Found Footage Friday: 1989 Copps Coliseum WWF Show

1/16/89 WWF Copps Coliseum Toronto

MD: This is another Richard Land find and you should be checking out his stuff at (@maskedwrestlers) since he provides about 1/3 of the new footage coming out today.

Red Rooster vs. Danny Davis

MD: This made me feel like I have to check out a lot more Danny Davis, honestly. He got on the mic at the start and said Heenan was paying him for this but he would have done it for free. Then he shoved Taylor and ran around the ring from him, got chased in, did some rope running, stopped, taunted, and walked right into a punch before taking a powder, all before his ring jacket was off. Great stuff to begin. Then came the real stalling as he just pressed himself in the corner and covered his head. When Taylor finally did get him he begged off until he could turn an arm wringer into a clothesline and then he looked pretty solid in control. There was just a spring to his step. He had some nice stuff (a weirdly balanced shot off the second ropes, a throat cross chop when Taylor started to come back) and then begged off again towards the finish where Taylor got him with the Scorpion Deathlock. I enjoyed this one.

ER: Imagine what a crushing day it was when Terry Taylor was told he had to get the top of his hair dyed bright red. I can't imagine, but it's a conversation about your career as a top pro being over and done with. Look at him here, with his blond locks and no red, a man existing as a man and not as a rooster. But I am much more of a Heel Terry Taylor man. Let me see that evil Mark Harmon unleashed, like you find out the guy running your goof around summer school is actually a real hard ass who will probably assault more than one of the students. No, this match is owned by Heel Danny Davis, and I agree with Matt that more Danny research must be conducted. Fans hate this man on sight, even before he gets on the mic to say, "Bobby The Brain Heenan paid me a lot of money to come to this god forsaken place! But brother, he didn't pay me a dime because it's gonna be myyy pleasure." Then he one-handed shoves Taylor.  

Davis has great movement and plays to the crowd expertly, the kind of guy who you'd want to keep as a heel house show undercarder. How he punches Taylor over the referee, that stiff quick short arm clothesline to break an arm wringer, those great running short kicks to a downed Taylor's jaw, his very good short right hands aimed straight at the chin - including a fist shake out after one, thus cementing Davis's status as a Great Puncher - all of it is stuff that Danny Davis performs far better than we've ever given him credit. If you were doubting his Great Puncher status, he also throws nice corner 10 count punches and dropped a hammering fistdrop from the middle buckle, and if that's not the trifecta then man I don't even know what we're doing here. The thing is, even better than his corner 10 counts? His shoulder shrugs in the corner. You remember how Batista always had real awful shoulder shrugs, coming in way too light and making it obvious just how much he was holding back? Soothe yourself by Danny Davis going hard into Taylor's stomach and ask yourself why we don't demand better. Demand Danny Davis. 

Curt Hennig vs. Rick Martel

MD: This was a draw that did air but was clipped in half or so. I can't speak to that version. I will say that the good stuff here was very good. The feeling out process where Hennig won the first few exchanges only for Martel to turn it around and toss him around with all the babyface fire anyone might want was just as good as you'd expect. Martel's one of the only guys I've ever seen that was so into the flow of what he was doing that he'd do flat back dropdowns to set up an armdrag. After that rope running they went into extended controlling of the arm by Martel and they kept it interesting enough, with lots of escape attempts by Perfect, before building to an elaborate bit where it looked like Perfect might get him three times before finally dropping him with a belly to back.

Perfect's control started out engaging (especially as he was still selling the arm) but they went into a long front face lock. Obviously, these are two guys that could work that, and Martel was going to work from underneath well, but it was also clearly eating up a bunch of time in a twenty minute draw. The payoff was good though as again Perfect was going to rush right in to all of Martel's fire. Once he cleared the ring of him that was the time limit so it didn't really even build to the sort of nearfalls you often get with a draw. It more felt like they were just calling it a day (even if Martel tried to invite Hennig back in).

ER: This did not need to be a time limit draw, and it didn't need the moments you knew they were working towards a time limit draw, but I also thought Hennig was fantastic throughout all of it. Look at black trunks Perfect in '89. It's easy to talk about Hennig the bumper but it's really all about Hennig the ball of energy. It's going into every exchange with real aggression, real purpose. You see how hard both men are leaning into a collar and elbow and you see how Hennig throws everything - armdrag, hop toss, fireman's carry - with real purpose. His punches look like he's really trying to mess up Martel's pretty face. This era Hennig was going to come in hard and then feed even harder, making his opponents' bodyslams and hiptosses look more violent than his own. Before things settle down into arm work and front face locks, he takes a great bump off a light dropkick, flying out through the ropes and off and over the ringside table, then faceplanting all around the ring while Canadians lose their minds. 

I love how hard he pushes all the rope running that leads to him eating shit. He pushes Martel fast, like he's trying to get him to mess up a sequence, but it always ends with him on the mat kicking his legs in a hold. He does two different missed charges into the turnbuckles that lead to long series of him eating bigger bowls of shit. The arm work is long but Perfect makes it look so convincing that I heard two different people - women! - yelling for Martel to break his arm. He's good at timing how long to keep the crowd engaged while kicking in a hold, and knows when to start breaking out match ending fireworks. Curt Hennig is perhaps our finest wrestler ever at bumping like a heel who has his shoelaces tied together. A lot of the Minnesota guys were great at that. Was it common practice to work 2 a day drills while pantsed or something? Hennig gets kicked around hard before fleeing at the sound of the bell, and every fall is that of a man escaping a ransomed kidnapping. We act like it's a foregone conclusion that this was "just another match clearly worked as a time limit draw" but this was the first time limit draw that Hennig worked during the Perfect era. This wasn't just a thing he and Martel were doing around the horn, this was a Copps exclusive where some tag specialist took Perfection to the limit. 

Rockers vs. Brainbusters

MD: This had Billy Red Lyons interview the Busters (no Heenan) before the start. Nothing notable but nice to see. The match itself started great with Michaels looking like a huge star outclassing Arn (Arn feeding for it perfectly) and then escaping to slap the hands of the fans like he had escaped with the crown jewels. Then, he, being Michaels, doubled down on it and no sold all of Tully's stuff (Tully still bumped huge for him), and it wasn't until Jannetty came in that they even started the false transitions. Just another case where this would have been better if Michaels took that first win, gave Tully a tiny bit, and then overcame. Ah well. Jannetty looked great as he overcame (including fighting out of the corner and hitting a backflip to reverse a double top wristlock.).

Really a never ending heel in peril (though one full of entertaining individual bits) until Michaels ducked a Tully clothesline on the outside only to run into an Arn one. Thankfully the Busters were great at making the most of their time on top. Michaels knew how to be a star already and was constantly trying to fight back. I think a babyface should be doing that but maybe he didn't quite have the proper escalation in it. Arn crotched himself on Michaels' knees to set up the hot tag and things got chaotic but the Busters fairly quickly snuck one out. The great stuff was absolutely great but in part due to Michaels' tendencies and Arn and Tully being happy to just go along with them, this didn't come together like it could have.

ER: This really did feel like a 15 minute match where Tully bumped and stooged and made narrow misses for 13 of those minutes, and I did not mind that layout one bit. I was wildly entertained watching the Rockers punch through Tully for a long tag, as Tully is wildly entertaining at getting run over by punches. He cannot just walk a straight line to a destination and it's perfect. When he's punched, it's a turning drop to the knee before getting punched in another direction; when he misses, it's a quick turn back to his target to take his medicine. He finds several safe and less safe ways to fall to the floor and continue his constant motion and I loved them all. I loved the theatrical slow mo Sgt. Slaughter bump to the floor and the ways he would fall off the apron into a back bump. He treats every punch from each Rocker as something worth bumping for, and it makes his eventual tag out moment even greater when he turned a near tag out into an inverted atomic drop. The Brainbusters really didn't have a lot of offense here - that Arn clothesline on the floor that the camera missed, Tully's atomic drop to set up his tag, and Arn's spinebuster after ducking a clothesline - but the Rockers didn't really have any offense either. Even when Michaels goes up top after they hit tandem superkicks, he only comes flying off with a punch. And I'll take it. The finish is fantastic, even if uncommon. Marty goes for his first flying headscissors but it's too close to the ropes, and Tully pulls his head down from the apron and slam dunks his head over the top rope.     

Iron Mike Sharpe vs. Paul Roma

MD: I'm honestly a little astounding how good this was. (Eric will not be, but he is a Mike Sharpe truther). It was 80% shtick and 20% Roma hitting dropkicks, but the shtick was really good and Sharpe was incredibly entertaining. He's one of the most vocal wrestlers ever and there were times where I could shut my eyes and still know exactly what was going on just from hearing him stammer. Mainly when he was begging off but not always. And he did a lot of begging off. A lot of stalling. They got tons of mileage out of a handshake bit at the beginning, out of him threatening to leave, out of Roma catching his foot on a kick attempt. Just one bit after the next after the next with Sharpe throwing himself into it completely and Roma being a perfectly fine straight man. It's the sort of match the sheets would have grumbled about in 89 but that plays a lot better in 2025 when there's nothing like it in the world anymore. You can see the value so clearly now. Honestly just a great show for stooging up til this point, and from guys that don't get the credit for it like Davis and Sharpe.

ER: We get an honest to god Iron Mike Sharpe ring entrance and the fact that he is in his hometown of Hamilton, Ontario and announced as such does not give him a single second of goodwill from his town. These are his people, and the people of Ontario fucking hate the mirror that he is holding up for them. The women scream for Roma as he removes his jacket, but when the match is over I will challenge those same women to tell me anything Paul Roma did during the match. They won't be able to, because this is Iron Mike Sharpe's town, and Iron Mike Sharpe's match. To use an already dated out of existence joke format: Mike Sharpe is the Tully Blanchard of Barry Darsows. He has the size and sound and lack of offense of Darsow, but watching him directly after a Tully match you really see what a large adult son Tully Blanchard he is. He is not as hateable on sight as Tully (few men ever have been) but how much of an instant turn off does one have to be within pro wrestling to be booed on sight in his own hometown? 

I love how quickly Sharpe takes armdrags and how it's the only bump he really takes differently than his standard arm waving back bump that he uses for everything else. His swinging arm into Roma's stomach looked excellent and the man gets tied up in the ropes more efficiently than any wrestler other than Andre. But where Andre was always a temporarily inconvenienced giant, Sharpe has a way of making it feel like he just might be stuck in those tangled ropes for the rest of the evening. The finish is outstanding and probably something that no wrestler other than Sharpe would even want to do: Sharpe loads up his cast and swings it at Roma, but Roma catches it and throws Sharpe's loaded arm back into his head. It's so stupid and so hapless that it can only be a Mike Sharpe finish. We didn't know how good we had it, and as Matt points out, it's because nobody comes close to being a Mike Sharpe any more. We didn't recognize how essential different workers were to a roster. 

Greg Valentine vs. Ron Garvin

MD: Another awesome match in their feud. What can you even say about this really? They lay into each other in the corner. Garvin's great at firing back out of it just when you think Valentine has him. Valentine's great at stumbling about and getting a sneaky advantage right until he doesn't. There were some really brilliant specific moments which shows you they weren't just hitting each other blindly. At one point, Valentine's about to do the flop and Garvin catches him so he can hit him one more time first. Valentine takes over with a shinbreaker but when he goes to the second, Garvin nails him before he collapses so they both go down. Finish had Garvin wanting to use the shinguard as a weapon and getting distracted by the ref so he got rolled up but post match he hit a punch version of the Garvin Stomp to a prone Valentine and nailed him with the shinguard anyway. The world would have been better off if we had whole promotions based around this style instead of whatever else we got in the 90s and after.

ER: It would be a good idea if we just kept getting new Garvin/Valentine matches every couple weeks. Every single one we have has been a real gift, and while there are a lot of similarities among them there are always new ideas and ways that certain sequences can be extended. This was, I think, the shortest one we have, and I think going less than 10 actually made their strikes play harder. The first two minutes is just them shoving each other in the chest with both hands and I would have been happy if we never even got to the punches. I could have watched them shove each other and burn out their arms for eight minutes, just to see who would be the first to fall. 

But I do like the strikes. 

Valentine always takes more punches than he gives in the Garvin battles, but I think this one takes the cake. He just gets battered. There is often a corner punch out stretch of their match, and Valentine's selling made this stand out from the rest. Garvin kept punching and chopping him and Valentine kept getting knocked to his ass, hitting the bottom buckle and getting pulled back to his feet only to be punched and chopped some more. When he finally can no longer stand and begins pitching forward into a Flop, Garvin actually holds him up with both hands on his chest. Garvin looks like a support beam propping up a leaning building in the Philippines, and it's all so he can just punch him in the head one more time.  

When Valentine does flop, there is no rest to be had. Garvin starts raking his back and Valentine sells multiple back rakes so well that it made me think of how Tenryu might've sold a back rake if that had been something that any wrestler in WAR ever did (they did not). But it's all back rakes that Valentine sells incredibly, punches to the nose (that Valentine sells incredibly), a fantastic headbutt, and one of those sleepers that starts like a violent clothesline. Garvin is a monster and I don't think there was anyone else on the roster who would have put up with this. Garvin has his own great run of selling when Hammer turns a side headlock into a knee breaker, then does it again. Garvin is limping around on one leg, and after he takes the second knee breaker he landed one big punch that knocked Hammer to his back while it spiraled him into the mat. 

I think calling Garvin's punches after the bell a punch version of the Garvin Stomp kind of undersells how nasty those punches were. Garvin just got into mount and threw disgusting punches while Valentine was on his back. He threw eight of them, and Valentine couldn't really move to absorb them, so Garvin just stood over him raining down shots that built into even more disgusting hammerfists, both fists held together like an ape attacking his handler. Hammer can barely move and has to take a rapid succession of wicked punches and man....is this the best of the Garvin/Valentine matches? I think this one packs in the most action, and it felt like they went even more violent with the shorter runtime. 

Randy Savage vs. Bad News Brown 

MD: This has been out there before but I'm not sure I've ever seen it. It's a street fight. Bad News is out with a Mets shirt. Savage is out with a white shirt with a Gold's Gym tank top over it and grey Zubaz type pants and pink elbow pads so it's a look. Liz looks like Liz. That feels like a missed opportunity. It's basically ten years before its time. You give it a couple more minutes and some more goofiness around the finish and it could have been a 1998 Austin No DQ main event. Brown started with a chair but then missed a punch on the post outside. Savage used the timekeeper's table and kept on him. Then he took the weight belt off and used that. Brown came back with a chair. They set up a table and but the ref got crunched in between it and Brown. That's when we got the Ghetto Blaster and the visual pin, then a hilarious second one as Brown got the ref up and slammed Savage but the ref did a face first bump as he passed out again. When he came to Savage rolled up Bad News for a quick pin and that was that. Post match they went at it with Brown getting an early advantage and Savage fighting back as the locker room cleared. Pretty bizarre to watch overall, but it worked well for what they were doing especially if they went back to it.

ER: This was on the very first DVDVR 80s set, the one that was assembled and arranged differently than all the other eventual sets because this was the very first time we were doing this and nobody had any idea how large this project would grow with subsequent sets. "Controversial" is not the correct word for it but I remember some people wondering why this match was included at the time. There were a lot of imperfections and missing matches on that first set, and I still can't believe that was 20 years ago now. 2005? Impossible. It was not well received by the people who participated in that first ballot. It finished in the bottom 10 out of 100 matches, and it almost surely wouldn't have been included were the set put together with the same method that all subsequent sets were assembled. From the very next set (Other Japan Men's) we were watching every single match from the territory/fed and picking among the very best. There were plenty of matches that should have been included in a WWF 80s set, and we sadly never got to re-do that one. I can't find my initial ballot either, so I have no idea how high/low I ranked it 20 years ago, when I was a 24 year old man, but now I think it's pretty safe to call this pick ahead of its time.  like a pretty ahead of its time fiat pick (that I believe was made by David Bixenspan, credit due).

Maybe it belongs just for the gear. Nobody shows up for a fight like this and they're idiots for that. I loved Bad News in his 50-50 poly-cotton Mets tee and Savage just went over the top with gear. The Golds tank top and Zubaz would have been enough but the tight undershirt and pink elbow pads that looked like knee pads he was wearing on his elbows make it insane. It's possible Big thought it belonged on the set because it was a unique match for 1989 WWF. Savage was the World Heavyweight Champ and it's not like he and Bad News were working Harlem Street Fights around the horn. This was the first (and only one that exists on tape) and they worked just eight total over the next couple months. It's short, it's a tough fight, Savage takes some tough spills - including getting thrown hard over the railing to the concrete, a girl in her neon green sweatshirt helping push him back over the guardrail so he can go after Bad News. Bad News punching the ringpost felt like a novel spot in 1989, and him setting up a table in the corner and running a ref straight through it feels even more novel. That ref got crunched man. The bullshit finish is incredible, with Bad News getting a real long visual pin over the champ, then reviving the referee just for the man to collapse again just as Bad News re-secured the pin. Maybe people disliked it 20 years ago because it was too short? It's less than 8 minutes long, which feels more like a snack than a World Heavyweight Title match, but I'm glad I watched it again now that I'm sliding down the other side of the mountain. 

Jim Duggan/Hercules vs. Ted Dibiase/Virgil

MD: This was already out there as well so I'll keep it quick. Herc and Duggan team up very well. Two versions of the same sort of visual idea with big shots and driving motion. Duggan constantly moving forward especially on his hope spot punches is something I didn't appreciate enough for a lot of my life. Honestly, Dibiase is fine here, feeding and stooging, but he doesn't give himself over to it in the same way a lot of the people earlier in the card. Everything is technically sound but it almost feels more like him putting himself in the right place at the right time in a more modern way as opposed to that sense of total abandon that we got from Davis or Sharpe or (in different ways) the Brainbusters (or in a different way) or Valentine (in a different way). Virgil is interesting here as he never really does much, mainly just plays interference and holds someone for Dibiase. It's actually a clever use for him. This was ok, and fit well on the card. I just don't think Dibiase stood up well to his predecessor heels.

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Found Footage Friday: NJPW 85~! DANCING ANDRE~! CAPTAIN REDNECK~! INOKI~! BACKLUND~! SHARPE~! ADONIS~! HIRO~!

NJPW 5/18/85

Masked Superstar vs. Kim Su Hong (https://www.youtube.com/watch?v=ZbKieuAaBEQ)

MD: Kim is a South Korean wrestler who shows up on these NJPW cards now and again. I can't say that he stands out much. I love Eadie, love him, one of my favorites, but in New Japan he is so often a gatekeeper, just an incredibly credible wall for people to push off against. He takes 90% of this. Still some neat small things like losing Kim early and then claiming he was oiled up. That sort of being alive within the match. All of his stuff looks mean and credible with both a killer neckbreaker and then a twisting drop down into a front facelock. He also whacks him with something outside of the ring to big effect. Kim does come back late and his stuff is middling, some good, some bad. Superstar drops down on him and nails him with a clothesline to end it.

ER: We don't have Hashimoto/Sano, or the Canek/Enrique Vera tag, but we have Masked Superstar throwing Finlay level clubs to Su Hong's chest and killer knees to the side of the head. I liked how Superstar held the ropes to block a single leg and just went right back to clubbing. Superstar kind of jams Su Hong up on his small pieces of offense, running too hard into dropkicks that really shouldn't have moved him but looked worse with how he treated them. His clothesline looked like a match finishing clothesline and there's a good chance I won't watch a Kim Su Hong match the rest of my life. 

Super Strong Machine vs. Tony St. Clair (https://www.youtube.com/watch?v=5pADWavSmgM)

MD: Just a credible back and forth match. I wouldn't say any of the transitions were particularly interesting but everything looked good. SSM is a tank and St. Clair can hold his own. They traded advantages and holds. Machine had a nice leaping headbutt off the ropes and a killer clothesline. St. Clair turned a headlock into a backbreaker (by slipping out, not a Robinson backbreaker). Good finishing stretch where St. Clair got a nearfall on a sunset flip in but Machine was able to get a German for the win. Wakamatsu got involved pre-match even though Machine wanted nothing to do with him and then tried to attack SSM post match only to get thrashed for his trouble. Added a little spice to what would have otherwise been a meaty but straightforward midcard match.

ER: This crowd is so fired up for Super Strong Machine. He was getting clapping Misawa-type chants during his entrance. I wasn't expecting Tony St. Clair to look larger than Strong Machine. My mental pictures don't always give me accurate reads but both are 15-20 pounds in the opposite direction I picture them. Made it look good when Tony started hitting Machine. SSM can work real tough and St. Clair looked like he was moving him good with his back elbow and uppercut, sharp front chancery. His dropkick pushes up under the chin and he makes a whip into the buckles look like it made all his limbs go briefly numb. I like the way these two hit each other. St. Clair is great at leaning into lariats while selling how much he doesn't like taking them. Strong Machine has one of my favorite German suplexes. Both of them work exactly how Bret Hart would have worked New Japan in 1994. 

Kengo Kimura/Seiji Sakaguchi vs. Adrian Adonis/Dick Murdoch (https://www.youtube.com/watch?v=5bqyZdnuwVU)

MD: Honestly, this is yet another all time Murdoch performance, and on a house show too. Granted, the stuff I loved here was stuff Meltzer wouldn't have liked anyway but what are you going to do about it. For instance, there's a moment in the middle where Sakaguchi's on a rampage. He takes out Adonis and then goes to the apron to get Murdoch and Murdoch moves to the other side of the post and the crowd cracks up. It's great. But it's such a tiny little wrestling thing. His reactions are great throughout. The way he takes the Inazuma leg lariat by covering his face like he'd just lost his nose is amazing. Dick Murdoch. Captain Redneck, or as they call him in NJPW, the Super Rodeo Machine.

This had a great heat on Kimura where he kept almost coming back and Murdoch and Adonis would just make a quick tag. Eventually, instead of going for a hold, he threw a dropkick instead and made it to Sakaguchi. They did another bit of heat on Kimura and then a big hot comeback. Everything ended up thrown out. Post match they had both a great bit with a chair and being afraid of it and an even better one of double elbowing the ref. Great stuff.

ER: Great Dick Murdoch handheld matches are the best, because not only do you get to see Dick Murdoch being the greatest pro wrestler, but it makes me think of DEAN. To take us back at least 15 years, the moment I always remember from Segunda Caida Radio - something I am not sure exists online anymore, but was loved by all the real SC Heads - was DEAN making fun of Meltzer for thinking Dick Murdoch was a guy who only worked for the cameras. By then we had a lot of handheld footage and had all seen Murdoch wrestling exactly the same as in all of his great matches. DEAN had seen Murdoch live. We were all talking about how great Dick Murdoch was, but DEAN was the one who saw him live and knew how good he was off camera. I always think about DEAN doing a bit as Murdoch, where he's dogging it in Korakuen and does a Don Knotts reaction when he sees a Japanese guy in the crowd with a huge 1985 camcorder.  

This is the only match on this show that doesn't have a listed cagematch runtime, and I didn't realize it would be the longest match of the show. And in that time, Dick Murdoch kept putting on a performance that grew in elegance the longer they went, arguably peaking two minutes after the count out when he got cheers for beating up the referee and then running shenanigans around a chair swinging Kengo Kimura. The match goes long enough that we get several momentum shifts and each one peaks the action and story and Murdoch grows with the story. I think my favorite part was when he had been worked over for awhile and got to tag out, and he stayed in the ring shaking out and rubbing his arm after tagging in Adonis, not participating in but watching Adonis lay a beating on Kimura. The cattle branding looked like a wild rapids ride, his punches matched the energy at all times, and he sold Kimura's like they were the stiffest punches of the match. The fans treated him after the match like a charming folk hero. 

The Cobra (c) vs. Hiro Saito (https://www.youtube.com/watch?v=BIud5l0HlGc)

 

MD: I am not at all a Cobra guy. I think some of his Rocco matches are really bad, for instance, as he tried to fill a post-Tiger Mask gap and ended up with the worst of two worlds. A lack of substance and not even all that much style. Action for the sake of action and the action tends to frankly just be okay. This was great though, and so much of that was on the contrast. Saito is the prototypical cruiserweight bully and he gave everything weight and heft as the two of them threw everything they had at each other.

 

That meant that when Cobra was going to do an unnecessary backflip charging at Saito in the corner, Saito would come back and take his head off with a lariat. Or if he'd get pushed off after a kick and do another backflip within the ring, Saito would dropkick him out and crush him with a dive. They worked it like a title match starting with holds and going back to them, building to big spots and exchanges, with meaningful momentum shifts usually based around a big reversal/mistake/missed move. As time went on they traded some really great pile drivers and the dives you'd expect. Saito got a German mid match but couldn't put away with it and down the stretch Cobra finally escalated to a Tiger Suplex for a win. Very good lost Jr. Heavyweight Title match.

ER: We don't really talk much about how cool Hiro Saito is, and for how long he was cool. He's cool in all the eras. He was cool when I started getting New Japan tapes in 2000, and he was a bleach blond black beard surf punk with a tight bod, punk groupies and surf licks. Cobra feels like a throwback in 1985 by comparison, and it's punk scum vs. Mil Mascaras. Cobra's Mil hits hard, and Saito keeps spiking Mil with martinetes. The crowd was real into Saito's grounded piledriver when Cobra tried standing out of a headscissors, and they kept coming alive when they see how tough and well worked. I knew it was really good when Cobra's cravat into a stump puller and how Saito slowly powers out of it by eventually digging into Cobra's mask and hitting a GREAT fistdrop. Direct, hard. His piledriver after is perfect. Two kids in the crowd invent TomK's famous Dueling Chant 15 years before he did while Saito takes a crazy bump getting dropkicked to the floor. Cobra's kip up to dropkick is as beautiful as anything by our most graceful lucha legends. Saito hits a massive tope that is what you want a tope to be. I was going to write about how Cobra's flying offense isn't as good as his matwork and hitting but then he hits a piledriver so good that I felt I shouldn't harp on his lesser offense. Hiro Saito is so good. He's such a hard bumper, and strong, and fast. His forceful kickout just after 3 is the exact right energy. 

Andre the Giant vs. King Kong Bundy (https://www.youtube.com/watch?v=0kntbQ5SjUs)

 

MD: I wasn't going to cover this one since it was already out there, but it's pretty remarkable. My gut says that this was during the period where Andre was really breaking down, before his surgery and the switch to the singlet, but also before he really figured out how to work his late era style. So he was left in there against Bundy not entirely sure what he could or couldn't do. And what he ended up doing was being as entertaining as humanly possible. Yes, they did the bit where Bundy walks up the ropes to try to escape a hold and gets dropped, but Andre's mannerisms and little dance moves in this one are all over the place. Little shuffle steps. Hand motions. Weird faces. Outright dancing. He doesn't do the Fargo Strut but basically everything else you can imagine. And the fans do respond to it. I mean, who knows. Maybe he was just ribbing, maybe he was drunk, but I've only ever seen him do one or two of these little crazy finger motions or screw around like this, not build a whole match around it.

ER: I think every single Andre match I write about has me talking about some little thing I've never seen Andre do before, and I always mean it. But this Andre is an entirely new Andre. This is a house show taped by some saint, and without it I'm not sure we ever get to see Andre as a dancing babyface. It's incredible. I've seen Andre do something that could be considered sassy before but never a full match of him working as Dusty Rhodes. It's incredible. It doesn't start right away, but when it starts it does not stop. It feels like it's going to be your standard great Andre performance, smothering the humongous Bundy, muscling him into corners, hooking him in heavy sleepers, and I was excited about how he was going to sell for Bundy's comebacks. But when things take a turn, they really take a turn. I certainly was not expecting Bundy to walk up the ropes like Bret when Andre had a sleeper locked on, a real Dig Up mentality, and when Andre just drops the big man flat the crowd erupts. 

That's when Quirky Andre comes out. He makes the cuckoo sign, twirling his finger around his ear, and then does a kind of soft shoe routine, a little tap dance with a hard final step, like he's letting everyone in on his bit. If he'd had a cane and top hat it only would have made more sense. He keeps it up. While holding Bundy in another standing choke, he floats some butterfly steps, skipping in place in a movement that I have not once seen Andre do. He becomes Dusty Rhodes, flip flopping and flying. Bundy himself seems confused, he doesn't seem to understand the timing of the dancing and the strikes, leaning out of Andre's first punch after a perfect dance, so Andre has to catch him even harder with a backhand. This is truly an Andre I've never seen. Bundy takes a huge bump over the top to the floor and eventually just leaves, but not before more Andre dancing. How does history's greatest wrestler keep raising his stock? You think you've seen everything the biggest spectacle in wrestling history has done, but he keeps bringing out new tricks. This is no different than if a dancing babyface Stan Hansen match had just been discovered. It's bizarre, it's great, it's nothing you've seen. It's Andre.   

Bob Backlund/Iron Mike Sharpe vs. Antonio Inoki/Tatsumi Fujinami (https://www.youtube.com/watch?v=PsW8GclZnt4)

 

MD: Honestly, I was here for Backlund vs Inoki and we really don't get that. What we do get is very good though. A lot of it is Sharpe being as vocal as humanly possible in a ring but entertaining and credible. Most of the rest, though, is Fujinami vs Backland and of course they match up so well. They matched up well years earlier and they match up even better now that Fujinami is a credible heavyweight. Right place, right time, smooth, slick, imapctful. And yes, they do a great short arm scissors sequence leading to the Gotch lift, just like you'd want. I just wanted a little bit more Inoki in here though. 

ER: I went into this wanting the most Popeye noises ever heard in one wrestling match. This was our chance. I wanted to hear Backlund and Iron Mike Oh-Whoa-Whoa-Whoaing all over the ring in the only time these two ever tagged. But we didn't get that. Backlund ceded the constant vocals to Sharpe and Sharpe ran with them. Backlund was shockingly silent. 1985 Backlund is interesting. It's his first year at sea after his long reign on top. I wonder what drove him to wrestle that year, seeing how much he pulled back for several years after. He surely could have been working regular Japan schedules had he wanted to, so he clearly just didn't want to. He only worked this one short New Japan tour and now we have another small piece of it. Sharpe vs. Inoki is an amusing footnote. You look at this tag and you've never seen a more obvious Taking the Fall guy than Iron Mike. Backlund's matwork with Fujinami was something I could have seen a lot more of. The crowd was so into Backlund's slow powerful reversals, but most of this tag felt like it was just about to kick into gear and never really did.

COMPLETE AND ACCURATE ANDRE THE GIANT

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Found Footage Friday: WWF IN MLG~! IRON MIKE~! HARTS~! ROUGEAUS~! CHARLAND~! WARRIORS~! BAD NEWS~! SAVAGE~!

WWF House Show Maple Leaf Gardens 10/9/88 

1. Richard Charland vs. Scott Casey 

ER: Something about WWF Network on Peacock doing a big upload of several unseen Maple Leaf Gardens shows, and giving people a long-awaited glimpse at gassed up Scott Casey and Richard Charland, a man I once wrote about after seeing Rob Naylor call him the most nondescript wrestler ever. Charland is not the most nondescript wrestler ever, of course. That honor belongs to Ted Dibiase Jr., of course. Casey is GASSED and Charland  has almost the same torso, looking bigger. Not as defined, but bigger. I didn't plan on writing this much about Richard and Scott's bodies. Casey simultaneously works this as both a strong man and a fast undersized opponent. He knocks Charland onto his ass with a shoulderblock, but then works fast armdrags, but then gets out-knuckle locked. Charland draws actual heat by complaining about how much his hand hurt after Casey reversed that knuckle lock. Charland actually walked over to the ropes and showed off a small bruise on his hand, and I think I might really like Richard Charland as a worker. 

The Sean Mooney/Gorilla Monsoon commentary team is realll comfortable listening here. Gorilla is telling amazing stories about working in Canada and starts talking about a wrestling bear. There's a Yukon Eric story with a great punchline, and I fell out of my chair when Mooney asked him how he did against the bear and Gorilla matter of factly replied "Nobody beats the bear, Sean." Charland is great at working a side headlock and not letting for when Casey tries to push him off, occasionally unlocking it to quickly felt at the ref and crowd. When he does get knocked off he makes to leave the building, then walks back to the ring and gets brought in the hard with, landing right on his face. Segunda Caida is about to be adding Richard Charland to our "We're the Dumb Guys Who Like" display case. Tell me we have his singles matches against Haruka Eigen and Joe Malenko. Charland even takes a big bump over the top to the floor, then stalls around before coming in to slam Casey's knee and face into the mat a bunch. Scott Casey doesn't have great punches to comeback (his headlock punches looked good) and the bulldog finish is ugly, but it's the kind of ugly where it looked like a guy dragged a man down by the neck in a suddenly touch football game. Shocked by how much I liked this. 

2. Iron Mike Sharpe vs. B. Brian Blair

ER: Canada's Self-Proclaimed Greatest Athlete almost politely chastises the "small pockets" of fans who booed him, before going out to find a sign proclaiming him Canada's #1 Greatest Athlete and cutting off the ring announcer to show everyone the sign. Sharpe is incredible, running from turnbuckle to turnbuckle to show off the sign like Stone Cold cracking beers, even doing a dead sprint toward the turnbuckle the ring announcer and ref were standing in front of, sending them scattering. By the end of the whole routine the crowd is laughing and cheering for Sharpe, building to a real Iron Mike chant. It's 5 actual minutes of crowd work before Sharpe's opponent is even through the curtain. When his actual routine is finished, it takes forever for Blair to come out, long enough that the crowd gets restless. Sharpe wins them back immediately by doing jumping jacks and push-ups to stay fresh, then yells on the mic about what lousy treatment they were giving him. 

Sharpe taking over after two minutes with one big headlock punch, then another, and he hilariously uses the ref John Bonello as a human shield when Blair gets too fired up. Just two years later, Bonello would attempt to pay $5,000 to an undercover cop to use his wife as a human shield, but the crowd didn't know that Sharpe was actually in the right in 1988. Sharpe is good in control and great at stumbling around like a big goof for every in-road Blair makes. He gets caught in the ropes like Andre (though it doesn't really lead to anything) and staggers around after getting back racked, then comes up blinded and swinging at ref Bonello after getting his eyes raked across the top rope. Blair's finishing run is okay enough, but he's more interesting when he doesn't work like Brad Armstrong. Also, considering how BIG Sharpe sells every move ever done to him, it's almost startling how subtly he sells an atomic drop. If you were shown how he sells an armdrag, and then told the next move is him getting dropped ass first on someone's knee, you'd expect him to shoot up in the air like Yosemite Sam falling into the fire pit. Still, essential viewing for Iron Mike Heads (read: anyone with taste). 

3. Blue Blazer vs. Steve Lombardi 

MD: Watching this felt like watching an episode of AEW Dark with Excalibur and Taz. Obviously, it's kind of the other way around, but still. Monsoon went on about how he found a mask backstage once and hated wearing it, suggested that Mooney get in the ring with him to better call the action, positively expressed how much Lombardi learned from Terry Garvin and Pat Patterson, and compared Blue Blazer to Killer Kowalski because of their constant motion. The match itself was ok. My most recent Blue Blazer comparison point was his tryout match which was just a lot of noise. This was worked pretty much as you'd expect but they worked in some fun spots, like Blazer getting caught backwards in the ropes on the way back in to get clubbered. It was more or less exactly what you'd think, but unlike the tryout match, had some build and payoff and Blazer worked the crowd well both in his shine and from underneath.

ER: This was the weakest match of the show so far. Lombardi works like a more boring version of Charland and Sharpe, Owen works like B. Brian Blair without any kind of personality or fire. Lombardi really looked like a swarthy foreign heel during this era. He looks like Tiger Jeet Singh. Meanwhile, Gorilla is calling out Jesse Ventura for stealing every mannerism and article of clothing directly from Superstar Billy Graham. Mooney tries to laugh it off and Gorilla says, seriously, "I was there, Sean." This is a literal GREAT commentary duo. Owen has some individual things that look nice, but he's so dry about connecting anything, just has no flow at all. His leaping kneedrop looks good but he never strings anything together, and he goes to chinlocks more often than any babyface ever should (hint: no babyface should do a chinlock). The best thing Owen does in the match is a great version of the Bret chest first turnbuckle bump. He hit the buckles really hard, and I love how Gorilla explained that Lombardi whipped him into the corner so hard that Blazer didn't realize how close to the buckle he was, having no time to go in back first. He also takes a nice bump halfway across the ring when Lombardi holds onto the top rope to block a monkey flip. Blazer's belly to belly to set up the finish looked great, but then he won the match with an ugly ass Superfly Splash. It never makes me feel good to be a low voter on Owen. 

4. Bad News Brown vs. Koko B. Ware

MD: I've been spending a lot of time with 1986 Brown wrestling the UWF guys and Inoki in NJPW, primarily as Steve Williams' second fiddle and the guy directing traffic, so this was a little jarring. It's one of the better WWF Brown matches I've seen, very back and forth but with transitions that were believable and made sense. Both Brown and Ware are guys who really knew how to milk something, how to create a big visual, how to get the most out of the anticipation. Early on, that would be Brown letting Ware get one up on him but with only one move at a time, and they built to where Koko was able to string 2-3 together. That's not much different than having a superheavyweight who needs 3-4 shots to get knocked down instead of one, just more complex and created a similar effect. As the match went on, Koko would really play to the crowd before hitting a shot to the breadbasket or tossing Brown off the top, and Brown would take a big pause after bumping himself ridiculously after an errant headbutt. For a guy with such a tough guy rep who might be difficult to work, Brown wasn't afraid to look like a fool. He knew exactly how far to go and exactly what he needed to do to get his heat back. I found that true of his NJPW stuff as well, that he understood his role and his place, knew when to put his foot on the gas and when to let off.

5. Randy Savage vs. Dino Bravo

MD: If this was the only 1980s blonde-haired WWF Dino Bravo match you saw, you'd come off thinking that he was probably a pretty good hand for the run and it might be interesting to see him against Tito or Duggan or whomever else. He was in Canada, in the main event, up against Savage, going for the title. That meant that he put a little extra oomph into everything he did and threw his head back a bit more on each shot. He fed with some extra effort and seemed more engaged while in the holds. He hit both the pile driver and the side slam and didn't spend forever in a chinlock or bear hug. This was part of a two match series where Bravo won here with a count out and Savage would win later in the month. Savage kissed the belt as he handed it off before the match, but the finish was all about Savage going after Frenchy Martin (who had interfered once or twice) and Bravo coming out and shoving Liz. Savage tended to her, going so far as to carry her to the back, and Bravo, gloating, took the count out win. Post-match he held up the title belt while Savage focused on Liz, a nice bit of character considering Savage kissed the belt and basically ignored Liz at the start of the match. It was only a mid-level Savage title defense and the crowd didn't seem particularly up for Bravo until the end when he was holding up the belt (a terrifying image, really), but it was a top-tier WWF Bravo performance, for whatever that's worth.

6. Hart Foundation vs. Fabulous Rougeaus

MD: The Rougeaus had a corny but kind of hilarious promo with Jimmy Hart earlier in the night about deflecting to America. Then, before this one could start, Brother Love was introduced as the special referee and had a long monologue. The idea was that it'd go on so long that the tension and pressure and heat would build so that when Neidhart grabbed the mic and went nuts, the fans would erupt, but I don't think it entirely worked. The match was the dirty ref special. Slow counts. Fast counts. Most importantly, he completely ignored the double teaming, so it was almost all heat on Neidhart and the Rougeaus were great in making the most of it. The hot tag was tremendous with Jacques cutting of a Neidhart comeback and it looking like the heat would continue, him gloating in front of Bret, and then Neidhart sort of spasming the rest of the way there in a sudden motion and Jacques stooging to high heaven with his reaction. Beautiful stuff. They eventually tossed Love and a second ref came in to count the three after the Hart Attack. A pretty unique match for the WWF at the time, and it stood out more because of it. The Rougeaus were meant for this sort of thing.

ER: I thought Brother Love's time killing was more engaging than the Rougeaus, and somehow more confident, and this might be the earliest I've seen WWF do a full heel ref slow count match. I'm sure there's a famous one I'm forgetting, but heel refs weren't something they were doing until the Attitude era a decade later. I love how every single match to this point had at least one Canadian in it, but Bret and Owen were the only two Canadian babyfaces out of all of them. Well, Iron Mike Sharpe was a heel that got a ton of laughs, and the laughs are what's going to be remembered on the drive home so I guess he should count. I'm with Matt that this is the exact kind of match the Rougeaus excel at, their perfect role. Jacques and Bret are a great match, that's no secret. This has little things you don't see a lot, like the way Bret dropped the Hitman elbow onto the back of Jacques' neck on a dropdown, to Anvil playing the face in peril to Bret's hot tag. Brother Love cheats so much for the Rougeaus that Gorilla says that Helen Keller would be doing a better job. And, sure, to be fair, Helen Keller was a bad referee based on all available footage, but it felt like an unnecessary cheapshot to bring up her early territory work. There's a reason she got out of wrestling and into public speaking and activism, we don't need to throw dirt on her grave. Bret's hot tag inverted atomic drops really crushed some balls, and when Hart Foundation threw Brother Love out of the ring, Love looked like he was really resisting being thrown. It didn't really help him, he flew really fast through the middle rope to the floor holding the middle rope. Great bump. 

7. Haku vs. Hillbilly Jim

MD: This was taped for international Wrestling Challenge but it has one of the absolute best Monsoon-isms I've ever heard. "Hillbilly’s biggest problem in this match is making mistakes... That’s Hillbilly’s big fault. That’s been his big fault in his career: Making mistakes.” I wish there were more places in my daily life I could use that. The match itself was okay. Between this and the Hogan match that we saw previous, it's striking just how credible Haku's offense was. He had graduated from being King Tonga and out of a tag team and was put over with the win over Race as he was on the way out for surgery but between how tough he really was and how dangerous he presented himself in the ring, it's a shame they couldn't have found a way to push him even higher. He could have held down a role like that if presented in that manner.

ER: This wasn't great, but man was Gorilla tearing into Hillbilly Jim hilarious. I agree Gorilla, the ones who make mistakes are the ones who don't succeed. He even talks about how Hillbilly Jim isn't smart and never goes into a match with an actual strategy or plan. Sure, Haku may be the one in the match with a crown, but to Gorilla, Hillbilly Jim was a royal fuck up. Jim overpowered Haku on a long knucklelock, Haku threw a dropkick right under Jim's chin. Haku outpunched him but I did like Hillbilly's comeback right hands after Haku was ripping at his face. Haku is really good at being run head first into turnbuckles, Jim missed a high elbowdrop, Gorilla commentary far and away the highlight (and has been entertaining in literally every match). 

  

8. Honky Tonk Man vs. Ultimate Warrior

MD: A rematch for the IC title. It went a few minutes before Honky Tonk Man used the guitar and got DQ'd. Warrior caught it as he kept swinging it at him and smashed it. I think they had some longer matches with more heat and a build up to HTM getting his comeuppance but this wasn't one of those. Warrior was over and the fans were pretty happy anyway though.

ER: I liked this a lot more than Matt and thought it was a great use of, and great showing for, Warrior. It was a 4 minute sprint with no down time, and everything that was supposed to look violent did. I thought Warrior's right hands looked good (better than Honky Tonk Man's all match), and press slamming Honky back through the ropes into the ring came off a lot better than that spot usually looks. Warrior went hard into the buckles on a missed avalanche to give Honky a stretch of control, and I liked Honky working over Warrior's ribs with a megaphone shot and boots. Warrior's big comeback had a couple of great spots, including one of his best flying shoulderblocks, torpedoing right into Honky. The DQ finish was gnarly. Honky Tonk's guitars looked heavy and he blasted Warrior right in the stomach with a full shot. Warrior's chest was fully open, leaning in the ropes, and that shot had to HURT. I get why Honky Tonk got the hell out of the ring right after. 

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Found Footage Friday: WWF IN MLG~! HULK~! HAKU~! HENNIG~! RUDE~! BRUNZELL~! BOSS MAN~! SHARPE~!

MD: This last week there were a bunch of new MLG House Shows that showed up on Peacock, with never released matches on them. We plan on going through them now and again over the next several weeks/months.

ER: Would it have been too much to ask for Ted Dibiase/Koko B. Ware? Don't get me wrong, I couldn't be happier that we got Iron Mike Sharpe/Tommy Angel, but that one match is very conspicuous by its absence. 

WWF House Show Maple Leaf Gardens 9/18/88

Mr. Perfect vs. Jim Brunzell

MD: Hennig still had some remnants of Cool Curt here. No real holds. No real offense outside of punching, kicking, stomping, clotheslines, but there was a nice methodological way he went about things and he was definitely working the crowd. He also played king of the mountain a bit which is the most AWA thing ever. Brunzell is always competent but even Gorilla was ragging on him for not getting fiery enough soon enough. Hennig survived the dropkick by ending up in the ropes. Solid opener though Hennig wasn't quite established yet and no one bought Brunzell as a singles.

ER: Maybe I'm easy, but I thought this kicked ass. I love Cool Curt, and I thought this was a...well, Perfect...blend of late AWA Cool Curt and big bumping heel Mr. Perfect. It had a nice methodical build where Curt would just walk slowly, cockily around the ring, like someone with a back injury who couldn't bend down, or like someone holding something up their butt. This was barely 20 matches into Curt's Mr. Perfect run, and I love seeing early versions of famous characters, seeing what they were working on and what direction they were testing out, see what offense they were using that you know they wouldn't be using a couple years later. The build on this was strong, starting slow (slow enough to actually get a few Boring chants, in 1988 Toronto!) and leading to a great section of Hennig keeping Brunzell on the floor while he corncobbed around the ring, kicking Jim off the apron, punching him in the jaw, a long build with a great payoff of Brunzell fighting his way back into the ring and tossing Hennig to the floor (one of only "Hennig" bumps of the match). By the end of the match both guys were throwing legit potato shots to the face. I mean both guys were flat out slugging each other down the home stretch, and the Maple Leaf Gardens cameras give it this awesome "in the ring" feel where you could really see how hard these punches were landing. I don't think of Brunzell as a guy who punches people in the face, but he and Hennig had loaded fists that were cracking jaws in ways I wasn't expecting. Just look at how hard Brunzell was hitting Hennig with mounted punches, and how Hennig paid him back. No way you would expect that. 

Iron Mike Sharpe vs. Tommy Angel

ER: Canada's Greatest Athlete gets to pose and flex for his adoring countrymen, and I like this Sharpe/Angel pairing because it's a cool look at a mainstay WWF undercarder vs. someone who I think of as a perennial WCW job guy. Tommy Angel looks like the Cars' touring keyboard player and it takes Sharpe at least 3 or 4 minutes to finally lock up with him, and the more Sharpe goes for rope breaks and teases knuckle locks while WHOA WHOA WHOAing, the louder the fans get. It's house show beauty. This is all of the Sharpe greatest hits, and they all work. Everyone knows he's going to cheat when he backs up and begs off into a corner, the way he sells strikes verbally while mostly ignoring them physically, and they react when he runs headlong into arm drags. Sharpe is a big guy and a heavy bumper, and it's impressive that while he stalls a ton he can also be good at taking a big heavy bump and feeding quickly into another one. I think my very favorite piece of commitment from Sharpe is when he gets tied up in the top and middle rope like Andre, and after he manages to fend off Angel with a boot to the stomach he still demands the ref help get him untied. 

The commitment to do a silly spot like get tied up in the ropes and wailed on only works if it looks like you cannot actually get yourself untied from the ropes, and Sharpe understands that the bit doesn't really work if you just walk away after kicking your opponent off. No, this goofball who can't take a step without making noise understands that he is STUCK in those ropes, and him kicking Angel away only gives the referee time to help him finally do his job. Commitment to the bit is 90% of Sharpe's gag, so I always love seeing moments where he could have skipped a step but didn't. He's good at making Angel's nearfalls look like actual nearfalls, too: when Angel got a late match sunset flip there was a 50-50 shot that was going to be enough to walk away with a win, and Sharpe reacted like he knew those odds. For a guy who was mostly bullshit, Sharpe clearly understand what made that bullshit work, and how to pay that bullshit off. 

Brutus Beefcake vs. Ron Bass

MD: It's a new match and I thought maybe, just maybe, there might be some heat to it since it was after the X'ed out angle. Plus, Bass is more than solid all the way from 77 to 85 in at least a few territories. My professional review of this is that Beefcake maybe had one minute worth of viable stuff and then I literally fell asleep while watching it. We tend to find value in most wrestlers somewhere or another and Beefcake was over as a viable star with a connection to the crowd, but this was bad, at least the parts I can remember.

ER: Beefcake did look mostly bad on offense, and I'm pretty sure every single punch he threw landed somewhere past Bass's head. Whatever match there was, was made by Bass occasionally cutting Brutus off. Bass had a nice big kneelift and I liked how he popped Brutus in the eye with the handle of ol Betsy. Gorilla was already setting up the lawn trimmers vs. spurs hair vs. hair match that was still 4 months away, so that was kind of cool. It feels like we should have had more interesting Ron Bass matches from his WWF run.  

Powers of Pain vs. Bolsheviks

MD: It's always weirdly fascinating to see the Powers of Pain as a babyface act. The best part of it is always Barbarian doing sort of a primal scream with his arms out as part of a comeback or demolishing guys. They tried to make a real match out of this, which was a mistake. Barbarian let Warlord work most of it, not tagging even when you'd expect him to. Bolsheviks' only credible offense was shots off the second rope from behind as the ref was distraction. Part of me thinks that Barbarian could have had a singles babyface run but this wasn't quite meshing and it makes sense they do the double turn so soon after.

ER: Haters piled onto Gorilla Monsoon's commentary, but I think Monsoon spending 5+ minutes talking about the haircut choices of all the wrestlers in this match was perhaps the only thing that made this worth watching. It all started with Monsoon considering adopting Warlord's haircut as his own, since he "doesn't have much on top to work with any longer" and humoring Mooney's requests to also get a tattoo. "And Nikolai over there can't seem to decide whether he wants hair or wants to be completely bald," just really going through the benefits of a pronounced horseshoe vs. keeping two days of growth up there. It's bizarre to work this match in such a bland "these teams are equal" style, and more bizarre to have Warlord in there for the bulk of the match. The fans only really came alive during PoP's entrance and the match finishing Warlord powerslam/Barbarian diving headbutt (and Barbarian really flew 2/3 of the way across the ring on that headbutt), but the best parts of this were probably Zhukov's excellently timed axe handle into Volkoff's head, and Volkoff's fun bump over the top onto the ring announcer's table at the finish. Beyond that, enjoy marveling at how bad Warlord's kicks and stomps look. 


Jake Roberts vs. Rick Rude

MD: Sometimes it comes down to what they're trying to accomplish. Here, they wanted their cake and to eat it too and it wasn't nearly as good as if they just stuck to the path of least resistance. Rude was excellent here, every reaction just great. More than solid at leaning on Jake. He ducked the short arm clothesline early and took over for most of the match. The underlying story was that he'd pull down his normal tights for the Cheryl Roberts ones when Jake wasn't able to see, so you figure they're building to Jake finally seeing and then going nuts for a comeback right? Well that doesn't happen. They work it towards a more conventional comeback, then a ridiculous ref bump (he somehow got squashed *under* the DDT). A Rude Awakening got Rude a phantom pin while the ref was out, and then a quick roll up Roberts finish. It's only after the match when Rude doesn't care anymore that Jake sees the tights and rushes back in with Damien (the ref gets the snake in the chaos instead). By that point, Jake had already won, so while it's great for Rude to get menaced by the snake and all for the insult, everything would have been so much tighter and more visceral if they kept it within the confines of the match. Hell, have Jake lose it from seeing the tights, come back, get DQed for not letting up on Rude, and THEN bring the snake out to get over on both Rude and the ref. While the match was going on, there was a real sense of anticipation and build over a guy's tights of all things, so it's too bad that it didn't come to fruition. 

ER: Matt is spot on about this match and the one thing I want to add is more emphasis on just HOW stupid that DDT ref bump was. The referee just DOVE underneath the DDT before Jake executed it, and there is just zero reason for any person to do what the referee did in that scenario. I have never seen this done, and after seeing it here there's good reason for that. Jake grabs for the DDT, referee literally dives onto his stomach in between Rude and Roberts, Rude takes the DDT onto the ref. The physics of it don't even begin to make sense, the referee's motivation doesn't make sense, it just looked like a man who was actively trying to get another man to land on him. This referee was clearly a pervert who would see a woman readying herself to sit down on a chair, and then slip underneath real quick just so she would briefly sit on his lap. Derelict behavior. 

Big Bossman vs. Jim Powers

MD: This was for International Challenge so we might have had it before but it's found, if not new. It was very good too, with Bossman really asserting himself, and Powers trying to get shots in but getting cut off. Bossman had a ton of presence, jawing with his opponent and the crowd, shrugging off Powers' stuff, giving him just enough to keep up hope. Finally, Powers was able to knock Bossman back, stagger him, finally dropkick him into the ropes. When he went to finally knock him down, Bossman caught him in the slam and dropped him. This was balanced just right for what it was trying to do. Another point: yes, Monsoon spent a lot of the match giving Powers grief for trying too much power stuff against a massive opponent, but what he accomplished by doing so was making Bossman look big and forboding and unstoppable or at least very difficult to stop. He didn't make Powers look great, but Powers wasn't supposed to look great; Bossman was. He tore apart Powers' strategy but not the reality of what we were watching. It was because of that reality that he was tearing it apart. Just something to think about as we deal with grumpy announcers who manage to bury just about everything but themselves these days. Monsoon, believe it or not, was better than that here.

ER: Boss Man was so good. He really didn't have to give Powers a single thing here, and while he didn't give him anything big, he still treated literally every strike as something that he actually felt, something that at minimum moved him. Boss Man is so much larger than Powers, but I love how much offense he set up by being the one in motion. Powers wasn't sticking and moving so much as just moving, avoiding various Boss Man advances and sneaking in a punch. Boss Man would charge in and get punched in the face, and was so good at selling that a Jim Powers punch to the face would hurt even a gigantic man. Boss Man's timing and speed were so impressive, that when you combine that with high end physical selling it really makes a super worker. Not many were better at just putting the palm of his hand against their teeth and showing pain. Powers never had a chance in this match, but Boss Man made him look like someone who could at least leave a mark, and he did it while also making the middle rope nearly touch the apron when he threw all his weight over it and Powers. That finish run Boss Man Slam timing is the stuff of legend. 

Hulk Hogan vs. Haku

MD: Hogan was between his series of matches with Dibiase and with Bossman here. Haku had recently enough been made King. This was "War Bonnet" Hogan and Heenan was at ringside. It was a one off but it's a fairly unique house show match up. It's been a while since I saw the 88 Hogan act. It has a lot going for it: the reverberation at the start of Real American to get the crowd buzzing, the ridiculousness of the helmet but it also working as a prop to keep things different, and maybe some overall freedom since Hogan didn't need to be in title matches.

Hogan gave Haku a ton here. He wiped out both Heenan and Haku with the helmet pre-match (with a great Heenan bump and him being disheveled for the next fifteen minutes), but then got swept under by a bunch of Haku shots. Having not seen 88 Hogan for a bit, he was excellent working from underneath early, constantly crawling and scrambling back as he recoiled from the shots, retreating so as to try to create some space. Then, when he came back later, it was with a lot of hair pulls and cheapshots. It's all what you'd expect someone like Buddy Rose to do in that situation, but Hogan was a face. For all the talk of whether he was a bully or not, his physical actions here were very "heel coded" but they were also incredibly over with the crowd. He had three or four little hulk ups/comebacks in this but was cut off due to either Haku getting a shot in or Heenan interfering. They went into deep chinlock/sleeper land but they worked in and out of it at least a little bit. The finish, which had Hogan getting the helmet from Heenan and hitting the legdrop with it on his head felt pretty iconic for the time. I'd say overall this felt relatively fresh due to the unique opponent and showed at least a little reinvention for Hogan.

ER: Hogan vs. Haku from the SNME a month after this match was actually the first Hulk Hogan match I ever saw, and also the first episode of SNME I ever saw. I have basically no original memories of that match, but it's cool seeing an earlier, much better version of that match here. Hogan working from underneath is a much more interesting Hogan. Heenan is great at spacing out the distractions to keep Haku's control rolling, from his opening side flip bump after getting nailed by the helmet, to getting knocked off the apron with a punch, to coming in right at the finish and getting punched into the ring trying to get the helmet to Haku. Heenan may have been the best ever at using the ropes to facilitate his bumping. Haku's strikes looked a lot better than Hogan's, and I loved all of his trust kicks and big swinging arm attacks. Hogan had some nice stuff too, and I really missed his elbowdrop when he mostly dropped that from his offense by '89. Dropping two nice elbows and starting a third, only to wave it off and just scrape his boot across Haku's bridge is a great spot (whether it's heel-coded or not). His running elbows and clotheslines look light as hell but Haku gave them a lot of heft with his bumps. I think the best part of Hogan working underneath was it forced him to use speed, and it was cool seeing him move around real quickly here. His little blocks and reversals were really good, like early on when he blocked a 1-2 combo and threw punches of his own, or when he went with a Mongolian chop (!) after blocking a Haku strike later. This is a fully fleshed out, much better version of their SNME match the next month, and it's kind of amazing how different that Hogan was from this Hogan. 

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Found Footage Friday: LAWLER~! DUNDEE~! FABS~! BACKLUND~! INOKI~! FUJINAMI~! IRON MIKE~! 87 NJPW 5x5~!

Antonio Inoki/Tatsumi Fujinami vs. Bob Backlund/Iron Mike Sharpe NJPW 5/18/85

MD: There was some bluster between Sharpe and Inoki, as a foreigner punching above his weight class by trying to call Inoki into a match was common for mid-80s NJPW, but this was really about Backlund and Fujinami. You'll get through this and you'll remember their rope running and chain wrestling to a degree, as they were pretty perfectly matched up against one another. You'll probably note the moment when Sharpe and Backlund took over and how Backlund was more aggressive than usual, sportsmanlike but still something of a de facto heel, which is interesting in 85. His running powerslam was especially great. What will stick with you the most - and really what you should watch this for - is the long short arm scissors sequence towards the end. You watch a hundred Backlund matches and half of them, at least, will be about him working towards picking someone up from a short arm scissors. But this was still really well worked, with the fans going up for every attempt and Fujinami believably maintaining control, even if he wasn't the world's heaviest guy. I really love Backlund's footwork and positioning here as he tries to work into the Gotch lift, which is more elaborate than what I remember out of WWF Title era. It feels like a huge deal when he finally muscles Fujinami onto the top rope. Of course, not long after, Sharpe gets kicked in the back of the head by Inoki, but what are you going to do? 

ER: I didn't plan on falling in love with Iron Mike Sharpe over the past year, but I think it's important to follow your heart wherever it might take you. My love of Iron Mike Sharpe has, up until this point, never ventured outside of the States. It hasn't really ventured that far outside of New York State, specifically. I love Sharpe most in his early 90s house and Raw appearances, when he's at his best combination of big bumping stooge and local institution. I've never seen a single Mike Sharpe match from Japan, so this is a very exciting find for me. And whatever my thoughts on the match, you have to love that at one time Sharpe was doing his near constant grunting and growling through a sold out Korakuen main event. Inoki actively avoids Backlund and Sharpe takes on a lot of dirty work, No No No No No'ing his way through an Inoki octopus and several ankle picks that left him defenseless. This was no cheating, stooging Sharpe, this was a guy who shook his head and yelled in submissions while hoping to land big swinging body blows and heavy kneelifts when able to stand. 

The one amusing piece of offense Sharpe got in on Inoki was while Inoki was bending his leg, and Sharpe fought free from the move by clasping both hands around Inoki's chin. Clasping onto Inoki's chin is at least tantamount to tugging on Superman's cape, so I call this a win. The fans were excited to see Backlund, and after this one week New Japan tour his visits would all be separated by periods of several years. Backlund and Fujinami had several singles matches against each other and had nice rhythm. Backlund's headscissors had a nice snap and I like how he bumped dropkicks sideways into the ropes. Their rhythm is most apparent during the short arm scissors sequence, with Backlund working through it with an on the nose promptness. He begins every scissor legged roll through lift attempt at near exact 80 second intervals, with each 80 second stretch containing different obstacles, all building to the successful lift. Sharpe was run over soon after, but I liked his and Backlund's excitingly simple finishing stretch of hard bodyslams. Imagine Bob Backlund and Mike Sharpe representing North America to the fine people of Japan, two weirdos who made a whole nation believe we all constantly make Popeye sounds.  

Elimination: Tatsumi Fujinami/Riki Choshu/Akira Maeda/Kiyoshi Kimura/Super Strong Machine vs. Seiji Sakaguchi/Yoshiaki Fujiwara/Nobuhiko Takada/George Takano/Keiji Mutoh NJPW 10/6/87

MD: This only really gets fifteen minutes bell to bell, which isn't *nearly* enough time for one of these, especially given who's in there. But it does give the match a sort of sprint feel, with a lot of quick action and a lot quick switches. Honestly, this almost felt like a Survivor Series version of a classic New Japan 5x5, only with more violence and harder strikes. It's also a lot more one sided than most of these that I've seen, which sort of makes sense when you realize the murderer's row of NJPW stars on the one side of the ring, and George Takano and Keiji Mutoh on the other. You could have stacked a couple more minutes at almost any point of this and it would have been good wrestling, but where I wish they did more was right at the end. You had Fujinami, Choshu, Maeda, and Kimura all on one side, with only Fujiwara on the other. Fujiwara survived for a bit but even he couldn't last long against those four. Given the numbers game and the lack of big stakes and big narratives, it ended up like the exception that allows for the rule on other elimination matches which all end up as one on one big drama affairs.

Jerry Lawler/Bill Dundee vs. The Fabulous Ones MCW 5/1/99

ER: I had never seen this, and it was so great. The ultimate crowd pleaser, in front of one of those great big Nashville Fairgrounds crowds. It wasn't a super common thing to see Lawler and Dundee tagging, but this crowd couldn't care less because it was WAY less common to see the Fabulous Ones.  They hadn't tagged for nearly 4 years at this point, and neither were what you'd call Active since that last tag. Lane was fully retired and Keirn mostly ran his wrestling school in Florida, occasionally (very occasionally) working. It probably also helped that Lane and Keirn showed up and actually looked good for their age. This wasn't a paunchy retirement tour, these were two guys in their late 40s who looked GOOD for their late 40s. The fans are loud for the Fabs the whole match, and Dundee and Lawler lean into it. Lawler took two great backdrops and would run squealing to Dundee on the apron, and Dundee stooged around for the Fabs, always getting caught with a Lane kick after gloating about something (the best was when he banana peeled after getting his legs swept by Lane while strutting). 

Stacy Carter starts passing a weapon back and forth to Lawler, and it rules. He hits a bunch of great short right uppercuts to Lane. Lawler keeps cutting Lane off from Keirn, and it just makes the fans chant louder for Steve and Stan. We even get an extra tease before Stan makes it over to Steve! I love when the hot tag doesn't come when it looks like it's going to come, and here Lawler knocks Lane into the ropes while Dundee runs all the way around the ring to knock him to the floor. The hot tag to Keirn is hot as expected, and the finish is a perfect fusion of 1999 Jerry Springer wrestling with classic Tennessee: Carter gets on the apron and starts a striptease, drawing all of the Fabs' attention, meanwhile Lawler and Dundee are gathering the high heels that she's thrown. It leads to the hilarious moment of Lawler getting brained by a high heel at the hands of Dundee, and immediately pinned. A heel Lawler/Dundee team against a babyface Fabs was the exact thing I needed, and I wish we had more heel Lawler from this era.

MD: Eric had watched this years ago but it's finally back up again thanks to Bryan Turner. He hit the high points really well, but I'd like to add an overall feeling I had for it. I think there was a certain freedom to Memphis in 1999 that may not have existed ten years earlier. It was always broad, of course, but it was always well aware of its broadness, well aware of what worked for the crowd, but still having to balance that with the understanding of how it was viewed by the rest of wrestling. That meant that even as they had the Bruise Brothers strut around or Kamala tromping through a back yard or the House of Gullen or Hector Guerrero and his chili powder, it never quite let itself go all the way over the top in the ring. They always wanted Lawler to be world champion somehow someday. By this point, though, the ship had sailed, the ambitions had shrunk, and it wasn't even about survival anymore. It was a cherry on top, and that let this match really sing and soar and go wildly over the top in being as Memphis as something could possibly be in all the best ways. It felt like this perfect cross-section of masters still being able to go at a high level and any semblance of forced legitimacy just totally gone from their antics. In short, it was a blast.

COMPLETE AND ACCURATE JERRY LAWLER

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The Great 16 Man WWF Raw Battle Royal of 2/15/93

16 Man Battle Royal WWF Raw 2/15/93

ER: I've watched this battle royal a couple of times now and I think it's grown into a really fantastic one. I was initially disappointed, as it's the last appearance we have of Berzerker (and his only appearance in a match on Raw), and I'll always be at least a little bit butt-chapped over not getting Berzerker all over these early episodes of Raw. Once I was able to emotionally move past that fact, I was able to enjoy this battle royal for the very real joys within. This is a very active battle royal with some pairings that we never got to see in actual singles matches, a cool mix of a few top guys (Razor, Michaels, Tatanka) and undercarders, painful elimination bumps, and hard work. Razor, Michaels, and Tito gave standout performances, with Tito lasting as a surprise final four, Razor actively punching his way through the entire match, and Michaels punching and bumping and stooging across all of it. Every time I saw Razor in the background he was in a punch out with someone new, either decking Kim Chee right across the jaw, getting lifted into a choke by Typhoon, then turning around and throwing his long right hands to punch anyone close. Michaels throws great jabs throughout (teeing off on Tatanka in the corner) and bumps bigger the longer it goes, capping everything off with a ton of showmanship leading up to his elimination. 

Berzerker is really important to a battle royal, as he's constant motion and never gets stuck just trying to lift someone's leg over a rope. This man has no loyalties (though he does assist heels when approaching a babyface and heel locked in combat) and is endlessly entertaining as he constantly stomps across the ring looking for someone to clobber. Even though he was eliminated sadly early by Kamala, Berzerker was involved in a couple of great bits: Tito leapt off the middle turnbuckle to punch Berzerker in the face (Berzerker held in place), and Berzerker sold it by backpedaling all the way across the ring while punching at the sky; when Owen Hart jumps onto Berzerker's back with a sleeper, Berzerker calmly walks to the nearest set of ropes and dumps Owen right over his head to the floor. I was also wildly entertained by Steve Lombardi's appearance as Kim Chee. The Kim Chee persona plays better to Lombardi's strengths than Brooklyn Brawler does. In this role Kim Chee was mostly just trying to avoid Kamala, and his whole time in the match was spent running away from him, directly into someone else's attack. It all culminated in Kamala chasing Kim Chee through the crowd and into the balcony of the Manhattan Center, which was an awesome visual, spotlight following them as they crawl over chairs and run through the loge seating. 

Bob Backlund was his usual extremely annoying battle royal self, constantly spider monkeying himself on the ropes with his butt sticking out, always a hard man to eliminate. Koko got tossed high over the ropes by Michaels, Damian DeMento got wrecked by Typhoon (also a guy with a fun battle royal performance, digging his fingers into peoples' mouth and eyes while they were holding onto ropes), Berzerker took an expectedly big bump to elimination, Typhoon was a big crashing wave hitting the apron and ring steps on his way to the floor, and the Shawn Michaels elimination was spectacular. The match came down to a final four of Razor, Tatanka, Michaels, and Tito. Razor rolls out of the ring after Tito nails him with the flying forearm, leaving Tatanka and Tito to run wild on Michaels. Michaels gets run back and forth across the ring, post to post, taking those "leap to middle buckle and corkscrew senton the mat" bumps to greater effect with each one. I kept expecting him to comeback and at least dupe Tito into getting thrown out, but I loved how it was just two good babyfaces knocking an asshole heel senseless until they threw him far over the top rope to eliminate him. 

There was a great pre-match angle where they said the 16 Man Battle Royal got changed to a 15 Man Battle Royal because all 15 wrestlers refused to participate in a battle royal with Giant Gonzalez. It was a smart move to protect Gonzalez (and everyone else), but a stupid move in that it did not give us any Berzerker/Gonzalez interaction, or Kamala/Gonzalez; because of that decision we never got to see Iron Mike Sharpe make a dumb face as he backed away from Giant Gonzalez, and we should have been upset. But I liked how they did use Gonzalez, having him come out to ambush and eliminate both Tatanka and Tito, giving Razor the win by sheer luck of him being outside the ring when the fur suit carnage happened.  Tito splatted hard to the mat, a great battle royal effort ended with an unforgiving back bump. Gonzalez looks massive, Razor's mullet de-greased and fluffed out behind him as he celebrates his win, hopping in place repeatedly while his thumbs point squarely to his chest. 

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Another Iron Mike Sharpe Gem

Iron Mike Sharpe vs. Marty Jannetty WWF Superstars 11/14/92

ER: I was not anticipating my becoming such a big fan of Iron Mike, but when you get familiar enough with various WWE tropes and house styles throughout the years, it's easy to argue that Sharpe understood what to do and where to do it and how loud to be while doing it better than most. You can learn a lot by watching two minute long Mike Sharpe matches, seeing so many things he does that are almost completely absent from modern wrestling. Now, part of it is he had a loud personality and it really felt like him; there are plenty of people working gimmicks that seem dishonest to who they really are, but Iron Mike Sharpe knew the importance of being an oafish blowhard who takes bumps differently than anyone else. I love his bits, like how Jannetty ducks out of the way of Sharpe's match opening lock-up and Sharpe flips out, slaps the top rope in anger and tells the ref to take care of this issue. I love how much Sharpe griped to referees about problems that didn't exist, or just made those problems exist. 

There's another great bit where Sharpe uses his size to break out of a Jannetty full nelson, flexes his Canadian muscles to the surely appreciative fans in Saskatoon, then takes a fantastic bump over the top to the floor as Jannetty dropkicks him between the shoulder blades. Sharpe is the king of weirdo bumps, but they're all so good! After he gets back in he takes a monkey flip out of the corner and then takes an armdrag by...rolling halfway across the ring, into the ringpost, then oozes down to the floor like toothpaste running down the drain. Sure, sure, his big clubbing arms are nice and all but we're here for bumps like that. Jannetty's greatest contribution came at the finish, as he hits one of the sweetest, most goddamn GIF worthy fistdrops off the top rope. Is there such thing as the perfect fistdrop? Trick question, as every single attempt at a fistdrop lies somewhere in the Perfection Blast Radius. Jannetty's fistdrop here would be in that tiny circle at the center of the blast zone. 

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New Footage Friday: WWF on MSG 4/25/83

Mr. Fuji vs. SD Jones

ER: This match was quite fun and mainly notable for its EXCELLENT finish. I thought SD Jones was going to pull this one out (not an impossibility) as he hit two massive headbutts on Fuji. Fuji sold them in this fun knee-buckling way and Jones worked a real nice headbutt, grabbing Fuji's melon with both hands and rearing way back before safely whipping his head forward. The headbutts played as a nice payback for Fuji's great falling headbutts to SD's "midsection" earlier in the match. But just as I thought SD was going to get a newly seen win from 40 years prior, he comes off the ropes and Fuji powers him over with a super fast belly to belly suplex that made Fuji look like Yoshiaki Yatsu. 

Iron Mike Sharpe vs. Johnny Rodz

ER: I like this kind of brainlessly active 10 minute Garden undercard match, where Sharpe will complain about his announced weight (here he was announced at 282 but screams about how he's 292 "and all muscle") and then bumps around for Rodz' dropkicks and sunset flips. Rodz gets tangled in the ropes in a cool way to sell a strike, and I love how Rodz' fast tough guy shtick plays against Sharpe's dumb meathead shtick. There's a great moment at the end where Sharpe gets tied in the ropes like Andre and has to make a bunch of stupid faces while Rodz fires up MSG for an attack that never comes. Rodz is dancing around and doing a hammock routine over the corner ropes, and the whole time Sharpe has to stand there screaming while his arms are tied in ropes. When Rodz finally attacks he runs right into a boot, then Sharpe hits one of his trademark ugly straight arm lariats for the win. 

Ray Stevens vs. Tony Garea

ER: Stevens has a pretty disappointing list of matches in his lone consistent WWF run, really only staying for 6 months and matching up a lot against Strongbows and Garea. But this might be the most I've seen a wrestler do with the typical Garea undercard match. It's the same Garea match you've seen if you've ever bothered to see more than one Tony Garea match, but Stevens is so good that he knows how to sell and bump for Garea's side headlocks and dropkicks and headlock takeovers and surprisingly stiff shoulderblocks, basically working like Bill Dundee against a stiff. Stevens' movement and the way he throws punches and kicks really reminds me of Dundee too, and despite being 47 here was hardly washed. His bumps are interesting, not just flat back bumps, but throwing himself back into the ropes and really making it look like he's getting knocked around by Garea and his bad body shots. I really loved Stevens keeping Garea on the floor with pointed kicks and punches, with Garea bumping multiple times off the apron. It could have been really good if Garea had bladed, but Stevens really built it up nicely for a potential Garea comeback, and Garea's fast sunset flip (with Stevens really whipping himself over on it) looked like a finish. Strong nearfall. The actual finish was Garea hitting a crossbody but Stevens rolling through for a quick pin, leaving this great visual of Garea angrily storming around inside the ring while Stevens gets his hand raised from his back, just like in the Fuji/SD Jones match before it. Stevens looked really great here, great enough where I think there should be an actual list worthy 1983 WWF Stevens match. His 80s AWA career is written off due to a leg injury and age, but 1983 Stevens looked like a guy that would be one of my 2021 favorites. 

The Wild Samoans (Afa/Samula) vs. Chief Jay Strongbow/Jules Strongbow

ER: This is the TV debut of Samu (here as Samoan #3) and it's a real fun showcase for him and his speed. Both Strongbows work this with a fun energy, and with Samula doing big flat back bumps with every tomahawk chop, making the Chief look like a real fun lesser Wahoo. Samula took bumps like a man testing out a hotel mattress, leaping up and backwards like every chop was taking the legs out from him. He works the entire first fall without tagging in Afa, and his energy keeps bringing out a great active side of the elder Strongbow. Is Chief Jay Actually Good? This match seems to point to that, and I wouldn't have guessed there were really fun Jay Strongbow matches from 1983. The Indians win the first fall after eventually hitting a big double chop and Samula, and then do the same early in the second. Samula had already been taking big backsplash bumps and here he got to show off his high dropkick. Jay really leans in to take the double headbutt for the finish of the second fall, and I loved his staggered blinded selling of it when the third eventually began; it felt similar to how Lawler would woozily fight back while knocked out standing. It all builds to an amazing spot where Strongbow and Samula hit heads, but it sends Jay on an incredible backwards bump over the top to the floor. Chief Jay basically leapt backwards over the ropes and went tumbling down in a great bump. Both teams handle the hot tag in cool ways, with Jay falling flat backwards after a collision and landing close enough for Jules to fall in, and when Jules tags in and hits Samula with a hard overhand chop he flies backwards halfway across the ring and tags Afa and his flight. Afa's fast rope running cross up was a neat burst of speed for the sudden finish (which was handled a bit clunkily as Jay was breaking up the pin after the one count and the ref just ignored it). So, what's some recommended Chief Jay Strongbow? 

Rocky Johnson vs. Don Muraco

MD: Rocky Johnson is a guy that absolutely got it. We don't have a ton of him from the 70s, but when he pops into a territory like Houston or Portland, he has a larger than life energy that doesn't really get talked up enough. It's probably because most people know him from this run, and then more from 84 on than 83 back, but he's probably a wrestler that deserves more of a look. The first few minutes of this were picture perfect in that regard. Muraco came down in Steelers gear with Albano. Johnson wanted the mic to call Muraco "Brother" which apparently was part of the program here as that offended Muraco. Albano ate a headbutt, both of them got double noggin' knockered from the inside out. Johnson started with the slaps that led to punches and Muraco took a powder. Then they moved on to strength spots where Johnson just stopped Muraco's whips like they were nothing. All great stuff. All got a reaction. Muraco was stooging all over the place. The finish worked too. After some solid beatings by Muraco, Johnson came back and ultimately hit this amazing standing dropkick onto Muraco who was perched on the top to get the countout win. The big problem was a bizarre structural approach probably having to do with Muraco as a vulnerable champ. After that shine, they had Johnson lean on Muraco with a long chinlock instead of the other way around. If that was part of Muraco's control, with them moving in and out of it with hope spots, it wouldn't have wowed anyone, but it would have still worked given Johnson's level of being over and Muraco's heat with the crowd. Instead, everything just ground to a halt for a few minutes. Pretty bizarre. That's 80s New York for you. The rest of this was good though.


Bob Backlund vs. Ivan Koloff

MD: If you're someone who like Bob Backlund matches, this will probably be something of a lost gem for you. They were very well matched. Koloff was slimmer than his 70s WWWF run and we know that he was still very good at what he did from his run in Crockett over the next few years. Instead of leaning into forboding strength, he played up his canny, and they built slowly and gradually and with great payoff to Backlund's strength spots, specifically a lift up out of a full nelson reversal and the gotch lift out of the short arm scissors. Say what you will about Monsoon on commentary, but him dismissing so much that happened in the ring did make it matter all the more when he really put something over, as he did with these. He and Patterson were both calling them the most impressive feats imaginable. Backlund was very good at knowing when to be beat down or to sell the aftereffects of something and when to just shrug it all off and go up for the crowd. He got out of Koloff's big bearhug by pressing Koloff's head down low enough so he could launch a knee. I've never seen that before and I might not believe it from anyone else. That was the thing with Backlund. He was so deep into his own character that it had to be hard for the crowd to do anything but believe along with him. He followed up his escape with this amazing crumbling pile driver. They made too much of the slow counting ref in the back third, but it was a pretty solid finishing stretch with an exciting calf branding near fall and Koloff going to the well once too often to see a suplex reversed for the clean as a whistle finish. Between how well these two were matched and that the crowd was into it, even chanting USA at times, they could have definitely gotten more than one match out of this one.

Jimmy Snuka vs. Superstar Graham

MD: I wasn't going to watch this but it was 3 minutes long and I figure someone's interested. Snuka remained on the rise and Graham fed for him and took all of his stuff and got beaten clean in the middle of the ring in 3 minutes. He looked withered and terrible, of course, but this was an effective use of a former champion to further get over the molten babyface and build his credibility. Just a very giving performance by Graham while still being a pretty embarrassing one given how he looked and moved and the shoddy kung fu stuff that was mainly just waving his hands around.

Swede Hanson vs. Pedro Morales

ER: This was a cool little 4 minute match with a couple neat surprises. I really liked Swede Hanson's lock-up and headlock game, even if it doesn't always go anywhere. He's a really big guy and his size during lock ups and headlock sequences always makes me sit up a bit, like I'm not expecting a huge old guy to effectively scramble to maintain a front chancery. Morales breaks an early smothering headlock by working his way to a knee breaker, which is where that sudden scramble from Hanson comes from. Morales takes a huge backwards bump through the ropes to the floor off a strike from Swede, and looks like he hits the back of his head on the timekeeper's table while basically doing Harley Race's bump. Morales comes back eventually with some solid body shots but then catches knees on a charge, eating a great Hanson running kneedrop for a close nearfall (in what I thought was the finish). Hanson had hit a couple other nice kneedrops earlier, those old school worked knees that were worked and throw with the full shin. Morales wins with a small package, but if this got a couple more minutes it would have been a great Velocity match. 

Eddie Gilbert vs. Jose Estrada

ER: This was right before Gilbert's serious car accident and it's fascinating the kind of reactions Gilbert was getting as a young babyface in WWF. Gilbert looks and works like young babyface Portland Roddy Piper, throwing energetic corner punches and surprising Estrada with a Thesz press for a near win, and is getting the kind of crowd reaction that Owen never got in the early 90s in a similar role. Gilbert and Estrada have a fun chemistry, and I especially liked how Estrada kept cutting off Gilbert with a punch to the head or stomach. Sometimes Gilbert would charge in and jet get stopped by a punch to the guy, other times Estrada would actually pause a hold he was doing just to punch Gilbert, or punch Gilbert in the face right when Gilbert was working his way out of a hold (Gilbert starting to break a headscissors? Cut your losses and just punch him!). Estrada doesn't wrestle without scruples, but it sure makes him look smart to not cling to a failing hold. This is a show with a lot of really well done finishes, and this was no different: It's a quick bit of rope running where Gilbert tries to catch Estrada with an O'Connor Roll, but Estrada holds on and bumps Gilbert, then runs at Gilbert for his own sunset flip, which Gilbert rolls out of and falls into a double leg pin. 

Andre the Giant vs. Big John Studd

ER: This is actually a neat footnote of a match to appear, as Studd had to be Andre's most frequent opponent over his long career. Studd and Andre feuded for parts of a decade in WWF alone, and this was the first time this attraction had played New York. Studd/Andre would have been a big attraction here, and I love how Studd riled them up by throwing down a $10,000 challenge. This motherfucker was challenging 10K over bodyslams *this* early into their WWF feud? Studd just started at 10K and only went up to 15K by the end of the decade. More guys on the Indies should challenge people for the money in their pocket. But this is a big match, starts and builds like a big match, but has a cruel dismissive count out finish that gets actual garbage thrown in the ring in MSG. 

The story is minimalist but very satisfying. Andre gave Studd a few laughing one handed shoves when he got in the ring, and kept shooting Studd these great Kubrick stare death looks like "No, please, keep talking, let's see what happens." Studd throws punches aimed at Andre's left arm, and Andre is good enough to work a Sell the Arm match as the largest man in his sport in 1983. He throws clubbing punches at the side of Studd's head and neck, and throws heavy chops that physically move Studd when they connect (and they always connect). But Andre throws all of those strikes with his right arm, and is great at selling pain when Studd is working a Fujiwara and dropping weight onto the arm. Andre is great at keeping active in holds and reacting to micro movements and changes in Studd's leverage. I loved how Andre trying reaching back to grab Studd in a headlock with his free arm, with Studd tucking his chin so Andre couldn't hook it, but still having to get his face smothered by Andre's big arm. Studd really got knocked around by Andre's comeback, really getting moved by his strikes and taking a couple bumps falling through the ropes to the apron. But Studd's strikes also got louder the longer the match went, with one axe handle blow to Andre's back sounding like a gunshot. Andre rams Studd into the corner, using ass and shoulder, and all of Studd's strikes to fight for a breath look hard.  

There are two great bodyslam teases, with Studd really getting his hand buried to get Andre off a leg, and an even better one as the very finish to the match: Andre grabs Studd on the apron to bring him back in over the top with a bodyslam, and Studd blocks it by just hooking his feet around the top rope! Studd is holding on for dear life with his toes glued together, and when Andre can't pull him free he just drops Studd, then plops down leg and ass first on his chest. Studd roles out of the ring and Nopes his way right down the entrance way without looking back on time. Fans are furious, and it turns out this was the only Andre/Studd match that would ever be run at MSG. They deserved a bit better than that finish, but I really dug the match as a big early moment of a long feud. 

COMPLETE AND ACCURATE ANDRE

COMPLETE AND ACCURATE 305 LIVE

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