AEW Five Fingers of Death 11/17 - 11/23

AEW Full Gear 2025 11/22/25

Darby Allin vs PAC

MD: There were people that questioned why this needed to be on the PPV when it was announced. On paper, maybe it was just a good match for the sake of being a good match, the sort of thing that has been used for years now to fill out AEW PPVs and tilt those Observer Thumbs Up and Cagematch ratings. And maybe that would have been enough. But there was more at play here.

Darby came in literally hot, having been burned by PAC (or more accurately put through a burning table by him, with Gabe Kidd's help) at Blood & Guts. But this is a Darby that had come down from Everest, one that's at peace with himself. He came in hot but he used that heat to fuel a wrestling machine. He didn't fly in with strikes but instead with headlock takeovers. The purpose of this was twofold. First, PAC had come in saying that they were going to wrestle a clean match and the better man would win. By outwrestling him early, Darby would hurt PAC more than any single punch to the face. More than that though, Darby was bandaged up. He had to wrestle conservatively, even if aggressively. While he had the luxury, he wouldn't use his own body as a weapon.

That luxury wouldn't last long. After barely escaping a makeshift Scorpion Deathlock attempt, PAC was able to catch him on the apron and press slam him to the floor. What followed was a brutal heat section where they did a great job mixing up big bumps/moves (that press slam, though that was a transition, Darby's absolutely brutal bump past the corner to the floor, even the neck-first catapult into the bottom rope) with PAC being a malicious maniac, tearing off the bandages and giving Darby an Indian burn. Everything came together for the latter: Darby's distorted skin, the way the bandage flew through the air, the look of exultation on PAC's face and agony on Darby's, how shocked and horrified the commentators were. It got as big a reaction from the crowd as both of Darby's huge bumps. 

Anything in pro wrestling can matter so long as it's presented correctly and much, much more effort should be made in making small things like this matter as much as possible. Not only is it safer and more varied than big bump after big bump, but it also allows those bumps, if framed correctly, to mean even more through escalation. The proof is in the audience reaction here (and yes, they did go up even higher as Darby crashed through the corner).

Darby mounted a comeback by catching PAC in the apron (and the sense of struggle here was great; PAC was desperate to get out in a way that others in that rare spot often aren't), setting him up for a dive and then a gnarly dropkick from the top to PAC seated on the floor in a chair. 

Darby was obviously hurting and PAC presents himself successfully as one of the best in the world, so they would go back and forth from there. PAC was able to catch Darby off the ropes turning a Coffin Splash into a suplex. He was unable to put him away with the Brutalizer though. Darby was able to get out of the way of a Black Arrow and it looked like he was going to put PAC away with the Scorpion Deathlock.

But there was a plan for this. The Death Riders have quit a little too much lately (even if it's almost all been on the head of their leader). PAC had vowed that this would be a fair fight, that the best man would win. So in some ways, he'd already lost when Wheeler Yuta rushed up to the apron to distract Darby and the ref, and doubly so, when he used the bat to knock Darby out. But moral victories don't exist in the record books, only wins and losses. 

And later on when Moxley faced O'Reilly there was a plan as well. Once it was clear that O'Reilly had an answer for every bit of wrestling Moxley could throw at him, Marina handed Mox the fork and he used it to take over. The plan worked for PAC. The plan only failed in the Casino Gauntlet because Matt Menard chose to punish Garcia and run him off instead of trying to win the National Title. The Plan here worked right up until the point it didn't, until the point where Moxley, having broken Kyle's arm, still managed to tap out to a chain reinforced ankle lock. Maybe he went back and finished the job after the match but even if he won the war, he lost the battle, and in this case, the battle was more important than the war. 

So yes, Darby vs PAC was great, but it wasn't just a great match for the sake of having great matches. There was a grudge coming in and it was worked to that. More importantly, it set the stage, through a begrudging plan of the Death Riders coming to fruition, for Mox vs O'Reilly where a similar plan, unveiled far sooner and far more desperately, nonetheless failed. That contrast hangs over Moxley like his own personal Sword of Damocles, just waiting to fall.

AEW Full Gear 2025 Collision Tailgate Brawl 11/22/25

Eddie Kingston/Hook vs Workhorsemen

MD: It's amazing what you can do in two minutes. Look, I'm not going to say anyone should or shouldn't have done whatever they did or didn't do. We never have the full story and it's always complicated and we do far too much speaking up on matters that we're just blind men touching elephants on.

What I can speak on, however, is this match. They had two minutes, less than two minutes according to cagematch (just 1:48). But the Workhorsemen punched in and showed what they could do. They ambushed Hook and Eddie on the way down. Drake took Eddie out, and that's the way things have been for Kingston as he builds up his fighting strength from match to match. That meant they had Hook isolated and though he tried to fire back off the ropes or out of the corner, they went to work. 

That meant hitting their signature flurry of a Drake apron clothesline, the Henry headtwist, and Drake flying in with a slingshot somersault senton. Hook was finally able to get out of the way causing a bit of miscommunication and then launching Henry. By then Eddie was recovered and he did the same to Drake setting the stage to hit a quick DDT out of nowhere and scoring the win. 

But in two minutes the Workhorsemen, professional as can be, got a spotlight to show that they could take the initiative, knock Hook around the ring, and hit some polished, brutal offense on the guy who was going to be the hingepoint of the PPV's main event. No small thing even for two men who are very, very good at what they do.

ROH TV 11/20/25

Athena vs Harley Cameron (Ported: https://x.com/MattD_SC/status/1991866317486555505)

Throughout the years, we've created a critical system of reviewing and ranking matches that's based on things like action, execution, big spots, and exciting finishing stretches.

It often leaves more performative elements behind. These would include facial reactions, body language, character driven creative choices, and yeah, even selling. 

In fact, over the years, matches that lean too hard on some of these elements tend to be judged by some as unfortunate because they can "negatively impact the action" and make it so a match isn't considered as conventionally great as it might have been if the wrestlers had just been allowed to go hard and lean into workrate instead.

A recent review I saw of Demolition vs Brainbusters from SNME 21, a match that trades workrate for a clever and consistent story of Demolition getting increasingly frustrated leading to a DQ, comes to mind.

Along these lines, some of Jon Moxley's recent performances where he's been leaning hard into the role of a mad king who saw his pro wrestling kingdom crumbling, a man who claimed to stand for things but was slowly being revealed as an emperor with no clothes, an animal with his back against the wall desperate for victory, for revenge, but forced to look himself in the mirror and see a coward, quitter, and hypocrite, have been excellent.

But there are different lanes for different sorts of performances, and I think there's no one as good in the world right now at letting her character drive her physicality and matches as Athena. 

That was evident in her 11/20 ROH TV title match against Harley Cameron. 

Despite being champion for over 1000 days, she came in on her back foot, having been pinned by Harley in the tag tournament (albeit after eating Willow's doctor bomb).

That was maddening for Athena (the character) for multiple reasons. First, she and Mercedes were a sort of super team and they were defeated in the first round. Second, she's been pinned only a handful of times in the last few years. Third, there's a massive difference in hierarchy and experience between Athena and Harley. Harley's treated as plucky and determined, hard-working and fiery, but also as an upstart underdog and often as a comedy act.

That gave Athena a ton to work with but it meant shaping the match and her performance around this mentality as opposed to shooting to have the most exciting, spot filled match possible.

She came out to the ring without her usual celebratory fanfare, scowling instead. She offered a normal handshake instead of her usual left handed princess dangle. Then she ran right in, impatient and irritated, charging into Harley's armdrags. That Harley's execution wasn't perfect only added fuel to the fire here.

When Athena took over, she was constantly distracted. At times, after her running punch in the corner or when putting on a hold, she'd start to unveil her usual grin only for reality to hit and the scowl to return. Just when she started to relax and enjoy herself, the fans began clapping up Harley and she became irate. She jawed back with them, delusionally claiming that they were taunting Harley and not her. 

The match was built around Athena's character-driven mistakes (rushing in, losing her cool, being distracted by the crowd, trying to use Harley's own finisher) creating openings for Harley in order to counteract the hierarchal differences. It demanded absolute consistency from Athena in both what she did and in how she did it. It demanded selling that's far more complex and nuanced than remembering to limp now and again, a selling of the soul. 

These performances tend not to earn stars, but they move hearts and minds. And in 2025, Athena is as good at them as anyone.

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AEW Five Fingers of Death 11/3 - 11/9

AEW Dynamite 11/5/25

Athena/Mercedes Mone vs Willow Nightingale/Harley Cameron

MD: Mercedes Mone is a star. Athena makes her shine all the brighter.

I'm quite high on Mercedes for much that she does. I think her reactions in the moment are believable. Her matches are ambitious in many ways. She has an incredible work ethic. As an ace, she's tremendous at treating each and every opponent differently; I loved seeing her switching up her taunts and crowd interactions for Olympia's strength for instance. 

That said, there is often a rehearsed feel to her matches. It's a perfectionist's bent, a practice makes perfect sort of feel that's impossible to escape. While the matches feel alive in the moment, sometimes the overall effect is a little plastic, a little blunted. It's more DDP than Randy Savage. That's fine. 98 DDP was great. But it's not transcendent.

Athena, endlessly reactive, endlessly electric, as dynamic as any wrestler in the world, helps Mercedes transcend herself and become her own personal Randy Savage.

They worked so well together here and it felt natural as could be, a meshing of two disparate but tangential egos, two parallel characters, two parallel paths to a flawed sort of kayfabe greatness. You could see it right from the get go when Mercedes pulled a seething Athena to fawn over the belts and how it transitioned right to the two of them almost immediately switching gears with Mercedes seething behind Harley as she entered the ring and Athena posing with her big Yaaaaaay! after their successful initial ambush of the babyfaces. 

The structure was double heat, but Harley carried both face-in-perils. That fit the hierarchy very well. It allowed Harley to gain sympathy, allowed Willow to come in like a wrecking ball after the first hot tag, and allowed Athena and Mercedes to look like the very best in the world as they took over with a tandem backstabber out of nowhere, the wild Athena dive through Mercedes' legs, and an absolutely perfect but still chaotically organic double team move where Athena basically hit Mercedes with the MoneMaker but right onto Harley. 

That unique no shine/double heat structure let them utilize a Willow blind tag (instead of a conventionally hot one) after the break and allowed for things to break down a little early without it feeling unearned or unbalanced. The finish, with Statlander coming out to disrupt Billie and the belt and distract Athena (who had just hit one of her super impressive strength spots), furthered the Full Gear title match and set up a few matches in the future including Athena vs Harley for the ROH title. 

My big takeaway, however, is that while I understand Athena and Mercedes going out like this (they were almost too big to continue on in the tournament and this furthered other storylines) the pairing, either feuding or teaming, is just too good not to go back to sooner than not. 

It's pro wrestling. You need your stars shining as brightly as possible as much as possible, and Athena burns brightly enough to be the perfect spotlight for Mercedes Mone.

Samoa Joe/Powerhouse Hobbs/Katsuyori Shibata vs Eddie Kingston/HOOK/Hangman Adam Page

MD: Keep your eye on Eddie Kingston.

I came across an obituary of Gene Wilder a week or two ago. In it, the writer noted it was a known secret in the acting industry that actors that wished to "better themselves would do well to watch a movie with Gene Wilder in it and pay particular attention to him in a scene when someone else is speaking, someone else has the focus. He was always acting in those moments too, reacting or listening in perfect character and supporting the scene with his presence. A lot of good actors are good when they have something to do. Gene Wilder was good all the time."

I had immediately connected that to Negro Casas actually, and the work he did in trios matches when he wasn't the main focus of a feud.

But then I saw this match and it clicked here as well.

Eddie's not even in this feud. Eddie is HOOK's plus-one. But he managed to do something that was absolutely a contradiction here: he not only stole the show, but he then took what he stole and donated it back to his partners. 

Here's the key: he's constantly, consistently both engaged and engaging. Someone can be the one but not the other and it goes both ways. I love watching Ultimate Warrior on the apron in tags, but he's not necessarily responding to what's happening in the moment and adding to the overall match. There are also plenty of guys able to put their arm out for a tag but not also able to use it to draw you into the match. And Eddie draws you right in while making it about what's going on in the ring and not about himself. 

Some of that is his strength as a storytelling but I honestly believe so much of it is his foundation as a fan. He remembers caring. Hell, he watches certain matches over and over and over again because he still cares. He cares as much as anyone reading this and as much as the person writing this and he's able to channel that feeling into what he was doing here. 

That meant he showed his disgust when Samoa Joe started the match by dodging Hook and tagging out to Shibata, that he sold chops as if they were hurting him, and that when Hook was trying to fight back (and after Hook hit the suplex that threw his back out the rest of the way), he'd lean halfway into the ring to try to will him over to the corner.

And when it was time for him to get in there, he did exactly what he should. That meant getting beaten on by Samoa Joe in the corner, his comeback chops ineffectual. It meant being able to fire back against Shibata but cutting himself off due to the fact he's still working his way back to full strength. It meant that when it was time to mount a comeback, he climbed that hill and almost, almost worked with Hangman to hit a tandem Uraken/Buckshot (we need to see that at some point, TK, just saying; you've teased it now and let the heels rob us of it so you have to pay it off). 

And then after Hobbs crushed Hangman at the top of the stage, he found the inner strength to fight back against all the odds one last time. That's the only shame here. If this match had five more minutes, it could have been not just a double heat, but a triple heat, with Hook making that first tag to Eddie, with Eddie coming back after a 3-on-2 beating, and then with Eddie having to crawl back after Hangman got taken out, lasting just long enough in that All Japan Trios style for Hook to recover, even if it would all end in brave but futile heartbreak. 

But that's still out there on the table for another day. What we got was the best supporting player in all of wrestling pouring his heart out for yet another one of his award winning roles (not that he'd ever admit it, but those who watch closely... we know). 

Don't believe me? Next time you get a chance, just keep your eye on Eddie Kingston. You'll see it too.

Darby Allin vs Daniel Garcia

MD: Styles make fights. Contrast makes the world go round. Character drives action. 

Three sentences. Three true statements. You put them together and you get this match. While Darby is accomplished on the mat, he's no Daniel Garcia. While Garcia has a chip on his shoulder, has been training with Moxley and has been fighting full of grit, he's no Darby Allin. The difference between these two drove this one. In the ring, whether it be in the early feeling out process or trying holds down the stretch, Garcia had an advantage. When things hit the floor or got dirty, Darby tended to have an advantage. 

But Garcia was going to blink first again and again, because he had more to prove, because he couldn't get out of his own way (that's the character bit). That meant teasing the dance after choking Darby with the turnbuckle connector protector. It meant trying for an additional suplex (or neckbreaker) after hitting a superplex. It most especially meant mocking Sting when he had the Scorpion on, which ultimately cost him the match. 

There was a third character in this one as well ( and I don't mean PAC who set up a nice nearfall countout), the ring itself. They could have done this straightforward, eye gouges, ear biting, armbars and headscissors, but they chose to go inventive with it instead. After using the turnbuckle protector, Darby stuck Dany's arm in side the ringpost. Garcia's big transition to heel offense was trapping Darby in the apron. The stairs were used liberally. Garcia hooked Darby's chain to the corner. Pretty clever stuff all around which added to the chaotic nature of the match while keeping it character-driven and laser-focused on the contrast between the two. 

Three sentences that point to true north for almost every match and Darby and Garcia followed the map to their destination here.

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AEW Five Fingers of Death 4/7 - 4/13

ROH 4/10/25

Dustin Rhodes/Ross Von Erich/Marshall von Erich vs Violence is Forever (Kevin Ku/Dominic Garrini)/Davey Bang

MD: This was sub-five minutes but there's absolutely something to be said about the value of skill and polish in an enhancement match like this. It's great that ROH gives younger talent a chance to get some reps and a little spotlight and a chance of being on "TV." I know who Sid Ellington is now because I saw him fly around for Satnam a month or two ago. That said, that's not the only purpose of ROH TV. Because of a Von Erich injury, we just haven't seen these guys in forever, and they are building to a trios match next week. I'm not saying it's going to make or break the ROH streaming service if Dustin and the Von Erichs aren't reestablished as meaningful six-man champs, but I am a firm believe that doing things well and properly does matter. Booking matters. Matches matter. If you're going to do something (even pro wrestling tv for the sake of pro wrestling tv) then do it well. And in that case, the six-man champs needed to be reestablished, and these were ideal opponents to do so with this setting. 

That meant that Ku was in the right place at the right time with the right attitude, throwing not just his body but his presence into all of Dustin's signature stuff. It meant that when Garrini got in there, he stuffed a Von Erich with the most credible, sudden, impactful knee to the gut you'll ever see. They were going to get swept under, but with just a few moves, they made it seem like Dustin and the Von Erichs had to work (even in dominance) for a win that mattered. And some how, Ku and Garrini managed to crash into one another three times in a five minute match with each time seeming organic. And then Bang made the finishing Claw pendulum slam look great too. 

ViF could contribute in any number of ways up and down the card. AEW's a promotion that lives and dies on great wrestling matches, and you could stick them on Collision and they'd heft up the number of great matches for the year week in and week out, but if they're going to be used in a spot like this, they're going to get the job done, and they absolutely did here.

Collision 4/12/25

Athena vs Harley Cameron

MD: I'm still struggling with babyface Cameron. She's obviously a hard worker. She definitely wants to be there. She's incredibly talented. But one issue with babyface turns since the beginning of time is that some of what made the wrestler over in the first place ends up watered down in the process. For Harley, it was that wild spontaneity that she might do anything at any moment. She's kept that to some degree backstage with the puppets and guitar and what have you, but it's not in the ring as much. I'm not sure if that's just part and parcel with the turn, where she has a more choreographed entrance and makes sure to work in the catch phrase in more of a rote way, or if it's just not having Saraya with her anymore to bounce off of. 

The match with Mone, for instance, was fine, but it had a sort of carefully practiced feel to it that you often don't get from a lot of the rest of the roster. Which again is fine to some degree! Harley does not have a lot of matches under her belt. The problem is that she's pushed at a fairly high level and put in a position to be a little overexposed. She's learning as she's going and I'm sure she'd rather be out there in the spotlight, but it's all a high ask for her. On some level, everything that will best ensure that she looks competent and acceptable as a talent at this level clashes with the sort of zany unpredictability that got her over in the first place.

Enter: Athena. I've noted before that there are diminishing returns about me writing up Athena matches as you'll hear the same things over and over again: She's in the moment. She's reacting to everything. She's alive in there. She's intense. She's believably explosive both in her offense and in her personality. You don't want to look away because you might miss a little glance or look to the camera or interaction with her opponent and the ref. There's no hesitation. There are no strings. It's not performative. She's living and breathing pro wrestling. There are only so many times you can say that.

This match brought something else into focus, or at least lets me refine all the above. So long as she is all that and does all that, she's able to make anyone in the ring with her not just better, but also clearer. I was struggling with exactly who babyface Harley was even after the Mone match. But here? In this one? It was absolutely obvious. Case in point: Harley just trying to grab the early headlocks to show that she belonged in there, that she could stand up to a bully, that everyone was worthy of a chance so long as they worked hard and tried their best, no matter how zany or different they were. She had a whole program with Mone and I saw that all the more clearly with just one headlock with Athena. It's wild. It's Stan Hansen-ian in how a wrestler can show her mettle against her. And it kept this match shining as Harley had to work from underneath against Athena and Athena got frustrated every time this affectated upstart was able to escape something or even get one in on her. 

There are limits to this, of course. It works well in a controlled start of a match when everything's being established. It works well during the heat when the heel can really drive things and there's a clear story engine. Down the stretch as things break down, more specific athleticism is asked for from both wrestlers. There were clearly moments where Harley was physically anticipating the next move. Again, she'll get more fluid at that in time and with reps and practice. I have total faith in that. The trickier part will be to lean hard into that character (through the physicality but even above and beyond it since it's far more important than any single spot) even when she doesn't have someone like Athena to push off against.

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AEW Five Fingers of Death (and Friends) 3/31 - 4/6

AEW Dynasty 4/6/25

Daniel Garcia vs Adam Cole

MD: Let's go back to Full Gear. It was a night of misery and destruction, where babyface hope came to die in the main event as Orange Cassidy, who the company had rallied around as a leader and who had finally found the strength inside to stand tall failed to defeat Jon Moxley. The one bright spot at the bottom of Pandora's Box, however, was Daniel Garcia defeating Jack Perry and winning the TNT title. The post match was brisk moving, but we were left with the image of Garcia, draped with the AEW flag around his neck, belt in hand, walking to the back in triumph.

Immediately thereafter, we started to see something new out of Garcia. He had resigned with the company, albeit without the braggadocious fanfare of MJF and his tattoo. He was going to be a fighting champion, one that could anchor Collision. He reached to the crowd for support, sometimes literally, began using the ten-count punch like stalwart babyfaces of the past. He was a shining, glowing counterbalance to the New Heel army who were trying to get heat instead of just getting themselves over, guys like Fletcher, Ricochet, Okada, Blake Christian, Lee Johnson. 

He was the one holding up that other side of the scale; maybe with Briscoe, maybe with Hobbs, maybe with someone like Hologram, but it was mostly Garcia with a clear path forward. 

And what happened then? He did what he was asked to do. He anchored Collision. He had solid match after solid match, solid babyface performance after solid babyface performance. But look at the opponents they gave him: Mark Briscoe, Shibata, a three way with O'Reilly and Moriarty, and then on to Adam Cole. It was criminal to some degree. Yes, it was good to beat these people, but he needed heels lined up to knock down. Sometimes making a match that is going to be "good" isn't enough. "Goodness" isn't the same as vision. Garcia had the crowd behind him. Garcia was trying new things pulled out of times past, things that would have worked, that would have established themselves in the hearts of the fans, that could have worked against all of these new heels, all the way up to Mox. He could have been Misawa to Mox's Jumbo. But it needed time to grow and develop and for a crowd that hadn't seen it in years (and some of them having never seen it) to be able to latch on to and understand. 

And he was left, in the end, against Adam Cole again and again. Adam Cole might be the nicest guy in the world, but as a wrestler, as a heel, he's a cool heel, and as a face, he's a cool face. Nothing really gets to him. Nothing registers. His promo explaining why he betrayed MJF was the least apologetic, least likable promo I've heard in a very long time. He didn't take responsibility for his actions. He didn't admit even the possibility that he was wrong. He just doubled down on everything he did and their program was a disaster because of it. If he just channeled his own personal vulnerability instead of a Michaels-esque sort of self-conscious need to be above it all, he could be the top guy that people always thought he could be. He could really connect with the fans. But instead he puts on a mask, and will always ever only be (occasionally) the guy that wrestles the guy for one program.

The nicest thing I can say about this match is that it did channel all of the above, and Garcia, being as good as he is, was able to channel a lot of it in a manner which felt in character, even though you can blur the lines thinking about all of the above. You can make it so Garcia, the character, was the dragonslayer, the guy who wanted to be a new hero, to face all the cheaters and underhanded villains of the world and who was instead put up against people that the crowd backed. He was a fighting champion, so that was fine, but he wanted to carry the AEW banner against the people really doing the damage and they were keeping him away from all that. 

You can see him as someone who watched that Adam Cole promo, who had faced MJF himself and managed to fight him without losing his own standards. Yes, he escalated things with the top rope pile driver, but that was different than striking from behind and behind a mask. And now he had to stand tall against Cole, this disingenuous, untrustworthy, unrepentant (and Garcia, with his background and how he carries himself is someone who, like Eddie Kingston, seems to know a thing or two about repentance) scoundrel, who gets shot after shot on goal while the fans sing along to his catch phrase without really giving second thought to his actions. Garcia had to work for everything and Cole, even though he worked his way back from injury after injury, was never gracious about it, and instead made it seem like that was enough, like he deserved it all because of it. And the fans were split at best?

So Garcia, in the match, got more and more aggressive, strayed from the light, and in doing so, lost his way and fell. When what's happening in the ring correlates to what happens outside, it can be incredibly compelling. And I see that with Garcia now. He wanted to be something pure and good, wanted to represent a new, better AEW, one without all of the irony, one where deeds and words mattered, where actions had consequence, one with honor. And he was never truly given the chance, ultimately felled by a cool face who was the exact opposite of what he was trying to represent, and then he had to shake his hand anyway? Where does he go from there? Does he sink into villainy? Does he become just as bad as everyone around him? Does he stop caring and become jaded? Or does he redouble his efforts and find a purity of heart that help him give people hope in very, very dark times indeed. 

It's unfortunate that what he was primed to become wasn't fully capitalized on, but there's still an opportunity now for something special, because as entertaining and refreshing it has been to see heels that are willing to get heat, that are willing to serve the match and the company instead of just themselves, that are fearless and daring and push to make every action mean something instead of just hit clean and look cool, there needs to be babyfaces that can take advantage of that to help move hearts and minds. And Garcia was willing, was trying, was even starting to succeed. There's a feeling out there that still needs restoring, now more than ever, and it's not the feeling of 2019 or 2021. Where does he go from here, a good man that briefly lost sight of his true north and lost all that he had fought for because of it, trapped in a world that he didn't make? I don't know about the rest of you, but that's something I want to find out.

Kyle Fletcher vs Mark Briscoe

MD: There's nothing in wrestling I'm enjoying more right now than the first few minutes of a Kyle Fletcher match. He's bold and fearless, a wonderfully confident and selfless stooging heel. The more selfless he is, the more over the top, the more willing to look the fool, the more he comes off like a star and the more over he gets. And this match, unfortunately, likely because it wanted to hang with the rest of the PPV card and start from a more "elevated" place of action, tossed that entirely out the window. 

From a story perspective, it did make sense for Kyle to begin with a dive. He had lost two of his previous matches with Briscoe. He knew how dangerous it was. They went right on to apron spots (albeit with some fun vocalization by Fletcher) and then Briscoe going for the chair (with a great moment of Mark telling the fans to boo the ref when he stopped him). That all made sense in character. For the sake of the match, it was about getting a hot spot and feeling PPV worthy. I think that was a mistake. While the show had some fun stuff overall (like the headslapping bit with Ricochet which was one imaginative sequence out of 20 in that match), contrast makes the world goes round and five minutes of Fletcher stooging and stalling and letting things sink in at the start would have stood out far more on this card and would have stayed with people far more than the aforementioned 'hot start.'

What it did allow, perhaps, was Fletcher to really take his time on the heat. I saw people complain about Moxley's "plodding" heat segment in the main event and I honestly that was pretty good with how he moved from one hold to the next smoothly and worked the wound. But even if that isn't for everyone, Fletcher's approach is more engaging. He has big pieces of offense and then he milks them after the fact, really posing and preening and playing to the crowd and let it all sink in until his theatrics lets Briscoe come back and Fletcher cuts him off with something big again, going right back to the preening. It's less, but it lets each thing that actually hits, already impressive on its own, mean so, so much more than if he had just went from spot to spot to spot. No one in AEW is really letting everything sink in quite like he does and if they couldn't have both the early match stooging AND the time-taking in the heat, then I guess it's good that they gave us at least one of the two. 

It worked down the stretch as well, as they threw bomb after bomb and they really, truly needed the weight of Briscoe being so hurt that he couldn't capitalize after, for instance, the cutthroat driver. That became believable because the weight of what happened during Fletcher's control segment and so much of that resonated because Fletcher was so engaged and engaging throughout it. But I think this could have even been better if they did 1/3rd less down the stretch and reallocated some of that time to an opening third where Fletcher could have stalled and posed and used his new tearaway pants and gotten some early shine comeuppance from Briscoe.

AEW Collision 4/5/25

Athena/Julia Hart vs Mercedes Mone/Harley Cameron (Parejas Increibles)

MD: This wasn't actually a parejas increibles match, but at the same time, it really, truly was. Athena and Julia Hart, despite celebrating together after the match was over, were absolutely strange bedfellows. This wasn't Julia and Sky hanging in the ropes together pre-match. It wasn't Athena and Billie (or Diamante currently) with meanstreak MIT appeal up against Ronda Rousey and Marina Shafir (what a fever dream that was). Harley and Mercedes did get it and were allowed it in the build to this, but the circle wasn't squared and all the pieces didn't quite fit together. 

That's not to say both Athena and Julia didn't get individual moments. There was a palpable buzz even from a very exhausted double taping crowd whenever Athena and Mercedes shared a ring. Julia's comeback against Mercedes when she lifted up out of the tree of woe was memorable, especially for Mercedes' bump. Very on point for Julia. It's just that they never quite came together and interacted the way you would have wanted to. A parejas increibles match is all about those interactions, the weird mix of alchemy of putting these robust, dynamic, larger than life characters in situations they wouldn't normally be in.

And it's important to make the most of that, because there are some natural shortcomings. In lucha, you often see partners refuse to cooperate to the point of a match breaking down or one rudo helping his opponents instead of his partner, and while that can be chaotic, it doesn't exactly lend to compelling narratives over time (like over the entire CMLL Parejas Increibles Tournament for instance).  Here, the problem was one of sympathy. Julia and Athena are tweeners at best with Athena being positioned as an outright heel on ROH TV. The Hounds of Hell have been babyfaces this year but Julia is maybe less of one depending on who she's facing. Harley is clearly a babyface; not only is she a babyface but she's one of the most sympathetic ones in the company, up there with Orange Cassidy and Mark Briscoe, beloved. 

Here she was expected to help Mercedes work over Julia, and the fans, on one level, would be glad for her when Mercedes accepted her and praised her, but on the other, it all made it tough for the Julia/Athena team to get sympathy. I think this situation would have been hard for anyone on the roster let alone two wrestlers (in Julia and Harley) that had around 150 matches under their belt between them. In a company that's so good at coming up with clever spots and set pieces, I do wish sometimes they'd pause and think about what the most interesting squeezing out of characters and interactions would be in any situation, that could put more emphasis on character motivations and how they feel about what's before them and the broader world. That would have helped Julia here and it probably would have helped Harley too. This was a good effort and an entertaining match (with a great, if muddled, comeback moment with the puppet), but I think in a situation like this, there's still so much more that could be mined with just a little more thought behind it all.

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2024 Ongoing MOTY List: Harley vs. Mina

 

17. Harley Cameron vs. Mina Shirakawa AEW Collision 11/16/24

ER: What a silly match, that I have been looking forward to for what feels like months. This is easily the best the AEW women's division has ever been and a dozen of them feel like actual marketable superstars. I've been wanting to write about Harley Cameron, one of many AEW women who I feel have been giving off Superstar Auras over the last year. This was a match that I never wanted until I got caught up in the laugh out loud funny promos building to the match, peaking with Harley's guitar promo with Renee that "went long" and cut her off mid-proclamation. To quote Harley, "What does Mina have that Harley Cameron doesn't? NOTHING!" 

She's not wrong, and she wasn't even bragging about how much better she is in the ring than Mina. That might seem like a hot take, but it's true. To any viewer who had never seen a single AEW women's match, none of them would guess Harley Cameron is - as of this match - not quite 50 matches into her wrestling career. Compare her to other AEW women who are also relatively new, and there is no comparison. Julia Hart has taken some steps, but still clearly wrestles like someone with less than 100 matches. Anna Jay - 130 matches - on this same episode of Collision took an entire 60 burdensome seconds to get a table and set it up in the ring. Nearly 10% of her main event match was spent slowly setting up a table while Mariah May had to crawl around selling. There is no immediacy to anything she does, and she didn't take even one second to put in some extra boots to Mariah while in the long process of moving a table. It was awful. But there, earlier in the evening, you see Harley work her match at the exact right pace, with strong selling, working directly to her opponent, and it's clear she does not wrestle like someone less than 50 matches into her career. Hell, look around at the women who have had hundreds of matches and counting - Willow Nightingale, Nyla Rose, Kris Statlander - and none of them have the balance, control, and ring placement of Harley Cameron. How is that possible? 

She does not look like an athlete, yet she runs the ropes better than any woman I just mentioned and her offense actually fits her movement. She moves through that offense more naturally than any of the  women I've mentioned, which is another thing that just should not be. She works snug on her strikes and surely does not need to do so. Find me the other women in AEW with harder clubs to the back or betting looking elbow smashes. Queen Aminata for sure, Toni Storm, Jamie Hayter, maybe Serena Deeb. That's all, by my count. Go watch Kyle Fletcher throw a club to the back, then watch Harley Cameron do the same and tell me with an honest face that Fletcher's is better. You won't be able to. 

Perhaps more surprising than her strikes is the way Harley leans in to strikes. I am still surprised by how long she hangs in on offense that is aimed at her face. She waits for the contact with no arms held out in front. Mina's whipping kick, a big rolling elbow, a springboard kick, all of them taken with her head and face leaned in for contact, hanging in until impact. It's not just that she's good at taking her opponent's strikes and offense, she's somehow good at occupying herself while waiting for that offense. The way she occupied herself arguing with the ref before turning around directly into a rolling elbow was just one example of her strong timing. If you're talking her ability to make offense look good, look no further than the way she took Mina's slingblade. I don't think Mina has a very good slingblade - most wrestlers do not - but you wouldn't know it from watching Harley take it. It is a Bad Slingblade but Harley hangs in straight until the whip, then flies backward like her head outweighs her whole torso. 

It's not just the way she takes offense, it's the way she sells that offense, which is sometimes more layered than you'd think. I love the way she got staggered by an elbow, a sell that realistically reacted to the actual strike. She fought hard for rope breaks and her performer's intensity she showed in selling Mina's knee work was great. Again, find me any examples from any of the experienced names above who have sold knee work better. I haven't seen them. Harley abandoned a fireman's carry early because of that knee, and I my favorite part was how Mina progressively kicked out Harley's leg. It took five kicks to the knee and thigh to finally knock her down to a knee but each one furthered the damage and each kick was sold appropriately, small bits of selling leading up to one big goal. 

Look, I don't know what the future holds for Harley Cameron. In modern wrestling it seems like anyone who comes in as this much of a natural is eventually corrupted by all the worst elements and pick up habits that only make them do the same bad things as everyone else. Harley has a tough line to walk and I don't know what will happen. We'll always have her first 50. 

2024 MOTY MASTER LIST

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AEW Five Fingers of Death (and Friends) 1/6 - 1/12

AEW Collision 1/11/25

Daniel Garcia vs. Katsuyori Shibata

MD: My favorite part of the entire WrestleDynasty card was watching Shibata and Tanahashi lock up. I'm not a big 2010s NJPW guy so I don't have a lot of nostalgia for the specific pairing but I am a big 1980s NJPW guy and it had the same sense of Inoki struggling for a grueling, tortured minute against every inch of a hold. Wrestling is the very best when the wrestlers put so much effort and care into even the smallest of things; if they care, the crowd will care. I certainly did.

Unfortunately, Garcia and Shibata couldn't start with that same sort of lock-up. This goes back to a tricky pothole that we all often fall into with match reviews. A match doesn't exist just for your star rating, to be reviewed and written up. It's part of a nexus of a show, of multiple shows, of the history of a promotion. That grueling lock up? It was needed far, far more for Jericho vs Dax at the end of the night. They needed all the help they could get and complex spots weren't going to cut it. Starting off with that wild intensity as they spilled out of the ring and jockeyed for position? That they could (and did) do.

Tanahashi and Shibata followed the lock up with chops, neither moving, just endless fighting spirit hard shots and that didn't do a single thing for me. They looked tough but there was no cause and effect, just endless cause for no effect until the time was up. Once it was up, it was too late.

Garcia and Shibata went right to chops as well, but it was an entirely different world. Remember, the last time they faced was for the Pure Title and Shibata in so many ways ate Garcia up. He was just crushing people during that run and despite Garcia coming in with bluster as the champ, he didn't have a chance. Here, a more seasoned, elevated Garcia stood tall, but got knocked down. He took the chops like they came out of a shotgun and then got back to his feet and fired back only for Shibata to eat them like they were nothing.

But Garcia kept getting up. He fell down. He got up. He fired back. It didn't work. He fell down. He got up. He fired back. That's a babyface. That's someone the crowd can get behind. That means so much more than even someone like Eddie Kingston, a folk hero in his own right, standing tall and going even with Shibata. That's admirable sure, but it's not heroic. It's not brave. It's mythic, but it's not relatable. Eddie doesn't need us to root for him. It's fine if we do, but he doesn't need us. Garcia does. And that changes everything.

Which meant there came a moment mid match where Garcia who had took shots and took shots and took some more finally found strength within him through channeled the crowd to stand tall and drive Shibata back. Because he had given so much early and because Shibata had given nothing at all, this mattered so much more than guys just shooting bombs at each other trying to impress with sheer quantity alone. This didn't overwhelm. It inspired.

Chops aren't the only part of Shibata's game though. Down the stretch, Garcia locked in the Dragontamer out of nowhere. Shibata is all technique, all struggle, yet he seemed to just let it happen. Once locked in, he calmly pushed himself up and flipped Garcia over into a leghold and then the figure-four leglock. Garcia, selling huge, struggled to make it to the ropes. That's not Inoki but instead Fujiwara, that sense of defensive wrestling, of gamesmanship where he's luring a trap for his opponent. You almost never see it in wrestling today so to watch it play out so beautifully is worth noting.

As is Garcia's Bret Hart-ian (and Darby Allin-ian) ability to snatch victory out of nowhere. Watching Cope vs Bill to start the night, I thought to myself that the spot where Bill hit his head on the exposed turnbuckle and then Cope somehow hit him with a huge power bomb would have been a perfectly fine finish. They instead went around a couple of rotations with some big kickouts (including of the spear) until they did the bit where Cope emulated Moxley (on commentary, Tony picked up on it but didn't go far enough with the idea that you become the monster you're fighting). Maybe the match needed that. Maybe it could have been in the post-match too. But that was such a memorable spot that it would have been even more memorable if it ended the match and it would help further that feeling that a match really could end at any point. AEW matches almost always use those moments for a big kickout and only end matches on set finishers after multiple rotations to get there. We'd be in a much more interested world of matches could end a minute or two earlier on a big, unexpected move.

Garcia's so good at finishing a match with the jackknife now, that I actually buy some of his other roll ups. Garcia's confidence to be vulnerable (with the chops, with having to pull himself to the ropes in the figure-four, with letting himself win with roll-ups out of nowhere instead of a dominant finisher) is a strength. It means the fans feel concern for him in the moment and then share in his triumph when he overcomes an opponent. It means his opponents look strong in defeat and feel like truly meaningful entities to defeat. It's babyface wrestling 101 but so few people over the last decade have dared to do it with open and earnest hearts and it makes Garcia stand out even more week after week.

ROH 1/09/25

Trish Adora vs. Harley Cameron

MD: First and foremost, this was a very good effort. Technically, this was Harley's first or second real babyface match and she only has so many matches under her belt in general. She had good energy. She tried to get the crowd into it. She sold sympathetically. She had a good comeback. All good things. Past the handshake right at the start and one shout in the middle, though, I didn't really see enough of what made her stand out over the last few months. 

In fact, Trish came off like the star here, not just basing like a champ (maybe even too good at times), hitting some standout strength spots (a few killer suplexes including two very different Germans), playing to the crowd and the camera and almost just riding the wave of the crowd like it was music at times. 

That's the sort of thing I've come to expect from Harley more. It's tricky. What was getting Harley over were the antics, but there has to be some real worry that without channeling some traditional babyface techniques, she's not going to stay over as a face and get the crowd behind her; she'll just bewilder them. I don't think that's the case. I want Garcia to go fully into those tropes. With Harley, I think she can be more Looney Tunes or Marx Brothers (or Bugsy McGraw or Les Kellett). She can confuse and frustrate her opponent with a sort of mad surrealism and still get swatted down and come back. 

It's a tricky balance. The first time she goes with the Wrath of Harley Cameron, it's funny. When she thinks it's a thing and it's not, that's funny. When it becomes a thing and it's in her tron, then it loses a bit of its appeal. It should come when you least expect it and maybe even when it's least appropriate.  I always thought that the weakest part of her act was coming out to the Outcasts music to the same choreographed moves. She should be interacting with the crowd and the camera on the way down, maybe starting to do some of those moves and getting distracted by the first shiny thing she sees and then try to go back to them and forgetting her place. Something like that. The spontaneity is the key with her. You tune into a Harley Cameron match because you know you're going to see something unexpected and it won't be the same the next time around. If you miss a Harley Cameron match you're going to miss something unique forever. That's the appeal. 

Ritual and meeting expectations are good. But for Harley, the expectation is the unexpected. That would be difficult for a ten year vet, let alone a 50 match rookie, but that's the position she's talented her way into. Big task, huge opportunity. But this (and the Mariah match) wasn't it.

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