AEW Five Fingers of Death 11/17 - 11/23

AEW Full Gear 2025 11/22/25

Darby Allin vs PAC

MD: There were people that questioned why this needed to be on the PPV when it was announced. On paper, maybe it was just a good match for the sake of being a good match, the sort of thing that has been used for years now to fill out AEW PPVs and tilt those Observer Thumbs Up and Cagematch ratings. And maybe that would have been enough. But there was more at play here.

Darby came in literally hot, having been burned by PAC (or more accurately put through a burning table by him, with Gabe Kidd's help) at Blood & Guts. But this is a Darby that had come down from Everest, one that's at peace with himself. He came in hot but he used that heat to fuel a wrestling machine. He didn't fly in with strikes but instead with headlock takeovers. The purpose of this was twofold. First, PAC had come in saying that they were going to wrestle a clean match and the better man would win. By outwrestling him early, Darby would hurt PAC more than any single punch to the face. More than that though, Darby was bandaged up. He had to wrestle conservatively, even if aggressively. While he had the luxury, he wouldn't use his own body as a weapon.

That luxury wouldn't last long. After barely escaping a makeshift Scorpion Deathlock attempt, PAC was able to catch him on the apron and press slam him to the floor. What followed was a brutal heat section where they did a great job mixing up big bumps/moves (that press slam, though that was a transition, Darby's absolutely brutal bump past the corner to the floor, even the neck-first catapult into the bottom rope) with PAC being a malicious maniac, tearing off the bandages and giving Darby an Indian burn. Everything came together for the latter: Darby's distorted skin, the way the bandage flew through the air, the look of exultation on PAC's face and agony on Darby's, how shocked and horrified the commentators were. It got as big a reaction from the crowd as both of Darby's huge bumps. 

Anything in pro wrestling can matter so long as it's presented correctly and much, much more effort should be made in making small things like this matter as much as possible. Not only is it safer and more varied than big bump after big bump, but it also allows those bumps, if framed correctly, to mean even more through escalation. The proof is in the audience reaction here (and yes, they did go up even higher as Darby crashed through the corner).

Darby mounted a comeback by catching PAC in the apron (and the sense of struggle here was great; PAC was desperate to get out in a way that others in that rare spot often aren't), setting him up for a dive and then a gnarly dropkick from the top to PAC seated on the floor in a chair. 

Darby was obviously hurting and PAC presents himself successfully as one of the best in the world, so they would go back and forth from there. PAC was able to catch Darby off the ropes turning a Coffin Splash into a suplex. He was unable to put him away with the Brutalizer though. Darby was able to get out of the way of a Black Arrow and it looked like he was going to put PAC away with the Scorpion Deathlock.

But there was a plan for this. The Death Riders have quit a little too much lately (even if it's almost all been on the head of their leader). PAC had vowed that this would be a fair fight, that the best man would win. So in some ways, he'd already lost when Wheeler Yuta rushed up to the apron to distract Darby and the ref, and doubly so, when he used the bat to knock Darby out. But moral victories don't exist in the record books, only wins and losses. 

And later on when Moxley faced O'Reilly there was a plan as well. Once it was clear that O'Reilly had an answer for every bit of wrestling Moxley could throw at him, Marina handed Mox the fork and he used it to take over. The plan worked for PAC. The plan only failed in the Casino Gauntlet because Matt Menard chose to punish Garcia and run him off instead of trying to win the National Title. The Plan here worked right up until the point it didn't, until the point where Moxley, having broken Kyle's arm, still managed to tap out to a chain reinforced ankle lock. Maybe he went back and finished the job after the match but even if he won the war, he lost the battle, and in this case, the battle was more important than the war. 

So yes, Darby vs PAC was great, but it wasn't just a great match for the sake of having great matches. There was a grudge coming in and it was worked to that. More importantly, it set the stage, through a begrudging plan of the Death Riders coming to fruition, for Mox vs O'Reilly where a similar plan, unveiled far sooner and far more desperately, nonetheless failed. That contrast hangs over Moxley like his own personal Sword of Damocles, just waiting to fall.

AEW Full Gear 2025 Collision Tailgate Brawl 11/22/25

Eddie Kingston/Hook vs Workhorsemen

MD: It's amazing what you can do in two minutes. Look, I'm not going to say anyone should or shouldn't have done whatever they did or didn't do. We never have the full story and it's always complicated and we do far too much speaking up on matters that we're just blind men touching elephants on.

What I can speak on, however, is this match. They had two minutes, less than two minutes according to cagematch (just 1:48). But the Workhorsemen punched in and showed what they could do. They ambushed Hook and Eddie on the way down. Drake took Eddie out, and that's the way things have been for Kingston as he builds up his fighting strength from match to match. That meant they had Hook isolated and though he tried to fire back off the ropes or out of the corner, they went to work. 

That meant hitting their signature flurry of a Drake apron clothesline, the Henry headtwist, and Drake flying in with a slingshot somersault senton. Hook was finally able to get out of the way causing a bit of miscommunication and then launching Henry. By then Eddie was recovered and he did the same to Drake setting the stage to hit a quick DDT out of nowhere and scoring the win. 

But in two minutes the Workhorsemen, professional as can be, got a spotlight to show that they could take the initiative, knock Hook around the ring, and hit some polished, brutal offense on the guy who was going to be the hingepoint of the PPV's main event. No small thing even for two men who are very, very good at what they do.

ROH TV 11/20/25

Athena vs Harley Cameron (Ported: https://x.com/MattD_SC/status/1991866317486555505)

Throughout the years, we've created a critical system of reviewing and ranking matches that's based on things like action, execution, big spots, and exciting finishing stretches.

It often leaves more performative elements behind. These would include facial reactions, body language, character driven creative choices, and yeah, even selling. 

In fact, over the years, matches that lean too hard on some of these elements tend to be judged by some as unfortunate because they can "negatively impact the action" and make it so a match isn't considered as conventionally great as it might have been if the wrestlers had just been allowed to go hard and lean into workrate instead.

A recent review I saw of Demolition vs Brainbusters from SNME 21, a match that trades workrate for a clever and consistent story of Demolition getting increasingly frustrated leading to a DQ, comes to mind.

Along these lines, some of Jon Moxley's recent performances where he's been leaning hard into the role of a mad king who saw his pro wrestling kingdom crumbling, a man who claimed to stand for things but was slowly being revealed as an emperor with no clothes, an animal with his back against the wall desperate for victory, for revenge, but forced to look himself in the mirror and see a coward, quitter, and hypocrite, have been excellent.

But there are different lanes for different sorts of performances, and I think there's no one as good in the world right now at letting her character drive her physicality and matches as Athena. 

That was evident in her 11/20 ROH TV title match against Harley Cameron. 

Despite being champion for over 1000 days, she came in on her back foot, having been pinned by Harley in the tag tournament (albeit after eating Willow's doctor bomb).

That was maddening for Athena (the character) for multiple reasons. First, she and Mercedes were a sort of super team and they were defeated in the first round. Second, she's been pinned only a handful of times in the last few years. Third, there's a massive difference in hierarchy and experience between Athena and Harley. Harley's treated as plucky and determined, hard-working and fiery, but also as an upstart underdog and often as a comedy act.

That gave Athena a ton to work with but it meant shaping the match and her performance around this mentality as opposed to shooting to have the most exciting, spot filled match possible.

She came out to the ring without her usual celebratory fanfare, scowling instead. She offered a normal handshake instead of her usual left handed princess dangle. Then she ran right in, impatient and irritated, charging into Harley's armdrags. That Harley's execution wasn't perfect only added fuel to the fire here.

When Athena took over, she was constantly distracted. At times, after her running punch in the corner or when putting on a hold, she'd start to unveil her usual grin only for reality to hit and the scowl to return. Just when she started to relax and enjoy herself, the fans began clapping up Harley and she became irate. She jawed back with them, delusionally claiming that they were taunting Harley and not her. 

The match was built around Athena's character-driven mistakes (rushing in, losing her cool, being distracted by the crowd, trying to use Harley's own finisher) creating openings for Harley in order to counteract the hierarchal differences. It demanded absolute consistency from Athena in both what she did and in how she did it. It demanded selling that's far more complex and nuanced than remembering to limp now and again, a selling of the soul. 

These performances tend not to earn stars, but they move hearts and minds. And in 2025, Athena is as good at them as anyone.

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DEAN~!!! 2 Day 3: JD Drake vs. Josh Woods

DEAN~!!! 2 5/24/25

JD Drake (w/Anthony Henry) vs. Josh Woods (w/Tom Lawlor)

MD: The chaotic and mutable spirit of indie wrestling lives here as this was initially supposed to be Woods vs Lawlor, but ended up with Lawlor seconding Woods. Thankfully, this time around (as opposed to DEAN~!!! 1) Filthy Tom had time to carefully prepare his sartorial style and he came in looking like the caddie-ist of corner men. It actually matched Woods' turquoise wave gear well. Henry, on the other hand, has been training hard in his absence and felt it important to let everyone know that by coming down to second JD without a shirt.

I missed the Workhorsemen and this was a great venue to see them both back together again (even if it wasn't a tag, though I'd like to see this tag, but that's beside the point). They're the ultimate utility players. You can plug them in to any role and they'll get the job done. You could debut them as Ricochet's new crew next week (as opposed to CRU or whoever) and people would gawk (not a bad thing given they're trying to get heat and dissonance drives heat) but they'd be in the right place at the right time doing the right thing the right way every single time that they'd need to be and it would work. You could have them call out FTR and do a short program, could have them try to survive the Hurt Syndicate for ten minutes on TV, could have them challenge Dustin and Sammy on ROH, could have them menace Top Flight (not sure anyone works better with Dante than Drake), and they'd get the job done. Drake's instantly credible between his size, how he moves, how he carries himself and Henry has that snap precision execution and throws himself into everything he does. 

Woods, given his background, is instantly credible, and he definitely threw himself into everything here. This was just his second match this year (with a VIP match earlier in May). He got the better of Drake early on with takeovers, holds, and some nasty knee strikes on the floor. You don't want to be on the floor with JD Drake though because he's got the best transition move in all of wrestling, his press up against the ropes into a big meaty shot. I liked Dylan's call explaining that you're hurt not just by the strike but by the pressure of the ropes going the wrong way at the wrong angle or what not. After that, Henry made his presence felt and it made sense that he'd be a little more impactful than Lawlor out there (a perfectly fine encouraging cheerleader, mind you), given the tag team stylings of Henry and Drake. That included a beautiful neck twist on the apron with big follow through as Drake was distracting the ref. 

Woods came back with quicker, more high-impact, high-motion offense than you might expect and they rolled into a stretch where Drake hit his cannonball but missed the moonsault allowing Woods to hit a pretty impressive corner twisting suplex. Just good wrestling executed well. I don't think it chipped into the same sort of unique space that Woods vs Lawlor might have but it helped ground and round out the card.

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AEW Five Fingers of Death (and Friends) 9/9 - 9/15

AEW Collision 9/14/24

Wheeler Yuta vs Anthony Henry

MD: There are only so many stories in the world. That's what some people think at least. You can find literary theory listing seven, for instance: 1. Overcoming the Monster; 2. Rags to Riches; 3. The Quest; 4. Voyage and Return; 5. Rebirth; 6. Comedy; 7. Tragedy. It's all about the execution though, all about the details. You can immediately see some parallels to wrestling and the stories that can be told, not just in general, but specifically in the ring. I won't try to categorize along those lines. It's more the general idea I find interesting. We've seen so much, but so much falls along a few different lines: babyface vs heel; shine, heat, comeback; who's the best?

You get different results, different manifestations, different details. Looked at in another way, it's all about something that has to be overcome: a size differential, cheating, an injury. You can watch a thousand matches and see five or six things over and over again, and that's okay because you can find appreciation in small alterations and massive ambitions.

But when you see a match that's worked differently, that plays upon one of those elements in a different way, that commits to an unusual, yet still believable and human idea, it stands out.

That's what we had here. Wheeler is a man cratered, a miserable man, a man at his lowest. We would find out he just lost a family member; moreover, his found family is forever shattered. For all the things I know and all the things I've seen, I have no idea how hard it is to actually go in a ring and wrestle, to keep track of spots or to call them, to hit things with perfect precision to protect yourself and your opponent while creating the illusion of fireworks to move and wow a crowd. I'm pretty sure it's pretty damn hard though, and to do all of it while portraying an emotional anchor dragging you down, to change every aspect of your body language without a moment's lapse? It feels akin to wrestling in a mask for the first time or wrestling underwater.

In no part of the match was Yuta not on, not feeling it, not portraying it, not channeling it. I can think of performances where someone sells the leg throughout, but Yuta was selling his soul. At one point early in the match, he managed a small comeback only to clutch at his chest, afflicted by the effects of a broken heart.

He managed it throughout the first third, and in all honesty, this might have been the most challenging of all of it. It meant working rote wristlock-based chain wrestling a half step slow, going through the motions with all the normal skill but none of the energy or passion. He'd hit a sunset flip but would linger and leave himself open. He'd get knocked through the bottom rope but be unable to shoot himself back in with his signature recovery. Those were the big things. The little things like listlessly moving through a headlock exchange were somehow far more impressive; the idea is that most can do something fast and wild but it takes a real expert to do it do it tortuously slow.

Henry pressed his advantage on the floor and changed the tenor of the match by suplexing Yuta into the guardrail. For the most part, he played his role perfectly. Henry's a guy with a chip on his shoulder, with plenty of chips actually. Let's look at the character. He's a veteran trapped beneath an artificial ceiling, and he knows how good he is. He almost lost everything due to injury earlier this year; so did Yuta, but Henry's the one pressing his opportunities now as Yuta sleepwalks through this match for emotional reasons. His partner's on the shelf so it's not like he doesn't feel his own grief. He's stuck with his an irritating (and wildly successful) second cousin by marriage in Beef so he's got a burr that Yuta can't begin to understand. Yuta's a trios champion! He's got success right before him. All he has to do is man up and embrace it. That was the emotion underpinning every one of Henry's actions here. Yuta needed contrast to push off against: a vibrant, seething energy to provide the light that let us see the shadows creeping into his every movement.

You could hear it in the crowd in the first third, an unsettled hush. You could hear them in the second third when they started to get behind Yuta. Even then, things were off. His hopespots were lackluster. The commercial break ended and he didn't start to fire back like we'd usually see in most other AEW matches. He'd hit a big move like his German Suplex but would be unable to capitalize. He'd buy space and make it to the floor only to stumble into a chair exhausted and get nailed. I'd say that the attention to detail was amazing, but like I noted, those few big ideas (like not being able to shoot himself back in) were the (relatively) easy bits; what made this work was how the depression consumed him all the way from his pre-match interview with Lexy where he noted he hoped to find himself in the ring like Bryan did, to him trudging out towards the ring to his usually rousing Punch Out theme, all the way to the very second that Henry took it too far. That was the genius in this performance, the consistent mood he created through his total commitment, not one or two clever moments of misery.

And Henry did go too far. If I could change one thing in the match, maybe I would have had him not verbally goad him with the "sad boy" comment and the comment about Bryan. It would have been enough for it to be implied probably. On the other hand, this is such a unique story that they're telling that it's better to overexplain. I think the slap itself could have been enough to awaken the fury within Yuta, but we can't be sure. Regardless, it worked. It absolutely worked. Everything Yuta had been holding within burst out of him to create suffering upon Henry's frame. He beat him around the ring, around the ringside area (even getting revenge in that selfsame chair), and then put him down with the elbows and the Mutilation. Once unleashed, it took everything he had to bottle it back up; he was seeing red.

All in all, it was as unique a performance for a television match as I've seen in ages. It could have been overwrought or over the top. Yuta could have gone out and made faces and forced it into the realm of self-parody. He played it subdued save for the one moment where his passions boiled over and Henry took it too far. This storyline feels different than everything else in the company, then everything else in 2024 wrestling. It has the potential to be something more, something that grips the hearts within our chests and refuses to let go, something that moves us in the best of ways, something that leads to triumph but only after the longest, hardest most worthwhile road, something that both transcends and glorifies pro wrestling as the unique and amazing art form that it is. What it'll take more than anything else is commitment and care. If they care, we will care. And Yuta cared so very much here. This was just a small match on a small show, but it felt like the second ripple signifying the tidal wave that may come.

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AEW Five Fingers of Death 5/27 - 6/2

ROH TV 5/23/24

Workhorsemen vs Angelico/Serpentico

MD: We've got no Fingers of Death active this week and it's going to be a little bleak for a while with Kingston out. The fifth one is eternally floating and there are various people that will get rotated in there like Christian and Rush and Athena, but today, we're playing moneyball with the Workhorsemen and friends.

Anthony Henry is right off of an ill-timed jaw injury and a sort of a strange journey of being gone and being back and you can tell that he was rearing to get back in the game. JD Drake is the very definition of a DVDVR/Segunda Caida guy and I'm happy for whatever focus he gets. These ROH matches really do buck a lot of the current AEW criticism. They're closer to ten minutes than twenty, not stretched out by a commercial break, and very often, you don't know coming in who's going to win. There was just as much chance that Angelico and Serpentico took this as the Workhorsemen. And given that Workhorsemen won this, just as much chance that they were going to win as Top Flight in the match covered next.  

While the comeback was a lot of fun, my favorite part here was the opening exchanges. Where the Workhorsemen excel most is enabling their opponents to really be the best versions of themselves possible. They're versatile, contrasting in size and shape and style. Drake's excellent at knowing when to give and when not to give. Here he was matched up with Angelico and combined one or two slick and smooth little counters with jamming Angelico on a trip, only to miss a senton a moment later to put himself off balance for Angelico to actually hit. He was able to be there for Angelico so he could hit some of his more tricked out stuff but not make it look overly collaborative either. Then Henry and Serpentico did an extended tit-for-tat exchange that veered just far enough away from looking choreographed to work even though it was all done at high speed with everything hitting. Then, as the crowd was cheering, Henry nailed a cheapshot to take over and start the heat. Maybe it's because he appreciates the roar of the crowd and the thirll of the action more than ever post-injury but he was really living in the moment in these matches, pumped up and gloating during the spaces in-between. He's always a "hit it clean" guy but he was projecting for the last row in the best way in these. They made it seem like Angelico and Serpentico were going to take this before Maria's guys came out for the distraction, but that's part of the Workhorsemen's strength as well, making it all believable not matter what 'it' needs to be.

ROH TV 5/30/24

Workhorsemen vs Top Flight

MD: More of them enabling their opponents to be their absolute best. That meant that Dante was bounding off of Drake's back or leaping over and under and in between the ropes with Henry on a hook for a big move. It meant that Darius was able to storm in after the hot tag as scrappy and gritty and fiery as can be, with big and broad canvases to attack. Darius has pretty snappy punches in a world where no one's doing punches anymore and he stands out even next to his own brother because of it; that said, you couldn't overly fault Dante's rapid-fire forearms right into Henry's recently injured jaw.

And in between those moments, when it was time to grind down on Dante, the Workhorsemen kept things moving while being oppressive and interesting at the same time. Drake's took full advantage of Dante's jumping ability in the transition to heat as he pressed him up against the ropes and smashed him on the outside. It's a move that always looks great and effective, that was especially so here, and that is used at varying times in the match by Drake, but I'm actively glad it didn't show up in the Angelico/Serpentico match because while it can be a 75% of the time move, it really shouldn't be an every match one. It's too unique and conditional for that. This had just the right balance for a competitive mid-card TV match that could have gone either way, the sort of thing people occasionally lament is missing these days.

AEW Collision 6/1/24

Workhorsemen vs Daniel Garcia/Katsuyori Shibata

MD: Got to admit that it seemed like a nice neat way to do it this week. Three Workhorsemen matches over two weeks. Three very different sets of opponents. I didn't know that JD's leg was going to go out here putting a bit of a damper on all of this.

That said, it makes for a completely different sort of watching experience, right? It's 2024. When you peel back why we watch wrestling, old wrestling, new wrestling, it doesn't matter, it's not the same as why and how someone might have been watching it in 64 or 84. A lot of the time when I watch matches, I already know who goes over, right? I want to see the journey. I want to see it play out. I want to see the creative choices and how they're executed. I want to see if they zig in the way I want them to zig or zag in a way that I'd never seen before. I want to see them take the old structures and overlay new bits of execution. I want to see them tug at those most human emotions like only wrestling can do in ways both classic and novel.

Rarely do you really, truly connect with who you're watching though. When you do, it's special. It's like watching a perfect game in baseball a little bit, right? That butterfly in your stomach feeling where you don't want to jinx it. You want them to hit the landing. You think to yourself "man, if this thing just has the right finish and they make it the rest of the way..." I'll admit to watching some 2023-2024 Danielson matches and thinking to myself "I hope he's ok," but then he's been a jerk like that (and has landed on his head errantly a few times too).

Where I'm going here is that shortly into this one, JD Drake messed up his leg or his foot. They could have went home. They persisted. He could have stayed on the apron and had Anthony Henry work the lion's share of it. That would have been a pretty tough sell overall though. For a minute, it seemed like they might go that route, that we might have actually gotten something of a heel-in-peril structure for good or ill. Truth be told, they needed JD in there to shut Garcia down, to turn the tide, to justify a team of two killers like Shibata and Garcia getting dragged under.

Shibata and Garcia are like a modern day Raging and Ravishing, except for Shibata is more cold steel than hot fire and Garcia has a ton of steak to go along with the sizzle. When it happened and they were checking on Drake, Shibata dropped down into his pose and after a moment, Garcia did the same. Then we got that extra bit with Garcia and Henry, with Garcia hitting his new triple twisting neckbreakers (with a Henry heelbutt in the middle to keep it interesting), before Drake came in and asserted himself. The guy could barely walk but he is such a presence and an imposing figure that he could control the center of the ring with sheer gravitational force. Garcia created motion and movement by coming towards him and he powered through and did the rest.

There were moments in the back half where you maybe looked twice or wondered at something feeling just a bit off. Shibata has a great way of making his violence look natural, of just walking over and getting a shot in as opposed to setting up a complex spot (the world's big enough for both approaches), but some of those Tenryu tribute shots looked a bit hesitant which might have had to do to filling in necessary gaps. But like I said, they didn't just go home with it even though no one would have blamed them for that. They kept going. Shibata and Garcia needed a win that meant something, one that had heft and weight to it. Shibata and Garcia didn't need to just win; they needed to overcome. That meant when Drake finally did make it up and hit his moonsault, the fans knew full well what they were witnessing, the effort at play, the gutsiness in front of them, and they popped big accordingly. And when Shibata interjected to set up a win for his side, it meant something. It meant everything that it needed to mean, really a hell of an accomplishment, all things considered.

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AEW Five Fingers of Death 1/1 - 1/7

AEW Collision 1/6/23

Darby Allin/Sting vs. Workhorsemen

MD: I was going to start this one with "Everything has to matter." I'm not quite sure I can get away with that though. I mean, I probably can. If you're reading this, you know what you're in for. I'm already sparing you guys another dissertation on how the commercial break saved Darby vs. Takeshita from itself (you're welcome). I just think sometimes it's worth spelling this stuff out lest it get overlooked in the sea of sensation and innovation, right? 

This was a short match full of things mattering. Let's lead with purpose. Why does this match exist? They wanted to get Sting in front of the Charlotte crowd one last time. They wanted to heat things up a bit for the Takeshita/Hobbs match. Maybe it was a bit of an achievement award for the Workhorsemen too, to be in their home base and up against a lifelong hero. It was there to start the show off hot, maybe even to help with the first quarter rating? In and out in ten minutes with Flair and Sting/Darby's entrance, outroing to a video package for Wednesday's tag, with their promo coming later in the show. So you can't just have Sting and Darby run over the Workhorsemen, but you couldn't have the Workhorsemen take too much of it either. You needed a wedge, a point a reason. You needed Stan Hansen smashing his arm into the post on the outside and then having his arm worked over by someone who needed a wedge to get the advantage and stay in it. 

It all has to matter. Hierarchy has to matter. An ambush before the match has to matter. Henry's slick skill and Drake's size and timing have to matter. Sting's preternatural ability to stand up to a chair without flinching and Darby's preternatural ability to take endless amounts of punishment have to matter. Darby fighting from underneath has to matter. Henry's ability to cut him off has to matter. The potential of a guy Drake's size flipping feet over head and landing with all of his weight from the top rope has to matter. The impact of that missing has to matter. Darby's dive from the top to the floor has to matter, and Sting being able to destroy someone twice his size with the Stinger Splash and Scorpion Death Drop, well, it has to matter.

And they nailed it. The ambush created the wedge but not without having to overcome Sting being Sting (which allowed for a tremendously short shine on the outside given the overall length of the match). That wedge, combined with Henry's skill, was just enough to sweep Darby out on the apron and take out Sting's leg. Darby immediately fought back but was cut off in the ring. It built to Drake going for and missing the moonsault, and then Sting taking care of business on Drake while Darby hit the coffin drop to the floor on Henry, taking him out of the match. The Workhorsemen are great. This match could have been greater with another five or ten minutes. It wasn't supposed to be a "great match," though. That wasn't its purpose. For one thing, they couldn't overshadow the main event. This was to be a celebratory moment of Sting (and Flair) in Charlotte, with just enough friction and tension to make it feel earned and worthwhile for the crowd that got to enjoy it. They don't give out stars for that, but everyone in this one absolutely shined for what they were set out to accomplish.

Eddie Kingston vs. Trent Barretta

MD: As I've written about (at length, it feels like), we've generally seen Eddie Kingston as ROH champ ace, primarily in Proving Ground matches against younger competitors. We've seen him grow into the next evolution of that role during the Continental Classic, getting torn down so he could build himself back up. In this, his first defense of the newly formed Crown, he came in poised and centered and up against, interestingly enough, someone who had his own chip on his own shoulder. 

Eddie has a few years on Trent, but you can argue, quite easily I'd add, that Trent had outpaced Eddie throughout much of his career. He made it into WWE developmental, and even won titles there. He made it onto the main roster, even if without a big splash. He was a champion in New Japan. He was a debut AEW talent. Yet here, after Eddie's ascendant year, Trent failed to capitalize big opportunity after big opportunity after big opportunity. 

So he came in swinging against Eddie, who held back, game and ready. He got a few shots in early, but in a lot of ways, it felt like Trent was wrestling as Eddie had in the past. He was wrestling to prove his toughness, to prove that he fit in, to prove that he deserved to be there. He wasn't wrestling to win. Suddenly, Eddie wasn't just a guy carrying a brand or a roster or a show up on his shoulders. He was the bar. Somewhere along the line over the last tumultuous, hard-fought months, Eddie had taken that "Proving Ground" moniker and made it something real. He was the paragon, the iron that honed iron, the symbol of excellence for professional wrestling.

And Trent needed to throw everything he had at him in order to show the world (and his mom) that he belonged. Unfortunately, that didn't mean wrestling a perfect match but instead a chippy, aggressive one. It meant that Trent always had a show to fire back with, even maybe when he shouldn't. As Eddie was blasting him in the corner with the rapid fire chops, Trent was able to get a shot in. Eddie, almost reflexively, chopped him right between the eyes and opened him up. That took the tone of the first few minutes of the match and led them to doubling down on it. Trent wrestled Eddie's match, comported himself well along those lines, proved his toughness, proved that he belonged, proved that he could stand and fight with the best of them, and absolutely, unquestionable, undoubtedly lost, his nose busted open by the bar that he couldn't make it past, Eddie's chopping hand. One wonders if after the match Eddie might have looked in the mirror and saw in Trent who he had himself so recently been, but the answer is probably no. Eddie's the ace now. He can't look back, only forward, to Wednesday because he wants to keep the defenses coming.

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AEW Five Fingers of Death 12/11 - 12/17 Part 1

ROH 12/14/23

Eddie Kingston vs. Evil Uno

MD: I can think of two big Uno singles matches in the last year or two, vs Moxley and vs Danielson. I wrote up the Danielson one and I thought while it was appropriate to the burgeoning heel turn and the build in the Page title program, it didn't make use of what makes Uno special. The Mox match has Uno's bloody face plastered into my mind, but I don't remember it too much past that (bloody face and pile drivers. I remember pile drivers); that's a problem with AEW, of course. It's like an interview question where you answer "I care too much" or "I try too hard." There are good matches on a week by week basis and it's very hard for too much to get mythologized. I'm not sure the answer to that question but part of me kind of wishes Evil Uno vs Jon Moxley did stand out more in my mind.

This had more going for it along those lines. It was a chance to showcase Uno close to home. It was on ROH so there were not major constraints when it came to hitting time marks for overall length or commercials. Eddie's in weird spot being in the tournament and the title almost being in limbo but there's a certain comforting structure to these matches. Here, Uno was the clear babyface. They were able to match up well given their similar size and body types, with Eddie basing a bit for Uno. The early babyface advantage disappeared when Eddie took a page out of Joe's book and just walked away from a chop on the outside to the post. That let him tear at the arm a bit to get some heat and build Uno back up for the hand-the-leg-to-the-ref neckbreaker spot, which a Chikara guy like Kingston was going to be selfless enough to take, and with a great facial expression too. Subsequently, Eddie let Uno really stretch in front of the home crowd; he often plays vulnerable but here he was playing vulnerable champ against the hometown hero. But to put Eddie away, you have to do more and more and take risks of your own; Uno took one risk too many and opened him up to the Uraken. Eddie gave him a ton here, but then here on Honor Club and here on the top of the mountain, he has the luxury to do so.

ROH Final Battle 12/15/23

Eddie Kingston vs. Anthony Henry

MD: Another day, another "Mad Ace" Proving Ground match. It's 2023, right? Emotional investment about finishes is a weird thing. Sometimes there's a wrestler you really don't want to see in a prominent spot and you hope that maybe they don't get put over. More often, you get happy when someone you think deserves it goes over. Sometimes it's the match itself, something that draws you in so much that you feel like it can only end a certain way. It's wrestling and we wouldn't watch if we didn't care. Sometimes we can be clinical or cynical but when something brings us to the point of being so emotionally invested that we care about who wins, then it's in some ways even more special than the sort of investment we had when we were kids and didn't know how it all worked. It has to be to break past those those walls.

I guess what I'm trying to say here is that I really want Eddie to somehow win the C2. I am emotionally invested. I'm emotionally invested for what he himself has invested into it, for his story through the tournament, even just to avoid the heartbreak of the guy losing everything because he reached for the skies. But really, as much as anything else, it's because I want to see these ROH proving ground matches and title matches continue. I like this Eddie! He's different than the guy I usually get. I like that guy too but what makes that guy special makes this guy special and unique too. Eddie's big enough to be both.

Here, he came out cautious, professional, poised. Henry got the first shot in and unleashed just about everything he had. He knew just how dangerous his opponent was. He targeted Eddie's neck and strung together a bunch of credible, dynamic offense. Here's the thing with our pal Eddie though. You chip away at him. You get him down to his knees. You open him up. Well, he's just so damn punchable, right? You lose focus because you just want to stop and hit him. Henry sure did. If he stayed on the neck, hit and moved, hit bigger and bigger offense, maybe he'd wear him down enough. Maybe he'd even beat the clock. He had to start throwing strikes though. People say that Eddie's strength is that he can take damage, take and take and take until he can hit you out of nowhere, but he also makes himself a hell of a target. Once Henry started fighting him on his level, it really, truly was just a matter of time. So yes, emotional investment, because I'm not ready for this Eddie to go yet. I feel like we just met him!

Athena vs. Billie Starkz

MD: I'm going to go from emotional to clinical here, sorry. I already gushed about Athena (and Billie) a few weeks ago. Let's do this the old way, a nice tight paragraph talking about structure. This thing was put together so well. Athena went for the magic forearm. Billie ducked and hit her own, taking advantage. She pressed like someone with something to prove (and boy did she ever) right up until she took it too far and got caught on the dive. Athena started dismantling her as they cycled into the heat, bloodying her up and leaning on her. The hopespots escalated, starting with a few gut shots, then fighting on the apron, and then a roll up. All were cut off quickly. She finally kicked up and out of the corner and strung together a move or two, only to get taken out by the facemask, which set up golden, glorious moment of true comeback a minute or two later as she tore it off. From there the match just got bigger and bigger, which huge spots and set pieces and drama. That escalation doesn't resonate quite the same way without the way they built things through the first half though. People are going to remember those big spots and the ref bump and the finishing stretch, but it took the setting of the stage to create the atmosphere for payoffs. Here, they did an amazing job with it.

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AEW Five Fingers of Death 10/30 - 11/5

AEW Collision 11/4/23

Darby Allin vs Lance Archer

MD: As monsters in AEW go, Archer's up there. When I was first getting into the promotion in late 2021, his act on Elevation (dragging his opponent out as part of the entrance, mocking the fans by teasing chops or a dive, scaring kids) worked for me. He's capable of a couple of more agile spots without doing ridiculous or terrible looking things for the sake of getting a pop. He's experienced enough to take his time and let the beating resonate. He might have gotten the best, most productive singles match out of Hangman Page by short circuiting all of his poor match layout judgment. Plus he never wears out his welcome. You're always left wanting more. 

Darby is, of course, a natural opponent, and someone that never takes a single moment of a match for granted. He came in with a gameplan to chip away at Archer, only to get ragdolled about as you'd expect. He'd try to sneak in comebacks only to have Archer escalate the violence (most memorably the chokeslam over the top rope to the apron) in response. Having it be so one-sided protected Archer and made it more momentous when Darby beat him, and not just with a fluke roll up either, but with a high impact reversal to avert an almost assured flattening. The Jake stuff was a bit odd. He obviously got tossed so he'd have time to walk to the back (which takes time) to bring the Righteous out post-match. The announcers covered for it in fairly unsatisfying and contradictory ways. Part of me wonders if this isn't to set up a Copeland/Sting/Darby trios in advance of the PPV and with Danielson's injury they feel like they have to rely more on Copeland for Collision for a bit, but that's me laying down too many words on a booking decision we'll know about in a week. I will say that Copeland vs Archer is a weirder and more interesting idea than Copeland vs Luchasaurus was.  (EDIT: They just announced it, actually. I don't know if it's a good thing or a bad thing I'm vibing so heavily with TK's booing).

Mark Briscoe/Keith Lee/Dustin Rhodes vs Kip Sabian/Workhorsemen

MD:  This was structured for the time it had. The early bit where a proper Briscoe shine was replaced by him out-maneuvering a series of the Workhorsemen's best attempts at clever double-teaming worked for me because it highlighted just how good of a tag wrestler Briscoe is in a kayfabe sense. Also, while they were stretching the count as far as it could go on the inside, the actual moment of transition happened once JD had made it to the floor. Once Mark got the hot tag, that was pretty much it for the match, as he hit his dive and Dustin and Lee did their thing. The heat is the emotional core of a tag like this. It's the substance. It's the story. It's the second act. It's the drama. There's a little bit of intrigue over the heels getting outwrestled or outsmarted early and the question of how they're going to get ahead, but what carries the weight is the babyface eating a beatdown, having hope spots, getting cutoff, with the built-in pressure ratcheting up and up and up until things come to a head with the hot tag. The shine was practically nonexistent here. The comeback was lightning quick. The match still worked overall because it leaned in hard on the part that matters the most.

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AEW Five Fingers of Death 11/21 - 11/27

AEW Rampage 11/25

Darby Allin vs Anthony Henry

MD: I'm sort of curious what the mindset behind this one was. They knew that there'd be less eyes on the Rampage show but maybe some different ones. There was no real need to heat Darby up with a lengthy win since he just came off the win on the PPV. Maybe they wanted him to go even further than that based off of eating a fall to Lethal just a couple of weeks ago? You almost figure Lethal/Jarrett (or Lethal/Satnam) vs the Workhorsemen would have been more productive considering they'll be targeting the Acclaimed for a match/program soon? I can't imagine this is leading to a Winter is Coming Sting/Darby vs the Workhorsemen match, but I'd love to see it certainly. Maybe they just knew that if left to my own devices, I'd write about Willow vs Shafir and Tay vs Skye from Dark?

This got a decent amount of time and they worked hard. The premise was that the two of them knew each other extremely well so it was counter-laden. Almost nothing in the match happened without at least one little tweak or twist or turn, even when it would have been perfectly fine for something to just happen. There was a moment where Henry hit a sweep on the apron, following up on previous offense; they just had to put in a Darby clothesline attempt to set it up. The match probably didn't need that. When it hit just right, like the Coffin Splash counter where Henry just helped Darby along right into a German Suplex, it was excellent. Other times, like the three reversals to set up that spot, it was all a bit much. Towards the end, the stuff with Drake really stood out while the Superplex into a suplex attempt was, at least, countered, but to even attempt it left a bad taste. All that said, this ended with Darby drawing from the fans and Sting hyping up the crowd, and that sort of electricity firing him up to push past things. That's the sort of connection he needs to really hit the top of the card and it's exactly what they should be doing with him now. If this match was yet another means to that end, more power to it.

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AEW Five Fingers of Death Week of 3/7-3/13

AEW Dynamite 3/8

Bryan Danielson/Jon Moxley vs. Workhorsemen (JD Drake/Anthony Henry)

MD: There's something to say about just about any match but I don't have a whole lot to talk about here. The choice to use Henry/Drake instead of Drake with Bononi, Avalon, or Nemeth was interesting. Drake, in and of himself, is (of course) not necessarily a comedy figure, but if you put him with another Wingman, he automatically becomes one. In general, he was one of the people on the AEW roster I most wanted to see against Danielson, up there with Serpentico and Bear Country, but he was mostly matched up here with Mox. In general, Danielson and Moxley were dominant but they had individual exchanges, Mox with Drake, and Danielson with Henry where they were able to trade strikes. I have no idea what Henry was doing on Moxley's dive but it definitely wasn't catching him; to be fair, he might have gotten caught in the ropes a bit and spun nearer to the ring than intended. Because of the size differential, it meant more for Drake to eat the stomps and the LeBell lock than someone of similar hierarchy but less mass. While I would have liked to see something more competitive, this needed to be a 90%/10% showing where the Workhorsemen got in just enough to make it mean a tiny bit more than they got crushed. That's what we got. Sometimes what you need isn't what you want.

ER: This is the Great Match Enthusiast in me speaking, but I really wanted an actual match here. I understand this was the match needed to show Danielson and Moxley as unrelenting ass kickers (and boy was that accomplished with this mauling), but as Matt pointed out, they easily could have just used other members of the Wingmen here and not the two I specifically wanted to see have an 8 minute tag. Should AEW book directly to me? Absolutely not, it would tank them in weeks. Maybe I'm just rooting for Anthony Henry to finally get a break. I think Henry was the most under-appreciated part of the 2021 WWE roster, even more than guys like Lorcan and Gulak. Henry was there for maybe three months (as Asher Hale) and it clearly didn't matter how well he wrestled, he was always going to be immediately cut. His brief run on 205 Live was excellent. Go watch these matches to see what he was doing in WWE while nobody watched: Hale vs. Tony Nese (5/28 205), Hale vs. Grayson Waller (6/18 205), and Hale vs. Guru Raaj (7/16 205) and tell me he wasn't one of the five best wrestlers on the 2021 WWE roster. 

And so I want more for him in AEW than getting pummeled in the face by Moxley, but I do really enjoy Moxley bluntly elbowing someone in the face and making them attempt to catch his dives (even when he has no clue where he's going). Danielson's kicks to Drake had to leave Drake with several different welts, and I let out an audible oooooooo after Drake grabbed Moxley by the chin and slapped him HARD...and Mox didn't flinch an inch. When Mox returned fire you could see every synapse in Drake's body firing to get him to Matrix out of that slap. I wanted more, but that's not what this was. AEW is good about giving the people what they want, so maybe we can get back to this someday. 

AEW Rampage 3/11 (Taped 3/9)

Marq Quen vs. Darby Allin

MD: There's a decent amount to unpack here, but I liked, as much as anything else, how they timed the commercial on this one. After some engaging headlock work (including one great escape counter by Darby) they set up the narrative of the match: Darby crashing into the stairs due to a Kassidy misdirect, and then Quen taking over on the torso, both front and back. With Darby, it's never the shortest path between two points but a fakeout or two before the impact. It keeps you guessing though sometimes it's a little much. That was true in his hope spots and cutoffs later on as well. Anyway, instead of going right to commercial on the heat and dumping a brunt of the slower, more methodological (but meaningful!) work there, they let Quen work him over during the main telecast and only went to the break after a hope spot got cut off. That meant we even got to see an abdominal stretch. It's really good to break formula sometimes in that way since it keeps the viewers from getting too complacent. If you can predict both when the commercial break will happen and what will happen during it, especially if what happens during it only ever happens during a commercial break, that's problematic.

The match continued on, with Quen staying in it by focusing his attack, all building to the crazy 450 to the floor. Darby's someone who throws himself into his offense and throws himself into every bit of his opponent's offense. What makes him so interesting is that he marries that and the high-risks with a lot of attention to detail. Basically, he could get by without it and still be very over, but we probably wouldn't be reviewing his matches here. Anyway, this ended with another big dive attempt by Quen right into a Fujiwara armbar. It felt like the sort of spot that would be shown in opening packages for months fifteen years ago and that was just another Friday night here in AEW. Pretty good showing by Quen over all, even if he should have left that backflip DDT thing on the drawing board.

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IWC Legacy Lucha Road Report 10/24/21

Made a trip to my first post-COVID wrestling show with my five year old Zach to watch some lucha. This is the most indy-brained of all of the Denver Lucha promotions. They announced Fred Yehi, Heddi Karaoui and Jake Crist who were all no-shows, but this was still fun shit.

Fuji Man vs. Johnny Crash

PAS: This was a dark match I guess (not sure if this was a recorded show, but they ran a dark match). Johnny Crash looks like a fatter Boom Boom Mancini. This was basically a short comedy squash, with Crash doing some spots around his giant belly. It amused Zach, and was a fine 4 minutes.

Red Viper vs. Big Poppa Lypto

PAS: These are two local luchadores and this was probably the best match on the show. Stiff uppercuts by Viper and punches by Lypto (who came in with a low rider bike which was dope). Nothing super fancy, but we got a couple of nice dives and some big bumps to the floor. Clearly a pair of guys who trained together, but they had everything really solidly together and worked their stuff smoothly. Very entertaining local lucha.

Hijo Del Fishman/Delta Jr. vs. Bruce Wayans/Provider

PAS: This was originally a spot for the uncanceled Crist, but instead they used a local heel tag team. Wayans had a nice spinebuster, Provider the less said the better. Fishman had a dive and threw some hard chops, but this wasn't the Fishman who hellaciously brawls his way through the lucha indies. Zach was into the Tower of Doom spot (his first Tower of Doom), and the finish was cool with Fishman hitting a big splash after Delta hit a top rope rana. It had it's moments, and some moments which weren't much.

Ninja Mack vs. Rey Leon

PAS: Ninja Mack is a guy who does a couple of things incredibly. He may be the most agile wrestler in the world and if you put him in the position to showcase that agility you will get something pretty great. Mack was working as a stooging rudo here, throwing weak chops, yelling at the crowd, getting frustrated at lucha chants. It isn't what he does and he just kind of stopped it at one point to hit a crazy flip. We still got the highspots (including a no water in the pool 680 moonsault) but as a whole it didn't connect. Still Ninja Mack is a guy totally worth seeing live, like a crazier Blitzkrieg.

Hijo de LA Park/LA Park Jr. vs. Anthony Henry/Alex Zayne

PAS: Really interesting to see Alex Zayne, another wild high flyer, also miscast as a stooging rudo, but Zayne was great at it. If Alex Zayne is the reason you bought a ticket you don't want to see him work as Dougie Gilbert, but he is a surprisingly great Dougie Gilbert. He totally bought into work Parka spots with the junior PARKS, and was a nasty cut off rudo when it was required. He did hit one awesome looking pop up rana, but the rest was all serving as a foil. Henry seemed more eager to get his shit in, and the worst parts of this match were Anthony Henry doing his stuff. I mean Christ I still have to watch a tough guy NJ elbow exchange in a goddamn LA Park Jr. local indy match?, I can never escape that shit? LA Park Jr. has a great fat tope like his dad, and he hits it twice. Zach was scared of the skeletons so he watched my phone. 

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Matches from EVOLVE 127 5/10/19

Josh Briggs vs. Adrian Jaoude

ER: This was fun, as it felt like a modern version of a good Sunday Night Heat Test/Steve Blackman match. It's a brisk 5 minutes, and even 2 minutes in it felt like they had done a ton. Jaoude (later Arturo Ruas) is a guy I like who might not have been good at this point, plus I don't think capoeira ever works very well in a wrestling setting. The timing of the strikes almost always makes opponents look kind of silly while waiting to be hit. But I think this might have been the match where his strikes started looking good, and there was an awesome sequence where he blocked two big Briggs strikes and countered with two of the best strikes I've seen from him. What helped is that it all looked way less sequenced than normal - even though it was - with Briggs throwing to hit instead of throwing to be blocked. That's a super important difference between modern wrestling done effectively and modern wrestling looking terrible. Jaoude was fun going after Briggs' hip, arm, hand, grabbing a choke, and Briggs had some nice quick power stuff to counter. I'm not sure I remember the last time someone got a reaction from me just grabbing for a chokeslam, but Briggs violently reaching out for that choke ruled.

Babatunde vs. Adrian Alanis

ER: Babatunde is the current Commander Azeez in WWE, getting actual ring time in Evolve. I liked Babatunde as a green Evolve giant because it's cool seeing huge guys wrestle, no matter their development level. I don't need to see him as a fake underground fighter, don't need to see him as a non-wrestling military dictator, just let me see a wrestling giant. Here he is wearing preposterous checkered tights (one leg black, one leg checkered) and he looks like the world's largest tallest ska saxophonist. Throw him together with prime pork pie hat Mr. Hughes and call them Skankin Muscle. This is only about 3 minutes, a Babatunde showcase. Alanis hits three hard rolling lariats that barely budge Babatunde, then Babatunde gets to show off his big man speed. He doesn't have a lot of stuff that looks great at this point, but it's fine because he's near 7' tall so just making connection with a guy is going to have something behind it. But I like his sloppy standing splashes and the way he catches Alanis with a choke. On commentary we learn that apparently the WWE trainers think Babatunde is the most explosive and powerful guy in developmental, so that explains why we've gotten to see him wrestle on TV twice since this show 28 months ago. 

Anthony Henry vs. Juntai

ER: This was only a couple years ago and I gotta say, Juntai is pretty far under my radar. I did not remember a Juntai wrestling on three Evolve shows in 2019, and it feels like Evolve was one of the indies I watched most. This was his only Evolve singles match and I liked it quite a bit. It was a mostly vicious Henry match with Juntai able to show a lot of cool tricks. The match had probably a couple too many tricks, but much more good than bad. Part of the problem is the layout, as Henry knocks Juntai out of the match a couple minutes in, and it's always kind of annoying when a guy is nearly taken out of a match and commentary is yelling about how the match may not even continue, but Juntai still had to get all of his cool offense in. I think you can shift the events of the match around into a much more palatable order and get to a great match, but we're still left with a cool match as is. 

Henry was working really mean with Juntai, and the match almost needing to be stopped came when Henry double stomped Juntai in the chest while the latter was bent back over the apron. Henry followed it up with a double stomp to the chest off the apron, then hit a brutal running kick all the way from the entrance. It was a believable enough series of moves to take a guy out of a match. But I'm glad we got to see Juntai get some shine. We don't get a ton of martial arts monk gimmicks. Low Ki and Jinsei Shinzaki kind of bullseyed the vibe of that gimmick for the past 30 years ago and nobody else gave it a shot. But Juntai does it really well. He has a ton of super slick movement, hits a cool spinning heel kick with his hands clasped behind his back, pays Henry back with his own flying kick to the jaw, and finds a ton of cool ways to roll and flip into position, and has some real precise kicks. Henry dished out a stiff beating and Juntai leaned into all of it, and was a strong salesman. Things eventually veered into some trading that I didn't love, but this was a cool presentation. 

Kassius Ohno/Harlem Bravado vs. AR Fox/Leon Ruff 

ER: I'm going to watch any Ohno match I've never seen before, but this tag match was inexplicably 30 minutes long and I have absolutely zero idea why. Ohno teaming with Bravado is like that one show every All Japan tour where Stan Hansen would team with the weakest gaijin on that tour on a gymnasium show, a man who everyone in the building knows is getting pinned. And because this thing is a half hour long, we get far too much Harlem Bravado, a man with almost exclusively terrible strikes teaming with a man with among the best strikes in wrestling. I suppose that makes them complementary partners? AR Fox doesn't have good strikes either, and 30 minutes allows for a TON of time for Bravado and Fox to get several sections of terrible strikes. Ohno mocking Ruff and cutting him off any time the kid made headway was what kept this match bearable, and after seeing Bravado and Fox make timing mistakes for a half hour, seeing Ohno always exactly where the match needs him to be is a marvel. Ruff getting cut off from Fox was satisfying but Fox can't deliver the payoff the hot tag needs. There were great big moments, because any single Ohno/Hero match in existence is capable of having some great big moments. I loved him hitting a tope con giro onto AR Fox and the rest of the Skulk, Ruff hitting a rolling plancha off Bravado's shoulder and right into an Ohno crane kick, or just the sheer that comes with a series of fat Ohno sentons. This could have easily been a compelling 15 minute match with Ruff separated from Fox and showing on his own, but dragging this all the way out to 30 was completely unnecessary and did favors for nobody. Sometimes you accidentally watch a 30 minute Harlem Bravado match and at the end are left only with memories of the person you were before you knew such a thing existed. 

Eddie Kingston vs. Curt Stallion

ER: Stallion really didn't work for me in this match, and I hated his lack of transitions when going on offense. The match really felt like Kingston trying to gamely fill time (and occupying time with some cool stuff), Stallion nearly being put away several times, and then merely deciding to go back on offense when it suited him. Stallion's big plus in this match was having skin that gets nice shades of red and purple in response to Kingston chopping his chest, throwing palms at his back, or slapping Stallion in the stomach. Stallion jumped Kingston the second he got into the ring, and I like how Kingston kept rolling out to compose himself whenever he was disadvantaged, knowing Stallion would take the bait and roll out, giving Kingston the advantage. Kingston's brawling looked good, but it was like he kept trying to play off an energy that Stallion kept refusing to give. For a guy who came rushing into the match, Stallion gave this whole match a pretty sleepy vibe. He wasn't putting anything into kickouts and again, kept lazily going back to offense after close kickouts, and I don't buy a lot of his signature offense against Kingston. A good wrestler should be able to switch up his moveset depending on opponent, and the foot stomp/pull opponent into suplex doesn't work as well with a larger guy like King. I liked the way Kingston would annoyingly nudge Stallion into position with his knees, loved his heavy throws and big chops, but I could not get into Stallion's approach to this match. 

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SUP Swing of the Axe 10/9/20

25. To Infinity and Beyond vs. Violence is Forever

PAS: This was totally killer, TIAB ramped up the violence to meet the potatoes that Ku and Garrini were throwing. Delaney was skin singeing in a chop battle with Ku and Cheech landed some nasty back elbows to Garrini's jaw and the back of his head. Infinity are the best team at the world at cutting off the ring and other old school tricks and I loved how they kept cutting off VIF''s double teams by pulling them out of the ring. They also did a great job of working over Dom leading to a wild Ku hot tag. Great traditional tag structure with moments of gross violence mixed in. Infinity crunched Garrini's neck with a Kudo Driver combo, and VIF obliterated Colin with a Total Elimination. They kept a crazy pace, but nothing felt overdone. Really good stuff, would love to see this be a series. 

ER: When this started out I thought it was going to be one of those inside joke matches, where we were going to get some gags based on something that happened the night before at whatever hotel conference room everyone was hanging out at. And while there is some comedy and Delaney wears a Buzz Lightyear backpack for a bit, once this starts with Cheech rolling with Garrini, Garrini dragging him down into an ankle lock and then each rolling through a series of cool wrenched in armbars, I knew we were running. I love the way To Infinity lays these matches out, and as long as opponents match the pace then the formula is lights out. Their best matches are filled with quick tags and quick set-up, and this had all sorts of complicated double teams and timing spots that never seem to lag or hitch with To Infinity. 

Ku seems like a guy who likes working quick and is a perfect opponent, as he's always running hard into people and sending his legs even harder. He had a sliding knee on the apron that looked an hair away from a broken jaw, and I like that he doesn't always go for style on strikes. He misses some but they always look like they're thrown to land. He takes offense well, will splat head first on a rope hang DDT, and had a couple of late saves that saved Garrini. The double team vertebreaker was disgusting, and it's a frequent reminder of how talented Dom is, while also knowing there will almost always be something this nuts taken in a Dom match. There were a few misses here, didn't love Ku's standing chops to hold of Infinity, and the big head kick as part of the finish looked like it completely whiffed (it's always unfortunate when the finish doesn't look nearly as cool as the rest of the match) but when you go this hard you're going to miss a couple things. 

29. AJ Gray vs. Nolan Edward

PAS: I am fully aboard Gray just becoming Black Stan Hansen (which feels like a secondary nickname for a Griselda crew hanger on, Daringer should totally start calling himself Black Stan Hansen in drops). The story of this match was plucky youngster Nolan Edward proving himself against a veteran, and Gray delivered the asswhipping that match structure needs. He jumps Edwards at the bell and just plasters him with reckless forearms and punishing chops. There was no carefully timed shots in between stares, just blows thrown with no real concern for where they land. Edwards fired back with some stiff shots too, just to let you know he was there, and got a couple of well timed kick outs, but Gray was a Mack Truck and Edwards was the possum who crawled onto the road. 

ER: You're going to do an under 5 minute match, this is how you do it. This is the kind of AJ Gray match that people will talk about when they talk about Gray becoming their favorite wrestler. He doesn't give Nolan Edward time to breathe for the first 2 minutes, fast walking from the back straight into the beginning of his ass kicking. He's throwing full arm shots, just pummeling Edward's body, hard forearms to the jaw, and I swear at one point picks Edward up just to send a forearm straight into his teeth. Edward weathered the storm and managed to send Gray off balance with a high dropkick, then flew into him as hard as he could on a tope (and what a great tope catch by Gray). Edward's missile dropkick believably sends Gray flying across the ring into the corner, and Edward hits a wild spinning heel kick that almost sends him flying to the floor in an unprotected tope con hilo. If that had happened, Edward may have delivered a meaner spinning heel kick to his own head than the one Gray almost decapitated him with earlier. When Gray finally catches him it is a no more fucking around situation, as he lays Edward out with three increasingly brutal clotheslines. That finishing shot has to have the claim for lariat of the year. Nolan Edward came out of this looking like a man for withstanding way more of a beating than most of us could imagine, and Gray came out of this looking like a superstar. 

Allie Kat vs. Davienne

PAS: US Indy women's wrestling is something I am a real low voter on, however I would much rather watch B- Aja Kong vs. Bull Nakano matches then B- Stardom matches, and that is what we got here. Two thick girls beating on each other until one of them drops. Allie Kat didn't do any of her cringey "I am a human cat" spots, and instead just threw forearms, jabs and sentons. Davienne knows how to use her size well and threw herself into everything. Didn't wear out it's welcome, kept it moving and had some oomph, this gets a thumbs up for me. 

ER: This was good enough for me, and a thing I really like about Allie Cat is her willingness to take a shot. Unfamiliar with Davienne, but liked her willingness to also hang in and let Allie's limbs and body land on her face. I did not like the moments of unnatural set up, like Davienne missing hooks by 3 feet just to set up Allie jabs. There's just got to be a way to make those look like they were actual misses. But there are a lot of hard landings and snug pinfall attempts, and I liked how Davienne really scooped Cat's legs every time she tried to cover. Allie Cat's best offense is when she just runs in and flings herself at her opponent, and she really crushes Davienne in the corner with a hip attack and cannonball. My favorite things in the match were when they twisted a sequence just slightly, like when I thought they were going to do a played out "I hit you in the corner and then you chase me to the other corner" spot, and Allie just drops to all fours and sends Davienne faceplanting over her. Things like Allie sliding on her knees face first into the buckles was cool, and I think plenty here looked cool. 

34. Daniel Makabe vs. Lee Moriarty

PAS: Reversal heavy matches are normally not my thing, but I have to give a lot of credit to all of the cool shit both guys did in this match. Makabe especially looked awesome, although I wish there had been a beat or two more in between spots and reversals. Makabe hits this incredibly awesome La Magistral cradle into a rear naked choke, but Moriarty is on to the reversal before it even gets locked fully in. Give me a beat, let me soak in that move a bit before you move on. The finish was a much better example of what works better: Moriarty puts the Makabe lock on Makabe, and we watch Makabe move Moriarty's legs into position before spinning him into a sort of a reverse Cattle Mutilation for the pin.  There were also some cool big impact moves, Makabe's top rope rana looked moments away from killing both guys )which made it great), and there was a couple of nasty suplexes too. This is Makabe's only pandemic match, and he made it count. 

ER: I thought this was great, while also thinking that Moriarty was kind of playing the Angle to Makabe's Eddy. Moriarty is very smooth and has some slick maneuverings, but there were several things I wish he let breathe. What's perhaps most impressive is that while a lot of things were moved into and out of very smoothly, this never had a big cooperative feel to it, and it's hard to get to this level of smooth without feeling and looking entirely mapped out. I think there were a couple times where Moriarty kind of left Makabe hanging on a couple spots, requiring him to sell in place while Lee set up the next bit of offense, but mostly this was seamless. And while I also wish there were a couple beats and I was allowed more time to ruminate on certain things, I was at all times impressed by the pace. This whole show has felt like a real "pace" show, and these two filled the most time of anyone, and it's not easy to make an 18 minute match feel like a 9 minute blur. 

The match felt like one cool reversal after another, far too many (and far too pointless) to list here, but they all looked great and only a couple times did it look like Makabe was intentionally leaving a limb out for Moriarty (there were also clearly Makabe playing possum sells, so they all easily could be chalked up to that). Moriarty targeted Makabe's left arm, and I like how Makabe had this desire to land his big right hand, and the more it appeared Moriarty had scouted it the more it made Makabe want to land it. Makabe's roll through reversals are one of my absolute favorite things in wrestling, the way he springs his legs back over his head to wind up in a position nobody was expecting to grab a limb or snag a pinfall that nobody was expecting, it's insane to me he manages to do it around his opponent. It never once feels like his opponent is adjusting their momentum or trajectory just to make his slick rolling reversal work, and that's wild to me. He has a great sense of where he needs to be to make a spot or submission work, and I dig the way he gets to that spot. Reversing direction on a magistral to drop into a rear naked choke would be a contender for spot of the year, and I hate that Moriarty basically slipped right out of it into something new. There's value to adding rope struggle or positional struggle to things, but this felt like the most interesting match that could happen while showing both guys almost exclusively neutralizing each other.

Makabe finally catches the Big Unit punch (if we're naming it after guys who have had at least one good season as a Mariner, I think that punch should now be called the Doug Fister) while Moriarty was up top, and eventually hit a crazy LATE rotation rana that I was not expecting at all. The trap leg bridged suplex looked outstanding, and I dug how commentary pointed out how high end Makabe's bridge work is. It's an important thing to note, as he has several different important spots where the leverage is made all the more painful with his bridging. Moriarty was eel slick getting into and out of everything, and that really did make me appreciate the home stretch where Makabe kept getting better and better at trapping him, before finally trapping him. 

O'Shay Edwards vs. Jake Something

PAS: I like that indy wrestling has gotten more legit big dudes lately who wrestle like big dudes and just hit each other. This wasn't a Lee vs. Dijak rana fest, this was all forearms and clotheslines and big slams. I especially liked the early section where Something taunted Edwards into going for a running shoulderblock, and as he turned his back cracked him in the back of the neck with a forearm. I do wish Edwards was like 15% stiffer for what he is trying to achieve. On this card you have guys like Gray, Ku, Garrini and Manders and Henry absolutely obliterating people with strikes and there are some forearms in this match that look pulled. Structure was cool, but I wanted it cranked up a bit.

ER: I thought this was cool, and keeping with the theme of the night of people running into each other as hard as possible. Jake Something really laid into O'Shay with everything he threw, including three different brutal shots to the back of the head. He nailed him once early in the match after a missed shoulderblock, then late in the match ducked a clothesline to nail his own to the back of Edwards' neck, then ran off the ropes to lay him out with the hardest lariat of the match to that same spot on the back of O'Shay's neck. I'm pretty tired of standing elbow exchanges, but loved how much of their body they were putting into these shots. You could see both of them following all the way through with their weight, and they looked like the kind of shots that at best would break my jaw and send me flying 8 feet backward. They didn't linger on them (always weird to me when people put long strike exchange spots in their matches, effectively making none of their strikes mean anything) and moved quickly into standing lariats, and there haven't been many times in pro wrestling this year where full arms landed hard on chests. 

We quickly went into a home stretch of big moves, like that diving lariat of Something's I mentioned, a Thesz press/Vader bear attack from Something, or O'Shay hitting a sick over the shoulder piledriver, and we wrapped up with another economical ass kicking. Although, at this point it's obvious that this match would have stood out so much more on a show that had a lot more variety. Given the choice, I'd rather see a show like this with a ton of matches filled with stiff beatings - a style I love - rather than a few bad cooperative flipper matches leading to a match like this. But having 6 different "people laying in the shots" matches is going to mean some excellent things blend into the background. 

52. Anthony Henry vs. Jaden Newman

PAS: This was our second young guy gets beaten by a veteran match, and Henry lays in an appropriate beating. I liked the early section with Newman using his speed to frustrate and taunt Henry. When Henry takes over he really laces into the kid, including some whip kicks to the torso which were Akitoshi Saito level nasty. Newman got a couple of nice comebacks before being put away with an absolutely vicious looking trapped arm dragon sleeper, one of the cooler new submissions I can remember seeing. 

ER: This one really didn't land as with me as some of the other big bangers, even though I liked just about every single thing Henry did. This is another example of a match that probably would have stood out on a bunch of other shows, but not really on this one. I've been to plenty of indy shows in my life where this match would have easily been the best on the card, but it has some stiff competition just 90 minutes into this show. I also think that you can't really go 12 minutes doing an underdog match on the same show where you had an amazing underdog match that didn't even go 5 minutes, and I didn't really think some of Newman's comeback offense fit into what they were going for. 

Henry can be really nasty and that's where this match was at its best, and you knock half the time off the match I think you end up with something far more memorable. The opening exchanges were really good, as Newman stayed a half step ahead of Henry while everyone knew it would last, leading to Henry dishing some good punishment. Henry gets a ton of force on his kicks, and at one point is just standing and walking on Newman's face in the corner, later he somehow pulls off a double dragon screw without making it look the least bit implausible. Henry is great at taking Newman's offense, landing on the top of his head to sell a rolling cravat snapmare, has no problem banging his chin on the mat taking an F5. The finish run was really cool, loved how Henry anticipated Newman lunging at him from behind and ducked, Newman going sprawling, and Henry going after his arm to go after his leg to trap both arm and leg while throwing a capture German. The ending of match trap arm dragon sleeper was sick, made me need to see Makabe vs. Henry in a battle of that dragon sleeper and Makabe's magistral RNC. I think I'm actually really liking this match a lot more, the more I think about it. 

Brett Ison vs. Erick Stevens

PAS: This didn't do a ton for me. I think this card really needed another tag or trios match, outside of Makabe vs. Moriarty every match on this card was some variation of a stiff slugfest. This was worked very similar to the rest of the card, but was the least of those matches. I have the same issues with Ison I have with O'Shay except even more, they announcers kept selling those forearms as monster shots, when we just watched Henry in the previous match. This wasn't an actively bad match, but I can't recommend it. 

ER: This was pretty easily the weakest match on the card, not just because of the same-y feel it had, but there seemed to be no real strong rhyme or reason to kickout vs. power up, and Ison's offense seemed to get weaker as the match went on (and the match was only 6 minutes). I liked Stevens trying to tie Ison up with subs, and some of the early stuff looked really good. That Ison face wash is a killer, even though it always looks like he half asses the lead up back elbow to focus on the face wash. He leans a bit far out of the double underhook piledriver, and the arm unroll backfist did not work as a finisher for me, especially on a show that's been filled with a couple dozen gnarlier strikes. Stevens came off much more impressive, and either Ison comes off smaller than he really is or Stevens works bigger than he really is, because Stevens worked this as if he was Ison's strength equal and pulled it off. This also would have played better on a different show, but the flaws here were more real. 

48. Manders vs. AC Mack

PAS: This was a really fun main event, with Mack playing the role of the sneaky heel champ faced with a powerhouse babyface. Manders hits a ton of big time offense, big lariat, Iowa Stampede, Doctor Bomb, second rope powerslam. Mack found a bunch of different ways to weasel his way out of loss, and give a big Un Foul to get the pin after escaping Manders. I would have rather seen Mack hit the Mack 10 after the low blow, as it felt like one low blow was a little weak to put down Manders, but this was classic Flair stuff, Nikita does everything but win the title, and you sell the ticket for the rematch. 

ER: Manders came off of this one like an out and out badass, maybe the guy I would least want to be hit by, on a card populated by nothing but people who I wouldn't want to be hit by. Manders got that heavy low end that grounds all his big strikes, makes every charge explode. Really the only problem with the match was I don't think a lot of Mack's stuff looked like it should fell Manders. There were two different kicks that were supposed to be big exclamation points to completely stop the beast, but both were grazing shots at best, coming right after Manders did nothing but waste Mack. It kind of felt like a babyface Shawn Michaels or Macho Man performance during some portions, the kind where they would eat a tough beating and then the heel would have to sell a Michaels bodyslam while he took forever to climb to the top rope. It threw the dynamic off when the babyface was just destroying Mack and half of Mack's entries into the match looked like shots that shouldn't have been sold. 

Manders has some of my favorite offense in modern wrestling, those running shoulderblocks and avalanches are full bore, his lariats and chops hit super hard (love how he throws missed clotheslines with the same ferocity), got a great powerslam, great Iowa Stampede, great Doctor Bomb, really I'm not sure he has any offense I even remotely dislike. He even makes things that could look silly - like his 3 point stance running chop - look devastating. I've seen several people try to pull off the running chop, and it never works. It goes against your bodies own momentum, you have to throw across yourself while also running, just doesn't work. And here Manders makes everyone else who's ever tried it look like a real dummy. Mack did have some great stuff, so it wasn't completely one sided. His Liger bomb out of the corner was a great surprise, he throws a couple of punches throughout the match that appear to target Manders' ear, neck, and jaw, and he hits a yakuza kick that really mashes the sole of his boot into Manders' teeth. I also wasn't a fan of the finish, even though I LOVED Mack grapevining the bottom rope to prevent the kickout. It made me want to see Manders wreck Mack for the title. 

Which, well, considering AJ Gray comes out after the match, eats a kick to the balls and just wastes Mack with a lariat for the title anyway, I am not sure when we're actually going to get that title match. Curious to see how they book the Bonestorm title going forward, but AJ Gray's lariat going up against Manders' um...everything? Also, Gray/Manders is a match that's happened a few times, and I need to seek those matches out pronto. 

ER: There are still some Collective shows I need to see, but it's going to be tough to beat this show. It's not often the weakest match on your show still stands out as a fun match, and this show landed a ton of matches on our 2020 Ongoing MOTY List. This made me want to see more of just about every single person on the card, and there aren't many better ways to leave a show than that. 

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Paradigm Pro Wrestling Fighting Spirit Heavyweight Grand Prix 11/15/19

One of the odder phenomenons in indy wrestling in the last couple of years in the proliferation of shootstyle tournaments. First Ambition, then Bloodsport, and now we have a random fed in Indiana running a UWFI rules tournament in a garage. The quality is going to vary, but I am all for it.


Lexus Montez vs. Myron Reed

PAS: This was a non style match with guys working a 2.9 juniors counter wrestling style. The opening counter exchange was done a beat too slow and felt like guys working through their stuff before the show. I am so tired of this kind of match, that they are going to have to do something really special to break me out of the fog, and there wasn't anything special here. Reed has a nice 450 I guess, and Ford's heel hook was a cool near fall, but this wasn't what I clicked on the link to see.

ER: Yeah this really shouldn't have been on the show. Montez looks really really new and Phil nailed it, everything was a beat slow and Montez was a beat behind. Reed kept getting to his mark early because Montez was moving too carefully, so it resulted in Reed's bumps looking too disconnected from whatever it was Montez was doing. I like Reed, but this match style is very much not my favorite style, and for it to work you need two guys on the same page, a strong layout, a couple of twists, and some sense. This had none of those things. I liked the Montez bump down the aisle for a Reed tope, but big parts of this felt not ready for primetime. A match worked in a different style than the rest of the card could stand out and benefit from that, but not when the rest of the card is actually worked in an intriguing style and your match looks like amateur night at the flip flop house. Also, a doing a long "ref misses the tap" spot in the first match of a card filled with UWFI style fights is just tremendously dumb.


Erick Stevens vs. Derek Neal

PAS: I appreciated how both guys really tried to stick to the style, we didn't see any elbow exchanges or chops (which was a problem in Ambition), and we would get ten count attempts on Neal's suplexes. This was Neal using his strength and Stevens using his submission attempts, and it was going to be a question whether Stevens could tap Neal before getting flattened. Loved the finish with Steven's eating three rolling german suplexes, but loosening the grip on the third and floating over into a beautiful chicken wing for the tap. The match was a bit disjointed before that, but that was a Fujiwara level finish, which is the highest compliment you can give in this style.

ER: This was a good start to things as right out of the gate it felt like UWFI rules. Neal came off like a big Gary Albright type while Stevens was slicker on the mat and had quicker knee strikes. I thought the made good dramatic use of the rope breaks, especially when Stevens sank an armbar that I thought was surely the end. Neal was the one bringing big KO shots, with the surprise elbow strike a fun knockdown and the back suplex looking match finishing when Stevens went vertical. The finish was a good one, loved how Stevens knew he wasn't going to be able to stop the Germans from happening by going deadweight, so stopped Neal in his tracks using his brain. That chickenwing looked sick and I dug how Neal tapped quick.


JD Drake vs. Dominic Garrini

PAS: This was more of a style clash with Drake getting schooled on the mat by Garrini and responding with hard chops. I don't like chops in UWFI matches in theory, but if you are going to throw them you might has well try to slice someone's skin off, and Drake was absolutely pasting him. Garrini is so skilled at jiu-jitsu and it's fun to watch him switch back and forth from attack to attack. Finish was a great looking flip into a cross armbreaker. Fun short match.

ER: On paper I do not like the sound of a UWFI match filled with a ton of chops, but in execution I was way into Drake making horrible music on Garrini's chest. Those chops looked so violent that I totally got into them as actual knockdown shots. I always love the visual of big fat guys on the mat in shootstyle as it looks so incorrect and almost offensive. Drake does his best to squash Garrini when he quickly realizes that Garrini is going to school him. We get a killer early match callback and UWFI throwback when Drake clotheslines Garrini out of the air on a charge. Garrini hit a flying knee to start the match and got caught when he tried it again, but intentional or not I thought Drake threw his clothesline just like one of Vader's old bear attacks (I wrote up all of Vader's UWFI matches BY the way). I thought Drake's Saito suplex could have easily been the finish, just a mean throw, but Garrini's finish was so smart. He tosses Drake up for a German but knows before he throws the German that he's not actually going for that move. Drake instinctively blocks the German and realizes then that Garrini had laid that trap and had merely tossed him into an armbar. The spot looked great and Drake played it like he didn't see it coming.


123. Calvin Tankman vs. Lee Moriarty

PAS: I am a Moriarty skeptic, but I thought this was unabashedly great. Tankman is enormous, basically looks like Emmanuel Yarbrough, and this was a really cool speed versus size battle. Moriarty tried to use kickboxing to keep Tankman off of him, but when he got caught he would just get ragdolled. Tankman murders him with a german suplex and then catches a body kick and tosses him in a fisherman's buster on the top of his head. Moriarty is able to recover and catch him with a high kick and grounded axe kick for a flash KO.

ER: Tankman is definitely someone with that Segunda Caida bod, and here he comes off like Shoot Cheex. I didn't fully buy into the axe kick that ended the match, as I think you really need to nail that KO blow when it's the finish AND there's a size difference like this, but I loved every other part of this. Tankman's two throws were real all timers, 1.0 on the Albright scale. Moriarty gets TOSSED with a German and bounces around in the ropes like a guy failing hard at a team building ropes course. The fisherman's bomb was a real beauty, with Moriarty landing at an unsightly angle. Tankman's selling on that front kick to the jaw was so strong. Indy wrestling is filled to the brim with people who have no idea how to sell on their feet, and here's Tankman actually understanding that it's more than just doing Mortal Kombat Fatality selling, he does small foot movements and small cobweb shaking mannerisms. Selling on your feet is much more like a drunk person stopping their walk to try to refocus before walking again, and his was great. He occupied the time really well until Moriarty's second kick. I wish they would have just called it after the second kick, since UWFI rules don't allow strikes to a downed and prone opponent anyway.


Brett Ison vs. Anthony Henry

PAS: Ison looked the most lost with these rules, but I still dug this. Henry just chops at Ison's legs with sharp nasty looking low kicks, he would throw a couple of body shots and slice Ison's thighs and calves. Ison hit one nice suplex, but was mostly throwing not great forearm smashes and ineffective bull rushes. Henry really looked like an assassin though and I really dig a match finishing on a low kick KO.

ER: I thought this was cool, and thought Ison's inexperience with the style played well into the match. Anthony Henry came off cooler here than in any of his faux shootstyle Evolve matches. He looked cool advancing on Ison with the size difference, and he kept throwing hard kicks right into Ison's shins and patella. I thought those looked real gross and I thought they were a great way to plant the seeds for the finish. Henry was good at stuttering his timing on muay thai knees or low-high kicks. Ison lumbered and barged his way through things and grabbed him with a big suplex, and I liked a lumbering big man taking hits. But I hated his rolling elbow in response to getting kicked in the knee. The elbow didn't work as a reaction shot, came off real phony in the middle of what had been a cool messy fight. Also, the referee counted extremely slow in this match, kind of robbing some of the drama by having Henry stalking around for too long waiting for Ison to recover. I still thought the overall match was strong because it did feel like UWFI, with Ison the large gaijin but sitting duck for a young cool guy.


Bobby Beverly vs. AJ Gray

PAS: I dug this a ton in conception, not sure the execution was up to par. Much of the match was built around UWFI style slap exchanges, and they just didn't look good. I imagine it is really hard to throw palm strikes that look credible and don't injure the guy you are landing them on, and these looked too pulled. Outside of that the match was pretty cool. Gray, who was the PPW champion, dominated landing two nasty suplexes and a high kick. Beverly on his way out landed the best palm strike of the match and a guillotine for the win. It did a nice job of establishing that wins can come out of nowhere. So far this show has had awesome finishes and that goes a long way in shootstyle.

ER: I thought this was really good. I watched it through with sound and I watched it on mute, and I thought the slaps looked better muted. Both guys looked like they were swinging really stiff arms and reddening up each other's necks and ears. Gray and Beverly both have heavy arms so you could tell that weight was hitting neck. Gray wrecks Beverly with a couple suplexes, with a brutal German that folds him, and a big Saito suplex across the whole damn ring. Beverly was real good at getting to his feet, and I loved how he was selling that struggle. When he stood up at 6 it looked like he was getting to his feet way too quick and he really looked like a guy 3 seconds and one shot from the end. But Beverly is a guy who obviously has no problem throwing hands, and he hits this nice thrust palm strike to the button on Gray's jawline. And it stalled Gray for just amount, allowing Beverly to leap onto him with a guillotine that he is able to roll over, and the whole thing looked like a real lights out attack. Loved it.


Bradley Prescott IV vs. Blake Christian

PAS: Prescott comes in working a guy who loves Natural Light, and they worked a match built around somersaults and cutters. Both guys had some big spots which looked good and some set ups and small things that didn't. I really liked how they kept all of the tournament matches short. But they made the two non UWFI style matches longer, and I really didn't need that.

ER: Thanks Phil!


50. Dominic Garrini vs. Erick Stevens

PAS: This was pretty great, both guys aggressively rolling and attacking limbs and necks. Stevens looked very comfortable working in this style, Garrini brought most of the flourishes, but Stevens didn't look uncomfortable and I loved his quick and aggressive rear naked choke that he grabbed. Garrini did an awesome half monkey flip into a tight head and arm choke, and slid so quickly into a nasty triangle with elbow for the tap. Garrini is mainly a brawler now, but when he works the mat like this you can really see what a skilled grappler he is.

ER: This was strong, our first real long war of the tournament. Phil is right about Garrini. I've gotten so used to him as a brawler with some nice takedowns that my brain doesn't think of him as the Catch Point grappler, and he's such a boa constrictor here that I hope we get more of these shows to see more of this Dom again. Stevens was real good here. He reminded me - in looks and ability - like reclusive great worker Joe Graves. Six years ago I thought he was going to take indy wrestling by storm, especially while several other Graves-adjacent guys got good work. Stevens could be a premier indy Joe Graves and that's a cool thing. Garrini trapped him and locked him into things, but Stevens was game to get into sticky situations and he looked legit. He locked in a pair of very adept triangles and a pair of nice, heavy suplexes. Hard knee strikes from both guys, Garrini throwing a couple of slick traps (love his pop up triangle), and a damn good fought for finish that really looked like the kind of struggle that should finish a fight. Great stretched out version of the show's formula.


Anthony Henry vs. Lee Moriarty

PAS: I enjoyed this a bunch too. This was primarily a kick boxing match, which was a nice contrast with the previous match. Both guys landed their kicks really well, and mixed it up with sweeps, leg kicks, and high kicks. Moriarty landed a really cool spinning kick to the neck, and Henry hit a multi shot punch and kick combo before rolling into a knee bar and ankle lock for the tap. Short, stiff and energetic, great stuff.

ER: This was our "smallest" pairing of the tournament so I like that they went with something different, more of a kicker's sprint than anything else we'd seen. Henry looked like he was going to pace himself for a longer fight and then suddenly he got backed up and popped by a big spinning kick. From there he was going for broke and looking vicious doing it. Again I've watched several of his more shootstyle Evolve matches and even in the shorter ones he's never come off as vicious as he does here. He goes hard after Moriarty with low kicks and is really taking him apart, and when Moriarty finally catches one Henry uses his expert Minoru Tanaka muscle memory and rolls right through into a beautiful heel hook. This was quick explosive fun.


28. Matthew Justice vs. Stephan Bonnar

PAS: This was totally awesome, one of my favorite sprints of the year. Bonnar feels like a guy that should be booked everywhere. He has a real New Japan Don Frye feel to him, really great at being above everything and also really great at having the seriousness of the fight dawn on him. We are long removed from Ultimate Fighter 1, but Bonnar still presents himself like a big deal. Bonnar was no selling some of Justice's stuff early, but as the fight went on he really sold big for Justice's spears and knees to the head. I liked how this felt like a real different style fight. Justice wasn't pretending to be a shooter, he was just a tough pro wrestler who was going to try to turn this into a fight. I loved how he bailed to the floor on the Bonnar rear naked choke and landed some spears which felt like he was cracking ribs. Bonnar hit big suplexes too, and really kicked Justice's head off. This felt like an indy version of a high end Brock Lesnar match, and was the perfect super fight for this show.

ER: Yeah this ruled. Bonnar comes in with that McCully brothers energy, that meathead jock energy that is too good for pro wrestling. He's the guy who already knows he's ahead on points before any points have come off the board, the guy who knows he has wiggle room to goof around in this "exhibition". I love how Justice didn't act like he was overmatched, and he didn't play around at something he isn't. He went into a Super Fight and worked it like Matt Justice, and Bonnar went into a Super Fight knowing he wasn't against a fighter but "just" a tough guy. Bonnar would land early and easily, then pose to rub it in, or get cocky and throw a Karate Kid crane kick. Even when he would take a shot after goofing around, he would easily get licks in on Justice. He was the teenager playing against small kids on a 7' hoop, and he was due to get knocked down a peg. Justice is outgunned but not outcrazied, and I love him spilling to the floor with Bonnar and hitting a pescado, with Bonnar bringing that "I don't know how to bump" messiness to every fall and landing. Justice has a couple of great spears that seem less like pro wrestling spears and more like Bonnar was the guy getting under Justice's skin at the bar all night and Justice finally flies at his guy with a tackle. Bonnar eats a back suplex, but the best part about Bonnar is his fighter's survival instinct, when you can see his survivor muscle memory spring into action. Every time he would go down it's like his eyes would glaze over and his body would take over, slip Justice's grip, grab a waistlock, and throw him. Bonnar hits a couple nice Germans and a big gutwrench, and they all come after him going into muscle memory fighter mode. It rules. Justice walks right into a Cro Cop head kick for the finish, and I loved how all of Bonnar's earlier strikes were more "haha we're doing some fake pro wrestling right?" stuff, even his big spin kick was something he was only trying just because he could afford the miss. This head kick was putting someone down, and man did it ever.


37. Anthony Henry vs. Dominic Garrini

PAS: Great final and a real continuation of the narrative set up through the tourney. Henry had established himself as a violent striker who was especially damaging with leg kicks, and Garrini had established himself as a dangerous defensive grappler who could turn the tide any moment. Henry really pummels him on the feet, with brutal leg kicks and slaps, and is even competitive on the mat (although Dom always has an answer). It only takes one mistake though, and I loved Dom taking the ground and pound just to snatch the opening he needed for the tap. Cool match, with both guys coming out looking better than when they came in. Henry in normal matches gets a little too near fall indy guy style for me, but man he looks great when he does this.

ER: Very worthy final of a very cool tournament. Anthony Henry came out of this thing looking like a real badass and I liked how this match felt like a manifestation of the tournament that came before it. Henry's strike game looked great this show, with everyone across from him taking those great sweeping leg kicks. Dom took these great spills onto his tailbone from big meaty kicks to his hamstrings, and I was real impressed with how Henry was kind of muscling him around and advancing. Henry had strong balance and it came off like he kept surprising Dom. Garrini's tricks were scouted this time and he was going to need something unexpected to put away Henry, and Henry was looking skilled on the ground. And the finish was cool and it WAS Dom pulling out something different, with Henry throwing from mount and Garrini looking near toast, before shifting his hips to cause a Henry slap to go wide, with Garrini capitalizing with a choke. Awesome.


2019 MOTY MASTER LIST

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