AEW Five Fingers of Death 1/26 - 2/1

AEW Collision 1/31/26

Darby Allin vs Clark Connors

MD: I didn't write up Darby vs PAC. I should have but I was focused on MJF vs Bandido. That wasn't it though. There was something more. It was that belly-to-belly on the stairs. Every single Darby Allin match has a bump like that. Something that takes your stomach and shoves it up into your throat. He's such a good seller, such a good underdog, so credible with his timing and opportunism and fight, has such a connection with the crowd, that every single one of his matches probably doesn't need one of those massive exclamation points. There are going to be a lot of really effective, meaningful periods along the way. Lots of punctuation. But every match has an exclamation point or two.

That one struck me harder than most though. It reminded me of Foley going off the cell, actually. Not at all the same thing, but that's not the point. The point is presentation. It was visually ghastly, gutwrenching. It took me out for the rest of the match because all I could think about was the spot. It just ran through my head over and over. And it left me thinking "This won't matter in a week," and that thought made me frustrated, because it was special. Even within the confines of Darby's exclamation points, it felt special. Too special to just be thrown away. But that's what I thought was going to happen. It should be one of those things we're talking about ten years from now. 

Pro wrestling is about presentation. That's what Vince worked out back in the 80s and it's what carried him for decades. It's not just about presentation. But so much of it is. You can do the best work in the world and if the promotion doesn't present that work the right way, doesn't frame it in a manner that makes it feel important and that sets it up for success, then it won't mean nearly as much as it could. That's not the banal storytelling argument. This is actually something different. They turned Foley's bump into myth. Yet Darby takes a bump like that every few weeks. How do you square that circle?

Could it be instead that Darby is greater than the sum of the parts? That if any single part was raised to be too important then the whole might be diminished. There are people who will kick and scream if they ever see this sentence (thankfully they don't read my stuff) but in a lot of ways, Darby is the heir to Johnny Valentine. Valentine always said that people might think wrestling is fake but no one would think he was fake. 

We feel everything Darby does so acutely. We know it hurts. It's 2026. We all love and respect wrestling and we appreciate deeply the way wrestlers put their bodies on the line to create art for us to enjoy and engage with. With Darby it's different though. He carries with him that element of deathmatch realism, distilled into bumps. Yeah maybe they could protect themselves on X, but Darby? Not Darby. It's impossible. So he's the heir to Jeff Hardy and Mick Foley and ECW and Johnny Valentine all at once. That perfect package of size and shape and vulnerability and selling and bumping and grasping fight. But Darby Allin? Darby's different.

But still, when you have a bump like that, something so gripping and brutal and visual, where the angles are all wrong and the metal is unforgiving, and the jag fits right in between the vertebrae just so, you want it to be treated differently. You want it to continue to matter. You want the commentary to remember it and for it to be on highlight packages and in the opening to the show. It should live for years. If the production cares, then we can care and not just move on from it. It doesn't become crash TV or Excalibur using "But" or "and" to move right on to the next thing. There's a fine line between Vince thinking that pro wrestling fans have no memory for anything and the idea that it's worth it to immortalize things that can, do, and should matter to them with reinforcement. That's all selling is in the end, getting fans to buy in that things can and do matter. 

A lot of that is what I was going to say if I did write about the PAC match, and it's important I said it here, because they succeeded beyond my expectations in making that spot matter here against Connors.

They established up front that he had an alliance with Kidd, that he was there to make a mark against an AEW original, a perennial world title contender, the heir to Sting (let alone everyone else I mentioned). And the damage from the belly-to-belly was the perfect wedge to let him do it believably. 

If Darby was a crash test dummy of sorts, then Connors was an absolute wrecking ball. Darby came in with his back bandaged, and from even before the bell, Connors made it his goal in life to toss his own body at Darby, in some ways using Darby's favorite tactic against him. 

It started even as Darby was skateboarding down to ringside. He was there like a bull charging right into him. It continued again and again. He'd have Darby on the apron dangling and he'd just go headlong. He accomplished more with shoulder tackles than anyone in a decade or two. Darby would get a hope spot in, but his hand would clutch his back and Connors would charge right back at him. It was force vs object but both of them were moving in the most impactful way, a 21st century version of titans clashing, where things resonated not because nothing would give but because everything had to again and again.

And then they found themselves back on the outside and with the specter of the spot hanging above them, Connors went to double down upon it, tried to manifest it once again. He got greedy, hungry, possessed by the violence he had witnessed PAC orchestrate. Darby was ready, and literally used the steps to vault himself back into the match. There were bumps along the way but that was the beginning of the end, and he scored yet another mythic, impossible, gripping win. 

And yet. The one moment where Connors really shut him down, really took over? Darby had gone to the top and Connors (yet again) charged in. The bump Darby took, careening onto the apron and somehow managing to hit it multiple times on the way to the floor? An exclamation point in a sea of periods. The sort of thing that will stick with you, that should stick with you, that they should show again and again, that should be in an opening show package, that should matter next week. That should be used, just as the belly-to-belly was used here, to build something meaningful in the future. 

The problem of Darby Allin. Just how high can these towers of devastation get? All the way to Everest maybe. 

ROH TV 1/29/26

Athena vs Vertvixen

MD: Athena's entire rise was a Johnny Valentine moment as well. She had been transitioning from being a babyface, had dropped down the card, was on ROH, was up against Jody Threat in Canada, and she went hard against her. The clips went viral. Old timers and engagement accounts hoping to grift against AEW to make a buck and stay relevant leaned hard into their inherent misogyny and berated her for being careless, for not looking after her opponent in a way they never would if, let's say Lance Archer had a match like that, and she embraced it and ran with it, all the way to becoming one of the most engaging characters in wrestling. 

Wrestling shouldn't feel collaborative. It shouldn't feel cooperative. In 2026, the lean towards elaborate spots and counters and sequences have meant that all too often it does. 

That means if something goes wrong, it's jarring, and we're conditioned for the response to be consummate.

Athena, athletic, dominant, confident champion that she is, outwrestled Vertvixen to start. That confidence gave way to arrogance though, and Vertvixen turned it, both the wrestling and the mocking back onto Athena. Athena snapped, made use of her superior agility, and dropped Vertvixen's face right onto her knees. Vertvixen sold it hard, rubbing at her jaw and her nose and her teeth. There was the sense of something being slightly off as they didn't quite roll into the next bit of offense. In some ways, that's not surprising since Athena's so good at reacting and letting things sink in and resonate, but as an audience, we're used to specific timing cues and this felt just a little long. 

But then, instead of moving away from the potentially hurt area, Athena leaned hard into it, grasping the nose and whacking it. Before there was maybe the possibility of blood. She ensured the reality of it, and having done so, waved her bloody hand around to show the crowd. Aubrey was the referee and moved to get gloves on immediately even as Athena veered off course and into the wonderful world of woundwork. 

I have no idea what was planned and what was called. All I know is the effect it had on the audience and myself, the narrative power of something going off course and a heel pushing it even harder in that direction and reveling in it all the way. All I know is that the crowd, already inclined to get behind Vertvixen, got behind her all the more, and she came off looking all the better for fighting through the pain and doing some real damage to Athena long the way. And THAT in turn, made Athena's shaken confidence and deep anger down the stretch and especially in the post-match, set things up perfectly for Maya World and Hyan to run down to make the save and set things up for the big six-woman tag next week. 

Athena is always on. Athena gives herself completely to the role. But unlike most wrestlers, that doesn't just mean that she's reading her lines using as a method actress. It means instead that she's so tuned into who and what she's trying to portray that she'll perfectly take advantage of every opportunity that comes her way, and that, as much as anything else, is the true spirit of pro wrestling.

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2025 Ongoing MOTY List: Necro vs. Judge Dred

 

Necro Butcher vs. Judge Joe Dred SVN 10/4/25

ER: What a weird scene to be happening at what appears to be a classy Indianapolis wedding venue. Rows of Indiana deathmatch dirtbags watching ugly wrestling in a venue far too nice to be hosting what it's hosting. The conference room chairs look too new, too plush; the sconces, too upscale. Somebody had to tell lies to host a King of the Deathmatches here. The Fountain Square Theater knew they'd be hosting the Blonsky reception, but there is no way they knew they'd be hosting the MAGA Butcher. It was the dirtbags who knew. 

Necro gets a huge reaction, looking like Randy Hogan cashing in on indy Hulkamania, American flag Zubaz and Proud Boy Fred Perry, toothless sunken mouth that could make him good side money doing the Papa-Oom-Mow-Mow face for 1990s cranberry juice commercials. His brain has been fried by de-wormer paste while the grease congeals around it. When Judge Dred spits in Necro's face, we know it might insult Necro Butcher in practice, but we can rest assured that due to his beliefs he won't actually be worried in any way about disease communication. It's the perfect invisible shield to take with you into a Deathmatch tournament. 

The whole match is hilarious, until it's suddenly not, which makes it more hilarious. It's a Last Man Standing match and Necro works it with a slow, deliberate, minimalist style, like he's planning on going Broadway. He works small movement standing grappling, works a slow wristlock into a side headlock, works at that side headlock, Dred unable to push him off while Necro sinks it in. Necro does a double leg that leads to some so-so MMA mounted punches from both, and ends with Necro working a heel hook that he slyly transitions into an ankle lock. They are working single leg crab exchanges in middle of the ring in the middle of the King of the Death Matches. It's as if Necro is working someone's misinformed idea of what a death match might have been in the 80s. They get a lot of mileage out of a bodyslam on the floor. It's quaint, like they're working a death match for people who have never heard nor considered the concept before.....

That's when Necro hits a blade after being run into the ringpost, and blood starts getting all over the Square Theater's very nice chairs and there's just no way they could have been informed of this possibility. It's real nice color, running down his chest, and that color goes full Panavision when Dred breaks a bottle over Necro's head and cuts him 3x worse with glass. Not bleeding enough, apparently, Dred finds it necessary to throw knuckle punches at Necro's brow, widening the cuts on a man's face that was already completely covered in blood. As Necro is being punched around ringside he begins dragging a fan along with him, using this lad who looks like Will Ospreay's drunk and/or mentally disabled brother to hold himself up while taking punches. 

The match peaks when Necro, in the ring, kicks out at 2 without a single solitary soul near him, sitting up with two fingers held triumphantly to the sky. This man is fighting invisible enemies in the ring, raging against people who aren't really there but he's been convinced they exist, fighting mad as he reads another meme from LibcuckSlayer69 about the newest blue city that was burned completely to the ground. He takes a chairshot that is worse than the bottle that was broken over his head, leaving a huge bloody stain on the chair. He gets up at 8 and takes two more. The man who used to throw chairs harder than anyone at the heads' of men, has thrown no chairs and is now the target. But there is nothing left in his head, so he refuses to give up, fighting to his feet and punching through the next swing. 

If you want to know who the Real King of this stuff is, note that Dred held his arms in front of his face for both of Necro's swings while Necro hung his head out for half a dozen of the hardest swings anyone could throw. I didn't love Dred still getting to his feet first, but he is the one who got his arms up in front of chairshots. Him getting to his feet while Necro's brain damage finally reaches his diminished pain center makes some sense. Just because Necro no longer has his sense of smell, doesn't mean he can't still feel. 

2025 MOTY MASTER LIST

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Found Footage Friday: BREMEN '83

November, 1983 Bremen 

MD: We're a few months behind on the Germany stuff now and this is a Bremen November 83 tape that doesn't have some of the foreigner appeal as the 80 and 81 stuff, but that makes it almost all the more important to dig in and see what we get.

Indio Guajaro vs. Steve Paersey

MD: Paersey is Stephan Petipas (a Maritimes star). Guajaro could be a great stooge when he wanted to be. The first round is all him getting one-upped. He'd get thrown and then when he threw Paersey, he'd do a cartwheel. He'd get a top wristlock only to have Paersey take him over with a headscissors. He'd try for a monkey flip but Paersey would land on his feet and do one to him. The crowd was happy for all of it. Second round had Guajaro trying cheapshots or pulling the hair only for Paersey to get the better of him, including a recoil shot off the ropes, some big uppercuts, and stepping on his hair. Third round had Paersey hit a headbutt and take over with some mean stuff. Paesery came back and hit a back body drop and won it on that. This was a crowd pleaser that didn't outlive its welcome.

Wolfgang Saturski vs. Klaus Wallas 

MD: I mostly know Wallas from some mid 80s tours, but we do have other Europe footage of him. He was the heel here. This was chippy early with Wallas having an advantage (maybe not entirely clean) until Saturski dropkicked him out and did a Rick Rude like taunt (pre-dating Rude, of course). He ended the round with an endless full nelson slamming his head into the corner again and again. He took over in the second with a cheapshot in the ropes and controlled with bulldog like chokes and then ultimately a nervehold, slipping the choke back on anytime that Saturski tried to fire back, using the ropes when needed. Saturski had a big comeback culminating with him doing a catapult back off the ropes onto his knees and things sort of just petered out with Wallas deciding he was done and Saturski being declared the winner. They had the crowd but this ended up being a lot of the same with a few good moments.

Steve Casey vs. Dave Morgan 

MD: We come in JIP here. This is face vs face and they play into a lot of comedy bits where they roll around on pins or both pin each other and a very fun one where they do mares, hang on, roll around, and roll up the ref who was able to leap over them once but not twice. Good imaginative technical stuff all around. Casey hit a headbutt to the gut. Morgan hit his recoil headbutt in response. Casey won it with the arm drag slam out of nowhere after a few rounds of the back and forth. This was a fun one even if it never boiled over.  

Steve Paersey vs. Tony St. Clair

MD: Another gentleman's contest. Clean breaks and holding the ropes open. Cute exchanges early with cartwheels and rolls and placing the opponent to the apron either by lifting them or throwing one's own body. They moved into grittier stuff from there, with St. Clair controlling on the arm. That didn't mean we wouldn't still get the occasional cartwheel as he got out of the way to take back over a hold though. Overall, a lot of hanging on through attempts to escape like body slams, though Paersey finally got free with one to work the leg. St. Clair had a way of doing these sort of nonchalant nothing escapes where he just jammed a slam or popped out of a hold and it almost always got a laugh. Speaking of those, at one point, Paersey went for a roll up and St. Clair went right into lady of the lake position and got rolled around. Anyway, the tape cuts out right before a finish. This was fun overall but a little long, maybe wearing out its welcome just a tad. 

Dave Morgan vs. Steve Paersey 

MD: More of the same. Paersey had a spot he did where he tried to legdrop the arm and missed. He did it in the last match too. Fans seemed to like it. Second round (presuming we came in during the first) picked up the pace a bit. Morgan's recoil headbutt really is a cool spot because it's heatseeking. He won't just do it the same way every time but he'll go halfway across or around the ring to find you, hitting from all sorts of angles. He also had this sort of sweeping kickstand type kick I've never seen anyone else do where he brings the foot up and then back. Paersey just dropkicked him in the face for his trouble. Then Morgan returned favor with this really cool bit where he did the drop down and loop in like he was going to go into a cross legged headscissors and do a handstand but he just whacked him in the shoulders with his feet. Paersey somehow won this one with an atomic drop after all of that. This had sort of a WoS feel of course, but it was all a little looser, more of a house show, which makes total sense.

Mal Kirk vs. Rene Lasartesse 

MD: When I saw the card, this was definitely the weirdest looking match. What weird body types, Kirk lumpy and Lasartesse a skeletal figure, tall and looming. Kirk is the babyface and this is, of course, clipped to incoherence. A shame. We get a Kirk comeback which leads to Lastartesse escaping. A lot of action between rounds as music was playing which gave things a violent Benny Hill feel. Lasartesse takes some liberties on the outside and Kirk comes back in with a chair and clocks the ref with it and that's basically that. If we had more of this I bet it would have been interesting.

Steve Paersey vs. Klaus Wallas 

MD: I almost wish we could get this to Pettipas' family. He's all over this footage. And he's good. He really is. This was a draw. Wallas worked heel. He had a lot of stuff. A back brain kick, a neckbreaker, lots of chokeholds/chinlocks, a low blow down the stretch while he was being pinned and the ref was looking at the count, which you never see, and plenty of shots in the ropes. Paersay took it all well, had a great bump in the corner where he took a headstand on the top of the turnbuckle pad, mean comeback shots, and a good ebb and flow of working out of things and getting the crowd behind him. For all the matches to go long, this was a good choice. They had armwork and legwork that didn't really go anywhere but it was more about immediate comeuppance for Wallas than anything else.

Mike Shaw/Col. Brody/Wolfgang Saturski vs. Barry(?) Douglas/Tony St. Clair/Dave Morgan

MD: I'm not convinced all these names are accurate. This was fairly clipped too but it was novel for being a six man and for having Mike Shaw, who was already 26 or so. He was spry, had a decent sense of what to give and what to, and could taunt and work the crowd. This was chaotic and crowd pleasing for the most part. There was a fun bit early where the babyfaces traded off neckbreaker style holds one after the other. Brody got the biggest laughs/pops when he missed charges, first into the corner and later at someone who was tied up in the ropes. The babyfaces were constantly ending up beat down in the heels corner but then their partners would come in to toss the heels over the top. It was that sort of match but it cuts off before we get a finish.

Jon Harris vs. Wolfgang Saturski 

MD: This stuff is so stylized. Big sweeping, swooping folk hero wrestling. Just so over the top and bombastic with the shots. Everything is a big clubbing shot. Harris had an underhand sort of punch I've never seen before. It almost felt like the stooges deal where you hit the top of the hand and it goes all the way around to whack someone. They looked painful at times but not in conventional ways, but you just rolled with the fantasy. The crowd sure did. Harris got a few licks in but mostly he got his comeuppance again and again to everyone's delight. He'd get stuck in the ropes and charged at, catapulted back onto the knee, etc. Toward the end, after a round break, Saturski actually did the Franz Van Buyten bit where he launches himself across the ring to leap into a tencount position and I'm not sure I've ever seen anyone else do that. Anyway, this is one of those matches I'm going to try to force Eric to write about because he can do it more justice than I can. You wouldn't want to spend all the time with a match like this but it's fun to visit now and again.

Col. Brody vs. Steve Paersey 

MD: Brody looked very good here. The chain wrestling as they fought over arm advantages was excellent. Eventually it got more stoogy and Brody got comeuppance, but everything before that was slick. And Brody was quite the stooge (at least in 83) too, going over the top three or four times and the crowd loving it each time. He'd take liberties with a hairpull or cheapshot but the rounds nature of this meant that he never had advantage for long, even if they did get chippy between rounds once or twice. Things built to a big airplane spin which Paersey got the worst of (despite doing it) and everything spilling to the outside for some brawling and a slam as the tape cuts off. Nothing groundbreaking here but a very high level of craft and skill.

Dimitar Dimitrov vs. Dave Morgan 

MD: Excellent technical babyface match. These two were really going at it on the mat. I'd say this stuff would have stood up well to some of what we got from UWF the next year. Gritty, full of struggle, lots of clever technique and escapes. At one point Dimitrov put on a cloverleaf so quickly and from such an askew angle that you blink and you'd miss it. The roll up exchanges they did were really good because they were so deep. It didn't feel collaborative like almost every other roll up exchange I've ever seen. But they were also playful with the way they'd shoot an arm out to get out of a pin.Morgan showed a very different skill set than some of the other matches on the tape, even the clean babyface ones.They traded some great suplexes too including Morgan taking him over with a German that was hugely uncooperative and Dimitriv doing maybe the earliest fisherman's suplex I've seen? Finish had the first real rope running of the match and Dimitrov caught Morgan doing a leapfrog taking out the knee mid-air. He couldn't beat the count and that was that. There have been a ton of great spots and exchanges on this tape but you go so deep into these to find a match like this that no one would probably find otherwise. I did some digging and Dimitrov was "Don Kolov" who might have even trained Santino Marella? Anyway, I think this was a find.

Rene Lasartesse vs. Wolfgang Saturski

MD: Lasartesse is amazing. He's one of the only wrestlers in history that can get real true heat just by... walking slowly around the ring. And he has this sort of dispassionate passion. Saturski started the match by rushing over and clapping his ears and he was shocked but then decided to just ignore it, as if it was beneath him and it is its own form of selling. Then he did a bit where he hammerlocked Saturski and punched him in the gut and then pretended his own gut was hurt. That happened twice and then finally Saturski nailed him in the gut and pretended his was hurt and the fans loved it. 

Lasartesse has fascinating offense too. He uses every part of his body, slaps, punches to the gut, knees, kicks, stomps, chokes, but it all seems credible but also outlandish, like getting hit by a skeleton. His slap makes a huge noise. It's hugely credible as he's slamming Saturski's head into the turnbuckle connector over and over. Everything builds to him lurking behind Saturski in the corner waiting for the ref to leg him get his hands on him, lurking and lurking, a looming specter of death. Then Saturski gets him with the most obvious mule kick in the world in the groin and starts choking him with something (maybe the tag rope?) and the place goes nuts for it. Then he takes Lasartesse outside and starts hammering him (really hammering him) with the ring bell and it's quite the sight overall. Saturski apologizes his way back into the match but Lasartesse is able to take the advantage and tombstone him for the 10 count KO and boos.

Brody/Wallas/Guajaro vs. Gaetano/St. Clair/Rocco?

MD: We get a decent amount of this. It wasn't listed on the tape. We get to see all of the babyfaces play face-in-peril including Rocco which is just weird. Brody and Guajaro are experts at swiping at people from the outside which is something I think should happen more in six-man matches. Gaetano is a very interesting wrestler too as he has a lot of stylized flourishes but they're all a half step slow and sweeping and nothing is as tight as you'd want. But they're crowd pleasers. They did the bit where St. Clair grabbed Brody's mustache and Gaetano went off the top to whack it. Then he followed it up by making a hand-talking-yap-yap-yap motion to the ref when he complained which got a big laugh.The footage cuts after Wallas gets a cheapshot on St. Clair and then clocks him. Anyway, babyface Rocco is just strange (big corner bump and some nice missile dropkicks from him and St. Clair here, but strange).

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El Deporte de las Mil Emociones: Strong Punch

Week 57: Strong Punch

We saw Carlos Colon get the win against the savage Polynesian Prince in a barbed wire match and TNT regain the TV title against the man who put him on the shelf, one King Kong. We do have one other match we need to mention from the June 1 house show in Bayamon. Invader #1 faced Ron Garvin in a special challenge match and the match ended up going to a draw. Throughout the match there were a couple of instances where both Invader and Garvin looked to have the match won but circumstances caused the match to restart and then the time limit ended without a winner. As a result of this challenge match having no winner, the two wrestlers agreed to a rematch at Aniversario 91. To make it official, a contract signing aired on TV and things got heated when each man brought up the moment they had the match in hand.. The back and forth got a bit heated and then talk turned to who had the better and stronger punch. Again, the back and forth got a bit heated, leading to both men standing up. At that moment, Garvin surprised Invader with a punch right to the face. Invader went down and his nose was injured from the blow. As a result, Invader will have a bandage around his nose as he recovers from the damage Garvin's punch did. This has only added more fuel to the newly signed match for Anviersari 91. And there’s one more stipulation that will be added as a result of all the arguing over who has the better punch. In order to prove who has the best punch, Invader will be allowed to show up with his fist taped for the Aniversario match. The taped fist heart punch is the most dangerous move in Puerto Rico wrestling, so the stakes are high for that encounter.

Do we have any other updates for Aniversario? Let’s go to what's either the June 8 or June 15 west coast version of Super Estrellas to find out.

https://www.youtube.com/watch?v=SRMBHXeS91w

We join this episode in progress, as Eliud Gonzalez is in the Road to Aniversario control center. He’s just finished talking about Invader #1 (looks like he has a match for Aniversario) and then talks about the revenge match between Bronco and Skandor Akbar. They replay the fireball incident and aftermath. There’s also the match between Monster Ripper and El Profe, and we go to a recap of how this all started at Noche de Campeones. And if that’s not enough, we also have the feud between Billy Joe Travis and Hugo Savinovich, where we get the recap of the brief altercation and then Hugo getting Carlos Colon and Giant Warrior to agree to help him train for the match. Back in the control center, Eliud tells us that more matches will be announced soon and remember that you can get your tickets at Thom McAn (a shoe store chain) in the western region starting this Thursday. If you pay attention to the clips shown in the segment outro, you’ll see Ron Garvin decking Invader during the contract signing for their Aniversario match, which is what leads to Invader wearing a bandage around his nose for the next couple of weeks.

The control center is followed by an El Profe promo, where he again runs down Monster Ripper by saying that here in Latin America women are objects for men. We cut to a card rundown for the Aniversario show in San German and we can confirm that Invader #1 with his taped fist will face Ron Garvin. Also added to the card are the Caribbean Express defending the Caribbean tag titles against the Samoan Swat Team and Super Medico #3 defending the Caribbean title against Rod Price. Tomorrow (either June 9 or 16) they will be in Guanica with the following lineup: Invader #1 & TNT vs Polynesian Prince & Dick Murdoch; Giant Warrior vs. King Kong; Ricky Santana vs Rod Price; Miguelito Perez vs Action Jackson; minis in action; Huracan Castillo vs Billy Joe Travis; and Mr. Ito vs. Galan Mendoza.

Since this is the last we’ll hear of King Kong, I want to mention a memory I have that has to be from around this time period. It was a TV match taped in Miramar where Invader #1 faced King Kong. In a rarity, Invader #1 was wearing his mask in a singles match, so it's likely he was protecting his injured nose from further damage. The reason I remember this match is for the finishing stretch. Invader hit Kong with the heart punch, leaving him staggered but still on his feet. Invader then went to the middle turnbuckle and jumped off with another heart punch, knocking Kong down. Invader gets the pin and leaves the ring, but Kong remains down on the mat and you have the ref  and Akbar checking on Kong. The ref starts panicking and they have to revive Kong with chest compressions since he had sustained two heart punches. Kong is successfully revived and then leaves the ring normally under his own power, likely on his way out of the territory.  

MD: They start this episode recapping Akbar vs Bronco, Profe vs Ripper, and Hugo vs Travis. It’s wild that this is how they’re doing Aniversario this year. As we get there, I’m hoping Esteban can dig up some details about just how successful it was, because it is a bold strategy. It looks like, a month out, they’ve added Invader 1 vs Ron Garvin, Caribbean Express vs SST, Medico IV vs Rod Price, and Giant Warrior vs Murdoch. With Colon vs Bravo on top. It’s an interesting card to say the least. 

Meanwhile, the house show for the week had Invader/TNT vs Polynesian Prince/Murdoch, Warrior vs King Kong, Santana vs Price, Perez vs Jackson, Midgets, Castillo vs Travis, and Ito vs Mendoza, so that’s not really a bad card either all things considered. 

Invader IV vs. Ronnie Garvin

EB: We go to a JIP Ron Garvin vs. Invader #4 arena match and it wouldn't surprise me that this was signed after Garvin punched out Invader #1. If you'll recall, Invader #4 is the younger brother of Invader #1, so it stands to reason he is looking to get some revenge on Garvin. Hugo and Eliud on commentary say that you have to be very careful of Garvin’s punches. Invader #4 is the one in control when we join the match, having backed Garvin into a corner and getting some punches on him. It doesn’t last long and Garvin takes over with some punches of his own. A Garvin hip toss gets a two count, but Invader #4 quickly gets up and hits Garvin with some punches. Garvin is whipped into the ropes and is able to hold on to them, causing Invader #4 to miss a dropkick. Garvin immediately goes for the Garvin Stomp and then knocks Invader #4 out with a right hook to the face. Garvin gets the win and shows off his punching prowess in the process.

After the match, we go to taped promos from Garvin and Invader #1. Garvin wants it to be known that all he needs are his bare hands, he could probably kill a bear with his bare hands. Garvin promises that he will dismantle Invader in front of all the fans at Aniversario. Invader (with the bandage on his face) follows by saying that Garvin should be embarrassed for what he did at the contract signing. Invader understands why Garvin did it, Garvin was angry about the time limit draw and not being able to defeat Invader. Garvin asked for 5 more minutes, Invader gave it to him, and still Garvin could not beat Invader. When we signed the contract for Aniversario, you punched me and hurt my nose,but come Aniversario you'll have to show that you have the strongest punch. Remember, I'll have my fist taped and when I hit the heart punch on you Garvin, you will not get up.

MD: Despite being greyscale, I think this is new footage. Garvin doesn’t have a manager and Invader IV only showed up during the run of our footage, I think. At least with the gimmick. He pummels Garvin in the corner, really taking it to him. Garvin comes back with a headbutt but he can’t keep Invader IV from firing back on him. But Invader misses a dropkick, and it’s Garvin Stomp followed by Hand of Steel for the definitive and anti-climactic win.

Garvin cut a great promo about how while Invader will be coming for revenge (I have no idea what for but his nose is sure bandaged) and will have taped fists, Garvin will have bare knuckles and he could punch out a bear with his bare knuckles. Then Hugo translates while he shadow boxes and I am excited for this match already. 

EB: Hugo Savinovich is in training for his Aniversario match against Billy Joe Travis and here we have video of him being trained by Carlos Colon. At the end we get some words from an out of  breath Hugo where he thanks Carlos and promises to continue getting ready for Travis in order to teach him a lesson

MD: There are more than five minutes of this! Why is this so long! There’s a whole minute of just Hugo stretching. On the other hand, I can’t wait for part two of this if he’s being trained by Giant Warrior next.

Dino Bravo vs. Armandito Salgado

EB: Dino Bravo is taking on Armandito Salgado in Manati. Hugo apologizes for the black and white picture, this is how the match was filmed apparently. This goes as well as you would expect for Salgado, with Bravo making quick work of him and winning with the full nelson.

MD: Pretty effective squash here. He charged right in, punching him in the corner, pile driving him, hitting elbow drops. He was using the full nelson instead of the side slam so he couldn’t just finish him off. He instead tossed him out and had a nice entry point to the full nelson where he starts to whip Salgado out of the corner and put him right in it after a few steps. As effective as I can imagine from Bravo.

EB: Next is Billy Joe Travis with El Profe, and they just spend the time making fun of Hugo. It cuts to Profe’s closing remarks about how Dino Bravo will be the new Universal champion at Aniversario. Then Carlos Colon (from the track where he is training Hugo and with one of the Colon kids) has some comments, saying that his goal is having a convincing win against Bravo at Aniversario.

MD: Travis was sure having fun and Profe seemed to be having fun with him. He mocked Hugo, his training, his wife, all within the span of less than a minute. 

Rod Price & Action Jackson vs. Tito Carrion & El Corsario

EB: We go to another JIP match as Rod Price and Action Jackson are in the middle of facing Tito Carrion and El Corsario. Price and Jacksna are getting the better of Carrion and refusing to cover him for the pin, even after hitting a Doomsday Device. Price finally gets the merciful pin after a shoulder tackle. 

MD: I made the mistake of looking up Price and Jackson’s association because they were both GWF guys and they had this wild looking SPWF tour in 1996 against Yatsu, Teranishi and Poison Sawada. ANYWAY, this was brutal. A Price belly to belly (lifts up the opponent). A doomsday device (lifts up the opponent). A Price flying lariat (doesn’t lift up the opponent). 

EB: SkandorAkbar has some comments where he is incredulous that Bronco is daring to come back here after having been burned. Akbar warns Bronco to stay in Santo Domingo, because he has a plan to finish him off. We then get an interview from Bronco sent in from Santo Domingo, where he says he is recovering nicely although some burn marks still linger. Bronco urges the fans in the Dominican Republic and Puerto Rico to see some of the burns still on his face, so he covers up with a towel to remove his mask. We then get a still shot of the burn marks Bronco wanted to show. Bronco says he is returning at Aniversario, even if he is not fully healed by them. And he warns the president of CSP to make sure he has medics and emergency services on hand, because they are going to need them for Akbar once he is done with him.

MD: Akbar tells Bronco not to come back to Puerto Rico and that he has a back up plan, as always. Bronco looks cool as always (whether he’s lounging here or running in from the back in a suit). They do a deal where he takes off his mask but shields his face with a towel so they can zoom in on the burn. 

EB: The Caribbean Express have some words about defending the Caribbean tag tiles at Aniversario against the Samoan Swat Team. Pretty standard comments where they say they are training hard and promise to keep the belts. They also have some comments about their singles matches for tomorrow in Guanica.Hugo says he cannot be unbiased and he hopes Castillo teaches Travis a lesson tomorrow. 

MD: They were theoretically able to get over both the Profe and the SST matches here but they seemed to focus on the SST match more as Ripper didn’t talk.

EB: The episode closes with video of the barbed wire match between Carlos Colon and the Polynesian Prince. Hugo closes the show by hyping up the Friday Aniversario card in San Germana and tomorrow’s house show in Guanica. 

Now let’s go to the June 15  episode of Campeones, it's a cut down version of the episode with some repeat matches but let's see if there is any new news about Aniversario.

https://www.youtube.com/watch?v=rfCgFiiu8p8

Hugo and Profe welcome us to another edition of Campeones. Hugo immediately starts getting on Profe’s case about Anciersari saying Profe is going to lose against Monster Ripper. Profe plays it off saying that he will be the one doing the beating. Hugo says that women are to be respected, Profe responds with ‘What lady?’ Hugo mentions what we'll see on today's program, while also reminding viewers about the upcoming Aniversario 91 on July 6 in Bayamon. Tonight they will be in Carolina with a main event of Carlos Colon vs the Great Kokina (looks like they’ve brought in another monster to try to derail Carlos before Aniversario). Profe reinforces that point, saying he doesn't care if Kokina wins tonight, Kokina is here to destroy Carlos Colon. Profe warns Carlos to not show up tonight and laughs when Hugo says they better be careful, because El Ejercito de la Justicia is ready and may decide to send them to the hospital instead. Also tonight we have Dino Bravo vs. TNT and Invader #1 vs. Polynesian Prince. With that let’s get to our first match (courtesy of El Profe’s magic finger).

Rod Price vs. Mr. Ito

Rod Price is taking on the newcomer known as Mr. Ito, who you may better know as Akira Nogami. Mr. It looks good in the early going, hitting some nice dropkicks that send Price to the outside of the ring. Price tries an armbar and Ito works out of it. Price turns the tide by hotshotting Ito on the top rope, allowing Rod to control the next portion of the match. Ito is not easy to put away, and a missed change in the corner gives Ito an opening to come back with some nice kicks. Some mounted punches and a spin kick follow and it looks like Ito has momentum on his side. Akbar gets involved however by grabbing Ito’s leg when he’s coming off the ropes. The distraction is enough for Price to attack Ito from behind. One shoulder tackle later and Rod Price gets the win.

We then go to the Aniversario 91 control center, but it unfortunately is edited off the version we have video for.

MD: Ito is Akira Nogami of all people and this was a solid TV match. He’s babyface here and controlled early with dropkicks. Price stalled until he was able to take over with a cheapshot and as always has a lot of “stuff.” Belly to belly suplex, press slam, vertical suplex, with punches and occasionally cutting off hope chopping from underneath. Ito kept kicking out and was able to get out of the way of a corner charge to take over with kicks in the corner. Akbar caught his leg off the ropes though, letting Price hit a flying shoulder tackle for the win. A good way to spend five minutes or so.

EB: The rest of the episode’s matches are ones we do not need to cover since they are the Garvin vs. Flair cage match from JCP…

MD: I guess it’s nice we now have a version of this match commentated on by Hugo?

EB: And the Colon vs. Murdoch barbed wire match from early April. We also have a promo from Skandor Akbar with the Polynesian Prince, whose opponent tonight is Invader #1.

MD: Prince is definitely committed to the gimmick. You can’t say he’s not. He’s biting at the air and making faces as Akbar talks and it’s quite the scene. 

EB: We also get a brief clip of Eliud Gonzalez in the control center that is in between segments of the Colon vs. Murdoch match. Eliud runs down the matches signed for Aniversario 91 and mentions there is a change to one of the matches. The match in question is Giant Warrior vs. Dick Murdoch, it seems that TNT has asked Warrior if he would team up with him to face… and the clip cuts off there. Guess we’ll have to wait until next week to find out what the match is instead. The real reason the Warrior vs. Murdoch match was changed is due to Dick Murdoch having signed with WCW. Hugo and Profe close the show by hyping tonight's card in Carolina with a main event of Carlos Colon vs. Great Kokina.

We'll finish off this week’s post with footage of the Dino Bravo vs. TNT match from June 15.

TNT vs. Dino Bravo - June 15

https://www.youtube.com/watch?v=NY8RsFYAYgE

It's only a short clip of the match since this is taken from a  TV episode that aired some months later. They show TNT hitting his shoulder on the post when missing a corner charge and Bravo takes advantage by working over TNT’s shoulder. TNT gets a hope spot with a sunset flip, but Bravo knocks TNT down with a clothesline and continues attacking the arm. TNT gets another comeback, but a missed spin kick allows Bravo to lock in the full nelson. TNT submitted due to the hurt shoulder and a big win for Bravo on his way to Aniversario 91. . 

MD: We get the last four minutes of this. TNT misses a corner charge and Bravo works over the arm. It’s not exactly impressive armwork but it’s fine. Varied even if none of the holds look great. TNT comes back and Bravo feeds well for it. He misses an elbow drop as well. But TNT misses the spin wheel kick and he gets a clean win with the full nelson. I get putting him over so strong going into Anversario but usually this would have a distraction or interference. That made me realize I don’t know who TNT is actually facing at Anversario.

EB: Next time on El Deporte de las Mil Emciones, we are in the final stretch of the road to Aniversario 91. Giant Warrior helps train Hugo, we’ll cover some matches that happened during the latter half of June such as Invader #1 teaming up with Mr. Ito and Carlos Colon vs Great Kokina in a steel cage, and the final hype for Aniversario 91 as we get some feud recaps to make sure we know how we got there.

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80s Joshi on Wednesday: Jackie! Rimi! Nancy! Ayumi!

Disc 2 

4. Ayumi Hori & Nancy Kumi vs. Jackie Sato & Rimi Yokota 1/6/81

K: This match is Red Phoenix vs. Dynamic Jaguars, i.e. the two babyface factions going up against each other. I noticed at the entrances that Ayumi Hori is now being billed as ‘Super Jumbo Ayumi Hori’, she’ll get her name changed to Jumbo Hori soon after this.

This is worked a very fast pace, certainly unlike most wrestling of its time. But what also stands out about it is despite that, it’s still quite mat-focused and they get a lot of movement out of struggling for holds. There isn’t much targeting of a limb over a long period, it’s more that they just grab at whatever they can when they get an opening and improvise from there. There are some patterns though which fit the wrestlers we’re watching. For example Rimi is a lot more ferocious than Jackie and likes to come in all guns blazing hitting fast offense from the get go, whereas Jackie is more content to take control with an armbar or something. But Jackie comes across as the better wrestler here as her approach actually does work the vast majority of the time, whereas Yokota sometimes overextends herself with her flying around and throws momentum to the Red Phoenix team when one of her moves doesn’t hit. 

Likewise, Hori is clearly presented as the weak link in her team. Her size does come into play a few times, for example it feels like she was only able to counter one of Jackie’s headscissor takedowns because she was physically bigger rather than her having much technical skill. But that’s all she really has to offer here and so spends most of her time on the defensive or trying to tag Nancy back in so they can get back into the match. I did enjoy her cocky smile squaring up to Jackie though, like she really thought she was in with a chance there before Jackie wrenched her shoulder out and started running circles around her on the mat with impressive ease.

Jackie isn’t able to do this so easily against Nancy though. When we restart for the 2nd fall things are pulled back and they do a really good Greco-Roman style struggle. Nancy actually gets the better of Jackie in this, one clever more is when they’re on the mat she pushes her knee against Jackie’s chest for extra leverage in pinning her down. Jackie backs into her corner to allow Rimi to tag in, and we get that contrast again when Rimi charges in trying to beat everyone up at once, looks amazing for a few seconds before it backfires and now Red Phoenix are back on offense. Whichever way it goes for her though, Rimi is a thrill to watch.

The 3rd fall is a bit slower worked than the previous two, I think they convey well that the battle has been taking its toll. Hori did sell her leg a little bit earlier on but not much amounted to that until here, where we get a protracted stretch of her leg being worked on is cut off from tagging Nancy in because of it. She even gets a bit of shine here in being allowed to sell. The finish, this is going to sound like I’m being “early 2010s WWE fan” funny here, but I have to describe it as Ayumi Hori hits Rimi Yokota with an Attitude Adjustment, then picks up Rimi to hit a 2nd one but Rimi does the CM Punk counter of landing on her feet and pivots into a quick rollup for the win. 

***3/4

MD: I’m pretty sure Hori and Yokota were tag champs at this point which is interesting given the factions. We don’t usually get to see the wrestlers coming down to the ring up to this point, so it’s nice to see Jackie slapping hands and what not. She’s leaning hard into the Jaguar theme with one on the back of her coat and the pattern worked into her gear. Kumi and Hori have blue matching coats so not rocking the Red Phoenix literally.

This was action packed right from the start. It was driven pretty well by the contrast between the four. Kumi and Yokota were explosive (with Yokota more so). It doesn’t mean Yokota wouldn’t pick up even Hori and drop her on her face, but they were more likely to just throw themselves at their opponents. Jackie and Hori leaned more on dominant strength. This was the biggest I’ve seen Hori work so far though she might have been too giving at times. In general, though, there was a sense that she was a mountain to be climbed, a problem to be tackled, though Jackie was so often up to the task. When things picked up at the end of they fall, they really picked up, which was saying something given the pace up til then. Jackie survived a front flapjack by landing on her feet and immediately headscissored Kumi over, following it up with her slingblade type neckbreaker drop whip off the ropes and her belly to back drop. Yokota came in with her press up vertical seated sentons off the rope and things kept swirling faster and faster until Jackie slammed Kumi and Rimi hit her triangle ricocheting splash off the turnbuckle pad and Jackie finished her off with her bodyslam backbreaker. It’s all a lot and was a lot within the span of seconds really, but it was very exciting stuff that didn’t feel weightless or tacked on. It felt more like a fast break from a couple of great athletes. 

Second fall started with some really nice close-up struggle as Kumi was able to turn a test of strength around on Yokota by pushing her over with the knee. From there they worked her over, almost leaning heel in their aggression. She was able to slip up out of a pin with a shocking bridge to get the tag to Jackie and everything broke down into chaos on the outside after that. Everything comes back together for Kumi and Hori both putting on figure fours (again, struggle: hori has to really kick at Jackie to get it on) and then Yokota has another electric comeback and they head outside again and the match has sort of lost the plot even if it’s all very exciting. They do find it again as this leads to Kumi beating the count to take the second fall.

Third fall has some struggle (very good stuff with Jackie fighting for every inch) to start before things settle down for very nasty legwork on Hori. Yokota just stomping on it looks absolutely brutal. But none of it matters because once she makes the tag, she’s fine. Finishing stretch has more beating on Yokota until she starts to cartwheel and bound and every time she does it, you have to pause and go back and see it three times because you almost can’t believe your eyes, even with footage from 45 years ago. Hori catches her after the first but then she bounds out of a FU attempt and wins with a roll up. I don’t 100% know what’s coming, but given how she’s come along and what she can do, I can’t wait to see where Yokota is at this point in 1982 for instance. Lots of good action in this one even if because of the length and the lack of a clear heel, it did sort of go all over the place. The Jackie/Rimi team is something special given their differences and strengths.

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Tarzan Goto is a Survivor in Love Again

Tarzan Goto/Shinigami vs. Yuiga/Drake Morimatsu Yuiga Produce 10/30/04 - GREAT

PAS: Yuiga is a Kurisu trained Joshi wrestler who started in Neo and just kind of hangs around Japanese dirtbag indies for 20 years or so. She had both teamed and wrestled against Goto a bunch before and it makes sense she would want to have him smash her with barbed wire boards in the main event of her produce show. Shinigami and Morimatsu were around and did some stuff, but this was pretty focused around Goto's shambling menace and Yuiga using her Judo to try to avoid blows and throw him. There were some stiff shots, Goto using his size and a couple of cool throws, plus it looks like it was in a industrial warehouse used for human trafficking which is a great look for a sleazoid Japanese indy match.

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AEW Five Fingers of Death (and Friends) 1/19 - 1/25

ROH TV 1/22/26

Adam Priest/Tommy Billington vs Premier Athletes (Tony Nese/Ariya Daivari) 

MD: Wrestling isn't math.

Sometimes, though, it can be a book report.

Everyone rushes to make things quantitative, to bestow star ratings, to rate things next to each other. 

I care a lot more about understanding, about categorizing, about yeah, analyzing. That's not about scoring on points having to do with excitement, execution, innovation so much as breaking down the narrative and try to figure out how it ticks. These things can go hand-in-hand. You can use this to judge a match but that's not usually my intent. 

So we're going to do something a little different this week. We're going to look at a match through a narrative framework.

I'm not saying you can do this with every match exactly this way. I'm not saying I do it with every match automatically, though my brain is wired now to be thinking about some of these things as I watch, sure. 

This works well for a southern tag (the most beautiful form of pro wrestling there is) but for other things, be it face vs face matches or matches from cultures that structure things differently, the hinge points that still should exist are transitions or momentum shifts. Not everything will fit neatly into a three act structure but there still should be act breaks if you can figure out where to find them. Otherwise, it's just all noise and the match is probably not going to be very satisfying even if it might be sensational.

Pre-Match: This covers entrances, talking on the way to the ring, inset (insert?) promos. There's a lot to see here. It matters how people come down to the ring. It sets the stage, creates a mood. We're going to cover a 1981 joshi babyface vs babyface match later this week and to see Jackie Sato grasp people's hands on the way to the ring and understand the connection she had with the crowd relative to her opinions gave some insight into the match itself and to how the crowd reacted. We're the blind man touching the elephant and every data point helps.

Lots of data points here. Athletes are out first with Sterling putting over their relatively new heater, Stori Denali as she towers over everyone. He gets some cheap heat talking about local sports, hypes everyone up to shout Athletes Rule so that they can shout Athletes Suck instead. These guys were getting booed anyway but there's no question now. They look like a unit with matching red boots even if everyone's stylistically different in other ways with their own flourishes.

Priest/Billington are out to Billington's music, reddish matching tights, a tron that just focuses on Billington. We get an inset promo with Swirl and Lethal, Lethal having turned on Bandido, and Billington/Priest by proxy a few weeks ago. Lethal says they're done. Christian says they're not. A little wonky. As that's happening, they're moving down to the ring with haste and energy, Priest hyping up the crowd.

Code of Honor: Here's a bonus element just for ROH matches. I love the Code of Honor. It's a mandatory handshake before a match but it forces an extra character moment to set the stage right at the start of the match. Athena always puts a dainty left hand out to insult opponents for instance. Sometimes she clocks someone as they shake, sometimes she doesn't, but that tension is always there. It's an opportunity and while you need a baseline of straight up shakes, it's to a wrestler's detriment if he or she doesn't make the most of it.

Adam Priest absolutely makes the most of it. He tells you almost everything you need to know about him in the span of fifteen seconds. He gets right in Daivari's face, putting his hand out. When Daivari just stares him down he shoves him and puts the hand back out. He's got a chip in his shoulder, full of babyface fire. He's hungry and won't be denied. Daivari on the other hand is a vet's vet, just like Nese, and he has his own pride, and in the face of that challenge, he doesn't back down, but does show a modicum of respect, slapping Priest's hand to complete the Code. Again, fifteen seconds, but they set the stage immediately, making the most of it.

Feeling Out/Shine: They're still fleshing out the stage. It's Act 1 of a play, introducing the characters, setting, and the "normal world." Who are these people? What makes them different from each other? Why do you root for the babyface? Why do you boo the heel? If the match was going to play out with everything fair, everything normal, what might it look like? There may be a "false heat" of sort where it seems like the heel is getting an advantage, but then they get comeuppance. 

Priest and Daivari start with chain wrestling focused around the arm. Daivari is the early aggressor but Priest is ultimately able to turn things around and win the exchange, pumping his arm as the fans chant "Athletes Suck." Daivari presses him into the corner (since he couldn't get an advantage cleanly) and he and Nese double clubber before calling for an Athletes chant (they get "Suck" for their trouble). Billington manages a blind tag off the ropes and they hit a slick drop toe hold/elbow drop combo before controlling with the arm and quick tags for another couple of minutes, until Nese is able to get back in and has a nice rope running exchange with Billington leading to the...

Transition to Heel Offense/Heat: Transitions are everything. They're the act breaks, the change that we see in the world. They're the shocks to the system that grasp you as a viewer and change the course of history. They should be clever but definitive, not mushy and unclear, but also earned and believable. A kick to the gut out of nowhere doesn't generally cut it. That's not enough to change history. Something too far the other way is going to feel more like a process than an exclamation point. Sometimes that can be okay but it means you're telling a different sort of story and need to insert more nuance. 

They did an excellent job here. Nese and Daivari are very good at layering these things. Here Nese succeeds on a dropdown, throwing Billington off balance. Is a dropdown a trip? Is it just getting out of the way of someone running? It's pro wrestling. It can be either or both. It doesn't necessarily matter what the original intent was. Here it does throw Billington off and Nese charges right in behind him to clip the legs in the ropes. He goes to drive Billington into the barricade. Billington fights him off. Daivari comes to help. Billington fights him off too. Thus distracted, Nese is able to toss Billington into the hard ring apron shoulder first and then, as Nese rolls in to distract the ref, Daivari and Sterling are able to stomp on him. It's a great transition because it caught everyone by surprise, because it clearly leaned hard into character: Nese was opportunistic and underhanded, Billington valiant, and it led to a bit of cheating to show the difference all the more clearly. 

Heat/Hope Spots/Cutoffs: Again, wrestling isn't math and there can be differences in ratios here. Some of the best tags of the 80s have long, long shines where the heels get their comeuppance again and again and relatively short heats. To me, it's just basic narrative logic to have a longer heat where you're building up pressure more and more for a hot tag and getting the fans wanting it more and more.

It's good to have a singular narrative focus and they make use of the arm here. Billington's arm was thrashed on the apron. It gives Nese and Daivari a target to attack and gives an "out" for why Billington can't come back even though he's trying his best. He goes for punches or forearms but the arm gives way. He reverses Nese and puts him into tombstone position. The arm doesn't let him hit it. Hope snatched away. The Athletes get showy and cocky building to Nese missing a moonsault, but he's able to make the tag and Daivari cuts a crawling Billington off with an elbow drop. All of this builds up the pressure.

Transition to Hot Tag: again, transitions are inflection points, shocks, the world changing, act breaks, the most important part of a match past maybe the finish. This is the moment the crowd has been waiting for, what they had been hoping for. The inversions have already come with the hope spots and cutoffs, but this is one last chance to either be definitive with it or string a last series together.

Here it's basically just a double down after Daivari and Priest both go for clotheslines. Important is that Nese is still reeling from that missed moonsault (though that's just an extra detail for why he can't disrupt things, but the Athletes are so good with details). Simple, straightforward, as Daivari crawls towards his corner to find no one there and Billington finds exactly what he was looking for in Adam Priest. But it's art so it's subjective, right? You could say that even though Daivari had a clear moment of control (ball possession?) after the elbow drop cut off, that the key inflection point was the missed moonsault and everything after that was the Athletes losing control. It's interesting to think about either way. Again, not math.

Comeback/Finishing Stretch: Another place where you can separate more or combine if you want to, however you'd like to think about it. In modern wrestling, they're so stuck together that it's hard to differentiate. The comeback generally leads to pin attempts and break-ups and things ebbing and flowing towards a finish. In modern matches, you often get a really extended finishing stretch that can be as long as half the match where everything breaks down and you get constant spots/action for long minutes and I am not a huge fan of that. But yes, the babyface who got the hot tag comes in a house afire (of fire?) and releases all that pent up pressure and they start laying down false finishes to build to however the match is going to end, ideally raising that pressure back up for the finish.

This was a particularly great stretch because it was less about big moves and kickouts (or break-ups) and more about playing with conventions and expectations. We're all trained to know the various ways a match logically tends to end and this didn't just give us big moves but narrative beats where endings could happen only to snatch them away and build to the next one.

Priest led off with what would be the comeback phase. He had some great signature offense, mowing down Daivari as he fed for him but then catching a foot and turning it into a German Suplex and leaping off the turnbuckles with a tornado DDT after he shoved off Nese who was trying to stop him. This was disrupted by a Daivari small package attempt, which you can note, if you want, where things shifted from comeback to finishing stretch (though again, it all blurs).

What followed was a series of false finishes, a double submission by the babyfaces, Sterling causing a distraction on the apron, heel miscommunication, Nese pulling the rope down, a kickout after a heel double-team, more heel miscommunication and Priest locking in his half crab, Denali using Billington cutting off Sterling's second attempt at distraction to chokeslam Priest (pin broken up by Billington), and then finally, after Billington cleared Daivari out to hit a dive and make it one-on-one, Priest reversing Nese's pumphandle driver finisher into a roll up for the win. Just a very clever and self-aware sequence of not just finishers or moves, but coded moments that we have fans have been conditioned can understand could possibly lead to the end of a match. It had me on the edge of my seat at least as after the double submission, almost anything that happened could plausibly lead to a finish given our understanding of pro wrestling.

Post-match: This is where the finish sets in and resonates. Maybe the heels get their heat back. Maybe the babyfaces run them off. Maybe they celebrate with the crowd. Maybe the commentary just takes things through the replay and cements the message of the match.

Here the Swirl came out to ambush and the Athletes joined in. The babyfaces won the battle but lost a bit more in the war, giving them plenty of places to take things moving forward.

Pre-Match, Feeling Out/Shine, Transition to Heel Offense, Heat/Hope Spots/Cutoffs, Transition to Hot Tag, Comeback/Finishing Stretch, Post-Match. In this case there was the Code of Honor as well, which fits in between Pre-Match and Feeling Out/Shine, and could probably be part of the latter. It's a useful framework to think about how matches are put together and how they work narratively. Not every tag match is going to follow it. A tag may have double heat. You may get a "Things Break Down" period after the hot tag that's so lengthy with so many momentum shifts that you may want to try to organize it some other way. If you're watching an All Japan tag from the early 90s, it's much more about specific match-ups and hierarchy. Lucha manages ebbs and flows differently and I wrote more about that here years ago. But in all of these cases, you're generally looking for transitions. Those are your anchors to breaking down a match.

And of course, you don't have to do any of this. You don't have to think about matches this way. You don't have to engage with wrestling this way. It's art. You can just sit back and consume it. But I know that I personally enjoyed this tag, which was very good, all the more for engaging with it and thinking about it through this lens. 

Did I give it a star rating? No. But by breaking it down this way, I pulled out a lot of what made it stand out and pop for me, at least from a storytelling perspective. There are lots of different ways to engage with wrestling (and art in general). Try to explore and figure out what works for you, even if it doesn't necessarily fit into some of the quantitative boxes others have traditionally used.

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Found Footage Friday: WRESTLE YUME FACTORY~! KITA KANTOU GROUP CUP TAG TOURNAMENT~! ABSOLUTE KILLERS~!

4/29/97

This show is available from @itako18jp on Twitter who is really doing incredible stuff making this incredible rare footage available. Send him some money.

Azteca/Basara vs Tadahiro Fujisaki/Wolf

PAS: I am going to forgive a lot of sins if you just lay it in violently, and all four of these guys are wrestling like 90s indy puro guys. Fujisaki is the young Fugo Fugo and he brings the violence even as a pup. Real thump on all the forearms and kicks from all four guys. There was one bad looking whiffed Azteca kick which The Wolf sold anyone, hope Fujiwara cussed him out backstage for that, but otherwise everything looked good, and Basara especially had a sick run of nasty offense near the end of the match. The way you want to start out a tag tourney for sure. 

MD: You do sort of spend the whole match waiting for Basara to get back in and then when you do, you're rewarded for it. He's basically Super Strong Machine with a beard on his mask and slightly different, but just as impactful offense. He came in, absolutely trucked Fujisaki with three of four huge and nasty power moves like a waterwheel slam and power bomb before crushing him with a frog splash only to get rolled up quickly to end it.

Before that, you had a long stretch of Azteca vs Wolf and they were matched up well, taking it up and down with gritty matwork, pretty nasty kicks (some that hit far better than others) and just enough flash, Azteca's somersault senton and Wolf's spin wheel kick in the corner, for instance. Pretty fun way to start this thing off, even if I miss Basara already.

ER: The first thing you notice about Basara is his excellent mask, with long mustache and billy goat's beard like he's the Lorax, or a shabby Pei Mei. Then you notice that he's wearing capri tights, and has an upper body that looks like baby Masa Saito. Any Japanese wrestler who opts for the capri tights is automatically one of the most dangerous men in the room, but add in a budding Masa Saito body and you know they're a menace. I liked everyone here, thought each person brought something. Azteca and Wolf were near style mirrors, throwing kicks with similar speed and style and each having their own way to work a headscissor. Azteca threw a KO kick a foot over Wolf's head, which was really the only misstep, but I also liked how Azteca sold Wolf's kicks more than Wolf sold Azteca's. Wolf had a spinning heel kick in the corner that landed with real thump, and his high bridge fisherman's suplex looked so good and had such a tight grip that I bought it as a nearfall. But this match was all about Basara's hot tag, where he simply entered the ring and forced his will on Fujisaki. Headbutts, a sidewalk slam that looked like he was aiming to concuss, a senton that aimed to land as heavy as possible, and a frog splash that was big enough that it felt like a finish. I liked the real finish, where Fujisaki reversed a vertical suplex into an inside cradle, because Basara looked like he was really straining to complete his suplex while Fujisaki was weighting him down into a cradle, believably dragging him down into a loss. 

Kamikaze/Masakazu Fukuda vs. Hiroyoshi Kotsubo/Masayoshi Motegi

PAS: Another fun WAR tag with really stiff guys working stiff. Kamikaze is just a super fun wrestler to watch, and he especially turns it up at the end, with a really nasty stiff clothesline and a bunch of tubby highspots which landed hard. The Motegi and Kotsubu team is a bit generic, but work and land hard. They definitely put the right team over though. 

MD: This was good from bell to bell. I thought Kotsubo and Fukada worked especially well together, lots of tricked out reversals including one great fight over the arm at one point. Motegi asserted himself the most, taking over pretty much every time he came in, though they were able to isolate his leg and tear it apart a bit mid-match. There was one slap fight between him and (I think) Fukuda and I could have used more of that, especially since the only match with him. Fukuda and Kamikaze opened things up with basically the first real double team flurry of the match to pick up the win on Kotsubo.

ER: I'm kind of used to Motegi being one of the guaranteed worst guys in any given match, which isn't even so much a diss to Motegi, but more that he is often in matches with more interesting guys. Here he looked like young aggressive Rusher Kimura and was teamed with a real punk in Kotsubo. Kotsubo was super aggressive on the mat and worked holds like a bully, flattening guys out just to punish. This got real good when Kamikaze stopped being a pushover and started throwing Kawada kicks at Motegi's forehead then kicking him straight in the kneecap to drop him. He was really bending Motegi's leg on a kneebar, and that knee work came back spectacularly late in the match when Kamikaze broke up a bridging German with a sweeping kick to take out the bridge and make Motegi yell. Motegi made this great one legged tag out, throwing a knee and pushing off his good leg to leap toward Kotsubo, and Kotsubo came in and immediately threw a backfist at Kamikaze's cheekbone, demanding the weaker Fukuda tag in. Kotsubo's victory roll triangle on Fukuda felt like something he really should have been reserving as a finisher, but it was no doubt cool as hell. Motegi takes a Kamikaze clothesline the way Rusher would have, and him getting blown up by that clothesline makes his crucifix reversal of Kamikaze's next clothesline even better. I bit at that nearfall for sure. The ending was tight, real smooth, with a Kamikaze corkscrew senton straight into a Fukuda top rope double stomp, straight into a Kamikaze moonsault. Each of the three hit flush, and Kamikaze's sitout powerbomb was strong. 

Ryo Miyake/Tarzan Goto vs Shigeo Kato/Shinigami - EPIC

PAS: This match was really awesome, pretty classic Japanese tag structure with a veteran teaming with a younger protege. Goto is the perfect guy to be a  veteran mauling a younger guy, and Kato shows a lot of fire, including a great looking dive over the top rope. Goto also does some fun work stomping and punching Shinigami's claw hand.  Miyake has a generic look, but puts some really thump behind everything he threw. Great greasy diner version of an All Japan tag.

MD: This was everything I wanted from this match up. Kato and Shinigami were the world's best Kane and X-Pac basically. Kato was scrappy as hell, fighting great odds against Goto and Miyake. They had such a size advantage, could put so much more into their strikes, and then when they really went to town on him, it was with chairs and the bell hammer. He still flung himself headlong at them though, including literally with a huge flip dive.

Goto knew what he had in Shinigami though. They built to the two facing off (though Kato tried to run at Goto again before reluctantly making the tag). Of course Shinigami went right for the claw, but Goto was ready, stomping on the hand and then dragging the fingers over the ropes. That just built the anticipation for when he got it later reaching up from underneath to lock it in. He hit his claw slam on Goto and even the top rope one on Miyake but Kato wanted back in there and did well with a frog splash and pile driver, but Goto isolated him and mercilessly crushed him to eliminate he and Shinigami from the tournament. Goto and Miyake are basically not fair here.

ER: Remember when we, as tape traders, thought Tarzan Goto was "a fat load"? I know we weren't seeing the breadth of Goto's career when those comments were made, but he is one of the all time "everyone was initially wrong about him" guys in our circle. Were we all turned off by his sloppy appearance? The very thing that would make him stand out as an instantly unique presence in 2026? Whatever I first thought of Goto after seeing him on my first wrestling tape, a 9th gen 8 hr deathmatch comp, he now obviously looks like an ideal pro wrestler. Like Hashimoto. We got Tarzan vs. Tenryu (it rules) but we never got Tarzan vs. Hashimoto, but it's Goto performances like this that make it so clear that he was a sloppy man's Hashimoto. Goto had the perfect mix of Kurisu shoot stiffness and incredible worked offense. He is capable of headbutting a man hard enough to scramble both brains, or working one of the tightest safest worked headbutts possible. He will kick you in your spine as hard as possible or throw one of the more ungodly chokeslams I've seen, but he also has perfect worked punches, as if he worked Memphis in the mid 80s or something. Every clothesline he throws is the best clothesline on the entire show. He has such a fantastic left hook delivery, unlike anyone else's clothesline. His brainbuster was 100% the kind of move that should finish a match, but several things he did were the kinds of things that should finish matches. He is a presence. 

Kato and Shinigami - a man who seems like he is working an Alabama Onryo gimmick - are so small that you know they're going to be massacred, but I like how drawn out the massacre was. The ending was never in doubt, but this was not a 7 minute mauling, this was a match that gave Kato time to fight. Yes, it also gave Goto more time to fight, and that's what gives us Tarzan literally breaking a folding chair over Kato's face, giving him a wicked atomic drop on a table that did not budge even slightly (so he just slammed Kato as hard as he could ass first on a table), even smashing his head with the ring bell hammer! The match going nearly 20 minutes made Kato looks stronger just because of how much violence he withstood. Miyake is a Goto protege and is shaped exactly like Greg Valentine and throws elbows almost as hard as Valentine. He even walks like Valentine! Well, like a 5'7 Valentine, but still I had to go check when Valentine's first Japan tour was (five years after Miyake's birth, sadly). Kato shows constant fire and gets a great late match run against Miyake, hitting a frog splash with real impact (for his small size) and shockingly piledriving the much heavier Valentine Son. He spikes him good, too, so I guess his murder by Goto brainbuster was justified. 

Shinichi Nakano/Yoshiaki Fujiwara vs. Rikio Ito/Shinichi Shino - FUN

MD: Cleverly done but not too much of a match. Ito and Shino attacked right as Fujiwara and Nakano were entering the ring and they controlled on Nakano for a while. This included a half crab and an over the shoulder backbreaker. Both were broken up by Fujiwara, the latter with an awesome punch to the ribs.

Transition had Fujiwara break up a top rope move from the outside setting up a Nakano superplex. Then they tried to put Fujiwara into a crab, never a good idea. Finish had Nakano go for a Fujiwara Armbar and then both partners coming in for tandem stomps when Ito tried to break it up. Nakano got another Armbar in there to take it. They'd be working again so they kept this one straight and to the point.

PAS: This was a pretty nifty opening match, with Ito and Shino trying to turn it into a brawl, and then got dragged into Fujiwara's world. I really liked how Nakano kept going for the Fujiwara armbar, like he was trying to show his mentor what he had learned. Fujiwara is of course my favorite, but I liked how little he was in this match, he was like the shark in Jaws, and this was the first act of the movie, he is coming, but right now he is lurking. 

Tadahiro Fujisaki/Wolf vs. Gokuaku Umibozu/Masashi Aoyagi - GREAT

MD: I guess Umibozu and Aoyagi had a bye of some sort. Umibozu is Hirofumi Miura and this is an absolute mauling. Wonderful stuff. Aoyagi, of course, hits like a truck, or a tree trunk. He hits very, very hard.

Umibozu is fascinating though. There's this casualness to how he lays shots in, just slaps out of nowhere and sort of effortless kicks. Occasionally, Fujisaki and Wolf get some hope. Wolf tries about six different leglocks or twists in a row and Umibozu just casually snaps a kick over to knock him off. There's no real relief for them. If you're not getting the taste slapped out of your mouth by Umibozu, Aoyagi is cratering your chest in. In the end, Fujisaki managed a dragon sleeper, but Umibozu just brought up a couple of knees, rolled him over, hit a Scorpion Death Drop and then put his skull through the mat with a fisherman's buster. Serene violence, this one.

PAS: This owned, it is fun to see Fujisaki who would go on to be one of the all time great Puro crowbars as Fugo Fugo under the learning tree with a pair of all timer asskickers like Aoyagi and Umibozu. Aoyagi just put so much sauce on every shot, he throws chest punches like he is trying to defibrillate a flatline patient. Umibozu is like a hyper violent Orange Cassidy, he doesn't seem to be giving a huge fuck about the match, but everything he lands is horrifying.  

Takashi Okamura/Yoshikazu Taru vs. Kamikaze/Masakazu Fukuda

MD: And Okamura and Taru would be the other recipients of the bye I guess. First few minutes of this made me think it was going to be a mauling but it had one of the hottest finishing stretches I've seen in a while. Gripping stuff. They started hot too with Taru almost KOing Kamikaze with a high kick and then Kamikaze returning the favor with some straight punches that dropped Taru.

Once it got going and Taru came back and got the tag, Taru and Okamura did a pretty damn good job dismantling Fukuda and Kamikaze though. Okamura's shots were just nasty and varied. Honestly, Fukuda and Kamikaze did stay in it more than I thought they would, with Fukuda fighting out of the corner and Kamikaze hitting big offense on Taru and the two of them unleashing their combo in the corner that won them the first round match. It's just that whenever Okamura came back in he mowed through the opposition.

Stretch had them unloading on Taru. Tons of great offense including a deep deep exploder by Fukada. When Okamura came in, Fukada caught a foot and jammed an elbow down on the knee. But Okamura came back with the craziest jumping spin kick. Neither side could put the other away though. Finally, Okamura hit a Northern Lights but Fukada shifted somehow into a cross arm breaker breathtakingly and Okamura rolled him up for three. Hell of a finish.

PAS: This was really a hidden classic, just an incredible match between four guys most people haven't heard of. I love a Gi guys vs. Wrestlers match, with our Gi guys beating chunks off of the wrestlers and the wrestlers responding with big suplexes and Kamikaze's fat boy flying. Matt is right about the finishing run, it was as cool a back and forth spot fest finishing run as I can ever remember seeing, As intricate as your MPRO matches, but with everything given a chance to breath and the shots landed with brutal force. It feels like something which would have an incredible reputation if we had it in April 1997, as opposed to it showing up like magic nearly 30 years later. 

Ryo Miyake/Tarzan Goto vs. Gokuaku Umibozu/Masashi Aoyagi-GREAT

MD: I don't think it was until this match that I really appreciated just how many styles were represented here. Miyake and Goto were over the top and wild, downright hardcore while also being big and beefy and hard hitting. They ambushed Umibozu and Aoyagi to start. Aoyagi was able to fire back in the ring but Miyake held his own and hit a dive on him. That did some damage to his leg though and Umibozu was able to dig down on it right until Goto had enough and broke a chair over his head.

After that they leaned in hard on opening Umibozu up. He'd fight back a bit but get shut down by a Goto headbutt. He finally fought his way back against Miyake, hitting a DDT and unleashing Aoyagi on him. Lots of brutal offense especially in the corner until Goto had enough and started swinging a chair again, this time getting fed up and nailing the ref too. Things devolved into chaos (and a DQ) and chairs flying in and out of the ring. I can't say I didn't want to see Goto and Miyake up against Fujiwara but there really are no wrong answers at this point.

PAS: What a tournament this was, just great styles clash after great styles clash. Really a throwback to early days FMW here, with a pair of karate guys against wild brawlers.  This is the first time Cagematch listed Goto and Aoyagi against each other, but it feels like they have years of history. Just a pair of awesome characters whose differences work well in tandem. Both guys seem like unstoppable forces in different ways, and it just makes sense that everything broke down into a DQ, I was able to snatch a singles match between them in the same bulk buy and I can't wait to check it out. 

Shinichi Nakano/Yoshiaki Fujiwara vs. Takashi Okamura/Yoshikazu Taru-GREAT

MD: It's telling that Okamura and Taru were absolute killers in their last match and Nakano and Fujiwara really had their number here. They got their pound of flesh on Nakano with some nasty shots but it wasn't nearly the same. Also interesting is that this was more of a "moves" match from Fujiwara than most, and he's not really known for that. 

Okamura pressed him in the corner to start but he got underneath him and hit sort of a slightly exploding belly to belly. He followed it up with a headbutt and this driving body slam where he sort of lost him and sort of choke him down (Nakano actually hit one similar later so it might have just been an Okamura thing, but it worked for me). After Nakano's comeback (just a single strike out of the ropes but it was a nasty one), he hit another belly to belly on Taru followed by a pile driver. They had some nice kicks (but then so did Nakano) but they never really had a chance here.

PAS: I love when Fujiwara has contempt for someone, he spent much of this match sneering at Taru and Okamura, parrying their kicks and just showing contempt. It is such a great pro-wrestling vibe, and it always makes any comeuppance he gets so satisfying. Fujiwara and Nakano run the table here, but every shot Okamura and Taru land is awesome because it so visibly pisses off Fujiwara. 

Shinichi Nakano/Yoshiaki Fujiwara vs. Gokuaku Umibozu/Masashi Aoyagi-GREAT

MD: Despite being the finals, things go along pretty much how you'd expect early on. Fujiwara and Aoyagi match up very well. Fujiwara gets one very good sweeping takedown. No real advantage. Likewise Nakano and Umibozu. Nakano has more of a meat and potatoes style honestly, and he does take over with that. But then something happens right at the edge of the camera. Fujiwara takes off his boots. When Nakano gets that advantage and tags, Fujiwara enters barefoot. This cannot be a good thing.

And it is not. He immediately kicks Umibozu a few times and starts punching him in the face. Then he punches him some more, headsbutts him, and tags in Nakano who rolls him out and smacks him in the skull with a chair. Fujiwara makes it back in not long after and punches Umibozu more in the face. This is not going well for Umibozu. He fires back on Nakano finally, but Nakano hits one of the best recoiling shots I've ever seen to floor him. Umibozu finally is able to get a sweeping shot and redirect Nakano into his own corner but that was a hell of a mauling for a few minutes there. Barefoot Fujiwara, my god.

They fight even (including Fujiwara matching kicks with Aoyagi) until they catch Nakano laying by the apron and take over on him. They get a modicum of revenge on him until he's able to hit an enziguiri out of nowhere and tag Fujiwara in. Umibozu and Aoyagi still have the advantage though, right until we enter the Fujiwara headbutt comedy hour. I'll be honest, as entertaining as this was and as much as I would have loved it in a vacuum, this feels like the sort of thing that should have been in an earlier round. It does lead right to the finishing stretch where Fujiwara holds Aoyagi at bay while Nakano finishes Umibozu off with a power slam and Northern Lights to win the tournament. Lots of good stuff here. I just had that one nitpick.  

PAS: This match was so close to an all-timer level. Fujiwara taking off his boots to show Aoyagi "I can kickbox too Motherfucker" was one of the coolest wrestling moments I can remember. I have watched so much Fujiwara in the last 15 years, so great that he still haws songs I haven't heard before. Umibozu and Aoyagi are such asskickers, that they met barefoot Fujiwara shot for shot, and really laid an asskicking on Nakano. I agree with Matt that the Fujiwara ringpost hard head comedy spot kind of cuts off the momentum of the match a bit, and it never really gets back up to the violence inferno of the first 14 minutes. Despite the third act problems, I really loved this match, and this tournament was truly incredible stuff. Well worth the 10 bucks or so.

COMPLETE AND ACCURATE AOYAGI

COMPLETE AND ACCURATE TARZAN GOTO

COMPLETE AND ACCURATE FUJIWARA

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Vulnerability, Dissonance, Commitment. KJ Orso vs. Effy

KJ Orso vs. Effy GCW Code of the Streets 1/17/26 

Vulnerability is everything. 

Now you might say that vulnerability is everything for a babyface, but no, it's everything for a heel as well. The key to heat is dissonance, that gap between expectation and reality. Big John Studd might have been over because he was a menacing giant, but he was super over because he was a menacing giant who played the coward and refused to engage at the start of matches. 

That brings us to KJ Orso. As Fuego del Sol, he was bombastic, dynamic, a high-flyer. He was larger than life energy in a compact package that lit up the sky, always more over than his push. He could bound, flip, and twist with the best of his peers. He still can. The fans know it. They know it to look at him. They know it by how he moves. 

When he decided it wasn't working, that the fans weren't getting him where he needed to be, that he was ready to trade away easy certitude of the mask and gimmick to bet on himself, he changed his entire style of wrestling. He gives them nothing now, nothing to cling on to, nothing to embrace. He's dug deep into footage to reclaim old moves (like Jo Labat's shrugging shoulder attack from 1957) and spots. For a normal heel, just giving them nothing might be enough, but the GCW crowd knows him, knows who he was, and for them to watch him wrestling this way is like sticking a finger in the wound because they know he's still capable of it.

Every now and again you see a glimpse of it, a big bump, a key top rope move at a key moment, something strategic, opportunistic, there not to pop the crowd but to take advantage of a moment. It serves as dissonance in its own right, shows him to be a hypocrite, committed to who he's become right until it's convenient not to be. For the most part though, you wouldn't recognize him. 

This is a crowd used to seeing everything: chaos, mayhem, every excess known to man, and they're just happy to be there, happy to see it all and soak it in, but they're not happen to see Orso. He betrayed his friends, betrayed the crowd, betrayed the very aesthetic idea of modern spot-heavy wrestling. And they know, deep down, it wasn't due to strength but due to weakness. That means that when he succeeds, when he takes over in a match, and heaven forbid, when he wins, that makes it all the worse. 

And the key to the act? The confidence to be vulnerable. 

Watch him here. He comes out to the ring sneering and scowling at the camera, jawing with fans young and old, and he trips on the way to the ring. When's the last time you saw someone trip on the way to the ring? When's the last time you saw a heel do it? He trips and he sells it. He snatches a hat off someone's head, uses it to clean off the floor (because it had to be the floor's fault, not his, always someone to blame), and then punts it into the crowd.

He makes it into the ring and ring announcer Emil Jay, unable to hide his disgust, calls him KJ Asshole. He sells it by whipping about in fury, but then recoils back the other way as the fans start chanting asshole in turn; it's as if he took a one-two punch, and everyone there knows that they got under his skin, that if they stay invested, if they chant and boo, they can affect reality around them, they can make a difference. He makes the crowd feel like they matter, gives them a reason to care, to be invested, to not just cheer and chant 50-50 to not just be happy to be there and see spectacle before their eyes. All it takes is a little confidence and a lot of vulnerability. All it takes is to allow himself to be affected and to look the fool.

Effy gets in on the act too, mocking the trip. I've seen a decent amount of Orso this last year. I haven't seen a ton of Effy lately, so we'll lean just a little into this data point. Dissonance doesn't just create heat but it opens the door for all emotion. From the way he basks in the ring as Goodbye Yellow Brick Road plays in the background to how he's constantly adjusting his gear for the moment, to his mind games and his connection to the crowd, he presents himself with a lot of confidence and just enough vulnerability. If Orso's vulnerability is internal, here Effy's is external, based upon what happens to him in the match, real and meaningful acts of violence instead of imaginary slights in his head. He recently lost the GCW Title and it's clear that affects him, but he doesn't wrestle like a man who is lost and grasping for significance and meaning at every turn in the way that Orso does. He gives the fans just enough human vulnerability to connect to while giving them tangible results, substance to latch on to. It makes his accomplishments seem more admirable just as Orso's come off as endlessly frustrating and aggravating.

Effy certainly has a lot to work with. Orso, stinging from the trip, from the Asshole chants, from the disrespect, from not getting everything he's convinced himself he deserves, is a prime target for Effy's humiliating offense of butt attacks and gyrations. It does more than just getting under Orso's skin. It wounds his pride and his pride is everything. It's too tempting for Effy and he leans into it harder than he does his chops and other more conventional offense and that allows Orso to take over. Of course, as noted, Orso has his own failings, and he ends up too busy clapping the fans up so he can mock them and potentially deny them a dive, and he gets caught as well. Character drives everything here and that gives the fans so much to work with as well.

That plays out as the match goes on. Orso opens up on Effy's leg, but he can't help but steal the headband and taunt. Effy comes back but he goes for one too many vertical splashes and gets caught. The difference is that Orso is blindly lashing out at the world and Effy is trying to hit KJ where it hurts the most, the difference between a heel and a babyface, even if it leads to similar transitions nonetheless. 

Over time, those disparate wants start to lean in Orso's favor. He goes back to the leg time and again, chipping away it. It leaves Effy a half step slow. Even down the stretch, Orso, all too human and driven by the chip on his shoulder, would lose focus and Effy, embracing and leaning with his humanity, would capitalize, but in the end the leg gave way at a key moment and Orso was able to steal one out.

On some level, the fans knew what they saw was entertaining. They understood the skill involved. But due to the commitment, due to Orso giving them nothing and Effy giving them quite a bit, they were left legitimately frustrated and aggravated by the result of a match. In 2026. Emil Jay made the announcement, using Orso's name as written. He had no choice, Orso had won. He, just like the fans, was held hostage by the result. Orso had sold so much up front, shown so much vulnerability, and now he had snatched away the fans' joy and was gloating about it. Next time they'll hate him all the more and the circle will continue. In 2026, the beautiful art of pro wrestling can still work, can still move people, can still delight and infuriate. All it takes is a little vulnerability and total, absolute commitment.

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80s Joshi on Wednesday: Jackie! Mimi! Rimi! Kai! Kumano! Ikeshita!

Disc 2 

3. Jackie Sato, Mimi Hagiwara & Rimi Yokota vs. Leilani Kai, Mami Kumano & Yumi Ikeshita 1/4/81

K: AJW traditionally do a good Korakuen show on or around January 4th where you’re almost guaranteed to get a quality main event even if they’re not almost the most consequential. This match is such a good example of what these shows were going for. Here we have probably the top 3 babyfaces in a company going up against the top 2 heels and one of the currently residing foreigners (who almost always align with heels) in a ⅔ falls match, which the main event tag matches usually were. 

Another note, Rimi Yokota vacated the Junior Title before this show to focus on challenging for the WWWA Singles Title (and I guess, outside of kayfabe, no one at the junior level was ever going to beat her for it). Before this match Tomoko Kitamura (later Lioness Asuka) defeated the obscure Noriko Kawakami to win the vacated title.

The heels are in control for an unusually long time to start off with here, especially since it’s Jackie Sato who they’re dominating first. I thought it was cool how Leilani Kai would have a lot of choking-centred offense, and when Yumi Ikeshita came in, she continued on that theme by switching up her offense to target the throat. For example she just stands on Sato’s neck disdainfully, and a bit later she changes her “plant opponent’s face onto sticking up toes” move so that she plants Jackie’s throat on it instead. When Rimi is able to tag in, there is no hot tag, as she just gets dominated as well. The comeback actually comes from Mimi Hagiwara, whose new gimmick is that she’s taken up boxing training and is now a fearsome striker. It’s a bit ridiculous when you describe it when she has such spaghetti arms, but I think it works at neutering a weakness by insisting in kayfabe actually Mimi is strong and punches really hard. The conviction she puts behind those haymakers and that they actually work in taking down Kai and getting the comeback going after everything else had fails puts her punches over as legit. You can make all kinds of things work in wrestling if you commit to them. They even come back to this in the 2nd fall, when Mimi clenches a fist at Kai and that’s enough to get Kai to back off into her corner.

The 2nd fall has a fantastic final few minutes where Jackie manages to tie up Leilani Kai and Mami Kumano in the ropes and so they can’t help their partner. Then we get ‘Flew Too Close To The Sun’ sequence where Yumi Ikeshita just gets battered with one move after another by Jackie & Rimi making quick tags in and out, before she gets pinned with a very spectacular move where Rimi runs at the corner pad and kinda dropkicks it to spin around into a running splash but with extra oompf. Great stuff.

In the 3rd fall all the tension and violence we’d seen building up in the first 2 just explodes. They’re quickly on the outside brawling and just punching each other hard like rival football hooligans. A chair gets introduced to Yokota’s neck. There is an unfortunate bit after this where Mimi Hagiwara’s in the ring with Leilani Kai and goes for a few poorly executed takedowns which hurt the previously ferocious momentum a bit, but Rimi rushes into to rectify that. We get a more measured cooldown when the heels take over on Mimi and get a measure of revenge when they trap her in the ropes and drop her throat first into it. This lasts just about enough for the crowd to get their energy back because before you know it all hell breaks loose, they’re all running into the ring and brawling and Jackie Sato & Yumi Ikeshita look like they’re damn trying to murder each other choking over out on the floor. The match fall gets thrown out and the match is called a draw.

Great match. Exciting all the way through, we got memorable interactions in a bunch of pairings and Mimi Hagiwara’s boxing deal is getting over (she’d done it before this but this is the first time you’ll see it on this set). They achieved all that without giving anything away, not even a real finish.

****

MD: On the one hand this devolved into chaos and got thrown out. On the other, some of the checkpoints along the way felt almost evolutionary as we move into 1981. Moving into 1981, I am acutely aware that we’re on borrowed time with some of these wrestlers. We’ll lose Kumano and (for the most part) Jackie, of course, by the end of the year. So I guess we appreciate what we have while we have it. 

Kai seems like she’d come along in the year or so since we’ve seen her. Still a lot of choking and Moolah-ism but more presence and confidence. The start was clever as she went to the floor to call out Jackie only to set up a distraction so the Black Pair could nail her from behind. They controlled from there on Jackie then Yokota (whose frame makes her a great FIP) and then Mimi. But apparently Mimi had developed as well because she had gloves on her hands and was now a great puncher apparently. She ducked a Kai shot and laid in a bunch of blows to turn things around. That let them do a big corner spot where Jackie and Mimi held all three of the heels so Yokota could come flying at them repeatedly. Ikeshita took back over with a nasty headbutt though and they dismantled Mimi with missile dropkicks, Ikeshita’s fall away slam, release bombs from Kumano, and then a big suplex by Kai to win the first fall.

Jackie asserted herself right at the start of the second fall, but the heels took back over, including with an Ikeshita seated senton out of nowhere. The babyfaces turned it around with one of the best things I’ve seen out of all of the footage so far. Kai and Kumano came over to menace Jackie on the apron but she and Mimi were able to get their heads tied up in between the ropes, allowing the babyfaces to switch around and completely demolish Ikeshita finishing with Yokota pressing back off the top turnbuckle with a ricocheting splash. The third fall had some spirited stuff on the outside, including a chair getting stuffed down upon Yokota by Kai’s partner (maybe Wendi Richter in overalls?), but it devolved into chaos and got thrown out. This built to some great moments and, like most of the 80s matches was a little more even than the 70s beatdowns so felt more complete. It was a good way to start the year. 

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