AEW Five Fingers of Death 11/17 - 11/23

AEW Full Gear 2025 11/22/25

Darby Allin vs PAC

MD: There were people that questioned why this needed to be on the PPV when it was announced. On paper, maybe it was just a good match for the sake of being a good match, the sort of thing that has been used for years now to fill out AEW PPVs and tilt those Observer Thumbs Up and Cagematch ratings. And maybe that would have been enough. But there was more at play here.

Darby came in literally hot, having been burned by PAC (or more accurately put through a burning table by him, with Gabe Kidd's help) at Blood & Guts. But this is a Darby that had come down from Everest, one that's at peace with himself. He came in hot but he used that heat to fuel a wrestling machine. He didn't fly in with strikes but instead with headlock takeovers. The purpose of this was twofold. First, PAC had come in saying that they were going to wrestle a clean match and the better man would win. By outwrestling him early, Darby would hurt PAC more than any single punch to the face. More than that though, Darby was bandaged up. He had to wrestle conservatively, even if aggressively. While he had the luxury, he wouldn't use his own body as a weapon.

That luxury wouldn't last long. After barely escaping a makeshift Scorpion Deathlock attempt, PAC was able to catch him on the apron and press slam him to the floor. What followed was a brutal heat section where they did a great job mixing up big bumps/moves (that press slam, though that was a transition, Darby's absolutely brutal bump past the corner to the floor, even the neck-first catapult into the bottom rope) with PAC being a malicious maniac, tearing off the bandages and giving Darby an Indian burn. Everything came together for the latter: Darby's distorted skin, the way the bandage flew through the air, the look of exultation on PAC's face and agony on Darby's, how shocked and horrified the commentators were. It got as big a reaction from the crowd as both of Darby's huge bumps. 

Anything in pro wrestling can matter so long as it's presented correctly and much, much more effort should be made in making small things like this matter as much as possible. Not only is it safer and more varied than big bump after big bump, but it also allows those bumps, if framed correctly, to mean even more through escalation. The proof is in the audience reaction here (and yes, they did go up even higher as Darby crashed through the corner).

Darby mounted a comeback by catching PAC in the apron (and the sense of struggle here was great; PAC was desperate to get out in a way that others in that rare spot often aren't), setting him up for a dive and then a gnarly dropkick from the top to PAC seated on the floor in a chair. 

Darby was obviously hurting and PAC presents himself successfully as one of the best in the world, so they would go back and forth from there. PAC was able to catch Darby off the ropes turning a Coffin Splash into a suplex. He was unable to put him away with the Brutalizer though. Darby was able to get out of the way of a Black Arrow and it looked like he was going to put PAC away with the Scorpion Deathlock.

But there was a plan for this. The Death Riders have quit a little too much lately (even if it's almost all been on the head of their leader). PAC had vowed that this would be a fair fight, that the best man would win. So in some ways, he'd already lost when Wheeler Yuta rushed up to the apron to distract Darby and the ref, and doubly so, when he used the bat to knock Darby out. But moral victories don't exist in the record books, only wins and losses. 

And later on when Moxley faced O'Reilly there was a plan as well. Once it was clear that O'Reilly had an answer for every bit of wrestling Moxley could throw at him, Marina handed Mox the fork and he used it to take over. The plan worked for PAC. The plan only failed in the Casino Gauntlet because Matt Menard chose to punish Garcia and run him off instead of trying to win the National Title. The Plan here worked right up until the point it didn't, until the point where Moxley, having broken Kyle's arm, still managed to tap out to a chain reinforced ankle lock. Maybe he went back and finished the job after the match but even if he won the war, he lost the battle, and in this case, the battle was more important than the war. 

So yes, Darby vs PAC was great, but it wasn't just a great match for the sake of having great matches. There was a grudge coming in and it was worked to that. More importantly, it set the stage, through a begrudging plan of the Death Riders coming to fruition, for Mox vs O'Reilly where a similar plan, unveiled far sooner and far more desperately, nonetheless failed. That contrast hangs over Moxley like his own personal Sword of Damocles, just waiting to fall.

AEW Full Gear 2025 Collision Tailgate Brawl 11/22/25

Eddie Kingston/Hook vs Workhorsemen

MD: It's amazing what you can do in two minutes. Look, I'm not going to say anyone should or shouldn't have done whatever they did or didn't do. We never have the full story and it's always complicated and we do far too much speaking up on matters that we're just blind men touching elephants on.

What I can speak on, however, is this match. They had two minutes, less than two minutes according to cagematch (just 1:48). But the Workhorsemen punched in and showed what they could do. They ambushed Hook and Eddie on the way down. Drake took Eddie out, and that's the way things have been for Kingston as he builds up his fighting strength from match to match. That meant they had Hook isolated and though he tried to fire back off the ropes or out of the corner, they went to work. 

That meant hitting their signature flurry of a Drake apron clothesline, the Henry headtwist, and Drake flying in with a slingshot somersault senton. Hook was finally able to get out of the way causing a bit of miscommunication and then launching Henry. By then Eddie was recovered and he did the same to Drake setting the stage to hit a quick DDT out of nowhere and scoring the win. 

But in two minutes the Workhorsemen, professional as can be, got a spotlight to show that they could take the initiative, knock Hook around the ring, and hit some polished, brutal offense on the guy who was going to be the hingepoint of the PPV's main event. No small thing even for two men who are very, very good at what they do.

ROH TV 11/20/25

Athena vs Harley Cameron (Ported: https://x.com/MattD_SC/status/1991866317486555505)

Throughout the years, we've created a critical system of reviewing and ranking matches that's based on things like action, execution, big spots, and exciting finishing stretches.

It often leaves more performative elements behind. These would include facial reactions, body language, character driven creative choices, and yeah, even selling. 

In fact, over the years, matches that lean too hard on some of these elements tend to be judged by some as unfortunate because they can "negatively impact the action" and make it so a match isn't considered as conventionally great as it might have been if the wrestlers had just been allowed to go hard and lean into workrate instead.

A recent review I saw of Demolition vs Brainbusters from SNME 21, a match that trades workrate for a clever and consistent story of Demolition getting increasingly frustrated leading to a DQ, comes to mind.

Along these lines, some of Jon Moxley's recent performances where he's been leaning hard into the role of a mad king who saw his pro wrestling kingdom crumbling, a man who claimed to stand for things but was slowly being revealed as an emperor with no clothes, an animal with his back against the wall desperate for victory, for revenge, but forced to look himself in the mirror and see a coward, quitter, and hypocrite, have been excellent.

But there are different lanes for different sorts of performances, and I think there's no one as good in the world right now at letting her character drive her physicality and matches as Athena. 

That was evident in her 11/20 ROH TV title match against Harley Cameron. 

Despite being champion for over 1000 days, she came in on her back foot, having been pinned by Harley in the tag tournament (albeit after eating Willow's doctor bomb).

That was maddening for Athena (the character) for multiple reasons. First, she and Mercedes were a sort of super team and they were defeated in the first round. Second, she's been pinned only a handful of times in the last few years. Third, there's a massive difference in hierarchy and experience between Athena and Harley. Harley's treated as plucky and determined, hard-working and fiery, but also as an upstart underdog and often as a comedy act.

That gave Athena a ton to work with but it meant shaping the match and her performance around this mentality as opposed to shooting to have the most exciting, spot filled match possible.

She came out to the ring without her usual celebratory fanfare, scowling instead. She offered a normal handshake instead of her usual left handed princess dangle. Then she ran right in, impatient and irritated, charging into Harley's armdrags. That Harley's execution wasn't perfect only added fuel to the fire here.

When Athena took over, she was constantly distracted. At times, after her running punch in the corner or when putting on a hold, she'd start to unveil her usual grin only for reality to hit and the scowl to return. Just when she started to relax and enjoy herself, the fans began clapping up Harley and she became irate. She jawed back with them, delusionally claiming that they were taunting Harley and not her. 

The match was built around Athena's character-driven mistakes (rushing in, losing her cool, being distracted by the crowd, trying to use Harley's own finisher) creating openings for Harley in order to counteract the hierarchal differences. It demanded absolute consistency from Athena in both what she did and in how she did it. It demanded selling that's far more complex and nuanced than remembering to limp now and again, a selling of the soul. 

These performances tend not to earn stars, but they move hearts and minds. And in 2025, Athena is as good at them as anyone.

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AEW Five Fingers of Death 11/3 - 11/9

AEW Dynamite 11/5/25

Athena/Mercedes Mone vs Willow Nightingale/Harley Cameron

MD: Mercedes Mone is a star. Athena makes her shine all the brighter.

I'm quite high on Mercedes for much that she does. I think her reactions in the moment are believable. Her matches are ambitious in many ways. She has an incredible work ethic. As an ace, she's tremendous at treating each and every opponent differently; I loved seeing her switching up her taunts and crowd interactions for Olympia's strength for instance. 

That said, there is often a rehearsed feel to her matches. It's a perfectionist's bent, a practice makes perfect sort of feel that's impossible to escape. While the matches feel alive in the moment, sometimes the overall effect is a little plastic, a little blunted. It's more DDP than Randy Savage. That's fine. 98 DDP was great. But it's not transcendent.

Athena, endlessly reactive, endlessly electric, as dynamic as any wrestler in the world, helps Mercedes transcend herself and become her own personal Randy Savage.

They worked so well together here and it felt natural as could be, a meshing of two disparate but tangential egos, two parallel characters, two parallel paths to a flawed sort of kayfabe greatness. You could see it right from the get go when Mercedes pulled a seething Athena to fawn over the belts and how it transitioned right to the two of them almost immediately switching gears with Mercedes seething behind Harley as she entered the ring and Athena posing with her big Yaaaaaay! after their successful initial ambush of the babyfaces. 

The structure was double heat, but Harley carried both face-in-perils. That fit the hierarchy very well. It allowed Harley to gain sympathy, allowed Willow to come in like a wrecking ball after the first hot tag, and allowed Athena and Mercedes to look like the very best in the world as they took over with a tandem backstabber out of nowhere, the wild Athena dive through Mercedes' legs, and an absolutely perfect but still chaotically organic double team move where Athena basically hit Mercedes with the MoneMaker but right onto Harley. 

That unique no shine/double heat structure let them utilize a Willow blind tag (instead of a conventionally hot one) after the break and allowed for things to break down a little early without it feeling unearned or unbalanced. The finish, with Statlander coming out to disrupt Billie and the belt and distract Athena (who had just hit one of her super impressive strength spots), furthered the Full Gear title match and set up a few matches in the future including Athena vs Harley for the ROH title. 

My big takeaway, however, is that while I understand Athena and Mercedes going out like this (they were almost too big to continue on in the tournament and this furthered other storylines) the pairing, either feuding or teaming, is just too good not to go back to sooner than not. 

It's pro wrestling. You need your stars shining as brightly as possible as much as possible, and Athena burns brightly enough to be the perfect spotlight for Mercedes Mone.

Samoa Joe/Powerhouse Hobbs/Katsuyori Shibata vs Eddie Kingston/HOOK/Hangman Adam Page

MD: Keep your eye on Eddie Kingston.

I came across an obituary of Gene Wilder a week or two ago. In it, the writer noted it was a known secret in the acting industry that actors that wished to "better themselves would do well to watch a movie with Gene Wilder in it and pay particular attention to him in a scene when someone else is speaking, someone else has the focus. He was always acting in those moments too, reacting or listening in perfect character and supporting the scene with his presence. A lot of good actors are good when they have something to do. Gene Wilder was good all the time."

I had immediately connected that to Negro Casas actually, and the work he did in trios matches when he wasn't the main focus of a feud.

But then I saw this match and it clicked here as well.

Eddie's not even in this feud. Eddie is HOOK's plus-one. But he managed to do something that was absolutely a contradiction here: he not only stole the show, but he then took what he stole and donated it back to his partners. 

Here's the key: he's constantly, consistently both engaged and engaging. Someone can be the one but not the other and it goes both ways. I love watching Ultimate Warrior on the apron in tags, but he's not necessarily responding to what's happening in the moment and adding to the overall match. There are also plenty of guys able to put their arm out for a tag but not also able to use it to draw you into the match. And Eddie draws you right in while making it about what's going on in the ring and not about himself. 

Some of that is his strength as a storytelling but I honestly believe so much of it is his foundation as a fan. He remembers caring. Hell, he watches certain matches over and over and over again because he still cares. He cares as much as anyone reading this and as much as the person writing this and he's able to channel that feeling into what he was doing here. 

That meant he showed his disgust when Samoa Joe started the match by dodging Hook and tagging out to Shibata, that he sold chops as if they were hurting him, and that when Hook was trying to fight back (and after Hook hit the suplex that threw his back out the rest of the way), he'd lean halfway into the ring to try to will him over to the corner.

And when it was time for him to get in there, he did exactly what he should. That meant getting beaten on by Samoa Joe in the corner, his comeback chops ineffectual. It meant being able to fire back against Shibata but cutting himself off due to the fact he's still working his way back to full strength. It meant that when it was time to mount a comeback, he climbed that hill and almost, almost worked with Hangman to hit a tandem Uraken/Buckshot (we need to see that at some point, TK, just saying; you've teased it now and let the heels rob us of it so you have to pay it off). 

And then after Hobbs crushed Hangman at the top of the stage, he found the inner strength to fight back against all the odds one last time. That's the only shame here. If this match had five more minutes, it could have been not just a double heat, but a triple heat, with Hook making that first tag to Eddie, with Eddie coming back after a 3-on-2 beating, and then with Eddie having to crawl back after Hangman got taken out, lasting just long enough in that All Japan Trios style for Hook to recover, even if it would all end in brave but futile heartbreak. 

But that's still out there on the table for another day. What we got was the best supporting player in all of wrestling pouring his heart out for yet another one of his award winning roles (not that he'd ever admit it, but those who watch closely... we know). 

Don't believe me? Next time you get a chance, just keep your eye on Eddie Kingston. You'll see it too.

Darby Allin vs Daniel Garcia

MD: Styles make fights. Contrast makes the world go round. Character drives action. 

Three sentences. Three true statements. You put them together and you get this match. While Darby is accomplished on the mat, he's no Daniel Garcia. While Garcia has a chip on his shoulder, has been training with Moxley and has been fighting full of grit, he's no Darby Allin. The difference between these two drove this one. In the ring, whether it be in the early feeling out process or trying holds down the stretch, Garcia had an advantage. When things hit the floor or got dirty, Darby tended to have an advantage. 

But Garcia was going to blink first again and again, because he had more to prove, because he couldn't get out of his own way (that's the character bit). That meant teasing the dance after choking Darby with the turnbuckle connector protector. It meant trying for an additional suplex (or neckbreaker) after hitting a superplex. It most especially meant mocking Sting when he had the Scorpion on, which ultimately cost him the match. 

There was a third character in this one as well ( and I don't mean PAC who set up a nice nearfall countout), the ring itself. They could have done this straightforward, eye gouges, ear biting, armbars and headscissors, but they chose to go inventive with it instead. After using the turnbuckle protector, Darby stuck Dany's arm in side the ringpost. Garcia's big transition to heel offense was trapping Darby in the apron. The stairs were used liberally. Garcia hooked Darby's chain to the corner. Pretty clever stuff all around which added to the chaotic nature of the match while keeping it character-driven and laser-focused on the contrast between the two. 

Three sentences that point to true north for almost every match and Darby and Garcia followed the map to their destination here.

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AEW Five Fingers of Death 9/22 - 9/28

AEW Collision 9/27/25

Eddie Kingston/HOOK vs Big Bill/Bryan Keith [Tornado Tag]

MD: So here's what I think is going on. I think Kingston's having a comeback like Japanese wrestlers traditionally come back, where they really struggle in their first few matches and they need to build back up in a very kayfabe sense. Yes, some of it is that he's against Bill, who is, in fact, Big, but that's just the feel I get. He was on the shelf for over a year. He's not as young as he used to be. He's a fighter, a slugger, even a champion, but he's got to pull himself back against some of the hardest competition in the world. It's such an Eddie thing to do. Everything is a struggle. Everything is hard. But then everything becomes worth doing and every victory, even small ones within matches, mean so much more.

The problem is that it's 2025 and we're in the US and no one's actually telling this story in a way that the fans can understand. There hasn't been a video package on it. Commentary isn't talking about it. Here, Bill and Keith took out Eddie early and he was just there on the floor while they double teamed Hook (as it was a tornado tag) and Bill sort of ran interference blocking off Eddie from getting back in. 

And it 100% fit the idea that Eddie has to build back up and regain his strength and power and stamina and just find who he is again and until then, Hook has to survive on faith against adversity. And as an aside, some of his selling as he was pulling himself up with the ropes was just excellent. Best I've seen out of him. Worth noting. BUT to the fans in that audience, I think they just had no idea why Eddie wasn't rushing the ring, because he's Eddie, and of course he wants to get in a fight. And eventually they did and of course they got behind him then, but the last thing you can afford is for fans to question their faith in Eddie because things just aren't properly explained to them.

ROH TV 9/25/25

LFI (RUSH/Sammy Guevara) vs Ross/Marshall Von Erich

MD: This was filmed during the Philly residency, towards the end, and it definitely had a lot working against it. Sons of Texas vs Shane Taylor Promotions and Rush/Sammy vs Outrunners both worked because the crowd had someone to latch on to. But in neither case, that someone was one of the teams in this match. They were anti-Texas and anti-cowboys and they were certainly anti-Sammy. They were vaguely pro-Rush but it's easy to get behind the Outrunners, even in Philly. If this was in WV the following week, it probably would have worked better.

This was closing the circle on the Sammy turn and checking the box but it could have been a lot more heated and a lot more fiery but I think they knew the crowd wouldn't get behind it as much. It needed a bit more because I've never quite seen THESE Von Erichs in a situation where they could get hot like their dad and uncle (and that could still come if they ran this back in Texas or somewhere else) and because Sammy and Rush are still coming together. Sammy's sort of figuring out the act and the possibility in the moment. And there is a lot to tap into there given the personalities at play but you kind of wish they could get a house show run to work it all out first. 

So instead of the Von Erichs getting revenge for what Sammy did and almost getting the titles, the crowd bounced all over the place until they had fun with Marshall's hat. That, at least, built to a nice moment of comeback but ultimately, I think this just had too much working against it. If they ran it back in two months in front of a different crowd, who knows? 

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2024 Ongoing MOTY List: Strong vs. Hook

 

15. Roderick Strong vs. Hook AEW Dynamite 9/25/24

ER: I've been saying, and I know I'm not the only one, that AEW needs to hit the 8-12 minute sweet spot on matches a lot more. Here's a great nine minute example of why that works so well. They worked this at such a brisk pace that 14 minutes of it would have been overkill. The offense wouldn't have felt as tough if they kept it up that long. This was a quick nine minutes, but I never felt like anything was rushed through or undersold. 

Roddy is a great opponent for Hook. In fact, a lot of people seem like great opponents for Hook. That probably means Hook is well beyond his years for a guy under 80 matches in. He was a hit on arrival and even though this is the first Hook match I've actually written about, I've been admiring the act the entire time. I missed a lot of his 2024, so I still haven't seen a lot of the "long" Hook matches. He was a great squash worker, and he's nestled in nicely to the 8-12 minute sweet spot while AEW seemingly doesn't know what to do with him. His takedowns remain strong the whole match, and I buy him doing all of it. His poise and feel are so good this early, that I worry he's going to lose his charm the more polished he gets at pro wrestling. He's at his best when he's not moving like a wrestler, and I hope he maintains what makes him unique when he's closer to match 200. 

Hook understands a ton just 80 matches in, while Roderick Strong is a guy who can still seem wise beyond his years 1,400 matches in. I don't think I would have predicted this 18 years ago when my buddy was obsessed with him as the Master of the Backbreaker. This episode of Dynamite was sold on a very specific kind of 2006 indy wrestling nostalgia, with Nigel McGuinness getting his final return match against Bryan Danielson. Bryan Danielson had one of the most acclaimed final runs in wrestling history, and a career even the many Danielson optimists (we were all Danielson optimists) couldn't have imagined in 2006. But Roderick Strong has been there the whole 18 years since then, and he's kept his style just as relevant to each era as Danielson has. Roderick Strong has quietly been really, really good for nearly 25 years now. I don't think Strong has the high end classics that Danielson has, but he keeps finding ways to be the perfect TV match worker, and I love TV workers. He became a Christian level TV guy with slightly less opportunity and visibility. His NXT TV matches were a highlight of that run, and his house show work had the kind of tight execution that plays well in that environment. He does tired indy things better than the other indy workers: He knows how to throw an elbow, knows how to blend thigh slap offense, and hits chops designed to echo in a gymnasium or stadium. Roderick Strong embodies more about 2006 wrestling than Bryan Danielson and he's fucking great at it. He's just now entering his 40s and he doesn't Move Weird like Christopher Daniels (yet). He only seems to be getting faster and tighter and he hits just as hard. He's the kind of worker who can adapt to any opponent, an evergreen Good Hand. 

I dug how he and Hook went after each other. The opening scrambles were cool, Strong having actual answers for Hook's difficult-to-counter judo. Bennett and Taven added the right amount of spice on the floor, with each taking a big bump for Hook that led to Strong yeeting Hook into the ringpost. I don't think I've ever used that word before. I don't know if people are saying that word any longer. I think I'm using it properly and it's the only way to describe what happened. Hook's suplexes look like Hook's. They're not quite the same as you've seen them. He's small but throws larger. His hiptosses and northern lights look just different enough. He judo throws Strong off three different chair edges in one throw and Strong was so good all match at feeding into all things Hook big and small with that same energy. Man has had That Energy since 2006. We need our 8-12 minute kings, to nurture the next generation of 8-12 minute kings. 

2024 MOTY MASTER LIST

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AEW Five Fingers of Death (and Friends) 8/19 - 8/25 Part 3

MD: I don't have a lot to say about the Coffin Match. In some ways it was weirdly minimalist in not a lot happened but everything that did happen was monumental, but ultimately a bit too much DID happen overall for me to say that. Also not a lot to say about the Dustin 10-man. It was really just a finishing stretch with a bit of prelude. I did want to double back to some other things however.

AEW Collision 8/24/24

Big Bill vs. Hook

MD: Part of the joy of pro wrestling is that that it is interactive. It's live television, sure, but it's live television in front of a crowd, where the crowd can be conditioned, can be manipulated, but cannot be completely controlled. Nine times out of ten, when the crowd loses control, it's to the detriment of the match. In those situations, it's also usually due to some miscalculation in the match itself. But wrestling, at its best, is at least partially improvisational, and an out of control crowd is a possibility to live in the moment and create something special.

Hook's rarely, if ever been in a situation like this, but Bill's pushing 40 and is a fifteen year vet. There was a miscalculation here. I won't go too deep into the angle itself, but it's problematic at best and everyone knows it. Leaning into the fact it's problematic only partially mitigates the problem. In some ways, it makes it worse. This match was set up to protect Bill and to make Hook work from underneath to overcome a much larger opponent and look all the better in victory. It was meant to chip away at him on the heels of a big return so that the angle could be heated up and both he and Jericho could claim momentum coming into All In.

A couple of problems. One, the crowd wanted to cheer for Bill anyway. He's larger than life, charismatic; people have fond memories of him. Two, the match was set up for Hook to charge in early and maybe get a shot or two in from underneath or to have Keith attack him when the ref was distracted so that the odds were against him and you could explain away him not firing back more. It was all to build first for him to hit a suplex on Bill (and on Keith to take him out) and then for the Redrum to finish it. Basically, Bill was taking not a majority of this, but 95% of it. It's almost impossible to get behind a babyface who isn't constantly fighting back, even if he's cut off. Against the right opponent and in front of the right crowd, that's fine. This was neither. And the fact of the matter is that it's not all that novel to see Hook suplex Bill. We've seen it before, not just here but in previous feuds and it's not like Hook has even had that many feuds. So it went from 50-50 support for Bill and Hook to 60-40, to 70-30, to an overwhelming tidal wive as the match went on.

So Bill had this incredible crowd to deal with, one that was going to cheer whatever he did, and he went all the way with it. He yelled at them that they couldn't support him now when they never had before. He gave every hand motion imaginable to every corner of the ring. He crossed his arms to look as dorky as goofy as possible and stomped around. He leaned hard into his offense in the meanest and most unfair and conniving ways. Nothing worked, but he justified all of it with the effort. He had posed and preened and bounced a bit at the start, just a bit of cool heel trappings, but when he realized the damage that caused, he went as far from it as possible. None of it did Hook any favors, but thanks to Bill making it seem like the adulation was the absolute worst thing in the world, it probably didn't do him any longterm harm. And then he worked it all into the finish by playing to them and turning around between chops while Hook was on the top rope so he could get caught in the Redrum. People may look at this as a failure, but I see it as Bill masterfully averting disaster. All of this now going to be there, potential energy to be tapped into when the time is right. The time just wasn't last week.

Jeff Jarrett vs. Ariya Daivari

MD: And sometimes everything goes exactly how it's supposed to. This was the same exact crowd, only one segment later, and it went perfectly. It was such simple stuff, Daivari posing in the corner to boos, Jarrett to cheers. It was Daivari doing the strut repeatedly as he got the better of Jarrett only for Jarrett to clock him, then Jarrett teasing it but unable to do it until the final comeback. It was Jarrett counting along with Aubrey and the crowd while Daivari stalled and stooged outside the ring. It was Daivari menacing Karen to distract Jarrett so he could take over and then later Jarrett getting cut off because he checked on her. It was Jarrett working from underneath in a sleeper so the crowd could get behind him and throwing punches that the fans could chant along to. And all the while, there were the tiny bits of connective tissue to ensure everything made sense and was timed and placed perfectly. The crowd just wanted to be involved. They wanted something to get behind. They wanted to feel like they were part of it all. The Hook match wasn't set up to give them that. The Jarrett match absolutely was. Pro wrestling can be fascinating when it goes wrong, but man is it ever beautiful when it goes right. 

AEW All In 8/25/24

MJF vs. Will Ospreay

MD: I'm not disappointed in Ospreay.

I'm not even disappointed in Max, not really. Maybe a little.

Mostly? Mostly I'm just disappointed in myself.

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AEW Five Fingers of Death 1/15 - 1/21

MD: A lot to say this week, so I'll probably keep these relatively short. I could have just as easily written up Strong vs Sydal or Garcia vs Matthews or even Copeland vs Martin. Interesting selling all around. 

AEW Dynamite 1/17/24 

Samoa Joe vs. HOOK

MD: If selling is the story of the week, then the second story is likely one of intent. Yes, pro wrestling is and always has to be about winning a simulated athletic competition. And yes, most of the time it should be about money. Why? Because that takes from professional sports and is always relatable. But having compelling characters with interesting motivations always helps. Let's take a look at Samoa Joe. Here was a guy who had been written off by his industry and by a huge chunk of the fanbase, but had never been written off by himself. Here's someone who had been misused, undervalued, not provided the opportunities that he would have rightfully deserved in a more meritocratic business. So he made his own opportunity. He's seen others come and go around him, wild and chaotic and undisciplined, and he is the calm center of gravity holding things together. 

Here, in his first defense, with two challengers chomping at his heels and a Wardlow (a man who he has quite a bit of history with) waiting in the wings, he wanted to bring understanding to a new generation. He wished to make HOOK see how the world worked, wished to bestow upon him all the harsh lessons that life had taught him, all of the lessons that HOOK's own father, blinded by pride and boundless, uncharacteristic optimism, refused to teach him. HOOK took the fight to Joe as if he could define his own destiny through skill and determination and bravery. Joe shut him down and beat him around the ring, around the ringside area, crushed him to dust. HOOK rose back up with youthful defiance, trying to snatch a second grasp at victory by denying the truth before him. Joe choked him out. Almost certainly, the lesson wasn't absorbed. It was, however, transferred. It took Joe an entire career to become the man that he is now, no matter how formidable or fearsome the man he was twenty years ago had been. One can extrapolate forward another twenty years and think of the lessons HOOK will want to bestow upon others in 2044. It might well look a lot like this.

Christian Cage vs. Dustin Rhodes

MD: I am obligated to write about this match. There are, presumably, only so many Dustin matches left to write about. There are, presumably, only so many Christian Cage matches. I'm just not sure what needs to be said that isn't entirely evident, what comparative advantage I have here. Let me say this then. Everything here worked exactly how it was supposed to. We take so much of this for granted. We do not give the basic tenets of pro wrestling enough credit. It's because we've seen so much of it and we've seen it done so ineffectually. We anticipate. If you're reading this blog, I can almost assure you that if you watch a wrestler hit the ropes in context of a match, you almost certainly know what the end result of the spot will be. Our brains all work differently and we're all different people, but most of you are a half move ahead of what you're watching, sometimes more. Even if you aren't sure exactly how it'll go, you've got three or four possibilities mapped out ahead of time and it's just a matter of which path on the flow chart they decide to take. 

Generally that's ok. There's so much wrestling and a lot of it is all built similarly. The tiny nuances stand out. The massive spots and bumps stand out. The deviations stand out. A lot of times, for good or ill, the actual skeleton of the match is just there to provide us a means of delivery for the details. A match is rarely rewarded for the wrestlers doing the right things at the right times for the right reasons with the right results. It's more likely a match will get rewarded for coloring outside the lines, even if the coloring makes no sense. People flock towards innovation and sensation when there's still so much beauty to be found in the standard architecture of direct storytelling. Not here though. Here, it all worked. Here, the foundation was so strong that it moved in parallel with the details and was worth letting go and immersing yourself in. The babyface was cheered. The heel was booed. Everyone played their part. Dustin achieved multiple symbolic victories but Christian escaped with the victory and his belt once again. AEW is a big tent promotion. There will always be room for good, well executed, straightforward pro wrestling. It provides a baseline to be pressed against. There are very few 21st century wrestlers who can do it as well as these two.

AEW Collision 1/20/24

Bryan Danielson/Claudio Castagnoli vs. Eddie Kingston/Ortiz

MD: Building off what I just said about Christian vs Dustin, part of the issue is that the crowd no longer wants to play its traditional role, but it wants to have more pivotal a role than ever. In a world of "Both These Guys" and "Fight Forever" chants, and in a company that (probably rightfully) embraces them, it takes someone really special to make pro wrestling in that environment special. It takes someone who can adapt to what is before him, who can lead the crowd despite the incentive of the day being to follow them, who can pause the script and lean into the moment. Enter Danielson and Kingston. The first minute or two of this was absolutely compelling. Danielson tried to get under Eddie's skin, tried to stall, tried to get the crowd to cheer for him. And he did. Eddie, on the other side of the Continental Classic and a win over Danielson, was annoyed that Bryan wouldn't just lock up with him, but confident enough to meet the moment. He looked to his imaginary watch (my current favorite pro wrestling object), and showed Danielson that it was literally impossible to get under his skin in a world where the crowd would go up for him just as much if not more. If selling is ultimately just reacting in order to give meaning to the physical actions within the ring, there is a sort of emotional selling which is reacting to both physical and non-physical stimulus. Here Danielson and Kingston are exceptional. You could spend the whole match just watching their facial reactions and it'd be more engrossing than 90% of the company's breathtaking highspots. I'm so glad that they've moved back into one another's orbit for at least one last go around.

AEW Rampage 1/19/24

Darby Allin vs. Jeff Hardy

MD: This was the rare case where I don't think the commercial break helped the match. Darby is the exception that proves the rule. He's so good at generating impact and fabricating consequence that he could ground a trainwreck and make it into a narrative. Hardy was, in many ways, the Darby of two decades prior. This match was best in the early going when it was like two ships firing their cannons at one another, calibrating and recalibrating with each perilous shot. Except the cannonballs were human cannonballs. One wrestler would crash and burn on a near miss and the other would line up his next shot and fire away. I wouldn't want it every day for the wrestlers' sake and the sake of my own sanity, but once every year or two, it's nice to see these two ships pass in the night, guns blaring. 

 

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AEW Five Fingers of Death 8/21 - 8/27 Part 1

AEW Collision 8/26/23

Orange Cassidy/Penta/Eddie Kingston vs. Kip Sabian/Butcher/Blade

MD: One of those random WAR like six mans that we get just a bit too rarely in AEW. It's good to have Eddie back between the injury and the excursion and the fans felt the same. Penta handled most of the shine (against Kip who reacted but didn't do anything novel like I'd expect, though at least Penelope got to take out Abrahantes on the glove catch) and Cassidy most of the FIP (after a very solid transition, with Kip goading Cassidy right into a Blade superkick, which IS what I'd expect). Penta and Abrahantes did most of the apron-working, including a freshly squeezed chant that was perfectly timed, with Eddie's only contribution being a memorable face made at Butcher. Butcher and Blade were pretty vocal in there with their 1966 Batman Goon muttering, like Butcher calling out a powerbomb that would never come and Blade shouting "Butcher and the Blade!" in a moment of beatdown on Cassidy.

It was a bit of a consolation prize for Kip and co. for not making the Wembley card. It was a longshot but Kip is local and original and worked hard to reinvent himself and Butcher and Blade are loyal, capable soldiers who pull off whatever's asked for them. The crowd was behind Cassidy when he worked from underneath, but they really wanted to see Eddie and he delivered, coming in hot, chopping everyone, and then starting the chain reaction of spots and linked finishers that set off the stretch. This ended with a sort of WWE dark match main event multi-man feel, with everyone getting their stuff in, but with an AEW twist, as all of that stuff ended up connected together. Eddie capped it all off by debuting a sliding elbow (obviously "a move he learned from Japan," which if a more present announcer was there, might have actually been noted). Fun stuff to open up a go home show and set up the post-match in-ring interview that followed.

Sting/CM Punk/Darby Allin/HOOK vs. Swerve Strickland/Jay White/Luchasaurus/Brian Cage

MD: Challenge here was to follow a fairly similar match. Well, not follow because it was taped first but you get the idea. This had plenty of time to breathe, with heat on both Punk and then HOOK. Theoretically it was all leading to White and Sting because that was teased early in the match but it only got there with a chop block cheapshot by White, probably a combo of making sure to protect Sting before the PPV and teasing something for the future. That'd be a great interaction somewhere down the line. White is a guy who is just always on. He tries to make the most out of every second he's on the camera and he's constantly active. It makes for a good pairing with hyperactive guys like Juice and Austin Gunn. The most interesting things here were Punk interfacing with Swerve's offense (he didn't take the headscissors well but did take the rolling suplex fine; when they were just posturing it was great) and to a lesser degree White (including the Sting tease that they really milked) and then HOOK having to work from underneath, especially against Luchasaurus and Cage. In the end, the fact they didn't pay off Sting and White was fine. He had his big moment against Luchasaurus and Punk and Joe was the ultimate focus, with Punk getting to make up for the flimsy GTS last week with a pretty solid one on Cage, and then to use the Kokina Clutch to end it setting up the perfectly timed Joe (who was a total pro on commentary) run in. Fun stuff with big star moments, but maybe a little slight relative to other Collision main events.

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