AEW Five Fingers of Death (and Friends) 1/19 - 1/25

ROH TV 1/22/26

Adam Priest/Tommy Billington vs Premier Athletes (Tony Nese/Ariya Daivari) 

MD: Wrestling isn't math.

Sometimes, though, it can be a book report.

Everyone rushes to make things quantitative, to bestow star ratings, to rate things next to each other. 

I care a lot more about understanding, about categorizing, about yeah, analyzing. That's not about scoring on points having to do with excitement, execution, innovation so much as breaking down the narrative and try to figure out how it ticks. These things can go hand-in-hand. You can use this to judge a match but that's not usually my intent. 

So we're going to do something a little different this week. We're going to look at a match through a narrative framework.

I'm not saying you can do this with every match exactly this way. I'm not saying I do it with every match automatically, though my brain is wired now to be thinking about some of these things as I watch, sure. 

This works well for a southern tag (the most beautiful form of pro wrestling there is) but for other things, be it face vs face matches or matches from cultures that structure things differently, the hinge points that still should exist are transitions or momentum shifts. Not everything will fit neatly into a three act structure but there still should be act breaks if you can figure out where to find them. Otherwise, it's just all noise and the match is probably not going to be very satisfying even if it might be sensational.

Pre-Match: This covers entrances, talking on the way to the ring, inset (insert?) promos. There's a lot to see here. It matters how people come down to the ring. It sets the stage, creates a mood. We're going to cover a 1981 joshi babyface vs babyface match later this week and to see Jackie Sato grasp people's hands on the way to the ring and understand the connection she had with the crowd relative to her opinions gave some insight into the match itself and to how the crowd reacted. We're the blind man touching the elephant and every data point helps.

Lots of data points here. Athletes are out first with Sterling putting over their relatively new heater, Stori Denali as she towers over everyone. He gets some cheap heat talking about local sports, hypes everyone up to shout Athletes Rule so that they can shout Athletes Suck instead. These guys were getting booed anyway but there's no question now. They look like a unit with matching red boots even if everyone's stylistically different in other ways with their own flourishes.

Priest/Billington are out to Billington's music, reddish matching tights, a tron that just focuses on Billington. We get an inset promo with Swirl and Lethal, Lethal having turned on Bandido, and Billington/Priest by proxy a few weeks ago. Lethal says they're done. Christian says they're not. A little wonky. As that's happening, they're moving down to the ring with haste and energy, Priest hyping up the crowd.

Code of Honor: Here's a bonus element just for ROH matches. I love the Code of Honor. It's a mandatory handshake before a match but it forces an extra character moment to set the stage right at the start of the match. Athena always puts a dainty left hand out to insult opponents for instance. Sometimes she clocks someone as they shake, sometimes she doesn't, but that tension is always there. It's an opportunity and while you need a baseline of straight up shakes, it's to a wrestler's detriment if he or she doesn't make the most of it.

Adam Priest absolutely makes the most of it. He tells you almost everything you need to know about him in the span of fifteen seconds. He gets right in Daivari's face, putting his hand out. When Daivari just stares him down he shoves him and puts the hand back out. He's got a chip in his shoulder, full of babyface fire. He's hungry and won't be denied. Daivari on the other hand is a vet's vet, just like Nese, and he has his own pride, and in the face of that challenge, he doesn't back down, but does show a modicum of respect, slapping Priest's hand to complete the Code. Again, fifteen seconds, but they set the stage immediately, making the most of it.

Feeling Out/Shine: They're still fleshing out the stage. It's Act 1 of a play, introducing the characters, setting, and the "normal world." Who are these people? What makes them different from each other? Why do you root for the babyface? Why do you boo the heel? If the match was going to play out with everything fair, everything normal, what might it look like? There may be a "false heat" of sort where it seems like the heel is getting an advantage, but then they get comeuppance. 

Priest and Daivari start with chain wrestling focused around the arm. Daivari is the early aggressor but Priest is ultimately able to turn things around and win the exchange, pumping his arm as the fans chant "Athletes Suck." Daivari presses him into the corner (since he couldn't get an advantage cleanly) and he and Nese double clubber before calling for an Athletes chant (they get "Suck" for their trouble). Billington manages a blind tag off the ropes and they hit a slick drop toe hold/elbow drop combo before controlling with the arm and quick tags for another couple of minutes, until Nese is able to get back in and has a nice rope running exchange with Billington leading to the...

Transition to Heel Offense/Heat: Transitions are everything. They're the act breaks, the change that we see in the world. They're the shocks to the system that grasp you as a viewer and change the course of history. They should be clever but definitive, not mushy and unclear, but also earned and believable. A kick to the gut out of nowhere doesn't generally cut it. That's not enough to change history. Something too far the other way is going to feel more like a process than an exclamation point. Sometimes that can be okay but it means you're telling a different sort of story and need to insert more nuance. 

They did an excellent job here. Nese and Daivari are very good at layering these things. Here Nese succeeds on a dropdown, throwing Billington off balance. Is a dropdown a trip? Is it just getting out of the way of someone running? It's pro wrestling. It can be either or both. It doesn't necessarily matter what the original intent was. Here it does throw Billington off and Nese charges right in behind him to clip the legs in the ropes. He goes to drive Billington into the barricade. Billington fights him off. Daivari comes to help. Billington fights him off too. Thus distracted, Nese is able to toss Billington into the hard ring apron shoulder first and then, as Nese rolls in to distract the ref, Daivari and Sterling are able to stomp on him. It's a great transition because it caught everyone by surprise, because it clearly leaned hard into character: Nese was opportunistic and underhanded, Billington valiant, and it led to a bit of cheating to show the difference all the more clearly. 

Heat/Hope Spots/Cutoffs: Again, wrestling isn't math and there can be differences in ratios here. Some of the best tags of the 80s have long, long shines where the heels get their comeuppance again and again and relatively short heats. To me, it's just basic narrative logic to have a longer heat where you're building up pressure more and more for a hot tag and getting the fans wanting it more and more.

It's good to have a singular narrative focus and they make use of the arm here. Billington's arm was thrashed on the apron. It gives Nese and Daivari a target to attack and gives an "out" for why Billington can't come back even though he's trying his best. He goes for punches or forearms but the arm gives way. He reverses Nese and puts him into tombstone position. The arm doesn't let him hit it. Hope snatched away. The Athletes get showy and cocky building to Nese missing a moonsault, but he's able to make the tag and Daivari cuts a crawling Billington off with an elbow drop. All of this builds up the pressure.

Transition to Hot Tag: again, transitions are inflection points, shocks, the world changing, act breaks, the most important part of a match past maybe the finish. This is the moment the crowd has been waiting for, what they had been hoping for. The inversions have already come with the hope spots and cutoffs, but this is one last chance to either be definitive with it or string a last series together.

Here it's basically just a double down after Daivari and Priest both go for clotheslines. Important is that Nese is still reeling from that missed moonsault (though that's just an extra detail for why he can't disrupt things, but the Athletes are so good with details). Simple, straightforward, as Daivari crawls towards his corner to find no one there and Billington finds exactly what he was looking for in Adam Priest. But it's art so it's subjective, right? You could say that even though Daivari had a clear moment of control (ball possession?) after the elbow drop cut off, that the key inflection point was the missed moonsault and everything after that was the Athletes losing control. It's interesting to think about either way. Again, not math.

Comeback/Finishing Stretch: Another place where you can separate more or combine if you want to, however you'd like to think about it. In modern wrestling, they're so stuck together that it's hard to differentiate. The comeback generally leads to pin attempts and break-ups and things ebbing and flowing towards a finish. In modern matches, you often get a really extended finishing stretch that can be as long as half the match where everything breaks down and you get constant spots/action for long minutes and I am not a huge fan of that. But yes, the babyface who got the hot tag comes in a house afire (of fire?) and releases all that pent up pressure and they start laying down false finishes to build to however the match is going to end, ideally raising that pressure back up for the finish.

This was a particularly great stretch because it was less about big moves and kickouts (or break-ups) and more about playing with conventions and expectations. We're all trained to know the various ways a match logically tends to end and this didn't just give us big moves but narrative beats where endings could happen only to snatch them away and build to the next one.

Priest led off with what would be the comeback phase. He had some great signature offense, mowing down Daivari as he fed for him but then catching a foot and turning it into a German Suplex and leaping off the turnbuckles with a tornado DDT after he shoved off Nese who was trying to stop him. This was disrupted by a Daivari small package attempt, which you can note, if you want, where things shifted from comeback to finishing stretch (though again, it all blurs).

What followed was a series of false finishes, a double submission by the babyfaces, Sterling causing a distraction on the apron, heel miscommunication, Nese pulling the rope down, a kickout after a heel double-team, more heel miscommunication and Priest locking in his half crab, Denali using Billington cutting off Sterling's second attempt at distraction to chokeslam Priest (pin broken up by Billington), and then finally, after Billington cleared Daivari out to hit a dive and make it one-on-one, Priest reversing Nese's pumphandle driver finisher into a roll up for the win. Just a very clever and self-aware sequence of not just finishers or moves, but coded moments that we have fans have been conditioned can understand could possibly lead to the end of a match. It had me on the edge of my seat at least as after the double submission, almost anything that happened could plausibly lead to a finish given our understanding of pro wrestling.

Post-match: This is where the finish sets in and resonates. Maybe the heels get their heat back. Maybe the babyfaces run them off. Maybe they celebrate with the crowd. Maybe the commentary just takes things through the replay and cements the message of the match.

Here the Swirl came out to ambush and the Athletes joined in. The babyfaces won the battle but lost a bit more in the war, giving them plenty of places to take things moving forward.

Pre-Match, Feeling Out/Shine, Transition to Heel Offense, Heat/Hope Spots/Cutoffs, Transition to Hot Tag, Comeback/Finishing Stretch, Post-Match. In this case there was the Code of Honor as well, which fits in between Pre-Match and Feeling Out/Shine, and could probably be part of the latter. It's a useful framework to think about how matches are put together and how they work narratively. Not every tag match is going to follow it. A tag may have double heat. You may get a "Things Break Down" period after the hot tag that's so lengthy with so many momentum shifts that you may want to try to organize it some other way. If you're watching an All Japan tag from the early 90s, it's much more about specific match-ups and hierarchy. Lucha manages ebbs and flows differently and I wrote more about that here years ago. But in all of these cases, you're generally looking for transitions. Those are your anchors to breaking down a match.

And of course, you don't have to do any of this. You don't have to think about matches this way. You don't have to engage with wrestling this way. It's art. You can just sit back and consume it. But I know that I personally enjoyed this tag, which was very good, all the more for engaging with it and thinking about it through this lens. 

Did I give it a star rating? No. But by breaking it down this way, I pulled out a lot of what made it stand out and pop for me, at least from a storytelling perspective. There are lots of different ways to engage with wrestling (and art in general). Try to explore and figure out what works for you, even if it doesn't necessarily fit into some of the quantitative boxes others have traditionally used.

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AEW Five Fingers of Death 5/12 - 5/18

ROH TV 5/15/25

Dustin Rhodes/Sammy Guevara/Marshall Von Erich/Ross Von Erich vs Mason Madden/Mansoor/Ariya Daivari/Tony Nese

MD: There are a couple of different ways to do an 8-man tag. You can lean hard into the tag gimmick by creating a sense of danger and difficulty just from the sheer numbers at play. Any time someone gets too close to not just the wrong corner but even the center of the ring ropes, there's a chance that a knee or arm may reach out. That evokes the sense of those 80s New Japan elimination tag for instance, creating a mood where all of these wrestlers are trapped with one another, the babyface getting dragged down as face-in-peril most of all. Or you can just toss the tag rules out the window and run rapid fire spots with people running in and out, making use of those sheer numbers to keep the action going and going with no logical reason for it to ever stop or for anything to sink in. 

Anyone who knows me is going to know what I prefer. And this did a pretty good job at it for the first two thirds. In that case, you'd maybe run through individual pairings until you got into the heat but they avoided that for a specific reason, Dustin's more or less cracked a code, or at least I think he thinks he has. When he's with the Von Erichs, he drops back and delays getting in the ring until after the hot tag. They find some way to contrive it, whether he's attacked before the match or just slips back into the scenery of the numbers like here. 

In 2025, it's tougher than ever to figure out what the fans actually want. In 1985, they wanted to see the heel vanquished and the babyface triumphant and a clear win or at least a clear beating, or ideally both. While there are increasingly heels on the AEW/ROH working to get under the skin of the fans and get actual heat, and while maybe in time, that will restore some of those old incentives, fans today seem to want their candy. Candy can come in a number of forms, but it's generally something they can brag about seeing or experiencing, whether that's a five star match, a debut, a crazy spot, or just getting to sing along to a theme song or as part of a chant. 

Getting to see Dustin Rhodes is a form of candy. He's a legend, an attraction, someone who knows how to work a crowd from underneath as well as anyone else alive. For 80% of the viewing audience, he was part of their childhood, whether they started watching in 1990, 2000, 2010, or 2020. Who knows how many more times anyone will get to see him wrestle live. He's candy. And by holding himself back, he makes the fans earn it and makes his arrival into the ring mean all the more. That also lets him put the Von Erichs front and center for both the shine and the heat, giving them reps and getting the fans used to them in both roles. 

The other aspect of an 8-man is all the characters at play, and given the heel side, that was bound to go well. MxM interacted with the Athletes with the cheer at the start, by pushing them out of the way of danger. They were able to switch things up with the spot where Madden drapes an opponent over the ropes and Mansoor hits an apron senton. Last time Madden caught someone trying to hit a tope. This time, it was due to Mark Sterling getting involved as a distraction. It's a great spot but it'll only feel organic if they keep thinking it through in creative ways. Here it was the transition to heel control which made it all the better. 

Things did build to Dustin and even more so to Sterling getting hit by the Golden Globes/Shattered Dreams/Unnatural Kick and then the claws. They always have the ref dramatically look away when that happens. Maybe they didn't need to when it was the manager getting kicked? Anyway, it was a crowd pleasing finale and a good presentation overall. I would have liked another minute or two of heat but they were probably working against the clock, but other than that, I had a good time with it.

AEW Collision 5/16/25

Dustin Rhodes/Sammy Guevara vs Lio Rush/Action Andretti

MD: This was a #1 contender's match for the shot at Double or Nothing. I can't say it really felt like one, especially when Dustin was doing his fake dive bit in the middle and given a relatively anti-climactic finish where Sammy jammed Andretti's torture rack neckbreaker finisher to hit his own. In general, I like matches ending like that now and again, without a clear exclamation point, but maybe not a match with stakes? 

Of note, we got much more of Dustin in this one, including him working face-in-peril because the alchemy is different in a straight up tag than a six or eight-man and there's less of a need to showcase Sammy. That said, Dustin was excellent at slapping the mat at various points and selling the leg and really doing his half to explain why he wasn't making it to the corner despite making it look like he was fighting as hard as possible.

We know that about Dustin though. More importantly, this was the first time that I really got CRU as a team. The Top Flight breakup/feud did no one any favors but seeing them up against some contrast, they really came off like a swarming menace, in the way they took over, in cutting the ring off with Dustin, in that late match flurry against Sammy. Real Kaientai DX actually, in a way that I'm not sure anyone else is matching right now. There's maybe something there and I hadn't felt that before. They need something else. There would be worse fates for them than to become Ricochet's guys, for instance, especially if he ever lands a singles title and has to be protected more (he's pretty bulletproof right now). So this was pretty good for what it was, but I didn't quite feel the weight. I do think the PPV match could be good if Dustin can hook the crowd.

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AEW Five Fingers of Death (and Friends) 3/10 - 3/16

ROH 3/13/25

Gates of Agony (Toa Liona/Bishop Kaun)/Top Flight (Dante/Darius Martin) vs Frat House (Preston Vance/Cole Karter)/Premier Athletes (Ariya Daivari/Tony Nese)

MD: Different matches have different purposes. Different wrestlers in different matches have different goals. Greatness comes in a lot of forms and not all of them are well captured by star ratings. While I don't have a taping schedule in front of me, this was filmed in Oakland with a Collision and I'm almost certain it came on post-show as part of an ROH taping that ended with a Mistico trios. ROH is very much wrestling for wrestling's sake, a way to fill out cards, give people work and reps (develop talent), to create a well of extra content in a post-Elevation/Dark/Rampage world, to build up a product which may be more lucrative/marketable at some point. I think it brings TK some joy, both because of his affection for the brand and because it lets him put together matches without any external constraints (commercials, demos, network notes, etc.). For me, it harkens back to being a kid in the 90s and watching Power Hour or Worldwide or Prime Time (or later on Velocity/Heat/Jakked). The big story beats weren't going to happen there, but you'd get to just watch an hour of wrestling and enjoy it just for what it was. I think there's a disconnect with people who didn't grow up with that maybe.

Anyway, for the crowd that hangs around, it gives them an added bonus, just fun wrestling, to a degree 'house show wrestling' during a time where there are very few house shows. That's absolutely what this was, and if you look at the broad history of pro wrestling, this has its place and its value and it's honestly a really worthy entry along those lines. I am so glad a match like this is still allowed to exist in 2025, a match anchored by incredibly giving, unlikable heels, 100% willing to do their job as opposed to trying to make it about themselves, and two very diverse, very talented babyface teams, with one absolute shining star at the heart of it all in Toa Liona. 

Let's talk structure quickly so you know how they put this together, and then I'll double back to that thought. Match started with chaos as Gates came down and Toa beelined to Cole Karter (with Kaun going after Vance). Daivari pulled Dante's hair to drag him to the corner and we got a mini FIP early. Eventually, Dante made it to the corner (Karter the weak link) and they ran a sequence where everyone slingshotted in on him one after the other, with Toa being the last, after really milking it; after he did it (to big reaction), he had the biggest smile on his face; more on that later too. With some chicanery, the heels were able to isolate Darius on the floor (including some cheapshots from the associated managers and hangers oners, Sterling and Jameson, ultimately broken up by Toa rushing around ringside with a chair to a big pop). From there, we entered into a second FIP on Darius, during which the fans chanted that they wanted Toa and Dante, reading the room, hyped that idea from the apron (which, given that his brother was getting beat on was pretty selfless in serving the match when you think about it). Darius finally came back for the hot tag and everything went into a wild finishing stretch.

I don't usually do this, but I think everyone should go check out the climax of that wildness and the finish itself. I clipped it because people needed to see it and I'd like everyone (and I mean everyone, even if you've seen it before, even if you helped conceive it) to go and take a look and then come back so we can close this out. Sound on is better, but even sound off will give you the idea. Just do it.

https://x.com/MattD_SC/status/1901244037081788581

This misses Kaun (a surprisingly natural babyface) shutting down everyone and hitting a poetry in motion leap and maybe another dive or two from the assembled mass of talent, but it gives you what I need you to see. First we have Toa using Dante as a weapon twice, both to kick at an opponent and then by press slamming him into everyone; great emotive reactions by Dante here. If the two weren't so ingrained in their obvious partnerships, I could see real money in a big/little tag team between the two of them. Obviously the crowd loved that.

But then Toa just... dropped the chain, broke through the limiters, and for about a minute looked like the biggest attraction imaginable, slapping the ground, charging up, looking for prey, and absolutely bursting through everyone in sight on the floor, all leading to him hesitating only slightly as Sterling got in the way before plowing right through him and send him careening into Nese (great work all around by everyone). The crowd went wild, even here for an (on paper) disposable post-show ROH match with absolutely no stakes. And yes, it was a good crowd, absolutely, but there was magic in what they did. And it was magic that all came to fruition as Toa rolled back into the ring and slammed the mat again, his gaze set on the last man standing in Preston Vance. 

As Toa was slapping the mat, as the post-Collision fans were going nuts for him hyping them up, there was the biggest smile on his face. Toa portrays a wild man, a bestial presence, a throwback to decades past, a killing machine, but my god, that smile. This was a guy absolutely living in the moment, basking in the crowd's excitement and adulation, realizing the sheer joy that he, through his presence and physicality brought into the world for at least those in attendance and living his very best life. You can't fabricate that smile. You can't bottle it and sell it. It was an honestly beautiful thing during a time where we need as many honestly beautiful things that we can get. And of course, that made it all the better when he had his leg grabbed from the outside and Vance (who has a history of robbing people of joy) cut him down with a very credible clothesline before the Gates fired back and won the thing. 

Sometimes wrestling is just special and it doesn't always have to be two guys leaping off the top of the cage or wrestlers bleeding buckets. Sometimes it can just be one wrestler using everything at his disposal without hesitation or abandon, just embracing all of the complicated absurdities and simple blissful truths of pro wrestling and everyone around him being selfless and giving and professional in enabling that moment. That's what they had here. The crowd in Oakland was lucky to see it. We were lucky to see it on ROH TV last week. And hopefully, now all of you reading this that went back and clicked on that link feel like you're lucky to have seen it too. I know I feel that way.

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2024 Ongoing MOTY List: Premier Athletes vs. Kings of the Black Throne

 

10. Tony Nese/Ariya Daivari vs. Brody King/Malakai Black AEW Rampage 7/12/24

ER: Kings of the Black Throne? House of Black was fine, but it wasn't enough so now I have to type out something truly stupid to refer to a monster finally wrestling like a monster and a jaundice-thighed Dutch kickboxer. What's happening with the AEW jaundice tan? We established orange as the ridiculous tan color for two decades and suddenly the Big Yellow 5 feels emboldened by a lax FDA to start branching out into other areas, away from sodas with a high school reputation for shrinking dicks. I don't know what's happening with Black's legs and midsection but something needs to stop and we need to contain this. This isn't normal. You would be called Piss Boy every year of high school if you showed up with yellow legs from some kind of chemical burn accident, so there's no way we should be letting 40 year old Dutch kickers and skinny fat bunny hopping piledrivers get away with it. 

Maybe Brody King worked big in this match due to the fatigued state of his friend, finally throwing aside the middling forearm exchanges and fake big man work for stiff clotheslines and aggressive size. His Throne Buddy's brain is slowly being eaten away as the yellow spreads outward through his tissue, but it's making King hit hard and miss with a toppling big man intensity. His work with Premier Athletes associations was a real plus for the match, taking a great out-of-control-big-man bump to the floor on a low bridge, and aiming a crossbody at Daivari through Mark Sterling. It was a good way for him to stay occupied and make this more of a match. 

Tony Nese is arguably the least cool AEW worker to champion but I like him. I didn't like him in Evolve but I grew to enjoy him in 205 Live when I was watching that a bunch for Drew Gulak, Jack Gallagher, and Oney Lorcan matches before those guys were retired or canceled or canceled into partial retirement. Nese isn't so different from 30-40 other good body speedy backflip guys in AEW but I think he's better than a lot of them. He's good at getting naturally into place for unnatural offense, falls in some ways you wouldn't expect, is good at pinballing between two guys, and is capable of fucking up in cool ways that feel like part of his character. He goes up for one of the highest backdrops in AEW history, has shockingly good worked arm strikes, and he repeatedly eats shit on his 450 splash no matter where Black sets up. People love holding the opinion that Great Sasuke slipping off the ropes only makes his Jushin Liger match more legendary, but nobody is quick to accept missed spots as part of a wrestler's charm, unless it's a JT Smith situation. Tony Nese does these missed spots that are almost surely unintentional but can read like expertly planned out Chris Hamrick or Juventud Guerrera misses, because they're never sold as something that connected and they often lead to his downfall. His meathead athlete Dave Portnoy energy makes the misses more charming, and his first overshoot barely got him a nearfall. His second was supposed to hit knees and instead his rotation is fucked up and he winds up connecting knees hard with Black and whipping his own head into the mat. Tony Nese has the tight physics on headscissors and backdrops like Billy Kidman with the same type of "I kind of want him to mess up this finisher though" charm. 

Nese and Daivari are both really good at getting in the way of Black's crescent kicks, and you know who has spent years gently flying under the radars of anyone offering a wrestling opinion? Ariya Daivari. Daivari is another guy I fell for during the glory days of 205 Live, but doesn't get talked about because his brand of professionalism can fade into the background. He has a consistently good floor, and a style that has always reminded me of Christian, but with less offense and less upside. He's great at using logic in matches the same as Christian, like the way he changed his pescado delivery here in an attempt to actually damage Brody King, getting a running leap that he doesn't otherwise do, just to throw more weight. He doesn't bump big like Christian but he has good selection in bumps. My favorite here was the way he fell off rigidly to the side after a running back elbow. The finish played great: Nese getting his face in the way of another kick while King hanged Daivari's motionless body off the apron in a sleeper in the camera foreground. 

2024 MOTY MASTER LIST

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AEW Five Fingers of Death 9/30 - 10/6

MD: Brief note to start. For those who came to the blog through Twitter, yes, I got DMCA'd to oblivion by TV Asahi. I had a few strikes already from when I was first figuring things out, having initially not thought that 40 year old Inoki gifs were going to be an issue, but I had straightened up and was being more careful. What ultimately did me in was a handheld (a fancam, someone's personal recording from a show that has since been disseminated through fan circles) of a 1983 match, which does not seem like something that would be at all claimable. But here we are. I've an e-mail out to them. I am not expecting much. I'll make a call by Thursday on what I'm doing next. I've seen both kindness and indignation from people and both are pushing me towards dusting off and picking back up anew by the end of the week, but we'll see. The good news is that we have a blog and they can't shut me up here. For now, if anyone wants to let people know this week's AEW reviews are up, posting a link couldn't hurt! Thanks. - Matt

(UPDATE: I am over at https://x.com/mattd_sc/ now)

AEW Dynamite 10/2/24

Bryan Danielson vs Kazuchika Okada

MD: Believe it or not, I have been accused over the years of reading too much into pro wrestling. I've heard first-hand or second-hand that "they were just listening to the crowd" and no great thought was put into sequence a or match b. The great thing about art is that those things don’t have to matter. You can read into it any number of ways no matter the author's intent. You can dig at subconscious strands and universal themes. You can connect dots that were never meant to be connected. Sometimes that gets you deep into the seas of lore, annoying everyone around you. Sometimes it means your expectations go through the roof when they really shouldn't, ultimately doing yourself and the wrestlers both a disservice.

Some wrestlers are so good and have such a track record that you can walk on air so long as you don't look down. Bryan Danielson is one of those wrestlers. And you know what? I'm going to take a nice casual stroll off a ledge here. Why? Well, look, it's possible that Danielson finds some way to triumph over Jon Moxley and they blow things off in December or even later. It's possible that he's lying to us and he doesn't need surgery. It's possible that he does but he recovers quickly and gets to make a special appearance for a match at one of the big shows early next year. Lots of things are possible. All that's for certain right now is that we have next week's tag and the match vs Moxley. That's it. Even this match was a bonus that felt like it came out of nowhere and existed outside of the Mox vs Danielson storyline. So I'm going to have a little bit of fun with it and will ask for just a bit of your patience.

Let's break down Danielson's reasons for wanting this match. He could attack Moxley at the end of a match, sure. But Moxley isn't just a serial killer or movie monster. He's not just an underhanded jerk who wants money. There's some ideology behind it all. We're only starting to see it. Part of it, however, was to take autonomy away from Danielson, to define his reign as he means to define the fate of the belt henceforth. Danielson, here, decided to push back against that in the most decadent way possible, by naming an opponent here so close to the PPV and having a rubber match against Okada.

The match ended up under Continental rules for the first twenty minutes alone, a way to protect Okada to a degree (as he would smartly retain his title) and put over the different aspect of the belt. And for much of those twenty minutes (after an initial title match feeling out process), Okada wrestled cautiously, defensively. What was interesting to me is that Danielson didn't press nearly as hard as I would have expected him to. It was only in the last minute or so that he pushed, leading to the nice fakeout of him hitting the Knee only for Okada to roll out of the ring as time expired.

Let's play with that. Why didn't he push? Maybe he didn't push because he didn't actually want the Continental Championship. He demanded the match, had his reasons for it, but likely didn't control the stipulations. He knew about the Continental Championship. He had been one of the driving forces behind the creation of the C2 last year. He knew that if he won the Championship, no matter what happened with the World Title and Moxley, he would be obliged to defend it in the grueling tournament later this year. It was never his intention to win the title. He respected the tournament, revered it even, and he wouldn't want to let the fans and the company down, but he also didn't necessarily want the weight of it hanging over him. That would take away his freedom to call his own shots and finish on his own terms. It's a little counter-intuitive and certainly nothing that the announcers picked up upon, but if you watch how he wrestled and how he didn't press, if you squint, you can kind of see it.

If he didn't want the Continental Title, what did he want? He wanted to draw Okada out. He didn't want the underhanded cheater, the coasting heel. He wanted a warrior. He wanted the person who faced him twice so far, not the version of Okada (entertaining as he might be) that we've seen in AEW so far. Okada simply wasn't giving him that for the first twenty minutes of the match; he was too focused on retaining his belt, through hook or crook. At the same time, Danielson couldn't let Okada overly goad him because Bryan DID want to keep his title, because retaining the World Title was the path to fighting Moxley. Therefore, he had to endure Okada's defensive strategy, take the damage that went along with it, and wait things out until he could have the battle he actually wanted. It was only in the last minute of the initial period that he got caught up in the moment and almost accidentally won the Continental Title.

So do I think that was the intent. Nope. Could you read it from the text as presented and the characters as we know them in their current storylines? Absolutely. Is it primarily due to the richness of Bryan Danielson's work that we can do so? Yes. Yes (Yes), it is. Am I going to leave this write up at that? Mostly, I'm around 900 words already, not that anyone's counting, and unlike the service you get from other writers/critics, I don't rate or rank anything. No stars. I'm not even ranking this vs the other two Danielson vs Okada matches. I get to leave it as is... except, I guess I have one more (Columbo-esque) question that I unfortunately can’t leave unasked.

Is what we were actually presented as good as the story that I laid out in the paragraphs above through gluing together some unlikely (but plausible!) and disparate (but existing) dots? Is the match still as good if what I just said wasn't true and if the more likely, more straightforward possibilities/intentions were instead the truth? No. Sorry. That urgency just wasn't there. Danielson didn't get goaded into mistakes made because he was urgent. Okada was wrestling one match. Danielson was wrestling another. It didn't come together in the way it should have.

Unless you squint. If you squint, well then it was a hell of a thing. If we have only two more full-time Danielson matches after this, well, just this once, I'm going to squint and it's okay if you do too.

ROH TV 10/3/24

Dustin Rhodes/Marshall Von Erich/Ross Von Erich vs Tony Nese/Ariya Daivari/Mark Sterling

MD: I wrote a few days ago (and then reposted it here) about how some of the old ways need to come back, and I meant it, and this match was reminiscent of Heenan teaming with his family in 83 AWA for very entertaining matches. And this, I think, was an entertaining match that was worked well. The problem is that Sterling just isn't credible. It's not his fault. He works hard, tries a number of different things, is sufficiently irritating and punchable. He even goes the extra mile with some very well crafted, clever social media videos. But those are only for people that seek them out, basically. 

The bigger issue is that his guys don't win, not even on ROH. On Dark, they won. Nese didn't get big wins over big wrestlers, but he came off as dangerous enough with the shot in the corner and the pumphandle pile driver. He's absolutely selfless in the ring, willing to be one of the rawest, truest heels in the company. Completely unlikable. Theoretically valuable because there's only a handful of people who are willing to stooge. (That's why I'm ok with Saraya sticking around - super solid stooging, even if maybe they should stop using her husband's theme song and think of the optics of everything a bit more. AEW doesn't have as many comparative advantages vs 2024 WWE as it did vs 2019 WWE as the latter was a trash fire, but one that remains is to be more moral and progressive). As noted, Sterling did just about everything right here, but it wasn't getting the reactions it should. The fans only woke up when Dustin worked the corner with big slaps on the turnbuckles. They use the Premier Athletes almost every week. There should really be some way to fix this, even if it's just making Woods seem like more of a protected threat within each match and the other guys be the ones who lose the offense. Like Gordy with the Freebirds maybe? I'm glad they gave Sterling an opportunity in his homestate but for a guy doing everything right in there, this all should have been more heated.

AEW Collision 10/5/24

Darby Allin vs Johnny TV

MD: This was one of Johnny's best matches in his run. I do get the sense that he probably needs the right dance partner. Having seen him in Lucha Underground and given the lack of heels on top, I was confused when WWE brought him back in as Miz's second banana, but I guess neither of us were entirely right there. His issue is more the dissolution of QTV than anything else. They spun it a bit on the idea that he and Taya are "TV-Ready" and maybe they could lean into that a bit more with the new TV deal. Taya's off with her burgeoning faction here and without the stable and without Taya, I'm not entirely sure what Johnny even is right now. 

The backstage Darby/Evil Uno interaction really set up their match and I didn't quite get that here. There were some mitigating factors. Darby was potentially just a little more cautious after being goaded into losing his title opportunity. That explained the early feeling out process and them starting with a test of strength maybe. Darby usually throws himself right at his opponent to start in the best of times. As the match went on, however, they starting showing some of the aggression (or maybe we should call it counter-aggression) that he should be inspiring in everyone he faces right now in the arms war against Moxley and his ideology. 

Things got pretty wild. The Russian Legsweep off the apron was not something you see every day. Likewise Johnny's spinning Splash Mountain Full Nelson Slam or whatever the heck that thing was. Just by his nature Darby opens up opportunities. And the Coffin Drop at the end was to a standing opponent (a Coffin Drop Press) which you never see end a match like this. So it got there, and you can argue away why it didn't start there. This was clearly put together for the challenge at the end though. And while that's ok, story after the fact isn't as good as story before, during, AND after the fact. 

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AEW Five Fingers of Death 8/5 - 8/11 Part 2

Ring of Honor TV 8/8/24

Dustin Rhodes/Sammy Guevara vs Alex Reynolds/John Silver

MD: I'm tempted to wax poetic for a paragraph about the Problem of Sammy. Let's do it. He's been Lugered/Big Showed, in part due to the Jericho Vortex, and in part due to his own personal situations, and even just the inertia of being a featured guy for five years. It means that maybe he hasn't kept pace with Darby and MJF and even Perry. They kind of tried out the Cole/MJF story with him leading up to the four-way last year but Cole was the one to benefit from him. I don't know if he turns on Dustin or wins the tag titles with him (Dustin holding a bunch of ROH titles and challenging Lee Moriarty in a pure rules match would be amazing but that's beside the point) or what, but coming back as a babyface with a topknot doesn't feel like it's going to work. What would? I have no idea. An excursion? Feud him with Atlantis, Jr. in both settings. Maybe give him the TV Title and instead of having him complain about not getting five star matches backstage, have him defend it week in and week out and give him the sort of "list" that Cassidy in 2022-2023. Regardless, I'm glad it's not a problem I have to solve, because it does feel like a problem.

I praise Reynolds and Silver a lot; a good reason for that, as I've mentioned, is that they're able to somehow instill order upon the "everything breaks down way too early" style of tag team wrestling we've gotten for the last ten+ years in a way almost no one else can. They're also very adaptable. They've been monster heel henchmen, lovable loser underdog babyfaces, pre-show comedy act staples, and now sort of a dangerous mid-card heel act. They don't always do exactly what I'd want them to do, but they are very good at what they do.

I'd call this a studio show main event. Lots of comedy to start with Dustin and Sammy both doing the dive tease/breakdancing/pose. Dustin's comedic timing is great, of course. It was interesting how protected he was as a star when it came to the knee. He was beat down last week; he hurt it again on his own bulldog (he drove the action and reaped the consequence); he then fought off the Dark Order on the floor; Caprice mentions that if he's able to stand up on the apron, then he's ok, and he does; at that very moment, Uno comes in with the chair. Since he was going to take a beating for a while, it was fine, but that's not haphazard. It's calculated and has an effect, conscious or otherwise on the audience. Very canny. When Dustin does get the hot tag, it's entirely based on redirecting Reynolds' own momentum, first over the top and then into the power slam where he really just falls away and turns him. Again, that matters. He's not standing tall and firing back; he's showing the weight of the leg damage and finding another way, as hope does. Sammy was fine here; he works well with Reynolds/Silver, but he's definitely a Problem to be Solved.

Rampage 8/9/24

Darby Allin vs The Butcher

MD: TK's keeping me busy, huh? It's a good problem to have. I'm not sure how to tell you anything you wouldn't already know about this coming in. It was a remarkable match, a remarkable Butcher performance, a remarkable Darby performance. You should watch it if you haven't already. My brain is always going when I watch wrestling. That doesn't mean I'm not connected. That doesn't mean I'm not drawn in. It's part of why I value immersion and suspension of disbelief so much. Here's what I was thinking early on in this one:

Back in the day, old timers used to talk about how the fans knew wrestling was worked but that they wanted to be the one match on the card that made them doubt it. A "Yeah, most of it's fake, but that match maybe wasn't." sort of deal. A modern version of that might be... "Yeah, they work out all the spots in the back, but things went so crazy there that they had to be adapting on the fly!" Something like that. One thing I love about Darby is that he (like an unlikely comparison point, Nick Bockwinkel), as a character, always wants to control the start of his matches; he usually comes in with a bang. Here, he charged right in and got nailed by Butcher's foot. And his mouth started to bleed. Butcher went from slamming him leg first into the ropes to starting to work over that jaw. Darby responded in kind by spitting blood in his face. Savage? Maybe, but I was smiling big at that, drawn in. And yeah part of that is because it felt like an adaptation in the moment, and that, compared to a lot of picture perfect precision counter wrestling, felt more real. It just did. And damn it if that doesn't draw the eye and rouse the heart.

The rest of the match was an absolute mauling. Darby would throw himself at Butcher to try to get an advantage. More often than not, he bounced off. Have you ever played one of those little stick figure physics engines sort of games? It might just be picking up and dropping the figure. It might be sending them on a catapult. That was this match, eyes glued to the screen as Darby's body crashes and burns from every angle and every direction in the most sickening ways possible. A beautiful trainwreck. What was the purpose? I don't know. It made Darby look all the more like a star for winning definitively (yet believably!). It made Butcher look like a force. Maybe they can sneak him onto the All Out card? Maybe he'll be there for the Casino Gauntlet and this will get enough word of mouth that people will check it out. The joy of Darby is that while I still overthink it, he's got me overthinking it in all sorts of different and fun ways. Go track this one down.

Collision 8/10/24

Darby Allin/Hologram vs Tony Nese/Josh Woods

MD: I'm three matches in of Part 2 this week, so let's talk about Hologram. TK's alluded that the specific name/character has been in his head for a long time. Allow me to take a couple of liberties here. My guess is that this guy lived in TK's notebook for decades. Hologram is very much the sort of character that someone would come up with while doodling on the side of a notebook in school. He's the sort of guy who could wrestle alongside Mr. JL or Ciclope or Super Calo. It's a rabbit hole and best to just peek down it a little, but I don't think you can understand AEW without thinking about that notebook. It's sort of the "Rosebud" in this equation to some degree, right? And I am not at all unsympathetic. I'm not far off in age and had my own notebooks with my own very rough character drawings in the corner and lists of people who could be in various imaginary factions (be it a New Dangerous Alliance or different reshuffled X-Men teams). Here, it's especially a boon though, because the character is something pure, and true, and genuine, something that should appeal to kids because maybe, just maybe (I could be wrong!), once upon a time, a kid came up with it. It's anecdotal, and you'd want to follow someone who talks about the business and not just breaks down matches, but I get a sense a lot of WWE's recent success with a younger audience is due to the accessibility and ease of Peacock, the fact that they can just find the footage on their own with a few clicks of their remote. If AEW has some streaming solution upcoming, then similar kids discovering the product are going to find a welcome avatar in Hologram waiting for them.

And as for the rest of us? I liken him to Blitzkrieg in WCW. When he showed up in WCW in 99, it absolutely blew people's minds. It's not that he was doing things that much more spectacular than everyone else (though he was doing things that were just enough different to stand out). No, the bigger thing was that he came out of the blue. We were all smarks on the internet following six news sites, reading Al Issacs and waiting for Yokozuna to join the Hart Foundation (that was a couple of years earlier, but you get the idea). We thought we knew everyone and everything, and if we didn't, then we knew someone who did. We had a network of people following everything out of Mexico and every sleazy indy Japanese promotion. And here was this guy that we couldn't place doing amazing things. The fact that he was unknown to us (teenagers and young adults who felt like we knew everything) was half the appeal. Hologram is a bit of the same. It's not that we weren't aware of Aramis here, or that we didn't have some inkling of his contract issues over the years, but he wasn't on our radar or on the the public radars of the people who we trust when it comes to lucha to come in to AEW with a new character and make a mark. The vignette aired. We got word who he was. He debuted. Sometimes it's just nice to be taken by surprise, even for us, especially for us. 

As for the match itself, it was another great showcase that really gave Hologram an extra bit of rub. Despite being a star (and one with a rocket strapped to him maybe), Darby played face-in-peril and let Hologram be the hero, both coming in to clear house after the hot tag and by getting the cradle win on Woods. Before that, they had a great shine where Darby's quick shots got to pair with Hologram's slick shots and they somehow became even more than the sum of their parts. Just great, great basing by Woods and Nese here (and Sterling/Daivari on the Coffin Drop by Darby to set up the finish). They were everything and everything looked great. Just like Reynolds/Silver, Nese is a guy who never shoots for fame or fortune. He's the opposite of getting his shit in. He's an absolute professional, a total mechanic, willing to stooge and get clowned for the sake of his opponent and the match. He's the least cool heel in the world and so much more valuable for it. And Woods is someone that every time I see him, I wish I'd be able to see him more. This did exactly what it set out to do and the Hologram train rolls on. The trick now is to keep him featured so he's on people's minds every week. 

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AEW Five Fingers of Death 5/22 - 5/28 (Part 1?)

MD: I'm only two hours through ROH, but it was a good show so far, with nothing that I felt an absolute need to write about. There was also a Fletcher vs Cassidy match from Dynamite. I like Fletcher as the guy who contrasts HOOK for the next decade. There's a lot of upside there. He's still at a stage where he's just giving up the struggle to set up the next spot at times, but his reactions are good. I would have liked a bit more character-driven rationale (immaturity from Fletcher) for the kickouts towards the end. Too many bombs. I get that they're getting over Cassidy's resilience under impossible circumstance, but it was a bit much. I'll start the PPV here and maybe do the pillars match on Wednesday if I get around to it.

AEW Double or Nothing 2023

Blackjack Battle Royal for the International Championship

MD: You can tell a lot about someone's love of wrestling when it comes to how they feel about battle royals. There's nothing wrong with a person not liking them, complaining about it being too hard to see the action or too much hugging in the corner, etc., not enough "action," the notion that if you've seen one, you've seen them all. I wouldn't necessarily hold that against someone, but I'm always glad when someone appreciates the possibilities inherent. 

Before my time watching, a Battle Royal, like the big San Francisco one, but others as well, was a chance to see wrestlers you wouldn't normally see interacting with the local stars. They built it up as the most dangerous sort of match possible (despite that lack of action) where a punch could come from any direction and a freak injury could occur at any moment. That made a lot of sense during in age where kayfabe was protected and strikes and holds, not spots, were the glue that held wrestling together. 

When I started watching, towards the late 80s or early 90s, WWF Battle Royals were a way to break up the stultifying structure of the WWF feud system. The British Bulldog would feud for eight months with the Warlord and you'd rarely see him up against else during that time. A battle royal would let him interact with the Barbarian or Haku or Ted Dibiase and also brush shoulders with some of the other babyfaces, a brief save, a little nod, a quick team-up. That stuff was magic for a kid who wanted a more coherent universe in his wrestling and not just a series of isolated feuds. So maybe there's some level of comfort food for me in battle royals.

In AEW, it's not that guys don't cross streams and interact. Khan books random matches all the time. It's more a case that we can never have enough of it. There's only so much time and there are hierarchical needs that keep certain wrestlers away from one another. That was true a few weeks ago in the Darby vs Swerve match. It was true in Ricky Starks vs Jay White. For us to get matches like that every week, it makes continuous elevation of certain wrestlers tricky. In a Battle Royal, though? There's very little harm in getting knocked over the top. Moreover, here the wrestlers are encouraged to interact with one another and, more often than not, the spots are frequent and clever. 

I have no idea who agented this one, but they absolutely earned their keep. While there was brawling and guys hanging from the ropes and certain guys disappeared from the action (Butcher didn't get much shine for a change), it was one signature spot after the next, one interesting interaction after the next. The Lucha Bros, working with Bandido and Komander, interacting with Jay White, for instance, were standouts. The most memorable moment of the match might have been Bandido hefting up Nese for a delayed vertical suplex as Fenix and Penta fought off all comers. Brian Cage and especially Big Bill got plenty of shine. Bill's a guy who has been delivering and entertaining week in and week out and this felt like the first step in moving him to whatever might be next. I know people were high on the Swerve vs Cassidy finishing stretch but I find Swerve best as a heel and against someone with a little contrast, a few less twists and rolls, someone a bit more conventional. I worry that a straight up match between the two would frustrate me. Here though, as just a taste at the end of a very well put together Battle Royal, just a taste of it was more than enough. Cassidy was especially good at selling the cumulative damage of weeks on his back and hand, in the midst of a match where that wasn't the narrative centerpiece. It was just another detail in a twenty minute stretch of AEW that had a ton of excellent ones.

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AEW Five Fingers of Death 1/2 - 1/8

AEW Dynamite 1/4

Bryan Danielson vs. Tony Nese

MD: A lot of grumbling and backlash for this one when it was announced, and my big takeaway was that I wish it had gotten just another minute or two so that Danielson and Nese could really go. Nese is probably the most giving, selfless guy on the roster, someone who knows his job, knows his role, knows his skillset, that can go but that still wants to get under the skin of the fans instead of having them cheer for his exchanges. He's the guy on the roster most likely to get cake in his face or to be completely embarrassed by Orange Cassidy but he has just enough credibility through his stuff looking good, through having Woods at his side, and through the sheer cardio and shape he's in. Basically, he's everything I'd want a Seth Rollins type guy to be. That means he's a lower-midcarder who makes everyone around him look better, but I'm almost always glad to see him. It's just that we live in an upside down world where Seth Rollins is Seth Rollins and not Tony Nese. It's not Tony Nese's fault. It's the world that's backwards.

They were exceptionally careful about this. Nese used everything at his disposal from an early ambush while Danielson was basking in the crowd's reaction to having Sterling and Nese out there to get tiny bits of advantage. He could never press it because the idea here was to show Danielson as an absolute star. And he was, but what I'm going to remember most is Nese's missed knee in the corner, just how well he set it up, just how well he pinballed off, the action and the reaction. Ultimately, this match was the right match for the moment, something celebratory, something tangentially connected to MJF, something quick and clean, and high impact, that showcased Danielson in front of his home crowd to set up the gauntlet ahead of him and the lure of the PPV match stip. Still, I had assumed he had picked Nese because he wanted to have one or two cardio exchanges where he really pushed himself, and I'm a little sad we didn't quite get them here. It would be a hell of a Dark match at Universal with no stakes or story purpose if they ever wanted to do it again though.

Samoa Joe (c) vs. Darby Allin

MD: I don't think I liked this quite as much as the first match between them but that doesn't mean there wasn't a ton to love. Darby's matches almost always start in some interesting way. Here it was Joe going after Nick Wayne just because he could (he's the King of TV after all) and Darby making him pay for it, then capitalizing on that advantage before the bell rang with some well-deserved revenge with the skateboard and a huge dive off a ladder. Joe's up there with Yokozuna and Abby as someone who can believably cut anyone off at any moment though. Here he caught Darby (who had maybe messed up his leg on the dive) off the apron and just crushed him on the stairs. This started a pretty awesome Joe control bit through the commercial break where he pinballed off the post again and jawed with the crowd. Between the size differential and the leg, Joe was able to just squash Darby, blocking his attempts to recover. You have to appreciate Joe's expressiveness here, just how deeply he was into every moment. He was absolutely living the character, smug, bemused, believing in himself entirely and looking down on everything and everyone around him. Great finishing stretch here, with Sting's pep talk driving Darby to Sting up, Joe putting forth amazingly portrayed struggle in not trying to get pulled out of the corner (causing the turnbuckle cover to go flying) and the two of them somehow making the code red believable before the finish. I almost would have had Darby hit the drop from all four corners just to put a sort of Warrior vs Macho Man exclamation point on things, but you can't argue with the hometown pop at the end.

AEW Rampage 1/6

Bryan Danielson/Jon Moxley vs. Top Flight

MD: It's since come out in interviews that the entire idea behind the BCC was to give young guys top guys to work. Regal has his own way to explain it but the others explained it more like Tsuruta-gun vs. the Super Generation Army. We did see a little bit of that at first, with Yuta and with a tag or six-man here or there but eventually, it all got subsumed into the JAS feud and it went away. This is it back and as clear as day.

That meant, as opposed to the Claudio tag from a week or two ago, that the BCC pressed and pressed and pressed and pressed. They pushed the Martins to their absolute limit and every glimpse of hope, every bit of offense, felt entirely earned and like a small victory in and of itself. This felt a lot more like one of those AJPW tags, where Top Flight might be able to force a tag, get a shot or two in, but then would get shut down immediately. A tag didn't, in and of itself, represent a shift in momentum. Quite the opposite as the damage had been done to the guy tagging out and it was still two-on-one until he recovered. In fact, some of the most hope Top Flight had was when Darius tagged while he was still more or less on the floor outside. They capitalized on his positioning as best as they could but it never lasted long. The BCC were just too much. That was the point as it made every iota of Top Flight's fight all the more valiant for the impossible odds. It's been a while since Mox and Danielson were able to have a straight up tag and they had some tandem stuff that was on the backburner for quite a while and that made the task even more impossible for Top Flight.

The Dante vs. Danielson bits were shiny and flashy and made me want to see a singles match. Darius balanced exhaustion and fire well when he did get something of a comeback, but he still has to find his own niche; it's never going to benefit him to be compared to Dante if they're doing very similar things. This was brutal in the best way and it kind of makes me hope for them to run it back again with Mox and Yuta where they can get some some revenge on Moxley.

Darby Allin vs. Mike Bennett

MD: Credit to Bennett here for being a good hand. He took most of the match but the only things I remembered after a first watch was Darby's finishing shots: the dropkick onto the chair on the outside that you know Bennett insisted on taking, as opposed the usual Darby wipe out bump; the bit where Maria laid on top of him and Darby was going to jump anyway; the code red off the top. Maybe that super slick kick out of the leg right into the grounded hammerlock too. And Bennett held up his end on keeping heat, even if the fans were going to chant Boston Sucks and You Still Suck instead of Bennett Sucks, alongside Let's Go Darby and just Darby's name. To his credit, they weren't chanting about Maria. I thought his cut offs were particularly good though I have to admit that his offense in general, while it all looked solid and gave Darby things to work with, was definitely all over the place. He did just enough focusing on a leg or an arm to establish that there was something there but not enough for it actually to be a meaningful story beat. It distracted instead of resonated. This is one where maybe Darby should have either taken just a bit more of it and flex his muscles as a champion once again or at least had Maria and Taven give him a bit more trouble to help protect him. I will say that Bennett came out of this looking better than he came in, even despite the most memorable moments being him getting his comeuppance.

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Got the Feeling Gulak Can't Move Without Sliding

Drew Gulak/Brian Kendrick/Tony Nese vs. Cedric Alexander/Rich Swann/TJ Perkins WWE Raw 10/17/16 - FUN

ER: Fun stuff, a real Gulak/Kendrick showcase. Cedric looked good too, but he had Kendrick and Gulak flopping and flying around for him soooo. Kendrick is a real fun ringleader of goons in this, with Nese as his musclehead goon and Gulak as his snake pit goon, letting them do the dirty work while he makes blind tags to capitalize, and every time he's in just sees him getting bumped in big ways. Gulak's fast sequences with Cedric were good, and I loved him eating that slingshot kick from TJ on the floor. Kendrick was an awesome focused Teddy Hart here, bumping early to the floor and selling a knee, cutting the ring off on Cedric only to take a big backdrop, and vulturing that Nese 450 with his choke. The match was put on in the ultimate dead zone, after a 1 minute tag match but before the big Goldberg appearance, and they somehow manage to get some good crowd reactions. Crowd popped for Swann's nice headscissors and reacted to some characters they really haven't been given tons of reasons to react to. That feels like a win.

Drew Gulak vs. John Morrison WWE Main Event 9/30/21 - FUN

ER: Here's a cool match that's never happened before and I don't think I've ever thought about before. Morrison always gets put into matches with fliers, and not nearly enough against technicians who shut down fliers. Morrison is by definition a heavyweight, but Gulak hits harder, so it's a heavyweight using cruiserweight movements to evade the heavyweight work of a cruiser. I love it. Gulak works snug wrist and armlocks while Morrison cartwheels out of the tight arm work, rolling into pins using leverage without even using his arms. Now, some of Morrison's kicks and headstands and spinning come off too slow and awkward to sustainably work in this match, but I thought Gulak did a great job staying in proper position for all of it. Morrison's slow break dancing offense doesn't always reveal where it is going to wind up, so catching it naturally while looking like you're biting at feints isn't easy, but Gulak spent years training with small fliers with grand ideas and hitchy execution of those ideas so the man has an uncanny knack of being in the right place. 

Gulak is just as great at catching the big stuff, and Morrison's big stuff is more interesting than his array of headstand kicks that barely touch his opponent. Morrison  nails a high speed tornillo tope that annihilates Gulak, and that's the kind of Morrison I love. Morrison should lean into taking freaky Low Ki bumps that most people don't have the body control to pull off, like when Gulak knocks him off the top rope and he rolls and bounces off the ropes to the mat in cool ways, or the way he willingly gets bodyslammed crazily into the ropes. Gulak capitalizing on Morrison's slow rolling is the best, turning a cradle into a nice armbar. This had the bones of a match that should have been better, and part of that is because sometimes Morrison's parkour is on, sometimes the set-up is lacking. You let he and Gulak work this match a couple more times, we'd get a great one. 

COMPLETE AND ACCURATE DREW GULAK

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Caught Gulak in Our Room Staring' at the Light, I'd Been Up All Night

Drew Gulak/Ariya Daivari/Tony Nese vs. Gran Metalik/Mustafa Ali/Lince Dorado WWE Main Event 3/31/17 - FUN

ER: This had some real highs but also some oddly laid out peaks, giving Lince Dorado a lot of the big triumphant moments. Out of the three tecnicos in 2017, he was the least natural and spectacular - and also the clear smallest - so it was weird that the match built to him getting the hot tag and getting weaker reactions than anyone else in the match. But the peaks were strong and the pace was brisk. It starts with some pretty so-so Nese moments, but at the same time gave Metalik nice moments to shine. Metalik's nice rana off the ropes was an early highlight, but the match doesn't quite round the corner until Daivari held the middle and top ropes open so that Ali flew to the floor while running ropes. Ali is always great for one big bump per match, one real dangerous one, and him basically hitting a tope to nothing moved us along nicely. The Gulak/Ali portions were really special, with Gulak really throwing hard basics at him and Ali hitting the mat hard. Gulak throws such a hard clothesline, and he throws a straight arm clothesline here that knocks Ali into next week! The big flying moves throughout are good, like Daivari's stiff Naniwa elbow, Metalik's plancha to Nese, Ali's match winning inverted 450, even Dorado's shooting star was delivered swiftly and landed clean (Dorado's problem is more with some wait times on his set ups, and not really flowing through spots very well, all things he got much better at a few years later). Weird to me that Gulak is the one eating the pin after looking like the biggest monster during the match, but this was fun stuff.

Drew Gulak vs. Angel Garza WWE Main Event 7/22/21 - FUN

ER: Here are two modern wrestlers that I love, who have now wrestled five singles matches over a seven month span, and somehow haven't managed to have a really good one. Drew Gulak is one of the guys in WWE who you can argue has had the best matches against the widest selection of opponents over the past several years, but for whatever reason there just does not appear to be a connection between these two. Over their previous four matches, three of them never even made it to 150 seconds. Those were matches with fun, well executed ideas that didn't have enough time to build into stories. The other match went 9 minutes - longer than all but one 2021 Gulak match - and it was somehow one of the weakest Gulak matches of the year. This is more of a satisfying porridge 5 minutes, but still doesn't quite click. Their matches always have good moments, but never quite feel cohesive enough to get to that next level. Garza's transitions back to offense always feel a bit too easy, always completely shrugging off whatever Gulak just did, no matter how punishing it looked. Obviously, a lot of Gulak's offense looked punishing. Gulak never works the same offense every match, so you never know what kind of tricks he's going to pull. He throws a few cool body shots, stiff standing clotheslines, and a great bridging German that I thought was actually going to give him a rare win. Garza has great charisma and taunted Gulak in some fun ways, and he actually gets a good reaction for his tearaway pants late in the match (even though Gulak looks more and more like an idiot every time he catches those thrown pants), but it felt like he was sometimes working a totally different match than Gulak. 

COMPLETE AND ACCURATE DREW GULAK

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Gulak's Been Holding On Too Long, That He Hardly Knows the Score

Drew Gulak/Tony Nese vs. Gran Metalik/Lince Dorado WWE Main Event 9/29/17 - GREAT

ER: This was mostly a showcase for the luchadors, but it was a really good showcase for them. Nese and Gulak had enough cut off spots to keep it fresh, and they were both great at making the lucha spots shine. Gulak really doesn't get involved at all until halfway through, but it doesn't actually matter because the Nese performance is strong. When you go back and watch them 3-4 years ago, it's pretty startling how much better some of Metalik and Dorado's offense looked. It's a lot tighter and the flow is much smoother. 2021 Metalik feels a step slower than 2017 Metalik, but they're on fire here. Dorado hits a great moonsault press and flies off the apron later to cut off Gulak with a Thesz press. Nese catches Dorado on a big springboard crossbody, and eats it when Metalik hits a springboard kick to send the crossbody through. Nese really nails Metalik with a back elbow to cut off a dive, and Metalik's flipping bump felt really natural. 

Gulak and Nese are good at setting the luchadors up, and Gulak/Dorado pull off a Dorado Lethal Injection that actually looks good! Gulak is great at naturally getting into position for a stupid springboard cutter, and Dorado's cutter was so quick that I actually didn't see it coming. When Jay Lethal does it it takes an eternity and his opponent is frozen there waiting for a Fatality. The finish looks crazy, perhaps by complete accident. Dorado goes for a shooting star press but doesn't rotate, luckily doesn't land on his head, and instead crushes Nese with a kamikaze senton. Since he looked like he was flinging himself hard backward to complete the flip, that just means he flung himself out over Nese. Happy accident, Dorado pulling off a better senton than Dick Togo. 

Drew Gulak vs. Ricochet WWE Main Event 6/17/21 - GREAT

ER: This didn't have the same organic build and offbeat timing that their awesome match earlier this year had, and the shifts in momentum didn't come off as smoothly as they did in that first match, but this was still a really cool match between two of the current best. Gulak might be the best in WWE at working control segments right now, as he always comes up with new things to use against specific opponents. With no Kassius Ohno on the roster, Gulak is the main person here who can craft a match around his specific opponent without running the same act each time. He dominated and slowed down Ricochet in completely different ways than he did six months ago. There's a cool long double knucklelock to open that ends with Ricochet trying to break off the ropes but Gulak twisting him into a straitjacket. Ricochet hits a crazy high dropkick that shotguns Gulak off his feet, and we get a killer run of Gulak taking that dropkick out on Ricochet's hide. Gulak hits a 1.2 level Finlay bodyslam that sends Ricochet's achilles off the top rope and the back of his head bouncing off the mat. He punches a hole in his chest with an axe handle, aims a back elbow at Ricochet's orbital bone, throws him across the ring with a Steiner level gutwrench suplex, and debuts these sick IZU falling shoulderblocks to jam Ricochet's shoulder. 

Ricochet's comeback felt like much more of a WWE Superstar Moment than something that really fit into the match they had been having. It felt way more theatrical than the snug back and forth they had started with and had built into a punishing heel beatdown from Gulak. Ricochet's comeback flips and kick combos looked tighter than most indy versions of that style, but I like Ricochet so much more when he surprises with less rehearsed looking stuff. But, again, Ricochet's combos look sharp and Gulak is aces at keeping pace for all of it. The concept of the finish was cool, with Ricochet going after one of Gulak's limbs and playing the ass kicker's game, and winds up tapping Gulak with a top wristlock. I really dug the cranked in top wristlock finish, but also would have liked it hinted at or established a bit more. The match got nearly 10 minutes, but it didn't feel like Gulak should have been at the disadvantage he was at when they got to the finish. A couple more minutes could have lead to a couple cool twists before getting that surprise tap. No matter, I love watching these two move inside a wrestling ring, and my complaints are only because of the high standards both have set. 

COMPLETE AND ACCURATE DREW GULAK

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The Final WWE Big 3! Lorcan, Gallagher, Gulak 6/8-6//20

ER: Well the feature went away, came back with Gulak, and now not long after leaves for good now that 1/3 of our 3 is a sex pest. I'm not sure how to continue the feature as my back-up plan for one of the three getting cut was to move Kassius Ohno into the third spot and well, that went out the window too. Maybe I will continue as a Big 2+1, with the one being the worker I think most belongs in the third spot any given week. Thoughts?


Jack Gallagher/Tehuti Miles/Tony Nese vs. Oney Lorcan/Danny Burch/Isaiah Scott 205 Live 6/12

ER: Fun trios match that builds off the previous few weeks of matches from each of these guys. 205 has always been good at building feuds and giving some matches a reason to happen, even if the blowoff matches have been roundly disappointing over the show's run. But this was kept brisk and had a nice heel control section, and we got another great run of Gallagher/Lorcan. For whatever reason, that pairing is a real rarity on 205. We have their great singles match and occasional crossed paths in big multimans, but that's it. Gallagher was real mean when he tagged in and started wailing on him, blindsiding Lorcan with a headbutt to the stomach and then beats him in to the mat while his boy Nese cheats from the apron, and late in the match Gallagher has an awesome buzzer beater pinfall save. I really dug Nese snapping Lorcan's neck over the top rope and then pushing Lorcan away from the ropes with his boot when Gallagher was ready to go for a pin. I always like how Lorcan fights through heat segments, and the uppercut he blasts Miles with when Miles tags in is one of the best moments of the match, quickly rivaled by Miles wrecking Lorcan with a lariat that sounded like someone taking a baseball bat to a Thanksgiving turkey. I liked Miles dropping elbows on Lorcan while rubbing it in on Nese that *this* is how you control a match, leading to a big missed elbowdrop that everyone but Miles saw coming. Modern WWE style has so many moves thrown to purposely miss, too many guys focusing on the reversal instead of the move itself, and when somebody actually does a "heel misses a move due to cockiness" it actually plays as something fresh. Burch had a spirited start to the match and gets some more fun stuff when things start to break down, hits a nice enziguiri, leans into a Nese spinkick, and hits a nice surprise headbutt on Miles. Due to how this broke down I'm excited to see a Gallagher/Miles match, and I'm really liking what a lot of these guys are bringing to 205.


Oney Lorcan vs. Chase Parker 205 Live 6/19

ER: This was a bunch of fun. Ever-Rise will always feel like a weird team to be on the WWE roster, but I like how they fall into that Disorderly Conduct style credible team that never wins, like if the Hardy Boys had been heels working as DO in 1997 WWF. The match worms its way immediately into my heart by starting with a long Lorcan headlock that Parker can't break, and we get three different attempts for Parker to run Lorcan off while Lorcan keeps hanging on. For all of the great traditional wrestling moves and spots that WWE has phased out, I love that there are a devoted few who know how to hold onto a good headlock and refuse to break. Parker does his small Canadian Disorderly Conduct offense, like choking Lorcan on the ropes or driving a knee into the gut, hitting a standing elbow across the back of Lorcan's neck, the kind of offense done by hairy men in ill-fitting singlets on syndicated 90s WCW TV. It's basic heel control until he charges Lorcan and Lorcan scoops him into an inverted atomic drop, then lifts him into a traditional atomic drop, and we are blessed because he catches Parker in a THIRD atomic drop variation as Parker axe handle attempts his nuts directly down into Lorcan's waiting knee, then wastes him with the flying uppercut and blockbuster. This had a real WCW 5 minute syndie match feel, which is obviously the best feel.


Jack Gallagher vs. Jake Atlas 205 Live 6/19

ER: Cool style clash that saw Gallagher stalking and striking Atlas around the ring while managing to stumble and bumble into taking the more athletic indy lucha offense of Atlas. Atlas has a couple of neat squirrelly armdrags with my favorite being when Gallagher caught Atlas's boots in the corner and swung them through the ropes only to have Atlas drop his weight like a pendulum and toss Gallagher at a neat angle. But big portions of this were Gallagher calmly strutting around the ring to provide constant pepper into Atlas's ribs. Gallagher starts attacking the body with big right hooks, thrust headbutts, open palm strikes, just tenderizing Atlas's whole rack of ribs for a roast. We get a lot of great moments of Gallagher responding to some flowery Atlas flourishes with a pause and a kick to the face or punch to the jaw or palm to the face or knee to the gut. Seriously, just watching Gallagher stalk and strike is the best. I don't love all of Atlas's comeback offense, even though I like a lot of how Gallagher set it up (like missing a superman punch to set up an Atlas clothesline). Atlas does hit a nice back suplex, but a lot of his comeback offense - and his rainbow DDT finish - would have worked much better in a This Is Awesome kind of match, which this wasn't. There was a lot of attention paid to Gallagher beating Atlas's body and then locking in an abdominal stretch, and there were plenty of cool ways that Atlas could have worked in his offense around the damage, but it felt like his brain was in a different match than the one he was in. Match overall gets a thumbs up from me, but blending his spots into the format better would have lifted this to List.

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WWE Big 3: Lorcan, Gallagher, Gulak 5/10-5/16/20

Jack Gallagher vs. Isaiah Scott NXT 5/13

ER: I'm not sure why all the matches in this NXT cruiserweight tournament are only getting 4 minutes, but perhaps I got too used to 20 minute long 205 matches. They...do know that there's a middle ground between those match lengths, right? The shorter length on this one at least makes sense, with Nese jumping Scott before the bell and running him ribs first into the ring steps. Scott did a nice job of selling a nagging rib over the short runtime, and I dug how we got a plausible finish right off the bell when Gallagher just plastering Scott with his running corner dropkick. Not only was it one of Gallagher's finest, but with the way Scott fell he was able to just get his boot on the ropes, instead of a silly dramatic 2.9 kickout. And the rest of this was all about Gallagher punching Scott's body with strikes, aiming several kicks to those ribs, included some doozies while Scott was seated on the apron. We built to a great moment where Gallagher missed a second big dropkick in the corner, then eating a great Killshot kick to the side of the head. I thought for sure that Scott was winning after that, after Gallagher flopped nose first to the mat. But I was mighty pleased when Gallagher hopped up and grabbed a guillotine, and then got to win with a roaring elbow. Scott sold it like he got hit with a Gallagher roaring elbow.


5. Drew Gulak vs. Daniel Bryan WWE Smackdown 5/15

ER: Just keep giving these two time, and I'm confident they'll keep pumping out a fresh new match every single time. Gulak and Bryan are real artists, have a wealth of talent and influences to build fresh matches from, and after already having the best match of 2020 they now also have the best Smackdown match of 2020 (and there have been some cool contenders). This is the kind of technical wrestling I'm not certain even a crowd of drunk bikers could shit on, and it's still unfathomable to me that Gulak and Bryan are doing some of their greatest all time matwork on WWE programming, making it clearly the best WWE matwork we've seen. The opening couple moments of rolling was some time capsule stuff, not one second of the rolling feeling performative, counters that actually felt like legitimate counters, contact that felt real. Guys being allowed to stretch out matwork is possibly the only blessing of the empty arena era. I almost thought they were going the flash tapout route early, when Bryan locked in one of his most snug Yes Locks I can remember, looking like he wanted to bend Gulak's nose to his ear. But Gulak made the ropes, and then I thought they were going flash tapout when Gulak locked in one of his most snug Gu-locks with him actually yanking Bryan's beard to lock it in tighter!

Gulak is really cool on control, drops a nice belly to back suplex, nice cradle, and a Michinoku driver with him dropping to his knees. It looked like something I remember Regal doing to Benoit. Bryan starts plotting his comeback throughout Gulak's control, setting up attacks on Gulak's knee that pay off the longer things go. Bryan has a cruel dragon screw, but Gulak stepping out of a dragon screw attempt was even cooler, but then Bryan snapping tendons with a counterclockwise dragon screw was impossibly cool. I love the subtle way Gulak sold a kneebreaker, and Bryan going back to that kneebreaker and using it in a trap leg German was a killer payoff. Love these two working go behind sequences early, paying that off late when Bryan runs Gulak into the ropes with a waistlock and skips him across the ring like a stone with a quick German. The finish stretch is as class as you'd expect from these two left to their own, with Gulak breaking out a big powerbomb and some clean and believable cradle reversals, but of course Bryan goes shies away from the reversed Yes Lock and just attacks that knee with a heel hook. More brilliant work from these two, seriously among the best of their respectively impressive careers.

PAS: What a swan song for Gulak, I mean this is as great a final performance as I can remember, and the fact he was able to orchestrate his last WWE match so he could go 14 minutes of hard mat work with his idol is amazing. What a triumph for the Catch Point movement. Loved all the cools spots worked around the tight headlock with Bryan nailing him with shinbreakers, it built really well towards everything. The trap leg german, the dragon screws and the killer finish. I just finished Jon Snowden's incredible Shamrock biography, so I especially appreciated the match ending with the Pancrase dueling leglocks. Bryan and Gulak clearly used the pandemic as an opportunity to work matches which might kill a WWE crowd, and it was such a pleasure to see. I can't imagine Gulak getting a chance to do this in AEW, so bizarrely his best chance to continue this kind of output is actually to re-sign with the WWE. What a world.


10. Jack Gallagher vs. Tony Nese 205 Live 5/15

ER: What a colossal performance from Gallagher, up there with his excellent performance in last month's match against Oney Lorcan. This is maybe even more impressive, if we consider the abilities of his dance partner in each match. I wouldn't say this was an entire one man show, as Nese has actually improved his game a lot over the past year, and there were cool things he added here. There were also things he did that could have taken away from a match with a lesser opponent, and those things are where Gallagher showed some real merit. The whole thing was built around some really great body shots, with Gallagher landing hard closed fists with both hands, and Nese showing off a really killer short left that kept landing in the same spot, like Nese was trying to cause a gallbladder malfunction. Jack gets a couple different reversals into ground and pound, and I love how Gallagher's ground and pound isn't just forearms striking forearms, instead mixing up shots and leading his opponent.

When Nese takes over, that's where Gallagher shines in a very different way, as he's maybe the only person I've seen who makes Nese's DDR kick/legsweep combo look interesting, actually occupying himself by selling the strikes in between rather than just standing there like a doof waiting for the next dance step. Nese even drops him on a backbreaker and Gallagher manages to salvage that, instead focusing on selling damage from prior strikes. Now as I said, it wasn't all bad with Nese, as I really dug his rolling dropdown to take out Gallagher's legs near the ropes, I liked his Macho Man leaping neck snap to the floor/moonsault combo (with Gallagher's selling making Nese's quick timing on the spot work well), he has a thrust directly into Gallagher's throat that is maybe the nastiest strike I've ever seen Nese throw, and at one point Nese grabs Gallagher in a grounded headlock that squished Gallagher's face so tight that it looked like Gallagher was having a bad peanut allergy reaction. Gallagher was great at switching from throwing hard kicks and more body shots, and I love him mixing up his headbutt strike by throwing it at Nese's weakened body instead of how he usually throws it. I've said before how great it is that Gallagher doesn't use his signature offense the same way every match, always mixing up order and not using everything he has in every match, and making it all mean different things by the way he incorporates it into a match. Also, it rules that Jack got to win two TV matches this week with a roaring elbow.

PAS: Probably the best Tony Nese match I can remember, and it wasn't 100% Gallagher (maybe 85%). I can tolerate some backflips if you are going punch someone right in the throat, and Nese was swinging some ham hocks into Gallagher's ribs. I am digging new ground and pound Jack, it is really cool that he is showing off other sides of his game now, and stiff violence is what works in silent arenas. Cutting off Nese's knee strike with that running headbutt was a spot of the year candidate and Gallagher has mastered making that headbutt look devastating. They really should just slot Gallagher right into Gulak's spot as Bryan's running buddy.


2020 MOTY MASTER LIST

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WWE Big 3: Lorcan, Gallagher, Gulak 3/22-3/28/20

Oney Lorcan/Danny Burch vs. Shane Thorne/Brendan Vink NXT 3/25/20

ER: Lorcan and Burch are usually the guys used to showcase other talent, so it's always fun when we get a short match showcasing them. And true to their nature, they don't treat this like just a squash match, throwing a couple bones to Thorne and Vink. Shane Thorne is a guy I have seen live twice at NXT house shows (once in the main event!) and every time he shows up on TV I go "huh must be some new guy they're debuting". I never remember him, and the second his matches end I go back to forgetting him. So, Burch starts the match against...some guy, and he has a nice short uppercut and a cool wristlock takedown, stomping on...someone's wrist right after tossing him down. Lorcan is a guy I love seeing opposite big guys and Vink is a guy with a big muscular build. When Lorcan tags in and charges Vink in the corner we get a big high delay uranage from Vink, and the move set up actually makes sense as Lorcan was flying into the corner with his flying back elbow. It's an established way Lorcan leaps into offense, so we don't have any of those "Well, I don't normally do this, but now seems as good a time as any to charge and leap at Samoa Joe" logic leaps. I begin laughing thinking that Lorcan is still going to get flattened in his showcase match, but not long after he is flying horizontally into both the Australians with back elbows and nails Vink with a hard as hell lariat, Burch hits a missile dropkick, and we rush to a quick double submission finish like it was a CMLL primera caida. These 3 minute showcases are not common for Lorcan/Burch, they should have stiffed up these goons even more.

Drew Gulak vs. Shinsuke Nakamura WWE Smackdown 3/27/20

ER: This was really good, until it ended suddenly about 4 minutes in. The way they were working it felt like we were getting a nice 10 minute match, but quick Bryan interference and a schoolboy later, and we were out. Shame, as this was going along great. I didn't think Nakamura was putting too much  effort into the tag opposite Drew last week, but here they were really jelling. Nakamura started with some nice grounded knees (and later went back for an even better one while working a choke) and I was into the ways he was staying on Gulak. Gulak hit the John Woo dropkick and Nakamura sprawled to the floor, and hooked Gulak's leg, and upending Gulak on the apron. As they got back in Gulak snared him in a couple dragon screws as Nak was stepping through the ropes, and it just felt like they were setting up some cool stuff for a longer match. Nakamura seemed ready for a good match, loved his leaping knee off the top and the way he forced his forearm into Gulak's throat on a guillotine. However, a schoolboy finish after interference to end a cool match is almost as satisfying as finding a pube in a meal you were enjoying.

Oney Lorcan vs. Tony Nese 205 Live 3/27/20

ER: This was the best of the three matches we were given this week, which makes sense as this one actually got some time. Nese has been slowly getting more focused in-ring and has dropped a lot of those disconnected athletic combo spots, and I have to imagine being in the ring with guys like Lorcan, Kendrick, or even Mike Kanellis has benefitted him. For much of his run he's been paired with more athletic flier types and that just begets a looped series of mirror reversal backflip spots. Against a guy like Lorcan, instead of seeing mirror reversals, we get battles over tight headscissors and body vices. That is far more interesting to me, as it cuts off Nese's excesses. Lorcan is really good at doing compelling things with a headscissors and Nese has strong thighs and knows how to make a body vice look really painful. Whenever Nese tries to snap of some kicks, Lorcan is right there with big chops and hard uppercuts, and when Nese gets lulled into playing Lorcan's ground game he winds up getting punished with some ground and pound. Nese is a big bumper so he'll always take Lorcan's blockbuster right on his neck, and I thought it was really smart the way they built to Nese's bigger flourishes. Nese flipped out of Lorcan's half nelson suplex and hit him in the throat to set up his springboard moonsault, tosses Lorcan rudely into the turnbuckles with a German suplex, and nails him with a running knee. I don't quite trust him with guys who are like 2016-2019 Tony Nese, but this is a guy growing as a wrestler, and Lorcan is a great guide. I dug all of this.

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WWE Big 3: Lorcan, Gallagher, Gulak 3/8-3/14/20

Brian Kendrick/Jack Gallagher/Mike Kanellis/Ariya Daivari/Tony Nese vs. Oney Lorcan/Danny Burch/Tyler Breeze/Isaiah Scott/Kushida 205 Live 3/13/20

ER: There is some weird 205 curse where none of the guys know how to lay out even the most normal gimmick match. This is a match with 10 guys ranging from Capable to Actually Great, and I have no doubt it would have been much better had they just worked a standard 5 on 5 match. Instead it is an elimination match, and 205 Live just cannot do gimmick matches. Some of the worst matches I've seen on the show have been normally cool things like No DQ matches, where the guys force themselves into a format while seemingly intentionally playing against their strengths. And this match would have at least been amusing had I gotten a graphic that said "205 Live vs. NXT: Playing Against Their Strengths". Also, you book a weird invasion elimination match, and you make the team representing 205 Live the heels? I don't get it. There's nobody in the building anyway, you aren't playing to any fans, why wouldn't the home team at least be the good guys? I would have been interested in people like Kushida and Lorcan coming in and working like invading assholes, but that would be something that would mix it up a bit, and this needed to be a dry elimination match.

I don't know what it is with most elimination matches, but we always get plenty of guys eliminated due to things they would normally never get pinned by. So obviously you know this match had a ton of roll up and small package finishes after someone took 0-1 moves. It is the way of the elimination match. Most of these guys disappear without making any kind of impression: Kendrick goes down to a late small package after being almost entirely uninvolved in the match, same thing for Tyler Breeze; Kanellis had a great showing last week, goes down to a quick roll up this week; Nese had one of his most interesting showings in awhile teaming with Kanellis last week, here he gets put down quick. There were some nice individual moments, but nothing that added up to anything close to a good match. Burch turning and hitting a headbutt on the interfering Sunil Singh looked cool, and we at least got a tiny bit of Jack Gallagher showcase. Gallagher hasn't been on TV for 3 months, returns sporting scrimshaw tattoos (I'm not really one to judge tattoos; I don't plan on getting any more beyond my Violent J left shoulder tattoo and my Shaggy 2 Dope right shoulder tattoo, but I will say that scrimshaw clipper ship ink on a pale body looks much better than a Blue Lives Matter looking ass neck tattoo), but even then his return is more of a cruel tease do to the match layout. He goes at it with Lorcan (which is actually a criminally unseen pairing, with no singles matches and only sparse interactions in a couple doofus matches like these) but it gets shut down quick with a cool Gallagher rolling elbow. Gallagher also took a great backdrop bump to the floor, but really wasn't in there long. This all felt designed to be a Kushida/Scott showcase, but I'm not really buying what those two are showcasing. This match was another example of breaking something that was already fixed nicely. Nobody came out of this match looking good.

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