AEW Five Fingers of Death (and Friends) 3/10 - 3/16

ROH 3/13/25

Gates of Agony (Toa Liona/Bishop Kaun)/Top Flight (Dante/Darius Martin) vs Frat House (Preston Vance/Cole Karter)/Premier Athletes (Ariya Daivari/Tony Nese)

MD: Different matches have different purposes. Different wrestlers in different matches have different goals. Greatness comes in a lot of forms and not all of them are well captured by star ratings. While I don't have a taping schedule in front of me, this was filmed in Oakland with a Collision and I'm almost certain it came on post-show as part of an ROH taping that ended with a Mistico trios. ROH is very much wrestling for wrestling's sake, a way to fill out cards, give people work and reps (develop talent), to create a well of extra content in a post-Elevation/Dark/Rampage world, to build up a product which may be more lucrative/marketable at some point. I think it brings TK some joy, both because of his affection for the brand and because it lets him put together matches without any external constraints (commercials, demos, network notes, etc.). For me, it harkens back to being a kid in the 90s and watching Power Hour or Worldwide or Prime Time (or later on Velocity/Heat/Jakked). The big story beats weren't going to happen there, but you'd get to just watch an hour of wrestling and enjoy it just for what it was. I think there's a disconnect with people who didn't grow up with that maybe.

Anyway, for the crowd that hangs around, it gives them an added bonus, just fun wrestling, to a degree 'house show wrestling' during a time where there are very few house shows. That's absolutely what this was, and if you look at the broad history of pro wrestling, this has its place and its value and it's honestly a really worthy entry along those lines. I am so glad a match like this is still allowed to exist in 2025, a match anchored by incredibly giving, unlikable heels, 100% willing to do their job as opposed to trying to make it about themselves, and two very diverse, very talented babyface teams, with one absolute shining star at the heart of it all in Toa Liona. 

Let's talk structure quickly so you know how they put this together, and then I'll double back to that thought. Match started with chaos as Gates came down and Toa beelined to Cole Karter (with Kaun going after Vance). Daivari pulled Dante's hair to drag him to the corner and we got a mini FIP early. Eventually, Dante made it to the corner (Karter the weak link) and they ran a sequence where everyone slingshotted in on him one after the other, with Toa being the last, after really milking it; after he did it (to big reaction), he had the biggest smile on his face; more on that later too. With some chicanery, the heels were able to isolate Darius on the floor (including some cheapshots from the associated managers and hangers oners, Sterling and Jameson, ultimately broken up by Toa rushing around ringside with a chair to a big pop). From there, we entered into a second FIP on Darius, during which the fans chanted that they wanted Toa and Dante, reading the room, hyped that idea from the apron (which, given that his brother was getting beat on was pretty selfless in serving the match when you think about it). Darius finally came back for the hot tag and everything went into a wild finishing stretch.

I don't usually do this, but I think everyone should go check out the climax of that wildness and the finish itself. I clipped it because people needed to see it and I'd like everyone (and I mean everyone, even if you've seen it before, even if you helped conceive it) to go and take a look and then come back so we can close this out. Sound on is better, but even sound off will give you the idea. Just do it.

https://x.com/MattD_SC/status/1901244037081788581

This misses Kaun (a surprisingly natural babyface) shutting down everyone and hitting a poetry in motion leap and maybe another dive or two from the assembled mass of talent, but it gives you what I need you to see. First we have Toa using Dante as a weapon twice, both to kick at an opponent and then by press slamming him into everyone; great emotive reactions by Dante here. If the two weren't so ingrained in their obvious partnerships, I could see real money in a big/little tag team between the two of them. Obviously the crowd loved that.

But then Toa just... dropped the chain, broke through the limiters, and for about a minute looked like the biggest attraction imaginable, slapping the ground, charging up, looking for prey, and absolutely bursting through everyone in sight on the floor, all leading to him hesitating only slightly as Sterling got in the way before plowing right through him and send him careening into Nese (great work all around by everyone). The crowd went wild, even here for an (on paper) disposable post-show ROH match with absolutely no stakes. And yes, it was a good crowd, absolutely, but there was magic in what they did. And it was magic that all came to fruition as Toa rolled back into the ring and slammed the mat again, his gaze set on the last man standing in Preston Vance. 

As Toa was slapping the mat, as the post-Collision fans were going nuts for him hyping them up, there was the biggest smile on his face. Toa portrays a wild man, a bestial presence, a throwback to decades past, a killing machine, but my god, that smile. This was a guy absolutely living in the moment, basking in the crowd's excitement and adulation, realizing the sheer joy that he, through his presence and physicality brought into the world for at least those in attendance and living his very best life. You can't fabricate that smile. You can't bottle it and sell it. It was an honestly beautiful thing during a time where we need as many honestly beautiful things that we can get. And of course, that made it all the better when he had his leg grabbed from the outside and Vance (who has a history of robbing people of joy) cut him down with a very credible clothesline before the Gates fired back and won the thing. 

Sometimes wrestling is just special and it doesn't always have to be two guys leaping off the top of the cage or wrestlers bleeding buckets. Sometimes it can just be one wrestler using everything at his disposal without hesitation or abandon, just embracing all of the complicated absurdities and simple blissful truths of pro wrestling and everyone around him being selfless and giving and professional in enabling that moment. That's what they had here. The crowd in Oakland was lucky to see it. We were lucky to see it on ROH TV last week. And hopefully, now all of you reading this that went back and clicked on that link feel like you're lucky to have seen it too. I know I feel that way.

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AEW Five Fingers of Death (and Friends): 10/17 - 10/23

AEW Dark 10/18

MD: Eddie was our only guy this week and he was on Dark, so I figured I'd just do the whole show. It's been a little over a year now since I've been watching AEW. One interesting thing about the promotion relative to other ones over the years is that different people from different generations get very different things out of it. Punk and Danielson coming back drew me in. Kingston and Dustin and Darby, among others, kept my interest, but on a week to week basis, it was the webshows that really worked for me. If Dynamite feels like crash TV with original ROH style dream matches, and Rampage feels a bit like late 91-early 92 WCW Saturday Night with a Dangerous Alliance match and a few midcard matches, Elevation and Dark feel like WCW syndi shows. Squashes and a few midcard matches. It's one of those things people of my generational tolerated for years, maybe grumbled about, but ultimately had no idea how good we had it.

In an ecosystem like what I described above, squashes are a amazing, right? Guys like Naylor have been so good at highlighting them and why they were special over the years, but they highlight moves, characters, give the announcers room to breathe. They're not exhausting like sprints can be. They're pro-wrestling comfort food while giving wrestlers the ability to really express who they are. You can tell a story in them or not depending on what you're trying to achieve. All the talk about how wrestlers are wasted not being on TV is irritating, to say the least. The nature of AEW's roster is that people get rotated on and off to keep things fresh. Someone like Ruby Soho coming out to her theme on Elevation gets the fresh and excited crowds going. Emi Sakura is the MVP, having hard-hitting entertaining tag after entertaining tag with partners that can vibe with her act and opponents that are better off for getting reps with her. It's the perfect place for Dalton Castle and Danhausen and Brandon Cutler and the Wingmen, giving the crowd extra value for their ticket and helping to keep acts over. It lets them try out new talent or new tweaks upon a gimmick. I was excited when Deeb, for instance, finished up her title match programs and was interacting with people like Emi and Skye Blue again.

The problem, as much as fans being small-minded, is AEW not doing enough to use the shows to build to everything else going on. There was a patch back six months ago where if someone was going to have a match on Dynamite or Rampage they'd often get featured on Elevation, and they did some things, like building to the ROH PPV with Dark and Elevation, but in general, it's underutilized. I don't know a single person who watches the webshows and feels like they're not valuable or worth watching though, no matter how much griping you get from the people who don't watch (the most worthless griping of all). This was an especially star-studded episode given they were in Canada and it was taped before a live Rampage, but don't sleep on the studio Darks either. Studio wrestling is great given that with AEW we get all sorts of variety. You may not want it as your only wrestling but as part of the whole, it balances things out.

Hikaru Shida vs Vanessa Kraven

MD: I've been giving a lot of thought about 'aces' lately. I think it's due to watching a ton of Inoki over the last year. It could be because I want to watch some Big Daddy and make some calls for myself soon. Don't hold me for that. One aspect that I think is important in an ace is to leverage the cachet you have with the crowd to find ways to highlight what makes your opponent unique. Shida absolutely did that here, making full use of Kraven's size and strength. This was not at all the same sort of match that she would have had with someone smaller or with a different background. Some of that was leaping into the catch on the outside off the chair and eating that samoan drop on the apron (which then, thanks to the AEW house style, she could use later in the match to escape the Samoan drop and set up the finishing stretch). Some of it was the struggle for the falcon arrow, barely getting her over, and then letting her kick out of it. The creativity and imagination and care that went into how she laid this out was definitely appreciated however.

Dark Order (Evil Uno/John Silver/Alex Reynolds/10) vs Tyler Tirva/Shane Hawke/Zak Patterson/Jordano)

MD: Again, we get the freedom of the web shows here. They're not trying to hit any major time marks. They're not worried about picture-in-picture commercial breaks. This was in Canada. This was about showcasing Uno, as well it should have been. It's one of those things AEW does best and that we spent decades getting denied due to weird piques of spite "up north." Though some of this was diluted by Taz poking Jose the Assistant on commentary, but certainly not for the live crowd.

This was surprisingly complete, with Reynolds getting some shine to start (useful given that he plays FIP a lot), a tease of Uno early only for him to get swarmed, some heat on Silver (including eating a huge gutwrench), and everything set up to combine the big Dark Order spots and all of Uno's signature spots mixed with all of his showmanship. They could have just had Dark Order run through these guys but they gave it enough substance to make Uno's spots mean just a little more.

Eddie Kingston/Ortiz vs Mo Jabari/Jake O'Reilly

MD: Just a stylized mauling. Jabari and O'Reilly might get one shot in but they sure wouldn't get two in a row. Ortiz knows this is his moment to come into his own and showcase his own identity and he's been doing that with the Rick Rude or the crotch chop before the veg-o-matic or the tiger style (which, now that I think about it, may not be his own identity at all). Those crossfaces in the corner were nasty though, and Eddie's chops sounded as good as they ever did. The anger management angle for Kingston made sense in the Sammy match; I'm not sure if it's totally believable moving forward, but the Pac match it seems to be building to should be fun at least.

Best Friends (Orange Cassidy/Chuck Taylor/Trent) vs Kobe Durst/Steven Mainz/Jessie V

MD: This was a straight up crowdpleasing squash on the heels of the Cassidy/PAC main event one day earlier. Occasionally they'll run these where guys can just do whatever and they don't even give the enhancement talent a hope. It was pretty brutal with Trent not quite getting all of the flip into a spinebuster (and he save the same sort of shrug that Silver got when he tried to suplex two guys at once). The Sole Food into the Half and Half looked great though. Cassidy then came in and punched everyone. I'm not sure if it's Keith Mitchell retiring or what but they don't seem to time the hug nearly as well as they used to. Anyway, this was never going to be much but it was fine for what it was.

Ari Davari vs Brandon Cutler

MD: Like I said, people watch AEW for different reasons. There are some people who are thoroughly into the Elite, to the point of having Omega avatars and whatever else. I don't have a ton of time for any of them for reasons no one needs to hear right now, but I do think Cutler's been one of the bright spots of the company over the last month. He's a guy who throws himself entirely in the act, who's unafraid to do anything necessary. He cares so much that the fans care, and as the only bastion of the Elite remaining, they care just a little bit more. You put him up against a guy like Avalon (like we'll see this week) or Danhausen or Serpentico and you get a fun comedy match, but if you put him against an actual wrestler like Davari, and you get a kind of interesting, contrast-laden match, where he can work from underneath. Here, Davari threw a lot of simple, driving shots, credible stuff that put over his annoyance of the entire situation. Cutler would comeback with fun 80s offense but Davari would cut him off by going for the eyes or with Kiss' help or through something just as conniving that sort of defies hierarchy and highlights how offended he is that he has to lower himself to wrestle Cutler. It made for a pretty fun match. I would have rather Hook had to go through all of the Trustbusters first before getting Davari, though part of that was just beacuse I wanted to see Hook vs Slim J (who is the new 5th finger if Punk isn't coming back, by the way).

Willow Nightingale vs Seleziya Sparx

MD: In a lot of ways this was an inversion of the Shida match. Willow still wanted to give some shine to the local, even if she was working heel, but she made her work for it and chip away, not going down easily, leaning hard into her size. It's hard for a babyface with a size advantage to know just how much to give while still showing the right amount of vulnerability, especially given the hierarchical difference here, but I think she nailed it. Willow has great emotive reactions in her selling, able to switch between ebullience, exhaustion, and aggression. All of Sparx' stuff looked pretty good, even some of the overwrought things like how she vaulted over the turnbuckle to hit a running kick. That's the sort of thing that is maybe a bit much but you can't fault it if the kick looks good. Jody Threat got a lot of attention last week, but Sparx should get some as well.

QT Marshall vs Dante Martin

MD: A year ago, when I first encountered him, I thought QT should wrestle more like a manager. He's capable of a lot of things (including missing a 450) but just because he can, doesn't necessarily mean he should. That said, for a lot of this period, AEW's needed credible mid-card heels to eat losses. Having the Trustbusters now help a little bit, but that's really been the Factory and the Wingmen, and Lethal, and as such, it does make sense for QT to stretch his wings a bit more. He's good at it and especially good at engaging with his opponent and the audience. They were all over him, despite having sat through all of the previous matches and even if no one necessarily bought a ticket for him, they all had a seemingly great time getting on his case and it'll be, consciously or subconsciously, part of their enduring good feeling about the night in the months and years to come.
 
Dante, in the meantime, probably through no choice of his own as he'd rather be teaming with his brother, has had a lot of ring time to improve. I thought he was already pretty far along in the singles match with Black last October, but his expressiveness and interactions with the crowd have developed since then. He's a great seller on top of his ability to seemingly freeze time as he flips around the ring and soars through the air. He's a case where the sum is greater than any specific part, as his flipping rana into the ring here would be the most spectacular thing in almost any other match in the world but felt almost subdued alongside his huge dive to the outside and stuttering splash to avoid the cutter. The finishing stretch worked to protect QT in loss but still felt like an accomplishment for Dante. Definitely the sort of match that Dusty would have been proud to call the Moo Match of the Week on WCW Prime in 1995 even if maybe it wouldn't make a comp tape for the year.

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