones or Mike Masters are, but now I have 15 minutes of this man who is shaped like an approximation of Buzz Sawyer and The Gambler. I don't think he has a whole lot to offer the babyfaces while being controlled, clunky about getting into headlocks, but when the match - too late - moves into Thornton and Jones controlling and isolating Tim Horner he suddenly comes into his own. The match comes into it's own once they go full heel control. While I wasn't engaging with Sugar and Horner's babyface headlock control, the Omni crowd was. 

I perked up when Horner tried to cheap shot Thornton on the apron, a confident move that backfires instantly as it grazes Thornton and Thornton sells it like a graze, returning fire and bashing Horner's face into the turnbuckle. Rocky throws an elbow to Horner's eye as he's tagging out. I loved the heel control, Rocky picking Horner's leg really close to a tag out, the physical weight of them dragging Horner back to their half of the ring, the energy Thornton puts into kneeing Horner in the back from the apron, heels trading headlocks behind the ref's back. Sweet Brown Sugar's hot tag has some hot punches, and his butt wiggling dropkick off the middle buckle was fantastic, whipping his legs out in front of him in flight to catch Rocky over halfway across the ring. When Horner tags in for the O'Connor Roll, he rushes into his so enthusiastically that he runs face first into Rocky Jones as he's shoving his body into the ropes, and I liked his dumb guy babyface dedication to not half-assing it. 

Jake Roberts vs. Brad Armstrong

MD: Definitely a tale of two or three matches. Jake is fascinating to watch for the first five or six minutes of this. Go back, if you've already watched, and watch again and just focus on his feet. Usually that's not the sort of thing we tell you to do around here (it's not that sort of blog) but he has these lanky legs and the long pants and just the way he moves around the ring, a stutter start or a bound towards the corner, is really interesting. There are inputs that I don't know enough about the actual mechanics to pick up or judge and on the top of that list is footwork, but I can tell you that his here is fascinating. 

Likewise, he's so good at playing around in the corner, drawing Brad in, complaining to the ref, taking up time, frustrating everyone, getting heat. For the first few minutes of this, I barely remembered he was wrestling someone or that Brad was in there. I was just watching Jake do his thing. 

And his thing for most of the match was to sell his stomach. Anytime there's motion, either him flailing about or Brad cutting him off with a shot to the guts, it's great. Even when Brad lifts him up for a bearhug, it's really good. The problem is that there's probably six or seven minutes of this match where Brad is just laying on the ground with Jake in a bearhug. The issue isn't that he's laying on the ground with Jake in a bearhug. It's that neither of two things are at play: 1) it's not the heel doing it to the babyface and 2) there's nothing that I know of on the line here. Jake's not the champion. So while the fans do care about the outcome; that's clear from the finishing stretch, there's no major stakes that would benefit from Jake being super vulnerable and on the verge of losing (not having ball control) for a brunt of the match. And since it's the babyface doing it to the heel, while the fans are fine seeing Jake writhe and hurt, they can't get behind Brad from underneath in the same way.

When Jake does take over he focuses on the gut too and it's good stuff, especially how he conducts Ellering to interfere or distract the ref. The finish is good too as Brad comes back with some shots to the gut and a great dropkick and Jake is able to just slink his leg over to the ropes to survive the Russian Leg Sweep. Brad gets revenge on Ellering for jumping in the ring to point that out but then eats the DDT. Fans are definitely into it. But that middle section was rough, not because it was a hold, but because it was the wrong person doing the wrong hold in the wrong match.

ER: I am not a Brad Armstrong fan. I acknowledge that he is a Good Hand but his Good Handedness gets in the way of him being a Better Worker. He limits himself in ways that undercut his talent, positioning himself in an underdog position that defined him in ways that could have been avoided. I can't get invested in his work, I rarely get invested in his matches. The right thing has to happen for me to engage with Brad. 

One of the things that makes me engage with a Brad Armstrong match, apparently, is a tremendous 20 minute selling performance from Jake Roberts. I'm not sure if it mattered much what Brad did here, because I could not stop watching every single shiver, shake, and cringe that Jake did. Master class. Did Brad Armstrong have good offense? Maybe? For a guy with a great body who was never taken seriously against heavyweights, I don't think his offense was as good as Tommy Rogers'. But Jake's selling sure made me buy into Brad's offense for a startlingly long match. Does Brad have a really good headbutt to the stomach? I'm not sure, but I sure bought into it seeing the way Jake covered up and flinched after taking it. Jake sells Brad's whips into the turnbuckles like he's feeling them in individual vertebrae. The way he falls to his butt multiple times after taking an unexpected shot was the kind of selling we praised Kawada for on message boards 25 years ago. Every little movement of his, every recoil, is worth a note.  

But what you want here is the way Jake sells Brad's bearhug. It's beautiful, even if it seems ridiculous that this tall drink of water who looks like a drunken little league coach would ever be found in a bearhug. You don't enter into a Jake/Brad match expecting it to be this long, and you definitely don't expect Brad to be wearing Jake down with a bearhug for any number of reasons, but it happens and I loved it. You get to see all the ways Jake tries to escape, all the bargains he makes with God and the Devil to be released. Trying to break with a handful of Brad's tight perm, his hands shaking as he's brought to his knees and Brad meets him there. When Brad tightens the bearhug, Jake actually leaps up into his arms the way Scooby would leap in Shaggy's arms after being scared by the ghost of an old prospector. Jake slowly falls to his back and Brad follows with the hug, Jake trying to fend it off by pressing his forearms into Brad's face bones. I found all of it captivating. 

When Jake is in control, he does some things totally unique to him, the way he drills offense to take small advantages. He hits a pair of sliding punches/shoulderblocks into Brad's kidneys that reminded me of the sadism you see in Abdullah The Butcher matches, a targeted missile that had fast closing speed and real impact, and something I've never seen before. I love Jake's messy fighting, how he kicks and shoves Brad to the floor when they're both on the mat. You don't see enough guys kicking at each other from prone positions, it's all getting into position now. Jake kicks at Brad from his back in smart and opportunistic ways, not caring if it looks messy and dirty. Boots hit just as hard from your back and side as they do standing. 

Jake Roberts made me buy into everything Brad Armstrong did, which is no small feat. It was a given that eventually Brad would focus his attention on the wrong man, and it's hard for people to mentally overcome that inevitability while watching his matches. Jake made me take interest, and when Brad actually hit the Russian legsweep it felt like others believed as well. It might sound easy to fill nearly 25 minutes with a Good Hand, but there's a difference between filling time and actually making it interesting. Jake did both. 

 
Ron Garvin vs. The Spoiler

MD: Really interesting set up here. Garvin's title is on the line for just the first ten minutes and Spoiler comes in with a plan. That's to work a headlock for the first half of it or so to really wear down Garvin. Then when there's just a few minutes, he really hones in on the throat. He has this amazing move he does where he puts the neck against the throat and kicks at the rope causing Garving to spiral back. But he also hits a neckbreaker and drives Garvin's head into the mat and climbs the top to drop neck first on the top rope as he drops to the floor himself. And then the last minute or two is all about Garvin just surviving. He does, but keep in mind he's basically not got a single piece of offense in the whole match.

But the match goes on with the title no longer on the line. And that's really interesting, because then what's it going to be? Usually, it's the babyface who is chasing and then he's going to get the win on the heel after the time limit. Now it becomes Garvin going for revenge for what's been done for him and trying to survive a pissed off Spoiler who knows he can't get the belt. The match switches between those two themes. Garvin starts by wielding a chair to get back into it. 

Once into it, he tries to get his punches in or to work on Spoiler's leg, but Spoiler is too big and strong. At the same time, Spoiler goes for the claw at times but can't get it on, in part because he has to defend against the punches. He is able to work the leg however. Things build past a few comebacks and momentum shifts to a great ref bump where Spoiler redirects Garvin into him. That allows him to start with the claw. Garvin fires back but Ellering gets a chair in on him. There's an awesome comeback where Garvin has to punch his way back into the ring and a great finish where Spoiler comes off the top but Garvin catches him with a punch. This was a little aimless after the ten minutes were over, but that almost worked in the match's advantage because it was about both wrestlers trying to score points and make something out of the violent opportunity given to them now that the title was no longer on the line.

ER: I love this shit. The crowd didn't seem to want a 37 minute match where Spoiler works holds while weathering punches from Hands of Stone but I sure do. Spoiler has such a unique way of using the ring and using his opponent, and I'm not actually sure the crowd enjoys watching him do anything. That doesn't matter to me, because I am so enthralled with his style. He's great at selling for Garvin, he's greater at beating Garvin's ass, stretching his leg, strengthening his neck with choking. When a match starts with a collar and elbow tie up this good, I guess I'm locked in for 35 minutes or so. I love a tough lock up, the legitimacy of it, the struggle. Spoiler shoving off the bottom buckle to get the small advantage. Spoiler's wide base on his side headlock to bring weight down on Garvin. Spoiler's perfect chinlock that looked like the most violent thing in the match, perfect camera angle on it like we were observing a cell phone recorded crime. I lost it when he rolled to his back to wrench it in tighter. 

Spoiler utilizes the ropes in ways that nobody else has, facilitating chokes that seem like something we should have seen in French Catch. The fans get so annoyed when Spoiler does rope chokes, and he has enough different variations that I'm not sure I can ever tire of them. When he's lying on his back, bending Garvin's neck back over the bottom rope, pulling down and back on Garvin's chin, that's wrestling. Nobody else does wrestling that looks like Spoiler's and that always makes me gravitate towards wrestlers. It's more common that when they do something different, they do it well. Not as many are just allowed to keep doing things wrong if they aren't any good. Spoiler finds endless ways to be annoying, tough ways to work holds. When Garvin misses a kneedrop off the middle - a great magic trick, great form on the miss - he takes over with holds targeting Garvin's leg. 

There's an honest to god reaction from Depressed Ordinary People Donald Sutherland, a man who I can't make sense of. He and his wife are front row center at every Omni show, and neither has shown any kind of interest in professional wrestling. I don't know why they're there. The most logical assumption is that their teen son drown to death practicing for a swim meet and they've been left in his wake to attempt to maintain their routines and move forward while being stuck in a specific year. Like the territories in 1984, I guess. Maybe his wife loves pro wrestling and drags him there every single week and forces him to sit through tough matwork that is the least interesting thing in his world. He doesn't react to any wins or losses or dangerous spots or adept exchanges, but he laughs with the two hesher teens sitting next to him as Buns of Stone Ronnie Garvin has those tight cheeks aimed directly at them. Spoiler has a knuckle lock held from his back, thrusting his crotch upward, to meet Garvin's Stone Buns, the arc of his thrust aimed directly at Depressed Atlanta Donald Sutherland and two teens that aren't made like that anymore. He laughs and shows emotion for the first time I've seen on any Omni show, a man who hates wrestling to his core and just misses his dead son, but can still laugh at wrestling when it looks gay. 

Road Warriors vs. Masked Superstar/King Kong Bundy

MD: I really enjoy 84 Road Warriors. They were raw but had such energy and didn't calcify into what they would someday be. They could have been anything. Hawk just flew around, both on offense and bumping for people. He came off the top at Bundy with an atomic elbow smash and then went for another and took the punch to the gut flip bump. A lot of this was just wondering how they'd be able to contain Bundy which is a great feeling for a Roadies match. Eventually they did it with a missed elbow drop, working the arm (including Hawk going up to the top to do it) and double teaming. Superstar was wonderful here. I haven't seen him as a face with the gimmick much but it had all of 89 babyface Ax fighting the Twin Towers which is a personal favorite. And of course the fans OOOHed for every babyface punch, a magical time. Bundy came back (with Superstar's help; all it took was a little) and hit that interesting inside elbow drop to win it which led to...

King Kong Bundy vs. Paul Ellering (3-minutes)

MD: I like how Ellering almost worked this like a cage match, desperate to escape the ring. Bundy had a lot of fun with him, tossing him about. He hit one kneedrop in the middle which was the most crushing thing I've ever seen. Looked amazing but I get why a big guy wouldn't do it often. He squashed him with a power slam and then lifted him up before finally finishing him and demanding the 5 count as time was ticking down. They really gave the fans their money's worth on this stip.

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Found Footage Friday: 80s SPAIN~! PANTHER~! PSICOSIS~! REY~! FANTASTICS~! KIKUCHI~!

Santi Rico(c) vs. Manuel Acapulco 3/30/83

MD: Spanish wrestling! Don't get too excited. This looks like a one off and it is well, well past the glory years. As an overall presentation, it's fascinating though. This is on a variety show of sorts and likened to when they had someone run two days straight from one city to another or a stunt man on. Here it's the defense of a title. That said, they were ready to put their best foot forward and it was a celebration in its own way.

The centerpiece was not Mr. Ferraras, the president of the Castilian federation who was interviewed beforehand and presented  the belt/sash (a nice collection of flags upon it) to the world champion at the end. It wasn't the wrestlers, Santi Rico billed from Spain who had been active for a few years at least and Acapulco (Montezuma?) who was billed from Mexico. Apparently neither had 100 matches under his respective belt. More on them later. It wasn't even Quasimodo, our friend from the French footage, who was known in French as the Caribbean Cyclone, who was there to witness and talk about his school of 30 wrestlers he was training. 

The centerpiece, to me was Bobby Deglané, who even with my rough Spanish and YouTube's translate function, came off as an exceptional commentator, especially for someone who was never on national TV as such. He was a stalwart of the radio days however and was as poised and collected as one could be. He introduced all the rules (which part of the foot you could hit with, for instance, or the twenty count on the outside which was different than boxing) and explained all the techniques. They describe the realness of wrestling as half spot and half spectacle and he was quick to point out the damaging effects of shots to the head for instance. 

Some of the normative things were interesting. They called it American wrestling, Catch as Catch Can. The referee had a whistle for rope breaks. It was set up in six rounds of five minutes with a minute in between. There were ring girls to kiss cheeks and present trophies at the end as well as hold up the round numbers. They even said "Seconds out" at the start so there were elements of British wrestling as well as French (or vice versa depending on how things developed). The crowd was very into it despite being potentially unfamiliar.

And the wrestling was ok, spirited, high effort. It was rough around the edges based on what you'd expect, but that made sense given how quiet the scene was. I'd say that Acapulco looked the smoother of the two as one out of every three things Rico.went for didn't quite work. A lot of the holds did, headscissors, inner armbars, headlocks, mares, with all of the escapes. Rico had dropkicks and they varied. Acapulco leaned rudo as the match went on, throwing knees and rabbit punches and eventually headbutts that led to color (have to make things feel legitimate). This was not Cesca vs. Catanzaro. I'd say it wasn't even Flesh Gordon vs. Eliot Frederico but it was a pretty fascinating glimpse into a people trying to showcase and remember their lost tradition, a tradition that we've more or less accepted that we'll only ever be able to marginally touch.

Isamu Teranishi/Tsuyoshi Kikuchi vs. Fantastics (Bobby Fulton/Tommy Rogers) AJPW 1/11/91

https://www.youtube.com/watch?v=4HjFd7h3fKU

MD: We've missed a few matches from AJPW Classics but it's a bit tricky since some of what gets shown are matches we already had JIP where we just get the first 5 minutes. Maybe we still should go back for something like MVC vs. Jumbo/Taue but I never know. This, however, is, I think, new. And it's fun if flawed.

I struggle with this Fantastics run as they tend to do a lot of stuff and really eat up their opponents if possible. They got the memo and knew they had to look strong in order to be over in All Japan but it really doesn't make for great matches, especially when they're up against Footloose. Then you just get noise. This was better than that because they were able to dominate and Kikuchi's a lot of fun working from underneath. Lots of individual fun stuff whether it was Teranishi trying (and sometimes succeeding) to land on his feet against Rogers or the Fantastics hitting a bunch of double teams. 

Still, when Kikuchi was able to fire back or Teranishi able to stand strong, the Fantastics generally just shrugged it off. The worst of this was when Fulton missed an axe handle onto the guardrail from the apron. Pretty good spot, something you don't see every day. Didn't change the trajectory of the match a bit. Ah well. This isn't Can-Ams vs. Kikuchi, that's for sure. Still pretty fun for what it was though. Just what it was had a ceiling.

ER: I thought this was real tough, hard fought, with a feeling like it was going to turn unprofessional any moment. There were moments of miscommunication between Rogers and Teranishi, but it added to the vibes of Something Going Down. Really, it was probably just because everyone worked real stiff and kept fighting all match. Matt correctly notes some seemingly big spots that don't change the trajectory of the match, but I thought that just made everyone come off tough, wanting to fight. I like Asshole Bully Fantastics as their style is totally different. You still see those moments of babyface grace - look at how clean Tommy Rogers hits a sunset flip off the top - but there are more moments of these little guys throwing real shots. Rogers throws two hard back elbows at Kikuchi's eye when he seems surprised by a hammerlock reversal, so Kikuchi throws two elbow smashes at his eye. I love when Kikuchi is targeted with real abuse, like they all know he can take it and it gives them license to fill up their asshole meter. 

Tommy Rogers bodyslams Kikuchi from the ring out to the damn floor, just slips out the back and throws him over the top on his back. It looked more like John Nord eliminating a job guy from a battle royal, not little power pack Tommy murdering a fellow junior. It looks nasty...but Bobby Fulton's full speed baseball slide dropkick as Kikuchi is recovering looked even worse. Fulton flew between the bottom and middle ropes and connected so flush that he bounced back clean. Now, I expected this to lead to a long heat section on Kikuchi, but there's that thing about everyone just coming off tough, because when they go outside to capitalize Kikuchi just fights them both off with elbows and a stiff clothesline. Bobby Fulton looked like a real killer here, even more than Rogers, and seemed to work a bit better with Teranishi. I was shocked by how fast old man (same age as me) Teranishi flipped onto his feet, and Fulton seemed surprised by it as well. Kikuchi's comeback was real choice, ducking a tandem clothesline and hooking Fulton's waist for a "surprise" German suplex that Rogers instantly dropped an elbow on. The finish was real sick too, with Fulton scooping up Kikuchi for a Samoan drop and flinging Rogers onto him with a cannonball. The Fantastics worked as bully heels in All Japan better than the similar sized State Patrol, and I bet there are many who have never seen them quite like this. 

Blue Panther/Cien Caras/Psicosis vs. Konnan/Rey Misterio Jr./Angel Azteca Promo Azteca 11/30/96

MD: Roy says this is new and even though it cuts out before the finish, that's over 20 minutes and when you look at who's in it, it's worth checking out. Blue Panther was paired with Konnan early and it was sort of fascinating what they did. I'm not saying it was always exactly what I wanted, but it was always interesting. Panther had all of his tricked out stuff and Konnan just sort of roughed his way through in a believable, competitive way. Psicosis or Caras would sneak in to get cheapshots whenever he had the advantage. Rey and Psicosis was old hat but the best damn hat you might want with how Psicosis would base for Rey and Caras and Azteca had some stalling and cheapshots around Azteca getting things in. That was the primera, ending with some rope running with Panther and Azteca and Konnan vs. the world before he set Rey up with a monkey flip right into a 'rana that was pretty damn spectacular.

Segunda has a brief but great Blue Panther vs. Rey exchange and Psicosis stooging beautifully as he was heading into the ropes when Rey was doing the 619 dive tease and he bumped on it. Psicosis also got jammed on a monkey flip in the ropes by Konnan and took a bump over the top after some great struggle. Caras overpowered Rey and the rudos took over. They kept the beat down going into the tercera (including Blue Panther just tearing at Konnan's eye) before Konnan mounted a big comeback against everyone and things picked up towards the finish as it all cuts off. Some very fun pairings and imaginative stuff here though. Tons of personality too.

ER: Any time 20+ minutes of prime footage turns up of these guys, it needs to be covered, and this is a fun as hell way to watch these guys, so many fun exchanges and individual performances. Any new Rey/Psicosis interactions are going to cause excitement, and the more Psicosis footage we get (there is a lot) the more obvious it is how much better he was before WCW. WCW really sanded all the edges off a tremendous all around rudo and boiled him down to being a base with a couple big bumps who wasn't really great at working 3 minute singles matches. Whenever I watch a lucha match from the same exact era he was working WCW, he's so much more of a character, so much more fully formed, so much more of a star. His stooging is an incredible part of his rudo character, one that was mostly boiled away when he became Rey's touring dance partner. Here it's alive and thriving. Tripping over the ropes and getting upset with the ref about it is a great Psicosis trademark that wouldn't have translated to American audiences but was perfect for Mexican audiences. He's able to work more violently here than he would in WCW, and him being more of a flagrant asshole gives greater weight to all of his big bumps. 

My favorite things about this were the Panther/Konnan matwork in the primera, and Cien Caras's increased involvement as the match went on. I don't think I've ever seen Panther hit the mat with Konnan and I thought it was awesome. I am someone who thinks Konnan is better than given credit for while acknowledging that many of the criticisms are fair. He doesn't look like someone who can keep up with Panther on the mat, but he doesn't need to. Panther doesn't need someone who can mirror his abilities on the mat, he is good at working with anyone's personality and ability. Konnan is no slouch, and I like the strength component he brings to mat reversals. Panther may catch him with slickness and technical ability but Konnan is able to use strength to adjust the hold around himself. There was a cool takedown where Panther went inside and used his body to force a single leg, working himself up to an armbar, and Konnan started escaping from it by getting one of Panther's legs in a scissor and forcing it one direction, then grabbing the leg nearest his head and pushing that another direction, so both wound up in this awesome tangle where Panther still had a sub but Konnan was forcing his limbs apart. 

If Psicosis was someone who dumbed his style down for American TV audiences, Cien Caras was a star whose character wouldn't have translated to American audiences at all. He is such a stud, but wouldn't be perceived as a stud to Americans, so all of the great stuff he does here wouldn't get over at all. This cool Mexican stud in his goatee, who keeps going for cheap shot attacks all match and bumping almost to avoid interaction. I loved the end of the segunda, where his boys started being pinned and he bumped himself over the top to the floor, eating shit in the process, running away from Konnan just to avoid being one of the guys taking the fall. But in the primera he also bumped around for Azteca and took a big charge over the top to the floor after missing him, setting up one big bump on offense to get over his big "own goal" bump later, meanwhile always running in and kicking an opponent hard to break up a pin. It's a shame we don't have the finish as I really wanted to see the payoff of Panther goes after Konnan's eye, but you don't need to watch this for its Great Match potential, just watch it to see some legends at various peaks, doing exchanges you haven't seen. 

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Found Footage Friday: SWEETAN~! TAKADA~! VIERNES 13~! CRUZ~! BANDA~! SHARON~! WOLFIE~! ROGERS~!

Bob Sweetan vs Nobuhiko Takada NJPW 4/11/84

MD: This was a fun underdog Takada match that came in around eight minutes. He wasn't fully formed yet. He'd be positioned as a junior even deep into 87 and this was pre-UWF but he was plucky and chippy, combining some of the junior stuff you'd expect from 84 NJPW like the headlock into a twisting drop toe hold and a body press with some kicks and punches and a nice back elbow that hit when I was expecting his spin kick. Sweetan was as solid as could be, every blow a thudding, imposing thing, be it a clubber or an elbow drop or a slam. Late in the match, Takada fought his way out of a pile driver attempt and got the crowd behind him and Sweetan gave him a bit of a comeback right until the fans stopped chanting; then he shut him down quickly and planted him on his head. A weird match up on paper but it worked because Takada got just the right amount for it to stay interesting. 

Babe Sharon/Milo Caballero/Viernes 13 vs Remo Banda/Javier Cruz/Rino Castro CMLL 1989

MD: This takes me, finally, to the end of the first wave of Roy's Monterrey uploads. What a road it's been. More to come as there's a second and maybe even third wave of these uploads. This gives us a first look at Rino Castro and Viernes 13. Castro was a local in the style of Super Porky, just a big tecnico with funny expressions, a finish where he just sits down on his opponent, and the ability to move better than you'd expect in exchanges. Viernes 13 is, yes, working a Jason gimmick, with the hockey mask and a great logo of a bloody axe on his chest. He was pretty clunky at times, not seeming at the right place at the right time, but fed okay at times. The idea that people would just punch his hockey mask and he'd sell it normally and their hand would be ok was a bit weird.

Everyone else looked good though. Babe Sharon was an always-on exotico (who came out with a turban and poofy robe) with a reaction to everything and a bunch of paintbrushing strikes, plush a finishing sequence of just running someone over with weirdly angled shots like an exotico Ultimate Warrior (just with a flip senton to end it). Remo Banda, being Volador Sr./Super Parka, of course, looked great in some of the exchanges, including a flip over armdrag I had to go back and watch three times, not to mention a huge dive on Viernes. Milo and Cruz played their role fine even if nothing stood out. Structure here was straightforward, with exchanges in the primera, a beatdown in the segunda (including a fun double headstand anklelock deal on Cruz to end it) and then cycling through after the comeback. Not a ton of drama here but some entertainment for sure. It's a shame we don't have much more Castro as I'd be curious to see him in other matches.

Wolfie D vs Tommy Rogers MECW 2/13/00

MD: Nice little five minute TV match palette cleanser. Les Thatcher and Dutch Mantell were on commentary.Rogers looked like he could be a solid mid card act in AWF a couple of years prior or XWF a year or two after. They wrestled this clean with a lot of nice looking chain wrestling. Basic stuff done well for the most part. Wolfie took over mid match with the nicest floatover DDT you'll see and then followed it up by immediately cutting off Rogers with another one. Rogers was able to twist back out of the corner for a pin out of nowhere though. Post match, Wolfie finally let the character shine through and cheapshotted Rogers before opening him up with the trash can lid and pedigreeing him on the lid. Presumably this led to a really good live show match but it was a different sort of look at Wolfie than what we normally got at least.

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Richard Charland: Most Nondescript Wrestler Ever!?

I saw a post on Twitter a couple of months ago from Rob Naylor, calling Richard Charland "the most nondescript wrestler", and I was intrigued because I had never heard of Richard Charland. Or, it's possible that I had heard of him, and had seen him multiple times, because perhaps he was so nondescript that I had forgotten about him multiple times over. Well, no more. I'm going to increase the digital footprint of one Richard Charland, who has also gone by the name Garth Vader, which is such an incontestably great and stupid gimmick name that it may disprove Naylor's claim before any footage is even watched. Imagine Big Van Vader dressed up like Garth from Wayne's World! Before now, I never have, and never would have. But because of Richard Charland I can't stop thinking of Vader in a huge Aerosmith shirt, flannel, and big black glasses. Richard Charland has already brought untold joy into my life before ever seeing one second of his wrestling footage, so I am now afraid I am so biased and in the "I will die for Garth Vader" camp that I won't fairly and accurately judge these cherry picked Charland matches. But I will try. 

Richard Charland/King Tonga vs. Jacques & Raymond Rougeau Montreal 6/13/85

ER: This was more angle than match, as Tonga is eventually jumped by Butch Reed and Charland aids Reed in the attack! But he looks fine up until the attack. His tandem dropkick with Tonga looks good, he takes a great backdrop bump, I loved him committing to his missed standing splash that allows Jacques to hot tag Raymond, and I loved him desperately leaping for Jacques a split second too late to stop the tag. There were only a couple minutes to judge, but he seemed like an interesting wrestler in those couple minutes. I'm giving Charland the point in this one.

Richard Charland/Eric Embry vs. The Fantastics AJPW 8/18/90

ER: I really love All Japan matches from the 80s and 90s featuring gaijin who went on only one or two All Japan tours. You get a fun mix of WWF job guys, or guys who just knew guys, and it adds another dimension to their work. And Charland is more interesting than many of them for the fact that he was not on the winning side of ANY of his All Japan matches. It is fairly common practice to give a gaijin a win on their first night of the tour, even if they're only going to be the guy taking a fall in six mans the rest of the tour. Richard Charland took the pin in every All Japan match he worked, and got pinned in a singles match by Haruka Eigen to end the tour. Eigen was not a guy who was winning a ton of singles matches in 1990. He traded wins with Mark Scarpa and Goro Tsurumi, and beat Richard Charland. He lost 3 times to Rusher Kimura. Richard Charland may have had the losingest All Japan tour of the 90s. And this feels important. Richard Charland was Christian Laettner at every Dream Team practice. Charland's squad was going to lose just by virtue of having Richard Charland on it. Now, it should be noted that this is also Eric Embry's only All Japan tour, and while he was also on the losing side of almost all of his matches, he did pull a draw with Isamu Teranishi, and I assume he would have had the opportunity for other tours if it weren't for his accident.

This is joined way in progress, and we only get the final 4 minute stretch, but it is a great final 4 minute stretch. The Fantastics came off like a tiny Kroffat/Furnas, with both impressing the hell out of me with their stiffness and aggression. It's a tight 4 minutes, starting with a cool rope running section where Charland ducks out of the way of a flying Fulton, and Fulton immediately returns the favor ducking away from Charland, leaving him uncomfortably on the top rope. Fulton and Rogers came off almost mean here, and were seriously working like a tiny muscled up Can Ams, which is great! Rogers hits a heavy Samoan drop and a really great powerslam that made him look like a mini Dr. Death. Embry is awesome here, giving us a glimpse of exactly what it would have looked like had Dutch Mantel did some early 90s AJ tours, bringing that brawling element and just planting Fulton with a sick piledriver. Fulton was mad in this one though. I'm not always a Fantastics guy, but now I want to see all of the Fantastics in AJ. Fulton is throwing great punches and even flies off the apron with a knee. The Fans' short legs work to their advantage, as they get no hang time so every time they leave their feet for a move it feels like it's landing faster and heavier, like Fulton cannonballing Rogers with on arc, just flipping him straight down. Fulton's kneedrop/Roger's splash is a cool combo hit well. The Fantastics kind of owned this 4 minute stretch, and Embry outclassed Charland, but Charland looked like a guy who belonged and could have managed just fine in All Japan. I wish we had the full match. 

Richard Charland/Eric Embry vs. Dan Kroffat/Doug Furnas AJPW 8/21/90

ER: This was JIP just like the Fantastics match, but had some great moments, including an absolute holy shit spot. The Fantastics match was hotly sequenced and made the Fans look like mini Steiners; this doesn't seem as tight, and the layout was a little more "guys doing things until the end happens" without the same build. That's not an uncommon early 90s All Japan tag structure. And I liked watching these guys do stuff, so I liked this match. Furnas hit two really big "couldn't stop them if you tried" suplexes including an Albrightesque belly to belly, and the Can Ams don't seem to be treating these two as very credible threats, even though Embry has a singlet that perfectly matches the red/blue AJ ring, and Embry brings the south to Japan by lowering BOTH STRAPS. But this JIP tag was all about one spot, and my god what a spot it was. I have no idea why Kroffat even agreed to take it. Charland plants Kroffat on the top rope and tags in Embry, and Embry climbs up to the middle buckle, his back to the ring. He's fiddling around with positioning, Charland is holding him steady...and Embry jumps backwards into the ring with a classic piledriver, off the middle rope. We've seen more flipping piledrivers than we ever needed to, but I honestly don't know if I've seen a classic piledriver delivered this way. It looked insane. Picture how great Lawler's standing piledriver looks, the way he kicks his legs forward to land in a perfect seated position...and now picture him doing the same thing off the middle rope. But it does not win the match. Obviously. It was performed by a man teaming with Richard Charland. But at least Furnas broke up the pin instead of Kroffat kicking out of THAT piledriver. Charland eventually takes the L by eating a big Doug Furnas powerslam off the middle rope, but I would have taken that powerslam 10 times out of 10 over that piledriver. 

Richard Charland vs. Demolition Ax NEWF 9/27/91

ER: Now this will be a true test of Charland. Teaming with a cool wrestler against other cool wrestlers in the coolest fed of the 90s is going to produce some fun matches. But this is Charland working a newly mostly retired star on a Vermont indy show. And there are a few things that you could say certainly prove the thesis we set out to determine, and one is that the commentator for this match doesn't know who Richard Charland is, and he even says "I don't know who this guy is". That's bad. The screen graphic then states it is Demolition Ax vs. Richard "The Magnificent" Sharlan. The commentator misses the (misspelled) name and from that point on refers to him as "Richard the Magnificent One". And look, I've enjoyed my little dip into Richard Charland, but he's not a guy who is magnificent, at least not how the term is commonly used in wrestling to describe pretty and/or egotistical heels. But he is now Richard the Magnificent One. And to add to Richard Charland's problems, he's literally chased into the ring by a giant lumberjack holding a giant axe. It's Paul Bunyan, who was a legitimate giant that worked one New Japan tour (teaming mostly with Ax) as "Canadian Giant". 

But I dug Charland here. He was a stalling stooge, a guy who got clubbed in the neck every time he got close to Ax, so he would bail to the floor, beg off, toss a microphone, and then get in close and get clubbed all over again. When he took over he did it by cheating, a lot of choking Ax with a ring mic cord, and Ax was always a guy who put over a choking really well because everything about him read like a guy who wasn't getting proper blood flow to his heart. Charland even blasts him with a great kick from the apron, and the pan back reveals this to be a very well attended Vermont indy show. When Ax fires back Charland gets thrown nicely several times into a ringside table, and eats a great clothesline. I love how quickly Charland went down, and I love how low swinging and blunt Ax's clothesline was. Ax even goes to the middle rope for a crossbody. After losing, Charland refuses to leave the ring, claiming it was only a two count. He starts appealing to individual fans and it's hilarious. He points out people, holds up two fingers, points to another guy, nods and points at him like "yeah this guy is with me!", gets down on the mat and does a slow 2 count followed by a slow "safe" sign like it was a play at the plate, and call me crazy but all this reads even better because of his full motorcycle cop mustache.


ER: So what did any of this prove? Is Richard Charland the Most Nondescript Wrestler EVER? He's got a mustache that makes him look like Liam O'Brien opted to get into wrestling instead of forming a bowling team with Jesus Quintana, and he was a non-zero part of these four very fun and different matches. He worked a fun 10 minute match around punches kicks and chokes with an aging star, and it ruled.

So...if Richard Charland ISN'T the most nondescript wrestler ever...who is?


It's Ted Dibiase Jr.


Obviously.

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CWC Throwback Thursday: The Fantastics

Bobby Fulton vs. Tommy Rogers (WWE Raw 6/16/97)

Oh sure, the CWC is all the rage right now, but almost 20 years ago the WWF was starting their big Light Heavyweight division and bringing in some pretty fresh names: Great Sasuke, Taka Michinoku, Tajiri, Scott Putski...okay, three fresh names. And also a famous tag team who were apparently only 36 (jeez is that right!?) but looked about a decade older. Yep, almost 20 years ago the Fantastics made their only career WWF appearance, and it was against each other, in New York (real hot bed of Fantastics fans up in NY), in a 3 minute match.

And the match was about as awesome as a 3 minute match can be. Bobby Fulton comes out wearing some of the least cool tights you've seen (those one-legged atrocities that Zack Ryder shamelessly wore) and Tommy Rogers comes out with his fluffy mullet (18 months after the mullet was mostly phased out of televised American wrestling). Rogers goes for the handshake and Fulton immediately points to his head (he's too smart to trust this Rogers jerk) and hits a surprise dropkick on Rogers. And boy do I love Bobby Fulton in this match. 1997 Bobby Fulton would have been one of my top 5 (top 3?) favorite guys in the CWC. He starts throwing weird low angle elbows in the corner, then starts throwing much nastier elbows to Tommy's jaw, hits a great flash spinkick, and when Rogers rolls to the apron he drops a great elbow on him. Fulton is wrestling like a southern Dave Taylor. Fulton decides that Rogers hasn't had enough so hits a great high speed dropkick that sends Tommy crashing from the apron to the barricade. This whole time Vince is having JR bring him up to speed on the Fantastics, asking them about their history, asking JR how they would have done had they competed in WWF. The ending comes quick, as we had to get to a Headbangers match (vs. Jerry Lawler and Rob Van Dam!?), so Bobby gets his feet on the ropes for a pin, argues with the ref when it doesn't work, and Tommy hits the Tomikaze for the win, which the camera mostly misses while showing the replay of Tommy flying into the barricade. What a weird, wonderful little match. The true torchbearer for the CWC.

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My Favorite Wrestling! WCW Saturday Night 3/11/00, Part 2

1. Todd Perri vs. Tommy Rogers

Damn this is like a WAR six man in its randomness. A Tommy Rogers singles match in 2000? An AWA jobber from 10 years prior, versus a WCW tag champ from 12 years prior. Why the hell not!? And this is a real oddball of a gem right here. After years of seeing Tommy Rogers getting beat down in tag matches, here he's the old vet punishing a pretty boy. They get crossed up a couple times (Denucci doesn't sell a clothesline, but Rogers covers nicely with a fantastic knee lift). Rogers was working pretty stiff here, stiffer than any Fanastics match I've seen. Rogers threw a running back elbow that knocked Denucci through the ropes and it was one of the nastiest spots I've seen on syndicated WCW. It gets even better as Denucci recovers on the floor and charges Rogers, missing a flying shoulder tackle directly into the turnbuckle. It looked fucking killer. I remember Denucci from death throes AWA, but don't remember him being such a bump freak. I dug both guys here, and I'd be really hard-pressed to find a weirder match-up on these shows (god I hope there's a weirder match-up on these shows).

Baby, Chiquita, who are these new generation Nitro Girls advertising Nitrogirls.com? I remember Spice (my personal fave!!) and Tigress, and apparently Stacy Keibler was "Skye". Where are most of these ladies now? I imagined many of them married rich, and/or teach CrossFit classes at suburban strip malls. Chiquita was probably in a Mystikal video or something. Also I looked up Nitrogirls.com and good news everybody!! The domain name is alllll freed up! If you were looking to do a Fyre tribute site, nows your chance to make it look even more official!

2. Mona vs. Little Jeanie

Scott Hudson is flipping his lid for this one. This is a long running WCW syndie feud, and clearly Hudson's personal favorite. Even Larry is rolling his eyes saying he hasn't shut up about this match. This is probably the lesser of their three (so far) matches, but only because it was only given 2 minutes. The other two matches of theirs got 4 minutes, so this was kind of a "greatest hits played faster" version of those matches. Wrestling barefoot is so nutty so Mona always gets bonus points for that. Her armdrags and snapmare takeover look beautiful, and Jeanie planting her with a German was boss. Jeanie throws a couple reckless leaping elbows, with the second going right across the throat. About as good as you can get for two minutes, but disappointing they didn't budget enough time for more.

3. Mamalukes (Vito/Johnny the Bull) vs. Scott & Steve Armstrong vs. PG-13

Armstrongs and PG-13 were both paid off by the Harris Boys to take out the Mamalukes, and there is zero chance Jaime Dundee used that money sensibly. Armstrongs are both wrestling in jeans (Scott has a spectacular pair of white jeans here), and I'm pretty sure Larry just called them the "Marmadukes" but wasn't actually attempting to be funny. Armstrongs working as co-heels with PG-13 is glorious as both teams bully Johnny the Bull while they all take turns taunting Vito. To the shock of everybody that partnership quickly and suddenly breaks down, Vito hits the spinning DDT on Dundee, and Johnny hits a super impressive springboard legdrop for the win. Really wish they had gone home more naturally, as you could tell they were just filling time until getting the signal, as the switch hit and everybody bumped to the floor within a few seconds, leaving Dundee alone in the ring.

So next week they advertise the return of Shark Boy to WCW Saturday Night. That's weird, right? I didn't realize he was ever more than a jobber with a recognizable gimmick in WCW, let alone a "Shark Boy is BACK next week!!! Be there!!!" type character.

4. Billy Kidman vs. The Artist

I enjoyed this a lot more than I thought I would. Iaukea stops and stares silently at a fat guy in a camo hat at ringside during his entrance. The fat guy is mouthing of the whole time but Iaukea just stares at him. I really liked how Artist worked in this gimmick. He threw a couple cool elbowdrop variations, vicious snap suplex and even a neat palm strike. He even outbumps Kidman (although Kidman did have a great bump to the floor) by getting crazy height on a backdrop and Kidman's Rydeen bomb. Kidman goes for a sunset flip and Artist catches him midway and does a Northern Lights Suplex and it looks fucking killer. This match was all Artist and now I really want to see more.

5. Jeff Jarrett vs. The Demon

I've been racking my brain trying to figure out if there is a worker on a regular WCW contract that I know less about than Dale Torborg. I know I've seen him in several matches, but I can't for the life of me remember him doing anything whatsoever in those matches. No signature moves, nothing. So now in the main event (yeesh) I'll finally have my answer! And the answer is....he pretty much doesn't do anything. He punches, sometimes okay, oftentimes poorly. He threw a bad kick to the stomach. He took a nice bump to the floor, but it was nice in one of those "I don't totally know how to do this so I'm going over way faster than I planned and a part of my body may get hung up on the ropes" kinda ways. Like whenever Vince had to bump over the top and he would manage to catch his neck on the bottom rope. Jarrett also throws punches, many of them good. And the Harris Boys interfere. And then The Stroke. And that's it. Punches, punches in the corner, more punches, Stroke.

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