Segunda Caida

Phil Schneider, Eric Ritz, Matt D, Sebastian, and other friends write about pro wrestling. Follow us @segundacaida

Saturday, April 13, 2024

Found Footage Friday: R'N'R VS FOOTLOOSE~! BENITO GARDINI~! FALK~! HOUSTON~!


Benito Gardini/Al Williams vs. Cyclone Anaya/Walter Palmer NWA Chicago 5/26/50

MD: This was a delightful 27 minutes, with some clipping, but you get so much of it, you hardly care. My buddy Ohtani's Jacket got here first and said I'd love Gardini, and guess what, I do. He likened him to a 1950s Porky, and I can see that on appearance and over the top antics, but, of course, with a deep Italians stereotype. He was great at getting driven down on his face (at one point the commentary said his nose would soon be like a wet donut), at getting caught up in the ropes and on top of the ropes, jiggling along with them, at making faces, and most of all, at getting caught in crowd-pleasing heel miscommunication spots. Meanwhile, he's one of the only US based workers I've ever seen do the headspin escape out of a headscissors. Legitimately funny, great left handed body shots so he could lean on his opponent when he needed to, big bumps. Definitely a fan.

Williams was instantly credible, if only because he had tons of tattoos (commentary said he was a member of Rough and Ready, Inc. or Grief, Inc., just a real nasty character). He was game for feeding into all of the babyface offense and playing into all of the comedy spots, while still keeping a mean disposition and hitting hard, especially with forearms in the ropes. Palmer looked good with his escapes and a big forearm off the ropes but we probably saw more of Anaya who was flashy and fiery and had an abdominal stretch/cobra twist with a few variations that he'd use as a finish. This moved quickly and never wore out its welcome and I'm eager to see more Gardini.



Ricky Morton/Robert Gibson vs. Samson Fuyuki/Toshiaki Kawada AJPW 10/28/88

MD: Pretty sure that the match that has been out there previously was the 5/24/88 one that ends in a count out. This is not that. This is pretty hilarious. We've heard stories of what happened backstage between these two and I don't know about that one way or another. What I do know instead is that Morton and Gibson used their powers for evil on this night. They worked this thing like they were Jr. Versions of Brody with a little 92 Freebirds built in (the former eats the match; the latter eats the crowd). They took and they took and they took.

They really dominated for the first half, quick tags, winning rope running exchanges 80% of the time, constant appealing to the crowd with claps (which worked; the crowd was into them, Rock and Roll chants and all). More than that though, whenever Footlose did get something in, they were quick to fire back. In the second half it was somehow worse even though it should have been better. There was some nominal heat on Morton; he was always so good at using roll ups for his hope spots. He'd eat some offense, some beat down, and then give you hope of a win out of nowhere. Here, however, he used those roll ups but after every single spot done to him. It broke the flow completely in a way that made it seem like it was 50-50 and that he was never in any real trouble. The finishing stretch had some nice nearfalls but the finish itself was a bit of a banana peel with Fuyuki getting a hand up from the outside and one of the R'n'R basically running into it. They were ahead ten to one on points. Just a masterfully selfish performance. 

ER: This is the Rock n Rolls last ever match from the only Japan tours they did in the 80s. I thought this match was clean, man. I watched this match in a Portland Air BnB basement on a TV that had motion smoothing turned on (or off, whatever the bad one is that every single girl in her 30s has on the TV at her place, so when you go over and they're watching Heat or Below Deck: Australia it looks like a fucking soap opera) and I don't know if I've ever watched wrestling this way but it just might make handhelds even better. My sister watching Mandalorian and it looking like people wearing cosplay gear hanging out in a western saloon TV set didn't work for me, but feeling like I'm smack dab in the middle of this crowd on a hot tour closing night of wrestling. It's crazy that the Rock n Rolls hardly went to Japan. For a team I love more than almost any team in history, I guess I assumed Ricky was a guy working Japan more than a couple AJPW tours here, a couple FMW show there kind of guy. Because they seem perfect for Japan and now I understand why the Youngbloods and Fantastics had such sustained (and good!) runs as AJPW gaijin. 

Also, I had no idea what kind of backstage altercation there was between these teams until Matt told me something happened on one of these tours and Robert Gibson kicked Fuyuki in the face, so I thought this match was going to be worked in Bad Blood...but instead I thought this match was most notable for Robert Gibson working the entire match visibly using only one leg. Is Robert Gibson okay? Robert Gibson looked like he got roughed up and forced to wrestle one legged as humiliation, because every time he moved he was dragging his left leg straight behind him while hopping on his right. I remember seeing a 2000s AAA match where Pimpinela drug his leg the entire time and wondering if these guys are just psychos or they're the greatest salesmen in the world giving themselves a Jorgen Leth/Lars Von Trier  Five Obstructions Dogme 95 task of working a match within a personal challenge. Whatever was happening, this handheld, motion the smoothest it has ever been, had me feeling every shoulderblock and every bump, every kick, every perfectly downward angled Ricky Morton punch, the fucking 11/10 suicide dive Ricky does where his body truly feels like a weapon, this handheld had real live impact. And there was Robert Gibson, shaking his leg on the apron and trying his best not to put weight on it during his (much briefer than Ricky) in-ring interactions. That it was so exaggerated and not gone after in any way by Footloose makes it all the more jarring. Was his leg hurt and they were instructed to stay away from it? Kings Road is a style famous for exploiting shoot injuries of opponents. Years later in 2002 NOAH it felt expected that Kenta Kobashi made a big comeback after his knee injury only to have Jun Akiyama go after his knees so hard that Kobashi missed several more months with knee injuries. Is Gibson doing some kind of Teddy Hart phantom knee injury? To what gain and for what cause? Whatever, he kept it believably up for entire match without seemingly anyone else talking about it, and the match was still somehow the perfect 9 minutes of constant hard contact and no stopping for breath. The heat was up bell to bell with stiff work free from Bad Blood. Handheld wrestling is our greatest treasure. The purest presentation of the best eras of wrestling. 



Tony Falk vs. Barry Houston NWA Worldwide 5/11/00

MD: I came into this expecting Houston to bump all over the ring for Falk. We've seen enough of this Worldwide stuff to know that they didn't give away a ton on TV because they wanted people to come to the shows. Most matches didn't end in a finish. This went around ten minutes though with a commercial in the middle, and it was really Falk bumping around the ring for Houston. He'd rope run with him, would take armdrags and mares and back body drops. Of course, it was Tony Falk, so after every bump, he'd milk it, hang out with his manager, whine to the ref or the crowd, stall, and it was all highly entertaining stuff.

He'd complain about hairpulling too, which was heat-garnering since that was most of his offense through the match. Post-commercial he was in charge with a top wristlock, going to Houston's ponytail again and again. Eventually, after a Falk DDT (again nothing with a big bump), Houston started to fire back and hit one of his own. That set up a frog splash where he almost hit the ceiling. "Basket Case", being Mark Jindrak came in to take out the ref. I thought Houston was saving his bumps for Jindrak to get him over, which would have made sense, but he really only take a press up pancake before Falk leaped off the second rope at him. This had all the Falk I was expecting and more, really, but not nearly as much of those Houston bumps. From the bit of 2000 Houston I've seen, I do wonder if he wasn't working quite like he had a few years earlier.

ER: We have limited amounts of post-'99 Houston available so every match is a gift, and while I thought Houston looked like Barry Houston in this match, this was a Tony Falk show. Houston looked his most professional: His gear and body were the best he'd looked, but the window was already shut for whatever reason. He should have been given some kind of real TV role in 98/99 but it never happened to the degree we wanted, and here he is in Tennessee getting shown up by a Tony Falk who is in his early 40s, looks like he is in his late 50s, and moves like he's in his late 20s. Houston looks good, but it's also one of the few matches we have where he works "on top". We grew so accustomed to Houston bumping bigger than Kidman and leaning into beatings, that he's like a whole new wrestler when we see him work dominant. It's not bad, it's just different. 

But Tony Falk is the one who looks like a star. Well, let me rephrase that, because he looks like absolute shit. He looks like Eddie Marlin in the Cowboy Boot match had Eddie Marlin showed up really out of shape. Falk is wearing a singlet and you can tell he has just an awful body under that singlet. And yet, I was consistently surprised and impressed by how quickly he got up for everything. Falk was a real bumper here, body as bad as I've seen but speed undiminished. He took armdrags the way 1995 Barry Houston would take armdrags, went up for a backdrop, and sold punches perfectly. Houston has nice punches and Falk would bump every one of them as a one shot kill. I loved this great telegraphed missed punch Falk threw, holding up his fist, kissing it, and then of course sending it right past Houston's head. His begging off was great because it was less heel and more Tired Man. Gypsy Joe was at ringside for Houston and when Joe got involved we got our meanest punches of the match. Time to find more fat big bumping Tony Falk I guess. 


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Sunday, January 21, 2024

Loosely Formed Thoughts on WWF Unforgiven 4/26/98

 

1. The Rock/D-Lo Brown/Mark Henry vs. Faarooq/Ken Shamrock/Steve Blackman

The Nation team is billed at 950 lb, meaning they could have gotten this to 1,000 if they subbed in Kama for D-Lo, meaning they fucked up.  

Blackman and D-Lo have very little chemistry but D-Lo's snap suplex looks excellent and Blackman throws the fastest spinning chop I've seen. 

Blackman is too hesitant this entire match and leads to awkward timing whenever he's in. He even tags back into the match when Shamrock was clearly setting Faarooq for the tag and Shamrock forces him to go back to the apron. Holy moly. Blackman has really bad timing with everyone, like he totally forgot how to bump for anything. It's really odd. Fans are noticing it and it's a bizarre choice to have him work the bulk of the match as FIP. 

Everybody is taking everybody else's offense slightly wrong, it's not just Blackman. He's merely the worst offender. 

The Rock's punch when he tags in to a dazed Faarooq is the best part of the match up to this point, and his clothesline is hard. I love all three of Mark Henry's quick elbowdrops when he tags in. Faarooq is a much cooler face in peril that Blackman but they cannot wait to get Blackman back into this match. I don't know why Steve Blackman is in this match so much. 

Blackman wailing on D-Lo with chops is a Better Blackman, and his punch exchange with The Rock felt like it should have looked a lot worse, but the Blackman FIP stuff doesn't work. People really dislike the Rock still, but they feel nothing for Blackman. He is just not a guy who should be selling in long matches like this. Use him like fucking Ernest Miller, let him fly into the ring in the last third throwing improvised kicks, don't have one of the worst physical actors on the roster go in there and sell for the bulk of your opener. 

The Faarooq hot tag could have been fire but it was way too rushed. I loved how he threw his body into the back of Mark Henry's knees and Henry took a great bump for the double leg spinebuster. Henry took another cool fall on a big Blackman kick. Shit, earlier he set up a nice powerslam on Blackman by throwing him into the Rock's knee and I didn't even mention it. Another strong Henry performance, really exposing all of us for not being fully into this guy the moment he re-debuted after his ankle injury. 

Boy this match did not work at all and on paper it really looked like it should have. This was a complete and total failure from the babyface side. Everyone in the Nation looked great, all standout performances. Faarooq's side all wrestled like they had just met each other backstage before their entrance, and none of them looked good during their brief windows to shine. Shamrock barely got involved, Blackman was taken way out of his comfort zone for far too long, hardly any focus was placed on Faarooq getting revenge on the Nation, just a full three person bag fumble. The crowd was quiet most of the match and it was due entirely to the uninspiring babyface squad. 


2. Owen Hart vs. HHH

Chyna in a tiny cage suspended near the ring feels like one of the last times Cornette convinced Vince to do a silly territory gimmick that WWF had never done at any other time. For all the things about territory work that HHH clearly never understood but constantly pretended he was an expert student, he at minimum does understand that he needs to kick the tires on the cage and rigorously test its sturdiness. 

This starts off a lot better than the opener but the crowd is still quiet. HHH bumps around ringside and Owen throws a nice headbutt that he doesn't use enough. Owen runs hard into HHH's jumping knee and it's among the best that spot has looked - equal credit to both - and Owen gets dropped kind of disgustingly chin first on the top buckle when HHH takes the legs out of his 10 count punches. 

Owen takes a lot of hard bumps in this, a great string of them. He makes all of HHH's knee offense look good, bouncing less on impact and making them look more painful. He hits the buckles really hard, and takes a couple more chin first bumps into them. This was the most spirited Owen performance since the rest of his family left for WCW 5 months prior. 

Neither of them can make HHH's Dragon Sleeper I Guess look interesting but at least HHH tries it out three different times, just in case the first two disinterested crowd reactions were a fluke. I don't think I have seen him attempt this submission before or since, but he's also done plenty of things that looked worse, so...

Chyna dangling from the cage is a really great, tremendously performed stunt spot. I forgot sometimes just how much my friends and I were excited for Chyna's further involvement in matches, dying for her to start doing more than hit Owen Hart in the balls. I forget sometimes how much of a Chyna Fan I was at 17. This was one of her greatest physical performances and a spot that looked actually dangerous the entire time it was happening. When she broke free of the little shark cage she was suspended from, and attempted to climb down it? That woman was at least 12 feet in the air, possibly higher, and did a full "hanging by one arm" stunt. Chyna was old John Cliffhanger up there, working with no safety net, with the very real possibility of her falling hard onto concrete or the entrance ramp. She was great at milking the danger, kicking her legs, making the cage sway, making it look like a struggle, making it completely impossible to focus on anything but her. What could have even been happening in the ring, HHH trying out another submission he saw a Japanese guy do better? 

Much better than their WrestleMania match, elevated by a big bumping Owen performance and Chyna's legitimately cool stunt. 


3. New Midnight Express vs. Rock n Roll Express 

I actually think it's pretty cool that they put the Rock n Rolls on a 21,000 house Greensboro show, but every criticism at the time of this match being put out there to fail, is sadly accurate. 

Bob Holly takes an awesome backwards cannonball bump to the floor from a Gibson shoulderblock, and Cornette still draws Greensboro heat by hugging him. Bart Gunn takes a nice bump off the apron too, after Ricky dodges a punch from Holly, and then they work another spot where the Midnights bump each other off the apron. The crowd should be responding much better to these bumps. 

What does not help is when Bart Gunn goes to an abdominal stretch like 2 minutes into this thing, the first heat they got on Ricky. The man tagged in and went straight to the stretch. 

Cornette plays this whole thing way too desperately, which is probably much more entertaining to the people backstage who wanted this idea to fail. I've seen Cornette start dozens of fights with referees and this is one of his worst, a fight with Tim White using the worst exaggerated "Let's Fight" mannerisms he's ever used. 

Ricky gets to take his own cool bump through the ropes to the floor and Cornette does wind up throwing the best worked punch of the match.  

I liked Robert's hot tag, leaping in quick on an advancing Bart, throwing fast punches, working 10 count punches with Ricky, sizing up the double dropkick. All of it looked good, none of it got much reaction, which is a drag. 

This was exclusively talked about at the time as something intentionally set up to look sad instead of cool, and that self-serving missions was mostly accomplished. Rock n Rolls were set up to fail in their WWF run, and that sucks because they were still a better tag team than basically any 1998 WWF tag team other than the New Age Outlaws. Robert especially was going hard every chance he got, they just couldn't have ever worked hard enough to succeed. It wasn't allowed. 


4. Evening Gown Match: Sable vs. Luna

I wonder how long it took the 40-something adult man in the front row to make his Sable Free Tongue Bath sign. This man had to go buy a poster board and at least two markers and had to have the commitment to thinking it was a great idea every step of the way. 

This is the first real misstep of their use of Sable. The WrestleMania match was excellent, and the pull apart brawl at Mayhem in Manchester was so authentic and natural that it seriously ranks as one of the best wrestling pull apart of the year. But every part of this suuuuuucks. 

The fans are undeniably into it, and that means something, but they are nowhere near as into it as they were the WM tag or the Manchester brawl. 

Also, why was Sable out there in such a dowdy gown? Talk about terrible lines and no sense of style. I know the dress wasn't staying on for long, but let's get your star in something that actually fits so she looks good in clothes before she is out of clothes. 

This whole thing is only two minutes long, and the only good part was when Sable booted Luna in the neck and then flung herself onto her and punched her several times in that same part of the neck. 

Also, it's wild how Luna often comes off as less trained than Sable. She looks lost in a two minute match where they only goal is to tear fabric, and the more of this I revisit the more I remember how Luna got 100% of the credit for anything that worked in this feud but it is very clear that Sable is responsible for all of it. Nobody was giving Sable credit in 1998 for any of this. 

It's two minutes long, Sable gets her Mama's Family funeral dress ripped off, and the whole payoff is Sable's 1990s Elizabeth Berkley long butt. The fans love to see those long flat white butts. Butts just used to be different and we can't ever put that genie back in the bottle. In 1998 America still liked 'em long and low. 


5. New Age Outlaws vs. LOD 2000

JR is still talking about the Outlaws shaving off Hawk's bi hawk like half a year ago. This entire feud is based around Hawk getting a 3/8" strip of hair shaved off part of his head two seasons ago. 

You knew the damn fix was in man, because directly after a segment where Lawler and Greensboro wolf whistled and unrolled their tongues at Sable's Classic Kelly McGillis Ass, Sunny is out here in her far and away hottest era. Her LOD 2000 gear made her look like the most incredible lead Fred Olen Ray could have found for Deathstalker III & IV. Babes don't come this hot in the apocalypse, but JR is busy talking about Hawk's mohawk. There should have been a social uprising whenever Sunny appeared in her LOD 2000 gear. 

The New Age Outlaws have aged really well as a tag act, especially during this early part of their run. They felt like a real natural team from go despite each completely languishing separately for well over a year before they teamed. Huge portions of their act would have killed in Memphis, and they threw in a lot of nuance that I didn't give them credit for at the time. I loved Road Dogg adjusting Billy's trunks for him, getting them just right while Billy was waiting to lock up. 

I also actually like this old out of shape Road Warriors era, because Hawk is still a really good puncher. So you get him pulling his tights up over his belly like a 60 year old luchador. He has no power whatsoever, but he also still hits a great fistdrop and is a great puncher. I would have watched another several years of Hawk as a punch guy. It's weird seeing a 40 year old Road Warrior work matches like 70 year old Jimmy Valiant but also I sincerely love Hawk as Jimmy Valiant. He fires off punches as well as anyone on the roster. I also remember liking 2006 Wrestling in Jeans Animal so it's possible I either have total dogshit taste or more likely really refined taste. 

Every match on this card feels like it's being worked the exact opposite from how it should be worked. Animal tags in and holds Billy in a cravat and I have no idea why we're building up to Billy's comeback but the crowd doesn't know either and they are silent. 

There's a cool and dangerous spot where Billy Gunn chops blocks Animal during the first Doomsday attempt and Animal crumples while Road Dogg just drops down onto him. That could have gone badly but instead just looked cool. The Outlaws try to get heat by working over Animal's knee, and Animal does a really great job selling the knee damage. All of the work looks good, it's just not getting any kind of response and it's always eerie when a crowd with this many people are this quiet. 

But the finish was incredibly insulting, and that's not going to help the crowd noise. Hawk pinned Road Dogg with a German suplex, they won the belts, but of course Hawk's shoulders were counted down. Why the ref was only looking at Hawk's shoulders, I don't know, you'll have to ask the Gods of the Bad Finish, but it's one of those wrestling finishes that can get no other reaction from the crowd than an annoyed "Oh seriously? Fuck off." It's a finish designed to get no heat, just insult everyone who saw it. Throw a flat as hell German suplex, ref gets down to count right next to Road Dogg's shoulders, but looks right past them to Hawk's shoulders. Nonsense. Well, have fun feuding with DOA for the rest of the year.  


6. Inferno Match: Undertaker vs. Kane

I don't know what any of us were expecting from this match. They kept details intentionally vague and I guess we were all supposed to believe that we would witness a man being burned alive, and that we were supposed to be intrigued by the idea of a man being burned alive? This PPV was primarily sold on one of these men being burned to death, and also on the possibility of you seeing Sable's tits. The Austin/Dude Love title match basically got added as the main event the week of the show. This was a PPV built on Fake Tits and Fire Death. 

Now, it's been long enough that my internal timeline has blurred and I don't actually remember if I saw this match first or if I had already traded for a 6 hour Sabu comp tape in 8th Gen quality and saw Sabu and Sheik and Onita and Tarzan Goto almost die in an outdoor wrestling fire. I had no idea who Atsushi Onita or Tarzan Goto or The Sheik were when I got that tape but I knew that it looked like several people almost died from Fire. Which match was my first Fire Match experience? That memory is lost to time. But damn this must have looked so fucking cool from the upper deck of Greensboro. The Colosseum darkened, the literal danger of INDOOR FIRE. Can you imagine being inside a building with open, flaring flames? Not me, not since the Great White incident. Fuck no. I'm not going to be one of those bodies trampled in a doorway. 

Hey, is this match actually really fucking great? This is fucking fire and it's also 300 lb. men fighting near fire! Normal Kane/Undertaker spots look better with fire! The flames shooting up the ropes when Undertaker does Old School is the best that a jumping punch to the arm is going to look. Undertaker's flipping clothesline now becomes a riveting miss because it sends him tumbling to the edge of the ring next to The Fire! And yes, they probably should have saved all of the fire flare-ups for big shit like chokeslams and Undertaker's superplex instead of doing them for every bump or impact, but it is also Very Funny seeing flames shoot up 6 feet in the air after Undertaker does a side Russian legsweep. 

A note about Kane: you know how Kane threw great worked uppercuts but couldn't throw any other kind of punch that looked good? Here he threw great overhand rights but didn't use any uppercuts at all. What is considered the Best Kane Era? 

Kane takes the biggest over the top rope bump to the floor of his life when Undertaker has to throw him far enough to clear The Fire. And how about the fucking VADER chant when Vader In Sweatpants runs down to ringside and starts punching and headbutting Kane in the face!! I get Undertaker needing someone like Vader out there to provide more landing coverage for his tope suicida over the fire. Great spot. Undertaker does a suicide dive over Fire and the crowd is left chanting for Vader. That's huge. That means something. Fans either still believed in the big man in 1998, or those Vader/Flair matches left a long lasting impression on the people of North Carolina.  

Paul Bearer hits a big bladejob after Undertaker hits him square over the head with Star Search band Sawyer Brown's kick drum. A big sweaty fat guy hitting a huge blade job is one of the great disgusting visuals unique to wrestling. You couldn't just fire up the internet in 1998 and see a fat guy bleed in a suit after a kick drum was slammed over his head. It was only a pro wrestling visual then. A fat sweaty guy dressed for the finest Sunday Service potluck gets his head busted open by the same kick drum that was used earlier in the night to perform Sawyer Brown's smash hit #1 single (from 1992) Some Girls Do.   

So it turns out the Inferno Match is really good. Let's turn this one into the new King of the Road Match. This one is due some revisionist history I think. I had openly wondered what the best Undertaker/Kane singles match was, and this has to be one of the absolute top contenders. Great spectacle.  


6. Steve Austin vs. Dude Love 

The wrestling sections in this were so much fun, and I love how it evolved from a classic wrestling match into sick bumps and bullshit. Dude Love running the ropes all fast and sloppy and Austin rolling in with a perfect dropdown, catching Dude on the run with a Thesz press. That falling elbow Austin does is one of my favorite moves in wrestling. I'm a person who hates having my neck touched, hates shirts that are too tight and rub against my neck, hated playing night game baseball in high school because it meant turtlenecks under my uniform. So I can't really picture the kind of trust I would need to have to be okay with Steve Austin sending the point of his elbow down towards my Adam's apple only to stop a couple centimeters short. It's one of our purest pieces of worked pro wrestling offense. 

All of Austin's classic pro wrestling exchanges look great, but when he throws Dude off the stage we all know a guy splatting onto concrete so early in the match meant that there was a chance Foley might do something even more painful. 

Nobody had lower crotches on his tights than Foley. Dude's tights fit like old long johns.

Austin is a guy who knew how to capitalize on Foley as an opponent. I guess a lot of guys did that - he took some terrible beatings - but you can tell Austin is really sinking things in. He back elbows his way out of a body vice (a Dude Love body vice!) and runs clotheslines at him as hard as he can. 

This is the first time (of what would be many times) that they milked the Montreal Screwjob as a Vince Tactic. I don't know if anybody I knew in 97/98 actually knew what actually happened in Montreal at this point in our lives and probably just assumed that Vince stopping matches was just going to be a finish we'd get every few months. We had a party to watch Wrestling With Shadows when it aired on A&E, but that was several months after this match. I don't remember how effective this angle was to me and my friends as teenagers, how much we bought into the worked shoot that we wouldn't have known was a work or a shoot. 

Foley does save some really great bumps for the finishing stretch, bouncing off concrete, getting tossed over the guardrail and back, and getting suplex off several corners of the ring steps. I'm not sure you could have suplexed a man into a more painful part of the ring steps. All edges. 

Vince McMahon takes a chairshot right off the side of his fucking head, a completely insane thing for a man with real money to be willing to do. Vince was willing to take a harder chairshot than Foley took (*in this match) and Austin was a man being paid to hit a sociopath in the side of the head with a chair. No wonder we all loved the Austin/Vince stuff so much. 


Well, this was an overall underwhelming PPV, and it all started so promising with a direly serious Undertaker/Kane video package that's nothing but grim allusions to an afterlife spent in hell, broken up bouncily with a "1-800-COLLECT PRESENTS...." It's tough to top that. 


Best Matches:

1. Steve Austin vs. Dude Love

2. Undertaker vs. Kane

3. Owen Hart vs. HHH


Worst Matches: 

1. Sable vs. Luna

2. The Nation vs. Faarooq/Ken Shamrock/Steve Blackman


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Sunday, November 27, 2022

Loosely Formed 1998 WWF: Rock n Rolls! Aguila! Pirata Morgan!

Rock n Roll Express vs. The Head Bangers WWF Raw 2/23

This is continued proof of Rock n Roll Express busting ass during this too brief WWF stint. The first half of this was made up of Rock n Roll misdirection spots where they kept accidentally hitting each other while getting more and more frustrated about it. Morton and Gibson's timing looked excellent and some of the spots were complicated enough that I'm not sure there's another team on the roster that could have done them. Actually the other team that could have done them would have been Jarrett/Windham, so that's just more testament that the made-to-fail NWA stable actually ruled for two months. 

Ricky did a great version of the spot where he's running over Gibson and Mosh's dropdowns before colliding with Gibson, Gibson accidentally punches Morton off the apron, Ricky snapmares Thrasher into the ring and whips him across the ring which bumps Gibson off the apron, just expertly set up and executed misdirections from Ricky and Robert. 

Cornette expertly hooked Mosh's leg while looking away and Gibson hit the damn cleanest kneedrop right to the side of Mosh's head, then kneels down with one onto Mosh's forehead, then another onto his shoulder. 

Gibson sure took a lot of great bumps to the floor during this run, and he takes big one to set up the finish. What's the other late 90s Gibson I need to seek out? 


Pirata Morgan vs. Aguila WWF Shotgun 2/28

I had no memory of Pirata Morgan doing a two match WWF stint in 1998. Morgan/Brian Christopher vs. Taka/Aguila from the 2/16/98 Raw is insanely fun and an incredible visual representation of Pirata. He IS Pirata Morgan in that match, and it's great to see. He is not as great here, as this match is more about letting Aguila show off his surprisingly deep (especially for 1998) flying moveset. Pirata was here to be a base, and he's great at being a base. I wish he could have also beat the shit out of Aguila in between being a base. 

Pure unfiltered Aguila was some insane stuff. The height he got here on flapjack bump and a truly insane moonsault press to the floor were wild, just incredible hang time, and his springboard armdrag to send Morgan to the floor was some Juvy level shit. And brother, if you're talking hang time, he took a backdrop bump so high that, were there some kind of database that were actually tracking this, would almost surely rank towards the top of the All Time Most Hang Time on a Backdrop list. I wish I had been keeping a list like that, with to the hundredth of a second stop watch times next to all of them. 

Pirata's premier piece of offense is actually amazing, a tilt a whirl sitout powerbomb that is so damn cool, like something I've never seen. We have so many complicated fast moving big crash landing spots now and I don't think I've seen anyone break out a kick ass sitout powerbomb like this:


Pirata, in this match, also does maybe the laziest waistlock takedown I've ever seen, moving to a rear waistlock by just walking around Aguila, then lifting him waist high and just dropping him. They're not all going to be sitout powerbombs. 

Pirata takes a big bump off the top off an armdrag and puffs his chest out to take a missile dropkick, and the victory roll huracanrana roll up looked like something that would win a match. 


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Sunday, October 30, 2022

Loosely Formed 1998 WWF: Rock n Roll Express! Brian Christopher! Head Bangers!

Rock n Roll Express vs. The Head Bangers WWF Raw 2/16/98

As half-hearted as this "angle" actually was, it was really cool that WWF brought in Tommy Young to ref some of the NWA title matches

Robert Gibson worked much harder during this run than was probably necessary. Just watch how fast he bumps for armdrags and how quickly he feeds offense!

Ricky does a back rake to Mosh, and then does a second one underneath Mosh's shirt

The punch exchange between Ricky and Mosh was far better than I would have guessed it would be. Mosh tightened those rights up when working Ricky the God

Thrasher has a nice powerslam on Ricky

Ricky takes a humongous flapjack, coming one minor rotation away from looking like a Beverly Brothers victim

The Stage Dive was timed incredibly well here and rarely looked this good

Right after Mosh hits the powerbomb portion of the Stage Dive, he throws Gibson over the top to the floor. Gibson really flies, taking that bump like it was 1986, and hilariously that lets the Rock n Rolls win by DQ since getting thrown over the top draws a DQ under NWA rules. This could have/should have continued as a very fun lower card angle, if Cornette was allowed to constantly change rules to gain advantage, under the guise of "Classic NWA Rules". Sorry clowns, you can use tasers if your NWA license is up to date!


Brian Christopher vs. Tony Williams WWF Shotgun 2/21/98

Tony Williams is Memphis worker Kid Wikkid, making his only WWF appearance

Christopher has really great short right hands that he throws exactly like his dad, and I have no idea when exactly he stopped throwing punches like that

also like his dad, Christopher takes a nice backdrop bump

Kid Wikkid has a cool somewhat uncontrolled pescado

Great spot where Christopher ducks a low running crossbody and Wikkid flies right over him and under the ropes to the floor

You know what? Sure Brian, I think you should do a sunset flip powerbomb to the floor and then throw a missile dropkick to the back of this guy's head

Did Brian Christopher have the best bulldog on the roster? Almost certainly. Dustin had mostly stopped using it at this point. Matt Hardy had a good one but Christopher's was better because, as a heel, he could also use the bulldog as a transition for his opponent shoving him off into the turnbuckles

The finish is a real weird one, as Wikkid does a rana takeover and must have smashed the back of his head into the mat (even though it didn't look like a terrible landing) because he comes up with some of the rubberiest legs I've ever seen, completely unable to stand without leaning his weight onto Christopher. He somehow manages to fake his way to an Irish whip but he's a man drowning out there with nothing to lean on. I think he was supposed to get one more piece of offense off that whip, but the man literally couldn't stand on his own, so Christopher called an audible and spiked him with a gross DDT and then dropped a guillotine legdrop to an unmoving Kid

I pointed out Kid's obviously rubberized legs during the finishing sequence, but there were several smaller moments in the match where he looked wobbly. The pescado, the way he moved before tossing Christopher up with a backdrop. 

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Saturday, October 29, 2022

Found Footage Friday: LAWLER~! GILBERT~! FREEDBIRDS~! R'N'R~! SILVER KING Y EL TEXANO EXPLODE~!


Fabulous Freebirds (Roberts/Gordy) vs. Rock 'n Roll Express Mid-South 6/24/85

MD: Unique pairing that you'd think we have more footage of than we actually do, at least with this particular iteration of the Freebirds. This went closer to fifteen than ten, but not by much, had a hot crowd, and was an all time Gordy performance. Everything was good, but he was such a beast in this. I want to talk about how well Roberts stooged early, but Gordy just overshadows all of it. Once Roberts finally was able to tag into him, he just bullied Gibson over in a rough German Suplex, just deadlifted him over. That wasn't the start of the heat, but it was jarring enough that I thought it would be. Shortly thereafter Roberts was back in and let Gibson make the tag, leading to Morton posting himself, which was far less unnerving since that's how you expect the heat in an R'n'R match to start. Gordy leaning on him was just nasty though, a running punch in the ropes that took his head off, fist drops, a super athletic cut off where he turned a reversed whip into a leap onto the second rope and dive back off. Morton was finally able to make a hot tag after reversing a Roberts piledriver attempt (which felt suitably dire), but Gordy asserted himself again. Gibson hit a roll up on Roberts, even though he wasn't the legal man and Gordy just walked up, casually lifted Gibson off of it, and ganso bombed him for the pin. Pure brutality. You watch this and what feels most surprising is that it took a whole eleven months after this before Watts put his main singles title on Gordy. Again, I'm sleeping on Roberts' performance here, sleeping on how good Morton was at peppering little shots in from underneath to keep the fans behind him, the ways the Freebirds worked around the ref, etc., but Gordy was such a looming presence that he deserves 90% of the copy here.

ER: Had I been asked about it, I would have thought Ricky Morton would have crossed paths with Terry Gordy a lot more than he actually did, but most of the matches they had were from early career late 70s Memphis that we surely don't have. Prime New Orleans crowd Mid-South Rock n Rolls vs. Freebirds is a great thing, Hayes always seen strutting in silhouette on the floor, Roberts and Gordy - shockingly - separating Ricky from Robert. One thing I like about writing about wrestling with Matt, is that we often land at the exact same conclusion on a match but get excited by different things within the match (and a lot of the same things, we're not special) but I try not to read what he wrote until I've watched the matches, just to see what jumped out to each of us. It's a rewarding way to sync up on wrestling, and it was rewarding here because he was enamored with Gordy, while I couldn't take my eyes off of Buddy. Gordy was great. He was Gordy. I lost it when Gordy hit this huge body press off the middle buckle, but a lot of this seemed like the same great Gordy that we always get. Buddy Roberts felt like the man running the show. 

Buddy out bumped (or at least tried to out bump) Ricky and I thought he had the most vicious offense in the match. He hit this jawbreaker on Gibson that had a little hitch in it, and that hitch really made it seem like a real connection had been made, similar to how Harley Race's hitch on his kneedrop always gave it that split second emphasis that made the connection feel more real. He threw Regal-sharp elbows in the corner, and Ricky sells them like his face is suddenly searing hot. When it's time for Buddy to bump and sell, he's a freak, going hard into the buckles and rebounding into a hard back bump, leaping into a big bump after recoiling from an atomic drop, comedy bumps that look like they really really hurt. Morton's selling in the match is really incredible. There's this great moment where he takes a hot shot, springs off the top rope, staggers to a different side of the ring, and winds up draped chest first across the bottom rope. Morton also gets launched over the top to the floor on a hiptoss behind the ref's back, and knows how to sell a huge bump like that just as well as he sells something like having his eyes raked across the top rope. Morton might sell his eyes being raked over the top rope better than anyone else. Robert's hot tag felt a bit rushed a lead immediately to the finish, but the finish really was beast mode Gordy. Earlier, Buddy had prevented a sunset flip with a well timed punch. Well, when Robert successfully gets Buddy over on one, in the middle of the count, Gordy just lifts Gibson up directly out of his sunset flip and just drops to his knees with a disgusting piledriver. There was no attempt to protect Robert on this one, this just looked like Gordy breaking up a bar fight, shutting that damn match down. Awesome. 


Jerry Lawler vs. Eddie Gilbert USWA 6/17/92

MD: Some all time goofing by Eddie as Lawler more or less sits back and watches. There's a match in here, but of the 26 minute video, less then ten minutes have the wrestlers making contact. That doesn't mean it's not great. The first ten is all about Eddie leaving the ring at any opportunity, stalling, jawing on the mic, causing all sorts of havoc. Once they finally get going, there's a three minute segment of pure pro wrestling perfection where he tries to sync his ideal of a three-count with the ref's, both of them going down one after the other to time it out. Of course that leads to the ref counting too slow for him and too fast for Lawler. Obviously Jerry's an all time pro but I'm kind of amazed he didn't break during all of this. That's your shine here, with Lawler barely having to move a muscle. Eventually Eddie takes over, including a sleeper until he misses a fist drop. Lawler drops the strap and hits a nice bulldog before the second sets up a ref bump (and Gilbert getting his pound of flesh by stomping the hell out of the downed ref to make up for previous indignities). The last five minutes of footage is the screwjob finish, it getting reversed after Jarrett comes out, and Gilbert launching another monologue at the injustice of it all. I couldn't tell you what the crowd felt that night but thirty years later, all the bullshit aged like fine wine.

ER: This is one of the more backseat Lawler matches I've seen, with Lawler clearly hanging back and letting Gilbert work a long routine. It's incredibly entertaining, and I especially loved how Eddie was bragging to the crowd about his Global title, telling them, "I'm the one you see defending my title on ESPN every day...oh wait, I forgot that everybody here is so poor that they can't afford ESPN." This is 85% bullshit and 15% incredible Memphis wrestling. The punch exchanges were tremendous, and I had to watch Eddie punching out Lawler in the corner several times. It's not just about great all of Gilbert's punches were, it's also how perfectly Lawler whips his head in reaction until the KO punch rocks and slumps him in the corner. Gilbert's missed fistdrop off the buckles looked so good, and I love how it lead to the strap coming down and Lawler unleashing his own punches, big bulldog, and a perfect dead drop DDT. The bullshit was so all-consuming that I was actually surprised when they settled down and wrestled for awhile, and I'm not sure I would have minded if they ever did. Of course, we're lucky that they did, but we're just as lucky that some guy was recording Eddie just jacking around for 20 minutes. 


Silver King vs. El Texano IWA Japan 5/23/94

MD: Hell of a sprint between partners here. There were a lot of the spots you'd expect given the audience with tricked out armdrags and Silver King springing forward, but it was all punctuated with hard shots, be it the Texano punch at the beginning, just how much Silver King threw himself into his spin wheel kick and dropkicks, or the chop exchanges. Silver King might get an advantage on an exchange just for Texano to come back with a really sharp leg kick and power bomb, just like that. They did sell in the back third and let things resonate but some of that might have just been exhaustion. If you wanted to distill a story here it was Texano's strength advantage vs. Silver King's speed advantage, but a lot of it was just two partners really going at it. You could feel the trust between them, as Texano had to base for some spots that were getting away from them and wouldn't have worked otherwise, or just in catching some of the dives. They could have done 20% less and probably had a better match for it but since this is basically a one time match, I'm certainly not going to fault them for putting it all out there.

ER: Los Cowboys Explode! I don't think I actually knew that we ever got a Texano/Silver King singles match and this really delivers. This is an insane gas tank match. Both guys are shaped like Jake Milliman but go go go for 13 straight minutes, no letting up, hardly any recovery time after a ton of big bumps and a lot of motion. Silver King has the hair of an early 90s stand up who got his own sitcom, the kind of mullet Richard Jeni would have had if he was born in Torreon. Texano looks so great here. He works the way Silver King would eventually work in 2001. That's nothing against King, but it was clear that Texano was basing and keeping this train running, and it allowed both to shine. Texano's strikes all hit with a thud. He looked like he actually buckled King's legs on a kick (hey I know we have 10 minutes of rope running left, how about I belt you in the hamstring?) but his clotheslines were incredibly impactful. Texano had two different clotheslines that would have broken my chest. The arm and leg drags were cool, and I think the coolest was Texano going up for an electric chair but only getting one leg over, so kind of improvising into a kind of freaked out Robert Gibson style headscissors. King's moonsault press was gorgeous, and his tope con giro was fearless. The visual on it was amazing, as Texano had just taken a sky high bump over the top to the floor, and King followed it right up with that tope, just the best bodies in motion pro wrestling. This had the feeling of a lucha version of a Jay vs. Mark Briscoe match, just two guys who know each other front and back throwing out some of their craziest stuff with full trust and no backing down.  

 

 

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Friday, March 26, 2021

New Footage Friday: ROCK N ROLLS! MX! DANDY! PSICOSIS! REY JR.! PANTHER! SUPER CALO!


Rock and Roll Express vs. Midnight Express NWA 9/7/86

MD: Pretty rare RnR vs MX match from WCW Sunday Edition featuring Dusty on commentary with Tony. It was what you'd want, flashy opening stuff that didn't at all wear out its welcome and a couple of heat segments with all of the roll-up hope spots you usually get from the RnR. Everyone looked great but Eaton looked like one of the best in the world, feeding big, hitting huge offense (the Alabama Jam here was used to cement the first bit of heat and really give the Express control, for instance), and doing tiny things like taking out a leg with a small kick to stop a block on a suplex. There were a couple of cuts due to commercial breaks but they didn't mess up the flow. We saw the transitions clearly, including them using the replay to take us back after a break. The finish was wonky with Dusty literally causing the MX pin to be reversed, but the post match with him sacrificing himself to a Bubba splash was good pro wrestling. It made me want to see a six man at least.


ER: Outside of the finish, I thought this was great, and a real strong Loverboy Dennis showcase. Everyone was part of this showcase, though, Dennis just had a performance that made him look like one of the toughest men in wrestling. A big chunk of this was MX taking apart Robert's leg in real sicko ways, and even though it didn't actually lead to anything, it was work I loved to watch. Condrey has a ton of fascinating work out of half nelsons and 3/4 grapevines, so good that I want to see the entire alternate timeline of Condrey working shootstyle in Japan once his stateside gigs dried up. Condrey's Alabama U Style, where are you? He really knows how to tie up Ricky and Robert on the mat, and the pins he forced them into with his leg grapevines looked impossible to escape. And when he wasn't tying up their legs to work headlocks and pinfalls, he was dropping his knees into Robert's thigh, into his shin, violently twisting his ankle, and then handing it off to that savage Beautiful Bobby! At one point Bobby is hyperextending Robert's entire leg over the edge of the ring apron. Robert is on his stomach, and Bobby is slamming the front of Robert's femur into the apron, then pressing and forcing his leg down over that edge, truly disgusting legwork. Cornette adds one of his all time great racket shots to the match, flying in from offscreen with the handle of the racket aimed straight at the jugular. HHH always looked like a dweeb for using the handle of a sledgehammer as his weapon of choice, but Cornette really looks like the master of making a short handle look like a deadly weapon. Hell, in the post match melee, Cornette even shoulderblocks Ricky Morton through the ropes to the floor, like a man tripping another man into a fountain display. Rock n Rolls looked great and matched strikes with the fierce strikes of MX, and even with the actually stupid Dusty finish, this whole thing was classic stuff. 


El Dandy vs. Ray Gonzales CMLL 8/26/95

MD: A lost Dandy title match. Interesting primera here. Gonazlez controlled with fairly simple armbars, with Dandy working from underneath with a few hope spots, only to get cut off and contained with the arm again. I don't know if they didn't trust Gonazlez to do more complex matwork or not but it still worked because Dandy was working so hard to sell everything. I know on paper, that doesn't sound like much, but you don't often see a primera in a title match worked like this and I'm not sure there are many guys who could have done it quite like Dandy, so it stood out. The segunda was quick with a short bit of revenge with Dandy working over the leg and then a beautiful Northern Lights Suplex. The tercera had some back and forth and chicanery but eventually settled down to them returning to what worked in the primera, Gonzalez working a bodypart (the leg) and Dandy selling. They rolled out of the ring on a figure four and both got counted out and it ended up pretty anti-climactic. If this was building to an apuestas match, it would have worked but it seems like this was the end of the program. Still, a good look at just how great Dandy was at selling.

PAS: A new Dandy title match on paper is really exciting, this was a miss though. Gonzales is a guy who got pretty great in Puerto Rico later in his career, but he looked way out of his depth here. There was one of the worst clotheslines I have ever seen and Dandy really had to dumb it down for him on the mat. His little heel struts and stuff looked bush league too, just a zero of a performance. Dandy had a nice moment or two, his selling of the leg in the tercera was cool, and I like the figure four roll to the floor spot, but you are hoping for a missing gem when this passes by your youtube feed and this wasn't that.

ER: I had no idea Gonzalez ever showed up in CMLL, even though just a few years after this he became the reason I started trading for Puerto Rico tapes. The Ray Gonzalez I traded tapes for was not the Ray Gonzalez here, and many of the flaws in this match look like they could be blamed on miscommunication. I think Phil tuned out early on once Gonzalez hit that flying "clothesline" but considering Gonzalez follows it up with a crossbody block using the exact same form he used for that "clothesline", I assume it was just a spot that wasn't supposed to happen. It's amazing how much poise Ray had just a few years later, that was mostly absent here. It was a mistake to work this as Gonzalez trying to fit into Dandy's lucha setting, as while he had a nice missile dropkick and a couple decent bumps to the floor, he couldn't facilitate the level or speed of work Dandy was capable of. The most interesting this got for me was the beginning of segunda, where we got a glimpse of what could have made for an excellent title match. Ray got rudo heat during the break between falls, and knew it. The fans were rejecting him and it looked like he was going to really run with that, approaching Dandy with an extended right hand, left arm tucked behind his back, and a telegraphed double cross kick getting caught. Bringing some Puerto Rico rudo bullshit into the elegance of a skilled tecnico lucha title defense would have made for a great style clash, like a southern US heel just punching his way through a match opposite Blue Panther. But almost right after that Gonzalez falls back into line, and the rest of the match is worked like the boring end of the Flair vs. Terry Taylor spectrum. Dandy really did a lot to try to make this work, but it's hard to deny that Dandy could have likely had a better singles match with any wrestler on the CMLL roster. Let's all just go back a few days and remember how cool "El Dandy vs. Ray Gonzalez" looked on paper. 


Misterioso/Rey Mysterio Jr./Súper Caló/Volador vs. Blue Panther/Heavy Metal/Piromaniaco/Psicosis AAA 8/11/95 - FUN

MD: Not your average atomicos. You had Rey as captain, Signo as Piromaniaco, maskless Volador, and Calo in hatless, sleeves-only shirt, dancing glory. The story was Rey vs Psicosis, first delaying it and then paying it off. As they cycled through the pairings in the primera, Panther made sure to intervene and rob the fans of that first Rey vs Psicosis exchange. After a mini-beatdown, Rey would mount a comeback and allow the tecnicos to take the primera. The bigger beatdown came in the segunda, and watching Heavy Metal toss Rey around made me really want a 95 singles match with them. In the tercera, Rey came back again and we finally got a killer little Rey vs Psicosis exchange with a spectacular finish. Piromaniaco looked good using his size to bully tecnicos and eat their stuff, but the gimmick had no legs. Panther didn't do a lot but everything he did (the aforementioned cut off, choking Misterioso with part of the ring, ripping up what I choose to believe to be an anti-Tirantes sign, stooging with Psicosis on miscommunication spots) was very good. At times this was fast and loose and all over the place. The camera work missed half the dives. It's really hard to go wrong with cleverly building a match around Rey vs Psicosis though.

PAS: I thought this was mostly pretty forgettable outside of the Rey vs. Psicosis stuff which was incredible. I kind of enjoyed Signo adding some 80s style bumping and brawling to more 90s style lucha, but it didn't really lead to any exciting moments or anything. Psicosis taking the segunda caida with a brutal top rope guillotine was great though. The tercera exchanges between Psicosis and Rey were the highlight. Rey at this point was as elusive and fast as anyone ever, Psicosis was his perfect dance partner, and the finish top rope spiked spinning DDT was awesome. Is that a move they only broke out once, or is there a WCW Pro match which ends in it too?

ER: I was really excited for this one just to see Signo as Piromaniaco - a hood I've never seen him under and one with next to no footage of - and he did not disappoint. In fact, most of the guys in this didn't disappoint, but none of this really turned into anything that felt like a full match. Things were a little disorganized and a lot of the threads got abandoned, but there were plenty of individual moments to make this an easy, fun watch. Obviously, with these names there are going to be some moments. Heavy Metal worked fast and a little reckless, lead to a few moments of clear miscommunication and awkward repeat spots with Super Calo, but when Heavy Metal ran into someone with that speed it looked great. Volador had this fantastic huge hair, like Stefanie Powers in Hart to Hart, and based on the crowd reaction we missed a big late match plancha and bump off the top from him (This is AAA, my friend). I liked Piromaniaco working like El Brazo was great, using his status as stockiest man in the match to absolutely run over Rey a couple of times. He even no sold a Rey missile dropkick by acting like a cartoon kissed him, then did a silly dance. We got a decent dive train with Calo hitting a high quebrada crossbody and Misterioso getting out quickly, and of course all the Rey/Psicosis moments were what you'd want. The tornado DDT with Psicosis on the middle and Rey swinging from the top was wild, with such a high starting point it landed them past the middle of the ring! 


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Friday, August 21, 2020

New Footage Friday: HOTSTUFF HERNANDEZ! RAGING FERNANDEZ! FUNK! WAHOO! ROCK N ROLLS! BADD CO!


Hotstuff Hernandez vs Terry Funk EWF 1/26/02

MD: I love the contrast here. Funk comes in trying to survive. Hernandez is bigger, stronger, younger. Funk's a man in his late 50s. The weapons are the equalizer. He comes right out of the gate by throwing a chair as Hernandez, young and brash, is preening. Then he follows up with one nasty shot after the next with chairs and tables, linking in his mastery of wrestling violence with a neckbreaker, and a pile driver and DDT on the chair. Hernandez has to get a foot on the rope, even so early into the match, after the pile driver, though he does manage to kick out of the DDT. Ultimately, Funk, really having no choice, leans too hard into it. The table he's used as a weapon, a lot like his own body, starts to break down and as it falls apart, he takes some collateral damage from a shot with it and Hernandez is able to come back. He doesn't go straight to weapon shots. He doesn't need to. Instead it's a clothesline and a toss into the corner. When he does go for a time, that gives Funk a chance to recover and toss another chair, taking back over. He's fighting against time, however, against youth and regeneration.

Funk throws everything he has at Hernandez, his own body, fists and head, but it takes a toll on him too. Hernandez is able to recover (and really all he has to do is throw himself at Funk to take back over), but his cockiness costs him once more as he misses a dive onto a table, something he absolutely did not need to do but very much wanted to. Funk comes back with a chair but leans into it too hard once more and eats a recoil shot. This time, however, instead of allowing to slow him down, he calls upon the very last thing he has left, the acceptance of his own mortality. Instead of pulling back, hesitating, recovering, he dives the rest of the way in, launching chairshots that bound off of Hernandez' head and onto his own, again and again and again, until both men collapse. Maybe it's the superior physical prowess and reflexes of youth or maybe it's the sad reality of an old man who'd used up all his luck decades before, but Hernandez falls upon Funk and takes the wholly Pyrrhic victory. Funk clears the ring after the match and basks in the crowd's respect for the effort they just witnessed and the memory of every effort that had come before.

ER: I'm not going to attempt to match the old horse poetry of Matt, but I loved this. If you were told there was a great Funk/Hernandez match out there, you would probably assume it was Funk/Gino, not Funk/Hotstuff. Funk is pushing 60 here and decides to take at least a dozen shots directly to the head, and this builds into one of the best matches of the last phase of Funk's career. This match was within the final 60 matches of his career (which I guess we can't officially call finished until the man is actually in the ground) and I think it ranks among the best of those 60. This was so much more of a big Funk performance than anyone could have reasonably expected in 2002, coming out throwing hard plastic chairs into the ring and starting the match proper with a chairshot exchange. Funk got his hands up on a couple of shots, but takes far more right on top of his head. Funk's offense looked strong, strong enough to believably put down a larger and younger man. His neckbreaker was tremendous, one of the more violent things in a match filled with chairshots and broken tables. He hits a nice piledriver and drops Hernandez with a DDT on a chair, and I loved that the placement of all of Funk's biggest pieces of offense were at the very beginning of the match, making it more believable that Hernandez was still fresh enough to kick out.

We get a great broken table spot in the corner off a Hernandez avalanche, Funk takes more shots to the head, and eventually Funk looks to only be standing by holding onto the ropes. Hernandez is just wailing on him with heavy chops, and I kept waiting for Funk to collapse in the ring. We get a huge moment of Hernandez missing a superfly splash through a table (with a perfect narrow escape from Funk, and the turning point where Funk just decides he's going to outcrazy Hernandez to psyche out the youngster is late career Funk brilliance. He misses a big chairshot that bounces off the top rope and recoils into his face, and it's one of the better versions of that spot out there. It's a spot that looks stupid at least 75% of the time, but with Funk it almost comes off as baked in. We're so used to seeing Funk hit by shrapnel and friendly fire that of course he's going to hit himself in the head occasionally. The finish is excellent, a bit of deranged theater that few could pull off, but naturally Funk is one of those few. He starts bashing Hernandez in the head with a chair, and then starts taking shots for himself, one for you, one to myself, over and over until it all catches up with him in an instant. Hernandez falls onto Funk like he's a vending machine that robbed Funk's quarters, pinning him under his dead weight. I loved this match.


PAS: Every Funk match we get is a total mitzvah. I don't think he has ever had a match that wasn't at a minimum worth watching. It's crazy the amount of punishment he was taking at this age, he certainly could have gone in there and played the hits, and everyone would have been happy. Instead he is taking multiple chair shots to the head, and getting speared into the ropes. The finish was a total joy, Funk chairshotting Hernandez and himself until they were both splayed out.  What a performer Funk was, and major props to Hernandez for putting him over so well.


Wahoo McDaniel vs. Manny Fernandez AWA 6/25/88

MD: This was pretty much what you expected it to be. Manny wasn't even 34 here (though he almost was) but he felt more like Wahoo who was 16 years older than him than Hennig who was just four younger. It felt like two old guys beating the crap out of each other. There was one fan who was heckling early on which got a rise out of Manny, and the match would have been more interesting if he had kept going. Also this is the only HH I've ever seen where the camera operator spent the first two minutes of the match trying to find someone else to film it. Premise was that Wahoo would get an advantage, Manny would go over the top/more vicious to get over on him and repeat, until Wahoo was fed up with it, scored a mule kick low blow, and they ended up outside for the countout. Nothing revelatory but one's going to complain about watching two great strikers beat on each other for 8 minutes. 

PAS: I loved this match up. One of my favorite things in wrestling is two fry cooks tossing spuds. Wahoo at one point just backhands Manny right in the face. This doesn't really go anywhere, but it is stiff as all get out, and Manny especially is a guy we don't have a ton of footage of and just watching him throw those backhand shots is nifty.

ER: This ruled, because it was Wahoo McDaniel vs. Manny Fernandez. I wanted to meaty dudes to welt each other up, and that's literally all the did. Some guy near the camera operator keeps trying to make fun of Manny's forehead. "Nice forehead! How's your forehead!?" As if Manny Fernandez has no idea that his gouged forehead looks like a topographical match of the Appalachians. Honestly I knew this match was getting high marks for me the moment Wahoo ran at Manny and threw one of his chops right across Manny's face. Wahoo knocks Manny straight onto his ass with a running backhand!! This is a high school gym crowd, and they got to witness a bigger backhand slap than I've seen in any Jack Hill movie. Manny drops to his butt and begs off, and this is a 5 star match. Wahoo is great and breaking Manny with knucklelocks, and Manny is great at being the guy brought to his knees by a knucklelock. And by the time this broke down into these two chopping each other as hard as humanly possible, I was in heaven. These are some of the hardest choppers in wrestling, and neither was holding back. They were throwing these chops HIGH too, aiming them no lower than the collarbones. We're talking the most painful sounding chops thrown right at the collarbones, neck, throat, and face. The guy stops recording while they're still kicking each other's ass on the floor, but this was a hearty meal of chops. Everyone needs these 10 minutes in their life.


Rock N Roll Express vs. Badd Company AWA 6/25/88

MD: Following the Wahoo vs Manny match is about half of a Lawler vs Hennig match. It's a shame we don't get more of it because Lawler had a lot of tools to work with there. The crowd's pretty goofy (more on that later) but it's intimate and full of some loudmouths. Hennig was super athletic and would bump like crazy for him. He had Madusa to play off of, etc. Just when it was starting to get good (missed fistdrop leading to Hennig limbwork) it cuts out. The tag match was good, if straightforward (short heat, single heat, quickly over after hot tag). Really, they were playing off the crowd and the homophobic loudmouths within it. That meant a lot of big bumping heel miscommunication spots early, a sense of Company really taking it out on Gibson when they took over, and Ricky never really taking things seriously which is why he launched a few low blows in the comeback just for the hell of it and to pop that one loud section of the crowd. That ultimately drew a DQ and a Dusty finish (I think that's what happened at least). It was, in a lot of ways, an expert performance of giving the crowd the sort of match they wanted, right down to Morton believably costing his team the match, and while that's important in examining all of these wrestlers across their career, what we end up with is me not wanting to go to 1988 Jersey City anytime soon (the whole thing was in front of a big banner stating pride in being JC students) and a match that probably wouldn't quite make the AWA set.

PAS: This is similar to Manny match, a pair of great teams kind of working their way through a formula match for a shitty crowd. Manny and Wahoo are going to stiff each other, and Pat Tanaka and Ricky Morton are going to pinball, and that is enough for me. I get the sense these teams have some stuff to have a really great match against each other, and I imagine it happened somewhere. This wasn't it, but it had enough professional shtick that I enjoyed it.

ER: Loud pre-match gay slurs aside (easily solved by a lowering of the volume for the match), this was a killer Pat Tanaka bumpathon. Badd Company don't really get much, as this is mostly the Rock n Rolls pinballing Tanaka around, but I'm cool with that. There are plenty of fun moments with teams this good, like Tanaka ducking away when he gets too close to Gibson on the apron only to turn around into a great Ricky clothesline (with big flipping Tanaka bump), just one instance of Tanaka treating this match like it wasn't at a Jersey City high school. I liked Badd Company's cheating, always love over the ropes chokes, and I loved Paul Diamond's ankle pick to prevent a tag. After the match Tanaka takes two of his bigger bumps, a nice backdrop (of course Tanaka had to get a backdrop bump in), and gets awesomely faceplanted on the ringside announce table. He and Ricky walked right onto the table, and Tanaka gets shoved down hard into it, belly flopping into that empty pool.


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Friday, May 22, 2020

New Footage Friday: WWF in Kuwait! WWF in Germany!

Rock n Roll Express vs. Smoking Gunns WWF 7/94

MD: This was basically everything you could have wanted from a random 1994 Smoking Gunns vs RnRs German house show match. Express played the heels and while I've seen that before, I'm not sure I've seen it too much against an over babyface teem significantly bigger than them. They opened up the bag of tricks to really put over their opponents, giving back with a lot of the spots that they had taken advantage of over the years and feeding, feeding, feeding like the pros that they were. For the most part the Gunns' timing was on (there were one or two moments towards the end that were iffier including Gibson having to practically shout to draw a ref distraction for an illegal switch and the finish), and even with the poor VQ, you can tell that they were able to use their size at the right times in the right ways to engage the crowd. It was one of those matches where you worry the heat would never come, but when it did it was great, full of hope spots and cut offs that played to the size and a call-back spot for the big comeback that really worked. If you told me this was the best match the Gunns ever had, I'd believe you and it feels like another tiny feather in the exceptionally large cap of the Express.

ER: I love Rock n Roll heel matches, and I love that the man responsible for the popularity of the undersized babyface in peril is the guy who is the heel against two men significantly larger than he. It's not like they suddenly work more vicious or anything, they just know the small things that make guys the ones to root against in a wrestling match, and they're smart enough about it the fans eventually ignore what their brains tell them about who should and shouldn't be the underdog. For the bulk of this match the only offense they got was a couple of kicks to the stomach, and they're able to expertly take the role of their own foils and show how great they can make the spots look. Gunns handle all these spots and even the ones typically done by a heel (mocking the smaller opponent during a knucklelock) works flawlessly off the strengths of Ricky playing a loudmouth undersize jerk. The Gunns never land with me as a tag team, and I'm not sure why. They clearly have an understanding of basics and their timing is strong, it's just never used in very interesting ways. And I think if they worked more often like this house show version of themselves, they'd come off better for it. Here they used their size to constantly get under the skin of the RnRs, and the RnRs used their deft knowledge of match layouts to craft fun spots around the weird dynamic. I loved the dropdown spot that ended with the Ricky and Robert colliding, and loved that even when they were in control doing their rolling leg grapevines, they were still getting driven crazy from the apron. The Gunns could have really benefitted from more southern tag training, and this made me want to go check out their WWF matches with the Heavenly Bodies.




MD: This is the match where Gerry Brisco choked Austin out for fun on his way back from the ring, but we don't see that. This wasn't long after the Jannetty heel turn but he's de facto face here. I vaguely wonder if WWF was a draw in Kuwait in 91, but he even got little chants. At any point in the 90s, you could drop Marty into a situation and he'd be a perfectly fine babyface, even in his sleep or drugged out of his mind. Austin, still having the Million Dollar Belt but now sans Dibiase and already Stone Cold, was more electric than not, with lots of jarring hand and head motions, just full engagement even with the heat. When they worked a grounded chinlock, he was entirely into it. When he targeted the back for a minute or two, everything was focused and credible and inevitable. Marty had a quick but spirited comeback but this was always going to be another notch in Austin's belt.

ER: (I don't think I've heard this Brisco story that Matt mentioned) I love night off Austin because he's not a guy who is boring while taking a night off. He doesn't have to do a lot, but he's classically trained and knows how to work a big crowd in small ways, an easy heel base to play off Marty's classic babyface. Austin is entertaining to me when he's just getting foiled by armdrags and dropkicks, a guy who entertains me by slapping the mat and kicking his feet in frustration while in a move. Jannetty is wearing that hype Jerry Estrada/Ultimate Warrior/Pia Zadora stage wear, tassels flying when he bumps (and he does take a big bump after getting tossed to the floor by Austin). This is all super simple stuff that these two probably threw together on the spot, and I love seeing the bones like that. I'll always pop for Austin draping his opponent over the ropes, and then running in with a missed attack. He finds so many fun ways to bounce on the ropes before getting flung to the mat, and I gotta imagine it was incredibly fun doing a spot like this for fans who had never seen it before.



MD: It's very weird to see Bret post-Mania 12. He doesn't show back up on TV until October, past an interview or two. It's even weirder to see him with actual announcing talking about his loss. This was a curiosity to me, because I thought Snow would leap at the chance to wrestle Bret in a setting like this and would try more things. He really doesn't. It's very by the books, but in a way that no one did better than Bret. I assume this had to do with the heat more than anything else because Ross and Hayes don't shut up about it. Instead, Snow leans into the shtick, complaining about the hair before using it himself, then it's a lot of chinlocks and headlocks, with eyerakes and hair pulls for cutoff. The timing's good, with them never sitting in anything for long. Some of the actual cutoffs with Bret trying to escape the headlock look pretty wild and gritty. There's one great eyerake (the main point of transition to heel control actually) off of the side backbreaker (here the first move of doom attempt) that was creative. I like how Bret couldn't therefore hit any of his big moves until he fought free and then he hit all of them at once. Snow let himself get spiked off of a caught leapfrog to set up the Sharpshooter, but that was about the biggest bump he took. This was just a match instead of anything special.

ER: I was way more into this one than Matt was, and thought it was a great heel Leif performance. In fact I would wager than no man among us has seen better "He's pulling my hair" mannerisms than what Leif gives us here. This man goes to Shinsuke Nakamura levels of ropes work to show just how hard Bret Hart yanked his hair. I was dying at Leif practically dropping down into a full back bridge just to show how criminally Bret was yanking his shag. And so of course it's perfect when he exclusively starts yanking Hart by his hair. I thought the headlock spots were really good. Hart is someone who knows how to work a headlock, both sides of it. Hart is really good at being in a headlock and shoving someone off, and he's good at holding onto a headlock when getting shoved off. I loved him trying to shove Cassidy off a side headlock, Cassidy going to the hair and maintaining that headlock, and both skidding to the mat with Cassidy locking it on even tighter. It's two pros working a match with hardly any moves or highspots, all headlocks and lock ups and eye rakes, and it all worked. It felt like the kind of match you'd see Lawler work against Doug Gilbert on a handheld, and Cassidy was a really great Doug Gilbert, because the few moments that needed someone with speed and agility lead to a couple of physical exchanges you wouldn't see from Dougie. The finish was logical and tight, with Cassidy lured into a speed game and baited into doing a leapfrog, with Hart slightly slowing down his momentum to catch him instead in a sidewalk slam and quick tap sharpshooter.



MD: This was amazing. It's five minutes. They don't touch until 4:30 in, but out of all of these Kuwait matches we have, this has the most heat by far. Backlund stalls and throws a fit and demands a handshake and hides in the ropes and Savio gets more over than anyone else on these shows by playing off of it, pointing and waggling his finger. They run about 1.5 spots before the roll up which just makes the crowd erupt. Just beautiful crowd manipulation.

ER: This really was great. This Kuwait tour gave us the Butch Miller singles match we wanted, and now it's giving us deep cut Bob Backlund in ways I've never seen him before. I don't think of Bob Backlund being around and wrestling when I think of 1996 WWF, but it's great. This is several minutes of Bob Backlund circling the ring, considering getting into the ring, briefly rolling into the ring to restart the count, and then circling the ring. He walks down the aisle, comes back, can't seem to understand why the fans in Kuwait aren't more excited for him. Now, the ring was on an elevated platform in the middle of this stadium, meaning there were a couple of steps from the entrance aisle up to the ringside area. And sadly, Backlund does not just spend several minutes doing the Harvard Step Test on those entrance steps. The best thing about this Kuwait footage (not just this new footage but the 80s stuff we've also reviewed) is how much the old stuff works on these fans. It's fun watching guys in a WWF ring essentially work like they're a 55 year old years removed from active ring time vet working a local high school. I could not believe how loudly the fans reacted when Savio played possum and got a small package. This was the best version of seeing a Honky Tonk Man match live at the fair in 2000 (I saw that).



MD: Happy Triple H 25th Anniversary everyone. Here at Segunda Caida, we celebrate to the proper level, a ten minute match with Bushwhacker Butch from Kuwait. I'm watching this one because Eric is and either it's solidarity or this is what we do to one another. This was round one of the tournament. Hunter would go on to lose it in the finals against Ahmed, all a couple of weeks before the curtain call, so he was still high on the rise. Despite what I just said, Hunter's a guy who pays attention, who always paid attention. This was the match that immediately followed the Backlund/Aldo match, and Hunter, up against a 52 year old Butch in a place scorching hot enough that one of the first thing we catch in the match is Hayes saying on commentary is that they need more water, is going to go with what just worked. That meant lots of early ducking out of the ring and lots of nose-related stooging, though some of that might not have played to the back row given the size of the crowd. Butch was game and focused, quick to engage by adding to the ref's count or throwing out a Yeaaaaah. This is basically the best Hunter, right? Stooging, pretty selfless in getting his opponent over, really leaning into the mannerisms and crowd interaction between moves when he takes over, even selling the nose post-match. They weren't really into Butch's hope spots but they definitely booed on the cut offs. Hayes and Ross were fun on commentary going on about Sheepherding and talking about seeing Ali in the Superdome together. This was probably the best conventional ten minute match these two could have in 96, but I wouldn't have wanted to follow Backlund vs Vega.

ER: This is really exciting, as this may be the only Butch Miller singles match to exist from his long WWF run. Matt was running through matches from the Kuwait Cup that suddenly showed up, and I said we obviously had to do Butch vs. HHH, as I always enjoy HHH matches when he's in there with a vet that can actually lead him through some simple things. This is the kind of dumb rarity that I love, where we get a Butch Miller singles match in WWF past the point that most people even realized the Bushwhackers were in WWF. The Bushwhackers are super weird to still be around in 1996, and a Bushwhacker singles match just wasn't something that was happening on WWF shows. I love that kind of thing. And this really is a Hunter to celebrate, as not only do we get an insanely late era Bushwhacker singles match, but it goes 12 minutes! I love it. Hunter stooges for good headlocks and comedic nose ripping, and is a good sport for Butch. Butch seems to occasionally move or fall in a totally unexpected way, and Hunter played off that really well. The fans were more into Butch than you'd think they'd be, and that played into some of the fun here. Hunter ramps up the bumps as the match goes on, and peaks things with his roll up the turnbuckles and back down bump, and Butch starts taking fast back bumps as Hunter fires back. Hunter was super giving here and it made for a really fun old guy match, and I couldn't get over what an oddity it was that Miller was still on the roster. I wanted to see a stiff arm lariat from him and eventually got that too. I'm glad we spent time on this.



MD: What a weird match-up. I get that WWF was less calcified in 96 than it was in the late 80s or early 90s and that this was a foreign tour so it was about using what guys they had, but these teams didn't exactly make sense on paper. While a big chunk of this was Yankem and Vega, it was really all about Backlund and Yoko, especially Backlund interacting with Yoko. Backlund as a heel was so manic and wild, just completely bonkers, and him charging at Yoko and immediately retreating or rolling from one side of the ring to the floor on the other side is tremendously entertaining. Just watching Yoko on the apron or interacting with Savio makes me think that they should have turned him earlier. I don't think there was ever a spot for him as the Attraction with Taker in the company, but he had that mix of timing, agility (even a year or so before this), and unmistakable charisma. It was there in the way he leaned on the turnbuckle while the heels were stooging and stalling in the beginning of the match and how he spun around slowly so Savio had to run around him with their hands raised in the end. Just an incredible presence, even in the heat and even as he had put on so much more weight.

ER: Yeah this was all about the Backlund/Yoko showdowns. Backlund was back on his Kuwait bullshit, this time even running into the crowd and mixing it up with actual Kuwaiti soldiers! I laughed every time he would charge at Yoko only to retreat the second he got next to him, the whole thing felt like something Candido would do on an indy show. Charge at the big guy, bump yourself to the floor to get into it with more fans. Yokozuna was enormous here, getting towards the end of his WWF run, but he was still so good. I don't think he had the same charisma as immobile Andre, but Andre was the best at emoting and projecting danger while being immobile. Seeing Yokozuna work the apron and almost rib Vega and his opponents in little ways was a fun side of him that would have played well on TV. I'm pretty sure I've never seen he and Backlund cross paths, two World Champs going at it, both not exactly in their prime but with the skills and muscle memory to make this worth it. I also love that the whole match is Backlund running distraction, flailing arms, butt sticking out, eyes wild, and it all builds to the Yankem/Yoko showdown. And Yoko hilariously just plants Yankem with the Samoan drop, slowly gets back to his feet, and drags him over to the corner for the banzai drop. I loved Savio leaping onto Yoko's back in celebration after the match, Yoko not even acting like a full large grown man is on him.


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Friday, December 28, 2018

New Footage Friday: Rock 'n' Rolls, Hennig, Gagne Long Riders, OMX, Tully, Magnum

Rock 'n' Roll Express vs. The Long Riders Pro Wrestling USA 12/29/85

ER: Really fun tag with the hoss Irwin brothers picking apart Robert while we get a fun show from Ricky on the apron, leading to an absolutely scorching Ricky hot tag. I like the Irwins. I don't know if they're actually good, but they read how I want a couple of bullies to read. They got big arms and big bellies and look like farm strong Moondogs, and they don't really need to do much more than that to make things work against a team like the Rock n Rolls. Ricky and Robert seem to work up to the Irwins (I mean literally, since the Irwins are big boys) and both tighten up their strikes so the size difference doesn't seem like a big deal. I was just tickled every time we could see Ricky on the apron, firing up the hot Meadowlands crowd (and really this had to be one of the first times the Rock n Rolls ever played in Jersey), throwing big punches from the apron, all leading to that hot tag. The hot tag even has my favorite Irwin moment of the match, as Ricky hits a cool crossbody on Bill and while pinning him, Scott just strolls over and kicks Ricky in the eye. Ricky looks so small compared to the Irwins but his power cannot be denied, he comes in and works absolute rings, throws these fantastic underdog fired up babyface punches, and wins with a cool slingshot sunset flip. Not an essential match, but delivered in the ways I wanted it to.

MD: On paper, I was really excited about this one. I got a kick out of early, early 80s (Dr.) Bill Irwin in Memphis footage, which was my first exposure to him, and I've always had a soft spot for the guy. If the Long Riders had teamed in the AWA a year or two before, I feel like they'd be much better remembered. This was just a cool, unique match up. It couldn't try to overshadow the Russians vs Roadies match that every single person in the crowd was there to see, or even the sheer heat (heel control might be a better term) of Slaughter vs Markoff/Zhukov that was higher on the card too, but it was still a really fun TV style match. Bill and Gibson had a really solid early exchange, one of the best I can remember having seen Gibson having actually. Scott was a really strong presence, using his size for the cutoffs. Really, both tag teams worked so well, the Express with their constant motion and quick tags, and the Riders just tearing at the Express like dogs with an axe to grind, taking every advantage. Gibson put on a strong performance as Face-in-Peril. The hot tag was hot. Morton was doing weird back bumps on his dropkicks. The finish was clever. It's really everything you'd want from a ten minute 1985 tag match. Good stuff.

PAS: I was totally into this. Rock and Rolls are my favorite tag team ever, and their legend has really been built against some signature opponents, so it is cool to see them work a new pair. I thought the Irwins were really good here, especially Scott Irwin who really came off as a violent force of nature, he had real explosiveness for such a big dude and landed everything with a thud. Morton was an awesome hot tag, he came in like an uncaged badger and really laid it in to the Long Riders. Really made me want to see a long feud between these two teams as they really meshed well.

ER: I actually didn't know that the Rock n Rolls are Phil's favorite tag team. The more you know.



Magnum TA vs. Tully Blanchard Pro Wrestling USA 12/29/85

ER: Like most of you, I'm a ranker. I don't know if I'm good at it, but every year I make ranked lists, favorite albums, favorite movies, favorite wrestling matches, favorite wrestlers, I like ranking. While watching a match - whether intentionally or not - I'll try to decide who I like most in a match, who's my favorite guy. It gives me a little framework for what I'm going to write about, and it's fun in a trios match as new guys capture my attention as a match goes on. And then you get something glorious like this and it is nearly impossible to pick a favorite, it's just 12 condensed minutes of the type of asskicking you watch professional wrestling to see. We get some hot as hell punch exchanges, and Magnum looked like an all time babyface superstar, like someone who was clearly going to be one of the biggest names in wrestling for the next decade. Tully knew exactly when to show ass and show his vicious side. He had a couple different very subtle weak leg moments, just absolute perfection, no stoogey Charleston wobbly knees, much more like when a fighter gets rung and you see a little buckle as they momentarily check out of our universe. He gets punched in the ropes by Magnum - short, violent, totally on point shots - and falls through the ropes onto the timekeeper's table, stands back up to the apron and gets rocked again, and uses the ropes to guide his butt down to the apron. 

Magnum's punches didn't really need much putting over in this match, but Tully did little things the entire match to make them pop even more. Both guys bleed, and we work a lot of this with minimal rope running. I think they really only used the ropes a few times, with TA springing off with a running punch, and later shooting Tully in for the belly to belly, so this felt more like a fight. Of course, both guys throwing fiery punches and elbows for 12 minutes *may* have helped with that fight feel. The pro wrestling integrated itself nicely, with Magnum hitting a gorgeous press slam and the ref wearing some Shinya Hashimoto flared pants, and there's officially just Too Much Good about this. I loved when Tully knocks Magnum to the floor a couple times (with simple, fast and hard bumps to the floor from Magnum) and when TA started crawling back in, Tully just scampered over on his knees and started firing short punches from the ring to TA on the floor. Tully was really great at scampering, really added to the pacing of his matches, and here it made him come off like a wounded yet still aggressive animal, shoving off to create space but always as a means to attack, not hide. The match wrapped up a little too neatly, which is really my only complaint, but I fully buy the belly to belly as a finish because moments before I fully bought a punch as a finish. The punches that happened all match long were great enough that I would have bought one of them merely falling over and getting pinned as the finish. Glory be to the Network.

MD: Keeping in mind this match's placement on the card and the fact it was going to have time limitations, if nothing else, the only thing that would have made this one even better was if Tully had worn an eyepatch. It was a hell of a house show sprint between these two, just turned up a couple of notches considering the occasion. This is only the second full match we've ever seen between the two of them and it delivered well enough to be considered the little cousin of the first. They went all out, beat the crap out of one another, each got revenge on one another, Tully, on the outside, for what Magnum had done to him at Starrcade and then Magnum, on the outside and inside both, for what Tully did to him here. With a definitive finish, this felt like a feud ender, a final bit of punctuation (an exclamation point) at the other end of the war.

PAS: What a present this match was. We have one singles match between these two, and it is arguably a top ten match of all time, so getting another bite at the apple is amazing. It appears that these two don't know any other gear then hellfire, as they lace into each other here with wild abandon. We get two sets of wild punch exchanging, and it as good as the best Lawler vs. Mantel or Dundee punch exchanges, wild swinging and landing. Magnum looks great here, dominating Tully, but leaving openings to take shots. Both guys bleed, both fight like their life depended on it. Great, great stuff and I was thrilled to get to watch it.


Original Midnight Express vs. Midnight Rockers AWA 12/25/87

MD: The 86-7 Midnight Rockers would probably be a lot easier to swallow if more of their matches were this heavily clipped. Michaels especially had a tendency of taking too much too early for far too long. The stuff that they did was often really good: elaborate, creative, hard-working and compelling (as was the case here with some complicated set up and payoff to specific spots with Condrey and Rose stooging like champs). There was just always too much of it. They gave the fans too much of it for free bleeding well past the point where the heels should have been making them pay for their insolence (to the point where they should have been bleeding). It all becomes noise after a while. Here, due to the clipping, it doesn't wear out its welcome. Without that bloat dragging it down, the shine is good and memorable, the heat's good and memorable, the comeback is spot on and the rush to the draw is fun. It's a shame we can't judge this one for what we got instead of what probably really happened.

PAS: It seems kind of crazy to have a southern tag go to a 30 minute draw. That is a match formula which is pretty foolproof, but caps out at about 21-22 minutes. I agree with Matt that the clipping might have been a blessing, we had some fun spots in the opening face control, I loved the spot where Marty blocked Shawn getting whipped into the corner with his body, only to have it backfire when Randy Rose tried it, and OMX were champion stooges. This match went more then ten minutes before any heel offense, and even the best stooges would have trouble filling that time. I liked the heel control section, both Rose and Condrey are pretty vicious, Condrey really ripped Michaels head off with a clothesline. Still when they got to the countdown, it felt kind of rushed, and they never really built to a compelling conclusion, it just kind of ended. I loved the Star as a spot in a tag match, but it should be part of the early face control stooge section not your compelling saved by the bell near fall. Match with fun parts that never really came together.


Greg Gagne vs. Curt Hennig AWA 12/25/87

MD: There is a time and a place where this match would be special, a lost match hinted and rumored at, where this would be the great find of the week. Unfortunately, it wasn't the AWA and it's not 1987. I do sort of love the atmosphere here. Larry the Ax being supportive of his son was well and good a few years earlier when Curt was an up and coming babyface. It's endlessly superior when he's the preening, cheating champ. Proud, heel dads are the best dads. The deal with the multiple refs, with Verne being tied to the Ax, with it being Christmas, with Greg having come so close for so long... all of this felt big and special. The wrestling itself was really good too, with each guy standing tall and hammering one another, and Hennig's bumps being ridiculous but adding to the total effect instead of distracting from it, and all of the limbwork giving this the gravitas and weight a title match deserved. It's just that it's the AWA and they can never get the big things right. By 87, Verne, who had been so good at eating up opponents in his home territory, couldn't even protect himself properly. He looked like a dottering fool as Larry cheated how he liked, punching the old man for getting in his way and breaking up the sleeper just like Verne hadn't been there at all. The post match was heated enough and this should have led to a geriatric mixed tag match (it led to a non-title cage match instead), but they definitely blew the landing on this one.

PAS: I thought this was tremendous, we don't have a ton of AWA Champion Hennig, but all I have seen is stellar, so much better then the Mr. Perfect run which he is best known for. Gagne was really fun, he looks like a schlub but is a pretty dynamic offensive wrestler and a good seller. The early exchanges almost looked like Tiger Mask stuff, with really big height on all the throws and really athletic counter wrestling. I loved Gagne hitting a big headscissors and crotching himself on the ropes on the second try, great set up for Hennig's leg work. Hennig takes a big bump of his own into the ringpost setting up Gagne's arm work. I would have liked to see a little more stealth in the finish, as a straight belt shot in front of the ref is a pretty unsastifying finish to a big title match. I thought the pull apart post match was pretty electric. Greg is bleeding, Verne is slinging the strap at both Curt and Larry, and Curt is breaking away from the wrestlers pulling him apart to wildly throw shots. Really should have sold out the next month with a tag or hair match or something.


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