Found Footage Friday: WAR GAMES~! DUSTIN~! GOLDUST~! CW~! BUNDY~! CORINO~! A BALDWIN BROTHER~! HOGAN~!

Hulk Hogan vs. King Kong Bundy WWF 1/20/86

MD: Lost Minneapolis house show footage from the Vault. We get glimpses of Harts vs Bees and the full Bundy vs Hogan match, including Heenan laying into a very familiar crowd. "You know, you people..." It's about thirty words and it's perfect. Hogan's out with the bandana in his mouth. That's the era we're in.

Interesting structure here as Bundy attacked Hogan first with the bandana and then with the belt with some pretty nasty shots before the bell. Hogan hulked up early, hit the axe bomber, and tossed Bundy out, nailing him with a chair. Bundy came back with an avalanche for the transition. I don't usually think of that of a transition move but it worked here. Then Hogan had to fight from underneath. He hulked up again, did more brawling on the floor (at some point Bundy started bleeding), hit the legdrop and actually pulled him up at two so Heenan could interfere and they could keep the feud going. 

Post match, Heenan held Hogan's leg so Bundy could hit the splashes and Steamboat made the save with the most over the top kung fu poses possible. He took his shoe off as a weapon. Heenan came back with HIS boot off, and Hogan got to make the save on the guy making the save for him before they both posed. We only have so much of the Hogan/Steamboat pairing but it is a lot of fun, especially post-match when Hogan cut a backstage promo about the energy of the universe and the ninja showing him the dark side while Steamboat made funny noises. 

ER: I'm glad they gave us a couple minutes of Hart Foundation/Killer Bees even if the most revelatory thing about it was how fucking cool beard Jim Brunzell looks in HD. Bearded Brunzell looks like a tanned stud who would beat James Brolin's ass and replace him on Hotel without anybody saying shit. He usually looks like an orthodontist. It also offers us some long crowd shots, beautiful crowd shots that offer us people we've never seen, a deep range of winter Minnesotans with great tight fitting 50/50 blend t-shirts no matter the body side, and a pornographic amount of snap front caps. 

The main was real good, a violent brawl in front of an off route arena crowd. One of the best things about any newly released WWE Vault match has been the sound quality. The sound is incredible on those Omni shows, and it makes house shows pop like the hottest 80s territory wrestling. The ways the sound highlights what's happening in the ring adds to every strike and every weapon crash. Bundy fucking murders Hogan with an early match belt shot, stripping it from his waist and swinging it as hard as he could at the back of Hogan's neck. It sounded like a Hogan getting brained with a slapjack. Beyond Bundy hitting a 1999 level weapon shot, he had a lot of really impressive worked offense. It's one thing for Bret to pull his weight and never hurt anyone on his elbowdrop, but Bundy has so much more weight to pull. He protects Hogan on everything - smart time to tighten up your work and secure the biggest monthly paydays of your life - but all of it looks really great. Precise worked kneedrops always amaze me, the distribution of weight that goes into the best of them. Bundy's is so tight that I'd love to see footage of him testing it out on and not breaking eggs. Is Yokozuna's legdrop our Fattest great worked "drop"? 

I was surprised when the legdrop came so early and exclaimed aloud when Hogan pulled him up at 2 and started punching him. But I appreciate that Hogan's two best punches were thrown at Heenan standing on the apron, short targeted staccato rights to Heenan's forehead before Bundy pulled him off and Heenan held Hogan's legs down for the splash. Even with Tito and Steamboat on the card I'm sure nobody else sold two punches better than Heenan sold Hogan's two. 

WAR GAMES! Team JBL (CW Anderson/Elix Skipper/Hernandez/Homicide/Steve Corino) (w/John Bradshaw Layfield) vs. Team Slaughter (Dustin Rhodes/Kirby Mack/Rick Steiner/Scott Steiner/TJ Mack) (w/Sgt. Slaughter) Sadler UWF 9/21/07

MD: Speaking of things we've somehow never covered. The KrisPLettuce Patreon got its hands on all these Sadler UWF shows. Certainly worth a look. This has Slaughter out to Born in the USA which is not something I remember him coming out to often. Hebner does the coin toss and jaws with the fans about Bret. The one liners between Slaughter and JBL are not great. Obviously JBL wins. Someone in the crowd shouts out "the heel always wins" long before the toss. Best not to overthink it. 

This is honestly a pretty good Indie War Games. You start with Dustin and CW Anderson for the five minute period, playing up Dusty and Arn in the classic, obviously. Dustin is in the midst of his Black Reign gimmick at his heaviest but he's going to be in there for 25+ and damn it if he doesn't make a showing of it. People point to this as a disqualifying period and this match certainly seems like a counterargument to that.  They worked a nice little mini-match here with CW feeding for Dustin's strikes (all looked great) and Dustin running into the spinebuster, having to fight his way back. 

Just when he had things under control, it was Corino's time to come in, and they worked a comedy spot or two before taking over. In general, I thought the balance was really good with this one. You had a lot of unique elements, like Hernandez who could just come in and throw people around or Rick Steiner who in his mid-40s could make a believable impact without seeming overly gimmicky (Scott was a bit more so). The Macks were quite adept at getting thrown around. And there was novelty in having Homicide in there teaming with Corino or facing off against Dustin. Skipper was the only guy who felt a little out of place to me. 

It was ultimately pretty chaotic and hard to follow at times, as you'd expect, but that had its own wealth of riches, like looking away from one side of the ring only to see Dustin slamming Corino's head between the rings like a plunger over and over. Finish was silly, with JBL and Slaughter getting involved, even if they did cover it with a simultaneous submission, and it never quite went as bloody as you might have wanted, but overall, it was a pretty well put together War Games with a lot of talent interacting in interesting and unique ways. 

ER: We were all so convinced that we had already covered this match that we had multiple text threads across multiple apps trying to figure out why we hadn't already covered it. I assumed Phil had already covered every single War Games match, but somehow this is THE ONE WAR GAMES that has not been written about by any Segunda Caida member. When Dustin watched our DEAN~! 2 show with us, I wish I had known about this match when the discussion turned to what our favorite War Games matches were. He was obviously proud of his daddy's match concept and was in three straight years of them. I had no clue he was ever in a non-WCW War Games, or that it was one of the three best War Games he'd been involved in. 

Before Slaughter and JBL do the coin toss, some "smart" fan yells out that "the heel always wins the coin toss". Yeah smart guy, you showed 'em all. Nobody wants to see a fucking War Games where the babyfaces have a constant advantage, but there will always be wrestling fans who think they cracked the code about how basic storytelling works. It's like how my dad will turn to my mom and say "Told ya" when a TV/movie character who is clearly the bad guy turns out to be a bad guy. Some people will always seek mysteries to solve while others have long moved past the need to search for mysteries than never pretended to be mysterious. 

I typically hate modern applications of "lore" but I love that this match started with Rhodes and Anderson. It's the best possible throwback to the original classic but also two guys who make logical sense to start a War Games and be in the entire match. I love that heel CW has a manager who needs to be pushed in a wheelchair. This is clearly not a heel manager faking injury that will lead to his chair being tipped over, our heel enforcer just has an actual invalid as a manager and that will sadly never present us with a difficult "wouldn't hit someone with glasses" scenario. Anyway, the whole War Games is shockingly good. I knew the floor would be high just from seeing half of the people involved, but it hit a high note in the first five minutes and I thought maintained that level through all new entries. Some entries were less than others: Rick Steiner accidentally got in the middle of other people's sequences 3x more often than he actively did anything, Kirby Mack looks like the clear worst of the Mack brothers, and Elix Skipper does a couple moves so convoluted that nobody - including Brad Stutts on commentary - could have guessed that it was actual offense he was delivering rather than taking. 

Everyone else though? Everyone else showed up. CW lights Dustin up with elbows during their 5 minutes and goes on to work smart sequences with everyone all match, great at taking TJ's offense, great at stooging when necessary. Dustin works insanely hard all match. I remember watching the Black Reign era and always thinking there were occasional glimpses of Dustin in there but assumed they put him in super short matches because he could no longer go. Nope. Here he is smack dab in the middle of Black Reign and he's breaking out offense I've never otherwise seen from him. He comes off the top rope multiple time, with diving elbow attacks and I can't recall any time past age 25 when Dustin even went to the top rope. TJ Mack is a Hardys trainee but wrestles like a Marufuji acolyte. The thing is he does Marufuji spots with more snap and sounder physics, like the Billy Kidman of Marufujis. He's great at being the guy every heel goes straight after when they enter the match. Homicide murders him with a quick series of strikes and suplexes, Hernandez comes in and press slams him from one ring to the other, he takes a Border Toss from one ring to the other, I'm kind of shocked he wasn't the one to take the Clothesline from Hell. 

There wasn't going to be blood, but the action was strong and the energy level being kept high the whole time elevated things. I expected a lot more lying around time, but these men were here to work. Far exceeded expectations, fits in nicely within the War Games pantheon. I don't think WWE has done one better. 

Goldust vs. Dean (Shark Boy) Baldwin Tribute Championship Wrestling 3/2/13

MD: Somehow this escaped our gaze for years and years, but better late than never. Dean Baldwin is Shark Boy... with a Baldwin brother gimmick, including someone from "hollywood" hyping him up and three valets and a tracksuit. There is a fake Shark Boy as the ref. Dustin is Goldust in between runs. A scene has been set for you.

This was, unsurprisingly, a ton of fun. Match was straightforward. Baldwin would run spots with Goldust, running into a shoulder block or arm drags, then head out to complain and stall and whine. Goldust eventually went out after him. He got over with a banana peel and stayed over with cheapshots even though Dustin did pretty well with his comebacks. He was working this crowd hard, skidding his feet on a backslide or really kicking the leg to get the fans going for a chinlock, just working huge for the back row even though he was also working small from underneath given that Baldwin was tiny compared to him.  

He hit a bunch of his signature stuff on the comeback but it came to the ref losing the mask (beats me who it was) to hit the stunner setting up the final reckoning. Post match they did all the bs you'd want: the shattered dreams, a kid posing with dustin and the ref (re-masked), the valets leaving with Dustin, Baldwin throwing a tantrum, Dustin paying attention to every individual kid in the place. No idea how we'd never seen this one before.

ER: Dean Baldwin looks more like an unsuccessful Jamie Kennedy brother than an unsuccessful Baldwin brother, but he perfectly understands what it's like to be a phony Hollywood douchebag. Coming out to Weezer's "Beverly Hills", a song so bad that it might be the only song that has ever made me spit out my drink the first time I heard it. We got it into our college radio station one Friday afternoon, threw on track one, and I don't think any of us could have possibly expected music this putrid. I sprayed my water out in a fine mist. Had "We Are All on Drugs" been track 1, I may have choked to death. 

This was several months before Goldust was triumphantly brought back to WWE, on his comeback trail to show he was in shape and ready to have TV classics again. In 2013 he was healed up, trimmed up, tapping back into the things that always made him a great babyface. This is pure indy wrestling, a former star on the mend or on the spiral, working in a middle school gym in a small Midwest village that's close enough to major civilization. This is was indy wrestling always was before the 2001 boom, gymnasium shows giving people a chance to see someone that had been on TV for years, filled with kids who likely have no idea who the big TV star even was. Knowledge or no, everyone recognizes Goldust's effective babyface beats, and he works hard to remain underdog and make the smaller Baldwin seem like someone who could control. 

While I would have preferred seeing him work someone with size, like Daniel Baldwin, I thought Dean's punches played as great heel punches (helps when you have a babyface this good at reacting to punches) and Goldust knew how to bump to make him more effective. My favorite Goldust bump was the way he took Baldwin's kitchen sink knee, tumbling painfully and leaning into the bottom rope as he came up holding his stomach. My favorite part was the early match magic show, where Goldust punched and slapped Baldwin around ringside, letting all the kids see up close and personal how good he was smacking this guy around. I can only imagine how much I would have lost my mind if my middle school's gym ever hosted a wrestling show, and Goldust knew exactly how that must have felt. 

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Found Footage Friday: OMNI 84~! SPOILER~! GARVIN~! JAKE~! ROAD WARRIORS~! ROOP~! ROGERS~!

GCW Omni 4/22/84

Tommy Rogers vs. Bob Roop

MD: We come in JIP here and you get the ambiance immediately as people in the crowd are shouting "hit him!" and "break his arm!" These two matched up very well for an opening match. They had a nice rope running exchange where Rogers ducked a clothesline and hit a cross body and some really good hammerlock switches. Rogers had an interesting sunset flip in this stretch too, one where he had to really struggle to get over and it's so different from anything you'd see today. He controlled on the arm for a bit but Roop took over just by grinding his heel into Rogers's face after standing up out of an armbar. So simple, so nasty, so effective. He really kept things moving on offense, switching between jumping knees and neckbreakers to just holding the ropes to step on Rogers' throat and and using an abdominal stretch. Rogers just punched his way back but it was with a perfect bit of 'fed up' head shaking and the punches looked good, especially after Roop sent himself sailing off the ropes right into one. Then they went into Roop bumping around for him until Rogers lifted up on a corner charge and got a roll up out of the corner. Different sort of opener than usual given the contrast. I enjoyed it.

ER: Based on the 10 minute call, this is only JIP by 30 seconds or so and it's great. Rogers is small but has real power, Roop leans into Rogers' offense and bumps with real respect, and punishes Rogers when the match calls for it. Roop is a dense, tough guy, and Rogers hits him and uses leverage in a way that makes his long control compelling. Roop is great at selling Rogers' focused arm work, at one point gripping the rope to slowly stretch out his arm, using the ropes to provide restraint while he rolled his shoulder. Roop is Shooter Ned Beatty, strong at injecting realism into matches where you might not be looking. When Rogers holds onto a bodyslam and turns it into a quick nearfall, it's the only time I've seen that spot look like a shoot. Bob Roop can be so realistic in everything he does, that every part of my brain believed he was trying to bodyslam Rogers. I wasn't expecting Rogers to snare him and drag him over when Roop tossed him away from his body. 

Roop moves to control by standing up in an armbar, one of my favorite spots. I love when a guy holds the bar, legs straight to his opponent's body. As he's standing, trying to break, Roop pulls himself up straight by the ropes, ref Nick Patrick focusing on Rogers' shoulders. When Patrick makes Roop break, he does so while stepping down onto Rogers' nose and mouth. Roop is great in control. He does no unique offense, but he does it using movement that nobody else uses. His elbowdrop lands heavy and his legdrop looks clean. His backbreaker has great bounce, truly backbreaking. He throws a straight right punch that might be the single best punch on the show. Several of his punches are in consideration. He bumps for Tommy Rogers' comeback like Tommy has the best punches on the show, arms slapping the mat in big rolling back bumps, going up for a back body drop, toppling over for a knee to the gut. There's a great misdirection before Rogers gets the win, as he wriggles out of a bodyslam and throws a dropkick upon landing, but Roop coolly takes on step back to avoid the dropkick. Roop doesn't capitalize, but the last minute doubt in Rogers win made his sunset flip after ring more true. Georgia was great at that kind of finish, setting up the win with a near loss like a marathon runner briefly stumbling down the final straightaway. Fantastic back and forth, a real tough opener. 

Tim Horner/Sweet Brown Sugar vs. Les Thornton/Rocky Jones

MD: I think Rocky Jones was Mike Masters. Again, it's weird to have a tag as the second match of the card on these Omni shows (from what we've seen at least). This was a fun one though. Jones and Thornton were in matching blue. There was a long shine where they got clowned a ton, first by Sugar on his own and then with phantom tags in headlocks. The heels did something similar with headscissors but it was a phantom heat too as the babyfaces took over soon enough. Horner got greedy and attacked Thornton on the apron and got swarmed for his trouble. Lots more switches behind the ref's back by the heels and the crowd hated each and every one of them, making that same audible buzz that you'd get for punches back then, just the negative version of it. Some good hope spots and Horner getting dragged back before he got a maybe-too-easy tag to Sugar and the babyfaces romped the heels on the way to a Sugar missile dropkick and Horner roll up and victory. 

ER: I'm not going to pretend I know who Rocky Jones or Mike Masters are, but now I have 15 minutes of this man who is shaped like an approximation of Buzz Sawyer and The Gambler. I don't think he has a whole lot to offer the babyfaces while being controlled, clunky about getting into headlocks, but when the match - too late - moves into Thornton and Jones controlling and isolating Tim Horner he suddenly comes into his own. The match comes into it's own once they go full heel control. While I wasn't engaging with Sugar and Horner's babyface headlock control, the Omni crowd was. 

I perked up when Horner tried to cheap shot Thornton on the apron, a confident move that backfires instantly as it grazes Thornton and Thornton sells it like a graze, returning fire and bashing Horner's face into the turnbuckle. Rocky throws an elbow to Horner's eye as he's tagging out. I loved the heel control, Rocky picking Horner's leg really close to a tag out, the physical weight of them dragging Horner back to their half of the ring, the energy Thornton puts into kneeing Horner in the back from the apron, heels trading headlocks behind the ref's back. Sweet Brown Sugar's hot tag has some hot punches, and his butt wiggling dropkick off the middle buckle was fantastic, whipping his legs out in front of him in flight to catch Rocky over halfway across the ring. When Horner tags in for the O'Connor Roll, he rushes into his so enthusiastically that he runs face first into Rocky Jones as he's shoving his body into the ropes, and I liked his dumb guy babyface dedication to not half-assing it. 

Jake Roberts vs. Brad Armstrong

MD: Definitely a tale of two or three matches. Jake is fascinating to watch for the first five or six minutes of this. Go back, if you've already watched, and watch again and just focus on his feet. Usually that's not the sort of thing we tell you to do around here (it's not that sort of blog) but he has these lanky legs and the long pants and just the way he moves around the ring, a stutter start or a bound towards the corner, is really interesting. There are inputs that I don't know enough about the actual mechanics to pick up or judge and on the top of that list is footwork, but I can tell you that his here is fascinating. 

Likewise, he's so good at playing around in the corner, drawing Brad in, complaining to the ref, taking up time, frustrating everyone, getting heat. For the first few minutes of this, I barely remembered he was wrestling someone or that Brad was in there. I was just watching Jake do his thing. 

And his thing for most of the match was to sell his stomach. Anytime there's motion, either him flailing about or Brad cutting him off with a shot to the guts, it's great. Even when Brad lifts him up for a bearhug, it's really good. The problem is that there's probably six or seven minutes of this match where Brad is just laying on the ground with Jake in a bearhug. The issue isn't that he's laying on the ground with Jake in a bearhug. It's that neither of two things are at play: 1) it's not the heel doing it to the babyface and 2) there's nothing that I know of on the line here. Jake's not the champion. So while the fans do care about the outcome; that's clear from the finishing stretch, there's no major stakes that would benefit from Jake being super vulnerable and on the verge of losing (not having ball control) for a brunt of the match. And since it's the babyface doing it to the heel, while the fans are fine seeing Jake writhe and hurt, they can't get behind Brad from underneath in the same way.

When Jake does take over he focuses on the gut too and it's good stuff, especially how he conducts Ellering to interfere or distract the ref. The finish is good too as Brad comes back with some shots to the gut and a great dropkick and Jake is able to just slink his leg over to the ropes to survive the Russian Leg Sweep. Brad gets revenge on Ellering for jumping in the ring to point that out but then eats the DDT. Fans are definitely into it. But that middle section was rough, not because it was a hold, but because it was the wrong person doing the wrong hold in the wrong match.

ER: I am not a Brad Armstrong fan. I acknowledge that he is a Good Hand but his Good Handedness gets in the way of him being a Better Worker. He limits himself in ways that undercut his talent, positioning himself in an underdog position that defined him in ways that could have been avoided. I can't get invested in his work, I rarely get invested in his matches. The right thing has to happen for me to engage with Brad. 

One of the things that makes me engage with a Brad Armstrong match, apparently, is a tremendous 20 minute selling performance from Jake Roberts. I'm not sure if it mattered much what Brad did here, because I could not stop watching every single shiver, shake, and cringe that Jake did. Master class. Did Brad Armstrong have good offense? Maybe? For a guy with a great body who was never taken seriously against heavyweights, I don't think his offense was as good as Tommy Rogers'. But Jake's selling sure made me buy into Brad's offense for a startlingly long match. Does Brad have a really good headbutt to the stomach? I'm not sure, but I sure bought into it seeing the way Jake covered up and flinched after taking it. Jake sells Brad's whips into the turnbuckles like he's feeling them in individual vertebrae. The way he falls to his butt multiple times after taking an unexpected shot was the kind of selling we praised Kawada for on message boards 25 years ago. Every little movement of his, every recoil, is worth a note.  

But what you want here is the way Jake sells Brad's bearhug. It's beautiful, even if it seems ridiculous that this tall drink of water who looks like a drunken little league coach would ever be found in a bearhug. You don't enter into a Jake/Brad match expecting it to be this long, and you definitely don't expect Brad to be wearing Jake down with a bearhug for any number of reasons, but it happens and I loved it. You get to see all the ways Jake tries to escape, all the bargains he makes with God and the Devil to be released. Trying to break with a handful of Brad's tight perm, his hands shaking as he's brought to his knees and Brad meets him there. When Brad tightens the bearhug, Jake actually leaps up into his arms the way Scooby would leap in Shaggy's arms after being scared by the ghost of an old prospector. Jake slowly falls to his back and Brad follows with the hug, Jake trying to fend it off by pressing his forearms into Brad's face bones. I found all of it captivating. 

When Jake is in control, he does some things totally unique to him, the way he drills offense to take small advantages. He hits a pair of sliding punches/shoulderblocks into Brad's kidneys that reminded me of the sadism you see in Abdullah The Butcher matches, a targeted missile that had fast closing speed and real impact, and something I've never seen before. I love Jake's messy fighting, how he kicks and shoves Brad to the floor when they're both on the mat. You don't see enough guys kicking at each other from prone positions, it's all getting into position now. Jake kicks at Brad from his back in smart and opportunistic ways, not caring if it looks messy and dirty. Boots hit just as hard from your back and side as they do standing. 

Jake Roberts made me buy into everything Brad Armstrong did, which is no small feat. It was a given that eventually Brad would focus his attention on the wrong man, and it's hard for people to mentally overcome that inevitability while watching his matches. Jake made me take interest, and when Brad actually hit the Russian legsweep it felt like others believed as well. It might sound easy to fill nearly 25 minutes with a Good Hand, but there's a difference between filling time and actually making it interesting. Jake did both. 

 
Ron Garvin vs. The Spoiler

MD: Really interesting set up here. Garvin's title is on the line for just the first ten minutes and Spoiler comes in with a plan. That's to work a headlock for the first half of it or so to really wear down Garvin. Then when there's just a few minutes, he really hones in on the throat. He has this amazing move he does where he puts the neck against the throat and kicks at the rope causing Garving to spiral back. But he also hits a neckbreaker and drives Garvin's head into the mat and climbs the top to drop neck first on the top rope as he drops to the floor himself. And then the last minute or two is all about Garvin just surviving. He does, but keep in mind he's basically not got a single piece of offense in the whole match.

But the match goes on with the title no longer on the line. And that's really interesting, because then what's it going to be? Usually, it's the babyface who is chasing and then he's going to get the win on the heel after the time limit. Now it becomes Garvin going for revenge for what's been done for him and trying to survive a pissed off Spoiler who knows he can't get the belt. The match switches between those two themes. Garvin starts by wielding a chair to get back into it. 

Once into it, he tries to get his punches in or to work on Spoiler's leg, but Spoiler is too big and strong. At the same time, Spoiler goes for the claw at times but can't get it on, in part because he has to defend against the punches. He is able to work the leg however. Things build past a few comebacks and momentum shifts to a great ref bump where Spoiler redirects Garvin into him. That allows him to start with the claw. Garvin fires back but Ellering gets a chair in on him. There's an awesome comeback where Garvin has to punch his way back into the ring and a great finish where Spoiler comes off the top but Garvin catches him with a punch. This was a little aimless after the ten minutes were over, but that almost worked in the match's advantage because it was about both wrestlers trying to score points and make something out of the violent opportunity given to them now that the title was no longer on the line.

ER: I love this shit. The crowd didn't seem to want a 37 minute match where Spoiler works holds while weathering punches from Hands of Stone but I sure do. Spoiler has such a unique way of using the ring and using his opponent, and I'm not actually sure the crowd enjoys watching him do anything. That doesn't matter to me, because I am so enthralled with his style. He's great at selling for Garvin, he's greater at beating Garvin's ass, stretching his leg, strengthening his neck with choking. When a match starts with a collar and elbow tie up this good, I guess I'm locked in for 35 minutes or so. I love a tough lock up, the legitimacy of it, the struggle. Spoiler shoving off the bottom buckle to get the small advantage. Spoiler's wide base on his side headlock to bring weight down on Garvin. Spoiler's perfect chinlock that looked like the most violent thing in the match, perfect camera angle on it like we were observing a cell phone recorded crime. I lost it when he rolled to his back to wrench it in tighter. 

Spoiler utilizes the ropes in ways that nobody else has, facilitating chokes that seem like something we should have seen in French Catch. The fans get so annoyed when Spoiler does rope chokes, and he has enough different variations that I'm not sure I can ever tire of them. When he's lying on his back, bending Garvin's neck back over the bottom rope, pulling down and back on Garvin's chin, that's wrestling. Nobody else does wrestling that looks like Spoiler's and that always makes me gravitate towards wrestlers. It's more common that when they do something different, they do it well. Not as many are just allowed to keep doing things wrong if they aren't any good. Spoiler finds endless ways to be annoying, tough ways to work holds. When Garvin misses a kneedrop off the middle - a great magic trick, great form on the miss - he takes over with holds targeting Garvin's leg. 

There's an honest to god reaction from Depressed Ordinary People Donald Sutherland, a man who I can't make sense of. He and his wife are front row center at every Omni show, and neither has shown any kind of interest in professional wrestling. I don't know why they're there. The most logical assumption is that their teen son drown to death practicing for a swim meet and they've been left in his wake to attempt to maintain their routines and move forward while being stuck in a specific year. Like the territories in 1984, I guess. Maybe his wife loves pro wrestling and drags him there every single week and forces him to sit through tough matwork that is the least interesting thing in his world. He doesn't react to any wins or losses or dangerous spots or adept exchanges, but he laughs with the two hesher teens sitting next to him as Buns of Stone Ronnie Garvin has those tight cheeks aimed directly at them. Spoiler has a knuckle lock held from his back, thrusting his crotch upward, to meet Garvin's Stone Buns, the arc of his thrust aimed directly at Depressed Atlanta Donald Sutherland and two teens that aren't made like that anymore. He laughs and shows emotion for the first time I've seen on any Omni show, a man who hates wrestling to his core and just misses his dead son, but can still laugh at wrestling when it looks gay. 

Road Warriors vs. Masked Superstar/King Kong Bundy

MD: I really enjoy 84 Road Warriors. They were raw but had such energy and didn't calcify into what they would someday be. They could have been anything. Hawk just flew around, both on offense and bumping for people. He came off the top at Bundy with an atomic elbow smash and then went for another and took the punch to the gut flip bump. A lot of this was just wondering how they'd be able to contain Bundy which is a great feeling for a Roadies match. Eventually they did it with a missed elbow drop, working the arm (including Hawk going up to the top to do it) and double teaming. Superstar was wonderful here. I haven't seen him as a face with the gimmick much but it had all of 89 babyface Ax fighting the Twin Towers which is a personal favorite. And of course the fans OOOHed for every babyface punch, a magical time. Bundy came back (with Superstar's help; all it took was a little) and hit that interesting inside elbow drop to win it which led to...

King Kong Bundy vs. Paul Ellering (3-minutes)

MD: I like how Ellering almost worked this like a cage match, desperate to escape the ring. Bundy had a lot of fun with him, tossing him about. He hit one kneedrop in the middle which was the most crushing thing I've ever seen. Looked amazing but I get why a big guy wouldn't do it often. He squashed him with a power slam and then lifted him up before finally finishing him and demanding the 5 count as time was ticking down. They really gave the fans their money's worth on this stip.

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Found Footage Friday: OMNI 2/5/84~!

GCW Omni 2/5/84

Jesse Barr vs. Johnny Rich 

MD: Usually these shows have one long match early, either a draw in the first or second match. This went long with the first two and it was done purposefully. The second match went to a draw, but the crowd was primed by the first ending in a pinfall when it felt like they were working towards a draw (at least that's what it felt like to me). We can't know for certain what a 1984 crowd thought, but given it was booked this way, the idea was almost certainly to introduce the idea that a match can end at any point to keep the interest strong for a second match worked long in Thornton vs Armstrong. As much as the crowd liked Rich, and they really liked Rich on this night, Armstrong was the one going for Thornton's Jr. Heavyweight title, and because they wanted to keep Brad strong, that's the one that had to go to a draw. Did it work? I think, as best as we can tell from crowd noise, it did.

The matches were fairly similar. Long holds worked in and out of. Barr vs Rich had more shtick and I probably liked it more accordingly. They did a great bit early on where Rich worked out of a headlock, Barr did a dropdown, and Sawyer elbow dropped him, only to invert the sequence a minute later but have Barr miss the elbow drop. They did another bit where Barr tried to press Rich's hands down in a double knucklelock so he could step on them only for Rich to move his hands and punch him. Or they'd escalate to rope running and Rich would get one on Barr and then when Barr tried it a few minutes later, Rich would drop to his knees and punch him instead. Then a couple of minutes later, they'd have Barr stop short and try a falling punch only for Sawyer to move. Crowd-pleasing stuff. Barr finally had enough and roughed Rich up a bit, but Brett came back big and Barr stooged all over the place for him. Finish had Barr try to toss Rich off the top but get rolled up. 

ER: When I fired up a new Omni show I was not especially seeking out a Young Boys style opener where Jesse Barr works side headlocks while Rich gets kickier the longer he's in them, building to shoulderblocks and knucklelocks. New Japan Young Boys have much better timing on rope running spots but Rich and Barr's timing gets better the longer they do the shtick and it starts to get actively good by the time they're pushing to the finishing stretch. Our Donald Sutherland coffee drinking swinger who is fast becoming the Straw Hat Guy of the Omni is not impressed, chewing his gum the whole time, but it gets good when Barr works the knucklelock into a hand stomp, but Rich is a beat ahead of him and punches him from his knees. Rich has a lot of good working punching from his knees, and things get even better when they work a great fistdrop sequence into it, where Rich lands a nice one after stopping short, and when Barr tries the same thing he punches mat. Barr draws real heat when the 10 minute mark is announced, with only 5 minutes remaining, and he starts picking Rich up at 2 counts, smiling to the crowd like he doesn't give a damn if they go to a draw. A heel not actually interested in winning is hilarious and the crowd rejects his indifference. I love the trick of announcing the 5 minutes remaining, announcing each remaining minute, setting things up for a clear time limit draw, before the babyface escapes with a quick roll through win. I started this too dog tired to turn it off, and wound up completely into what they were doing. 

Les Thornton vs. Brad Armstrong

Thornton vs. Armstrong had much more of Thornton leaning on Brad, especially with a headscissors. Brad would find his way out with headstands and all sorts of other techniques but Thornton would get him right back into it. Eventually, after beating on Brad in the corner a bit with European Uppercuts, Thornton ended up into a hammerlock and they switched to having Brad control that way for the next part of the match. Thornton got him out and started playing king of the mountain, and following up with a headlock as Brad got back in. Brad was able to turn it around and get him out, getting some revenge on the floor. Then as the time was ticking down they wrestled fairly even, both going for opportunities where they could get it and fighting towards the draw. Thornton vs. Brad was harder hitting with meaner holds and maybe tighter work, and still had the crowd going, but I had more fun with the shtick in Rich vs. Barr.

ER: I'm so tired of Good Hand Brad. It's 15+ years of documentation of a guy who refused to take anything to the next level. Act like it means something to you. It has to mean more than how well you can execute a hammerlock, right Brad? Does it ever interest you to take a ring posting in a cool, memorable way, instead of "the right way"? I was born into pro wrestling. My daddy is a legend, my brothers all wrestle. I want to be a better version of Tony Garea. That's my pro wrestling dream. Les Thornton throws a ringpost bump into the aftereffect of an atomic drop, so even among great physique guys who couldn't break out of the undercard, Brad wasn't front of the line. Thornton's butterfly and back suplexes looked like they were trying to actually get the match to a finish as time expired - nice aggression after taking nothing but scenic routes - and I wish they had committed to getting Thornton that inside cradle win at 19:30. 

Ron Garvin vs. King Kong Bundy

MD: Not a ton to say here. We come in JIP. and maybe lose the first ten minutes or so of it actually. We come in with Bundy leaning on Garvin but they build towards these great, great Garvin flurries, first in the center of the ring and then in the corner. Bundy's able to push Garvin away but he keeps coming at him. Just as Bundy really has him in the corner, Ellering comes out and Bundy chases him to the back so Garvin wins it. I assume this was mid-turn for Bundy and Garvin was just sort of there as a babyface to fight along the way. The good stuff here was good but we didn't get quite enough of it.

ER: I was hoping for a big slug out as the only remaining footage, but we get instead a fun build to Garvin throwing punches, working his way closer to Krang with eye pokes and foot stomps and frustrated the largest man in town, before triumphantly teeing off on him. Bundy takes punches like he's being swarmed with bees, and what's even better is he gets his hands on Garvin instantly and beats the shit out of him. Paul Ellering is contractually obligated to appear in 75% of the matches so Bundy just chases him off after beating Garvin's ass. We deserve to see this as a real match. 

Jake Roberts vs. Jerry Brisco

MD: As always, 83-84 Jake is the Jake we were promised: a slinking, long-limbed psychological master. This doesn't go nearly long enough. Brisco outwrestles Jake early causing Jake to slither around the ring trying to escape. Jake uses his reach advantage to cut him off and control. Brisco starts outwrestling him again on the comeback. Jake takes a great corner bump as he runs in and gets tripped. As he's going for the figure-four, Ellering gets on the apron. Jake then gets the ref between them so he can hit a cheapshot and hit the DDT. It was stylistically different than the rest of the card but I would have liked a bit more. What we did get here was very good.

ER: I don't even need to write much about it, I just love the way Jake Roberts moves. This 1984 Omni has given us the slinkiest dirtbag Jake Roberts. He looks and moves like a giant spider version of my cool Little League coach Tom Menghini, who coached us to a title in 1991, smoked, and often wore no shirt. This is six minutes of Jake movement from what might have been his best year of moving. Jake moves so compellingly that Gerald Brisco may as well have been Les Thornton or Brad Armstrong. He could have drawn believable stories with near upsets with any of those men. His powers were larger than life. His is one of our great necessary wrestler looks, a nightmare drunk fan sitting in the cheap upper deck Candlestick seats. His sprawling upside down out of nowhere corner bump isn't enough to rouse a single emotion from our emotional black hole Ordinary People Omni front row regulars, but the cheap seats thunder. I love how Jake sells his annoyance at Brisco's tenaciousness with his entire body. Jake could have been John Tatum if he didn't look so dangerous and so cool. The dismissive way he shoves the ref into Brisco, kicking Brisco in the balls as he does it, is done with the precision of a prison hitman. We've seen a career of Jake giving long limbed perfect DDTs, and we may have just found the purest one. This is how it looks, how it moves. 

Mr. R (Tommy Rich) vs. the Spoiler

MD: Chaos from the get go. More often than not, when we get a new Spoiler match, it doesn't disappoint. He was well into his 40s here but he still moved incredibly well for his size. Very fluid and active. They brawled to start including, Spoiler tossing in the little wooden ring steps and then Rich threatening him while he was on the top. Spoiler was incessant, using the claw, pulling at the mask, teeter tottering Rich in the ropes. When Rich would come back, Spoiler would go high and come down upon him, including just casually walking up the ropes in the middle of the ring to hammer down. He took a huge bump in the corner as Rich got out of the way allowing Rich to come back and work the mask himself. That would happen a few times honestly. Spoiler must have taken three bumps in the corner. This had a crazy feel as they fought around ringside, with Spoiler going for the bell only for the ref to stop him. Towards the end Ellering ran in and Rich was about to tear him apart until Spoiler nailed him with a chair. Babyfaces made the save. Just a great high energy brawl with perfect chemistry. 

ER: We are so over the moon for The Spoiler. Where were we, as a blog, before we wrote about Spoiler matches? He's such an Our Guy kind of guy, a real weirdo, who wrestled as a man inspired by nobody. Tommy Rich is also Our Guy but this isn't a Mr. R match, this is a Spoiler match. Every second of this is a Spoiler match. Even when he's doing something you've seen before, he's doing it in a way that is truly his own. Jardine's rope work is an incredible trick. Nobody else was walking on the ropes like that. Why is such a large man climbing and walking around on the ropes like that, and how does he make it look so easy. He'll use the ropes like he's cornered in a cage, and exploiting a loophole by climbing the cage and still attacking from the top of the cage, as if he's thinking of the ring as a bowl shape and the top rope around the ring as the top of the bowl. But while his rope walking is a cool trick - leading Tommy around by the head as he takes way bigger strides than you'd think possible - I love it even more when he is standing still up there. There's a moment where he knocks Rich to the floor and quickly scales the turnbuckles, then just stands there on the top, lording over Rich on the floor, looking like he was primed to plancha to his death, but just keeps standing. The visual is so odd, he's facing away from the ring but leaning his weight back towards it, defying physics with no respect before leaping off with an elbow. 

He cheats in fun ways that must have been a joy to see live. I loved him throwing the wooden ring steps into the ring before the match even starts, felt like something Terry Funk would do on a northeast indy show in the 90s, just to get the crowd buzzing while he stalks the ringside. My favorite bit was also before the bell, when he pretended to adjust a weapon in his tights just to piss off one small corner of the arena, a small magic trick only meant to be seen by some. His bumping was so dangerous for an old man (one year younger than I am). The way he got hung up by the knee missing a corner charge was something that Chris Hamrick stole and used with a much smaller frame, but I gotta know...is Don Jardine our first flying ringpost bumper? The Great Ringpost Bump has been a thing for ages with several ways to do it, but is Jardine the first guy to fly through the turnbuckles and nail the ringpost? I've seen him do it earlier than here, but it wouldn't surprise me if Spoiler was the one to invent the Cassandro/Super Dragon wrap around ringpost bump. The man had a gift for taking something you thought you'd seen and presenting it in a whole new light. This is a 1984 Omni show so naturally Paul Ellering was required for the finish, but that doesn't take away from this gem of a performance. 

Road Warriors vs. Sweet Brown Sugar/Pez Whatley

MD: Fun first few minutes here as the Roadies stooged and bumped all over the place in a way that would have seemed ridiculous two years later. I enjoy seeing them early on because they feel so different but this was obviously the genesis of what would make them into what they were. Once the extended heat started, the match sort of slowed to a crawl. We've seen this crowd go up huge for Pez but it wasn't happening on this night and they weren't really going up for Young either. It wasn't the most compelling heat in the history of the world but usually that didn't matter so much. Not sure what was going on. Maybe they were just ready to get on to the next program. Sugar and Pez had gotten close with a double headbutt but Hawk broke up the pin and the ref had to toss the match out as it devolved into chaos. But the crowd got to go home happy as Sawyer and Bundy came in to clear house post-match. 

ER: This was worked completely differently than I was expecting and was so much fun in the way it defied expectations, until it just became very boring and lost all energy. This did not go the way you expected it to go on paper, in three different ways: You wouldn't expect Pez and Sugar to control for as long as they did, you wouldn't expect the Road Warriors to be so boring when they went in control, and you wouldn't expect Pez or Sugar to be so boring working from underneath. What an odd match. It's weird (but very fun!) when Pez is in control and Hawk is bumping around for him, and then it's as if everyone forgets how to work a crowd. Suddenly there is no underneath fire from Pez or Sugar, and there is no energy from Hawk or Animal. Some of the loud reactions for Pez in this Omni footage have been revelatory, but here it's like everyone forgot who he was. However, for several minutes, we got to see Pez Whatley smothering Hawk and not let him get any offense in, and that's hilarious. Hawk looks as intimidating as ever, and he just can't get anything going against Pistol Pez...until he does, and opts to do nothing. Such is life. This is the ONE match on this card where Don't Look Now Donald Sutherland fan in. a sad Ordinary People marriage had the correct, bored reaction. 

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Found Footage Friday: NJPW 85~! DANCING ANDRE~! CAPTAIN REDNECK~! INOKI~! BACKLUND~! SHARPE~! ADONIS~! HIRO~!

NJPW 5/18/85

Masked Superstar vs. Kim Su Hong (https://www.youtube.com/watch?v=ZbKieuAaBEQ)

MD: Kim is a South Korean wrestler who shows up on these NJPW cards now and again. I can't say that he stands out much. I love Eadie, love him, one of my favorites, but in New Japan he is so often a gatekeeper, just an incredibly credible wall for people to push off against. He takes 90% of this. Still some neat small things like losing Kim early and then claiming he was oiled up. That sort of being alive within the match. All of his stuff looks mean and credible with both a killer neckbreaker and then a twisting drop down into a front facelock. He also whacks him with something outside of the ring to big effect. Kim does come back late and his stuff is middling, some good, some bad. Superstar drops down on him and nails him with a clothesline to end it.

ER: We don't have Hashimoto/Sano, or the Canek/Enrique Vera tag, but we have Masked Superstar throwing Finlay level clubs to Su Hong's chest and killer knees to the side of the head. I liked how Superstar held the ropes to block a single leg and just went right back to clubbing. Superstar kind of jams Su Hong up on his small pieces of offense, running too hard into dropkicks that really shouldn't have moved him but looked worse with how he treated them. His clothesline looked like a match finishing clothesline and there's a good chance I won't watch a Kim Su Hong match the rest of my life. 

Super Strong Machine vs. Tony St. Clair (https://www.youtube.com/watch?v=5pADWavSmgM)

MD: Just a credible back and forth match. I wouldn't say any of the transitions were particularly interesting but everything looked good. SSM is a tank and St. Clair can hold his own. They traded advantages and holds. Machine had a nice leaping headbutt off the ropes and a killer clothesline. St. Clair turned a headlock into a backbreaker (by slipping out, not a Robinson backbreaker). Good finishing stretch where St. Clair got a nearfall on a sunset flip in but Machine was able to get a German for the win. Wakamatsu got involved pre-match even though Machine wanted nothing to do with him and then tried to attack SSM post match only to get thrashed for his trouble. Added a little spice to what would have otherwise been a meaty but straightforward midcard match.

ER: This crowd is so fired up for Super Strong Machine. He was getting clapping Misawa-type chants during his entrance. I wasn't expecting Tony St. Clair to look larger than Strong Machine. My mental pictures don't always give me accurate reads but both are 15-20 pounds in the opposite direction I picture them. Made it look good when Tony started hitting Machine. SSM can work real tough and St. Clair looked like he was moving him good with his back elbow and uppercut, sharp front chancery. His dropkick pushes up under the chin and he makes a whip into the buckles look like it made all his limbs go briefly numb. I like the way these two hit each other. St. Clair is great at leaning into lariats while selling how much he doesn't like taking them. Strong Machine has one of my favorite German suplexes. Both of them work exactly how Bret Hart would have worked New Japan in 1994. 

Kengo Kimura/Seiji Sakaguchi vs. Adrian Adonis/Dick Murdoch (https://www.youtube.com/watch?v=5bqyZdnuwVU)

MD: Honestly, this is yet another all time Murdoch performance, and on a house show too. Granted, the stuff I loved here was stuff Meltzer wouldn't have liked anyway but what are you going to do about it. For instance, there's a moment in the middle where Sakaguchi's on a rampage. He takes out Adonis and then goes to the apron to get Murdoch and Murdoch moves to the other side of the post and the crowd cracks up. It's great. But it's such a tiny little wrestling thing. His reactions are great throughout. The way he takes the Inazuma leg lariat by covering his face like he'd just lost his nose is amazing. Dick Murdoch. Captain Redneck, or as they call him in NJPW, the Super Rodeo Machine.

This had a great heat on Kimura where he kept almost coming back and Murdoch and Adonis would just make a quick tag. Eventually, instead of going for a hold, he threw a dropkick instead and made it to Sakaguchi. They did another bit of heat on Kimura and then a big hot comeback. Everything ended up thrown out. Post match they had both a great bit with a chair and being afraid of it and an even better one of double elbowing the ref. Great stuff.

ER: Great Dick Murdoch handheld matches are the best, because not only do you get to see Dick Murdoch being the greatest pro wrestler, but it makes me think of DEAN. To take us back at least 15 years, the moment I always remember from Segunda Caida Radio - something I am not sure exists online anymore, but was loved by all the real SC Heads - was DEAN making fun of Meltzer for thinking Dick Murdoch was a guy who only worked for the cameras. By then we had a lot of handheld footage and had all seen Murdoch wrestling exactly the same as in all of his great matches. DEAN had seen Murdoch live. We were all talking about how great Dick Murdoch was, but DEAN was the one who saw him live and knew how good he was off camera. I always think about DEAN doing a bit as Murdoch, where he's dogging it in Korakuen and does a Don Knotts reaction when he sees a Japanese guy in the crowd with a huge 1985 camcorder.  

This is the only match on this show that doesn't have a listed cagematch runtime, and I didn't realize it would be the longest match of the show. And in that time, Dick Murdoch kept putting on a performance that grew in elegance the longer they went, arguably peaking two minutes after the count out when he got cheers for beating up the referee and then running shenanigans around a chair swinging Kengo Kimura. The match goes long enough that we get several momentum shifts and each one peaks the action and story and Murdoch grows with the story. I think my favorite part was when he had been worked over for awhile and got to tag out, and he stayed in the ring shaking out and rubbing his arm after tagging in Adonis, not participating in but watching Adonis lay a beating on Kimura. The cattle branding looked like a wild rapids ride, his punches matched the energy at all times, and he sold Kimura's like they were the stiffest punches of the match. The fans treated him after the match like a charming folk hero. 

The Cobra (c) vs. Hiro Saito (https://www.youtube.com/watch?v=BIud5l0HlGc)

 

MD: I am not at all a Cobra guy. I think some of his Rocco matches are really bad, for instance, as he tried to fill a post-Tiger Mask gap and ended up with the worst of two worlds. A lack of substance and not even all that much style. Action for the sake of action and the action tends to frankly just be okay. This was great though, and so much of that was on the contrast. Saito is the prototypical cruiserweight bully and he gave everything weight and heft as the two of them threw everything they had at each other.

 

That meant that when Cobra was going to do an unnecessary backflip charging at Saito in the corner, Saito would come back and take his head off with a lariat. Or if he'd get pushed off after a kick and do another backflip within the ring, Saito would dropkick him out and crush him with a dive. They worked it like a title match starting with holds and going back to them, building to big spots and exchanges, with meaningful momentum shifts usually based around a big reversal/mistake/missed move. As time went on they traded some really great pile drivers and the dives you'd expect. Saito got a German mid match but couldn't put away with it and down the stretch Cobra finally escalated to a Tiger Suplex for a win. Very good lost Jr. Heavyweight Title match.

ER: We don't really talk much about how cool Hiro Saito is, and for how long he was cool. He's cool in all the eras. He was cool when I started getting New Japan tapes in 2000, and he was a bleach blond black beard surf punk with a tight bod, punk groupies and surf licks. Cobra feels like a throwback in 1985 by comparison, and it's punk scum vs. Mil Mascaras. Cobra's Mil hits hard, and Saito keeps spiking Mil with martinetes. The crowd was real into Saito's grounded piledriver when Cobra tried standing out of a headscissors, and they kept coming alive when they see how tough and well worked. I knew it was really good when Cobra's cravat into a stump puller and how Saito slowly powers out of it by eventually digging into Cobra's mask and hitting a GREAT fistdrop. Direct, hard. His piledriver after is perfect. Two kids in the crowd invent TomK's famous Dueling Chant 15 years before he did while Saito takes a crazy bump getting dropkicked to the floor. Cobra's kip up to dropkick is as beautiful as anything by our most graceful lucha legends. Saito hits a massive tope that is what you want a tope to be. I was going to write about how Cobra's flying offense isn't as good as his matwork and hitting but then he hits a piledriver so good that I felt I shouldn't harp on his lesser offense. Hiro Saito is so good. He's such a hard bumper, and strong, and fast. His forceful kickout just after 3 is the exact right energy. 

Andre the Giant vs. King Kong Bundy (https://www.youtube.com/watch?v=0kntbQ5SjUs)

 

MD: I wasn't going to cover this one since it was already out there, but it's pretty remarkable. My gut says that this was during the period where Andre was really breaking down, before his surgery and the switch to the singlet, but also before he really figured out how to work his late era style. So he was left in there against Bundy not entirely sure what he could or couldn't do. And what he ended up doing was being as entertaining as humanly possible. Yes, they did the bit where Bundy walks up the ropes to try to escape a hold and gets dropped, but Andre's mannerisms and little dance moves in this one are all over the place. Little shuffle steps. Hand motions. Weird faces. Outright dancing. He doesn't do the Fargo Strut but basically everything else you can imagine. And the fans do respond to it. I mean, who knows. Maybe he was just ribbing, maybe he was drunk, but I've only ever seen him do one or two of these little crazy finger motions or screw around like this, not build a whole match around it.

ER: I think every single Andre match I write about has me talking about some little thing I've never seen Andre do before, and I always mean it. But this Andre is an entirely new Andre. This is a house show taped by some saint, and without it I'm not sure we ever get to see Andre as a dancing babyface. It's incredible. I've seen Andre do something that could be considered sassy before but never a full match of him working as Dusty Rhodes. It's incredible. It doesn't start right away, but when it starts it does not stop. It feels like it's going to be your standard great Andre performance, smothering the humongous Bundy, muscling him into corners, hooking him in heavy sleepers, and I was excited about how he was going to sell for Bundy's comebacks. But when things take a turn, they really take a turn. I certainly was not expecting Bundy to walk up the ropes like Bret when Andre had a sleeper locked on, a real Dig Up mentality, and when Andre just drops the big man flat the crowd erupts. 

That's when Quirky Andre comes out. He makes the cuckoo sign, twirling his finger around his ear, and then does a kind of soft shoe routine, a little tap dance with a hard final step, like he's letting everyone in on his bit. If he'd had a cane and top hat it only would have made more sense. He keeps it up. While holding Bundy in another standing choke, he floats some butterfly steps, skipping in place in a movement that I have not once seen Andre do. He becomes Dusty Rhodes, flip flopping and flying. Bundy himself seems confused, he doesn't seem to understand the timing of the dancing and the strikes, leaning out of Andre's first punch after a perfect dance, so Andre has to catch him even harder with a backhand. This is truly an Andre I've never seen. Bundy takes a huge bump over the top to the floor and eventually just leaves, but not before more Andre dancing. How does history's greatest wrestler keep raising his stock? You think you've seen everything the biggest spectacle in wrestling history has done, but he keeps bringing out new tricks. This is no different than if a dancing babyface Stan Hansen match had just been discovered. It's bizarre, it's great, it's nothing you've seen. It's Andre.   

Bob Backlund/Iron Mike Sharpe vs. Antonio Inoki/Tatsumi Fujinami (https://www.youtube.com/watch?v=PsW8GclZnt4)

 

MD: Honestly, I was here for Backlund vs Inoki and we really don't get that. What we do get is very good though. A lot of it is Sharpe being as vocal as humanly possible in a ring but entertaining and credible. Most of the rest, though, is Fujinami vs Backland and of course they match up so well. They matched up well years earlier and they match up even better now that Fujinami is a credible heavyweight. Right place, right time, smooth, slick, imapctful. And yes, they do a great short arm scissors sequence leading to the Gotch lift, just like you'd want. I just wanted a little bit more Inoki in here though. 

ER: I went into this wanting the most Popeye noises ever heard in one wrestling match. This was our chance. I wanted to hear Backlund and Iron Mike Oh-Whoa-Whoa-Whoaing all over the ring in the only time these two ever tagged. But we didn't get that. Backlund ceded the constant vocals to Sharpe and Sharpe ran with them. Backlund was shockingly silent. 1985 Backlund is interesting. It's his first year at sea after his long reign on top. I wonder what drove him to wrestle that year, seeing how much he pulled back for several years after. He surely could have been working regular Japan schedules had he wanted to, so he clearly just didn't want to. He only worked this one short New Japan tour and now we have another small piece of it. Sharpe vs. Inoki is an amusing footnote. You look at this tag and you've never seen a more obvious Taking the Fall guy than Iron Mike. Backlund's matwork with Fujinami was something I could have seen a lot more of. The crowd was so into Backlund's slow powerful reversals, but most of this tag felt like it was just about to kick into gear and never really did.

COMPLETE AND ACCURATE ANDRE THE GIANT

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FOUND FOOTAGE FRIDAY: OMNI 2/26/84

 

Jesse Barr vs. Pez Whatley

ER: A match made completely worthwhile by the finish. Up until the finishing stretch I was prepared to write "Yep this sure is some undercard wrestling. Well Barr did work his chin lock fairly effectively and I appreciate that" and be done with it. But then we go on an excellent one minute run to finish on a perfect high note: Barr throws Whatley through the ropes to the floor, fast, and the cameras pan to Whatley and what appears to be a ringside security guard facing away from the ring while eating popcorn and literally reading a fucking magazine. When Whatley tries to get back in the ring he's greeted by Barr's legitimately great kneelift - the best piece of offense all match - and I love how Whatley's reaction is to get obliterated by the kneelift and desperately try to roll back to the floor before being dragged back in. All of that is made worth it by Barr taking one of the greatest banana peel bumps I've seen when Whatley sweeps his leg. Barr made it look like he had no idea the football was being pulled. 

MD: Nice way to get acclimated to 1984 here. The ref, especially does a great job in both checking Barr before the match (showing Barr that if he doesn't agree, then he'll declare Pez the winner) and then catching the hairpull on the top wristlock cutoffs the second or third time Barr does it. Barr was maybe 25 here and you had to wonder what his ceiling might have been at this point. He looked good, high energy especially on a kneelift catching Pez on the way in and then bumping big for Pez's finishing stuff, and Pez, of course, knew exactly what he was doing and played to the crowd well between it. Ok opening match but I'm glad they didn't decide it needed to be a time limit draw. 

TKG: Fuck all that, this ruled and was ridiculously hot for an opener. Pez Whatley backdrop driver may be the most impressive suplex on a show with great throws. Just holds Barr up in impressive lift before perfectly dropping him. Whatley just looks like a hoss throughout this dominating on mat. Why wasn’t Whatley in the Varsity Club? Why didn’t he get a Triple Crown title challenge. You watch that suplex and shocking that it wasn’t finisher. Barr actually hits a desperation knee to get straight back on offense. And really the high knee lift is Barr’s only move. Was Barr doing a loaded knee pad gimmick? Barr refuses to let ref Scrappy McGowan check his kneepads before the match until Scrappy threatens him with DQ, all of his offense and comebacks and signature bump built around knee lift. Hits a knee lift for control and then slaps on a chinlock. Whatley wins with this high neck yolk move (instead of a bulldog from behind he yolks opponent down from the front), Whatley goes for it several times and never quite gets it till the win. First time, I thought it was a crossbody that he got too much height with, second time I thought it was a Mil style in ring tope and when he finally hits it clean, clear that is what he was going for and match is over. The moves based match structure had a real first round of a early 2000’s Super Eight feel to it, and you could totally see Ketner booking a Billy Fives, Scoot Andrews, Barr, Pez 4 way dance for the next month.

The Spoiler vs. Johnny Rich

ER: Spoiler standing on the top rope looks like a magic trick. It looks like an illusion. He's standing so still, like he's not even standing on anything at all. Don Jardine is a man the same age as me and twice my size, yet he stands effortlessly on the ropes with the grace of El Hijo del Santo. Watch him. Watch his entire body. At one point he appears to be only standing on one leg, right leg on one set of ropes, left leg on another, until one of the legs lifts...and the rest of his body doesn't move. His entire body is still, no part of him looks like he is countering weight to maintain balance. He looks like he is standing on solid ground. He looks incredible. You've never seen anyone walk the ropes like Spoiler. Fenix, Komander, Elix Skipper, any name, none are comparable to what Spoiler does. 

I could go on and on about the unreality of his rope work - if this wasn't a full card and only this match, I would write several paragraphs on him standing on the ropes - but maybe the greatest thing about it is how he uses his rope work for heel heat. I don't think there has ever been a heel who has used "look how well I balance on the top rope" as the basis for his heel heat, but there is Spoiler on the top rope, striking and holding a pose like a large buccaneer, showing off his balance to a bunch of husbands and wives out on a Sunday. The Spoiler draws heat from standing still on a very high point, and the crowd starts coming alive for Rich's comeback because of it. Johnny Rich does this thing where his punches keep looking better the deeper into the match we go, and it makes the crowd louder and more responsive. And then my man hits the blade for Spoiler's claw, and we get this incredible, violent, wrenched in claw that Spoiler made look like he was breaking Rich's entire upper torso. The shot of Rich, still standing, body being contorted while held in the claw, blood covering his face quick, made me go from "Man Spoiler matches always deliver" to "oh wow they did something special in just 6 minutes". 

MD: Great look at the Spoiler and I'm glad people will see him that are unaware. Hot start to this as he clubbers right away in the corner only for Rich to fire back. But then the size advantage takes over as he just hefts him up and then tosses him into the corner. The rope walk elbow drop is just super striking because he does it with ease and without hesitation and he followed it up by draping Rich in the ropes and kicking the ropes and they made it look great and painful. Someone needs to steal that. 

Rich eventually rolls in (and to the other side of the ring so he can recover) and fires back with jabs, but pressing Spoiler into the corner is no good. He'll just grab your head and use it to steady himself as he walks the ropes. From there, he started utilizing the claw, getting Rich out of the ring with it and then immediately catching him on the way back in, leaving him a bloody mess. I'm happy people will get introduced to Spoiler this way (And Rich was perfectly fine in his role with fiery but futile comebacks).

TKG: The Spoiler putting Rich in a cat’s cradle is the greatest yo-yo trick ever done with a wrestling ring..

Ted Dibiase vs. Mr. R

ER: This was not designed to be a great match, but instead was worked like the first six minutes of a bigger match, all basic Mr. R side headlocks floated over into Dibiase pin attempts and then back again. I had never seen any of the Mr. R angle and my favorite part of this was Rich avoiding Jesse Barr and Spoiler's attacks as he rolled out of the ring and jumped the rail. The fans were into this and all they did was headlock shoulderblock stuff, showed how over the full angle was. 

MD: We had maybe 25 seconds of this previously. I imagine those might have been the 25 seconds we needed but we have so little actual Mr. R footage, this is still interesting. They worked the first five minutes of a very conventional match with the usual chain wrestling. Dibiase was very into it and this was fine, but it's interesting just how normal and conventional it was. After about five minutes, Dibiase calls his cronies in and the heels all try to get Mr. R's mask, but he darts out of the ring like a trickster and hops the rail and wins by DQ. The energy at the end with the angle bit was very good but this was really all just a tease.

TKG: There was some cool fighting for top wristlock stuff here but this reminded me of a lot of the Mid South Dibiase technical fussbudgeting with no direction killing time before the loaded glove finish. I kind of need to feel like you are stealing a win for me to get mad at a DQ.

Les Thornton vs. Tommy Rogers

ER: My God Les Thornton is a little tank. Tommy Rogers had a real credible side headlock and he really cranked it in a few times, especially on one spot where Thornton tried to push off, but just when I thought I knew what snug was, Thornton made me say "whoa" aloud (in the bathroom at work where I was watching this) at how violent his reversal to headscissors was. Thornton pulled off the headscissor with such speed and force, in a way I haven't seen. Rogers couldn't have stopped this if he wanted to. Made me want to see a Thornton/Finlay match. Every headscissor looked great and Rogers sold his frustration in them so well. His hair pulls are done with such a quick snap that it made me smile when Rogers finally broke a headscissors with a knee straight to the head. Rogers has a clean sunset flip that looks like an actual pin, and Thornton really thunderclaps his ears with his legs to break. Love the bounce Rogers got on Thornton's butterfly suplex and how both men made every headlock exchange look like actual struggle and applied pressure. The finish had a couple things that didn't quite work. Thornton has a way of taking Rogers dropkicks that makes Tommy look like a chump, and Rogers tried a back suplex that saw him dropping Thornton's full weight onto himself. Thornton's pin reversal win looked like it didn't even have half the leverage of any of the headlock/headscissor exchanges. Basically I loved the first 13 a lot more than the last 2.   

MD: I thought this was going to be wrestled straight but as it went on Thorton leaned heel. There was a lot of ref interaction early. I liked him the first match but he got a little too involved here turning holds over, kicking the arms off when they were holding the ropes, etc. They did some really neat things with headscissors right after pins including a transition into a takeover from Rogers i'm not sure I'd ever seen.

The match opens up midway as Thorton starts to introduce heel tactics. It leads to a really big extended comeback by Rogers where Thorton keeps trying to cut him off but can't. That played more to Rogers' strengths so it was better than if this was just wrestled clean. The fans were pretty into it by the end and when Thornton holds onto the tights to win, they are very much not happy with him.

TKG: Meltzer wrote about Malenko v Benoit from Road Wild that it would be a great match with a different audience and I was like “fuck that, they would have worked it differently for different crowd”,,,the best part of that match is how hostile the work was making the crowd. I was joking with Phil the other day about a Les Thorton v Scott Mcghee match which the WWF had booked to kill heat and send crowd to concessions. I assume Vince Sr was getting percentage of concessions and built into his card formula were these log technical draws that were intended to get a hostile crowd response and send people to concession stands and my memory of Thorton v Mcghee was that crowd started “boring” chants from moment they came to ring but actually never left their seats for concessions, transfixed; just couldn’t take eyes of one guy has a headlock which other guy counters with a leg scissors and just got more and more hostile about the idea that it was holding their attention. Match had a bunch of same elements while that one was built around egging on hostility while this is built around the pops for the face and encouraging the cheers. We don’t build matches to kill crowds anymore and kind of miss it as an art….but this was really cool too

Wahoo McDaniel vs. Nikolai Volkoff

MD: Basically a slugfest. Volkoff had big over the top punches. Wahoo had straight shots and chops. Volkoff did do this one shot to the face that I thought was amazing and Wahoo, as he was firing back, did a chop where he just ran through Volkoff in a way that I hadn't seen him do too many times before. Volkoff did get one bearhug in there but it was functional and led to a wild clap escape by Wahoo. He hit both of his backbreaker variations (including the press slam one). Things got wild on the floor with Wahoo dodging a chairshot. This was one of those matches where it was just interesting to see how they made the noise for their strikes. Not stomps so much as recoil jumps, things like that. Eventually the ref, who had been all over the show as noted, tried to get in the way of a Wahoo choke and both guys ultimately tossed him for the no contest. Wahoo tried a bunch of elbowdrops to crush Volkoff but he kept on rolling to safety.

TKG: Crap, was Nikolai Volkoff always this bad? It is Wahoo, you can hit him. He won’t cry. Volkoff’s lift before backbreaker is always impressive but c’mon. Wahoo keeps on leaning into strikes and Volkoff pulls them even more. Aways a joy to see Wahoo tee off on someone but Volkoff is a shitty guy for him to be stuck against.

ER: Damn, was Nikolai Volkoff always this good? Do I like Nikolai Volkoff now? Wahoo is Wahoo and the chops (more than one to the face!) are great and his comeback had the heaviest shots of the match, but has Volkoff been good this whole time and I just haven't sought out any of it? Is the Don Muraco Eastern Championship Wrestling Title match good? Is the '94 WWF run good? Volkoff was a big weird guy here and I loved the way he kept awkwardly kicking at Wahoo's forehead like he was Bad Taue. Imagine how great Volkoff could have been had he just been Bad Taue? He throws his kicks up with the same awkwardness of Taue, but with normal body proportions so his legs aren't as long. He does two great backbreakers to Wahoo. Well, one good back backbreaker and one incredible backbreaker. Volkoff is one of our few wrestlers to make gear a part of his backbreaker. It must be so humiliating to not only have your back broken, but to have your singlet or trunks stretched and wedged and rearranged during the lift. Volkoff kept lifting higher and Wahoo's singlet kept stretching further, an insult I think worse than mussing someone's hair. He bumped bigger than I expected when Wahoo started firing back, getting upended by a running chop and pinballing all the way across the ring for Wahoo's excellent shoulder shrug to the jaw. 

Jake Roberts vs. Ron Garvin

MD: Just an exceptional match. With these GCW Omnis, we see the Jake Roberts that we were always promised, the master of psychology, of bringing the crowds up and down and using every dirty trick. He was good later on but was too much a babyface and without the room to breathe like he had here. His ribs were taped coming in so we had his reach and leverage and dirty tricks and Ellering at ringside against the promise that at some point in the match, Garvin would get free and use the hands of stone to punch those ribs. 

They built it and built it and built it, Roberts leaning hard on the ref disallowing punches and utilizing every hairpull, tights pull, piece of rope to choke, distraction from Ellering, everything he can manage. At one point he goads Garvin into the corner (with Garvin having the advantage) only for Ellering to pull the leg out. So much of the match is just a seated armbar, but they work it so well, with hope spots like Garvin pulling Roberts' shirt up to expose the taped ribs, just that. It's so good. He gets him once but Roberts' escapes, and then when he finally gets him and ties him up in the ropes, laying in shot after shot, the place comes unglued. The ref takes a great bump and while Garvin's able to stop Ellering from using the chair, Jake blindsides him and DDTs him on the chair. When the ref comes too he hits a couple of insult to injury elbow drops for the pin, keeping the program going and getting huge heat. Just a brilliant match, maybe even a perfect one for what they were trying to accomplish.

TKG: I think of Garvin as a guy who is relentless on offense, and less of as a guy who is really great at selling but he is…he isn’t bumping for strikes but somehow by standing tall and selling the toughness of not going down, he makes the strikes look far more legit. Also I am so used to TOUGH manager Paul Ellering, that exasperated throwing hands in the air freaking out Ellering was super fun.

ER: 1984 t-shirt Jake is such an amazing era of Jake Roberts. He never looked more like the most dangerous Molly Hatchet roadie. The load out guy who everyone fears but everyone knows is the guy who can get you crank...and beyond. He did not look like a wrestler or move like a wrestler and it's what made him one of the most compelling wrestlers. He did not throw his uppercut like a wrestler. When he throws five downward punches at Garvin's face when Garvin has him by the leg, he punches like a carny. When the throws cross chops at Garvin's throat they're...maybe the best non-punch strike you've seen. Jake is wearing a t-shirt to cover up his taped ribs, and this might be the only Garvin match I've seen based around him throwing body shots. Once he starts teeing off on Jake's ribs, even tying him up in the ropes like Andre, the crows loses their mind. The whole thing is incredible. Roberts stifles Garvin for so long and escapes at the right moments, and it all burns down as Roberts is finally getting his ribs battered while he sells it like he's doing kabuki, bent at the waist on tip toes. The finish is dynamite, with Garvin being spiked right on Ellering's chair with a DDT. You can't fake the way Garvin takes this DDT, that's a man going vertebrae first onto that chair. The best past is Jake doesn't pin him after that. He rouses the ref by shoving him the way a big brother would shove his little brother after calling him numb nuts, then when the ref is watching he falls onto Garvin with an elbowdrop. He grabs at his ribs on impact, totally worth it. Had this been on one of the DVDVR 80s sets, we would have called it one of the greatest Jake matches. Now we can. 

The Road Warriors vs. Stan Hansen/King Kong Bundy

PAS: In my mind this is an insane Kaiju battle, a tag version of Andre vs. Hansen. It wasn't that, much more of a traditional tag match, but it was delightful. I am going to leave Eric and Matt to rhapsodize about the initial lock up, but man was that beautiful stuff. We don't have a ton of Road Warriors stooging and bumping, and they do a great job of that early, I can't remember seeing Stan Hansen working face in peril, and we get a nice spoonful at once, I have definitely not seen hot tag Bundy, and hot tag Bundy was incredible. I wanted a bit more of an explosion at the end, it felt like this was a match setting up a huge gimmick blowoff, which never happened, but man what a treat.

MD: Finish or no finish, the fans got their money's worth on this one. It was, in some ways, very weird in the entire history of wrestling. GCW Roadies were still raw, were very willing to stooge and show ass in a way that they really wouldn't later. Bundy was a big towering babyface, and Hansen played face-in-peril. We don't have a ton of performances like this out of him. 

When they did finally take over on him, it was by focusing on the arm, the old Hansen standard, but his hope spots were great and rousing, just big booming attempts to fire back, with the fans getting behind him, before he'd get cut off. There were only so many teams in the world that could believably keep him down like this but the Road Warriors in 84 were on that list and they really made it work. Bundy coming in at the end was like a wrecking ball and yes, this broke down with Ellering grabbing Bundy's leg and all four guys firing off until the ref called it. It's great that the Road Warriors became what they did, but I do wonder what I would have looked like if they stayed on this road instead. Just a tremendous Hansen performance overall and a new piece of a puzzle that was already feeling complete. 

TKG: This was way more a standard tag than I was picturing but a pretty great standard tag. I assume most of this will be covered by everyone else but I really loved all the Hansen face in peril trying to make sure that he still was getting blood flow to his fingers while the Road Warriors working over his arm.

Ric Flair vs. Brad Armstrong

MD: This went how you'd expect it to go except for that maybe it stayed clean (though with Flair still strutting when he did well) for quite a while. I loved Brad's energy on his hope spots/comebacks. The bit where he climbs the bottom rope to start firing back on Flair was great and I want to see Daniel Garcia implement that as part of his act ASAP. Just super, balanced pro wrestling with a little something for everyone who might be watching in 1984. More of this please, and soon.

ER: I want to know more about the Donald Sutherland/Kurt Vonnegut led couple who left at the same time with the cool younger leather jacket couple. Leather jacket guy had his hand on his girl's inner thigh and they had just found out this Brad Armstrong headlock had hit the 10 minute mark. They made a look before both getting up at the exact same time and I didn't see a single solitary second the rest of the show where it looked like they even know they were there. A bunch of kids take their place and the 13 year old on the end is wearing a sleeveless Union Jack and has his arms crossed the entire time. He's the fucking coolest 13 year old I have ever seen at a wrestling show. 

TKG: The weird thing about the “traditional long slow build Flair main event” is how fucking fast paced it is. Like this is the fastest paced match on show. In theory Flair is trying to slow it down but it never slows and just builds. I also really like the way it feels like 2/3 falls match where it has parts, an initial technical fall section, a brawling section and a quick running exchange section that feel like they build off each other. At one point Flair does his first set of chops during the technical section to regain control and those are completely different than the type of chops he does during the actual brawling section.

TKG: Referee Scrappy McGowan worked this entire show solo and it is a real impressive performance. HE is neither a tough ref who is completely in control nor a ref in over his head struggling to assert himself but instead just a perfect medium. Guy who gets manipulated by heels but also stops heels from cheating. Of the Georgia refs, he isn’t one that I think of as getting talked up but he was really great throughout this show.

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Found Footage Friday: MISAWA~! FUCHI~! SLAUGHTER~! BUNDY~! GANG~! PG-13~! DOUGIE~! TN VOLS~!

Mitsuharu Misawa vs. Masa Fuchi AJPW 3/24/92

MD: For the first 4/5th of this, Fuchi really had Misawa's number. He started out by bullying on the mat, so Misawa stood up, but he pressed him into the ropes to lay in shots. Misawa started to fire back as he would, so he picked at a leg and never looked back from there, spending the next ten-plus minutes just dismantling a limb as only Fuchi could. Every time Misawa started to come back, Fuchi would cut him off with a quick kick to the knee. He kept it moving and interesting too, using a tree of woe followed by a dropkick, a shin-breaker onto a table on the outside, and an STF. The fans were behind Misawa and took serious umbrage every time Fuchi went too far. He couldn't quite put him away, but I like how Misawa couldn't use his first choice of moves to come back. He couldn't hit a suplex so he had to shift to a DDT, that sort of thing. A lot of the comeback and stretch was about him just grounding Fuchi and hurting him however he could. I wouldn't have minded Fuchi getting a nearfall towards the end, but this instead portrayed a much clearer and cleaner momentum shift and that was probably a story worth telling in and of itself.

ER: If the idea of Masa Fuchi savagely attacking Misawa's knee for 15 minutes sounds appealing to you, then you are going to love this match. I don't know who out there would be reading Segunda Caida and also not be into Masa Fuchi punching someone's knee as if were pizza dough, but I'm sure they're out there. I don't think there are that many wrestlers who can make 15 minutes of leg work as interesting as Fuchi, and I think a big part of that is the pure joy Fuchi derives from it. This is not a man mechanically working over a limb, this is a man who is doing his favorite thing in the world and is unable to hide that it is his favorite thing. All of the work before the leg work was really good, with Fuchi locking in a super tight side headlock and Misawa dishing out sharp elbows whenever he had some space. But before long Fuchi is kicking Misawa with some downright evil straight kicks to the inside knee, throwing low dropkicks that are clearly aimed at the patella and not the lower thigh, and you can see Misawa starting to flounder. 

There is an amazing spot where Misawa misses an enziguiri, and Fuchi hops in place with his arms extended, knowing he has a sitting duck, before connecting with one of his own. It's the closest I've seen to a native All Japan wrestler pointing to his head after out-thinking his opponent. Fuchi does some brilliant work around the turnbuckles and ringpost, placing Misawa in a tree of woe and DIGGING his elbow into that knee, then dropkicking it some more for good measure. When Fuchi drags him to the ringpost, I'm not sure I've seen a man slam a leg more gleefully into a ringpost. Fuchi even takes a running start to do it! Fuchi slams Misawa's leg into the post like he's trying to slam his front door as hard as possible after an argument with a neighbor. I like how the legwork affected Misawa's abilities to perform some of his offense, making him adjust his offense to use more leverage throws and just try to flatten Fuchi out to stop him. That knee does not stop Misawa from hitting a top rope elbow suicida and a big frog splash, but the man took all that damage and if he wants to hammer his kneecaps a little bit more on a house show, who am I to judge? 

King Kong Bundy vs. Sgt. Slaughter USA Pro Wrestling 8/22/97

MD: I have a lot of faith in Eric's ability to write this one up, but a few things did stand out. Slaughter was billed as the new WWF Commissioner and a 5-time World champion, which is pretty interesting math. Just having the WWF title one time is impressive enough and it's not like being a former US champion isn't, in 1997, more impressive than having the AWA America's Title or whatever they made for him. Bundy, in a back and forth in the ring, said that people were saying he got the commissioner's position in an unsavory way, which feels quite timely actually. They led off with a good battle over a top wristlock. I was kind of disappointed Bundy didn't end up pulling the hair because with guys of his vintage/era/style, I want that Studd-like dissonance of the huge guy resorting to cheating. Sarge got an advantage but hit his signature corner bump to the floor which looked particularly good onto the Newark ballroom carpets. From there, Bundy basically leaned on him with one hope spot until Sarge pulled him out, rolled back in for the countout, and rolled right back out to toss chairs at him until he retreat away. I'd call this a very competent Bundy performance. He'd interact with the crowd and mock Slaughter with a salute and even moved quickly once or twice when it meant something. The brawling on the floor was pretty good which was a little disappointing because they could have done more with that. Anyway, let's see what Eric has to say.

ER: It is true that I'm the one who pushed to include this match in NFF this week. Slaughter wasn't exactly working a ton of dates by 1997 and the idea of him working a Holiday Inn conference room in a year where his only other match was a long PPV match against HHH was far too compelling to pass up. I also loved Bundy's pre-match mic work, deftly tossing off two major insults in two sentences, one taking down the city of Newark and the other a sly takedown of Slaughter. Every heel is going to insult the local town, but some insults are better than others, and Bundy grabbing the mic to say, "I come from SOUTH Jersey, GOD'S country, not this god forsaken nuclear wasteland NORTH Jersey." That would have been a perfect win on its own, but following it up by implying Slaughter did morally ambiguous acts to earn his WWF Commissioner job was pleasantly unexpected. 

The match played well to each of their strengths, with Slaughter backing up Bundy with nice right hands and doing his best to stick and move. A year ago I wrote up a transcendent WWF fundraiser show from 1992 that was among my favorite things I watched all of last year. This was a show that was unlisted in official WWF records, with a Berzerker/Sgt. Slaughter match the main selling point for me. I was shocked that Sgt. Slaughter did his signature bump on that show, a show that was only being recorded by some dad with a camcorder. Well, here we are 5 years later and Slaughter - nearly 50 years old - is taking that bump as fast and dangerously as ever, crashing and burning across the unpadded Newark Holiday Inn carpet. Slaughter's corner bump is often majestic, and the one he takes here is one of the greats, not even accounting for age and venue. It's a nice turning point in the match, with Bundy keeping Slaughter down for a bit (and Slaughter taking a nice brick wall bump for Bundy's back elbow), and I liked how Slaughter hit three shoulderblocks on his comeback, knocking Bundy down on the third but missing a big elbowdrop to give the control back. I also agree with Matt the the floor brawling was really good and they easily could have done a couple more minutes of that and sent the fans home with a truly memorable main event. Bundy took a nice ring posting and they threw a couple of those rigid hotel ballroom chairs at each other, ending with some nice chaos before a post-match highlight reel makes me want to see some 1997 Cousin Luke matches that I didn't know existed. 

Doug Gilbert/PG-13 vs. One Man Gang/TN Vols (Reno Riggins/Steven Dunn) MECW 1999

MD: If the last minute or two went a little different this would have been just about everything you could want from a 10 minute match. Gang felt like an attraction and got to knock around JC Ice early, with Jamie doing sort of an Akeem dance mock and then paying for it. Midway through the ring broke and they used it to beat Dunn to a pulp. They had a ref distraction to miss the hot tag to Gang, and Dutch Mantel was on commentary so that was fun. The hot tag was good but it went to Reno instead of Gang which was the cardinal mistake in the match. I thought they might do a little bit more heat and turn it around and then have Reno tag Gang but he just came in. There was also some interference around the finish that was probably unnecessary and Dunn made the pin as the illegal man, which was what it was. Plus, the match could have used just a little more Doug. All nitpicks though because what we did get really did work both for me and the crowd. The finishing sequence was brutal with the Vols doing a double slingshot belly to back set up into a facebuster and then Gang hitting the 747. Pretty much an all time way to put a guy away. It's kind of exciting to think what other matches like this will turn up as Bryan Turner keeps going through his tapes.

ER: A very fun match, pretty much exactly what anyone going out of their way to watch this match would expect, only with a truly confounding ending that goes completely against what the entire match was building towards. It started out a bit shaky, with Wolfie having to do all the work to cover up all of the work that Steven Dunn was not doing. PG-13 are two guys that could work a great armdrag bump against the Invisible Man, so it's no shock that Wolfie is able to cover for Dunn. I swear, Dunn does the loosest, ugliest sliding legdrop I have ever seen. The camera angle didn't help, but I don't think there was a single angle you could have shown that legdrop to make it work. The match everyone (me included) wanted to see was Dundee vs. Gang, and Dundee did his usual chop suey cartwheel routine that ends with him being laid out by Gang's nice clothesline. That was the pairing I was most excited to see, but the best pairing of the match was easily Reno Riggins and Dougie. The two had the best punch exchange of the match, and Doug sprinted like a crazy man into an armdrag, and then took two insanely high backdrops. I didn't realize Dougie had Todd Morton backdrop height in him, but doing it twice in one match shows that it sure ain't no fluke. I dug the PG-13 heat segment on Dunn, choking him with the snapped middle ring rope and repeatedly getting the ref to get Gang back on the apron (nice work by the referee getting actually physical with the mammoth Gang). Gang got sent back out to the apron three of four times, and it was clear the entire thing was building to Gang, unleashed, decimating PG-13, Dougie, and the man wearing ICP paint on the floor. Wolfie sets up the hot tag in wild fashion by vaulting up to the top rope (remember, no middle rope) and whiffing on a corkscrew moonsault. It is unfathomable that Gang wasn't the hot tag here, no matter how decently Riggins handles a hot tag. I wanted to see Gang flattening everyone, no matter how strong the crowd was chanting for the Vols. Ah, nevertheless. 

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