Tuesday is French Catch Day: Leduc! Mychel! Dumez! Cohen! Montoro! Tejero!
Gilbert Leduc vs. Bert Mychel 4/16/73
MD: This is a rematch to a very good match from a couple of years earlier. Mychel was a two time Olympian in Greco-Roman wrestling. We come in late, maybe ten minutes in, but by this point, everything is gritty as hell and it never, ever lets up, not even once, over the next twenty-five plus minutes. One of the first things we see is Leduc powering Mychel over with the tightest cravat you'll ever see, just torquing his head around. As the match escalates, they'd escalate to throwing forearms, just pounding each other, both in holds and on their feet, but it never felt unsportsmanlike. It never felt craven or underhanded. It felt like exactly what they needed to do to contest each other. That was the level of skill and grit and determination and power and precision. They rolled around the ring, and it was everything Leduc could do to keep Mychel in a hold. Even with the slightly deteriorated film stock, you'd see it in his face, the exhaustion and frustration. He would catch him with a fake out, would take a leg, would snatch an arm, would get him down but there was no rest, no respite, no real control. Mychel was always grabbing for a limb, locking arms around a waist, and as the match went on, kicking or smacking, doing anything he could to escape.
Meanwhile, Leduc, even deep into his 40s, was an absolute warrior, always back up on his feet to fight, always pushing forward, giving his all to escape each hold, but sometimes not how he'd prefer. He was able to get his trademark headstand spin out of an arm puller, but for the headscissors, he couldn't manage it; they were just too tight. He had to squirm his way out through splitting the legs, through doing anything else he could. Maybe that's why he did strike first once or twice, but you never held it against him. It was what he had to do; the stakes were that high, his opponent that deadly. It was just business. Towards the end, he was the first to pick up speed, to escalate things further, but a high cross body went awry and he tumbled over the top rope. He climbed back in but was felled by three consequtive fall away slams by Mychel, able to pull himself up after the first two, but not the third. You can jump into any moment of this match and watch the two of them push each other up against the limit. Even when they were striking one another back and forth, they seemed to cut the gap so that they were almost face to face. There wasn't an inch of give there and there wasn't an inch of give anywhere else in this one. An amazing thing, maybe more so considering we've been watching Leduc go at it for almost two decades now and that he was able to create an equally exceptional but very different, gaga filled match when he teamed with Corn against Henker. What a struggle.
ER: We've seen a lot of stiff, well-executed matches in the 20 years of Catch, but this might be the match with the best fight feel we've seen. I don't think we've covered a French match like this. This felt like bad blood, but bad blood between two real entertainers. It all ended in Leduc being helped to his feet, but the 25 minutes before that sportsmanship was filled with potential hamstring injuries or broken jaws. This was Gilbert Leduc working as smooth as Santo but more violent than Finlay. Leduc's headspin escape should at minimum put him some sort of respected-in-the-right-circles Breakdancing Progenitor role. There was a real missed opportunity to have a Street Stylin Jacques Tati short feature with a Frenchman in a well tailored suit breakdancing on the L Train. Leduc could have started in a Spike Jonze video in a slightly different life.
But in this life, he's trying to break Bert Mychel's hands by snapping at them with his strong grip (see how vice grip Leduc applies a cravat and picture that grip pinching into your hamate bone. Leduc pounds Mychel's hand into the mat, knuckles going into the soft spot of the palm. Michael takes the hand breaking in stride and sees where Leduc wants to take this, and starts colliding with him on every strike. Once we built to strikes, I'm not sure there were any strikes that only made contact in one spot. They start throwing their whole body into uppercuts, throwing a shoulder into the clavicle while throwing a forearm across a length of jaw. As the striking got more intense, the matwork got more intense. Leduc had an escape where he grapevined Mychel's leg out of a hold and rolled through so hard that it made my hamstrings sore. And the more intense the matwork gets the harder the strikes keep landing. Mychel rings Leduc's bell with one of the loudest open hand slaps, and the crowd reacts in more of a DAMN! way than with pro wrestling heat. It all builds to Mychel fallaway slamming Leduc to death repeatedly, throwing him over the top rope to the apron, then throwing him more onto the ring until the ref stops the damn match. It's pretty incredible the different ways that French Catch has continued to outdo itself, and I don't think there's another Catch match like this one.
PAS: This was great stuff, it felt like a Billy Robinson or Terry Rudge match more than any other Catch match we have seen. We have seen other matches with great mat wrestling, and other matches with big striking, but this kind of hard gritty mat wrestling was a new thing. Every bit of grappling felt incredibly painful, and the spots with Leduc pounding Mychel's hand was iconically sick shit, it looked like he was torturing an enemy agent. Loved the finish too, with the multiple big fallaway slams. This footage just keeps delivering.
Maurice Dumez/Georges Cohen vs. Antonio Montoro/Anton Tejero 4/30/73
MD: I think we have four matches with Montoro in the collection. This is the last. He has a rep of being one of the best Spanish workers, up there with Aledo, and he's so good and so versatile in what we have of him, especially his 70s work, that you can really see it. If someone who had lived through this period and watched these matches told me that he was the best they'd seen, I'd believe it. We just don't have enough footage to make that claim ourselves. He's taller, lankier, but can keep up with everyone in rope running and quick exchanges. He's hugely imaginative, using the conjuro backbreaker, a ripcord into a spinning tombstone, complex and intricate rope-running spots. He works those spots into callbacks, winning the first fall with a leap back body press off the top and losing the second by having Cohen catch him while attempting the same move. He has just enough personality throughout it all, raising his hands to deny cheating, sneaking in shots, having his arms flail about as he's getting punched. He bases for all sorts of offense, including a really tricked out headlock takeover exchange by Dumez, and bumps all over the ring, including a mad leap backwards on a miscommunication spot where Tejero crashed into his gut to set up the finish.
Tejero, of course, given his girth, bumps like mad as well. Dumez and Cohen were more than up to the task to face them here. I wish some of the comebacks had a little more dramatic oomph to them, as the beatings were solid and the heat was good, but when they came, they came a little too easy and didn't have that perfect flash of lightning to make them possible. Still, you watch this and marvel that Dumez and Cohen could take and hit all of Tejero and Montoro's stuff and equally that Montoro and Tejero could take and feed for all of Cohen and Dumez' stuff. You can't fault a second of the action in this one.
ER: We did not have a 1973 match on our All Time MOTY List, and none of us have seen a better contender from 1973 than Leduc/Mychel, so that match is now our 1973 champion! Peep the rest of our All Time MOTY List at the link below:
Labels: All Time MOTY, Anton Tejero, Antonio Montoro, Bert Mychel, French Catch, Georges Cohen, Gilbert LeDuc, Maurice Dumez
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