2024 Ongoing MOTY List: Premier Athletes vs. Kings of the Black Throne

 

10. Tony Nese/Ariya Daivari vs. Brody King/Malakai Black AEW Rampage 7/12/24

ER: Kings of the Black Throne? House of Black was fine, but it wasn't enough so now I have to type out something truly stupid to refer to a monster finally wrestling like a monster and a jaundice-thighed Dutch kickboxer. What's happening with the AEW jaundice tan? We established orange as the ridiculous tan color for two decades and suddenly the Big Yellow 5 feels emboldened by a lax FDA to start branching out into other areas, away from sodas with a high school reputation for shrinking dicks. I don't know what's happening with Black's legs and midsection but something needs to stop and we need to contain this. This isn't normal. You would be called Piss Boy every year of high school if you showed up with yellow legs from some kind of chemical burn accident, so there's no way we should be letting 40 year old Dutch kickers and skinny fat bunny hopping piledrivers get away with it. 

Maybe Brody King worked big in this match due to the fatigued state of his friend, finally throwing aside the middling forearm exchanges and fake big man work for stiff clotheslines and aggressive size. His Throne Buddy's brain is slowly being eaten away as the yellow spreads outward through his tissue, but it's making King hit hard and miss with a toppling big man intensity. His work with Premier Athletes associations was a real plus for the match, taking a great out-of-control-big-man bump to the floor on a low bridge, and aiming a crossbody at Daivari through Mark Sterling. It was a good way for him to stay occupied and make this more of a match. 

Tony Nese is arguably the least cool AEW worker to champion but I like him. I didn't like him in Evolve but I grew to enjoy him in 205 Live when I was watching that a bunch for Drew Gulak, Jack Gallagher, and Oney Lorcan matches before those guys were retired or canceled or canceled into partial retirement. Nese isn't so different from 30-40 other good body speedy backflip guys in AEW but I think he's better than a lot of them. He's good at getting naturally into place for unnatural offense, falls in some ways you wouldn't expect, is good at pinballing between two guys, and is capable of fucking up in cool ways that feel like part of his character. He goes up for one of the highest backdrops in AEW history, has shockingly good worked arm strikes, and he repeatedly eats shit on his 450 splash no matter where Black sets up. People love holding the opinion that Great Sasuke slipping off the ropes only makes his Jushin Liger match more legendary, but nobody is quick to accept missed spots as part of a wrestler's charm, unless it's a JT Smith situation. Tony Nese does these missed spots that are almost surely unintentional but can read like expertly planned out Chris Hamrick or Juventud Guerrera misses, because they're never sold as something that connected and they often lead to his downfall. His meathead athlete Dave Portnoy energy makes the misses more charming, and his first overshoot barely got him a nearfall. His second was supposed to hit knees and instead his rotation is fucked up and he winds up connecting knees hard with Black and whipping his own head into the mat. Tony Nese has the tight physics on headscissors and backdrops like Billy Kidman with the same type of "I kind of want him to mess up this finisher though" charm. 

Nese and Daivari are both really good at getting in the way of Black's crescent kicks, and you know who has spent years gently flying under the radars of anyone offering a wrestling opinion? Ariya Daivari. Daivari is another guy I fell for during the glory days of 205 Live, but doesn't get talked about because his brand of professionalism can fade into the background. He has a consistently good floor, and a style that has always reminded me of Christian, but with less offense and less upside. He's great at using logic in matches the same as Christian, like the way he changed his pescado delivery here in an attempt to actually damage Brody King, getting a running leap that he doesn't otherwise do, just to throw more weight. He doesn't bump big like Christian but he has good selection in bumps. My favorite here was the way he fell off rigidly to the side after a running back elbow. The finish played great: Nese getting his face in the way of another kick while King hanged Daivari's motionless body off the apron in a sleeper in the camera foreground. 

2024 MOTY MASTER LIST

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AEW Five Fingers of Death 4/15 - 4/21

AEW Dynasty 4/21/24

Bryan Danielson vs. Will Ospreay

MD: I've had RVD on my mind lately. They used him on the 4/20 Rampage. I haven't gotten to that yet. There's been a lot of wrestling to watch and I only caught the back half of Rampage so far because it more directly led into the PPV. I'll go back for it and for Yuka vs Emi because it sounds like an amazing Emi performance in difficult circumstances. When I think about RVD, though, I think about his PPV match with Benoit. I haven't rewatched it in decades and I have no desire to now, so bear with my memories. You have to understand what it was like to be a fan on the internet in the late 90s and early 00s. Benoit wasn't just a wrestler. He was a representation of a counterculture, of a certain sort of identity. He was put up on a pedestal. We put him there. He represented everything we thought we wanted wrestling to be; if wrestling was just that, we would feel good about ourselves for being fans of it. The match, as I remember it, was a disaster. Benoit did what he generally was supposed to, worked over a body part for the entirety of the heat. RVD no sold it on his comeback. Of course he did. We were furious. At the time, we blamed RVD. Twenty years later, it's obvious that the blame should go to Benoit for structuring a match that not only RVD wouldn't play along with, but that, if he had, would have actively blunted what made him special.

To some degree, that was Danielson's challenge here. The "dream match" portion of Danielson vs Ospreay was always going to be the high octane back-third: the counters, the finishing stretch, and harnessing Ospreay's physicality and athleticism in ways that only Danielson's mind could devise that would play into the weight of the crowd's expectations and the importance of Bryan Danielson in history and in people's hearts. While it might make sense strategically in character to target Ospreay's leg, it would have kneecapped the match and frustrated people one way or the other; either he would have dropped the selling (believably or not, probably not) or he would have sold and worked the finishing stretch at half speed leaving people who wanted the full Ospreay experience disappointed. So they built it by targeting the side instead. The announcers mentioned ribs or the liver, but to me, it was purely a wind issue. Danielson caught him as he was coming off the top with a kick. It took the wind out of Ospreay. Danielson was therefore able to control and contain and focus the middle section of the match, using gut shots to open up Ospreay's face, prying at the legs or twisting the fingers, but doing overall damage instead of limiting Ospreay's motion. When he recovered, it was a matter of timing and opportunity, of recovering his wind because of a lucky, skillful shot or two or some amazing feat of agility like landing on his feet out of the top rope 'rana. Then, later on, Danielson honed in on the arm, in part to set up the LeBell lock. It's easier for Ospreay to limit his upper body motion than his lower body motion and he adapted accordingly. He dropped it for a bit when it did no harm to the narrative and brought it back in a key moment when it could help it. I saw early criticism of the match attack his selling, but I didn't see it. It worked for me, but it worked primarily because it was set up to go with the flow and to not limit him in the ways that mattered for the expectations of the match while still allowing Danielson to be in control and the match to have shape and form. Danielson worked to Ospreay's strengths and minimized his weaknesses. 

What was far, far harder to work with was this crowd. When you see even the most excited crowd, a crowd that is buzzing and chanting away, they usually react to the actual action in the ring. That's true even in the early stages of matches. A clean break will garner applause. A slap instead will give you either boos or oohs. A wrenching hold will draw one reaction when it's put on and another when it's escaped, and then back to the chanting and buzzing they'll go. The "This is Awesome" or "AEW" or "Both These Guys" chants will come at the end of a sequence during the standoff. That wasn't at all the case here. These two were feeling one another out in front of the loudest vacuum I'd ever seen. They would chant whatever they wanted, whenever they wanted, even and especially over meaningful emotional beats. This crowd was drunk on the idea of a dream match regardless of what was occurring. They were celebrating the finishing third before the match had even begun. It didn't get better even once they got going. Danielson took a nasty bump off an apron exchange and they were setting up Ospreay hitting a hidden blade from the apron to the floor while Bryce was trying to steady him. It was hugely important to the overall story of the match given the eventual finish. Meanwhile, the fans were chanting "We're Not Worthy!" For the first two-thirds of the match, the crowd was unquestionably excited, but the wrestlers didn't have the crowd. Whatever they were doing, no matter how good it was, no matter how smartly it was put together to be the best of the both of them combined, to be better than the sum of their parts, it wasn't compelling enough to guide and control a crowd that was there so that it could have bragging rights about seeing one of the best matches ever. It wasn't a case of looking to the back for the entire match waiting for a run-in; instead it was looking to the future, to that last third, and taking for granted what was actually happening.

And, of course, that last third was absolutely excellent. If the first two-thirds were, in part, to minimize Ospreay's weakness, that last third completely highlighted his strengths. Danielson was able to push himself up to new heights for specific spots by pressing off against Ospreay's athleticism. Things like the Mistica LeBell lock or the top rope Tiger Suplex or the Busaiku Knee counter to the Oscutter were out of this world and stand up to any spot in any Danielson match ever. By that point, the fans were completely tuned in. I'm not sure we've ever quite heard the "Yes-No" chants as they manifested here and they were just the soundtrack the last third of the match called for. Then there was the finish, which to me was absolutely perfect. At the end of the day, that's how the match had been presented: Danielson was a legend but Ospreay was younger, faster, hungrier. So at high noon, after a war that neither man had been able to win, they had an old fashioned standoff. Ospreay, with his Assassin's Creed trappings, is perfect for this sort of over-the-top theatricality. We get endless strike exchanges and fighting spirit bits in wrestling, but this wasn't even a samurai showdown where both fighters would pass and one would fall after the fact; no, it was right out of a western with the younger upstart having the quicker draw. Given what the match meant to accomplish, the passing of a torch, it was the perfect ending. Maybe, just maybe, it was even the perfect match too. It was, unfortunately, just one that couldn't overcome the frothing anticipation that the fans in the arena had for it. It was their loss and ultimately it was ours too. 

AEW Collision 4/20/24

BUNKHOUSE BRAWL

Bryan Danielson/Claudio Castagnoli vs. Kyle Fletcher/Konosuke Takeshita

MD: On a nexus with Connelly vs. Demus on one end and the Jarrett vs. Briscoe in the Concession Stand Brawl on the other, this would be in the middle but definitely closer to the former than the latter. I write a lot about my own personal preference for wrestling that feels organic and where you can't see the strings and that's much more of what we had here. There were numerous moments in this one where someone (more often a member of the BCC or Takeshita) would spot something in the corner of their eye and work it into the match. That's not to say that Fletcher didn't put up a good effort; he did, it's just that this probably was a lot less natural to him both from what he had seen and what he had done. You had Claudio picking up action figures or spotting a hammer (used previously) on the ground and making use of it. I do think that Fletcher has some good natural instincts in working the crowd but this wasn't the sort of match to do that in the way one usually did it. Takeshita, on the other hand, is someone who drives me absolutely nuts with his match layout: too much, too soon, all at once. But the reason why he drives me nuts is because he's so physically impressive and visually effective, dynamic and explosive. If he could just get out of his own way, he could be absolutely amazing. Here, he understood the mission, a constant violent push forward. 

I also talk a lot about the duel-edged sword that are the commercial breaks. In most matches, I actually think they help more than they hurt because they force things to slow down and the heels to lean into their characters and the heat they're trying to get. It prevents the matches from devolving into constant noise from bell to bell. Here, you kind of wanted that though, but what we did get during the break was pretty great, with Takeshita working over Danielson's would for minutes straight. I see people complaining that Fletcher didn't rub the blood into his hair, but to be fair, Danielson came out of that commercial break with a much more interesting crimson mask than he came in, all thanks to Takeshita. Unfortunately, the timing of the break ending meant that the camera couldn't linger on Takeshita about to brainbuster Danielson on the ramp again. That was the key emotional moment of the entire match, the reversal and subsequent DDT, but the folks at home needed at least a second to understand why Claudio wasn't there to make the save. While the quick cuts between the two scenarios were a plus for most of the match to add to the chaotic feel, it did hurt a little there.

Moreover, if Fletcher needed a bit of education, the crowd did as well. They were pavlovianly shouting for tables; sometimes giving them what they want isn't the same as giving them what they need, and Danielson did that at each point, diverting them away either through yes chants or other bursts of engaging violence. If they run something like this again, on the second or third time, people will be excited for the possibility of the powder or the chain or the wire to choke with. In some ways, all that wrestling is at its very core is the conditioning of an audience over time and then the utilization of that conditioning for the sake of manipulation. Again, that's almost the opposite of some of the maximalist, pandering performances that get over so big today, but it's that carny tugging at heartstrings where the greatest artistry can be found. On this night, through violent creativity and adaptability in the moment and a commitment to the chaos at play, these four (and yes, I mean all four of them and Moxley and Hobbs for good measure), did their part in retaking just a bit of the old ways so that they might be used once again, not to pull pro wrestling back into moldering darkness but to help push it forward back towards the light.

Adam Copeland/Eddie Kingston/Mark Briscoe vs. Top Flight/Action Andretti

MD: I really like it when they run a warm-up/showcase match for a one-time trios before a PPV. It's very likely that we never see Copeland/Kingston/Briscoe again after this and this match gave us a chance to see them highlighted against a very different sort of team than the House of Black in a babyface vs. babyface match. Top Flight/Andretti are a set unit and had the superior teamwork and the speed, but they had both a size and a presence disadvantage. We've seen Ace Kingston pushing around younger guys. Mark Briscoe, here, came off as a total beast, like the Briscoes of old, just running through Dante when he had the chance. This was maybe the first time, even through a series of Cope Opens, where Copeland got to be a giant in the land of the new normal height-wise. I probably need to go back to see his work against Rey at some point, but here he was working big. There was no ultimate opportunist here. There was a running power slam instead. 

There are a lot of things that can and should make AEW Copeland different than WWE Copeland, and he's been doing an admirable job of embracing more and more of them every week, but I don't think I've seen him look quite this imposing as of yet and it was great to see. I want more of it. No one even played de facto heel here; yes, the bigger makeshift trio sort of bullied, and Top Flight double-and-tripled teamed but it wasn't personal. There was a little bit of control on Copeland and a lot on Dante, but it was back and forth and never wore out its welcome; plus, Andretti has that Tom Zenk thing about being particularly punchable. When things broke down in the end, the fireworks were exciting but also well-placed. Even the triple double clothesline felt a little novel relative to some of the spots you see in this scenario. I'm sure that anyone who didn't blink and miss it loved Dante jamming his leg on the backflip to let Copeland hit the Impaler. It was a little detail, probably unnecessary, that still added to the match. And of course the finish of the Uraken into the Spear, with Copeland sneaking Andretti into the center of the ring for the Froggy Bow, was just a perfect highlight reel combination. If we'll never get Copeland/Kingston/Briscoe again after the PPV, at least we'll have gotten two very different looks at them.

 

AEW Dynasty 4/21/24

Adam Copeland/Eddie Kingston/Mark Briscoe vs. House of Black

MD: I dug the layout for this one. After an initial tease of Copeland vs Black before the match got going, we led into initial pairings like a lucha trios. Matthews was paired with Briscoe and King was paired with Kingston. I'm not entirely sure that the build properly set up these pairings, but both the announcers and the wrestlers leaned into them. And, of course, it was all underpinned by the delayed gratification of Copeland getting his hands on Black, which is one of my all time favorite things in wrestling. I love it in Mexico (one of the best trios setups). I love it in Japan (all those Eigen/Rusher matches I've been watching lately). I love it here and they worked it wonderfully towards the finish. The pairings, generally equal, built to a real shine where Mark Briscoe took out everyone and did the amazing, terrifying chair-assisted dive over the post on the apron, which, in and of itself, led to the heat on Briscoe. He finally fought his way out of the corner to make the hot tag and everything broke down. I could have maybe went without the tower of doom spot, but I did like how they twisted it by bringing it back to Copeland and King and the Superplex. Otherwise, it was all sequenced well, centered around the subconscious notion that if only Copeland could hit the Impaler on King, he'd be able to get his hands on Black. It took three tries and an Eddie Uraken but he eventually got it, only for Mark Briscoe to come in and get his hands on Black first in yet another little inversion. That just ramped the pressure up all the more for the the spear cutoff to Cerberus' Bite (which is what we're calling the House of Black's triple corner dropkick now if you didn't get the memo) and the ultimate inversion, the misting out of nowhere just when the fans were going to get the satisfaction of Black vs Copeland. The entire match built to that rug-swept-out moment and that's just great aggravating pro wrestling to set up another show. You have to appreciate it. This maybe needed just a bit more Eddie but other than that, I enjoyed it.

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AEW Five Fingers of Death 8/7 - 8/13

AEW Rampage 8/11/23

Darby Allin vs. Brian Cage

MD: There are two times when I want to see Cage, when he's up against someone ridiculously over the top like Willie Mack and the match will be so dumb that it's enjoyable and when he's up against someone small who is going to bump all over the ring for him. This was as much the latter as you could possibly get. Contrast makes the world go round. We are most easily defined by what we are not. The most straightforward stories involve two opposing forces. And no one is going to make a behemoth look better than Darby Allin. Some of the bumps in this were just gnarly. I thought he was going to helicopter to the top of the arena on the F10. He had a way of overbouncing on the outside-in suplex and a power bomb. That one topple off the top rope had him landing like an accordion. It's Darby and he has Gates of Agony, Christian, the Swerve/Fox coffin match, and Luchasaurus all ahead of him over the next few weeks, so we're probably not going to remember any specific bump here, but the overall picture is ever memorable.

I thought Cage had solid presence throughout. He was a little more methodological than usual, a little less cute, full of trash talk and posing when the time was right for it (like during the commercial break). Darby snuck in some hope here and there and got squashed for his trouble (with Nana being the deciding, disrupting factor in the stretch). While Darby made all of Cage's stuff look absolutely deadly, some of Darby's stuff seemed a bit off and weirdly labored against Cage. You'd expect a guy so big and strong to be able to hold for it better maybe? I would have liked a slightly more elaborate finish with a couple of Darby roll-ups leading to the Last Supper, but a single one causing the banana peel probably did protect Cage a little more. I'm just not sure he needs it given what Darby has a head of him. Still, what a bumping exhibition by Darby here.  

AEW Collision 8/12/23

House of Black vs. CMFTR

MD: When you write about AEW week in and week out, you end up talking a lot about the commercial breaks. When you write a lot about Collision main events that tend to go closer to 30 than 20, you end up writing a lot about multiple commercial breaks and how they structure the time. Here, they had two to deal with, which, as you can imagine with a team as monstrous and dominant as the House of Black, probably meant some sort of double heat. That's how AEW manages most commercial breaks. They end with some sort of bang and then do heat in the Picture in Picture. Here, it wasn't quite so simple. They finished the shine/initial pairings/exchanges teasing Punk vs. Malakai Black, with the crowd absolutely buzzing for it before settling into CM Punk chants that were drowned out by boos. That tease culminated with both in the cross-legged seated position and everything threatening to break down. The commercial break started with brawling on the outside (CMFTR gaining the advantage) and the challengers getting too cutesy; this time it was Cash who did the Hogan pose, to more boos than cheers even in North Carolina, and a pretty pedestrian transition moment of Black getting a reversal in on Dax in the corner. 

When they came back, we had Punk's comeback and another bit of connective tissue of CMFTR dominance that took them to the second commercial break, where Julia utilized a distraction (albeit a bit mistimed) to let Black knock Punk off the top so that Brody could crush him in the corner. That led into the commercial break and the real section of heat for the match. In truth, despite going thirty minutes, this whole thing was a tease for stories they're not going to tell right now. Joe caused the finish to set up All In, FTR are moving on to Wembley and the Bucks, who knows what's going on with House of Black yet (but some consistency with the House Rules might be nice?). But they can go back in a month or two to Black vs. Punk or FTR vs. Brody/Buddy or even Punk vs. Brody, because he was absolutely protected during the early going. That's a testament to all of these guys, that they could put together a match so long and really just leave everyone wanting more and more.

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AEW Five Fingers of Death 1/9 - 1/15

AEW Dynamite 1/11

Bryan Danielson vs. Konosuke Takeshita

MD: Takeshita's raw physical abilities makes him sort of anything for anyone. Eddie Kingston had a very specific match that he wanted to have with him. Adam Page did as well. So did Mox and Claudio. I think his own pro-wrestling instincts are a bit much for my tastes, but I'd love to see what some of the other 5FoD like Punk or Dustin might do with him. I think it was pretty clear to anyone paying attention what Danielson wanted, someone to push him as far as possible so they could have a high octane, hard hitting match. That's exactly what he got. 

Coming in, knowing that, I was ok with the end product, give or take a few nitpicks, but overly impressed by a few points as well. For instance, I think they filled the time on the top rope during the commercial break and ending with that amazing lariat off the top exceptionally well. Timing was perfect; you didn't know where it'd end up and were happily surprised by the eventual place; it never felt cooperative; it always felt perilous. I liked the little bits of mat sections early. Takeshita's strength and flexibility meant that Danielson could really stretch, both in his own bridging and with the Romero special into the dragon sleeper. The one place where it fell apart was the ugly spot on the floor, and even then, Danielson recovered beautifully at first by selling his leg. It would have been even more beautiful if it was all a ruse and, after the knees up on the flipping senton in, he had dropped the selling completely. Instead, he dropped it conveniently, not selling it after that spot to set up the LeBell lock, selling it immediately thereafter, and then dropping it for the rest of the match, including after he landed on his feet after the German. It would have worked way better as a feint but obviously, it's a lot to keep track in the moment. Not every conversation about Danielson has to be about whether he's the best in the world or not, I suppose.

Instead, it was nice to see Danielson against a handpicked opponent, getting time and fully flexing his pro wrestling interests. On some level, I miss a more mat-based, hold-based, Danielson, one that would really dismantle an opponent, but it's still thrilling to watch him do what he wants to do most.  

AEW Rampage 1/13

Darby Allin vs. Juice Robinson

MD: This felt like the match needed for the specific moment. It was a reset after the ladder match with a big bloodbath to come. It was a nice little title match too. I've heard from a lot of people that Juice is better positioned as a babyface but I think he adds a nice bit of contrast and there's a real sense of escalation in his offense as the match goes on. They started out on the mat, giving it a bit of a title match feel, shifted with one huge bump by Darby, and then went into an extended control period by Juice which was constant and consistent. Darby is a guy who doesn't necessarily need to get in a lot of hope spots because the fans are behind him and because half of the joy of his matches is watching him take stuff. When there is a comeback and a cutoff, it means all the more for it. Juice started with the double axe handle building to the sentons (which he went for initially too early to start of the match and then paid off later) and ultimately the Harlem Sidekick. When he couldn't put Darby away, because who can, he went to the top, made a mistake, and Darby took the win. Just a good straightforward match which gave Juice a lot of room to stretch, gave Darby another win (a bunch in a very short period of time) and got the crowd recalibrated for what was to come next.

Malakai Black/Brody King vs. Eddie Kingston/Ortiz

MD: Lots of moving parts here. A lot like the Cassidy vs Sabian match from last week, they did a good job of playing out the story with the actual ringwork. AEW's roster is a dual-edged sword. You'll get Eddie wrestling relatively short enhancement tags on the webshows (even if sometimes the opponents have been great) and then you suddenly realize that you never knew you wanted him to face off against Malakai Black. This was more of a tease than a real payoff, but it was a hell of a tease, culminating with the drop into the seated position and King interjecting to lead into the commercial break and the heat. Eddie kept coming back, kept getting assists from Ortiz, kept refusing to tag. I'm not sure anyone in wrestling today could have portrayed this level of stubbornness, defiance, and toughness than Eddie. His face was visibly banged up; he kept throwing backfists wildly; he stood tall and foolish and prideful and people believed in him and suspended their disbelief and let themselves get frustrated at him and hopeful for him. That's what Eddie Kingston could do. Everyone else played their role perfectly, especially Ortiz who took it to Brody at the start and worked the apron like an all time tag worker and including Julia with picture perfect timing and a resonating scream when a lot of people were probably expecting the mist. I'm glad this is getting time and look forward to see how it all plays out.

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AEW Five Fingers of Death: 8/29 - 9/4 Part 2

All Out 9/4

Sting/Darby Allin/Miro vs. House of Black (Malakai Black/Brody King/Buddy Matthews)

MD: While this broke down at the end, it also felt very different from the last couple of far more chaotic Sting PPV matches. I loved the roles in the first half, with Miro taking the shine, Darby eating the heat, and Sting in there for the comeback. That was a different layout to the opening pairings in the FTR trios for instance. There was a sense throughout of real unity for the House of Black, something that, when combined with their size and presence, means even after their loss in the trios tournament and here, they'll be viable challengers for the trios belts or the tag titles without much effort. Miro sort of dropped out as the match went on as much more of the focus was on Sting or Darby but I liked his interactions in general, first refusing to tag in Darby and then telling Darby (who was trapped in a neutral corner) that he had to listen to him and make it over to make the tag. The bit at the end with Sting refusing to break the Scorpion even as he was getting battered and then with the mist (learned it from Muta) were both iconic. This probably could have played just as well on TV as PPV but it was still a lot of fun.

Bryan Danielson vs. Chris Jericho

MD: Full disclosure. Due to things like parental responsibility, I didn't get a chance to catch most of the PPV until Monday morning and then I jumped around a lot. This was probably the third match on the show I saw. That meant I wasn't experiencing it like the live crowd or a lot of you. I know there were criticisms of this maybe being placed wrong on the card or that it went too long, and while I agree with the latter to a degree and in a specific way I'll get into in a moment, I can't really speak for the former. Therefore, overall, this was a hit to me, not a miss. This might well be Jericho's career year and I thought the overarching story of the match was excellent, really. He had dusted off the Lionheart persona and style and had great success against Jon Moxley with it, as it played against very specific weaknesses of Mox. Now, with pride on the line, he came in expecting to repeat his success against Danielson, only to find he was brushing up against Danielson's strengths. You could see it early through his facial expressions. He came out posing and grinning through an immediate successful exchange or two, got immediately knocked on his ass, threw a chair, and came back finding the grin again. He had a couple of tricked out moves that had worked wonders against Moxley but when they failed him against Danielson, he had no recourse other than to go right back to them and fail again. That, as much as anything else was the story. He may have been able to escape a lot of what Danielson was putting him in, barely, but Danielson was easily escaping his holds and shifting back to being the aggressor. 

Whatever the Lionheart was, it was less of one thing than the whole of Bryan Danielson. Lionheart was a mask that Jericho put back on, an artificial guise, but as much as it freshened him up and gave him novel angles to attack from, he found himself too married to it and it limited him and forced him into stubborn mistakes (like the plancha to the outside which cost him). Danielson on the other hand, was the sum of everything he'd ever been, something that culminates with the seated zen position he's been using to absorb damage and throw his opponents off as of late. Where Jericho hid in his own past (and as the match went on, hid poorly, constantly adjusting pants that no longer fit correctly), Danielson wrestles like a man fully actualized. The story was so clear and clean that I wouldn't have cut any of the matwork from the beginning or middle of the match. It wasn't gratuitous. It was the point. That said, I do think the finishing stretch (everything from the first, countered Lionsault) probably went too long. There was escalation desperation in Jericho but they could have cut a few minutes and still gotten that across. In the end, they got to where they needed to be, delusion and cowardice and rationalization and a low blow to prop up a false, flimsy pride, as Daniel Garcia watched on shaking his head. Jericho, like all the greatest heels, came in expecting to win on his own merit and only succeeded to lie to himself once again.

Jon Moxley vs. CM Punk

MD: Going to stick straight to the match here. A couple of days ago, Phil wrote an explainer on the Ringer on where the backstage stuff stood and by the time this gets posted, Dynamite will have aired and things that are moving quickly will reach some other destination. I won't make this a retrospective or wax poetic on the last year. I did think this was very good though. It inverted the match from Cleveland, where Punk came in looking for a title match and Moxley rushed forward, unrelenting from the bell. There, that forced Punk off his balance and caused him to blow up his own leg. Here, he was ready both for Moxley's Hansenian onslaught, which he met head on and for his own kick, which hit picture perfect. That meant instead of early Death Riders, we got the early GTS. Things went to the outside after that, Moxley's domain, and maybe Punk hurt his arm on the dive or maybe he was selling that he did, but Mox was able to take over and open him up. The crowd, despite being in Chicago, couldn't deny Moxley at times and despite his attitude, despite (or because of?) his barbarism and dominance, they gravitated back towards him. For a while, he'd get heat by taking it so over the top. After Punk was opened up and after he made sure that the opening became a gusher, he licked the blood. Shortly thereafter, he jammed his own head against Punk's so that it'd be all over his face. When Punk started to come back from the woundwork, he went straight to the leg to cut him off. With Moxley, the malice is personal, but you shouldn't take it personally. It's universal. He carries disdain for each and every person he faces. He's a storm and it's up to his opponent to endure it and to cobble out a meaningful match from it. If you cut him (scrape him even), he will bleed. If you punch him, his head will rock. If you stretch him, he will know pain. But it's up to you to channel and redirect the forward motion, the potential energy of him, into something coherent. 

As Mox continued to dismantle and batter his opponent, Punk was able to endure however he could, was able to tough it out, was able to survive, even if sometimes that meant going for an eye. Moxley returned favor by biting the wound, by stubbornly, and unfairly (because fairness has nothing to do with pro wrestling) cutting him off by going after the leg. But eventually, Punk lasted long enough to get under Moxley, literally, and to drop him down into a GTS. In another world, that's the image that would stick with us of this night, the remnants of the match's second GTS and all the damage that had been inflicted on Punk since the first, a hobbled Moxley draped over a bloodied and exhausted Punk, and Punk's eyes opening as he saw what he needed to do. A talking point in our circle about Survivor Series 97 was that the main event between Bret and Shawn was actually shaping up to be their best match together. I might not go so far with this one, but it had a lot of merits on its own, and I can't help but wonder if in years to come, all of those will simply be a similar afterthought to everything that transpired after.

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AEW Dynamite Grand Slam 9/22/21

21. Bryan Danielson vs. Kenny Omega

PAS: This match started as a Bryan Danielson match in the first section, and moved into a Kenny Omega match in the finish. I am always going to prefer the Danielson match, but can't deny the effectiveness of the near fall heavy final. It is fun to watch wrestling with such a wild crowd, going crazy for the lock up, so much of wrestling over the last year has been in front of video screens or tiny crowds, and it really works only as a live event. Super physical match, Danielson especially had a bruised up chest and a gross purple bruise on his forehead, I don't love Omega's style, but I appreciate him laying it in. My favorite part of the match was Omega viciously working the bad neck, the full sprint V-Trigger was gross, and Danielson really looked loopy. It got really into near fall 2 count wrestling by the end, and I thought we probably two many kick outs and shifts of momentum. I did love Danielson breaking out the Cattle Mutilation and head stomps though. I understand the reasons for the draw, but I think they probably just should have had a finish. A loss doesn't hurt either guy, and sets up the rematch better then the draw.

ER: This might not have 100% been the match I wanted to see from these two, but full credit that AEW clearly knows exactly what its fans want to see and does their best to deliver that, and I think that's awesome. Dream Match Wrestling got really out of hand 15 years ago and before long every single indy main event (and a few on the card below the main event) was worked like a Dream Match Epic. But there are truly only so many dream matches to go around, and Danielson vs. Omega is undeniably a dream match for most modern pro wrestling fans. Dream matches are a funny thing, as when you look at your personal dream matches it really speaks to your specific pro wrestling interests at that specific moment in time. My current dream match would probably be something stupid like Eddie Kingston vs. Ron Bass Jr. or Omos vs. Otis, but I remember how excited I was the first (and second, and third) time I saw Mike Modest vs. Christopher Daniels live. It was the exact match I was dying to see in 1999/2000 and my energy couldn't have been higher when it finally happened. I love that energy and it was exciting seeing a huge crowd simultaneously having that reaction. 

I would have liked to see their 20 minute debut match, but fighting forever is what the fans wanted, and they did a really great job of fighting forever (forever being their allotted 30 minute time limit). They were smart about not telegraphing a 30 minute draw as every fan in there would have started groaning had they suddenly started doing 5 minute announcements. Omega and Danielson weren't working like they were trying to finish within 30, they didn't do any cute "2 count right as the bell rang", it was just two guys beating the hell out of each other until they were told to stop, and that's a cool first match for them. They played off the live atmosphere really well, and they really laced into each other so every person in every back row could feel it. Danielson had a purple chest minutes in and eventually wound up with a nice wound on his forehead that looked like the beginnings of a gnarly hematoma, and meanwhile he was kicking away at every part of Omega. They did a lot of back and forth and move trading without it ever really feeling egregious until the 3rd or 4th V-Trigger, and it's hard to work a stiff 30 minutes without things getting too egregious. 

Things really jumped up for me with that Snapdragon on the ramp, with Danielson skidding his way down the ramp on his neck. The ramp run V-Trigger that followed was finish worthy, and really my only problems with the match were that there were several finish worthy moments that obviously did not finish anything. I honestly would have loved that ramp run V-Trigger leading to a stoppage, as they could have gotten a lot of mileage out of Danielson's injured neck and it could have lead to a huge return match. I loved the buckle bomb that sent Danielson bouncing over the ropes to the apron, and I loved how Danielson fought to neutralize Omega. Watching Danielson holding the turnbuckle with one hand and ring post with another to block a top rope Snapdragon was the kind of detail that you expect from Danielson, and it's the kind of detail that most guys forget about during an Epic. I'm a big fan of only getting one OWA attempt, as it's a completely preposterous move, so seeing Danielson immediately get the poison rana to shut the door on further attempts was nice. I didn't love the stretch, where they did devolve a bit into Omega selling a head kick by being the first to go back on offense, and I wish the final V-Trigger was closer to the ropes so Danielson didn't need to kick out. But we still got great stuff like Danielson taking advantage of Omega's sillier offense and doing cool reversals, like grabbing the LeBell Lock out of Omega unrolling his arm. This was always going to be an intensely scrutinized match and I don't think they could have done much better first time out. 

CM Punk Interview

PAS: I think these happy Punk pep talks have a shelf life. They aren't there yet, but eventually they are going to need to switch something up. This worked fine, and the "tuck you into bed" line was nice.

MJF vs. Brian Pillman Jr. 

PAS: This was OK, it probably didn't need as long as it was and I thought the first part wasn't great, but it picked up with the arm work after the commercial break. I thought using Julia Hart as a shield was a nice bit of heel business, and the Fujiwara counter of the Air Pillman was a cool idea. Still not an MJF guy, but he has improved a lot in the ring.

Cody Rhodes vs. Malakai Black

PAS: I thought Black had some cool individual moves here, like his scissors kick into the ankle lock, and he really wasted Cody with his wheel kick. Still they seemed to be on different pages for much of this match. The spot where Cody ran into Arn was mistimed and I don't think Cody's entire act is working right now. Not sure what I would try with him, he clearly is a big part of the promotion, but they need to try something.

16. Darby Allin/Sting vs. FTR

PAS: This was delightful. FTR have the gimmick of an old school tag team, but their AEW stuff has been mostly modern workrate tags. This was an classic Southern tag with FTR really working over both Sting and Darby, with two great hot tags and two good long heel beat down sections. Sting was really impressive, he moved really well, and still has great timing on his big spots. Even his simple stuff like the big right hands and kicks looked good, and FTR was clearly having a blast bumping for him. Darby's explosiveness is so much fun to watch, and the Coffin Drop on the apron to clean out Cash for the Scorpion was the kind of big memorable moment which Darby excels at. 

ER: Excellent tag match, I believe FTR's best match of their AEW run. This felt like the FTR they've been promising us (and a thing the confusingly named Dirty Dawgs have been doing all year) and extended the Sting mileage to a point I wasn't expecting. I didn't have the nostalgia for Sting's return, and yet here he is as a very important part of a very great match. FTR looked like they were having the time of their lives getting into position for everything. You could practically see the glee in Dax Harwood's face every time he slid into position to cut off hot tags. FTR was incredibly in sync, got perfectly into position for two guys with very different ring styles, and knew just when to come flying in to cut everything off. Sting looked like he was hitting hard for an old man, all his strikes really landing with explosive speed. His punch/backhand combo was really effective, he knows how to cut guys off with a strong stomach kick, and they worked a couple of strong Scorpion Splash spots really well into the match. 

Sting missed one splash chest first into the turnbuckles, and then later when Dax was trying to sucker him into missing another one and hitting a chair, they did a great twist where Sting stopped himself and then threw Dax threw the chair, past the turnbuckles. The nearfalls were all really effective, and Darby/FTR were awesome at milking hot tags. There was an awesome moment where Wheeler and Harwood came together at the perfect time to catch a midair Darby hot tag, holding him on their shoulders inches away from Sting's hand. Sting had powerful lariats and shoulderblocks, loved him sending Wheeler to the floor with a clothesline, and the finish of Darby stopping Cash by hitting a Coffin Drop to the apron was insane. This might have been my favorite tag match of the year, and it happened on a show featuring one of the most highly anticipated matches of the decade happening (and delivering). 

Dr. Britt Baker DMD vs. Ruby Soho

PAS: This was a good match with some very big moves which was hurt a bit by Danielson and Omega doing a blown out version of the same kind of match as the opener. It is tough to do two big near fall matches on one show, and that opener burned me out a bit for dramatic two counts off of huge top rope moves. Really liked Ruby's offense here, and the BS ending worked for me. I think Ruby is over and talented enough for her to branch off into a second women's angle on the show. Let Britt feud with other women for the title, let Ruby get into a big feud with someone else and keep them apart for a bit.

2021 MOTY MASTER LIST

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