AEW Five Fingers of Death (and Friends) 3/31 - 4/6
Labels: 5 Fingers of Death, Adam Cole, AEW, AEW Collision, AEW Dynasty, Athena, Daniel Garcia, Harley Cameron, Julia Hart, Kyle Fletcher, Mark Briscoe, Mercedes Mone, Sasha Banks
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Phil Schneider, Eric Ritz, Matt D, Sebastian, and other friends write about pro wrestling. Follow us @segundacaida
Labels: 5 Fingers of Death, Adam Cole, AEW, AEW Collision, AEW Dynasty, Athena, Daniel Garcia, Harley Cameron, Julia Hart, Kyle Fletcher, Mark Briscoe, Mercedes Mone, Sasha Banks
AEW Collision 1/25/25
Undisputed Kingdom (Adam Cole/Kyle O'Reilly/Roderick Strong) vs. Daniel Garcia/Matt Menard/Angelo Parker
MD: I haven't made it a big secret that I'm high on Daniel Garcia and what he's trying to do. We've got a few heels who are showing signs of life when it comes to stooging, mugging, stalling, getting actual heat (Nick Wayne was great against Samoa Joe along these lines for instance). You need babyfaces willing to be earnest and honest and vulnerable, to show that they care even if it means they're not "pro wrestling cool." A lot of my problems with Adam Cole last year is that he's come off as a "Cool Face" who refused to take any real responsibility for what he did with MJF or his heel run in general. Maybe there's something to that in 2025 when you're supposed to just tweet through it, but I refuse to believe that life or pro wrestling works like that. I believe that things can matter, that choices made in and out of a match can matter, that believe need things to believe in and not just to blandly root for because they happen to win.
It's not easy though! It's not easy for people to be vulnerable, especially when not everyone's doing it. Cole refusing to do it doesn't just hurt the fans' ability to connect with him, but it potentially hurts the fans' ability to connect to anyone. If Cole doesn't care and Garcia does, it risks presenting that openness in the wrong way. The trick is being consistent, refusing to falter, not giving up. That's what a babyface is all about in 1985 or 2025.
The problem is this: Garcia needs contrast to work against, and a "cool face" or a "stoic face" like Shibata aren't enough. Mark Briscoe, the only other guy on the roster who can match that same level of earnestness, is definitely not it. Garcia needs heels. I get that there have been some weather-related issues, some scheduling issues, but they've spent the last month putting him up against other babyfaces. This is the time where he needs to establish the ten count punch, to establish the charge at ringside, to get over the jackknife pin all the more. And by putting him up against faces instead of heels, it's been setting him up to fail.
But he hasn't. Maybe the crowd didn't go up for his entrance, but they were absolutely with him by the end. What did the trick? Part of it was having Menard and Parker at his side. Menard's affection for him is so honest and believable that it's infectious and he's so over the top that you buy into everything he does. 2.0 was always a breathe of fresh air in the tag division because they were able to act as contrast for the more high-impact, spot-heavy teams while still taking all of their stuff. It was great to see them back together again.
It was the spots during the commercial break that really got the crowd going, exactly as they were meant to: the multiple ten-count punches, the body slams one after the next. They built to each bit, both in the moment, and by doing three in a row, and by the end of it, the literally freezing cold Jacksonville fans had been heated up not by crazy spots but by simple things that the wrestlers put their heart into.
And the Kingdom did their part. O'Reilly and Strong make for such a fun babyface duo, both in how they interact with one another, and in their tandem offense. As did Shane Taylor Promotions at ringside, the Infantry being over the top, Taylor being full of bluster, and Moriarty seething at the spotlight that he was denied.
Garcia would have been far better served by knocking down heel after heel for six months (and getting knocked down a few times and getting back up along the way). Then, once his act is established, he can go up against faces more frequently. It's asking a lot to get the fans behind what he's trying to do, when it's so different from what anyone has been trying to for years otherwise. It's reeducating the fanbase from scratch, but if it's allowed to work, the gains for AEW could be huge. Its an investment though, and it's working through willpower, talent, and dedication alone, but its up to Khan not just to be a matchmaker here, and to make exciting matches, but to ensure that the investment is protected and set up to succeed. If he does, we'll all benefit.
Labels: 5 Fingers of Death, Adam Cole, AEW Collision, Angelo Parker, Daniel Garcia, Kyle O'Reilly, Matt Menard, Roderick Strong
AEW World's End 12/30/23
Eddie Kingston vs Jon Moxley
MD: Eddie vs Claudio is mythic. Eddie vs Danielson is masterful. Eddie vs Mox just tugs at your heartstrings, though, doesn't it? Wrestling can be such a simplistic thing sometimes and yet here? Let's break it down. We know what Eddie wants. Eddie leveraged his taste of success, all that hard work, into his life's greatest gamble, the creation of an American Triple Crown. What does Mox want? He doesn't want to prove himself to anyone else. He doesn't want fame, fortune, credit. He just wants a challenge worthy of his name. He wants a fight that'll go long and hard enough to make him feel alive. He wants a thrill that he can't allow himself to get anywhere else, because he's a family man, dammit. He wants the endorphins to pop. He wants to taste his own blood intermingled with someone else's. He wants to battle back all of the dark feelings that torment mankind with his fists alone. And if he wins too, all the better, because that means there's more to come, and because deep down, it would have meant that Eddie wasn't strong enough to carry his own dream. Mox is though, strong enough to never take that fishing trip, strong enough to carry this PPV, strong enough to march until the very end of the world, one foot after another, dragging dirt and dust and grime behind him. And if Eddie wins? Well, that's ok too, because it will have meant Eddie beat him, and that would have given validity to everything Eddie's fought for. He can dig that too. That's Mox for you.
Even in 2023, maybe especially in 2023, wrestling asks more of us than almost anything else. There's nothing truly comparable. The stakes are entirely artificial, but that's true with any TV show, right? We can relate to a TV drama, be it about life or death, be it about making ends meet, be it about finding love or getting respect. A belt though? What is a belt? What is a title? We're never going to win championships like this in our life. We can't go out and compete for them tomorrow. Just like speculative fiction or something with incredibly high stakes, it comes down to making it relatable, making us care, seeing ourselves in the wrestlers and our hopes and dreams in their hopes and dreams. We understand Eddie. And despite ourselves, we understand Mox too. Sometimes we want to look away, but we can't because they burn too bright. It hurts our eyes and it hurts our souls, but we understand and we relate and because they care, we care. For some of us, it goes back to Eddie's youth and our own fandom, to remembering how it felt to see Tenryu overcome Jumbo for the first time for Kawada to finally get what he fought his whole life for. We all look to the lens of our own experience for understanding, right? What stood out from Mox's book, more than anything else, was how different his experience was to mine even though we're only a few years apart. You read that book and you see a guy who made it to the mid 2000s, if not later, with no discernible idea what the internet was. He wasn't arguing whether or not Robert Gibson was better than Lance Storm on DVDVR, let me tell you that. But still, we see clearly what he shows us, and we watch, and we know, and we believe, and we're so damn lucky to get to. This was important, to the company, to the crowd, to the wrestlers, to us.
And it felt so, so good to watch Eddie Kingston ascendent, to watch him be an ace on a night where the company needed an ace. I know how they presented them, "The Ace of the World" and the "King of the Bums", but to me, Moxley was the Warrior King upon his throne and Kingston was the ace who learned, who studied, who had prepared his whole life for this moment. He controlled the center. He was poised. He was focused. He drew Moxley to him, told him to come charging in. He wrestled, as much as possible, a perfect match against a dangerous foe. The mistake he made, and it was a large one, was not down to planning or strategy, but the limits of his own body. He had to go big to keep control and he threw a dive that cost him. It was the right move but it meant rolling the dice and his number came up.
But that was ok, because underneath it all, underneath the poise, underneath the channeling of Misasa and Kawada and Taue and Kobashi (and Akiyama and Hase and on and on and on), there is still the white hot core that is Eddie Kingston. There's still the toughness, the animosity, the grievances tearing at him, the never say die attitude. So he fought back, and once he was in a position to do so, he found his center and the ace's mentality once more. He goaded Mox into an exchange, had him charge in, and then he ducked and took him over with an exploder. Mox tried to fire up but his leg gave way, and Eddie went in for the kill. This was the Eddie I've been watching in ROH, the one who controlled the ring, the one who locked his hips and threw, the one who planted his feet and fired away. He dropped Mox.
And then that fire underneath raised its ugly head once more. Mox had defeated him once upon a time with a bulldog choke. And there was Mox lying there prone, practically defeated. And Eddie, more human than you, or me, or any of us, cracked just a little. There are temptations in life and certainly temptations in the fantastical, fictional world of pro wrestling. These are storytellers. These are mythic beings living in stories. And there is no greater hubris than a story that ends clean and neat and perfect. The second Kingston lunged down to lock in his own bulldog choke, the whole world seemed to groan. I certainly did. Mox knew this hold. He trained for it. He owned it. He had the counter. Eddie followed with the hammer and anvil elbows and even though he made them his own, he was goading himself towards disaster. It went like clockwork: Mox reversed it, locked in a tight, inescapable choke. Here, at the precipice of glory, Eddie was Eddie once again. He was about to defeat himself. Again.
The thing is, though, Eddie Kingston, at his best and his worst and his truest, is a fighter. That ball of rage and angst may drive him to disaster, but it's a hell of a sturdy vehicle empowered by that roiling, writhing engine that's unlike anything else we've ever seen. If he had not wrestled so perfect a match up til that point, if he had not been the ace throughout, if Mox wasn't beaten down, if Eddie didn't have so much to fight for, then he would have been swept under, a fitting, imperfect end to the story of Eddie Kingston. But had spent the first two thirds of the match as the ace, and that put him in a position where the engine alone could take him over the finish line. He would have never been able to overcome Jon Moxley with heart and determination alone, but when he only had to call upon that for the final stretch, having shrugged off all the trappings of the heroes that came before him?
Eddie wrestled most of this match as a perfect, poised champion. He won it as Eddie Kingston at his rawest and most vulnerable. And here, at the end of this tournament and the end of this review, I don't have the words to explain to you how the combination of the two made it absolutely perfect. But it's ok, you were there too. They care, I care, you care. And here in the heart of winter, we're all less alone for that caring.
Swerve Strickland vs Dustin Rhodes
MD: There's theory and there's execution, right? On paper, the theory behind this one was rough. The match already had the deck stacked against it due to a number of things we know and some we can assume. Here's what we most likely know: Lee vs Strickland both had a monumental build and almost no build at all. Strickland had to keep his momentum from the Continental Classic. He was going to be over (as a face) with this specific crowd almost no matter what he did. There was a PPV that needed to be planned out fairly precisely time-wise. Dustin was a logical replacement as Lee's partner. His contract is up in a few months if you believe the rumors and there's no saying what happens then, but he's a guy always treated with respect and dignity and that brings certain skills to the table that almost no one else in the company has. There are things we don't know too. For instance, we have no idea when Lee might be able to go again. We have no idea if the cinder block gimmick and the overall layout were meant for the Lee match (it makes sense that they were, but we don't know!). There were other snakebit elements about the PPV, of course. So, do you stray from the gimmick? Do you just squash Dustin? Do you have Dustin fight on after the cinder block shot but get almost no offense in, just tiny hope spots? Do you accept that it'll mean more for Swerve to win after Dustin has a full comeback? Wrestling lore has it that you put over the babyface in a situation like this, but who's even the crowd favorite here? I don't know. I personally think that either you do the cinder block post-match or you do it and then have Dustin just get some amazing hope spots in but no real control. With the post-match possibility, maybe it logically forces the idea of a suspension for Swerve more than if he does it before the match and Dustin wants to fight on anyway? I don't know. Obviously they went the way they did with this one. So that's the theory. I don't think it was entirely sound.
But the execution? That made it work. Dustin is just that good and Swerve is just that ascendant. The world doesn't revolve around our personal preferences. Swerve isn't my guy. Some of his offense is just too floaty for me. Some of the tricked out move entrances don't fit a guy at his level in my eyes. Occasionally, the match layout gets wonky for my liking. But even though Swerve isn't my guy, I don't for a second deny the fact that he is The Guy right now, and that 2024 should be his year. He brings any number of things to the table, but the most important is the most important thing anyone can possibly bring, his presence in the moment. Some of that fluidity that throws me off is also often channeled into a positive. He's just floating through the air out there, moving with a sort of grace and ease that makes it seem like most of the rest of the roster is trudging through mud. That's not just in the moves he hits and takes either. It's in his expressions, his reactions, the way he seethes and roils and portrays elation. You believe that there's something boiling underneath the surface that emerges in the most dynamic, engrossing ways (not unlike Eddie, actually). He's a star and he shines and while I don't always appreciate what he chooses to do or how he chooses to do it, I do want to see the emotion he carries and the ripples he creates through the reality of the ring despite it all. When Dustin started to come back, Swerve had the most believable look of disgust or shock or resignation or exasperation. When Swerve cut him off with a quick shot to the leg, there was smugness and satisfaction and relief. In a world where everyone rushes to the next spot, he's getting better every week at letting the moment settle in and showing the world exactly how he feels about it. And if he cares so much, the crowd cares too. That's how wrestling works. It's the absolute antithesis of the irony that occasionally gets splattered over AEW and that wasn't on this show at all.
And if course, if you give Dustin a body part to sell, you've got a match. I'm not sure I've seen anything quite so sublime in pro wrestling this month than his seated shots while on the top rope, which really is saying a lot. He built his way back from defensive body motions to desperately placed strikes to finding a way to stand tall to his big signature spots, doling out the proper amount of selling to establish the lingering consequence at each point. And then, after all that crawling and climbing back to fighting strength and getting a semblance of revenge, Swerve cut him off with the tiniest shot to the leg. So much accomplished with so little. Between circumstance, expectation, and the decision to lead with the cinder block (which might have worked perfectly in cutting Lee down to size but far less so here given hierarchy and more comparable size), this was an impossible situation. But Dustin, with all of his skills and savvy, and Swerve, so tremendous at bringing emotion to the forefront at this point in time, somehow found a way to make the impossible work.
Adam Cole
MD: I don't do this often, but what's the point of writing on a blog if you can't make use of the long form to make an open letter to the new lead heel. Look, Cole comes off like a nice guy, the nicest. I thought for certain some of the dissonance with his offense and actual personality would have been better served with him as a babyface, and we barely got to see whether it would or not given the injury (and some of his early year programs), but he's a heel again. He's not just any heel but the unveiled mastermind, the man in the shadows, the archvillain who took away the one thing the AEW audience cares about the most, friendship. He's the guy who built up Max to make him seem like he might be better, like there might be something good in this world, like there might be hope even for scumbags, and then tore it all away. He has a chance to be an actual booed, hated heel. That means, however, no storytime with Adam Cole, no Boom, no Baybee. It means denying the fans all of these things that they want. Cole claims that he's such a good heel that he can give the fans all of these things and then, once the bell rings, get them to hate him anyway. I've always had my doubts about that in practice, just from the evidence of my own two eyes. But if he really wants this to work, all of that stuff needs to go into the closet. When he brings it back in a year, imagine how much more over it'll be for its absence. MJF spent his entire year experimenting, trying new and different things, trying to pull back elements from how wrestling used to be and to push them forward to how wrestling might be. Not everything hit, but it sure as hell wasn't for lack of trying, and those things that did hit are things that might make a huge difference in the years to come. Now it's Cole's turn. He can be the same old cool heel, get mixed reactions, have the fans chanting along, lean on all of the old crutches, or he can take this opportunity, the biggest heel move possible in a company like AEW and really run with it, really get into the hearts and minds of the fanbase and figure out how to do something new to restore that old feeling of animosity. I hope he's up for the challenge.
Labels: 5 Fingers of Death, Adam Cole, AEW, Dustin Rhodes, Eddie Kingston, Jon Moxley, Swerve Strickland, World's End
MD: Going to be more words than usual this week. I can't fill any sort of void except for maybe in my own heart but I'm feeling inspired. I know to a lot of people Dean was a sort of distant memory, someone who inspired them years ago or that went to shows or wrote with them. Those stories have meant so much to so many to see. Eric's post was wonderful. To people still on the DVDVR board, however, and there is still a board, and it's a pretty damn good place to talk about wrestling in longer form with more permanence than you can get on twitter or reddit, he was still a fixture. Dean retired a few years ago and started to watch every bit of televised wrestling and drop a sprawl of text immediately after it finished. It was distilled DEAN and an essential daily part of my life even just two weeks ago. Go click on this and read some of his posts over the last few months; you'll be glad you did.
As for AEW, I said I might shift to covering a the webshows a bit more and what they do? Kill the webshows. If it's really because their TV partners didn't want them pushing content out on YouTube and if it speaks to the strength of that relationship, great. I'm really going to miss Dark and Elevation though. Elevation especially was how I got into AEW the most in late summer and early fall of 2021. Squashes and competitive mid-card matches with no commercials or time constraints or even plot progression built up my connection to wrestlers unfamiliar to me, and there were a lot. I get that you don't want to put squashes on TV and I get that sometimes these extra matches wore out crowds, but at its best, it allowed wrestlers to experiment, to get reps, to figure out what worked and what didn't and let crowds see certain stars (the Matt Hardys of the world), pop for their entrances and themes and signature moves, even when they weren't going to be on the main show. It gave us an Emi Sakura or Nyla Rose tag week after week after week after week and they were all a blast. It let the Acclaimed figure out how to be the Acclaimed or the Gunns figure out how to be the Gunns and let Athena as hard as one could go during one night in Canada and suddenly become one of the the best things in wrestling. I'm not sure how things will shake out in the months to come, if Rampage will serve this purpose more and if we'll get that itch scratched with the ROH studio tapings or if extra matches even end up on Bleacher Report, but I'll miss goofy rookie Elevation commentary from Wight and Menard (and Eddie Kingston for a while there!) and even goofier expert Dark commentary from Excalibur and Taz. I hope we see the return of Super Strong Suplex Machine sooner than later.
AEW Dynamite 5/3
Jericho Appreciation Society (Daniel Garcia/Jake Hager/Angelo Parker/Matt Menard) vs Orange Cassidy/Bandido/Adam Cole/Roderick Strong
MD: Nice big 8 man tag with a lot of little story beats. It's nice to see Strong outside of the WWE system again where he can feel like a big deal. That's part of the joy of AEW. I don't usually have a ton to say about Cole. My main takeaway on him is that he's been woefully miscast as a heel forever. The fans want to cheer him. They want to cheer his song. He has the offense of a scrappy babyface. He has the size of a scrappy babyface. I've seen him in interviews say that it's not an issue because he gets the fans to boo him during the match, but I honestly don't think that has played out in practice, at least not in AEW. This feels fresh. They played up the relationship between Cassidy and Cole but never really did anything with it unfortunately. The only sign of anything off at all was Bandido tagging Cole by slapping him on the back.
I liked how the match turned on the caught dive on Cassidy (with Garcia coming out nowhere with a knee to the back). I like Cole getting taken out when he went for Jericho at first opportunity; in general, even with him getting to tag with Strong again, he portrayed a certain intensity from his entrance to his first big boot, to the finish and both charges up the ramp. The buried what I was looking forward to the most in the commercial break, but 2.0 feeding and stooging for Orange Cassidy was a ton of fun as you'd expect, as was the suplex spots with Bandido. Garcia was a glorious jerk during the beat down on Cassidy, walking over him repeatedly and stepping on the ankle to prevent him getting away. Everyone got to get something in down the stretch. I'm looking forward to Strong against any of these guys and certainly to Hager vs Bandido if they ever want to run that, but Garcia is a top potential AEW Cassidy opponent and they're running that next week.
Darby Allin/Jungle Boy vs MJF/Sammy Guevara
MD: I don't think anyone would say that this main event angle has been a total success, though people can definitely appreciate that they're taking this swing and trying to elevate the pillars like this. What has worked, more than anything else, has been the MJF/Sammy pairing. In fact, given that we're still weeks from the PPV, it's a shame they've gone away from it here. I wouldn't mind if they go back to it at some later point. They were full on Heavenly Bodies/Too Cool here, full of themselves, congratulating one another, constantly jawing (including with the crowd during the commercial break to get big heat), constantly posturing. I would have liked some dumb simplistic double teams but I was ultimately happy with what we got, including the assisted abdominal stretch and Hollywood Blonds' terrible towel with Max's scarf.
Darby and Jungle Boy hit everything clean and played face-in-peril well enough, though the focus was really on the heel antics instead of the come back attempts. It's a bit like seeing Jarrett again. AEW's tag scene has had such a focus on big spots and cut off near falls that bullshit like this is fresh and really stands out. I liked Jungle Boy as a hot tag. We saw him so long with Luchasaurus where he didn't get to play that role. And Sammy looked amazing taking the tiger driver and code red, almost as good as I've ever seen either taken, which was impressive in such quick succession. Max's convoluted killshot looked great too, though he'd probably be better served with something way more simplistic that is just put over as deadly due to superior execution or some such. The finish with MJF and Sammy hitting moves but the other wanting the pin contrasted Darby tagging himself in but to hit a move and then go for the pin instead, making the babyfaces look somewhat more respectable while still playing into the animosity between them and pushing the 4-way to come. I have no idea what Khan has planned between now and May 28 but hopefully it's even more entertaining than the Sammy/MJF pairing; that feels like a bit of a high bar to clear though.
AEW Rampage 5/5
Lucha Bros/Hijo del Vikingo vs QTV (Powerhouse Hobbs/QT Marshall/Aaron Solo)
MD: Figured I'd give this some time too. There are a lot of different possible structures and narratives in pro wrestling. It doesn't have to be shine/heat/comeback. As long as there's a narrative throughline and things have weight and matter, as long as they have some semblance of build and payoff, you can do a lot of different things. Some stories are easier to tell than others. Some are more natural. Some require less work on the viewer. And, it's valid to occasionally just do a your move/my move fireworks spotfest so long as it's driven by a purpose on the card and it doesn't have a negative impact on it. Even then, however, I tend to find that last option limiting. If you pull back just a little on that, if you just take a breath and think things through, you can still hit a lot of those spots but underpin them with a more compelling narrative. Doing that will only make the spots feel more impressive and compelling because there'll be something providing them with actual substance. It's almost always additive if done well and smartly. The best wrestling is when people combine working smart and working hard, when you have both "workrate" and narrative, when one is the means and the other is the end.
So often with the Lucha Bros, I see a heck of a lot of means and not a lot of end. That's most especially true when they're up against similar opponents with similar mindsets. They try to go over the top and in doing so end up completely untethered. It pops the crowd in the moment but you end up remembering spots and moments, not the match as a whole.
One of the great things about AEW is the WAR-like nature of the potential pairings. You'll see Lucha Bros and Vikingo against the most logical guys in the world (let's say Rush and Dralistico) but you'll also see them here against QT, Hobbs, and Solo, three guys with wildly different skillsets. After a bit of posturing, QT took all of Vikingo's flashy stuff. I'll admit I had mixed feelings about his basing. In general, we applaud wrestlers for getting into positions on dives and saving the spot and their opponent. That's outside of the ring; when it happens in the ring however, it always feels a little dodgier. That was the case with the implosion 'rana. QT rushing to position made it feel more impactful but also poked at the suspension of disbelief just a tad. Still, it felt novel for him to be taking all the offense instead of someone like Kommander or Gringo Loco. There's value in that sort of dissonance too. Then Hobbs came in and just shut everything down. Solo is a 14 year vet 34 year old still trying to find his way but he can hit stuff clean and is pretty punchable, so it's not like he's a bad hand to have in there and to follow up Hobbs' stuff with a bunch of annoying offense to get under the crowd's skin. The built through the commercial break to the comeback and went into a finishing stretch. That's where we got the dives and the real bombs and because of the anticipation everything felt bigger than it would have if they were just escalating and escalating through spot after spot after spot. Speaking of escalating, I'm glad we didn't get the 630 through the table here. That shouldn't be an every match move, even if it's teased every match. It's one of the biggest spots in the promotion and they should only use it when it really matters, not against QT on a Rampage with a weird time spot. It was ok to do it a couple of times early to establish it but now keep it in the pocket so that when it happens, it means as much as humanly possible and that it also doesn't devalue other big dives and spots people do across the promotion. The finish felt a little abrupt to me but ultimately worked; Hobbs was distracted. Why was Hobbs distracted? Because he was choking Abrahantes and that's the best reason to lose a match I can think of.
Labels: 5 Fingers of Death, Adam Cole, AEW, Daniel Garcia, Darby Allin, Hijo Del Vikingo, Jake Hager, Jungle Boy, MJF, Orange Cassidy, Penta el 0M, QT Marshall, Rey Fenix, Roderick Strong, Sammy Guevara, Will Hobbs
Tommaso Ciampa/Timothy Thatcher vs. Roderick Strong/Adam Cole NXT 2/3/21
ER: NXT has been the most entertaining part of mainstream wrestling TV of 2021 so far, and it feels like a lot of guys recognized to hold back on a lot of the melodrama. There is a lot more personality on NXT lately, beyond "I am serious about this and am shocked when you kick out of my moves". Guys are figuring out how to do "serious" without looking ridiculous, and this tag is a good example of a Mid-South style tag fusing with the modern NXT style. Modern NXT style is too obnoxious uncut, you need to cut it with an older, better regional style to make it bearable and much better. I think Ciampa has really excelled with these changes, going from seeming comically overly serious throughout the latter parts of the Gargano feud, to reigning in the sillier aspects and coming off as much more of an asskicker than before. He is wrestling more like Roderick Strong, which is a good thing. He hits hard on chops and elbows, and makes simple forgotten moments like kicks to the stomach look actually damaging. When a guy makes you notice how painful a transition kick to the stomach looks, it means he's really focusing on all details. Strong is as good as ever, maybe the most underrated worker of NXT brand history. Preposterous to think of him not having the role Cole occupies, while also excelling in the role of the clear #2 of a stable.
Ciampa and Thatcher spend much of the match cutting Strong off from Cole, and both teams blur the line of face/heel without it ever getting dramatic and scowly. Strong is great at eating a beating while fighting back, and I especially loved a couple of body shots he threw while Thatcher was prepping for a suplex. I thought Ciampa's timing was excellent throughout, thought a knee he rocked Strong with made for a real surprise kickout, and when I rewatched the spot I thought his action was so strong throughout the whole sequence. The pinfall he sinks on Strong really added to the kickout, feels like he's paying the kind of attention to his game that stands out when you watch Bret Hart singles matches. Cole is energetic in his hot tag even if some of his stuff isn't my favorite. He fit into the match fine, and as the match turned into NXT chain spots I thought they built through them well. Strong was really awesome on offense and defense the whole match, loved him flying through the ropes with a Fuerza bump when Ciampa scouted a baseball slide dropkick, love that immediacy Strong brings to his moments. The Dusty Classic has been a fertile ground for quality men's and women's tags, and this is my favorite of the men's side (so far?).
PAS: This didn't really do it for me. I really enjoyed the Strong vs. Thatcher parts of the match as they really had some nasty grappling and Thatcher has really dug into the sadistic parts of his character. He really does seem to gain joy out of hurting people, and Strong has always been a solid if a little colorless wrestler. Strong hits the mat just as hard, and lands some big chops. I though Ciampa and Cole were pretty bad though, especially in their exchanges which were dancey reversals as bad as the worst of this modern wrestling style. Man do I hate when two people "know each other so well", and this was some very bad "know each other so well" wrestling. Finish run just felt like the same PWG tag finisher spamming stuff we have seen for years. The individual moves look cool, but it was kind of formless and didn't build to anything. That finish run doesn't play to Thatcher's strengths and he was the guy I came into this match wanting to see.
Labels: Adam Cole, NXT, Roderick Strong, Timothy Thatcher, Tommaso Ciampa
Night One turned into a really great show after we got past the first two matches. I'm less excited about the Night Two lineup, but they got a lot of good will from me after the last 80 minutes of Night One.
Santos Escobar vs. Jordan Devlin
ER: I think modern ladder matches have done passed me by. There hasn't been enough "new" done to the format or match layout to keep me interested. On paper I thought this was a cool pairing, but in execution it didn't work for me. You know there are going to be a couple of cool spots, and there were, but these matches are just designed to be 3 minute YouTube highlight reels at this point. That's fine if that's their purpose, but it doesn't make for an interesting match. Escobar seemed off through the first half of this, moving through spots real tentatively, like he was overly focused on hitting his marks, and it made the opening exchanges look really bad. Devlin had a few big bumps, like his fun one bouncing from a ladder to the top rope to the floor, or that nasty bump getting shoved backwards off a ladder into another ladder. We got a nice dive that plastered both guys into a ladder, and Devlin's moonsault off the ladder looked great, but took an eternity to set up. And "looked great, took an eternity to set up" is a great masthead for WWE ladder matches at this point. This was very disappointing, would have been better off with a normal singles match.
Candice LeRae/Indi Hartwell vs. Shotzi Blackheart/Ember Moon
ER: The Dusty Classic was filled with great matches, and I'm all for this because I would love a serious tag division. And while the match itself got a bit messy at times, I liked the energy and they never let the messiness divert from the match. Now, it is true that one of my favorite things about the Dusty Classic was how focused a lot of the tags felt, like each team was bringing in their own style, and this match felt more like WWE Great Match Style, which isn't nearly as interesting. Dusty Classic had a lot of personality, this was more cookie cutter "plug in fast workers" style, and I think the personality aspect is what made those matches shine. Indi and Candice felt like a typical workrate team here, not at all like how they've been the past several months. Ember had a couple fun sequences, got an unexpected laugh out of me when she finished a strike combo with a Suck It. Shotzi will always be Shotzi, and that leads us to Shotzi spectacularly splitting the uprights on a tope con giro. I have no idea how it happened, but Shotzi has this magical ability to find no bodies on dives, and she somehow flies right in between Indi and Candice and straight into the barricade. This felt too rushed, never got the time to settle in and get anyone isolated, felt way too get in-get out the whole match. A couple double teams looked good, like the Indi/Candice pancake slam. Ember's double team Eclipse was a bit too ambitious, not sure it really worked in practice, but Shotzi's big senton landed heavy and I loved the way Indi sold it.
Bronson Reed vs. Johnny Gargano
ER: I've been really loving NXT the past several months, and it's because they've gotten away from the house style that ruined much of 2020. This match went back to that style and it sucked. Reed used to work as a big guy, but now that they don't have Keith Lee on the roster it's like they needed a big man to work 50-50 exchanges with a 160 pound man. It sucks so bad, and we all knew it was going to suck 20 seconds in when Gargano hit a sloppy headscissors and Reed missed a beat before doing a cartwheel. The cartwheel looked entirely disconnected from Gargano's headscissors, and Beth Phoenix screaming "SHADES OF BAM BAM BIGELOW" really hammered home how shitty this was going to be. Last night we got an insanely good women's main event, with Raquel Gonzalez doing an excellent job of selling for someone so much smaller than she, and here's Reed working as Gargano's equal the entire match. I hate it. This brought back all of my least favorite parts of NXT house style, the mirror exchanges, the selling entirely disconnected from the moves that each man just took, and the stupid offense that spins somebody into position to hit their own offense. Reed is not good at working equal to Gargano, so you knew they were going to throw out the stupidest tropes of the style. Was there a poison rana? Brother you bet there was, and brother you better believe that it looked like Reed leaping backwards onto his own head. Gargano was just dangling off Reed's neck, hanging there, no momentum, and Reed just threw himself over. Reed was always a second behind on every exchange like this, the entire match. Did we get a superkick exchange? Brother you KNOW we did! Reed hits a tope on Theory (he's a big man, but look at him MOVE!!) and I cannot tell you how uninterested I am in modern big man "moving like a cruiserweight" wrestling at this point. I thought Reed's crucifix bomb from the ramp into the ring looked great, but it meant nothing whatsoever because this is throwback NXT house style baybee! That move should be a finisher, not a forgotten footnote in an uninteresting match. You're a big round man, think of all the cool big round wrestlers you could be, Reed! Instead, he's like my old boss's dog who was 50 pounds and was scared of 15 pound dogs, like he had no idea what size he was.
Karrion Kross vs. Finn Balor
ER: Feeling bad for Ray Rowe here, as they gave his whole look to the new bald guy. And it wasn't going to take much of a match to look better than the trash that came before, and it was fine! I can't really get into the Kross character, still really don't know what I'm supposed to think about him. But the Reed match set a low bar, and it looked like gold coming after. I liked how Kross actually recognized that he was larger than Balor. I personally always know if someone is larger than I am, or if I am larger than they are, but a lot of people in NXT do not know that! So when Balor locked up with Kross and Kross threw him down on the mat, I thought "Now there is a man who recognizes when he is larger than another person." And that's why this match is a win! Balor didn't play total underdog, but didn't play equal, and that's important. I like how Kross threw him around, dug how it looked like Balor was really getting upended on every big Saito suplex. We didn't go overboard with shocked faces and kickouts, no surprises whatsoever. It was just a bigger guy throwing a smaller guy around and eventually beating him, and that's all it takes to stand out in my brain right now.
Kyle O'Reilly vs. Adam Cole
ER: This match is unsanctioned. It's on Peacock, broadcast from their own Performance Center, with commentary just like any other match, but someone back there does not agree with it and will not sanction it. Men fell dangerously into ladders an hour ago, and that was sanctionable, but one of these men is now wearing a denim vest and we cannot sanction that. The problem with giving a couple like this too many toys to use in a match, is they get too cute with their toy usage. We can't just have a couple guys braining each other with a chain, we need to have one of them bent at the waist for an eternity while the other takes forever to wrap his boot in a chain. Just hit Cole with the fucking chain, Kyle! You're holding the chain! Hit him with it! You knew this shit was going to be unbearably long, and even though it was UNSANCTIONED I wish we could have sanctioned some time limits. Save the fans from the unspeakable actions these gladiators were going to put themselves through. We go through all the same tired stuff that they always go through whenever any indy fed goes through an unsanctioned match, other than the actual ring being taken apart. You know what makes a brawl interesting? Blood and guys beating the shit out of each other. If you have a chain, you can just hit a guy with a chain. But the spots get way to cute way too fast, and you know these two are absolutely killing each other out there, but it's the worst combination of painful violence and cornball violence. I knew they were going through the ramp, I knew just knew it. It was either going to be the ring taken apart or the ramp crashing through, and I'm most shocked that it wasn't both. There were parts of this I liked, with my favorite spot being Cole grabbing the chain and clotheslining O'Reilly with it. But this was predictably long, and had too much over thought out bullshit. There's no excuse to go 40 minutes in a match like this. Going that long makes the punishing things you are doing come off LESS punishing. Cut this in half, focus on the violence rather than the humanity, and then maybe you have something.
ER: Well, this was easily the worst of the two nights. This show was bad, not even sure what match I would most recommend to someone (probably the tag match? It was fast paced and didn't step on its own dick), but a lot of this show was a MAJOR step back. This show was a microcosm of every single thing that I hated about 19/20 NXT. I've been loving 2021 NXT so far, it's my favorite weekly show, and this show was like they decided that EVERYTHING they've done this year hasn't been working, and throwing it into reverse to bring us back into the worst era of NXT history. Absolutely terrible.
Labels: Adam Cole, Bronson Reed, Candice LeRae, Ember Moon, Finn Balor, Indi Hartwell, Johnny Gargano, Jordan Devlin, Karrion Kross, Kyle O'Reilly, NXT Takeover, Santos Escobar, Shotzi Blackheart
Breezango vs. Oney Lorcan/Danny Burch vs. Raul Mendoza/Joaquin Wilde
Labels: Adam Cole, Bronson Reed, Dakota Kai, Danny Burch, Fandango, Finn Balor, Io Shirai, Joaquin Wilde, Karrion Kross, Keith Lee, NXT Takeover, Oney Lorcan, Pat McAfee, Raul Mendoza, Timothy Thatcher, Tyler Breeze
I spent the day up at my parents' place as my sister was in town, and now after hearing my mother tell me in detail about her 50th class reunion three different times, as well as hearing a 20 minute story about how she had a very normal trip to the supermarket, I'm ready to just write as much as I can about tonight's TakeOver as I can before I drift off to slumberland. Whatever I don't finish tonight I will finish tomorrow when I wake up.
Roderick Strong vs. Matt Riddle
ER: Totally wild stiff overkill battle, a match that kept things interesting with inventive reversals and showcasing several ways for men to land knees and elbows to faces. Riddle is a guy who looks like he could really eat Strong's lunch, and yet three minutes into this Strong is dropping Riddle on the apron with a fast backdrop suplex and hammerfisting him in the stomach from the mount I find myself wondering "How is Riddle going to last against this!?" Both guys land such jaw jacking shots that I'm not always sure how they stay standing in a long match, but when I get Riddle dragging Strong by the arm chin first into his knee, or Strong hitting an insane running jumping knee into the ropes, I just want more. Both men move so fast, and land so hard, that it really adds to everything they do. Riddle scrambling down out of a press and locking in a choke, Strong landing a couple hard backbreakers, Riddle landing flush onto Strong's knees on a twisting press, Strong bouncing back and forth off the ropes with hard elbows, Riddle flinging Strong with a German suplex, A top rope superplex from Strong, it's all done with such speed and precision that they always seem a millimeter away from stopping a match due to brain bruising. They never get trapped in a strike loop, they always advance, and I'm never quite sure where every sequence is going. I don't really mind the way these two do overkill, because some of the stiffer sequences just impress me that they're able to keep going, and while somethings weren't as focused as other big matches from these two, I thought they did a great job at building the threat and the violence. Hot start to a show.
Street Profits (Montez Ford/Angelo Dawkins) vs. Forgotten Sons (Wesley Blake/Steve Cutler) vs. Oney Lorcan/Danny Burch vs. Kyle O'Reilly/Bobby Fish
ER: They're really letting matches go long on this show so far. This one probably goes a little too long and features a definitely too long run in from Forgotten Son Jaxson Ryder (and really someone who has that name is probably overstaying every life situation they're ever in), but also has a bunch of crazy stuff on par with most of the crazy stuff in the MITB matches two weeks ago. It genuinely felt like everybody in this match had several opportunities to fit in a couple crazy spots and a couple crazy bumps, like they were all filling quotas. I really liked Forgotten Sons, both guys really exited the ring in dynamic ways when they needed to clear space, and they willingly threw themselves into getting suplexed while wearing a ladder around their necks, or Blake doing a tope INTO a ladder. Montez Ford had some big stuff (overall I thought the Profits came off like a team who kind of snaked a victory, which is weird since they were the favorites going in) including a frog splash so big that it sent him vertical into a perfect headstand and a tope con hilo with a painful landing (a LOT of dives in this match had painful landings, felt like every guy here was taking flat back bumps onto the hard ground), even does a bonkers leap from the top rope to a ladder. Lorcan used his body as a weapon and flung it into people and ladders, Fish and O'Reilly took some nasty spills into ladders, Dawkins hit a huge dive to the floor, O'Reilly may have taken the most painful bumps onto ladders (and another where he just took a big Hamrick back bump from ring to floor), and this whole thing was pretty crazy. This show is a pretty easy 2/2 for me so far, every guy is working this show like it's their WrestleMania or something. Trying to take buzz away from AEW? I don't know but whatever it is I dig it.
Tyler Breeze vs. Velveteen Dream
ER: Breeze is someone I thought was one of the most consistently good performers in NXT history, who got kind of predictably chewed up on the main roster. He's a guy who showed he was really good at 8-11 minute matches, a guy who could have been a real valuable Smackdown TV match guy, who never got much of a chance to work the kind of match he's really good at. So on paper I'm excited as hell for this match, and really WWE should be more willing to send people back down to NXT if things aren't working out. MLB teams do that all the time, send a guy back to work on mechanics before giving them another shake. It doesn't have to be seen as a negative, but it obviously always will be. And I thought this match was pretty awesome, while also thinking that they probably had more than enough tricks and moments for a rematch, and I think they took to much time fitting them all into this match. This was a really good 18 minutes that I think could have been a flat out awesome 14 minutes. Breeze is a guy with a limited offense arsenal, who finds cool logical ways to create openings and reverse moves. I don't think a lot of his stuff feels like a modern do-si-do dance sequence reversal, he just finds simple ways to dodge and strike fast. Breeze is one of the better guys about making space, about not rushing through sequences, and he comes off more like a solid Stevie Richards type than a modern 2.9 count guy. His simple stuff hits hard and he finds ways to smartly get into position for Dream's offense, while having an impressive sense of when a strike doesn't land as hard and thus doesn't need to be sold as hard.
Because of that skill we got a few sequences that weren't really "clean" but I think benefitted from looking messier. Dream threw a backhand that didn't really land, but followed it up quick with a shot from the other direction that landed much harder, and Breeze knew exactly how to play it. Dream is someone who throws a lot of his body into shots, so when one doesn't hit flush it can look silly, and Breeze is a perfect guy to cover for that kind of flash. I love how Breeze doesn't skimp on shots and doesn't cut corners. Weirdly my favorite part of the match was when Breeze was setting up a superkick, but opted for just a simple (killer looking) front kick to the face to set up the kick. We've seen superkick overkill for a few years now and I thought it was cool that Breeze didn't just go right to it, he kicked Dream into a better position for it. Even though I thought we got maybe two too many kickouts, I thought the placements of them rolling out of the ring and working count outs was really well done, and I thought a lot of the reversal sequences looked cool because they didn't look overly smooth. Dream has a way of looking incredibly graceful while occasionally looking totally stumbly, and I'm genuinely unsure if it's intentional or not, but I think it works. It leads to moments like Dream stumbling face first into a hard enziguiri, which winds up looking nastier because it was face first and he looked off balance. Breeze barely beating a 10 count only to slide back into the ring to get blasted with the Dream Driver felt like a perfect spot to finish things, even though part of me is glad the went longer to make Breeze look more threatening. And late in the match we got an absolute freakshow eye popping move set up where Dream jumped off the top to land past a laid out Breeze, landing right where he needed to so he could hook Breeze's leg to roll him through into sticking him with Breeze's own Unprettier. It looked insane. And I loved the set ups where Dream would purposely throw off Breeze's timing on spots (which is something Breeze did to him a couple times earlier). I really loved this, warts and all, and this show is firing on an easy 3/3 for me.
Io Shirai vs. Shayna Baszler
ER: Apparently Tokyo Sports at one point called Shirai the "greatest wrestler in the world" which just feels like someone somewhere had to have wrongly translated a quote. This was the first match that felt like a miss, felt like something that would have been a decent hour one Smackdown match, but didn't have any big moments to make it stand out on this card. Really the most exciting part of this was Candice LeRae running out to wreck Shafir and Duke with a kendo stick. Candice was really swinging hard, broke the damn stick over them both, really liked that whole section. But the match itself seemed really basic. Shirai just doesn't seem very good to me, and as Shayna is working her over I'm sitting here knowing that it's going to just lead to a bunch of fairly implausible Shirai offense. Baszler toying with Shirai was fun, kicking at her and getting her to flinch, before ACTUALLY kicking her. Shirai isn't a very interesting seller, so her selling limb damage always feels comical, and her staggering around for shots looked like when Jeremy Irons was awkwardly learning geisha movements in M. Butterfly. Her flying does little for me, although I think she may have had a decent missile dropkick in there. The finish itself was really good, as the bridge looked like a plausible way to win but I was confident Shayna would turn it into a choke. I think I'm more interested in the inevitable Shirai/LeRae vs. Shayna/Horse Girl tag as Shirai works better in a tag or multiman setting, but this underwhelmed.
ER: Just want to make a note here about how godawful Mauro Ranallo has been on commentary the entire show. He isn a very specific and infuriating kind of awful, a different side of the Matt Striker coin. The specifically infuriating part about Ranallo - I mean aside from his constant fucking screaming - is that he seems to genuinely LOVE the product that he is announcing for. He seems like he adores NXT and he is living his absolute best life. But he's just so fucking annoying about enjoying his favorite thing. He's the fan you hate to hear talk about the thing he loves, and you hate the specific way he loves it. Striker is unbearable in that way you picture him sitting at home writing hack shoehorned references trying to get himself over, Ranallo is the guy who does that because it's how he can best express his love for NXT.
Adam Cole vs. Johnny Gargano
ER: I actually somewhat unexpectedly enjoyed the first 15 minutes of this match! But as we all know this was not going to be a match than ended shortly past the 15 minute mark. Pro wrestling inspired by the Marvel Cinematic Universe is absolutely one of the worst things to happen to pro wrestling. It just makes me dream of Stan Hansen running into the ring and beheading either of these goofs with lariats. There are always things I enjoy! Gargano can take some bone rattling bumps, and they both have some cool ideas about building off past matches and past interactions. But FUCK them. That Star Search dance routine with Gargano hitting a reverse rana and then waiting patiently on his knees while peeking over his shoulder, waiting for Cole to bounce of the ropes with a superkick, or their little Total Eclipse of the Heart dance recital where Gargano kept getting kicked chest first into the ropes and bouncing off and hitting his own bullshit only to spin Cole into his arms as rain pours down in dramatic fashion, that kind of horseshit can just die. I hate all of Marvel's final 25 minute "Two invincible guys not able to do a ton of damage to the other while causing millions of dollars in structural damage" and it's not something I'll ever want to see in pro wrestling. Nothing damages these guys, until something damages them. Fuck Off Forever.
Labels: Adam Cole, Bobby Fish, Io Shirai, Johnny Gargano, Kyle O'Reilly, Matt Riddle, Montez Ford, NXT Takeover, Oney Lorcan, Roderick Strong, Shayna Baszler, Steve Cutler, Tyler Breeze, Velveteen Dream, Wesley Blake
Didn't actually get to see or watch this show live, but I also don't actually know anything that happened on the show, so I'm back home and figured why not watch some TakeOver?
War Raiders vs. Aleister Black/Ricochet
ER: So this is one way to open up a TakeOver! This starts as very much a sexy dance fight learned behavior match, that I was ready to dislike for being too dance-y but then they just kept going and pulling out bigger and wilder things, and by the end I thought this was a fantastically paced out tag. We had some early tape studying spots, fun stuff like Black anticipating a Rowe knee, or Rowe anticipating a Black kick by catching it with his head and neck. And as the train really starts leaving the station the match's charms become a bit impossible to ignore. There were still some silly dance fighting spots - namely Ricochet running 4 steps across the ring to leap into getting handspring elbowed by Hanson - but this was some well done go go go. The dives we built to were great, with Rowe hitting a tope, Ricochet naturally flipping in several ways, and peaking with Hanson flying off the top like a falling piano. This whole tag had a ton of moving parts and the pace they kept was really impressive. We got smart use of saves, with Rowe certainly getting beat before Hanson crashes everybody into them to break up the pin, and Black getting an awesome surprise pinfall save by landing a double stomp off the top. Ricochet was a fun ham throughout, getting knocked around plenty of times by the Raiders, but also hitting all of his stuff tighter than he's looked ever since getting called up to Raw. And the chained spots can be a real impressive thing when they're done as fluidly as they did here. Everything was mapped out and executed at high speeds, so that you feel like you're seeing a lot, while also feeling like a big Hanson tope is still treated as a big deal. Not many events will be able to start off this hot.
Matt Riddle vs. Velveteen Dream
ER: I really liked this, with Riddle going on dominant runs, catching Dream in submissions and nasty throws, with Dream scrambling just to keep up. Riddle broke out some increasingly brutal stuff: rolling gutwrenches, exploder, building up to Riddle catching Dream on an axe handle to the floor and dropping him with a slow German, and then going beyond that to Riddle dragging Dream up over the ropes and hitting a suplex into the ring from he middle rope. All of these were awesome visuals. Dream looked like he was scrambling the whole time, even when he was in control. He was still cucumber cool, but Riddle was going for constant strikes and submissions, and even when Dream would counter one it would end with Riddle elbowing him as punishment. I like the Riddle match structure where he is dominating but kind of cockily distracts himself thinking things should be over. I love moments like Riddle catching Dream's big elbow or Riddle breaking out a new twisting moonsault, the latter really helped give this a bigger match feel. The finishing stretch is real quality, with cool trading, Dream stunning Riddle out of the triangle but getting hit with another knee and German. I'm not sure how I feel about the finish, I liked that Dream flipped his desperation switch into panic mode and went for the last pinfall he could get, but also think Dream should have controlled for a bit more earlier in the match. When this was all over it practically felt like Riddle bullied him around at every turn of the match. I loved the personality in this and the work looked spectacular, would love to see this run back again. I'll have to watch it again to see how much Riddle dominating affects that for me. Still, these two matched up great together and I dug it.
[sorry, started writing up NXT and then got incredibly sleepy and zonked out AT the computer. Writing up the rest of this before Mania]
WALTER vs. Pete Dunne
ER: Rachel, wholly unfamiliar with WALTER, looks up as he's walking to the ring and asks, "Did they give someone an SS officer gimmick??" She's not wrong. Also, it appears referee Drake Younger is working a full blackface ref gimmick. This match was kind of weird for me, as Dunne has had this belt 700 odd days, and I don't think he ever looked like he really belonged with WALTER in there. This match got a ton of time 25 minutes, and at no point did it look like Dunne should be hanging with WALTER. And really, he didn't. Any time he did start to pull away from WALTER, he would do a light enziguiri or something that looked like it shouldn't be sold that much by WALTER. I liked stuff with Dunne avoiding the big chops, and his only chance looked to be targetting WALTER's fingers (and smashing his hand on the ringpost was a good moment), but I don't think any of the finger work went anywhere exciting. I don't think it ever even slowed WALTER down outside of the precise second it was happening. This felt like a similarly structured match to Dream/Riddle, only those two looked like they belong in the ring against each other. By the time they got to the inevitable strike exchanges it kind of felt ridiculous. WALTER just crushed Dunne the whole match, big kicks, nasty sleeper suplex off the top that felt like something you end a match on (but instead leads directly to Dunne doing a German and crucifix bomb that felt entirely like WALTER doing the moves to himself), big lariats, and of course that superbomb/splash combo to finish it. WALTER came in and definitely, the whole match, looked like a guy who should be the champ. So I'm glad they gave him the belt. If/when they do the rematch, I'm interested in seeing how they actually make Dunne look on WALTER's level.
Kairi Sane vs. Bianca Belair vs. Io Shirai vs. Shayna Baszler
ER: I thought this ruled. It felt tidy and like they could have gone longer but I'm happy they did it, just kept it at 15 minutes of fast action and no overkill. A lot of this was worked as the Sky Pirates working against the other two, while Belair and Baszler were against the other three. The 4 way brawling could have been an absolute mess but I loved how the Pirates crossed up the rope running and used that misdirection to sneak in their shots. Belair's hair is such an integral part of her matches and it's great when she uses it, and great when it's used against her, like when she gets whipped into the corner by her braid. And I LOVED the early ringpost spot, Baszler tossing Belair around the post and holding her braid to pull her into it, only Belair got her boot up to block and used the power of her thick ass amazing braid to yank baszler into the post instead. Mauro says, "Bring back any memories, Nigel?" To which Nigel should have humorously replied "No...actually. None at all." Belair is great at showing her power, hard shoulderblocks and catching a crossbody for a fallaway slam, big spear right at the chest, huge press slam to the floor, she totally looks like a boss. I also thought Shirai looked more explosive and violent than I've seen from her. She usually looks flimsy and nothing connects, here she hits a missile dropkick and the corner knees land hard, and I dug the way they worked themselves into the match (their acting got a little melodramatic at points, acting like saving a pinfall was the most physically exerting thing they'd ever done, but joshi gonna joshi). The corner suplex/powerbomb spot actually looked good and they kept the set-up brisk, the flying to the floor looked cool, Shirai's moonsaults actually hit hard for once, the pinfall saves were all expertly timed, Belair's KOD on Baszler looked great, and THEN she got to plant the Sky Pirates with one, Sane's elbow slammed hard into Baszler, Baszler had a cool counter of Belair's double chickenwing into the clutch, really the whole thing was a blast.
Johnny Gargano vs. Adam Cole
ER: Totally serious here, but are these the two smallest guys to ever be fighting for a WWE World Title? Did Rey ever defend against someone similar sized? And you know, I really liked this. I was expecting to not like this very much. I figured it would go long, and figured there would be tons of wide eyed heavy breathing shocked kickout faces. Both of those things happened. The latter happened a lot. And there were little things I didn't like, such as the way Cole threw the most half-assed missed clothesline right before he hit the knee to end the first fall. It's when guys halfass their way through things like that, where you can really see they were just not focusing on step a and only thinking about step b. It's an ugly trend but it's been where we're at for awhile. I also don't think I'll ever get used to the "I'm dead, I'm dead, I can't move, also I'm up and sprinting" brand of selling, and we got plenty of that. I also will forever laugh at how outright stupid Adam Cole's finisher looks. That little bunny hop off the middle buckle never ceases to crack me up. It's so isolated and never part of a smooth turn into the flipping piledriver, possibly the dumbest and silliest any big league wrestler has ever looked setting up a move.
But again, I liked this match. This was the match where Johnny Gargano fulfills his destiny and finally pulls out the big win, overcoming the numbers, defying the odds, all things that could have been insufferable. But they built a nice match with some memorably wild moments, and I was impressed at Gargano's timing throughout. This kind of match hinges on timing, hinges on guys being in the right place at the right time, and I don't think this came off as dance-y as it could have. Gargano's big spots looked big, the spear through the ropes, the slingshot DDT, big flatliner, big Air Raid Crash, and even more importantly he helped uberwuss Cole actually look dangerous. Gargano bumped around spectacularly for Cole, especially impressing me with two consecutive ringpost bumps. He really flew into ringposts in the classic Lawler post bump style, my personal favorite post bump, running in fast with the face and throwing the legs up high on the back bump. His ringpost shots looked great and I liked that we got some Gargano color, and later on Gargano tops his ringpost bumps by flying over a table and then getting pulverized into the top of said table by the Devil's Wings (my god is anything about Adam Cole cool?). That table was the true heel of the match, as good lord that unbreaking table must have hurt like hell. The finishing run of the third fall felt like smart use of non-falls and bullshit. Gargano hitting the reverse rana and superkick only for Cole to fall out of the ring is a great way to not burn kickout, and I actually liked the involvement of UE as a way to make fans flip even harder for Gargano. Once O'Reilly was ripping at Gargano's face to break the Escape, I found myself actually annoyed in that "No! Not like this!" kind of way. Gargano fighting off UE and getting the Escape tap was very satisfying, really feels like they need to get far away from emo wrestling as there's nowhere else they can go with it.
ER: Even with Dunne's performance not resonating with me (apparently that match was called match of the weekend at one point, which never approached that for me), this was still a really great show. I loved the tag, thought Riddle/Dream was fantastic, and thought the women's match was one of the hottest women's sprints we've seen in WWE. The main event delivered the best version of what I was expecting, and there was nothing approaching "bad wrestling". TakeOver's are a thing I always look extremely forward to, and that's because they've just rarely let me down.
Labels: Adam Cole, Aleister Black, Bianca Belair, Io Shirai, Johnny Gargano, Kairi Sane, Matt Riddle, NXT Takeover, Pete Dunne, Ricochet, Shayna Baszler, Velveteen Dream, WALTER, War Raiders
We went to the NXT Tapings/House Show in San Jose on Thursday, had a great time, and have dug every single TakeOver I've watched so far. Plenty of potential on this card.
Matt Riddle vs. Kassius Ohno
ER: Well this was not quite how I was expecting to start off TakeOver, but Ohno *did* sound pretty whiny on the pre-show, so he kinda had it coming. Mauro says the match lasted "about as long as a Hollywood marriage" which was probably a pretty hot reference when Drew Barrymore married some bartender 25 years ago.
Kairi Sane vs. Shayna Baszler
ER: Bummed I didn't get to see Shayna live on Thursday, but she was there with her Horse Girls. I'd never seen Duke or Shafir wrestle (and have no clue how much they have wrestled), but they were fun. I knew they would get involved here but wasn't expecting it so soon, and I do like the trope of a heel getting an immediate pinfall advantage in this kind of match. 2nd fall was fun with Baszler attacking immediately with a knee to the chin, and the knee looked good enough that I thought they would be running two incredibly short matches in a row. Baszler always looks good in control, although Sane isn't an interesting seller, just kinda flops and rolls around no matter what happens. But things ramp up when Baszler eats a crazy DDT on the ring apron, really planting that head in a great visual. I also liked the Horse Girls interference backfiring, especially Duke missing a kick and hitting the ringpost, and Sane doing her wild elbow off the top onto all of them. Things get pretty silly from there with the match basically serving as the background for Dakota Kai and Io Shirai running out and taking out the Horse Girls. Kai looked good, really booting Duke in the face, but Shirai does that super dumb thing where you run out to save your friend, and instead of attacking them when they're 4 feet away, takes all the time in the world to slowly climb to the top and hit a moonsault onto all of them. The visual looked good, but it's really dumb when you think about it for one second. The finish I don't think worked at all, with Sane hitting her elbow but Baszler immediately rolling her over for the crucifix pin. I don't get how the elbow can finish all her matches, but also be instantly ignored and reversed into a pin. Maybe it wasn't supposed to hit and it was supposed to look more like Baszler catching her? Whatever it was, it didn't work, and this whole thing underdelivered. I guess they're focusing on this as a trios match instead down the line, which is a match up that can be fun.
Johnny Gargano vs. Aleister Black
ER: They start with a bunch of cat and mouse that feels directly inspired by Low-Ki/Red or like they were jacking Anderson Silva highlights, but I thought it was cool, Gargano using head movement to dodge jabs, eventually getting caught when Black faked a jab to get Johnny to duck and then nailing him with a kick. Also liked Black doing his little yogi pose and Gargano running right in to kick him. The whole first several minutes are a bunch of fun bullshit, but a modern indy twist on stoogey bullshit, using a lot of constant movement without really gaining ground. But it's tougher to make that kind of swing dancing bullshit work when you're getting into the meat of the match, as you start taking big bumps that then get kind of immediately ignored for more ladies night square dance spots. Black eats a crazy DDT off a Gargano tope, and then back in the ring eats another DDT that leaves him suspended vertically on the mat for awhile, but seconds later they're back do-si-do'ing and springboarding into superkick trade-offs. A lot of it looks cool, but a lot of it also feels like total nonsense. Sometimes I find really fast spotfests exhilarating, but this feels like they need to be letting some of this breathe a bit. A lot of the stuff would still look great if it was slowed down a bit, and things do get better when Gargano stops Black with a couple of big flying knees. But there's just not a lot of space here. We go into a formula strike exchange that ends with Black teeing off on Gargano, but Gargano immediately shoves him to the floor, and Black immediately no sells a bump to the floor by kneeing Gargano out of the air on a tope. Again, a lot of the stuff they're doing looks cool, and almost all of it feels completely hollow. Even the finish seemed to come almost out of nowhere, as Gargano had been running around the whole damn match barely fazed by anything, but then goes out like a light. They went for go go go, and a lot of it just went went went in one ear and out the other. Also, I'm trying to write more 1980s Gene Shalit punchlines in my reviews now.
Velveteen Dream vs. Tommaso Ciampa
ER: Dream's 1998 Hollywood Hogan gear is fly as hell. He was Macho Man when we saw him Thursday, and did a ton of great Macho axe handles including a great one to the floor. I mean he's clearly a Savage acolyte anyway so it's a pretty lateral transition. And as I'm typing that I'm realizing that means we might see him doing a bunch of Hogan cosplay here and....and man that sounds lame. But Dream is one of my absolute favorites this year. I think he's improved incredibly in the past two years and if he can make some Chikara horsehit work then he might be top 25 in the world. It's a big if though. And there is some Hogan cosplay, but mainly with a legdrop and boot, which is something you can work into your offense. He's not out there working a death days Charlie Haas gimmick or anything. And I like a lot of this but really loved the moment where Dream locks in a ringpost figure 4 on Ciampa's chronically bad knee. Not only because ringpost figure 4s fucking own, but we get a surprising tap from Ciampa while the ref isn't looking, and it's cool because maybe he did it to break the hold, maybe he did it because Dream beat him. Once Dream starts working the knee it gets really good, and I liked the figure 4 drama, liked the big dramatic spill on the floor...but fully expected and was fully annoyed by Ciampa limping around on one leg, but still doing every single bit of his offense that involves dropping Dream onto his own hurt knee. "Oooooooo my kneeeeeee!!! Whelp, time to powerbomb a guy onto my knee!" The finishing stretch was both hot, and kind of long winded. There were some awesome moments and awesome nearfalls. I loved how all of the DDTs were set up: Dream jumped off the top but stopped short and caught Ciampa's boot, got kicked to the floor and got planted with the DDT coming back in. Great set up for that DDT. On the floor both flew over the announce desk but Dream caught him with the rolling death valley driver and rolled him in to plant the elbow for a great nearfall. The Dream DDT on the belt looked great, we got Dream crashing and burning to the floor on a crazy missed elbow, tremendous bump, and the match finishing hanging DDT on the metal joining the two rings was an awesome use of a ring. That metal grating is never there otherwise, and it feels like a great Finlay idea to utilize that into a unique finish. But I think there was some unnecessary excess and wasted time, and I think we had some unrealistic kickouts instead of creating actual drama. I don't think this was far from being a really good match, and I thought Dream looked fantastic (getting a little bored with Ciampa's whole thing at this point), but I don't think this quite got there.
WarGames Match: Undisputed Era vs. War Raiders/Pete Dunne/Ricochet
ER: Man those shark cages are dorky as all hell. And Adam Cole was not at all the guy I wanted to see wrestling this entire match. But at least they're smart and put the heels up 2 to 1. It's insane how often that gets screwed up. Everybody screw over Roderick Strong on his entrance, doing all of their selling at the same time in the ring farthest from the cage door. So Strong runs in like a house on fire and has to run through a fucking Double Dare obstacle course to get to everybody standing around watching him like an idiot. And this whole match is just a reallllllll...slog. First off, you know a WarGames with no blood is just always going to be lame as hell. One of the first VHS wrestling tapes I rented from the video store was the big beautiful Great American Bash '87 clamshell, with two different WarGames: THE MATCH BEYOND matches. I was WWF only at this point in my life, and the wrestling I was so used to was so much more...grimy and violent than I was used to. I knew most of the wrestlers in those '87 matches, most had been in the era of WWF that was my first wrestling, but it felt so different than the wrestling I had been watching. This didn't feel grimy or violent. It felt like a series of uninterestingly laid out spots. It had some of the sloppiness of a big CZW cage match, but without any of the grime or violence. There are always going to be good moments from something like this, but my god I was so young when this match began. Mauro says "It must be a nightmare for all involved" and it's the only time he's made sense tonight. This match is a neverending nightmare of a match. If I was King of the References Mauro Ranallo I would say "This match is such an unending nightmare that I'm begging for Freddy Krueger to appear and rip me apart asshole to throat!" Ricochet had some big flying spots (including 7 guys managing to miss catching him on his huge backflip senton), and there was an awesome moment where Rowe alley-ooped Fish into a killer Hanson powerslam, but man did this whole thing draaaaag. I can't decide if the stupid 8 man dude Christmas tree powerbomb off the ropes was really really stupid or just really stupid, but I was laughing hard enough that it didn't really matter.
ER: This was easily the worst TakeOver that I've watched, with few positives. Velveteen Dream delivered huge, but a lot of the match structures felt like they failed huge. And really, Mauro turned in a show long atrocious performance. He stinks.
Labels: Adam Cole, Aleister Black, Bobby Fish, Johnny Gargano, Kairi Sane, Kyle O'Reilly, NXT Takeover, Pete Dunne, Ricochet, Roderick Strong, Shayna Baszler, Tommaso Ciampa, Velveteen Dream, War Raiders, Wargames