AEW Five Fingers of Death 9/2 - 9/8 Part 1

AEW Collision 9/6/24

Bryan Danielson/Claudio Castagnoli/Wheeler Yuta/Pac vs. Jack Perry/Kazuchika Okada/Matthew Jackson/Nicholas Jackson

MD: Wrestling seems to be the easiest thing in the world and the hardest thing. It's creating a primal connection with people that touches the core of their humanity, denial and gratification that stimulates the endorphins in the brain. It's building imaginary towers, bigger and bigger, creating more and more emotions. Yet if you try to overcomplicate it in the wrong ways or if you don't control for extraneous bits, you lose people along the way and only end up with a ghost of what you might have otherwise built. Worst case, the entire structure collapses in upon itself. The main thing you're trying to do is build up a credible, believable reality while at the same time creating as few disruptions that hinder suspension of disbelief as possible. Wrestling isn't math, but if there was an equation, you'd have that positive element and that negative element summing up to create as much immersion and emotion as possible.

I wrote about alignment the other day and I'll double down on it a little bit here. The build for Pac vs Ospreay has been all about Pac ambushing the likable chap. Cheapshots, denying the crowd the first Ricochet vs Ospreay interaction, walking around with a chip on his shoulder. Maybe Pac has a point but the way that he's going about it is not buying him any favor with the crowd. Yet due to opportunity or circumstance, he's one third of the trios champs, with a group that he had grievances with just last year after their last attempt to team up. And here he had to be a fiery babyface. Yes, characters can be three dimensional and don't need to follow clear heel/face alignment, but they do need to be presented in consistent ways. Moreover, I have no idea what Pac thinks about his partners or how he feels about working with them. I don't have a great sense how he feels about the Elite right now. Here, it felt like a chink in the armor of the match, something that raised questions that weren't going to get answered, that took people out of the proceedings.

There were both structural positives and negatives as well. I'll get to Perry and his antics in a paragraph or two. Top of the list of positives was the denial and payoff of certain elements: Danielson getting his hands on Perry (an alchemy of its own), and certainly the giant swing, which was teased early and then cut off only to come back for the finish, denial and gratification just like it should be. Also there was a very strong face-in-peril segment on Danielson and co. with the Elite hitting a lot of interesting, dynamic, mean, credible offense in rapid succession. On the other hand, you had the big frog splash on multiple members of the babyface side at once, which probably took too long, and had things like Okada hanging on to the much stronger and not all that damaged Claudio for ages while they set it up. Another crack in the foundation. You can kind of get away with something like that if the babyfaces are doing it to the heels as part of a comeuppance laden comeback because you're expecting the babyfaces to be stronger and the heels to try to (and be unable to) wriggle away, but it doesn't work nearly as well when it's the heels doing it to try to get more heat. It's stuff that looks good on paper, maybe, but that ends up being more of a negative in the equation than the positive.  

And then there was the timing of everything breaking down only to come back together and calm down for the first ten minutes or so of Rampage. A match like this was always going to break down once or twice and probably needed to cover a few extra minutes to keep people engaged for the transition to Rampage. I'll admit that I was kind of ready for everything to go home shortly after the teased Okada dive. If they were going to go a few more minutes, just beating Okada around without major attempts to try to pin him wasn't the most engaging thing in the world. Another round of heat on someone like Yuta leading to a second hot tag and the actual finish would have reset the tension enough to get them over the finish line. I get that they had to get through the first commercial break for Rampage but the crowd was low again after the chaos of everyone hitting big moves in rapid succession and beating on Okada didn't really give them a chance to build up dramatic tension again for the finish.

Speaking of tension, let's talk about stalling. I'm still not quite over the lack of it in MJF vs Ospreay at All In, but that doesn't mean I want him to do it against Garcia at All Out. The situation is different. Vs Ospreay he was the blowhard champ and there was a real opportunity to figure out what the crowd wanted (in this case to see Ospreay do his stuff in a stadium and amass rating stars) and deny it completely while showing a cowardice and hypocrisy relative to what he'd been saying. Against Garcia, Max has a hierarchical advantage and while Garcia wants revenge, it makes sense to go a different route with layout and exactly how to heel. Perry's an interesting case. He claims to have just wanted a chance to prove himself but was benched, to be his own man and not Jungle Boy, that he was a scapegoat when he's really just a standup guy, that it wasn't his fault. But then in ring, he's been taking shortcuts and avoiding confrontation wherever possible. He'll get in when it's easy and hit the floor when it's hard. 

I never wanted stalling for the sake of stalling (I never want anything for the sake of itself!). For MJF vs Ospreay, it would have been purposeful, and I think with Perry, maybe it is as well. The heart of any heel is cognitive dissonance. Just like how comedy works by creating a gap between expectation and reality, heeling does as well. Within that contradiction, animosity can be created within the hearts of the fans. Heels can say one thing and do another and then deny that there's any difference at all. There's heat to be found there.

I think Perry's doing a pretty good job at striking the right balance. The first time he came in, the fans were happy to chant along with his catch phrase. But after he escaped Danielson kicking his head in (and that never did get fully paid off in this one; that's for the PPV), and after he popped in and out for a few cheapshots, they seemed a lot less willing to sing along and more eager to see him take a beating. Good! There's a place for all sorts of things on the card, and if he wants to lay claim to that, and if he can find the slightly shifting balance that really fits his character in different situations against different opponents, there's a real chance that Perry can find that niche after all. But like I said, while it's pure and primal, a burr in the heel of the audience that will drive them to care, it's not always easy. But often times, it's the hardest things that are most worthwhile.

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AEW Five Fingers of Death 8/19 - 8/25 Part 1

MD: No PR this week due to some power issues on the island. Good stuff coming though so stay tuned. Thought I'd get a jump on some AEW since there's a lot coming this weekend.

ROH TV 8/22/24

Dustin Rhodes/Marshall Von Erich/Ross Von Erich/Sammy Guevara vs Matt Bennett/Mike Taven/John Silver/Alex Reynolds

MD: If I was in the live crowd, this one would have baffled me a bit. This was taped before the tag title change on Collision so it followed most immediately from the high heat end to the last ROH show. It was a fun, quick-moving, high spirited celebratory match, anchored by a frenetic finishing stretch and from Dustin making the most (as he always does) of being face-in-peril. But in chronological filming order, it had to seem a little offputting to be just so over the top. The crowd had no way of knowing that the emotional beat in the middle would be the action (and interference) packed title change after all.

Watching it on TV, on the other hand, it worked very well for what it was trying to do. That meant the claws came early. It meant Sammy got to take someone's phone and film himself during the shine. It meant Bennett and Silver stooging all over the ring for Dustin. It meant some heel miscommunication before they settled in on the heat. I've said it before but pro wrestling isn't math. Except for sometimes the southern tag formula kind of is. You don't want a heel-in-peril scenario where the shine is way too long. You don't want everything to break down too early so people are rushing in and out for the last half of the match without any structure or trappings. The one thing that can rectify either problem and most other problems, is if you have a really dynamic heat section, even if short. A lot of times that's on the heel team; The Midnight Express could make so much out of just a few minutes, but having a great face-in-peril working from underneath works too and Dustin's the best in the world right now.

So when things did break down, it was ok. Having Silver/Reynolds in there to help direct traffic like the savants they are didn't hurt. Some of the Kingdom's stuff worked right into their wombo combo stuff and it just felt right. And then it all built to a really huge claw/over the shoulder powerslam move by Marshall that we don't actually see that often but that is very impressive. While the tag title match was really how the residency ended, this is our last look at it, and in both cases it ended up on an up note.

AEW Dynamite 8/21/24

Darby Allin/FTR vs The Young Bucks/Jack Perry

MD: I scooted through this quickly the first time and I wasn't going to go back for it; perfect excuse with all the wrestling going on. Hell, I could write about Jarrett vs Daivari or that Big Bill vs Hook match that sounds fascinating instead if I needed another match for a Part 1, right? I might still. But then ol' Joseph rated it 4 stars and I had to admit that I moved through it pretty quickly the first time and... well, let's give it another look.

I really enjoyed the way it stemmed from the Okada vs Claudio match. As I noted in my thoughts on the company the other day, Dynamite does have a tendency to move too quickly from one thing to the other and not let moments resonate. Excalibur is a master of "And now"-ing and "But whatabout"-ing. When it happens organically like this, in that old ECW way, it adds an air of both excitement and connectiveness. There are some tricky bits with that. What does FTR feel about Claudio, for instance? While I understand both the presence that allows for it and the utility of it, the BCC being so mutable is overall problematic. Yuta can't be a shitheel rat boy one day and working from underneath against Swerve sympathetically the next. He just can't. You end up, over time, with 60% gain that you'd otherwise get on both. 60% of Claudio is a lot still, but it's not 100% of Claudio and the company needs 100% of everything they can get. Last note: everyone got the message that if you're going to use time announcements, you have to do it more frequently both within a match and overall, right? No need to reiterate that, I hope. Consistency is everything in pro wrestling.

Ok, on to the actual match; enough stalling. Back to southern tags. This had a very short shine, but one with Darby flying out of the ring twice, heavy brawling, and the double Sharpshooter tease, followed by a great transition with the Doomsday Device kick. Then the heat was on Darby, where if Dustin's #1, Darby might be #2, so that helps. We haven't seen a ton of straight up tags with the Bucks and Perry (it felt like they established the Okada/Bucks combo better) so this felt fresh and dynamic, with a great hot tag and good rousing comeback by FTR.

After that, things broke down a little too early for my liking maybe, but this is a teaser for the weekend and they didn't have a few more minutes to loop into, let's say, a second heat segment on Dax. So it got the job done. Sometimes the job isn't to have the best match possible. Having the Elite try to pack their bags and go got over the bigger picture story better than leaning hard into pure quality for the sake of quality so good on them. Cash's dive was a hell of a thing. I like Dax, the way he thinks about wrestling, how hard he works. But as I think about the necessary moneyball replacement scenario for Bryan Danielson facing AEW in the future (and TK can do moneyball so long as he thinks about it that way), Cash is a guy that almost feels like the middle ground between Mox and Danielson in a way that even at 37 still seems untapped. The last thing he seems to want to do is wrestle singles matches, but in a post Danielson world, maybe people have to be made to stretch (they need to tap into the untapped). Anyway, I always love the Powerplex combined with whatever their partner has, and the Coffin Drop is a great choice there. So yes, this was effective, absolutely got the job done, and hit a lot of positive marks along the way.

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AEW Five Fingers of Death 5/20 - 5/26 Part 2

AEW Collision 5/25/24

Bryan Danielson/FTR vs Jeff Jarrett/Jay Lethal/Satnam Singh

MD: I thought about skipping this because I already said everything that needed to be said for the Dynamite singles match. I thought about just mentioning how great the commercial break was with Satnam doing damage while Jarrett and Jay (and Karen) sat on chairs on the outside and Nigel had a great one-liner about how he never called Tony "Whipped him into the ropes" as that would be silly. I thought about just noting that I'll write five-thousand words if they ever give us a Jarrett vs Danielson singles match. But this was really good. I don't need to say too much about it, but it was really good. You had Danielson getting one upped by Jarrett early and then instead of it working into a shine where the heel gets his comeuppance, it not playing out until the end. You had Satnam showing how dangerous he could and should be by just reaching over and cutting off Dax's shine and draping him over the top; it's as easy as that. You have the protection of Satnam by him not doing all of his big spots every match. He didn't do the body press here. He did do the head-dribbling; he hadn't done that in the Danielson match. That's a huge failing of modern wrestling, the Andrade Effect. Andrade's double moonsault should happen one out of five, maybe even ten matches. He should hit the moonsault most matches and only do the double one on the rare occasion that someone is going to organically roll out of the way. It's 2024 here. We're not all so bull-headed that we're trying to power bomb kidman when we've never done a power bomb in a life. I know that Ric Flair felt like he needed to get all of his signature stuff in because he would have been disappointed if Ray Stevens didn't, but it's better to draw the crowd into something immersive than just give them rote ritual. Don't do anything for the sake of doing it. If Satnam has a number of physically amazing spots, the fans will appreciate seeing the one or two that they actually got to see that sometimes others didn't get to see, as opposed to everyone always getting to see all of them.

Where was I? Oh yeah, Danielson vs Jarrett. Jarrett feeding for Danielson's stuff was so great, just the way he'd slam his whole body back and forth in response. I hated that they were doing the quick camera cuts on Danielson's dropkicks. It's Danielson and Jarrett! We're not talking someone from the Nightmare Factory who only has 40 matches under their belt (and those people will get there but at least then I get the impulse, right?). Don't do the camera cut and rob me of the chance to see Jeff Jarrett respond and react to Danielson flying at him! It'll be ok. I trust them. They trust each other. Production guy who will never, ever read this; please trust them too.

So yeah, this was good. In this case, it was even better at 15 minutes than it would have been at twenty five and it gave them so much to go back to. I just hope there's time to before it's all said and done.

AEW Double or Nothing 2024 5/26/24

Anarchy in the Arena

MD: There's no way to talk about any of these matches coherently. So let me tell a story instead. I caught this the morning after but hadn't been spoiled. Kind of weird thing happened midway through, though. My 11 year old woke up. One of the firm and fast rules of pro wrestling in the household is that it never gets in the way of my family life. I've told this story before but I basically moved in with my then five-year old stepson the same month of the Benoit incident and it was very informative on how much wrestling I have the kids consume. My main feeling is that if they came across it on their own and took an interest, great, I'd show them stuff. Otherwise, there was a firm line. I don't necessarily hide it from any of them, but I usually do stop watching if they come around and want to do something. But she was up early and I wanted to see the end of the match so I tossed her a headphone and we watched the back half together.

I'm not saying this was absolutely her first match ever, but she really doesn't have a working knowledge of the tropes, even if she great at English and has a strong sense of fiction in general. We came in at the point where all of the babyfaces were put through tables which built to the fire spot. And I have to admit, it was pretty tough. I had to explain why they set up the table instead of just laying someone on and jumping on them. Thankfully pro wrestling logic more or less works out. More importantly, I had to explain why everyone was bloody right at the get go. The first time she saw Dax or Danielson, she let out a "Ohhh!" in shock, and then was even more so when I explained how that happened and she was aghast and wanted to know why anyone would do that, to which I reminded her that the second she saw it, she went "Ohhh!" She was more shocked by the fire spot as you can imagine. But she didn't get how he was able to recover and come back later. In general, I repeated, multiple times, that this is the sort of thing they only do once a year.

The nicest thing I can say is that overall, I was able to explain the way causality and consequence worked here. Once Darby got tied up, even as his partners tried to save him, there was a sense that he just had to end up hanging up. It was inevitable. Once upon a time, the sheer threat of it would have been enough, and it would have been like knights saving a princess from a tower before a dragon devoured them. Now, the fans demand to see the dragon devour the princess, even if he spits her out later. But the idea of the Bucks' shoes ending up in Danielson's hands made total sense to her. That sense of hubris and comeuppance is universal. The heels did something that was dangerous but also the height of vanity and it backfired upon them. That sort of thing is primal. All of that is to say that the match mostly held together. If anything, you could be annoyed as a viewer that Perry was able to come back in and even get the win but you're sort of supposed to be annoyed by that, so long as he ultimately gets his comeuppance later on. But still, it would have been better if something like that could have mattered more. But you could say that about almost everything on the card, right?

I did go back to show her the beginning again, because she likes Final Countdown and I thought she'd get a kick out of it. That meant I had to explain why Perry was the Scapegoat so that was another headache. The match was full of things (fire, exploding weapons, gimmicked shoes, the music) that all were callbacks; it's very true that this drained some of the organic sense of violence of it all and the next time they run something like this it needs to be raw. At times it felt more like the Jarrett vs Briscoe Concession Stand Brawl (a WWE style food fight) than, let's say Mad Dog vs Demus. Next time they run this, they should be sure everyone is expecting the former and lean hard with the latter. Some of the individual moments were transcendent though, most especially some of the things Darby let happen to him and the two big musical moments: Darby hitting the coffin drop right as the words hit and the shot of Danielson reveling in it all with the wide shot. Still, it's best to remind yourself that it only happens once a year, give or take Stadium Stampede. It just means that the rest of the year should try harder to be like the two Satnam matches and define a baseline of meaning so that the rare match like this can play off of it. Anyway, right after this we watched To Catch a Thief together and that was a more wholesome family experience.

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AEW Five Fingers of Death 3/11 - 3/17

AEW Dynamite 3/13/24

Darby Allin vs. Jay White

MD: Obviously now, a few days after the match we're well aware of the injury that happened very early when Darby hit a dive and hurt his foot. Definitely a strange occurence considering that there was a post match ankle injury angle to write him off. I'm all for guys being written off but it was maybe a little weird considering he was climbing Everest. It should give White plenty of heat doing a "I Broke Darby's Foot" or, alternatively "I Shattered Darby's Dreams" deal. Given the weighty promo Darby made they've been walking a fine line where they admit that it was on the dive but also point out the post match chair shattering. This is rare ground; it's not every day someone gets hurt in the same place that they were supposed to get hurt to be written off screen and put heat on the heels, while also substituting the reason why they were written off for the actual injury. And it's not every day that the reason they were originally written off is due to climbing a dangerous mountain. Wrestling is at its most serene when it's at its most honestly bizarre sometimes, I guess?

Originally, I was going to write about consequence, focusing on the injured/lacerated back and how great a job they did making what happened to Darby against the Bucks resonate. That was present right from the get go. Darby, of course, has a history with headlock takeovers, but the one that White hit him with at the start was made to seem particularly devastating. This is a good thing. If wrestling is trying to create a suspension of disbelief over time, then having consequences last after one match and into the other is not just something to aim and strive for, but also actively helpful in situations like this where you have people of similar hierarchy and want to realistically put one over the other while still protecting the loser. It was presented as valiant (and crazy) that Darby was out there at all. He was bandaged. Every slam or bump or crash into the corner or prone press to the mat for a pin attempt was presented as painful. We'd seen the blood. We see the bandages. We could imagine the pain. Wrestling getting us to imagine pain is a great way to help us to suspend disbelief and more thoroughly immerse ourselves in what we're watching.

What's astounding here is how thoroughly they leaned into it even after the foot injury. Immediately thereafter, Darby hobbled across the ring to hit the tope. He followed it up by eating the half and half into the chair. I think back to Danielson/Okada one and how they adapted with the injury. Here, they didn't, and that felt like the right move since they were still selling the weight of a spot-of-the-year type crash through glass. The overarching story was that Darby was already a step slow. It made sense that as the match went on, he might be two steps slow. One injury creates the possibility of another. Vulnerability begets vulnerability. This is all basic pro wrestling storytelling; it can be done more or less gracefully, but early work on one body part so often opens things up to shift to what the wrestler really wants to work on. It's all a matter of whether it is coherent and compelling. This wasn't quite that as White never targeted the foot/ankle, but after comeback attempts and cutoffs and multiple times dodging the Blade Runner, Darby took too long to hit the coffin drop and then missed entirely when he tried to course correct once White rolled to the apron. That was basically the finish, as Darby valiantly beat the count only to get hit by the Blade Runner. I don't necessarily know if I have a unified thesis here other than the notion that Darby's one of the best in the world at portraying that most important element of pro wrestling, consequence, and here it was multiplied multifold considering the bump through the glass preceding the match, the weight of Everest over their heads, the legitimate injury early on, and the injury angle post match. In that regard, it was an unquestionable counterbalance to...

Eddie Kingston/PENTA/PAC vs. Young Bucks/Kazuchika Okada

MD: Hey, did you guys see the PENTA vs. Action Andretti match from Rampage a week or two ago? It was like there was a metal plate in Andretti's head and a giant magnet in PENTA's boot. He just kept zooming headlong into superkicks. It was the funniest match I've seen in a while. It's amazing when you think about it, that someone trained their body to be strong and fast and supple enough to twist and fly and contort all to the end of crashing into someone else's foot seven times in one match. Pro wrestling is the wackiest thing, really.

AEW Collision 3/16/24

Bryan Danielson vs. Katsuyori Shibata

MD: The biggest red flag in this match is the strike exchange. It's at the end and we're at the beginning, so let's leave it ahead of us for now. There's a sort of comforting, lazy casualness to putting these dream matches on Saturday nights on free TV. They're all X amount of years after they should be (even, arguably, the Hechicero match! We were watching him fight Black Terry in 2014!). The stakes are low. Ultimately, there's a level of pride, the fear that this won't be enough, the worry of injury. On the other side of the scale is perspective; we understand that it's a near-miracle that we're getting these matches at all. And they continue to be interspersed in Danielson's 2024 journey, one where he is finding peace with himself and the path before him.

This match could never give us everything we hoped for. By its very nature, it made us hope for too much. What it did give us, however, was wonderful parallels and, truthfully, so, so much of what we were looking for. It certainly gave us what we needed and only a little that we likely didn't. Considering we were dreading shoot headbutts between the two, the match ended up not just a miracle and a joy but also an absolute relief.

They started out with a feeling out process and some matwork that was tight and gritty and based around opportunities and openings while still feeling tricked out. It felt like it was bordering on shoot style at times, not quite UWF but more UWF in 86 NJPW with that firm pro wrestling patina. Everything felt earned and it was all interesting. They played into the parallels (first on commentary mentioning the head injuries and then in the match itself) with both wrestlers getting bow and arrows.Danielson went to strikes first but that just let Shibata play stoic in the corner. More often than not, it's Danielson going into that well, not his opponent, so this let him play up against a different sort of paragon. Danielson realized he wasn't going to win in a standup at this stage of the match and went to the leg. That opened up the arm and other holds, including him stomping on the elbow. Shibata was able to get him out and hit a PK on the apron though, sending things to the break.

During the break, Shibata pressed the advantage on the floor, but Danielson trapped him in a chair and hit him with a running dropkick. He wasn't able to press it back in the ring, because Shibata, trapped in the corner, turned it around and started throwing these killer pokey Tenryu-esque punches. In his control, he was able to dropkick Danielson in the corner and step on his elbow. Parallels abound.

They went into a false finishing stretch there. Shibata wins matches with the sleeper into the PK and he tried the sleeper here. Danielson fought out and they traded ankle locks, with Danielson turning it into his ankle-hooked German, followed by a Shibata STO. This really felt like a finishing stretch, with both wrestlers down, Shibata recovering for the death valley driver, and Danielson reversing the ripcord forearm attempt into the Busaiku Knee and the LeBell Lock.

It doesn't work though. You see false finishes, but you rarely see a false finishing stretch that feels so fully formed. AEW house style often has a shine/heat/a finisher teased right before they go to the commercial break, but this went further than that. In doing so, it made the strike exchange that was to come more palatable to me. Yes, they'd ultimately be asking to get hit, but it was after they brought the match to a logical conclusion and it simply wouldn't end. Yes, I say this fully understanding why strike exchanges like this happen, the cultural significance, how they played out in the 2010s. I still don't love them. I get that fans want them. I get that they're expected. Later in the show, during the Keith/O'Riley and Claudio/Archer matches, they were even more egregious because this one felt like it was a special moment and it ended up being not even a once-in-the-night (or twice-in-the-night moment; guys were asking their opponent to hit them all night!).

But I won't punish this match for what came later. Here, at least, it did feel special, with Shibata sitting cross-legged first, with the two trading boots after he rolled to his feet, with Danielson dropping down and showing that they were equals, with both cross-legged and firing away. There is no rule of wrestling so universal that there isn't some situation where it makes sense to break it. For strike exchanges where people just ask for it, this was probably it. Danielson won it (when he couldn't earlier) and to me, it was because he had already hit the knee once. That's when they went into the real finish, with Danielson failing on his second knee, Shibata locking the Octopus, and the two going into roll ups. Maybe it was my own expectations. With these two, I was expecting that extra level of excess and we only got the normal level of it, placed at the right point in the right match to make it resonate. If they had worked the whole match that way, it would have frustrated me, but a couple of minutes of the ultimate parallel, the willing strike exchange, in a match built upon the notion of two so equally matched mirror-image wrestlers, well, what can I say? It worked for me.

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AEW Five Fingers of Death 2/26 - 3/3 Part 2

AEW Revolution 3/3/24

Sting/Darby Allin vs Young Bucks

MD: I was on the fence whether to write this up or not. It's one of those matches that defies analysis, transcendent in the emotion. With a week's distance, however, I figured that maybe it might be fun to try to take a more clinical approach to something so impossible to break down. As I was writing, I think I ended up getting emotional anyway, but I'll at least give it a go. Let's start with the Bucks. I do not write often about the Bucks. I won't deny their talent certainly. I have a long essay in me about how they got ahead by breaking norms because if they would have wrestled within the norms, no matter how well they might have done it, they would have never gotten ahead. That's admirable on the one hand and probably very destructive in another. Metatextual deconstruction in an art form that relies upon suspension of disbelief is harmful over time. It takes a genie out of a bottle, changes incentives, modifies the relationship between wrestler and fan. I absolutely believe that it was what they needed to do to get ahead and it's hard to fault them for it, but ... well, like I said, I have an essay but that's not what I want to write about here.

I will say this, however. The act needed an overhaul. They work best when they're representing a sort of counterculture, when they're pressing against something, rebelling against something, when they have a chip on their shoulder. The story of the Elite and All In and early AEW is that they bet on themselves (and against those who said they couldn't do it) and won, that they created a new paradigm where they could succeed outside of the old systems where they could not. There was a certain amount of time right at the start, through the pandemic, as crowds came back, when that sort of celebratory spirit could carry things. I think we're past that now and certain swings, such as the trios division being created to celebrate their vision of pro wrestling, sort of fell flat because of that. Obviously with the Punk situation, they had something they could press up against, but legally and practically, they weren't allowed to in a way that would draw money. Things weren't working. To their credit, they stopped, retooled, and looked at all of the current criticisms against them to pull together characters based in a sort of assumed reality that better fit guys in their mid to late 30s than the traditional "Young Bucks" gimmick did. Suddenly, they have something to press up against again; suddenly there's a chip on their shoulder once more; there's something with meat on the bone to give them an edge.

And that edge allowed for a program that needed to be something more than just two athletic guys bumping and selling and feeding and providing motion for Sting; it allowed for it to have the emotional weight and gravitas it deserved. By the time you hit the match itself, however, we were all in a sort of exceptional situation. There was always the hint of doubt that Sting would actually win due to some of the traditional pressures of pro wrestling. The retiring hero should lose on the the way out and put over younger talents. The champion should lose the belts to keep continuity. Darby is going off to climb a mountain. The Bucks were particularly ascendant in their new characters; the champions would be gone and the challengers would have to carry the territory. And up until the Dynamite before Revolution, the Bucks had all the heat. Yes, Sting and Darby were undefeated and had won the titles, but during the build the Bucks were in control of the situation. That changed on the 2/28 Dynamite, with head games and Sting dropping from the rafters for the final image of a Death Drop on a Jackson (not a stooge, not security). So some of that heat was blunted already. The Bucks had already gotten a taste of comeuppance. The champs were on the rise. It was okay though, because the iconic moment was worth it. This entire situation was exceptional; it bent the rules of pro wrestling. It was a once in a lifetime event. That's why the Bucks maybe did make sense as opponents; they've excepted themselves from those rules for their entire career. They could swim these uncertain waters as well as anyone.

And they swam right into the start of this exceptional match, with the breathtaking entrance of three Stings (three Bordens) and an immediate numbers game advantage for the babyfaces. The Bucks already needed some sort of wedge to get and keep control due to the size and presence differential. They had superior teamwork and experience, maybe (Sting and Darby were 29-0 after all), but that didn't really come into play during a Tornado Tag. The heel interference that was part of the Elite's 2021 heel run wasn't in play here either. Like I said, no stooges. But again, it didn't matter, because the fans were there to celebrate Sting. The family got their revenge early on. In some ways, that story closed itself off and it came down to the titles and the question of whether Sting was going to leave undefeated with gold around his waist, with the lingering secondary question of just what sensational and dangerous thing Sting or Darby might do on the way out. While that's a question that sort of tugs at suspension of disbelief, it only does so far. Sting and Darby are so confident in their own skin, so comfortable as the characters they embody, that you believe their crazy dives are meant to even the odds of size and age and actually harm their opponents. It's not gratuitous or simply living up to expectations; there's a reason that those expectations exist in the first place. Here, the snake eats its own tail in the best of ways.

They moved away from the ring and got the Borden kids out of play. There was never any explanation for this. In a tornado tag, anything goes. That said, when you're pulling against norms as thoroughly as this match did at times, you don't want extraneous questions. Maybe there could have been a throwaway line that they had come out for the entrance as planned and cleared, but then got involved in an unplanned way. Now, they had been escorted away by security, not because the interference was illegal, but because they were not cleared to wrestle or had signed any waiver to perform and AEW had to protect itself legally after what had happened a few weeks prior? Something like that. On the other hand, do you want to waste any emotional time on it? Sure, part of me wondered why they weren't helping out when the Bucks were doing major damage late in the match, but maybe it didn't bother anyone else. Maybe we just accept the moment for what it was and that the story had moved on. I'm never very good at just accepting the story had moved on myself, not when it comes to selling, not when it comes to dangling plot threads. But again, maybe that's just me. I spent a paragraph on it, but I'm also willing to let it go and not look back once I hit "enter" twice to start the next one.

The Bucks needed a major shift to take over considering they had already received quite a bit of comeuppance. They received it with Darby crashing through the glass. When you're in a situation where you can only have a relatively short heat segment with the heels in control, it helps when you have dynamic offense, spectacular suffering, and blood: the more the better. Darby's entire back was lacerated. That made everything feel absolutely serious quickly. Then, instead of getting to hit one of his signature dives, Sting was cut off and took a spectacular bump through a table instead. The Bucks did more than that, but just from those two flashpoints: the image of Darby's back and the image of Sting going through the table, they had everything they needed to capitalize on the drama of the moment. Sting made his superman comeback attempts (and the kickout on the EVP trigger was it's own sort of magic) but the numbers game was too much for him. Again, most people expected this to be celebratory; the whole show was a celebration of Sting, but there was always the tiniest kernel of doubt for reasons awash in the moment and ones listed above about the nature of pro wrestling retirements; if Sting demanded that he do the deed on the way out, who could really say no to him in the end? All of those things came together like a bolt of lightning to empower Darby's big save. That hit as perfectly as any pro wrestling moment ever does, that feeling in your stomach watching that makes you want to gasp and cheer and sigh all at once.

From there it was academic and, of course, exceptional. Sting won on the way out. It felt like the most right thing in the world. They broke three or four narrative rules in the build, in the start of the match, in the result. I'm not going to say it shouldn't have worked because of that. It was too big to fail, over 16,000 people and almost 40 years big, and fueled by respect and love and admiration, created by people who understood the worth and value of pro wrestling and the power of believing in something bigger than yourself. But as hard as a pill as it might have been for me to swallow at the start of February (and as hard as it is for me to accept at all, because I just don't want to see the guy go), this was the right place and the right time with the right people to create something that was exceptional not just in its nature, but in its quality as well. 

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2023 Ongoing MOTY List: The Elite vs. Top Flight Fox

 

Kenny Omega/The Young Bucks vs. AR Fox/Dante & Darius Martin AEW Rampage 2/15 (Aired 2/17/23)

ER: On paper the idea of The Elite working a 10 minute long NBA on TNT match filled with amateur Harlem Globetrotter routines sounds fucking terrible. I mean just awful. They're wearing jerseys and yucking it up real chuffed with themselves, throwing the rock around. It sounds so fucking bad man. But I guess my brain is just wrecked on gas station Stay Hard pills because I enjoyed all of it and actually wish it had way more basketball spots. How were the basketball spots in this actually good? Everybody in the match handled a ball much better than I would have guessed and what should have played as Bad Chikara Shit played out as Good Chikara Shit: Jump balls leading to atomic drops or superkicks, Kenny catching a ball to the nuts running in to interfere, Nick getting a ball thrown at the bridge of his nose two different times! Who could have possibly guessed that everyone but AR Fox had Necro Butcher Throwing Chair precision with a basketball. 

Fox didn't really contribute to any of the good pass drill clown hijinks, but he at least spammed a hall dozen high hang time dives. AR Fox dives look impressive in air but make very light contact, so spamming them as a swarming attack instead of impact attack works better. They made the smart choice and made all of the basketball spots end with actual impact. The Comedy lead to The Violence. A basketball to the face hurts, and the ball was flying around the ring while guys were busy doing other spots. Darius Martin looks cool backflipping with a basketball. Really cool. Like the Phoenix Suns Gorilla cool. The Goon worked excellently as a violent hockey player gimmick because it's cool seeing big Bill Irwin checking guys into boards and going low on shoulderblocks. We've never gotten a Bill Laimbeer/Draymond Green violent basketball player gimmick. We're not there yet. The technology isn't ready. But the basketball spots in this match transcended Human Tornado dunking on a huracanrana and I was not expecting that. 

2023 MOTY MASTER LIST

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2022 Ongoing MOTY List: FTR vs. Young Bucks 2

7. FTR vs. Young Bucks AEW Dynamite 4/6

ER: These teams had a nearly 30 minute match several months before this one, that I imagine was the exact kind of match that every Revival fan wanted to see them have in AEW. I preferred this one, and not because I'm a joyless sack, but because this felt much tighter, less bloated, and felt much more like a wrestling tag than a This is Awesome performance. Now, it's not exactly profound for someone to state that a match 2/3 the length of another match is "tighter", but it's an easy observation. This is 20 minutes that felt like it hit a dry patch for awhile around 15 minutes in, but still felt like it hit the sweet spot. Keeping it shorter avoids unnecessary kickouts and cuts down on superkicks. 

I liked every guy in this, with Matt Jackson standing out especially, a grating ass who actually backs it up before getting shut up. FTR were a great team here and really seemed to be operating as one, with smart tags and awesome dedication to making the small stuff work. FTR is a team that makes sure their drop toeholds look good, and I think that's fantastic. The Bucks are great at making fun of FTR's Bret/Arn idolatry while also clearly doing it as heels. It's an easy target, and after the Bucks did the tandem sharpshooters, Matt hit a Hitman elbow off the middle buckle and stood up doing the douchiest Bret pose, I was laughing my ass off. The douchebag balance is very important: If the Bucks are too cool then FTR look like dweebs who once saw a gif of Arn doing a fake-out punch to set up a DDT and decided to do that every single week. The mockery keeps the Bucks heels and it keeps FTR honest, and I loved when Harwood did a fake-out to spike Matt with a piledriver. 

I thought they built to cut off spots well the entire match, like Nick stopping a powerplex with a big rana, FTR stopping the Meltzer Driver (surely it still doesn't have that stupid name?) with a Dax powerbomb, or the way FTR were always there at just the right time to blast into frame with a partner save. The Bucks leaned into cheating down the stretch and I dug that, and thought they came up with enough plausible ways for Wheeler to keep winding up near the ropes, hurt but not dead. My only real gripe with the match is that Nick came back into the action way too quickly after getting nailed with a Dax brainbuster on the floor. The sprint directly after was the only time the match felt like it was letting the moves dictate the match instead of the wrestlers. That said, I don't think the match ever went full overload, really loved how they all worked together, and thought FTR's selling was super strong throughout. We'll get a third match before long, and I assume that one will swing back the other way and be closer to 40 minutes, but man I'd love to see them go wild for 15. 

2022 MOTY MASTER LIST

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AEW Five Fingers of Death: Week of 6/20 - 6/26

AEW x NJPW Forbidden Door 6/26

Chris Jericho/Sammy Guevara/Minoru Suzuki vs. Eddie Kingston/Wheeler Yuta/Shota Umino

MD: Hot crowd, some real stakes, a lot of personal issues, and guys stepping up, so there was a lot to like here. The biggest issue was Eddie vs Jericho, obviously, but Eddie had reasons to get his hands on Sammy after what happened to Ortiz and Suzuki was in the match to be the anti-Kingston weapon (to great success as we'd see). So they delayed Jericho vs Eddie until the time was right. The AEW house style is all about setting up spots and paying them off later, or alternatively, hitting spots and then inverting them on a second attempt. Here, after Yuta started off with Jericho giving him a ton of shine (albeit shine leading to an easy enough kick out for him) and the subsequent brawling around the ring, they gave the crowd a Kingston vs Suzuki chop off. Suzuki walked into the machine gun chops, completely negating them. He took the advantage and Jericho came in to take advantage of that, only for Kingston to comeback and then hit the machine gun chops on Jericho, who sold all over the place. That, right there, was a nice little bit of set up and payoff. Suzuki was able to get Kingston's arm as he tried to knock him off the apron, though, and that gave us a bit of a heat. Just a bit though. 

The match would break down shortly thereafter and stay broken down for the rest. It worked more often than not and most often when there was a big character impulse driving it, like Umino getting Jericho in the Crab and then enduring shots from everyone or when the hit the dive train with Suzuki teasing his or the triple submissions or, I suppose when they hit one rapid fire spot after the next ending with Sammy's cutter and Yuta's splash, though that last one felt more choreographed than opportunistic. Some of the choices between break-ups and nearfalls towards the end were a little dubious, most especially the tornado DDT/brainbuster combo. The dynamic between Kingston and Suzuki, where Suzuki kept getting in his way and slowing him down but not ultimately stopping him from getting a shot in here or there was effective. Yuta and Umino stepped up appropriately; no one can say that Yuta isn't taking full advantage of his opportunity. Sammy looked like he belonged in there. I'd say the finish followed from the story of the match well enough too, as the cumulative damage was ultimately too much for Kingston's side. I would have maybe liked more extended heat before everything broke down though. 

Bullet Club (Young Bucks/El Phantasmo) vs. Dudes with Attitudes (Sting/Darby Allin/Shingo Takagi)

MD: By the time this match started, it'd been non-stop multi-wrestler action since that little heat segment on Kingston's arm, with maybe a small respite when Clark Connors was getting beaten on. The action was good and I'd argue even at times smart, but it was all a little much. If they had shuffled the Ospreay/Cassidy match earlier on the card maybe? On paper, a match with a bunch of comedy spots would have been a good palette cleanser but it was still a multi-man spot-laden thing, so while being different in one way, it was more of the same in another. That said, in a vacuum, all of these things worked. Sting hit the big dive to start and then got to hit his first ever senton. Darby unsurprisingly fed into all of the Bucks' stuff well and they fed for his comeback. Sting got to get a bunch of superhero moments and the crowd went up for all of them. When everything really went crazy at the end it occasionally got a bit disjointed, which sometimes makes things feel more organic but maybe not here. I thought the finish felt a little flat maybe because Shingo had a bit too many things and the fans weren't as familiar with them as they might have been? Or maybe it was because it was a bit of an anti-climax due to the couple of minutes before it. Still, it's amazing how natural and meaningful Sting felt on this card, which is a testament both to him and his opponents.

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AEW Five Fingers of Death: Week of 5/30 - 6/5

AEW Dynamite 6/1

CM Punk/FTR vs. Max Caster/Gunn Club

MD: Obviously, it's hard to watch this one back and not be on the lookout for how Punk is hurt. They really build to him coming in the first time and he's there for the hot tag at the end, so there's not a ton of it but it was a little striking how often he went up to the top in that short time he was in there, a double axehandle to start, the body block back off the ropes, the elbow drop on Caster, the springboard attempt that goes wrong on his way in. The Gunns, Austin especially, with his manic energy, have a lot of potential, but they're not there yet. I've come around on Austin's chop block to take out the legs. The first times I saw it, it felt inadvertent, a move of opportunity that shouldn't come up every match, but now he seems to look for it more, as part of his overarching strategy. He's great at reacting when he knows something is coming, when it's a planned spots, but you never know when the crowd is going to start an ass boys chant and he's not always so great at organically working that in. Punk, on the other hand, old pro that he is, can switch a facial expression or little appeal to the crowd mid-sequence depending on how they're reacting. Most of the match was the heat on Dax, and it was good, with a great cut off to lead into the commercial as Dax knocked two of his opponents out of the ring only to have them rush around to take out Punk and Cash off the apron. The fact he put them in position to do so made it even better. Having Billy to sneak in a punch and Bowens to use the crutch only helped matters. Any issues with the match down the stretch were due to Punk's foot, and the internal feeling in your gut that we'll be missing out on what this pairing might have been the start of.

Matt Hardy/Christian Cage/Darby Allin/Jurassic Express vs. Hikuleo/Young Bucks/ReDragon

MD: This was the homecoming match for the Bucks and was going to showcase them while also theoretically giving a little attention to Hikuleo in advance of Forbidden Door, given that Cole is apparently banged up. It wasn't going to be for me but I thought the structure was generally effective for what they were trying to do. Here, there the sort of shine where everyone got to get their stuff in before the dives were all to set up the transition, by clearing the ring so that you were left with Christian and the Bucks. The most interesting moment in there was Christian interacting with Matt Hardy for a moment. Anyway, it meant that Christian worked as face-in-peril during the commercial which is always where they stick the heat, and even though it was a fairly pro-Bucks crowd, by the end of it, there was a chant for him because he's one of the best traditional babyfaces in the company. I know people are itching for the Express to lose the titles and Christian to turn on Jungle Boy but I've always much preferred Christian as a face and there's about another thirty match-ups I'd like to see him have in the company before such a turn. After the hot tag to Luchasaurus it all broke down like you'd expect, an extended, chaotic finishing stretch leading to the Bucks ascendant. Hikuleo got to show a few things here defensively, jamming the chokeslam attempt, catching a dive, no selling Hardy's slams into the corner, but he didn't do much of anything on offense which seemed like a bit of a missed opportunity. This wasn't anything I was particularly looking forward to but it gave the crowd things that they wanted and had enough good things that it did me no lasting harm.

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2021 Ongoing MOTY List: Kingston/Penta vs. Young Bucks

37. Eddie Kingston/Penta El Zero Miedo vs. The Young Bucks AEW Dynamite 6/30 

ER: This is the exact kind of match anyone who goes to Dynamite wants to see, a match AEW has been delivering pretty consistently since they began. Kingston and Penta weren't really a team I foresaw happening, but they've gotten pretty glued together. The Young Bucks have new facial hair and and dingle ball headbands and look like a couple chooglers who just added a sitar player to their band. Kingston and Penta have some real cool double teams, some good ways to combine their offense. Early on Penta stomps on Matt Jackson's taint from the top and Excalibur says he is "punishing the perineum". There's a couple beats of silence before Schiavone roars in with "Did you say punishing the perineum?" 

The Bucks work this as a cocky team who aren't thinking they will lose, which is a tough attitude to take opposite a guy like Kingston who will fight hard even when he knows he is going to lose. But, the Bucks do a double team fistdrop and that is a kind of cockiness I will always support. There are several great moments of Kingston going up against both Bucks where he decides to not treat their offense seriously, taking both of their little kicks as he stands with his back to them, eating more superkicks than he should late in the match, because Kingston doesn't always fight the smartest fight, and there are no better emotional fighters in wrestling. Kingston gets a nice superplex and makes a hot tag, and there's an awesome nearfall when Penta hits a corkscrew code red for a VERY late kickout from Matt. The crowd thought they saw the win and Jackson was hilarious with prayer hands and upturned eyes thanking the lord above for guiding the referee's hand a bit too slowly to the mat. The back stretch is loaded with bullshit but I thought it was all highly entertaining, a bunch of ECW run-in misdirection, Kingston showing he would have been the all time best Tommy Dreamer, Penta taking out a bunch of people with a tope con giro, a great Nick Jackson ball shot to King, and a sick 1-2 finish of a Penta stuff piledriver and King backfist. Helluva way to start an episode of TV. 

PAS: This was a bunch of fun, maximilist Young Bucks tags aren't my thing, but Eddie Kingston is great at working match styles I don't like and bringing me into them. I loved all of his hulking up, the semi-no sell of the superkick, only to get smashed with two more was great. He is a hell of a face in peril, and my favorite part of the match was Eddie working under and making the big tag. Penta isn't really one of my guys either, but he was fun in the hot tag role. Finish run of nonsense worked well (although I don't miss the Good Brothers at all) and led to a big moment of the Kingston and Penta team overcoming the odds and getting a big win. Really fun TV match. 

2021 MOTY MASTER LIST

COMPLETE AND ACCURATE EDDIE KINGSTON

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Eddie Kingston Don't Do Math, Eight Million in Ice

Eddie Kingston/Penta El 0M vs. The Young Bucks AEW Dynamite 7/7/21 - GREAT 

ER: I didn't like this as much as their straight tag the week before. That was a really well built classic tag with some hot moments. This was a full bullshit stunt show, with WAY bigger spots but not really any kind of satisfying build. This was a stunt show, and they hit some big stunts. It was clear there would be a ton of BS from the start, when they work Michael Nakazawa into an early superkick spot and Brandon Cutler is running around with cold spray, so there was always this weird mix of stooge comedy and violence. It's odd to have guys taking really dangerous bumps while seconds later having Cutler make dangerous bumps look silly by making funny faces through them, but the frenetic energy also added to the presentation. This was closer to a big ECW tag where tertiary people run in throughout just to take bad bumps, and the bad bumps here were bad. There are nasty small things, like Nick landing with a thwack into a chair on a drop toehold, up to bigger things like Kingston getting powerbombed onto a flat table, and then up to Matt Jackson taking a flipping piledriver off the apron through a table. I like smart dumb stuff like Nick hitting a 450 on the referee when the Bucks were falling behind, real fun dumb guy logic that buoyed this whole thing. Kingston brings thumbtacks and he takes the nastiest stuff, like getting a big handful of tacks thrown into his face, or tacks shoved into his mouth before a double superkick. The whole thing was a runaway train and part of a great show finishing fireworks display. 

Eddie Kingston/Jon Moxley vs. Minoru Suzuki/Lance Archer AEW Rampage 9/22 (Aired 9/24/21) - FUN

ER: A Lights Out, Anything Goes match where 75% of the combatants just hit each other with uninspired weapon shots. Eddie Kingston was the only one who was bringing any kind of passion to this fight, jumping and tearing his shirt, rushing headlong into a fight with Suzuki. Seeing the personalities of Suzuki and Kingston opposite each other is a large part of this match's thrill, so obviously I'm going to love seeing Suzuki kick Kingston through a table, but it wasn't enough. A lot of the match had such a huge disconnect, with Archer being unsurprisingly the biggest problem. Much of this Anything Goes fighting felt more like guys throwing really bad strikes while waiting for someone else to get into position for something that wasn't going to look that good. It's a series of false starts without any of their ideas building to a satisfying payoff. 

Moxley gets chokeslammed to the floor into a bunch of guys who came out to catch that chokeslam to the floor; Archer wraps his belt around Moxley's neck but when we come back from break Moxley's hands were tied and the belt was no longer around his neck. Suzuki spent a lot of time grabbing half ass submissions before letting them go, like a lightly applied single leg crab that Moxley wouldn't have even been able to defend, but it goes nowhere. Kingston's fire is the only thing that keeps this watchable, bursting back into the ring with his arm hanging limp at his side (I love when King charges into a fight brazenly wearing his injuries) and breaks a hold with an eye poke. We get a great moment where Homicide returns but then immediately fumbles around with a chair (I swear Homicide always has the absolute worst luck with inanimate objects in big moments), and Archer manages to make the finish look like, ahem, trash. When Kingston has Archer inside a trash can lid and Archer doesn't start selling kendo stick shots until the 4th one in, you know you're just dealing with a guy who has no idea how to work a match like this. Some fun moments, but a major letdown.

COMPLETE AND ACCURATE EDDIE KINGSTON

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AEW All Out 9/5/21 Pt. 2

Dr. Britt Baker DMD vs. Kris Statlander

PAS: Baker has to be one of the most improved wrestlers I can remember. I would watch AIW shows where she looked like the worst wrestler on the roster, and she looked way over her skis in the early part of AEW. Now she has turned into someone who is as over as anyone in wrestling and who can be a part of a really compelling match. There were parts of this with some warts on it, but they hit the big moments cleanly and Statlander had some nifty power spots. Her missed moonsault off the apron was a big bump and I liked how they just had Baker clean her out, rather than do a bunch of 2.9 counts. 

ER: I was excited for this one, and while it had a couple of sketchy moments I thought they moved past them so easily that it made the messiness work. Baker is a star and she really has blossomed over the past year plus. She was so strong at getting into position for Statlander's fun offense, and both have such good body chemistry that some of their exchanges kind of just willed themselves to work. Baker is great at ragdolling on Statlander's slams, and Statlander is also great at falling, good at smacking into things. Baker keeps working more stiff the deeper the match gets, and she was really wailing on Statlander's right jaw and orbital bone after breaking a submission with hard kicks. Statlander's missed moonsault to the floor was sick, but she also tried to scorpion herself on a spike DDT. Baker's curb stomps kept landing more viciously, and I loved the use of the Pittsburgh Sunrise (hit stunningly better than I've ever seen Cole hit his) to set up another stomp and then the Lockjaw. They fought to have a good match and that fight came through. 

Lucha Brothers vs. Young Bucks

PAS: This was the most "not for Phil" match on the card, and while it definitely lost me at points, it did have some stuff to recommend. Hell of a Fenix performance as he was flying all over the cage, kick flipping off it, doing a big dive, taking big bumps, reminded me of a Elimination Chamber Rey Jr. performance. I actually liked the stuff with the tack shoe a bunch as it caused them to slow down and actually build towards a comeback instead of just doing a million spots. I mean you had two different spots where teams violently collided with missed superkicks, the announcers mentioned how that could have caused a broken ankle and both times the wrestlers just went right back into flipping and spinning. Take a moment and let something sink in. Still it did feel like a real moment when the Lucha Brothers won, and it worked for the crowd even if it did not really work for me.

Casino Battle Royal

PAS: It's a Battle Royal so you know what you are going to get, and I don't think the AEW Women's division is deep enough to support a Battle Royal's worth of wrestlers. The Ruby Soho debut was pretty perfect. She felt like as big a deal as Danielson, Cole, and Suzuki, and the stuff with Thunder Rosa was some of the cooler AEW women's wrestling I've seen. 

Chris Jericho vs. MJF

PAS: I think the layout of this was pretty good, but it was hurt by relatively subpar execution. Lots of punches and elbows which looked kind of crappy, lots of OTT mannerisms by MJF, etc. The big strokes were good, the powerbomb on the apron by Jericho setting up MJF's bad back, the powerbomb off the top rope which MJF hit jarring his back, the well executed Dusty finish leading into a cool nearfall section by MJF (using the Fujiwara arm bar and getting reversed into the Walls). It does feel a little like both guys are relics of an earlier era of AEW, and I am not sure where either guy fits in the current scene.  

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Kingston is Hell in Harlem and Poppin' in Queens

 Eddie Kingston vs. Necro Butcher CZW 10/14/06 - EPIC

PAS: This was Eddie's first defense of the CZW title and he was full heel with Robbie Mireno and Larry Legend running interference. Necro opens the match bumping Kingston all over ring side. Kingston takes a big time beating on the floor, getting chairs chucked reckless at him, landing awkwardly on folding chairs and guardrails, you rarely see Necro out bumped, but in this match he took a backset. Eddie is able to take back over by punching Necro right in his bare feet which is a tremendous transition, and he unloads a pretty big beating of his own. There is a great section where Kingston backs Necro into the corner with a Tenryu chop/jab combo and Necro fires out with a multiple potato punch head and body combo. They had maybe my favorite bar fight spot ever. Kingston is slumped on some stairs, Necro grabbing a chair to sit down, clocking Eddie in the face, and Eddie just throwing a missed concussed air punch, only to get smashed again.  Finish has Kingston getting powerbombed on set up wooden stairs, but having the pin broken up by Mireno pulling out the ref. While Necro is savaging Mireno, Kingston hits a backdrop driver on the stairs, with Necro's neck bending at a sick angle, and a clothesline for the win. This had a little bit of a pacing issue when Eddie was setting up the steps for the end, but a hellacious fight like this is always going to be special. 

Eddie Kingston/Homicide vs. The Briscoe Brothers PWR 8/4/12 - GREAT

PAS: The show was in Delaware, and really worked like a returning hero, please the crowd tag. Briscoe's bump around Cide and Kingston early, they move into a shortish face in peril section, a crowd brawl, table spot and a near fall finish. This is a very 2000s formula tag, but there were a couple of fun tweaks. You can count on Kingston to add some spice, and I liked his convulsion selling after getting smushed on an unbreakable plastic table. I thought the structure of the match wasted Cide and Kingston, they didn't really get to demonstrate what makes them special, but a hot tag with an over hometown team is always going to work for me. 

Eddie Kingston/PAC/Pentagon El Zero Miedo vs. Brandon Cutler/Young Bucks AEW Dynamite 6/11/21 - FUN

ER: I kept liking and then disliking this match, but it ended on a high note and that always makes me like a match more. If there's going to be stuff I dislike, the worst spot for that stuff to happen is the home stretch. This had a good home stretch, and good moments, but also some guys I don't like doing things I don't like. I'm about as over Penta El Zero Miedo as I am any wrestler this side of Seth Rollins. He is now one of those guys that makes me wrinkle my nose when I find out he is in a match, especially if it's with guys I like. The important difference between Penta and Seth Rollins, however, is that Penta was one of my absolute favorite guys in wrestling to watch, during season 1 Lucha Underground. I never got that excited for Rollins, but Penta had me hooked for a year. But now I've disliked him for far longer than I ever liked him. If we were doing DVDVR 500s, Pentagon Jr. would be a guy in the Top 25 that one year, then down to the 270s the next, then down to the 490s one place below Shane McMahon. His offense is obnoxiously selfish, always requiring every person in the ring to stop what they're doing just to stand and feed his overcomplicated offense, that always requires way too many moving parts all moving at his expense. Guys kill themselves to take sluggishly executed Penta moves and maybe it just has to loop back around to being cool again in my head. 

Brandon Cutler also felt really out of place in this match. Kingston and PAC were bringing asskicker energy to things, the Young Bucks and their actually great gear (with matching silken tasseled hairline secret keepers) were working a good smug match controlling PAC, clearly building to a big Kingston and Penta hot tag...and Cutler was there working the match like he was Screech substituting for Slater against Valley. It wasn't an unentertaining presence, but he was bringing this indy wrestling Jim Cornette forced to be in a match vibes, and it all felt a little too distracting from some of the actual cool stuff that could have happened. I liked the finish with him missing a big springboard elbow and standing up into a Kingston backfist, but we could have used a couple less moments of him hamming his way through two other guy' moment. Kingston's involvement was the highlight and just kept getting better than longer he was in. He had a couple of great cut off spots to interrupt someone's highspot, and the build to him and PAC hitting stereo dives was fantastic. PAC is an unexpectedly fun Kingston ally, a guy I wouldn't have ever thought of as a Kingston tag guy, but I liked their rhythm here a lot and wouldn't mind seeing more of them together. Kingston pummeling someone into a PAC flying move is a cool way to set things up, and we can see they know how to build to a good finish. 

PAS: I actually liked Cutler in this match, that kind of Downtown Bruno forced into a match added a different flavor to something which would otherwise be another workrate trios. I thought it added to the cool stuff rather then distracting from it. It also gives Eddie a foil to work off of, and one of the great Eddie's is Eddie beating on a young guy, he doesn't Shane Storm him, but it is in that world. The high spots were fun, and I liked the hot tag. Good TV match for sure.

COMPLETE AND ACCURATE EDDIE KINGSTON 

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AEW Dynamite Workrate Report 1/6/21

What Worked

-I was initially down on the opening 8 man tag, finding at odd how much of a backseat The Acclaimed took the entire match. I thought they showed a lot of presence in their Dynamite debut and had kind of assumed they'd be treating them big. So it felt odd when they were such afterthoughts here, at the expense of talking about how Frankie Kazarian hadn't lost a step the entire match. But I admittedly got into the story after the match, with Kazarian's promo. I like a retirement or team breaks up storyline, and while it's true I haven't been excited for a Daniels/Kazarian match since 2001, I think the role of old gunslingers can be suitable to a lot of late career wrestlers. I have a soft spot for wrestlers playing that role, and I like the addition of them breaking up after their next loss. It's something that could supplement the in-ring. The match itself was fun enough, if way too one-sided for SCU/Bucks. I kind of talk out both sides of my mouth, as I have complained about AEW matches worked too competitively, but I think this would have been better if it was more even. I think SCU winning but having to work hard to beat Acclaim/Hybrid2 would have felt like even more stakes going into a much bigger match against the Bucks. It would be more like Rocky taking too much of a beating in a tune-up fight. Bucks had some nice dives, Kazarian worked hard in the match to give the angle some weight, and it kept a good pace. 

-Snoop Dogg at nearly 50 looks so cool in the Doggystyle hoodie. This guy is going to look cool forever and then cool as a corpse. He looked terrible up on that top rope, but who cares, Snoop went off the top rope. We can't all be Federline. 

-Shida/Abadon was nicely laid out, even if it wasn't quite good? Shida has charisma for sure, but her wrestling can be a real mess. She comes off uncoordinated during a lot of spots, and has timing issues, but she has the kind charisma that plays well off of a horror movie Kamala. Abadon bites at Shida's thigh and neck, and works like an ugly bruiser character from the 50s. Shida's incoordination comes out when she is doing more complicated roll ups and timing things with multiple people, and that really didn't come up until the very end here. She mostly sold a beating, brick walled for a couple Abadon clotheslines, and her fighting through things is where her charisma works. So the match played to their strengths without actually being great in-ring. 

-I didn't love the main event - too much Omega goofiness and it could have used an editor - but it was the first time since Fenix got dropped on his head that he looked like he knew which direction he was going in the ring. It was a good main event performance (could have used less melodrama) and had a nice mix of him hitting his great flying offense (dug his double springboard dropkick into wild tope con giro that almost went over the guardrail), and he's great at taking Omega's offense. Fenix will get tossed hard on Germans and lean into v triggers, and he did that all match. Omega takes a reverse rana in a way that looks devastating, but I couldn't tell you the last time a rana that looks like someone is getting spiked on their head was anything more than a "shocking" kickout. We'll see where the pinfall controversy goes, but I don't know if I need another Omega main event epic with Fenix. Fenix is doing well at working big match drama into his bigger singles, but I don't like Omega's specific brand of drama. Maybe I would like a Fenix/Omega sprint more? 

What Didn't Work

-Wardlow/Hager felt like they should have accomplished more with the time they got, felt like the middle was a little time killing. I liked Hager's takedowns and some of the early matwork, and I think would have preferred things stay that way. It feels like a fresher way for bigger guys to work a match these days. But eventually Hager took a nice bump off the apron into the guardrail, and I liked Wardlow's three suplex and slams and a couple other throws. But this didn't quite get to the level that I think it could have. 

-I thought Sydal/Rhodes went WAY too long and felt like they were throwing out way too much. Cody was really flavorless here and he was responsible for a lot of the drag. There was early clumsiness, and Cody felt so...in the way through much of this. Sydal hit a nice meteora to the ramp and a nice dive, but Cody kept taking this thing in such uninteresting directions. The Sydal crossbody with a clumsy Cody roll through into leg work just seemed like somebody throwing dumb sequences at the wall. I hate that thing Cody does where he bumps the same direction his opponent is already bumping, so has to do this stupid jog like when a car is waiting for you to finish crossing the street, just to be able to bump somewhere there isn't a body. He did that kind of thing a lot here. This had bad energy despite not being dull, it just went too long and never hit the level it thought it was at. 

-I do not like Jericho on commentary. It is way too much, and he sounds like a drunk guy rambling over everyone half the time. It's like having two JR's out there, which is two too many. During Inner Circle matches? Fine. During entire broadcasts? Please, no. No more. 

-A Bullet Club revival, famous hand sign included, is not going to be the thing to excite me. I am sure that it excites many other people, and that's fine by me. Is this something people are excited about? Jericho was acting excited. 

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AEW Dynamite Workrate Report 12/9/20

What Worked

-I wasn't really feeling the Bucks/Hybrid2 match, but the more ridiculous shit got kicked out of, the more I got into it. If you're gonna get crazy with it, get crazy with it. If you're going to indulge, indulge. This blew several minutes past where I assumed it was going to end, and that somehow wound up working in favor of the match. I don't love Nick Jackson's superkick as a finisher, but I love it as a cut off spot, and there were some great cut off kicks here. My favorite spot of the match was Evans missing the Angelico-assisted 450, and basically landing face first into a superkick. When the timing is that tight, it's such a great looking spot. The whole match felt like it was Jack Evans kicking out of one Bucks finisher after the other, then getting up two seconds later to hit another crazy flip, and that's the kind of BS I can get into. If you're going to have a bunch of kickouts, just go for it and through everything else out the window. That's what they did, that's why it worked. 

-The match itself was a little messy, but how could I not get behind FTR beating the hell out of Brian Pillman Jr.? Dax especially seemed to really be going after him, and it looked awesome. I loved Cash baiting Griff Garrison around the ring and back into being stopped by the ref, allowing them to hit a great Demolition Decapitation on Pillman. Dax's chops and elbows really sang off Pillman's body, and I like the way the tag was worked as a real hierarchy tag. Varsity Blondes have won a few matches on Dark, get their shot on Dynamite, get mostly run over by FTR. Having that kind of slow progress is a really satisfying way to present wrestling for me, feels similar to working Kings Road guys up the card. Pillman got to land a really great punch on Dax on the floor, and I love how Dax sold it like his orbital bone just got hit with a wrench. 

-Dustin took a big bump off the apron and hit a nice bulldog finish on Ten, though any time Dustin is on TV I think he should get at least 4 minutes. Dustin is a smart enough worker to have a special 4 minute match, anything shorter than that feels like a waste of bullets. They also managed to make a couple jokes about his Seven gimmick while avoiding a "we know what THAT means" wink, with Tony hitting the right tone with his "well he doesn't want to go by THAT number".

-Abadon looked like a real savage murdering Tesha Price with elbows in the corner and an awesome stranglehold STO. I don't know what she'll look like in a full match, but her squash work has been compelling. 

What Didn't Work

-I still don't know what to expect from Sting in AEW, and I'm not really excited for whatever it might be. I've never been a big Sting guy (nothing personal, just didn't have cable growing up so child me had no idea who Sting even was), and I can't imagine becoming a Sting guy now that he is in his 60s. 

-I kind of want someone new to throw a glass of water into Shaq's face every couple weeks, never actually leading to any kind of match, only used as a way to get a bunch of different comical dripping Shaq reaction faces. That, or I want a Shaq/Brandi street fight. 

-It feels like a crime to put an Eddie Kingston match down below, but that trios match had too much awkward miscommunication. Fenix looked bad, and honestly he hasn't looked very good ever since that awful match against his brother where he got dropped on his head. The camera caught him missing an early kick on Blade by nearly two feet, and his performance didn't get better. Butcher and Blade (mainly Butcher) were not going to be the ones to help him get back on the page, and Fenix/Butcher got hung up on a time stand still loop, trapped in a Rainmaker set up for way too long, neither sure who was supposed to turn around. At one point it looked like Kingston was trying to set up a blind tag to Butcher and Blade, but both of them just stood on the apron while Kingston yelled at them repeatedly to get in the ring, before he just went back to beating on Fenix himself. The only good from this match came from Kingston himself, since Butcher and Blade didn't seem to understand that they were supposed to be cutting off the ring. Kingston's beatdown on Fenix looked good, and I dug the way he took a beating from Lance Archer, while also doing stuff like holding onto Archer's leg from the mat, to keep him close. He took a clunky headscissors from Fenix, and sadly couldn't do much to catch a Fenix tope con hilo as Fenix landed short. The match finishing powerbomb/neckbreaker on Fenix looked intentionally gentle, possibly because his short tope con hilo landed him harder on the back of his neck than this finish would have. Maybe it would be a good idea for Fenix to not wrestle for awhile? 

-I am in the MJF in ring > MJF mic (but I mean that as a compliment, not the I suppose obvious take that it is), but this MJF/Orange Cassidy match was not good. There was a lot of work based around Cassidy's hand, which gets instantly forgotten once it's time for Cassidy's comeback, but - this will surprise you - comes back for one spot and one spot only and this hand that injured hand that was not even acknowledged for several minutes was now suddenly sold more than it had been sold in any other part of the match. Cassidy was good at taking MJF's offense, and MJF was especially good at feeding Cassidy's comeback, really leaning into everything and planting himself on all things that required it. Sadly, the best part of the match was probably the locker room babyfaces emptying out to cheer Orange on, but it all happened during the commercial break. That kind of noise would have been cool to hear. 

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AEW Dynamite Workrate Report 11/18/20

 What Worked

-I'm never excited to see Kip Sabian wrestling on TV, but I appreciate that AEW has significantly cut down on his televised ring time. There was one point earlier this year where Sabian had actually wrestled more TV matches than anyone else on the roster, and I am thankful that AEW at least realized how fucking stupid that was and now only put him on TV occasionally, rather than weekly. 

-I like the level of temper tantrum unprofessionalism that pours out of Thunder Rosa during her matches, always makes things way more interesting than the typical bad women's matches they put on. There are always a couple of things that land in meaner than normal areas and you just don't see that in other AEW women's matches. I liked her hitting a hard senton right across Serena Deeb's chest, Schiavone says "Her reputation is well earned," and I think he was talking about her match quality but that's not what I think of when I hear she has a reputation. I like her unprofessionalism the most when it actually applies to a good match, and this was a good match. There was messiness, which is baked in at this point, and the roll up counter stuff at the end felt completely unnecessary, but I liked a lot of this. Deeb's Tenryu powerbomb after Baker snuck in a swinging neckbreaker on the ramp was a great nearfall (bad move hanging in the crowd after the match, Britt), some shots to the jaw landed great, loved Deeb scraping her boot on Rosa's face and hitting a cool diving shoulder tackle off the ropes. 

What Didn't Work

-It's cool that AEW gives high profile TV time to a team like Top Flight, but I cannot imagine a new team working a style I'm any less interested in than Top Flight. It feels like every single indy I have access to has 1-2 teams exactly like Top Flight, who all do at least One Cool Athletic Thing and really wholly on taking moves to reverse moves and need opponents to be in very specific locations for the bulk of their offense to work. There were a couple cool moves, and I liked the speed Duante brought to cartwheels and the impressive height he got on leapfrogs. But I'm going to need to see more than someone hitting the same tope con hilo that literally two dozen guys on the AEW roster can also (and do!) hit. I hate that kind of offense where someone takes a move, but then that move gives them the power to reverse a move. Duante took a Finlay roll from Matt Jackson and then just turned it into a crucifix pin. I guess it looked cool, but if you can just eat offense and act like that gives you leverage to take a pin, I'm probably not going to understand it. But I'm sure many people are stoked to see more guys on TV who can go through the motions of hitting a dragon rana, and not care that neither leg actually hooked the shoulders on said rana. 

-Kip Sabian is a good opponent for Orange Cassidy to work his hands-in-pocket offense against, because Kip Sabian's strikes never look like they actually connect with anything anyway, so it makes sense that Cassidy is so easily able to avoid it. Sabian's wrestling is really confusing, because him throwing elbows, or kicks to the stomach don't look like it is connecting anyway, so when he misses a clothesline I can't always tell if it is just Cassidy avoiding him or if that was Sabian's finisher. I liked Cassidy blocking the drop toehold and stepping out of it, because it looked like a drop toehold that would not have taken anyone down. Appropriate sell. Sabian actually hits two clotheslines during picture in picture, and they actually do make the same amount of contact as the missed clothesline earlier. He also makes the decision to throw a dropkick at a turnbuckle, which I can only assume was his intention because Cassidy moved away from the turnbuckle well before Sabian threw the dropkick. Odd choice. He also made it so his head only connected 1 of 3 times while being hit into turnbuckles, so there's a strong chance that Kip Sabian is playing some weird game of wrestling telephone, where he is interpreting movements as explained to him by several different wrestlers but without ever actually seeing pro wrestling. 

-THAT was the promised contract signing!? I love a good contract signing, and a decent contract signing is something that even the worst era WWE can still make look good. But this was one dry dick of a contract signing. Moxley attacked backstage and rubbing his head while Omega gets all his Observer accomplishments listed? Fuck man just shove a table onto someone. 

-You put Eddie Kingston on commentary and then cut right to a commercial? I had to listen to Miro mumble his way through a brutally bad Kip Sabian match with a far shorter commercial break. That's just the lousiest time management. 

-PAC/Blade was not the comeback match I assume the wanted for PAC. They did that dumb kind of shit where they chase each other back and forth to opposing turnbuckles and kick each other in the head, lotta boots to the head that didn't actually look good. PAC hits a missile dropkick that Blade doesn't quite get into position for so it just looked like PAC took the hardest possible back bump off the top. Blade's powerslam looked good, the superplex looked good, but a lot of this match stunk. 

-Sadly, I got into a very long and very pointless argument during the main event, so missed a chunk of the middle. That stretch I missed could have been very awesome. The parts that I saw were not good, primarily due to Brian Cage working like a really terrible joshi wrestler. Gimme them shitty enziguiris and keep working like a 140 lb. woman, yeah! I thought several moments looked off and I still do not understand all of the praise I see for Ricky Starks. Is this the same kind of praise that people gave to MJF when he first became a thing a year or two ago? Or the way a bunch of people thought Damien Sandow was the fucking future 7 years ago? 

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AEW Full Gear Live Blog

 PAS: Wife and kids are visiting the in-laws today, so I figure I would check this out.  I am incredibly excited about Eddie Kingston vs. Jon Moxley, Kingston is an all-time favorite of mine and I am so excited to see what he can do with the biggest opportunity of his life. I also think Darby vs. Cody should be good as usual, and there are some other matches which might be good too.

Allysin Kay vs. Sereena Deeb

PAS: Not sure the point of having two different women's titles that aren't particularly booked well and that folks don't really care about. This was a solidly executed match that never did anything to stand out past solid. I liked the stuff in the ropes with the neckbreaker by Kay and later the dragon screw in the ropes by Deeb. This never broke past OK, although that is a pretty good rating for the AEW women's division.

Hangman Adam Page vs. Kenny Omega

PAS: This was OK I guess, this isn't really the type of wrestling I like, and the parts where they just exchanged, and then exchanged finisher, I was completely out. Also Page has a shockingly bad looking shoulder block from a guy I assume was trained by Beau James. I did like the finish with Page fighting the One Winged Angel before falling, and some of the chops and knees looked really good. Page hit a really nice regular clothesline and should probably ditch the goofy flip and just throw that. This is the kind of thing that Meltzer will give 5 3/4 stars too, and I thought was closer to watchable.  

John Silver vs. Orange Cassidy

PAS: I dug this a bunch. I am someone who found Cassidy's indy stuff relatively insufferable, but he tweaked it a bit in AEW and it is more of a way to frustrate and taunt his opponent then something that breaks the rules of wrestling. Silver was great as a steaming hothead, and I thought the ripping of the pockets was fun frustrated response spot. I haven't seen much of Silver before, but I dug all of his short man power spots, the one armed gorilla hold was really cool as was his spinning backbreaker, and his wild strike combos were stiff and cool Cassidy does have great body control and his escapes and counters looked great, just a compact exciting little match. A real surprise. 

Cody Rhodes vs. Darby Allin

PAS: I thought this was well on it's way to being a classic until a bit of a flat ending. Cody has had some undeniably great matches in his AEW time, but he has always felt like the canvas other artists were painting on, here he added some color and texture of his own. Here he actually had some killer offense and brought plenty of great offense of his own. All of the arm work of Rhodes was super nasty, the hammerlock throw to the stage looked like one of those crazy bumps Allin would take against Ethan Page. I also loved him shifting his weight on the Darby armdrag and dropping him on the bad arm. The top rope Cross Rhodes was brutal, as was the top rope counter to the sleeper. It was building to an amazing finish, but the series of rollups just didn't look great and the finish fell flat.  Darby has so much great looking roll up offense, having him win on some lame reversal was weak. Still overall this was killer and this PPV is super delivering with the main event still to come. 

Nyla Rose vs. Hikaru Shida

PAS: This PPV is delivering even on the things I wasn't looking forward too. The only other Shida match I have liked was against Aja Kong, so she must be best against big ladies she can hit really hard. I liked all the knee work by Rose, and she really knows how to use her size to make it hurt. Shida kept it pretty simple and just smashed Rose over and over again with nasty knee strikes until Rose was done, no problem with that finish at all. 

Young Bucks vs. FTR

PAS: I liked big portions of this, but think it eventually bloated past the point of great match. I really enjoyed the insane bumps Cash Wheeler was taking, just flying to floor like a luchadore losing his mask. I also thought the stuff with Harwood's busted hand was cool, not sure if that was an improv, but they did interesting things with it. The Face in Peril section was great, lots of interesting cut offs and a fun escape to a hot tag. The finish run just went on and on though, running through too many tribute spots and too many near falls, there was stuff I liked and would have liked as finishes, but they just ran too many finishes. At 20 minutes this would have been great, at damn near 30 it just was too much. 

Final Deletion

PAS: Not sure what the hell that was. Why it was so incredibly long, and I am not sure why they ended a comedy match with a horrifically violent murder. The last couple of minutes were some sick stuff, not sure how much of that was camera tricks, but it sure looked horrid. The bump from the apron was nasty, that chair shot to the forehead was gross as was the last chair shot on the concrete. Then they go back to weird call backs to other Hardy cinematic matches. I am not sure it was bad, but I am not sure it was good either.

Chris Jericho vs. MJF

PAS: This was pretty good stuff too, I thought the Jericho miss of the Judas Effect into the post was nasty stuff, and MJF's arm work was pretty good, although hurt by the Cody and Darby match being worked the same way. MJF still needs to work on the little stuff, although the big stuff normally looks OK. Goofy finish, although appropriate for what they are trying to do. Everything on this PPV hasn't hit it out of the park, but everything has at least been good stuff and you can argue that everything has over delivered. Very excited for this main event!

35. Eddie Kingston vs. Jon Moxley - GREAT

PAS: My expectations for this were sky high, Kingston has had so many stone cold classics, two matches on our All Time MOTY list, and this was him shooting his biggest shot ever on a PPV main event. This is a match I am going to want to watch again, but on first impression it didn't reach the heights of his best stuff. I thought the first brawling exchange looked great, the Frye vs. Takayama exchange almost always looks bad, but they were winging punches at each other with real force and violence. The tough guy chop exchange is also something I don't normally love, but worked for what they were trying to do here. I thought when this delved into death match stuff is where it fell a bit short. The barbed wire baseball bat is pretty tired at this point. I did like how Eddie sold the internal damage with the bloody mouth, and the craziness of wrapping his fist in barbed wire for the backfist was pretty great. Didn't think we needed either the thumbtacks or the alcohol, and a lot of the match was built around those as the big spots. The Eddie kicks to the nuts were great, as were all of his little quick jab slaps and crossfaces. I think we needed one more big Eddie near fall, and while the bulldog choke with the wire is a sick finish, I wanted it milked a bit more. The big dramatics in WWE matches are tiresome shit, but Eddie Kingston can do big dramatics better then almost anyone ever, and I needed this to be a bit more high key. I still thought this was a heck of a PPV main event, and one of the better matches of the year, but it won't end up in a Kingston top 5 or maybe even a Kingston top 10, and I wanted this to be his masterpiece. 

JR: It’s pretty rare that I feel way off base after a match compared to our little bubble, but I seem way higher on this than everyone else. I suppose I’ll try and articulate why? I think after a show on which everything felt bloated and over booked, this moved a clip that I was comfortable with. Eddie Kingston has strengths that have been touched upon here many, many times, but one I think that stands out in this performance is his ability to mine emotion and narrative without the WWE style negative space that every big main event has come to rely upon. I didn’t want an I quit match with two guys laying around after big moves and then grimacing and then doing something again. I wanted what I got here; a match which someone trying their hardest, pulling out every stop, and then when they ran out of ideas, coming to terms with their own limitations. Moxley was good here as well, working with enough pace to not indulge in some of his bad habits and very clearly wanting to give the brunt of the match to Kingston. It really felt as though this match played to both of their strengths in a way that doesn’t often happen anymore. We see workrate epics up and down the card, especially in AEW. I trusted Eddie to give me something that felt like a Kingston title challenge rather than an AEW main event and he delivered. While I’d listen to an argument that he has had a bunch of better stuff this year, I thought this stood out as a worthwhile entry, at least as an exercise as a single person building an internal narrative. 

ER: I am definitely the low voter on this one. This was probably the best promo build to a match we've had in who knows how long, with Kingston giving the kind of promos that come across the timelines of people who aren't on wrestling Twitter. Everyone I know who watches wrestling regularly was excited for this match. Universally anticipated. And it earned that anticipation. It just didn't deliver for me to the level I thought it could. They had ideas, and I think they went for maybe more of those ideas than they needed to. I think that the build felt so real, and the payoff felt so fake. I didn't like the use of weapons, and didn't think the match needed them. I don't love baseball bat shots in wrestling, especially when they're coming around the halfway point of the match. Maybe I associate them too much with Russo, but it's a bad connection either way. But I didn't buy into the barbed wire usage, even though both men's acting throughout was good. If you're going to have several spots where wire is scraped on someone's head or face or neck, somebody needs to blade if that wire is from Party City. Barbed wire wrapped fist is cool, but someone has to bleed because of barbed wire wrapped fist. The alcohol poured onto thumbtack holes is a cool bit that they did well, but I also don't think the payoff was good enough to necessitate tacks even being in the match. 

I don't think they needed that, and I think it would have better for the real match build for them to have more of a straight brawl. I think their work with chairs was good, and if they just did 2-3 extra things with a chair they wouldn't have needed any of the stuff with the bat, wire, or tacks. Fill in the time with more brawling. Kingston was also weirdly quiet throughout. He's used his mouth to legendary heights during this feud, the kind of promos that would have been memorable coming from a strong promo era, so it just felt really weird to me when he didn't utter a peep in this match. Kingston is one of the more amusing wrestlers of my life at working a couple of good verbal reactions into a match. A regretful yell after throwing a punch with a hurt hand, and angry insult after taking one leg kick too many, but here he was silent. It made things feel less dramatic to me, and I didn't feel as connected to it as a result. I thought the early parts of the match were great, and felt like they were building to something as strong as expected. Both of them were good at throwing chairs at each other, and Kingston brings such wrestling value to walking brawls. He's good at selling honestly and filling time, doing things like blocking a thrown chair with his hands, but not pretending to sell his head. Kingston shakes and rubs out his wrist after getting his hands up, and ol' JR doesn't pick up on it and first says it hit his head and then covers and says it was blocked mostly. Excalibur saves it and actually puts over Kingston's more nuanced selling by saying you could tell it affected his hand and wrist. 

That kind of attention to detail will keep the floor of a match high. So this was not a bad match, not at all. This was a match worked with a high floor, by two guys who can and have done well with matches like these. Their acting and selling was strong without, even if it did feel like it needed more passion. I grade Kingston matches tougher than anyone else's matches these days, because he's wrestling at a higher level than anyone else right now, I think he's been the best wrestler in the world for at least the past two years, and he's been a great wrestler forever 15 years now. He has consistently impressed me as much as any wrestler the past few years especially, so he's just going to be on a tougher curve. There are plenty of wrestlers who could have likely had this same match, and I would have come away impressed. This one just didn't move me like the best upper Kingston matches do. 

2020 MOTY MASTER LIST

COMPLETE AND ACCURATE EDDIE KINGSTON

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