2002 Boss Man vs. Shawn Michaels(' cousin)

Big Boss Man vs. Michael Shane WWF Metal 2/23/02

ER: Sometimes you just need to see Big Boss Man punch Michael Shane and his weird neon Scott Hall gear around the ring for 3-4 minutes. Boss Man was smart about how to construct a squash match, where Shane wasn't really getting any offense, but his very limited offense built to something within the match. Boss Man worked a similar match against Hurricane, building to one Hurricane bodyslam that got a big crowd reaction, and here he builds a reaction for Shane without actually needing to. Most of the match is Boss Man throwing great knee strikes, using a kneelift to cut off potential charges, and later using a knee to the side of the head while Shane was getting up. 

He interacts with the crowd and encourages the Boss Man Sucks chants with his gotten-to eyes, and encourages them more when he rubs it in their face every time he knocks Shane down. He even goes for a pin and just gets up after a 1 count, not even lifting Shane. Our first peek at Shane offense looks awesome, as he hits a dropkick that sends Boss Man reeling into the bottom and middle ropes, and Boss Man springs back and just sidesteps the next dropkick. 

I love all of Boss Man's strikes, but after watching a lot of later era Boss Man my favorite might be his straight palm strike to the forehead. It's so great to see him rear back and then just palm a guy right above the bridge of the nose. Shane's big moment is good, and it gets a reaction because of the heat Boss Man was getting throughout, with Boss Man missing a hard chest first corner charge and Shane coming off the ropes with a flying forearm. Boss Man goes down, crowd cheers, Michael Shane gets a moment. Plenty of guys in Boss Man's shoes would not have given that moment, and I love how Shane gets fired up enough to do that forearm again and gets caught immediately with a Boss Man Slam. 

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Found Footage Friday: EDDIE~! CHAVO~! MANDO~! REY~! FIERA~! ESPANTO~! NAVARRO~!

Rey Mysterio Jr. vs. Eddie Guerrero WWE 4/8/05

MD: 20 minutes or so, with Eddy bringing out a Make-A-Wish kid to begin and Carlito getting in his house show interaction with the two of them (and a bit of Torrie) at the end. So it's not the thirty minutes that the video suggests but it still gets a ton of time. Eddy and Rey were the tag champs together at this point so that made it feel even more special and timely for this week.

They use the time to really let things breathe, with Eddy attacking Rey's arm with a lot of different and varied holds. Maybe what I loved the most about this was how into it the crowd was based on the way they put over each bit of wrenching or cinching of a hold. Eddy would land a drop toe hold out of nowhere and the fans would "oooof" in unison. He'd do a headstand to tighten up a hammerlock and it'd lead to an "ooooh." You have to love that level of investment on even simple things. It is hard, sometimes, to go from 70s French wrestling where everything, a top wristlock or a hammerlock or a short armscissors would have a four minute elaborate series of escape attempts to 21st century wrestling where we have to live with one huge fly mare out of Rey instead of three attempts of it with Eddy hanging on, but that's a me thing, not a match thing.

When Rey really got going, he really got going, hitting from one direction and then the next and the next, all fluid, all with oomph, all believable. Eddy could do no wrong at this point. He cheated and the fans chanted his name, so while he was the aggressor and Rey had to work from underneath, it still felt like a babyface match, just with different tools used than usual used to achieve the same ends. That was a testament in itself. Having not seen it for a while, I love to see Eddy do the three amigos, because unlike all of the tribute spots now, there's no hesitation to milk the moment. He just bursts into the sequence. The finish was the old, tried and true, splash mountain into a 'rana, but it, like everything else in the match looked great and got over huge.

PAS: The dream is to find the bloody house show brawls these two had, but it is really cool to see them work a basically scientific face vs. face match, even with Eddie being a lovable cheat. Really simple effective wrestling with Rey taking a corner post bump and Eddie really showing every step in how to crank and damage an arm. Good point about the Three Amigos, he has a ton of explosion and force on the move, which is never really captured by the tribute spots. I love getting another chance to watch Eddie, what an electric and compelling performer he was

Eddie Guerrero/Chavo Guerrero/Gacela vs. La Fiera/Espanto Jr./Predator Juarez

MD: This is posted on the Juarez YouTube page and is about ten minutes but only a few of an actual match before mask pulling, post match fighting, and Chavo making challenges. Eddy had some really good strikes here though. That's my biggest takeaway. It's not something I usually think of when I think of pre-modern Eddy. In the short amount of footage we have here, he launched a spinning backfist, an awesome European uppercut that reached for the ceiling, and a really nice elbow smash, and then post-match took a bunch of shots well and sympathetically as he was tied up in the ropes. You catch him too early in his career and he often comes off as an afterthought. That wasn't at all the case here. Just given who was in this one, if we had more of it, or if there even was more of it, it'd probably have been good, but we come in on the chaotic violence and as chaotic violence goes, it's solid stuff.

Mando Guerrero vs. Negro Navarro

MD: The only record I see on Cagematch with these two is from 1981 in Los Angeles. It's possible. Navarro is certainly young with a full head of hair. There's a brief bit in English in between the Spanish commentary. Fact of the matter is that I don't know. What I do know is how well these two are matched up. Both have a certain amount of over the top theatricality in what they do. In his later career, Navarro would overlay that on top of the maestro style. Mando was more apt to roll around the ring and eat up opponents. Here, Navarro had control with bit offensive flourishes. He'd grab what I assume is Mando's cape and wrap it around his hand to beat him down. He'd bite. He'd pose. Mando would fight his way back, making sure to preen to the crowd for half a second before big shots. Navarro would cut him off. Just when I thought the 8 minutes of footage that we have would cut off without a finish, Mando snuck through the ref's legs for a roll up and a banana peel win. Whatever vintage it is, it's a good look at Navarro earlier in his career and a very apt pairing.

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NXT UK Worth Watching: Danny Burch! Oney Lorcan! Ridge Holland! Tyson T-Bone! The Hunt!

Oney Lorcan/Danny Burch vs. The Hunt (Wild Boar/Primate) NXT UK 1/17 (Aired 1/30/20) (Ep. #77)

ER: This tag was another one of my introductions to NXT UK. I had never seen Wild Boar before this, and had not in fact ever even heard of him. Wild Boar has been a consistent highlight 77 episodes later and it was because the brand had the good taste to use guys like Oney Lorcan that I even saw him. The match was a cool Danny Burch showcase, one of his greatest performances I've seen. He was a real rugby thug asshole in this, working with disdain against The Hunt, grinding Wild Boar's ears on headlocks and softening up his face with vicious palm strikes that I hardly ever see him use. Muga Burch is something we need to see more often. Wild Boar really threw himself headlong into his own and everyone's offense, hitting hard and getting hit harder. His crash and burns were the best, including a sick missed splash to the floor that kept him away from the finish. Primate made the most out of his hot tag and threw some of several suplexes down the finishing stretch, and really runs over Lorcan with a big lariat. Just like Wild Boar's biggest miss was greater than his greatest hit, Primate also took a great bump into the ringpost. Lorcan nails Primate with a big uppercut and Burch headbutts Boar into next week with a headbutt after Boar had just flattened Lorcan with one of his best ever cannonballs. It was a really great match that felt intense the entire time, and felt bigger than its relatively short 7 minutes. Great, great tag. 

Ridge Holland vs. Tyson T-Bone NXT UK 1/17 (Aired 1/30/20) (Ep. #77)

ER: This is only 3 minutes, but it's two guys who like to fight, fighting for 3 minutes. That's always going to be entertaining, even if I wish they had twice as much time. There's a big boy lock up, heavy knees thrown to the midsection, and real forearm shivers across the length of the jaw. Holland controlled things for a bit, and he's got plenty of ways to muscle around a tough dude like T-Bone. He worked T-Bone over with crossfaces and knees, ran him over with a lariat, and tossed him with a cool belly to belly. They worked back and forth but in a way that wasn't 50-50, just two guys going all out, destined to crash into an early finish. And, once Holland grabbing T-Bone by the ears and throwing headbutts into Tyson's T-Zone I knew the end was nigh. Just a couple of guys hitting and throwing each other around for three minutes, which is what those with good taste call Pro Wrestling.  

COMPLETE GUIDE TO NXT UK

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The Oldest Giants Take on Miracle Violence Connection

Andre the Giant/Giant Baba vs. Steve Williams/Terry Gordy AJPW 11/21/90 - GREAT

ER: I loved this, a great Broken Old Giants performance, a manic Dr. Death performance as the smallest man in the match, and a great disrespectful young punk MVC performance. I love the Andre/Baba team: two kindred old broken giants, the only sympathetic team of giants I recall seeing. Every stage of old Andre has different distinctions and different joys. Here he was still "limber" enough to enter and exit the ring over the top rope. I've said before that Andre, even at his most broken, understood how to use his current physical condition to tell small stories in a match. Baba was still limber enough to throw a fast side Russian legsweep and get dropped on his shoulders by a crazy Gordy brainbuster, and seeing the novel ways that Baba and Andre use their declining physicality is always impressive to me. Opposite them was Dr. Death, opening the match getting his leg worked over by Baba (you try not smiling when you see Baba throwing leg kicks while Doc hops around selling them), and I appreciated the combination of overly reverential selling and asshole behavior we got from MVC. 

Doc and Gordy develop a pretty great strategy midway through and kind of trick Andre into expending a lot of extra energy, making him get into and out of the ring to save Baba and dragging Baba to the floor for a beating far across the side of the ring Andre was stationed. It's great psychology to work around the Giants' physical limitations, and it only played into the sympathy when they wisely realized how long an Andre rescue would take. Williams was really fun against Andre, squirting past him like a man escaping The Mummy and getting knocked around when he gets snared. Andre threw hard chops, a ton of headbutts, and those cool short right hands that look like getting hit in the head with a telephone. 

There's an incredible moment where Williams escapes Andre's corner onslaught and gets a slick go behind, and we get to actually think that we are about witness the craziest German suplex possible. Andre is holding onto the top rope for dear life while Doc is pulling and pulling with all his might, arms locked around Andre's waist in a deep squat, butt nearly touching the mat. Later Doc snags Baba in a bearhug, and it's one of the most bizarre pro wrestling visuals I've seen. Dr. Death was just holding Baba in a bearhug without Baba's boots touching the mat. The coolest, weirdest shaped man in pro wrestling was being held like a long fragile baby, size 19 boots just dangling over Dr. Death's' legs like a comically large ventriloquist dummy's. The moment goes from surreal to Great Pro Wrestling as Baba starts pulling at Williams' hair and throwing hard overhand Baba chops to break the hold. The hold does start to break, and we realize that if the hold breaks then Baba still goes crashing to the mat. And he does, and Williams falls into his guard. 

As gracious as Williams and Gordy were on selling, there was still a lot of doubt about who was winning this match. It's possible to show ass for a couple old guys while still being a threat to those old guys. Andre and Baba went on to win every match of the Real World Tag League, which rules, but man Baba took a brainbuster so who knows how these old Giants might get wrecked. I thought the end was coming when Andre got tangled in the ropes, and I don't know if we have tape of anybody knocking Andre into the ropes harder than Doc and Gordy did here. The MVC hit Andre with a tandem shoulderblock that would have sent Andre to his sure death if the ropes couldn't be trusted. It's kind of amazing that I can't recall Andre ever breaking a ring rope, because this man has as much unceasing trust in ropes as Big Boss Man. Even during the era where he was having difficulties moving in the ring, he always maintained control over his movement. 

When Doc and Gordy slam into him it looks like Andre gets knocked so hard that the ropes actually save him. It's a great "Andre in the ropes", capped off with the always great moment where he powers to his feet. When I wrote earlier about Andre being so great at using his current physical condition and working it into his matches, I loved how Andre sold the wear and tear after being caught in the ropes, exiting the ring through the middle ropes instead of over the top. It was the only time in the entire match that he didn't go over the top rope when tagging in or out, and I like that he went back to the apron he looked like a defeated giant. The Giants pull out a really fun finish, with Doc taking a big bump to the floor after getting decked by Andre, and Gordy running face first into Baba's big boot in the corner before getting hooked by Baba's flying clothesline, Andre kicking Dr. Death in the ribs as Death is scrambling over the bottom rope for the save. Nothing compares to the specific joys the Andre/Baba team bring me. Each match I watch always just makes me want to watch another. 

COMPLETE AND ACCURATE ANDRE THE GIANT

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Tuesday is French Catch Day: Ben Chemoul! Bordes! Golden Falcons! Menard! Michel! Celts! Kamizake! Priore!

Rene Ben Chemoul/Walter Bordes vs.  Golden Falcons 5/13/72 

MD: A return match here. It starts exactly the same for the first thirty seconds or so which made me wonder, but it diverges after that. Very good as always when it comes to Ben Chemoul and Bordes, but you want just a little more heat sometimes. That's not to say that what we got in that direction wasn't good as the Falcons were excellent at controlling their corner and laying in clubbing (and clubbering) blows. All of the celebratory stylist stuff was excellent too, of course. Bordes increased his toolkit every match. There were maybe four or five new spots he did here that I'd never seen him do before, as varied as a belly to belly over head toss to more innovative tricked out rope running exchanges and even knife-edge chops which we don't often see in the footage. We have Ben Chemoul footage dating back fifteen years earlier and he could still go at such a high level here. Bordes might have outpaced him when it comes to flash but he still brought so much stylized sizzle and had such a connection with the crowd. And really, the fact that the two of them, 30 minutes into a match like this, could just shoot off 'rana after 'rana and dropkick after dropkick was just amazing.

Jean Menard/Alan Michel vs. Jean Corne/Michel Falempin (Third Fall) 5/22/72

MD: This is the last fall of a 2/3 falls match, and we get about eight minutes overall, plus the Celts celebration with a giant flag after the match. It was stylist vs stylist, mostly clean but occasionally boiling over in that 50s style. A lot of quick exchanges, some pin exchange sequences that were sharp and exciting. Usually when I see a new move in a match, I'll see it again in another with different people soon after. That was the case with the crucifix pin here, which I saw Bordes do recently for the first time in the footage. Really, by the end, this was just exchange after exchange and nothing really resonated too much. The tag setting made it hard for things to build towards a chippier finish because once they finished throwing shots, they'd tag out and go back to holds or pin attempts. The wrestling was all good though. I think we just missed out on not having the first two falls.

Kamikaze vs. Nicolas Priore 5/22/72

MD: I'm going to assume this was Aledo. He had a new deal where he took the mask off and revealed a ghastly bald head with a mustache and probably the eyebrows taped back to go full caricature. The announcer sold it as being worthy of a horror movie. Nothing incredibly spectacular out of him here, but he had a lot of stuff, going all in with the gimmick. That meant nerveholds and neck vices, throat shots and a nice punch to the cheek, chops to the head and stomach in a high/low pattern, skinning the cat by going through the second rope while getting tossed a couple of times, a bound up to the top to hit a diving chop to a prone Priore, a lot of bowing to the ref whenever he cheated, and this great bit where he sprung over the top to the floor like Savage to slam Priore's leg into the apron. He also had a way of sneaking in a quick counter to almost everything. So a lot of stuff and hoping at least some of it stuck. He had heat and they were behind Priore's comebacks so I suppose it did. Best part of this was probably when Priore came back and got his own revenge whack of the leg onto the apron. Kamikaze sold the leg well for a minute or two before deciding he had enough of it. Story of the match after that was Priore's head getting damaged from the chops and he selling the injury more and more until the ref stopped it. He had a few nice flourishes and comebacks including some brawling on the floor and a press slam gutbuster and giant swing, but it was all for naught. It's always interesting to see the Kamikaze act in full force but even with all of those affectations in offense and mannerisms, it only shows half of what we know Aledo could do.

 

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AEW Five Fingers of Death: Week of 4/18-4/25

AEW Dynamite 4/20

CM Punk vs. Dustin Rhodes

MD: Hey, it's two of our guys wrestling each other. Phil, unsurprisingly, covered this over at the Ringer, but here's my take. I love how organic this felt. Some of that is Punk adapting, both in the obvious ways, like when the bow and arrow didn't work, but also how he responded to the crowd. The match had spots but it wasn't about them. Punk knew that the crowd was going to get behind Dustin when he was in holds, but he couldn't know what the split would be or how best to capitalize on it before the fact. It gave a pretty good preview overall to what Punk vs. Page might look like and how Punk might adapt with the crowd.

The other half of it was how both Dustin and Punk responded to the moment. They sold everything, both physical and emotional. At one point a CM Punk chant broke out, even when he was on top, and he gave Dustin a sly grin. Likewise, when he taunted Dustin later with the Goldust bit, the crowd turned on him and he again reacted accordingly. The turning point of the match was after Dustin went flying through the ropes and hurt his knee. There was a chance Punk wasn't going to capitalize on it, but Dustin kicked up at him and it visibly pissed Punk (the character) off and he started on it. Later on Dustin had control and hit the ten punches in the corner only to sell the leg huge as he landed back on it again. Everything had weight and consequence, not just the spots but every incidental movement, every interaction between the two wrestlers, every reaction from the crowd. The wrestlers cared about everything and then the wrestlers care the fans care and when the fans care you can get real emotion and something like the hug and the handshake at the end resonates and stays with you. That's what the masters do, they take something fabricated and artificial and they give it substance and make it real. It may not be spectacular or conventionally breathtaking in a 2022 sense, but it still can manage to take your breath away in how it engages your heart and mind and gut.

Blackpool Combat Club vs. Dante Martin/Lee Moriarty/Brock Anderson

MD: This had a great beginning and a great finishing moment and some good ring time for Brock Anderson (past maybe landing on his head with Moxley's Half and Half) in the middle. Yuta's turned a corner in his ring-work which is exactly what needed to happen. One of the first things he did in this one was to pull Martin back to his corner by the ear. The early Martin vs Danielson stuff was really good too. I know we're not getting those long single epics from Danielson right now but there's still a lot of value in seeing him with little exchanges like that in tags. Everything built to Moriarty coming in to get the hometown pop and he made the most of it. Danielson turning the Border City Stretch into a capture suplex was fairly magical too. Things felt a little bit out of control and unhinged towards the end until the Blackpool Combat Club got control with the stomps and hammer and anvil elbows and Dante went way up for the Paradigm Shift. Overall, this was a functional piece of business with a couple of unique, fun exchanges that furthered along Yuta's development and everyone else some ringtime or shine.

Darby Allin vs. Andrade el Idolo

MD: A lot of the spectacle of this one was in the first half leading to the Sting dive. The back half had a little too much set up or getting things into position, but the payoffs were all good so it only matters so much. Because it was structured to have all of the nonsense up front and end with Andrade vs. Darby, I could have used another minute or two in that section, maybe a little more back and forth, even if a totally believable aspect of Darby's MO is to survive everything and win with a big one-two shot where he sacrifices his own body, as happened here. If this is the feud blowoff, it feels a little past due, but they have a lot of masters to serve. I'm curious where both wrestlers go next.

AEW Rampage 4/22

Eddie Kingston vs. Daniel Garcia

MD: Apparently about half of this was cut. I rewatched it with that in mind and the biggest takeaway was that the gaps weren't too easy to pick up on, except for that the damage done to Garcia was not equal to what we actually got to see. Kingston's so good at sneaking shots in from every angle when he's working from underneath but still, Garcia's chest would just be lit up or his lip would be opened and you weren't quite sure when that happened. So this explained that. There were a few things going on here, the hierarchical beating and finishing stretch where Garcia kicked out of the exploder and it took both the Saito Suplex and the backfist to put him down; the great equalizer in Kingston taking his stomach/chest/ribs out on the stairs and Garcia using that in his offensive focus and the cut offs. I liked the Big Josh log roll in the corner but it really hammered home how while Yuta is changing up his act, Sports Entertainment Garcia is just Garcia with a new hat. He really needs to work in Road Dogg's shaky legs knee drop or the Worm or a bunch of catchphrases or something. It's not enough to just troll people with the gimmick. He needs to figure out what being a sports entertainer actually means in ring and then work that into his matches. Otherwise, what we actually did get of this was unsurprisingly very good, clipped and all. 

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Felt Like Santo on a Sunday: Hijo del Santo vs. Mano Negra

El Hijo del Santo vs. Mano Negra CMLL 2/23/96

ER: I've been on a Santo kick lately (for some reason, I dunno, he's alright) and I saw that YouTube upload god Roy Lucier had thrown up this episode of 1996 tournament lucha. Now tournament lucha is obviously eyeball poison and has been for some time, but it was still a series of decent length fun singles matches in 1996, with an actual chance of producing gems (unlike the more modern 3 minute match structure). This specific Copa Jr. tourney was filled with fun sounding singles matches, but Santo vs. Mano Negra immediately jumped out at me, and my oh my was it a unique little gem. It doesn't happen often, but sometimes a match is going one way, something unexpected happens, and both guys decide to work with it. You see this happen when one of the ring ropes snaps, but this was something different. 

They go through some competitive matwork, Santo works Negra like a rocking chair (look at Santo hook his feet and apply pressure to the front of Negra's shoulders), but nothing out of the ordinary. Santo goes for a wristlock and recoils. Santo's hand is bleeding, and Negra appears to have some kind of chain bracelet wrapped in his wrist tape. Santo is cut around the webbing between his thumb and index finger (the finger crotch), and I was hoping it was from a blade Negra had concealed in his wrist tape, but an unexpected papercut-type cut on a sensitive patch of skin sucks no matter how it got there. 

Once the ref is done re-taping Negra's wrist, the match turns, because Negra goes right after Santo's hand. Santo is selling like a man with a persistently annoying cut, shaking out his hand while clenching his teeth, selling like me when I sliced my middle finger open cutting up a stale loaf of French bread for croutons. Negra bites at it, runs Santo's finger crotch over the ropes, rakes the cut across the rope, just dickishly going after that hand in ways that would never finish a match but sure do piss Santo off. Santo hits a beautiful dive, and a great in ring tope that headbutts the ref across the ring when Negra moves (the ref taking a big flipping bump that bounces him all the way back into the opposite corner). Negra capitalizes for a killer BS finish, punting Santo right in the balls...but then locking in an abdominal stretch so Santo can't just lie there grabbing his freshly punted balls. I also love the thought that Santo cutting his hand open was somehow actually planned, because wrestlers are crazy and Santo is a great enough wrestler that he could make something like that look quite accidental. I don't want to know, all I know is that I love it.

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Tully Collects Quarters at a Fanfest

Tully Blanchard vs. Dustin Rhodes NWA Legends Fanfest 8/10/07

ER: This was literally a day or two before Dustin's return to TNA, this time as Black Reign. The Black Reign era had to have been the worst physical conditioning of his career, and was no question the worst look of his career. His look here was bad in a different way, looking like a man who has been living through a several year divorce. He's not yet 40, has saggy old man arms, bad bod, bad goatee, sleeveless TNA shirt, clearly in worse shape than mid-50s Tully. But Dustin could still go in old man shape, and Tully was in good damn shape, and this was good! JJ Dillon and Baby Doll were at ringside, Tully takes big back bumps from Dustin's great punches, works some nice go behinds, and eventually nails Dustin with a nasty diving chop block to the knee. Dustin is obviously going to be fantastic at selling a knee, and Tully goes after it with a grapevine, with Dustin kicking him off and not once forgetting about that knee. 

Dustin's selling was so good that you would buy a knee injury if you didn't know he worked a TNA PPV later this same weekend. There's a great moment where Tully gets knocked into the corner and Dustin goes to stomp a muddle in him, but can't put any weight on the knee to do any stomping. So he does everything he can to stomp, desperately clinging to the ropes to hold his weight just so he could get a couple boots in on Tully. JJ Dillon passes off a roll of quarters that of course Dustin eventually gets, and the way they used them literally couldn't have been better. Tully doesn't know Dustin has them, runs straight into a punch, lights go out, quarters fly everywhere, beautiful. What's hilarious though is that even though Dustin was selling this incredible knee injury (and continued to all the way to the back), the fans BOO the man because they wanted Tully Blanchard to win! And so Tully is finding all of these quarters in the ring and has no idea what happened, Baby Doll is upset because she was late getting his boot on the ropes, Dillon swings on Dustin and eats and atomic drop that sends him crashing into Tully, it's a ton of bullshit and it rules. 

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Found Footage Friday: WWE in Melbourne, Australia 8/29/04

8/29/04 Full Show


Funaki vs. Rene Dupree

MD: Fun opener that outside for one big German cut off to set up the finish, could have happened almost spot for spot fifteen years before. This followed Teddy Long opening the show by flubbing a half dozen lines, but the fans were happy to see him and to be getting a show in general. Funaki came out with a valet who immediately went to the back and I can't place what was going on there and the internet is no help. Early chain wrestling worked. Lots of little tricks like Dupree pointing to his hair to draw the ref off so he could do a hairpull himself, only to have Funaki hold on to the wristlock. Things like that. Dupree got a knee in off the ropes and took over with things very first match and simple, but the crowd was eager to cheer and especially eager to see Dupree hop around with his trademark comedy bit of the month. That let him get rolled up for a banana peel Funaki win. Simple, straightforward, effective. I think the blog's covered maybe two Rene Dupree matches ever so I have no idea what his 2010s in Japan are like but I'm sort of curious. Regardless, it's hard to tell with a crowd this eager to see wrestling, but he seemed to be over, down to kissing the hand of a woman on the way out and getting a big pop. 

ER: "Tajiri!!" some little kid near the camera yells excitedly. Sorry, that's the other guy. Hopefully the kid doesn't get the exact same letdown during the Kenzo Suzuki match later on. This match is clipped up a bit, but what we got was really good. Rene Dupree was an majorly under-appreciated act in WWE, and would make an interesting project for me to go back through searching for gems. He was a fully formed act in 2004 and you could see that better on house shows than on TV. He knew how to get heat from this crowd, who granted, were excited to give that heat. They're like the perfect crowd for everything Dupree does, and they seem in on the joke without being annoying about it. I am not familiar with Australian sports, so I am also not familiar with the rhythm of Australian wrestling chants, which do not follow the NEMA standard four syllable/five clap timing. 

Dupree has very funny body language and is good at getting reactions with just his movement, or just his posture. When he's flopping in funny ways to sell Funaki's wristlock, falling over himself when Funaki just won't let go, it's like classic Regal. It builds really nicely from wrist control into some tough Dupree offense. He hit a hard shoulderblock, backbreaker, and a knee lift, and he flat out levels Funaki with a hard clothesline after punching mat on a Funaki sunset flip. They took it further than I was expecting, because I was not expecting Dupree to bounce Funaki off his face with a huge release German suplex. And the finish is great, as Dupree saves the French Tickler dance for the very end, giving the crowd exactly what they wanted (somehow the section with our cameraman were the biggest French Tickler fans in Melbourne), and as Dupree is bouncing his bulge for each side of the ring, he falls victim to a Funaki schoolboy. The crowd loved seeing Rene Dupree lose, but most importantly: They loved seeing Rene Dupree. I think Australia might have been right. 

Spike Dudley vs. Rey Mysterio

MD: A lot to like here too. Smart stuff right from the get go where Spike let Rey chase him around the ring so that he could ambush him on the inside, only to get a quick comeuppance and feed for a steady shine. That built to him taking a powder and threatening to leave only to really eat Rey's baseball slide on the way out and catch his flip dive over Charles Robinson, who had tried to stop him from diving a moment before. Real crowd-pleasing stuff. Nice transition where Spike jammed Rey off the ropes causing him to bump stomach first out of the ring. The heat was them working in and out of bodyscissors with the comeback just a foot up by Rey on a leap from the top by Spike. In the stretch it was all about wondering how Rey was going to position him for the 619, and he did manage it after kicking out of an Acid Drop, but by then the Dudleys had come out and one foot grab and roll up later (second roll up in two matches, so that's some iffy agenting), Spike's retained. They did a good job of making it seem like the fans might see a title change for a while there though.

ER: Heel era Spike was really great, and I was so excited to get another singles match from that run, let alone another Rey singles match. The only singles matches they had on TV was Spike's title win and Spike's title loss, so it's cool seeing the literal first singles match after the title win. Spike always had good offense but wasn't always in the role to show that offense. His heel run was his chance to show his bruiser side, the side he probably hadn't played since his Incredibly Strange Wrestling. This was the match I was most excited to see on this handheld, and while it probably wasn't as good as Rene Dupree vs. Funaki, it was still so good. The crowd was into heel Spike, and Spike is a great base for Rey's best. Spike takes a sick bump into the ringpost and later threatens to walk out, then walks back the hard way directly into a Rey baseball slide, then adeptly catches his slingshot senton. Spike is real precise worker on offense and defense, good at catching crossbodies and nailing his flying forearm and torpedo headbutt. His set ups are really strong, and Rey has precision as good or greater than Spike's so it's a super pairing of the two smallest guys on the roster. 

Dawn Marie vs. Torrie Wilson

MD: I went and watched this. Might as well write it up. They had probably wrestled each other fifty times by this point, right? They had the act down. The fans clapped Torrie up while in the chinlocks but barely reacted at all to her spear and her actual comeback, which is always a sign that something isn't quite right. Korderas brought out a hankerchief for after he got rolled upon during the catfight bit and that was kind of funny, I guess. Prop comedy. They came back and did this exact same match up the following April and I'm vaguely curious to see what that would have looked like. I don't know. This was fine for what it was and Dawn Marie gets a few extra points for her post match selling, even if she lost a few for never leaving her feet on the catapult into the corner. I'd never seen someone take a catapult as an Irish Whip before. Torrie won with a DDT. Something on this card needed a clean finish so I guess this was as good as any.

ER: Maaaaan I think Matt is being a bit of a curmudgeon here. I was actually excited for this one, because Dawn Marie is a really great thing. I became a big fan of Dawn Marie since seeing her at the 1/3/03 WWF Cow Palace card, where she had a standout match on an absolutely stacked show. It was a Bra & Panties match against Gail Kim, where she worked arm based offense to weaken Kim's clothes-ripping abilities. Both women played into the story and it was definitely the most technical match I've seen worked around a Bra & Panties gimmick. Dawn Marie bringing arm work into a match for the sole purpose of delaying the panty payoff is the mark of a brilliant heel worker who knew exactly what she was doing, impossible for me to not be a fan for life. And I think this match a year and a half later was really good, painting the picture of a real strong house show worker. 

Dawn Marie's selling is strong, she throws hard forearms, and works really tight headlocks. She's honest on offense, making good contact and selling that impact. Look at the way she runs into and staggers out of Torrie Wilson's boot in the corner. I don't think she ever got enough credit for how well she took offense and excelled at the basics. I thought the Jimmy Korderas comedy spot worked really well toward the end of the match. It's not the kind of spot they were doing on television, and based on all of the people audible around our cameraman, this section was clearly familiar with all of the TV. You could tell by the big reaction and genuine laughs that the crowd hadn't seen two women steamrolling a bald ref with their cat fight, and it felt like a moment unique to a house show. Also, I loved how they set up the spot right after, where Torrie cut LOW on a clothesline that almost hit Korderas! Torrie threw that with more violent form than I would have expected, and I love a miss thrown like a HR swing. Dawn took the DDT right on her head, in the way that looked like a finish. I don't know man. I hate to say Matt is wrong but House Show Dawn Marie speaks for herself. 

Billy Gunn vs. Heidenreich

MD: So far, past a little blip here or there, this was a wrestling show in front of a crowd that wanted to see a wrestling show. Here, that meant Heyman came out and got some real cheap heat on the mic and Gunn came out and got just as cheap a pop. I spend a bunch of time watching 2022 Billy and he stands out in a way now that he didn't back then, but we probably didn't give him enough credit as a community for what he did do well. Not just the punches either. Here, he bumped like crazy to get over the transition (wiping out on the post on the outside) and then to put over the cutoffs. Heidenreich could lean on some simple armwork and wasn't asked to do too much. The finish was, again, straight out of 1989 with Heyman (who had just sold a crotch chop like death on the outside) up on the apron as Billy was going for his finish and he walked right into Heidenreich's kind of weak Boss Man Slam. Again, everything so far has just been hitting the right buttons for the crowd, just like a house show should. 

ER: I thought this was really good too. I must be in some kind of mood. Some of these house shows just really hum. The pacing on this show has been really good, and perhaps it's been helped out a bit by our cameraman's selective in-match editing. Everything has been 5-10 minutes and it's a reallll comfortable window for this roster to hit. I've had a lot of fun going through Big Boss Man's 2002 run, and I bet there are some unheralded gems in Billy Gunn's 2003-2004. Those Gunn/Holly vs. The Bashams matches probably look a lot better in 2022 than they felt in 2004. Shit I should probably do a Bashams C&A too. That one's been overdue.  

This match was a great Gunn showcase, but Heidenreich had a couple real high notes. He took a crazy fast bump over the top to the floor on a missed charge, then a big tumbling bump off the apron after getting up into a hard Gunn forearm smash. Their floor work was really inspired, with Heidenreich taking a big spill into the guardrail (in the days when there was still a big metal guardrail for a 270 lb. guy to sprint into) and Billy Gunn wrapping himself around the ringpost like 1983 Lawler in the Mid-South Coliseum. Heidenreich throws a nice running clothesline, and Gunn takes a real nice flipping bump from it, flipping from the contact and not before it. All of Gunn's punches looked great, from his early match jabs in the corner to his woozy stumbling rights to build to the finish. Heyman's theatrics are incredible house show bullshit, reacting to a Gunn crotch chop by getting literally hopping mad. If he had a hat he would have slammed it to the ground like Boss Hogg. He takes a really big bump off the apron when Gunn punches him off, and I actually thought Heidenreich's high side slam looked pretty good. It didn't have the impact of the Boss Man Slam, but it's not really controversial to say Heidenreich wasn't as good as the Big Boss Man. But the height was actually high, and his control through the move was really good. 

Eddie Guerrero vs. Kurt Angle

MD: It's been a long time since I've revisited any of the Angle vs. Guerrero feud from earlier in 2004, but this was really good. I think it benefited from being a house show, from having lower stakes, from having more time to breathe, from being in the middle of the card. They started with more time on the mat than I remember Angle usually taking at this point in his career, competitive and scrappy. They moved into a headlock sequence with a big payoff then a top wristlock back and forth with all sorts of comedy that was actually funny, all capped off by Eddy pantsing Angle (which the crowd loved but it followed Gunn doing it to himself because it was his gimmick so again, agenting). When Angle finally got to throw a suplex, it meant something, because there was a place for the match to build to. He wasn't working like Mark Rocco but instead let things breathe and build. It all led up to a pretty exciting finishing stretch with one really great nearfall. These two might have had bigger matches earlier or later in the year, but I doubt they had a better one. It was one of the best, most balanced, most measured and meaningful WWE Angle matches I've seen.

Dudley Boyz vs. Paul London/Billy Kidman

MD: Another attempt at cheap heat to start with the crowd getting behind Kidman's Ralph Macchio delivery and overall solid sense of comedic timing. They got on Bubba and seemed to really enjoy chanting at D-Von later so who knows. They were just happy to be there. London worked the brunt of this until the hot tag and the finishing stretch, even most of the shine. D'Von fed for them but Bubba made them work for everything early. It made for a good combination since there was some gravitas due to the size differential while still letting them hit some of their flashier stuff. Heat was well set up with London getting a shot in on Bubba on the apron and then immediately paying for it. Finishing stretch called back to the Cruiserweight match earlier with Spike and then Rey coming out and it all ending with heel miscommunication, another DDT pin, and Spike taking the 619. Good piece of house show business overall.

Rob Van Dam vs. Kenzo Sukuzi

MD: You can't say that these two didn't match up well. They both had stupid, stylized offense, but in some ways that was better than only one of them having stupid, stylized offense. Both took one big bump too, Suzuki taking one from the top rope to the floor off a kick to the rear and RVD going hard into the steps to start the heat. Cutoffs were ok but the actual comeback move was just a kick out of nowhere and felt anti-climactic. As did the finishing stretch. Suzuki probably would have done better to stall more at the start. It was getting a reaction and he had Hiroko at ringside to help get heat. 

John Cena/Charlie Haas vs. Booker T/Luther Reigns

MD: Cena felt like the biggest, most electric star on the show so far, and that's saying something when Angle vs. Eddy was earlier in the night. When I'm watching a random house show tag like this, what I'm really looking for, as much as anything else, are the wrestlers interacting with one another. Cena brought that in a big way, pulling Jackie Gayda in to pose and clapping up Haas after the initial stalling. Delaying of gratification meant that the match started with Haas vs. Reigns instead of Booker vs. Cena, playing around with them post-match. You got the sense that Cena was trying to elevate them for the crowd. There was a bit of Booker hyping Reigns to start the match that was good too. We lose a chunk of this, most of the heat but Haas looked pretty good in there with Reigns for the minute or so we got. Booker exuded this oozing sliminess when he came in to work Haas over. Past that, it was a little paint by numbers in giving the fans what they wanted, but Cena made sure all the numbers were at least high and vibrant and it ended up feeling like a big celebration. 

JBL vs. Undertaker

MD: Really strong house show main event here. JBL cut a good, deluded promo trashing Australia and asking the fans to support him like he was 1983 Tommy Rich. I liked the early loop a lot where they bypassed the initial stalling, teased Old School, had JBL hit a great neckbreaker and Russian leg sweep, had Taker sit up, then did the stalling/leaving, and finished it with Taker dragging him back and actually hitting Old School. The match hinged upon JBL taking out Taker's leg and he really worked to get it early, first capitalizing on a missed knee in the corner by punching it out, then turning a Taker move on the stairs around, and finally tossing a chair into the ring to distract the ref so he could whack it with another chair. He had a nice (in theory though maybe not execution) Gagne-style deathlock on for a while and then they were able to use it to justify all of Taker's comebacks getting cut off. The finish was full of ref bumps and Dupree coming back to cause trouble before the groggy ref saw JBL use the belt for the DQ. Post match, Taker destroyed half the roster as the crowd chanted for Cena to come out to save him, but ultimately they were probably more than ok with what they got.

ER: I thought this was an excellent JBL outing and a kind of lacking Undertaker outing until all of the push to his big comeback, balancing out to a very good house show main. For the first 10 minutes of this long match, I swear Undertaker was throwing every single strike 3" short of his intended target. You could clearly see every JBL shot (and I do mean every kick, punch, chop, and elbow) land, and here's Undertaker throwing punches at a fly a few inches in front of JBL's forehead. JBL and Undertaker's star do the work of two men here, but JBL is the guy taking big bumps and attempting to lean into Taker's strikes, and it's just a great JBL match. I loved early when he wasn't budging Taker with shoulderblocks, then rushes in with even more steam only to get sidestepped, crashing over the top to the floor in a really big bump. JBL is good at bumping into the ring steps, but leg control JBL was a different kind of fun than I was expecting this match to be. When JBL dodges a Taker running boot in the corner and Taker's balls hit the buckles, that's JBL's time to work over that leg.

I love his kneebreaker, a really vicious move for a guy his size to do, trapping Taker's shin in his legs and jumping down to his knees. Taker has an amusingly loose set up for his own rolling kneebar, but JBL is good at dropping tons of elbows on Taker's knee, trapping it in his own legs, applying pressure to the actual knee, and recoiling from all of Taker's strikes to break that hold. Taker is very good at limping around and paying lip service to that knee, though seemed to be selling it better when his leather pant leg was hiked up his leg. JBL set up all of Taker's comeback offense really well, and leaned right into that Snake Eyes/Big Boot combo that a lot of fans bought as the finish. The crowd seemed genuinely surprised when Taker kicked out of the Clothesline from Hell, and I loved Rene Dupree's big bump off the apron when Taker kicked away his distraction. You can't have JBL - even as champ - pinning Taker on the main event of Melbourne's only show of the year, and I thought all the bullshit at the finish was more than enough to send a crowd home happy. 

COMPLETE AND ACCURATE 305 LIVE

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Caught Gulak in Our Room Staring' at the Light, I'd Been Up All Night

Drew Gulak/Ariya Daivari/Tony Nese vs. Gran Metalik/Mustafa Ali/Lince Dorado WWE Main Event 3/31/17 - FUN

ER: This had some real highs but also some oddly laid out peaks, giving Lince Dorado a lot of the big triumphant moments. Out of the three tecnicos in 2017, he was the least natural and spectacular - and also the clear smallest - so it was weird that the match built to him getting the hot tag and getting weaker reactions than anyone else in the match. But the peaks were strong and the pace was brisk. It starts with some pretty so-so Nese moments, but at the same time gave Metalik nice moments to shine. Metalik's nice rana off the ropes was an early highlight, but the match doesn't quite round the corner until Daivari held the middle and top ropes open so that Ali flew to the floor while running ropes. Ali is always great for one big bump per match, one real dangerous one, and him basically hitting a tope to nothing moved us along nicely. The Gulak/Ali portions were really special, with Gulak really throwing hard basics at him and Ali hitting the mat hard. Gulak throws such a hard clothesline, and he throws a straight arm clothesline here that knocks Ali into next week! The big flying moves throughout are good, like Daivari's stiff Naniwa elbow, Metalik's plancha to Nese, Ali's match winning inverted 450, even Dorado's shooting star was delivered swiftly and landed clean (Dorado's problem is more with some wait times on his set ups, and not really flowing through spots very well, all things he got much better at a few years later). Weird to me that Gulak is the one eating the pin after looking like the biggest monster during the match, but this was fun stuff.

Drew Gulak vs. Angel Garza WWE Main Event 7/22/21 - FUN

ER: Here are two modern wrestlers that I love, who have now wrestled five singles matches over a seven month span, and somehow haven't managed to have a really good one. Drew Gulak is one of the guys in WWE who you can argue has had the best matches against the widest selection of opponents over the past several years, but for whatever reason there just does not appear to be a connection between these two. Over their previous four matches, three of them never even made it to 150 seconds. Those were matches with fun, well executed ideas that didn't have enough time to build into stories. The other match went 9 minutes - longer than all but one 2021 Gulak match - and it was somehow one of the weakest Gulak matches of the year. This is more of a satisfying porridge 5 minutes, but still doesn't quite click. Their matches always have good moments, but never quite feel cohesive enough to get to that next level. Garza's transitions back to offense always feel a bit too easy, always completely shrugging off whatever Gulak just did, no matter how punishing it looked. Obviously, a lot of Gulak's offense looked punishing. Gulak never works the same offense every match, so you never know what kind of tricks he's going to pull. He throws a few cool body shots, stiff standing clotheslines, and a great bridging German that I thought was actually going to give him a rare win. Garza has great charisma and taunted Gulak in some fun ways, and he actually gets a good reaction for his tearaway pants late in the match (even though Gulak looks more and more like an idiot every time he catches those thrown pants), but it felt like he was sometimes working a totally different match than Gulak. 

COMPLETE AND ACCURATE DREW GULAK

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NXT UK Worth Watching: Devlin vs. Ligero!

Jordan Devlin vs. Ligero NXT UK 1/17 (Aired 1/23/20) (Ep. #76)

Here's a cool match that acts as a nice showcase for the different things Devlin can do with his moveset. I really like the different ways he approaches matches and opponents. The guys who step out and try something new within a similar framework are always the guys who are going to jump out at me, and this match had several great examples of Devlin trying something once with one result, then trying it again with sometimes a very different result. I love that the match started with him tugging on one of Ligero's horns as a goof and then getting walloped, not even making it out of his track jacket until a couple minutes in. When he does finally get enough space to remove the jacket, after a uranage and moonsault, he stands on Ligero's throat during the jacket removal to be assured that space stays. Devlin always has an answer for Ligero's sillier flourishes (like shoving him back into the ropes on a handstand and then kicking him in the face) but it's also great when he thinks he has Ligero figured out but actually doesn't. Devlin slingshotting himself over the top rope to grab a cutter only for Ligero to simply not lean his neck into the cutter was a great spot, the kind of logic that isn't typically applied to cutters (where guys actively have to stick their neck out) and is so sound that it almost shows how every correct usage of the spot is actually incredibly dumb. It's like the first time you saw someone just let go of the top rope when they're being brought in "the hard way" from the apron. 

Devlin was great at cutting Ligero off, while turning them into moments I'm not sure I've seen before. One that stood out was instead of moonsaulting onto Ligero's outstretched feet - a spot we've seen a lot ever since Mistico/Ultimo Guerrero - Devlin catches Ligero's feet on his landing and blocks Ligero's block. It's rare that "reversal of your reversal" wrestling actually looks good, and Devlin is someone who puts enough care into the spots that they look like *actual* reversed reversals, not just a planned dance. The Devil Inside gets reversed nicely into a Ligero spike DDT, and Devlin sells the DDT perfectly, like a dog who ran into the closed sliding glass door. It doesn't prevent him from eventually going for it later - and hitting it for the win - but I love how Devlin is able to establish that some of his offense needs to be hit at the right moment, and if it's something he tries to rush it will backfire. Devlin's ideas are not complex, but he's one of the best at delivering on those ideas in great matches.  

COMPLETE GUIDE TO NXT UK

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Tuesday is French Catch Day: Batman! Khan! Mammoth Siki! Mr. X! Corne! Falempin! Viracocha! Gonzalez!

Batman vs. Abdul Khan 3/27/72

MD: Batman was Batman, of course, maybe a little older, a little less spry, a little slower, but still able to cartwheel and leapfrog and dropkick and with that theatrical flair to milk a moment. Khan was playing the stereotypical oriental gimmick with chops and nerveholds, but he fed well enough and I liked the look of the overhand chop. He also had some interesting stuff in between the knee drops and gut shots like a backslide lifting choke under the ropes (previously we've seen a Rude awakening version) and a nice double chop off the top. It was on his second attempt at the latter that Batman was able to catch it and come back. Finish had Khan remove the corner guard and Batman tease to a reversal of a whip. Again, he could milk the moment as well as a lot of the people we've seen in the footage, which enhanced everything else he did.

Mammoth Siki vs. Mr. X 3/27/72

MD: This was a straightforward heavyweight clash with a straightforward story, well enough worked, didn't outlive its welcome. The first third was Mr. X (a huge guy in a purple mask with the backstory of being disfigured) trying strength holds and Siki overpowering him and flipping him about. Mr. X went over for everything well and Siki had good timing and clear charisma and when he threw a shot or headbutt, it looked very good. Middle third was a lot of choking and nerve holds but Siki sold well from underneath and Mr. X contested with the ref well. Big comeback spot was out of a full nelson and after that Siki kept going for the mask with the ref trying to stop him. He had a nice double arm hold out of an arm drive into a Fujiwara armbar that let him really go for it. Finish was very unique and it sets up a match that I wish we had maybe. Mr. X had Siki tied up in the ropes and Petit Prince came into fly around and get his mask off which let Siki get the win. Mr. X was definitely competent and I would have to see what a Prince vs giant match would have looked like but alas, it's not to be in the footage we have.

Jean Corne/Michele Falempin vs. Inca Viracocha/Jose Gonzalez 3/27/72

MD: This one fell through the cracks of the footage, but it came immediately after the Siki vs Mr. X match and starts with the announcer wearing X's mask. It's another one fall tag and it's hard to fault the pacing of these so far. Likewise, it's hard to find fault in the talent of any of these four. Viracocha is unquestionable good, able to lean on his opponent with big shots, able to credibly work holds, able to pick up the pace for key moments of rope running, able to feed for all the big spots and set pieces, but Gonzalez remains the find. He has this over-the-top energy with an agility to match, even as he looks like a real scuzzy goon and stooges even more than that. Falempin and Corne were as good as always, quick with armdrags and dropkicks. Falempin had a great escape out of the corner to end a long bit of heat where he monkey flipped both opponents at once. Corne came in hot a couple of times with armdrags and dropkicks. But it was Gonzalez that really drew the eye from early stalling to end-of-match mugging at the camera even as his partner was losing the match, and all of the quick, exuberant work in between.

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AEW Five Fingers of Death Week of 4/11-4/17

AEW Dynamite 4/13

CM Punk vs. Penta Obscura

MD: Writing about 2022 Punk almost every week, what stands out to me the most is probably his connection to the crowd. There was a moment early on where he somehow managed a step up armdrag off the ropes. It seems like the sort of thing he only did because he was wrestling a "lucha guy" but hey, Penta based for him and it worked even if it wasn't the prettiest thing in the world. Point being, afterwards he had a big shit-eating grin on his face and made enough of a connection with the crowd that they cut the camera to this random guy giving him that big grin back and Fonzie-pointing to him like he was telling a friend of his "'ey, good one, pal!" It's no small thing.

It wasn't just that moment either. I was wondering how he was going to deal with the Penta taunt at the start and he played into the fact that the C and the M were his name and got the crowd chanting back and forth. When the taunt (and shove) came, they went right into a strike exchange, and if you're going to do a no-sell strike exchange, best to do it right at the start. Punk didn't exactly no sell though; instead he let Penta's chops turn his body so that he was wound up for his own shot back. Regardless, the thing, simple as it was, drew an AEW chant in the first two minutes of the match.

It's good they had the crowd too, as the match sort of went off the rails the longer it went. They were already moving sluggishly for what they were trying to do even before Punk fell off the ropes and started to sell the knee heavily (which could have been intentional or him covering, but it doesn't really matter). After that it became even more overwrought. There were a couple of nice teases of spots afterwards (like the pile drivers on the apron) and it looked like Penta even had a shot, which spoke well for the layout of the finishing stretch. But there was also Punk being a little too selective with the knee selling and maybe getting out of the arm snap a little too easily (twice) instead of protecting it well enough. They ultimately probably tried to do just a little too much when they should have been leaning more into who they were and not what they could do.

Eddie Kingston/Santana/Ortiz vs. Chris Jericho/Jake Hager/Daniel Garcia

MD: This was the first actual match in this chapter of the feud and they ended up giving it more than I expected them to, while also keeping it very conventional and conservative, though with some definite high spots at the end. The opening bit with Santana and Jericho was perfect, with Jericho mouthing off and getting punched in the face for it and then giving for Santana, ending with the double leg and everything breaking down. They used Hager as a brick wall to cut off Ortiz with the heat lasting through the break like usual. It was solid though: good hope spots, good cut offs, Kingston and Santana working the apron. They mostly kept Garcia out of it so that he could provide that last burst of energy and motion and speed to set up the hot tag and then take everyone's offense after Kingston came in. His double-underhook suplex out of the ropes looked great. It felt like there were some timing miscues on the end, more like three or four than just one, but overall this was disciplined and a good prelude to the street fights to come.

ER: Man this was really good. It's smack dab in the middle of a Dynamite that had several Meltzer 4 star plus matches, except this 4 star match actually had a good layout and didn't have several blown spots like those other classics that people definitely remembered a day later. I loved how this built, love how these guys spend 10 minutes. Everyone had something to do and knew exactly how they could add to the match. Santana looks bigger and more aggressive, Jericho played weak to Santana but tough to Ortiz, Kingston is frothing on the apron and targeting Garcia, Garcia plays a great punk, Ortiz is a great FIP, Hager is the muscle. They all blend it so well. I loved Santana battering Jericho, with Jericho even running from him! It made it that much better when Jericho was beating up Ortiz, throwing tighter punches and harder chops than he was throwing at Santana, his entire body posture changed. 

Kingston isn't a rabid dog on the apron, he's a dog being held just outside the gates of the dog park, waiting for every little burst where he's finally allowed to play. He doesn't just pounce on Garcia on the floor, he grapevines his leg while punching him, yanking him off the apron to get more; when Jericho is starting to pick apart Ortiz and posing for the cameras, King runs in and shoves him out of his shot. JAS are really good in their corner, especially Garcia. He had a truly great choke from the apron, hooking that arm and leaning back with his weight, and I love how they handled the hot tag: Garcia ran in and came down hard on Ortiz, in his first real attempt at a hot tag. Ortiz managed to make the tag anyway and it left him wide open for King and Santana to tee off on him. Santana's three amigos and big splash were strong, and it all kept building to a bigger and crazier stretch: Kingston hits a heavy tope suicide, Santana flies out with a plancha, Ortiz takes out 2.0 with a tope con giro, loved all of it. I'm not sure I noticed any of the miscommunications that Matt saw. I thought all of this was tight. Then again, on a show with another classic 4.5 star Luchasaurus match, anything would seem tight. 

AEW Rampage 4/15

Blackpool Combat Club vs. Gunn Club

MD: If the BCC is going to stay a three-man unit for a while, this was our first look at what their matches might look like. Obviously, you came into this looking for a change in Yuta, for him to be wrestling somewhat different, for some new fire and viciousness within him, and I think they got that more right than wrong. There were hints of finger manipulation early and that, I think, is something he should really be leaning into. Steve Grey is one of his favorite wrestlers, but he needs to be looking to Breaks and Rudge and instead of the world's greatest blue-eye. That's not his path right now. The crowd was very behind him though, and they built to a big moment in the end where he stood up to Billy Gunn. Gunn's a great visual element in small doses and was so here. Maybe Yuta doesn't have to be killing people left and right if the crowd gets behind him primarily for his resilience, sort of like an Ogawa teaming with a Misawa. I still think he can be more though, so long as the work continues.

Danielson, who worked the middle and took the heat, had a great little bit where he forearmed the side of the head while holding Colton (I think) in the Romero Special, but the best stuff was when he faced off against Billy. I like how they kept Mox out of it for the most part, mainly having him working the apron and trying to get in. It meant when he did come in, it was all this built up potential energy waiting to be unleashed. I know it's ridiculous and over the top but there's no way Austin Gunn is going to stand out in this roster otherwise, so he should keep doing what he's doing. It gets a reaction, it's memorable. It works. I think it's important that the BCC continues to wrestle both faces and heels but this was a nice first showing for them as a unit.

COMPLETE AND ACCURATE EDDIE KINGSTON

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Kingston's Back on These Highways Moving Cakes

Eddie Kingston/Jon Moxley vs. 2.0 (Jeff Parker/Matt Lee) AEW Dynamite 9/15/21 - FUN

ER: It's nice having an undercard tag team in 2.0 who actually understand how to work as an undercard tag team when they're facing two stars. I've seen it happen too many times in AEW, where a team who is clearly not going to win still somehow gets to do all their Trademark Offense, and here is a team who knows the matches where they can work their regular cool offense and where they don't need to. In this match? Most of that isn't needed, and so they just work on jumping Moxley and absorbing shots rather than setting up multiple chain spots. Moxley gets to just act like a swinging blind man to get cut off, and 2.0 (with Daniel Garcia running even more distraction) get to just stick and move and land dropkicks and punches to Moxley's back. They are such wonderful flunkies that they make the crowd even more excited for a Kingston hot tag (a thing everyone in the building would be very excited to see anyway) because they just act like little punks who you'd like to see walloped. Kingston palm strikes Garcia off the apron, hits Parker with the backfist, spikes Lee with a DDT, then they waste Parker with the lariat/half nelson suplex. 2.0/Ever-Rise were one of the more entertaining TV acts of 2021, and a big part of that was them knowing when to show up and when to show off. Picking your spots only shows how well you get all of this. 

COMPLETE AND ACCURATE EDDIE KINGSTON

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NXT UK Worth Watching: Brian Kendrick IS Brian Kendrick

Brian Kendrick vs. Travis Banks NXT UK 1/17 (Aired 1/23/20) (Ep. #76)

ER: This was one of the earliest NXT UK matches I checked out, not long after it aired. Before this I had sought out a handful of the Ohno appearances and one of Oney Lorcan's UK matches, but once Brian Kendrick worked a few UK dates the brand was officially on my radar. I don't think I'm making up history here, but the Kendrick UK matches were probably the straw that broke me down into starting all of NXT UK from the beginning in the first place. Once I saw the excellent matches Ohno and Kendrick were having with all the NXT UK guys, I got more interested in seeing how they worked with each other, and 76 episodes and three TakeOvers later here we are. Kendrick's WWE return was incredible. He worked like an absolute ace, and he and Ohno reminded me more of Finlay than anyone else on the roster in all of the best ways: ring positioning, creativity, working with a moment, logical attacks, crafting a match around a unique opponent. Every Kendrick match had a few things that expose what other wrestlers *aren't* doing, and Kendrick makes those things obvious. 

Here Kendrick worked over Banks' hand to attempt to distract him enough to hit bigger offense. We get 10 minutes of Kendrick slamming that hand into the ring steps, into the barricade, stomping on it, bending it around the ropes, kneeling on it, using it as an entry point to bigger things. He's not constantly working the hand over that 10 minuets, he just goes back to it enough that we're always thinking about it; and if we're thinking about it, then Banks is definitely thinking about it. Banks' hurt hand informed a lot of what he did and he was always mindful of it, all through the finish. Kendrick dominated once he took out that hand, so Banks offense came in bursts: a fast tope that crashed his whole body over Kendrick, big missile dropkick, and a couple Kiwi Crushers that looked like they dumped Kendrick on the back of his neck (one for a close nearfall, the other to win). 

I love the way Kendrick bumps, and thought his bumps made Banks look strong. They aren't always clean bumps, but once you see a guy who doesn't fill his matches with fast flat back bumps you realize how silly they are. Kendrick falls the way a move's momentum takes him, sometimes tumbling wildly to the floor while reaching out for ropes or ring skirt to stop him, sometimes falling on his side, always looking like the right bump for the move he just took. Kendrick's faceplant bumps are some of the greatest I've seen, whipping his face fast into the mat and holding it like he just loosened two teeth. Oh, and then during the home stretch Kendrick also showed he has the best yakuza kicks in wrestling. What a killer. The Captains Hooks has been my favorite sub in wrestling since Kendrick debuted it, and he had some nasty set-ups for it in this match, including a sick crossface with a great headlock takeover, and I liked how it kept coming back. Banks' win feels even worse in retrospect, for a variety of reasons. Brian Kendrick and Kassius Ohno were the guys who made me go and check out all of the NXT UK, but now I'm just bummed realizing that these matches were basically the last matches I would get to see from these two wrestling gods. 

This match was deservedly placed on our 2020 MOTY List in 2020, but this review is updated to reflect its place within my current NXT UK project. 

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Found Footage Friday: HONEST JOHN~! SOCKEYE JACK~! LEVIN~! SEPEDA~! PAZANDAK~!

Main Event Wrestling from the Hollywood Legion Stadium - Early 1950s

Bill Cody vs. Honest John Cretoria

MD: They say this is Cody's first match and he was an amateur and navy champion. Also 23. I'm not sure I buy that but who knows. Back to him in a minute. You have to like Cretoria's act. He was short and stout, full of inside shots and complaining to the ref, with a goatee and a twinkle. Just a carny bad guy. He moonlighted as an arab sometimes (Haji Baba) or a Turk (Turhan Bey) but here he was like a proto-Jim Neidhart without the power moves. Cody did not come out there untrained, that's for sure. He looked very good chaining one hold into the next and had a solid short-arm AND short-leg scissors. He was able to get top wristlock and single leg takedowns pretty much whenever he wanted, included a double leg out of nowhere for the half crab (called that) finish. His fiery comeback shots needed a little work, especially compared to Cretoria being able to lean on him. This was an okay preliminary match where both guys got to show off who they were to a receptive crowd. Oh, it's worth noting that Pete Mehringer, former gold-medalist (1932), was the ref here.

Sockeye Jack McDonald vs. Dave Levin

MD: We really don't have a ton of Dave Levin footage and he's an important figure of the 30s, having multiple claims to different world titles. Obviously he's older here, but he's still interesting to see. McDonald has a lumberjack gimmick with a lot of bodyscissors and bearhugs, that sort of thing, and fairly blatant cheating. The first half of this has Levin work from underneath and he's effective in that role, sympathetic, technical, but it's not the most exciting wrestling the world. The last few minutes it opens up and they really start scrapping with headbutts and big shots. Levin had a great European Uppercut and they're really going at it at the end until McDonald gets a lucky shoulder block and wins. You look at the high points of this match and absolutely get how Levin could have been a champion but maybe also why he still wasn't.

 
Juan Sepeda vs. Joe Pazandak

MD: Pazandak is another historically interesting character we don't have a ton of footage of. He was the first "Beat the Champ" Television Champion and was Verne Gagne's trainer (being from Minneapolis). He was a short, bald, stocky guy. Sepeda was taller, apparently had great body slams though he didn't use them here, and a judo gimmick that he also didn't use here. What they did have here was a ton of struggle on every hold from the first lock up all the way to the end. Pazandak had some interesting stuff, Breaks-ian finger manipulation on wristlocks, a sort of "Australian crucifix" double arm-bar he leaped into, and his trademark hold which was a plunging backbridge deathlock that you wouldn't expect he'd be agile enough to do just looking at him. Sepeda won the second fall with a pretty gnarly Fujiwara style armbar with the foot driving down into the shoulder as he pulled up. Pazandak, when he eventually got clubbering, came off as pretty dangerous too. Past some of the entrances into holds, none of this was particularly slick or felt cooperative. Even the spots seemed to come off at weird angles and with a lot of grit and very little polish but that just added to the overall feel of struggle.

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ROAD REPORT: GCW Devil in a New Dress 4/10/22

This Road Report is going to be much more vibes than actual match analysis. This was the first wrestling show I had been to with this many friends (seven people, including myself) in who knows how long. It was a great night, fun as hell, but there's no way I'm going to be remembering full details of a 20 minute Dark Sheik match or what specific Kidd Bandit spots I thought were stupid. The card was changed around wildly and the two people I was most excited to see (Biff Busick and Gringo Loco) were either there and not used or not there for reasons I don't know (travel?). So that was a drag! And yet, we still had a good time. It was fun seeing it with several friends who don't follow indy wrestling, as a couple of my boys were only familiar with Busick, Jacob Fatu, and Suzuki. With no Busick or Fatu, that meant they were seeing nearly everyone on the card for the first time, brains unsullied by the opinions of those on the internet. I told them to "just think of this as early Jersey All Pro" and that set the mood just fine. 

Effy vs. Nick Wayne

ER: If you had told me earlier in the night that Effy would be the guy putting on my favorite performance of that night, then I would have been skeptical. Had it been my Looper, I would have been more inclined to believe me. This was my favorite personal Effy performance and I thought he came off like an honest to god star. The Yellow Brick Road music, the trashy blonde asymmetrical mullet, the fishnets, and the extreme confidence on the mic. For reasons I could not quite make out (it is not an indy wrestling show without somewhat questionable sound), Effy stated that this was a family show and he would therefore be working much less horny. And honestly? Focused ass kicker Effy is much more entertaining than horny Effy. He did a great job bullying a high school junior, caught all of Wayne's dives (including a big tope con giro), and came off like a real complete act. I'm not sure there was anyone on the card who carried themselves like a bigger star than Effy did in this match, and that includes Suzuki. 

My favorite moment of the match - which might sound odd - is how he handled a failing prop spot: Wayne brought the doors into the match, and as Effy was setting up a door on a couple folding chairs and trying to keep Wayne on them, the door just fell off the chairs. As the fans were jeering the extended spot set up, Effy just did the most hilarious hurrr durrrr face with a funny dance to accompany it, immediately shutting down any potential derision. Now, the *craziest* moment came right after, when Effy went up top and Wayne got up way too quick to catch him with a Spanish Fly. Wayne got up so quick that Effy's feet weren't squared up, one of them looked to be slipping, and those knees were shaking hard as Wayne flipped. I was standing near the turnbuckle directly opposite them, and I swear to you I looked directly into Effy's eyes and saw the expression of a man who did not think he was properly making it over on that Spanish Fly. I thought he was going to brutally plant chin or neck first directly into the mat, but somehow he made it over (not really through the table, instead going off course and flattening one of the chairs). People were going nuts after that Fly, and I know I'm not the only one there who thought we almost witnessed an opening match murder. 

Jordan Oliver vs. Jack Cartwheel

ER: The only thing really worth remembering about this match is the bananas finish, but honestly on a show like this having the most GIFable finish is way more valuable than just having a good match. This was a match that I really didn't care for as I wanted to see Cartwheel get punished for his frequent cartwheeling and I don't think it got there. I did not need to see these two working multiple stand and trade spots and reversals of reversals over a too long 15 minutes, and I could not believe how many Cartwheels Jack got away with. We had to have seen at least a dozen of them (conservative estimate) and every single time I wanted them to end with Oliver cutting them off HARD. I like Oliver and liked when he did get stiff with Jack, but Cartwheel is like a bad Dynamite Kid, only replacing the crisp execution and crippling alcoholism with cartwheels. This match felt like it was peaking to a finish, and then kept going, then went to more slapping and missed its window. However, the finish is something that only the most joyless wouldn't pop for, as Oliver bounced Cartwheel off the top rope with a front suplex and then caught Cartwheel on the rebound with a sitout powerbomb, fundamentally erasing the previous 15 minutes from my brain by finishing with the far and away coolest thing they were capable of doing.  

Allie Katch vs. Kidd Bandit

ER: I would be plenty happy never watching another Kidd Bandit match ever again. I hate a babyface whose only quality is being cute, and this was some next level eye rolling uwu waifu horseshit. I wanted to see them get the shit kicked out of them but instead we mostly got them doing simp fingers, making Allie sell for an eternity while they posed, then posed some more, then did a shitty stunner and 619. Her kicks couldn't break paper and Allie was insanely generous selling for any of it. The best parts were Allie trying to snap Bandit in half with a Boston crab and battering her in the corner with a lariat, hip bump, and big cannonball. I did like Allie's match finishing piledriver, draping Bandit over the ropes and sitting back with it, but Kidd Bandit's act is 100% not aimed at me and that is fine. I do not want to be a member of that club. 

Jimmy Lloyd vs. Masha Slamovich

ER: Out of everyone on the show, I think my friends left this show as bigger fans of Jimmy Lloyd than anyone else. They liked plenty of people on the card, but the different boy just connects...differently. I was excited for Masha/Busick - the originally scheduled match - but this was a fine replacement. I dug the story of Jimmy trying to outpower Masha at the outset with a powerbomb, but when all it did was fire her up, going immediately to the weapons and pushing things to more dangerous places (and Masha being totally fine being pushed there). The floor brawl was cool and lead to some nasty spots, with both throwing chairs (Lloyd is someone who is going to lean into chair shots), Masha running up the apron with a tornado DDT on the floor, and Lloyd hitting a nutso death valley driver off the apron through a door. They broke some doors in this one, and when they took it back in the ring was when Lloyd started breaking out his biggest bumps. He was really good at selling and taking damage from the smaller Masha, never feeling like he was overbumping and mostly selling her shots appropriately. When he flies into a door, it's because he got hit with a high impact missile dropkick that sent him flying across the ring. 

Masha didn't escape damage, as Lloyd powerbombed her across a trash can and brother, that trash can barely took any damage. The can won that battle, and Masha's future back problems will be testament to that. Lloyd leaned face first into her running kicks, took and sold a nasty suplex across an open chair, even took a piledriver onto some open chairs. We don't get to see a lot of classic piledrivers in wrestling these days, so seeing one dropping a guy head and neck through a chair is insane, and I love how she finished with another one right after. It's hard not to be a fan of the different boy after this match, and the boy came off even more lovable later in the night when my friends kept seeing him in the crowd, not always knowing if it was Lloyd or any one of a couple dozen wrestling fans who look exactly like Lloyd. After the show, when most wrestlers were hanging around ringside and the merch area selling polaroids and gear, Lloyd was just chilling in the crowd sitting alone. A different boy even among peers. 

Titus Alexander vs. Midas Kreed

ER: This was kind of a local showcase, although I'm not sure you'll be able to call Titus a local guy much longer, as clearly bigger things await him. The Bay Area scene is not where you stay if you want to grow your career, all the big ones get out and move east. Titus stood out in a big way on this card just by actually working heel, doing things that got actual heat, and sticking to it. He wasn't out looking for MJF "I'm a HEEL" type heat, he did some actual hateful stuff like getting right in the face of the female ref when she made him break a count. He moved into her personal space so quickly that I think it actually caught a lot of the crowd off guard and really got them turned against him. Titus knew how to get heel heat and comedy heat, which is an important distinction. He was good at setting up spots and not paying them off with what the crowd wanted, like clearing a section of crowd to throw Kreed through chairs, only to throw him right back into the ring instead. It's an old trick, but one I'll laugh about every time. It's an especially funny trick in GCW, since every person in the crowd knows there's a chance any match will spill into the crowd and a minimum four guys are going to get thrown through a section of chairs. 

Kreed had some flashy stuff, like a 450 splash that connected (even though he's a small guy) and a really cool pendulum swing reverse DDT that Titus took right on the back of his head. It was like a Sliced Bread, only Alexander really got drilled into the mat. Alexander has a nice moveset: a spinebuster, a couple kneelifts to the face, and a big rolling Chaos Theory German suplex that threw Kreed across the entire ring. These guys were probably the least known on the show, and post-intermission is sometimes a rough spot to connect to a crowd (which typically correlates with how long the intermission is, and this one wasn't bad at all), but these two won the crowd over pretty quickly. 

Matthew Justice/Mance Warner/AJ Gray vs. Juicy Finau/Journey Fatu/D-Rogue

ER: I was excited to see my boy Justice live. I've seen him a couple of times live, and I just really connect with him as a big time babyface. He wasn't really a babyface here, but he's got that same kind of working man's charisma that Jimmy Lloyd has, that same kind of guy who will bleed and wreck his body for the fans, with the major difference being that Matt Justice fucks. He also did not let me down, as he hit some of the absolute LOUDEST chair shots I have ever heard. He was pasting these Islanders with shots (even broke a cane over someone's head!), hitting them so hard in the head and back that I bet his hands were getting hurt just as badly. Justice wasn't just wrecking people with chairs, he also caught a big D-Rogue dive and got flattened by a Juicy splash from the middle buckle. When Juicy told the crowd he was gonna hit a 450, he climbed to the middle buckle and slapped his belly: "THIS...is 450" and then made Justice disappear beneath girth. Earlier, Juicy had threatened to do a dive to the floor, and Mancer got on the house mic and said he had a bad leg and there was no fucking way he was going to stand there and catch that motherfucker's dive. Jacob was gone, but honestly Journey isn't much of a step down in quality. He hung in for stiff shots, ran Gray through a door with a running powerslam, threw headbutts, basically everything I would have expected from Jacob. 

All the stuff in the ring was even crazier than the stuff on the floor. SGC combined forces to suplex Juicy through a table, Gray threw his lariat as hard as possible at Juicy, Justice and Mancer made the perfect bug eyed dumb faces when Juicy grabbed them in Tongan death grips, and we got a cool finish with Justice and Gray nailing D-Rogue with Superfly splashes from opposite corners. The deservedly loudest pop of the match was when Mancer wasted Journey with an unprotected chair shot to the dome, and Journey roared his way through it because, well, the brother is Samoan. This was probably my favorite match of the night, a great mix of violence and personality and big spots. 

Dark Sheik vs. Joey Janela

ER: I am not a big fan of these 20 minute Joey Janela matches, but I recognize that I am likely in the minority, and even though they had the longest match on the card they managed to keep the crowd's interest for all of it. That means something. Still, this felt like a match that was about to wrap up around 12 minutes in, so of course it shot right past that window and yep, we were locked into 20 minutes of move trading, back and forth. If you have the offense to fill 20 minutes of time then more power to you, but a lot of times there felt like no rhyme or reason as to who was in control. Joey catches her with a kind of blue thunder bomb, and moments later Joey is eating a big Sliced Bread on the apron. Joey eats a brainbuster and big guillotine legdrop, but Joey is the one setting up the prop spots just moments later. There was some entertaining bullshit with Dark Sheik's valet, SF drag star Pollo Del Mar, that ended with Del Mar putting Janela through a table with a powerbomb. At the start of the match Janela had hit her with a cheapshot and this was a good way to pay that off. 

After the powerbomb, Sheik hit a big coast to coast missile dropkick, and that's what I thought would be the finish. You know, the cheapshot at the beginning got paid off in a big way, Sheik hit a big impressive finisher, felt like a good time to end all of this. But we still needed another 9 minutes of prop set-up, bad strike exchanges, and even worse kneeling strike exchanges! Janela did hit an insane running elbowdrop through a table, running from the stage and leaping  FAR off it, far enough that I wasn't actually sure he would clear the distance. Great spot. It looked like Janela would pull this whole thing off after a piledriver and top rope double stomp, but nah, we needed to get to some of that kneel and trade that never looks good. If I remember correctly, Janela eventually lost when he suplexed Sheik through some chairs, and Sheik just wound up pinning Janela. They went all out and had a bunch of big moves, and that's great, but man was I ready for this to be over and done with long before we got there. 

Minoru Suzuki vs. Speedball Mike Bailey

ER: When we got to the venue (The Midway, great building for wrestling that I had never been to before) and started wandering around scoping out a spot to stand, one of the first things I noticed was Suzuki just hanging out by the bar, leaning against it and silently surveying the growing crowd. He was wearing a track suit with his name on it, and a sunbeam was coming down from a skylight, giving him a perfect spotlight to lounge in. I swear, I didn't see another sunbeam shining into that entire (large) venue, and here's Suzuki basking in his own personal warm glow. 

Suzuki has a pretty great thing going with his US appearances. He knows what the fans want to see, and he knows the exact bare minimum he can do to scrape by while still leaving everyone happy and excited that they got to see Minoru Suzuki live. Sometimes you get forearm exchange/silly faces Suzuki, sometimes you get that plus a little extra. I think we got the latter. There were a lot of forearm exchanges (way too many), and you can see his personal formula for them when you're watching up close. He throws 90% of his shots totally worked, but knows to payoff his killshots with real stiff killshots. This leads to a bunch of dull exchange where guys are pulling everything and meandering through their 5th, 8th, who knows how many stand and trade sequences, but they always end with an absolute jawbreaker. It's like Suzuki is using George Costanza's High Note Theory, where he knows he can sleepwalk through most of an exchange before throwing one tooth loosener, and everyone will mostly just remember all the big endings to those endless exchanges. I really liked some of their mat exchanges, and thought this would have been a lot more fun if Suzuki kept tying Bailey up with arm and wrist work, leading to Bailey forgoing his arm and just attacking with kicks. We didn't get that, but I would have liked that. 

Suzuki had a hilarious misread of the room, as he kept getting into the female ref's face when she asked him to break holds, I guess thinking that him telling a woman to get out of his face was going to get him cheered? After Titus Alexander used the exact same thing to draw strong heel heat just a couple matches earlier, it was completely brainless to go in thinking he'd get anything but awkward reactions for backing down a much smaller woman. He won them back pretty easily with a funny spot where he ducked a couple of Bailey head kicks, stuck out his tongue to mock Bailey, and then got kicked in the face. Bailey had a few cool spin kicks that stopped Suzuki cold, a couple to the chest and one that wrapped around his head. He also hit a big moonsault to the floor and had a near fall off his flipping double kneedrop that got me to bite. Bailey wound up missing the same kneedrop, only off the top rope, mine own knees crying out in eternal pain just witnessing it, and Suzuki planted him with his Gotch piledriver. The match had far too many strike exchanges, but I don't think it would have been as bad if four of the other matches hadn't had the exact same strike exchanges. If you're on the undercard of a show Suzuki is headlining, it seems pretty dumb to have a shitty stand and trade sequence in your match, but that did not slow down all of the worst strikers on the show! Even thinking that a lot of the strike exchanging in this match was cumbersome, I can't deny that this was a bigger Suzuki performance than I was expecting. The guy is a legend and has some of the most contagious charisma in wrestling, and I couldn't be happier that he's getting the biggest paydays of his life while basking in sunbeams. 

After the show we battled the strongest winds I have ever personally experienced in San Francisco, and drove a couple miles to go to one of the great SF restaurants, Papito. Papito is a great taqueria with a French chef owner-operator, and this is the first time I'd been to their new location (around the corner from their old location). My favorite music venue in SF (maybe anywhere?) is Bottom of the Hill, and Papito is a nice steep uphill walk a few blocks away from B.O.T.H. As I have not been to any concerts in SF since March 2020, I have not been this close to Papito in over two years. The original location would have been a logistical nightmare with a five person party as there were only a few tables inside. Now they have 3-4x the space and we were seated immediately. Glorious. I filled up on their excellent chips and salsa, ruining my appetite for their incredible hamburguesa, one of the greatest burgers I have had in my lifetime. My plan, however, was ingenious, as I took most of my burger home and wolfed it down the next night, regretting not requesting some of their orange salsa to go. 

As I was the driver on this trip and therefore chose what we listened to, my friends' ears were blessed by a 3-2 Giants victory on the radio, some Gene Vincent, Grateful Dead's excellent 4/8/72 show at Wembley Empire Pool (with awesome tonally shifting 30 minute Dark Star, among other highlights), The Brides of Funkenstein's disco classic Never Buy Texas From a Cowboy, and Charlotte Adigery's amazing new album Topical Dancer. 

Even though this was not the card I wanted, there was not one person in our group who was disappointed by this show. Even the matches that were firmly Not For Me had memorable moments, and the people I was excited to see totally delivered. Every one of my pals had a great time too, and when GCW announced they would be returning in July, we made plans to do it all over again. 

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Tully Blanchard Teamed with Glacier in 2006, Apparently!

Tully Blanchard/Glacier vs. The Heartbreak Express (Sean Davis/Phil Davis) WORLD-1 3/11/06     Pt. 2

ER: I would love to hear an explanation from the WORLD-1 booking committee about why they chose to team Tully Blanchard with Glacier in a tag title tournament, and then have them work three matches together, into the finals. A Tully/Glacier team is weirder than any combination of any of the weirdest WAR teams, and WORLD-1 clearly saw the opportunity to out-weird WAR and ran with it. Blanchard barely worked in the 2000s and here he is working three matches on a random Friday night in Georgia, teaming with Glacier, because sometimes we do deserve good things. The Heartbreak Express were a great 2000s Florida team, really the perfect kind of opponents for a legendary team like Tully/Glacier. Phil Davis works like Mitch Ryder, and Sean Davis works like Mitch Ryder if Mitch Ryder were 325 lb. They have a great shtick, know how to constantly show ass, and are really good at accidentally hitting each other on miscommunication spots. They're the kind of team I'd love to see working today, specifically on shows that I am attending. 

There's a hilarious moment where Sean attempts to climb to the middle turnbuckle to raise his arms for the fans, and Phil has to stand underneath him, back to back, power squatting his boy up to the middle rope. I have never seen this done before, and it's the kind of thing that would have gotten a great crowd reaction no matter the decade they did it. After, Sean takes a big back bump off the middle buckle, once Phil was no longer supporting his weight. Tully goes for the win by immediately trying a schoolboy on Sean, then jumps him with a babyface cheapshot. Face or heel, Tully will always work heel. They tangle, and there's a great spot where Tully tries to armdrag and then fireman's carry Sean, but the weight is far too much, and Tully tags out for the rest of the match. Glacier is serviceable, and The Heartbreak Express are excellent at working around a broom so he didn't need to do more. They know how to run into each other, throw an elbow strike at Glacier, miss the next one and hit each other. Sean tries to break up a pin and winds up elbowdropping Phil, Glacier fights out of a 2 on 1 corner situation with some nice strikes, and this whole thing was very fun. It did feel incomplete, as you keep expecting to see Tully tag back in, and that doesn't happen. It probably does not happen because someone decided that Tully still had two more matches to get through tonight, for some reason, but the match we got is a super fun 8 minutes spent at your local indy. 

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Tuesday is French Catch Day: Ben Chemoul! Bordes! El Arz! Black Shadow! Mercier! Falempin! Viracocha! Gonzalez!

Rene Ben Chemoul/Walter Bordes vs. Les Libanese (Josef el Arz) & Black Shadow 2/12/72

MD: I forget if I declared it or not, but if so, let me do it again. Ben Chemoul and Bordes are up there with the Blousons Noirs as unquestionably one of the best teams in the history of French Catch. We have enough footage, which is always the tricky part. This was in two falls, one long and one short, with something akin to shine/heat/comeback in both falls. By not forcing the heels to win a second fall, the pacing felt better and less stilted. Bordes felt at the very height of his power here, incredibly athletic but also hard-hitting, with Ben Chemoul not quite as spry as he once was but an absolute master of timing and popping the crowd. El Arz was very impressive, having a distinctive way of taking shots, having a cruel lifting choke toss, just laying it in. Black Shadow based well and took stuff but he was less memorable in general. Where he shined the most was in controlling the corner and cutting off babyface comeback attempts. They built to triumphant crowd pleasing stuff as you'd expect and everyone left happy.  

Guy Mercier/Michele Falempin vs. Inca Viracocha/Jo Gonzalez 2/28/72

MD: A rare one-fall tag. If I'm not mistaken, Falempin recently passed away and he was a very solid talent and a good partner for the beloved Mercier, who was a slugger and a wrestler's wrestler both. Falempin brought the rope running and energy and big escape attempts. Viracocha remains a bit heavier and he almost has a Brazo feel to him as a heel, way smoother than you'd expect from looking at him while still hitting hard and stooging big. Not as big as Gonzales though (billed as a gypsy by the way), who really does feel like a special talent, able to cartwheel and leap back off the top rope, but also having such a canny sleaziness to his act, luring his opponent in by selling too big or begging off and constantly going for cheapshots from the outside. Very much a total package sort of wrestler. This went back and forth with frequent moments of heat but always leading to big comebacks and crowd pleasing spots, none of which were new but all of which were executed to perfection.

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