One-Post Complete and Accurate Bockwinkel vs. Jumbo

MD: Back in November 2022, I was doing fairly detailed bullet point write ups of AEW TV over at DVDVR. I think maybe it was a little bit easier to do that at that point of the pandemic, I don't know. I had no intention of writing up the Death Triangle vs Elite series though, so I decided to counter-program by going through all of the singles Bockwinkel vs Jumbo matches we had on tape. These are more conversational message board reviews so not quite up to my normal Segunda Caida standard (maybe a little repetitive too since I didn't write them to be put in one post like this), but I thought I'd collate them all into a quick C+A. If you twisted my arm, then Matches 2-5 and 7 would be EPIC, 1 and 9 would be GREAT and 6 would be FUN, but I wasn't writing with that in mind. You can watch along as the matches are linked.

Match 1 of 9: Nick Bockwinkel (c) vs Jumbo Tsuruta AJPW 12/13/78

This was for Bock's AWA belt. It's basically in three acts. Bockwinkel controls the arm for one third, Jumbo controls the arm for one third, and then there's a finishing stretch as they work towards the draw. I can't even begin to express how hard they were working the holds. There are shots mid-match and you can just see the sweat pouring off of Jumbo just off of armbars and hammerlocks and in and out exchanges. In the middle of December. He created a ton of motion with Bockwinkel when he was working from underneath. Of course, the greatest strength of Bock is his reactions, the way he's always constantly in the moment and his pure elation of hurting someone. When Jumbo took over, it was all about Bockwinkel trying to escape and getting reversed back into it. With Bock on top, it was about Jumbo's different attempts at escaping. With Jumbo on top, it was about Jumbo using varied techniques to stretch Bockwinkel, switching things up after each escape attempt. There was a clear moment where he shifted to hammering Bockwinkel and going for the win. He knew time was against him and Bockwinkel had the champion's advantage. Some people might find this transition stilted or awkward or ignoring what came before, but it was really all about Jumbo trying to pick the exact moment where he'd worn down Bock just enough that he'd be able to hit his stuff and try to beat him. If he went too soon, Bockwinkel would reverse it. If he went too late, he wouldn't have enough time to put him away. And maybe there wasn't a perfect moment because the champ was just that good. Judging by the fact this went to a draw after they threw everything they had at one another, that was probably the case. We'll see how these matches develop from here, but the wrestling that took up at least two thirds of it was just so good.

Match 2 of 9: Nick Bockwinkel (c) vs Jumbo Tsuruta Hawaii 2/14/79

This one was 2/3 falls and man was it ever good. The first fall was full of so much of what I love about Bockwinkel and then the second fall was such an amazing showing for Jumbo. In that first fall, they went a different way with it, with Bockwinkel trying to take liberties to get an advantage early but getting jammed by Jumbo. This time, Bock didn't get his arm control first and it went straight to Jumbo's and they worked it and worked it with Bockwinkel cheating to get out or making it seem like he just might, but getting jammed right back down. He's always struggling, always fighting, always reacting and Jumbo's so smooth working from top. Eventually, Bock has enough and drops the pretense and just starts kicking and stomping him down, but Jumbo fires back, including a huge chop off the ropes that causes Bock to do his full body sell. They're about twenty in now, as there were a couple of minutes clipped here and his total exhaustion sell is the best ever. And it's still early really! Anyway, after blocking Jumbo's butterfly, Bock tries the King of the Mountain which is what he does when there's a babyface too fiery for him but Jumbo immediately fights out, rushes in and just unloads on Bock, super intense. He misses a knee in the corner and Bock, in short order, gets the figure four. Just great fighting out of it by Jumbo turning it a couple of times, but he succumbs. So that's the first fall and I love how one beat so smoothly led to the next and you could just tell what kayfabe Bock was thinking and trying to do at every point.

Second fall has Jumbo fighting with the bad leg and he does it so valiantly that the crowd really starts to get behind him. I've seen American crowds get behind Japanese guys before (especially in California) but maybe never quite like this and it's both Bock AND Jumbo here. He keeps falling a bit behind due to his leg but powering back, including hitting an atomic drop but being unable to hang on to the cobra twist. This ultimately leads to Bock containing him with a King of the Mountain (This time) but pressing it too far and allowing for Jumbo to fire back in, opening Bock up with chops and ultimately hitting the butterfly and the cobra twist causing him to pass out.

The last fall teases the time limit (9 minutes left) just from the start, and they have some near falls (a butterfly that Bock blocks but Jumbo turns into a piledriver, brutal stomps on the leg turned into a Jumbo half crab). You get maybe a sense that Jumbo doesn't know how to put him away but he goes for broke with his hurt leg with another atomic drop and gets another cobra twist only for Bock to toss the ref and draw the DQ. Really masterful match here. And just a lovely 1980 crowd to get behind a foreigner so thoroughly. I couldn't imagine a nicer crowd, the sort that you'd want for big wrestling match like this, that bought into it fully and that put aside their own biases to give their all for the challenger.

Match 3 of 9: Nick Bockwinkel (c) vs Jumbo Tsuruta AWA 6/22/80

This was in AWA territory and Baba was in to commentate for Japanese TV. That means, Heenan was there, Mean Gene did the Ring Announcing ("Tommy" Jumbo Tsuruta) and Verne said before the match he'd wrestle the winner. Heenan then shoved him for no good reason and Verne clocked him, which made Heenan sort of a non-factor for much of the match. Match itself was very good. They worked the entry point much differently than the last two, more of the format of Bockwinkel trying to abuse Jumbo and then Jumbo firing back tit-for-tat. If Bock would get an arm drag and slam him then Jumbo would get the spots as revenge and show him up. Bock took over with some real chippy stuff, just a double leg that looked like they were shooting and hard, hard shots onto the arm. He was trying to contain Jumbo but Jumbo hit the jumping knee and started to meanly work over the back. Bock may have unlocked grumpy Jumbo years early with how hard they were going at it. Less long holds here, but definite focus to try to set up the double underhook suplex and abdominal stretch. Bockwinkel would try to figure up from underneath but Jumbo stayed on him. When they finally got to the hold, Bock was able to push them out of the ring. He came back in with a bunch of headlock cheapshots to the throat. Two of the things I tend to give Bock credit for are his total engagement and full body selling as the match goes on. The cross-section of the two is how he just throws his entire body into everything he does. If he throws a punch, he'll sort of recoil back with it. There's a spot here where he goes for a pile driver, can't get it, and Jumbo gets one shortly thereafter, and as he's up, he's just flailing his feet perfectly. But he does that with almost everything. It's just this amazing performance presence in the moment that almost not other wrestler can live up to (Terry Funk and... maybe Negro Casas and Buddy Rose and I'm not even sure who else?). Jumbo kept coming back with the crowd definitely behind him, with Bock trying to slow him down, including with a King of the Mountain. Ultimately, they ended back up in the stretch, but Bock was able to hiptoss Jumbo right into the ref. Great ref bump but the follow up was muddled. Heenan took too long to blatantly interfere. They couldn't get the ref in the right place soon enough, etc. Shame as the match itself was great. So three matches, three different feels and structures, all good stuff.

Match 4 of 9: Nick Bockwinkel (c) vs Jumbo Tsuruta AJPW 2/4/82

I need to keep going with these as I have 9 matches and they only have 7. This was in AJPW but for the AWA Title. Verne had gotten it back and retired at this point. Between 80 and 82, I'd say Jumbo had moved on to his second form more fully. That is to say that he and Bock came off like equals here, which gave the match a different sort of feel. Bock slammed him from the get go, but then Jumbo returned favor and he took almost the entirety of the opening matwork by hanging onto the arm through Bockwinkel's escape attempts. On paper, some of this (the arm submissions, into a surfboard sort of test of strength, into the initial cobra twist) that took up the first ten minutes might not sound compelling, but when they were zoomed into Bock (and Jumbo's!) facial expressions, it was very good. Just full commitment to the struggle. Bockwinkel might be the best actor and reactor in a wrestling ring ever. And Jumbo, with mouth stretched open and gritted teeth, rose to the occasion.

This went just under twenty and it probably needed another two or three minutes with Bock on top. He took over after the Cobra Twist with some hard shots to the gut in the ropes, a little King of the Mountain, and a slam from a suplex position bringing Jumbo in from the apron. Bock had some holds here but it just needed a bit more heat. Jumbo's big comeback was with the jumping knee off the ropes out of the sleeper.

I'd say the last five minutes of this were excellent. Jumbo was absolutely feeling it, yelling and charging across the ring for these big jumping stomps to Bock's back. He'd use the crab and most of a camel clutch to really wear it down and set things up for the second Cobra Twist. Pretty dramatic stuff and the fans were buying into it. Bockwinkel was able to pry the leg out slowly and dramatically to get him over and escape. He had a last burst of offense, but was always reaching back to sell the back in a way that felt organic and never took away from what he was doing. Just the stuff that he was better than literally anyone in wrestling at doing and that puts him over his contemporaries because he's able to balance this and registering what happened in the match while still keeping it dynamic and exciting and emotional and electric. It all builds to him being unable to slam Jumbo and Jumbo trying to put him away with an airplane spin. Both wrestlers go tumbling out and Jumbo starts spinning him again again, spiraling around the ringside area erratically as photographers have to dive out of the way. Incredible visual. He's unable to beat the count back in though so it's a draw. This was a different dynamic and interesting to see but I think Bockwinkel ultimately gave up just a little too much without getting a little more back to really put it over the top. If Bock had leaned on him a bit more the place would have exploded all the more so when Jumbo hit the jumping knee. Still, great performances.

Match 5 of 9, Nick Bockwinkel vs Jumbo Tsuruta AJPW 7/13/78

The armwork in the first ten minutes of this one is just all time great. Previous matches between them were more clinical and academic and "title match" but here he's doing top wristlocks and double wristlocks it's just so, so mean. It takes the full ten minutes for Jumbo to start to get an advantage and power over the top and Bock just grabs the hair or lays in a knee to the gut (he hadn't had to previously) after all that work and struggle. Finally something clicks in Jumbo's pre-grumpy brain and he steps around on an arm pulling wristlock and rakes Bock's face with his boot to take over. You can see him level up mid match.

Bock's still able to keep the advantage due to the hurt arm though (Jumbo selling after he hits elbows) and Bock presses it in the corner, but it's just not enough of a lever and Jumbo comes back. Bock's able to block the belly to back though and hits one of his own. Exciting stuff. He followed it with a pile driver but went back to the well and Jumbo comes back. By this point, it's sort of clear that Bock has to do something extra to really keep Jumbo down and he tries, going up for a second rope knee drop, something he's learned from Stevens over the years, but never does himself. He misses (of course) and Jumbo starts on the leg, going for a figure four. Bock survives, but is selling big. He's good enough at almost every point to find a way back whether it's an eyepoke or punching from underneath and he manages to start the King of the Mountain and even post Jumbo on the outside. He's still desperate though and gets backdropped when he tries a pile driver on the floor.

The match really opens up after that, with Jumbo hitting a knee lift so high that the announcers call it a leg lariat. He starts on the back after this, but Bock wins a punch exchange. I love the balance between a competent champion and a desperate cheater with Bockwinkel. He was always credible. Always dangerous. But backed against a wall, he'd do anything to survive. It makes it mean all the more a little later on when Jumbo is able to fire up and win a punch exchange and hit a stalling turning pile driver of his own. As the match rolls into the last five minutes, Jumbo leans more and more on Bock's back (With Bock doing some amazing full body selling draped into the ropes), getting the crab and ultimately going for the cobra twist. Bock tries to turn it and crashes into the ref. This leads to a phantom fall after the belly to back and another ref bump as Bock nails him when Jumbo moves. There's a figure four afterwards (and maybe they should have not moved onto the back and stayed with the leg if that was going to be the phantom win #2?) but the ref calls for the dq and Jumbo is despondent. This was some really good stuff. If last one they were equals, this one you got the sense that Jumbo had Bock's number and furthermore, that he was going to get him next time.

Match 6 of 9: Jumbo Tsuruta vs Nick Bockwinkel AJPW 2/23/84

I hate to say it but I wasn't feeling this one quite as much. It's a shame because it's the end of a big journey for Jumbo and Terry Funk is the special ref. It even starts brilliantly with Bock rushing in for a cross body right at the bell. I love his entry point gameplans. He got a major early advantage from that and the next fifteen (!) minutes or so was him controlling the arm, and honestly, I wish it was better. Bock did his job, really working it, at times working it almost too much to keep the crowd in it, just huge flailing motions while keeping technique and switching it up again and again, one hold after the next. Jumbo seemed weirdly listless though. I could hardly tell this was the same guy who was doing such gritty working from underneath in the previous years. I just don't really get it given the setting; my only guess, other than him just feeling sluggish for some reason like sickness, was that he knew he was winning the title and he wanted to look at strong as possible. He did sell towards the end of it, but mostly when he was out of a hold and trying to take over.

Ultimately (after a tease with the jumping knee), Jumbo fought into a front face lock and after he couldn't get the double underhook suplex, he hit two pile drivers and they were on. It was fairly back and forth from there, with a big feel to it, inside and outside of the ring. Jumbo pressed an advantage with a beautiful double underhook (when he actually hit it) and gutwrench suplex. Bock got a knee up on a corner charge and landed a pile driver of his own. Jumbo dodged a corner charge and dug in on a crab. Funk was really a non factor for most of the match, a shame considering how he could have helped those first 15-20 minutes sing, but I liked him a lot during the crab, explaining the stakes to Bock but that he could quit. Bock's full body selling was at play here, the best ever. The way his arm flailed about as Jumbo was positioning him for the gutwrench was just so, so good. No one better. Bock took back over and knocked Jumbo into Funk, both of them sailing out of the ring. There was a second ref though. Bock continued to press, slamming Jumbo from the outside in repeatedly. Jumbo finally floated over (beautifully, might I add) and hit a belly to back with a bridge as Funk slid back in for the ironclad win. It was a great moment, but it wasn't as great of a match as the ones that preceeded it. I'm not sure if they were under a certain directive to do things a certain way. I know that Funk didn't want to take attention off of them but Funk, being Funk, always makes things better. While Jumbo was fiery at certain moments, and while the crowd went absolutely nuts for the win, he was neither what he had been against Bock previously or what he would be (a vicious gladiator) in the years to come. This is not the best match in the series.

Match 7 of 9: Nick Bockwinkel vs Jumbo Tsuruta (c) AJPW 2/26/84

This was a couple of nights later and was Jumbo defending. I have to look at where this is on the tour actually. Let me see. There were a couple of nights left but this was the last really big match for Jumbo on it. I imagine the Japanese fans having seen what happened with Baba a few years earlier and certain other things, half expected Bockwinkel to win it back, that Jumbo would just get a win but not get to hold it through the end of the tour. That, combined with the fact that Bockwinkel took so much of this, gave things a real sense of drama. This was certainly better than the title change and it might be my most favorite match of the series so far, even though I don't necessarily think it was the best.

Bockwinkel controlled for the first eight minutes or so with headlocks and front face locks. He had more history as a title match wrestler and they were great headlocks. Watching this, you wanted Jumbo to try to toss him off just to see Bockwinkel grind down and sink to his knees. Really top notch stuff. He hit a pile driver between the headlock and the front facelock exchanges, but ultimately lost things by trying to go for a butterfly suplex. He needed Jumbo into the corner but lost the offense. He'd take back over quickly enough but then hit a clumsy but cool cross body off the top and Jumbo would take over after that. Bock was going out of his comfort zone with both moves, externally calm but internally roiling over having lost the title and he was paying for it.

Jumbo would hit an errant pile driver here and go for a sleeper only to get driven into the corner (more there later). This led to the bit we were missing from the last match as Bockwinkel locked on a cobra twist only for Funk to somehow go sailing out of the ring, followed by him getting strung up in some rope running. Good. If you're going to have Funk, use him. It was right in the middle of the match, between chapters, like a palette cleaner. Jumbo would go for the butterfly, but get jammed, allowing Bock to get a crab attempt. Jumbo would toss him out with sheer strength and, after some back and forth, go for a sleeper again, only for Bock to chuck him out, starting the real King of the Mountain stuff. Two points here; one, when Bock was getting in a cheapshot from underneath, he'd follow it up (while being admonished by Funk) by selling his whole body as only he could really putting over what Jumbo had just done to him and the weight of the match and how desperate he'd been to get out of that spot; second, he used King of the Mountain in almost all of his matches and it was often used to cut off a hot babyface and keep control, but he used it at different points and in different ways. It always fit the match.

Anyway, the King of the Mountain was really good here, with Bock continuing to go for it, suplexing Jumbo in once right on his head, and having Jumbo fire back into the ring another time. Before the last one, they both hit heads and then did a double punch which shifted gears towards more of a finishing stretch. The last KOTM had Jumbo get his leg stuck in the ropes and Bockwinkel just unload on it. This led to a figure four and both guys hitting the floor. Bockwinkel had clear control as the count was on, but at the very last second, as Bock was about to roll back in and win, Jumbo grabbed him so he couldn't make it in. It was a very dramatic, New Japan style finish that kept Jumbo the belt as they were both counted out. Very much a Bock match with Jumbo just needing to show fire and having the crowd behind him. Good stuff.

Match 8 of 9: Jumbo Tsuruta (c) vs Nick Bockwinkel AJPW 3/24/84

This was another really good one, driven by the fact that Bockwinkel, as the challenger, controlled a lot of it. That meant headlocks to begin, but the best headlocks imaginable. When it seemed like Jumbo might get out, a hairpull, when Jumbo overcame that, he hit a drop toehold and really locked in a deep scissored toehold. When the fans would chant for Jumbo, Bock would grind it more and Jumbo would sell huge. When Jumbo turned over his own headlock out of it, Bock was able to turn it around for a shinbreaker and a leglock. When Jumbo made it to the ropes, Bock switched to attacking the leg and starting a king of the mountain. I just love that from a narrative perspective. Bock put him in trouble and Jumbo worked so hard to get out only to get immediately stymied by something else and the work began anew.

Anyway, Jumbo fought his way back in and even got the jumping knee, but Bock was basically fresh and got out at one. From there, Jumbo was just trying to contain Bock, and he couldn't do it. Bock floated over and started going for the figure four. This was real Clash of Titans stuff, with Jumbo pressing his arms up to try to prevent the leg from dropping down. Bock eventually got it though. Just amazing overhead visuals on this struggle and then the hold. Jumbo made it to the ropes and Bock started slamming his leg against the apron brutally. Back in the ring, Jumbo comes back with a leg caught enzuigiri to a huge pop and he's back in the fight. Butterfly suplex, two count. Pile driver, two count.

The leg selling is gone by the way which is a shame. Jumbo could have used it to let Bock take back over, for instance. Instead, Bock just fights from underneath, hitting a pile driver of his own. What I love is that before he picks him up for it, he just turns his head ever so slightly to take in the crowd; he's always so in the moment. It's a tiny thing but it's everpresent in his work. They crash into each other and then do a double punch (Bock hits a belly to back out of a headlock in the middle). Bock tries for another King of the Mountain but Jumbo storms in with chops. This is pissed off angry proto-Gladiator Jumbo, a very different entity than a few years earlier even if he wasn't who he'd be a few years later. Bock knows he's in trouble, so he tosses him into the ref and hits a belt shot on the outside. Jumbo recovers though, charging in, tossing Bock out, and going for belt shots of his own. When the ref gets in the way, Jumbo nails him too, the seed of violence already taking root. Post match, they brawl repeatedly with people trying to separate them, Bock gets big cheers from the crowd, and Jumbo cuts a promo about defending in the US. He had defended against Lanza, Robinson, and Brunzell the first round and in the second, he'd even face Baron Von Raschke (We don't have that one unfortunately), before falling to Martel. I really liked these two Bock-As-Challenger matches, though I probably liked the last one a bit more. This one had the first inklings of really violent Jumbo though.

Match 9 of 9: Jumbo Tsuruta (c) vs Nick Bockwinkel AJPW 9/12/87

This was for Jumbo's International Title and it only went around ten minutes. It was worked very differently from all the previous matches. I'd call it an AJPW heavyweight sprint. There were holds but they weren't worked for long. They were worked hard, of course, but without overt consequence and escapes or reversals were relatively quick. There was no moment of posturing, no empty space within the match. They were right back up throwing knees or forearms or going for the next hold or spot. That doesn't doesn't mean there wasn't implied consequence. I've never seen a Bockwinkel match end with him sucking air like this. Yes, he was at the absolute tail end of his career, but it was a testament to how hard they were going.

I'd prefer a match where things built and resonated more but there was nothing unbelievable in this. It was both men jockeying for opportunity at any moment and going as hard against each other as they absolutely could. Jumbo won off of a flying body press, which is nice as it's an unusual way for him to win and the fans would remember next time he'd hit one, but I'd rather him have used the Thesz Press as that was one of his more regular moves, if they were going to go with a finish like this. Both men, the worse for wear, shook hands after the match. If nothing else, this shows another hat Bockwinkel could wear and that he could hang even in the wilds of hard-hitting 1987 AJPW. Overall, it's not my favorite of the series, but it's an interesting and different look at things and shows how the company and Jumbo were progressing. I'm not going to rank the nine but I'd say the best matches overall would be the middle defenses for Bockwinkel and the two defenses for Jumbo with the lesser matches being the title switch and this last one. It's all good in its own way though.

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Found Footage Friday: BOCK~! HEENAN~! SD MARK II~! CMLL 4 vs 3~! DUSTY~! DUSTIN~! CODY~!

Nick Bockwinkel/Bobby Heenan vs. Greg Gagne/Super Destroyer Mark II AWA 10/3/80

MD: A recent find from a Wrestling Playlists disc buy. You know the deal. Follow along with the work. This was a blast. Perfect pro wrestling. Destroyer is Slaughter of course. Heenan and Bockwinkel make a big stink out of it to start. This was supposed to be a Loser-Wears-the-Weasel Suit match and they refuse to wrestle if that's the stip. Therefore, they will be heavily fined or suspended but the local promoter says that the match will still take place for the fans. 

Heenan is great here as you would imagine, but he spends a lot of this on the apron or getting cheapshots in with one big moment of comeuppance in the middle and another at the end. It's really all on Bockwinkel who stooges all over the place. Because he doesn't have a competent partner, he's even further behind the eightball and he absolutely wrestles that way, getting knocked around the ring, keeling over after shots, getting abused by both wrestlers. They have a few moments of heat where they're able to get over either by Gagne missing a dropkick or Bockwinkel getting Destroyer in the eyes and following up with a King of the Mountain but it's never for long. Gagne has a great hot tag in as he hits his dropkicks with the second into a nice upkick right onto a charging Bock. 

Finish is Heenan loading up his broken arm and nailing Destroyer from behind so Bockwinkel can pin him. Post-match he demands the weasel suit to put on Gagne because they won but the babyfaces get the better of them and slip it on him. Nice bit here as Destroyer goes to Bockwinkel who is all tangled in the corner and  forcibly shakes his hand before they leave. Post match, Bockwinkel gets the weasel suit off of Heenan and starts beating it up. Just a great bit of emotional vulnerability to send the fans home happy by someone who is usually so buttoned up. 

ER: What a perfect vibe. I think I need to go through a real AWA phase. The vibes don't get much better than this. Heenan and Bockwinkel are a perfect team, Greg Gagne is a guy who is way underrated and undervalued as a babyface, Slaughter is legitimately one of the hardest working big men of all time. The Peg never felt hotter. Everyone did everything I loved seeing them do in this match. Heel Bockwinkel is some incredible stuff. Heel Bockwinkel feels like Billy Robinson crossed with Ric Flair. Heenan is like Buddy Roberts crossed with Tully Blanchard. Everyone throws strikes here that are perfect for who they are. Heenan's 3/4 arm slot attacks with his cast looked like Gagne should have been left bruised. Heenan looked like he should have been scared of Slaughter and fought him accordingly. Bockwinkel looked like he really wanted to snap Greg's neck over the top rope. 

Heenan's Race bump was one of the most incredible versions of that spot. Heenan had this amazing knack for "holding on". Race would tumble dangerously to the floor on his. When I think of any great over the top bump it's always accompanied by "to the floor". But Heenan had this way of hanging onto bumps that made them feel even more dangerous than if he had let go and flown to the floor. It feels like he's body is being torn in multiple directions. I wonder how many weasel suits there were. He's the only wrestler in history to get pulled into a fur suit to rabid reaction for well over a decade. It's impossible to not love Bobby when he's losing his mind in his Where the Wild Things Are fur suit. The zipper always gets stuck, but this time we get to experience the joy of Nick Bockwinkel being flustered while he's trying to get Bobby out of the suit. We have that now. 

Gigante Silva/Atlantis/Tinieblas Jr. vs. Fuerza Guerrera/Gran Markus Jr./Pierroth Jr./Violencia CMLL 09/05/00

MD: Another that Charles salvaged from old discs. I'm not sure I've ever heard of CMLL doing a 4-on-3 match like this but here we go. Pierroth and Silva were the captains and Pierroth had a ton of heat with the crowd,  especially the Arena Coliseo tecnico cheering section which was loud and rowdy and chanting for Mexico the whole way through. The rudos swarmed Atlantis to start staying on him and then Tinieblas pinballing them from one to the other. Once Tinieblas went out they did something I'm not sure I've ever seen before; they pulled Atlantis back in so that Silva couldn't come in. They were even cutting off the ring.

This all led to a huge tug of war spot, but with Atlantis' arms being what they were tugging on. All of the rudos and Atlantis went tumbling across the ring, heralding Silva's real entrance to the match. The rudos tried to swarm him but he managed to whip all of them across the ring in a 4 person Irish Whip. Then he hit a corner clothesline and let me tell you, if you told me that he had killed someone in the ring and not Khali, I would totally believe you with how brutal his shots looked. I don't know if the rudos just asked him to go full on or if he didn't know how not to but every strike was grisly.

The comedy kept coming as Atlantis and Tinieblas lured them into a bunch of rudo miscommunication (a lot of which was Markus, who had lost his mask by this point, crushing his own partners), before they built to endless Atlantis and Tinieblas big splashes on all four rudos, before Silva got to finish it off. This was about ten minutes of ringtime in one fall and definitely didn't wear out its welcome. Fun stuff.

Dusty Rhodes/Goldust/Cody Rhodes vs. Dudebusters (Trent Baretta/Curt Hawkins/Caylen Croft) FCW 7/9/10

MD: If the Vault isn't going to give us old Greensboro and Omni, something special like this, something one of a kind, is up there on what I'd want. This was Dusty's last match, teaming with his sons (one a face, one normally a heel), up against the hottest heel act FCW had to offer at the time in the Dudebusters. Baretta and Croft had their act and it was bolstered with Hawkins returning. At the time, I thought they'd all join Ryder (who had spent 2009 coming into his own on ECW) on the main roster to be his muscle and they could have gotten a good midcard (maybe IC title level) act out of all of it. It was not meant to be. 

I love the presentation here. It's one camera with a bunch of interface noise (like a 16 bit line and contrast or whatever and a little golfing guy icon). The Dudebusters come out with white Dusty Sucks Eggs t-shirts. Dusty and family come out to his WWF theme song, cowbell and all. Dustin is Goldust. Cody is Dashing (but no mustache or faceguard yet).

Cody is set to start but Dusty tags in and I absolutely love how the Dudebusters sell for the idea of him, scattering and leaping up to the top rope just because he entered the ring. Obviously the crowd is going to go nuts at the idea of Dusty driving them nuts. They're selling not a punch or a kick but an idea and an ideal and a larger than life presence. That's beautiful pro wrestling and we see so little of it in 2024. Cody felt a little looser than usual in this setting and Dustin was having a blast, including playing off a Dudebusters deal where the kept kissing his cheek by moving so they ended up kissing each other. This was the first time that Cody and Dustin teamed that we know of and they had some fun tandem stuff (like a catapult bounce back onto the knees/second rope move combo). In general, Dustin was moving great in there and looked like a million bucks.

Eventually the Dudebusters used a distraction to take over on Cody and we got the first of a double heat. They controlled the ring well. The hot tag to Dustin wasn't so hot but that's because the real one was going to be to Dusty later. They took back on him with another bit of distraction (they were good at that). It all built to the true hot tag to Dusty, the place exploding, and Dusty hitting a couple of things before picking up the win. As celebratory and reverent as it should have been but a better match than it needed to be because they let the Dudebusters take so much of it.

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Found Footage Friday: All Japan 12/5/85

Haru Sonoda vs. Shinichi Nakano

MD: Good performance here from rookie Nakano. He showed a bulldog's tenacity in attacking Sonoda's arm (especially good headbutts to it) and never felt like he shouldn't be in the match. I'd seen him quite a bit recently in 89-90 and past a bit of meandering at times, I would have believed you if you told me this match was from that era. Maybe that was part of the problem in him not advancing more. Sonada (who was Magic Dragon but I imagine most people reading this would know that) came back with headbutts and inside shots and a lot of focus on the eyes. Nakano sold an eye rake with a back bump which was a choice. Finishing stretch was okay in that you at least wondered if Nakano had a shot.

Nick Bockwinkel/Curt Hennig vs. Mighty Inoue/Masa Fuchi

MD: This was what drew me to this show as much as anything else. A new Bockwinkel match. Against two of my favorites of the decade for AJPW in Inoue and Fuchi. AWA babyface Hennig was in for a lot of this, having his leg dismantled by Inoue and Fuchi as they cut off the ring. The nature of the handheld made the ring look huge and the distance insurmountable at one point for Hennig. There were a couple of clips there in that part but you got the idea. Once he did make it to Bockwinkel, Bock was amazing as usual. He immediately pressed Inoue in the corner, then raised his hand in a flamboyant gesture of an exasperated clean break before laying in some shots anyway. He followed it up with a deep slam across the ring before Fuchi came and the two of them scrapped their way to the floor. When it was Hennig's turn to get some revenge, he showed a lot of fire. The finishing stretch was definitive but unique, with Bock lifting Fuchi up for a Hart Attack move with Hennig's "Axe" and then hitting a rare power bomb for the win. I don't think it was ever better than the sum of its parts, but the parts were all very good.

ER: Normally I'm a fan of minimalist wrestling but I wanted a bit more from this one. I was hoping to see Hennig and Inoue work quick and land hard and instead it was a lock of Inoue holding Hennig in a leglock. It was engaging enough, but it wasn't the kind of engagement I wanted. Mockingly, the handheld cuts away right as Hennig starts punching Inoue from his back and Inoue starts connecting back. Fuchi wasn't as much of a dickhead here as he'd become, wrestling much more like Jumbo lite. I did really like Fuchi catching a Hennig kick and Hennig punching him a couple times while hopping on one leg. Bockwinkel hit hard when he tagged in, and the finish was spirited. Inoue splats Bock with his senton and then hits the mat just as hard when Bock rolls away from the next one. The Hennig Axe bomber Hart Attack looked awesome, and Bockwinkel's powerslam finish looked just as good. 

Tiger Mask II/Genichiro Tenryu/Motsohi Okuma vs. Yoshiaki Yatsu/Isamu Teranishi/Norio Honaga

MD: First couple of minutes here had me a little worried as everything was nice and clean and sportsmanlike. Then Yatsu came in and everything changed. 85 Yatsu came off as far more of a disruptor and dissident than Tenryu, a real chip on his shoulder, a real attitude, and more than happy to toss people around with one throw after another. Tenryu would meet him halfway, blasting him with shots and tossing him around on the floor, but he wasn't nearly as violent against anyone else, even Honaga who he was paired up with in the finishing stretch (a standard "junior getting some hope against a star before getting put down" bit). In fact, it was Okuma who came off as both a force and, really, a star, even though he was teaming with Tiger Mask and Tenryu. His headbutt act was perfectly suited for a house show setting and over. Following up from a bit where Yatsu (using Teranishi's distractions) kept coming in to break up submissions, Okuma did the same with headbutts. Eventually, the other side got revenge by all getting their own headbutts in on him (with the crowd egging Honaga along as he was the last and most hesitant of the bunch). I would have liked some of the teams' control segments to last a bit longer as it all felt a little too back and forth but once they got past that initial reluctance to really fight one another and Yatsu reset the mood, this became overall enjoyable.

British Bulldogs vs. Kuniaki Kobayashi/Fumihiro Niikura

MD: Pretty typical ten minute Bulldogs match here. It's 85 so Dynamite was mobile but roided to the gills. Kobayashi especially made the Bulldogs look good, not that it took a ton of work. They were leaping off of pin attempts for both of them and not just Davey Boy which I found interesting. Davey always looked like he was having so much fun in there while Dynamite never did. When it was time to eat offense for the Bulldogs, that was Davey too. I don't know. Unless we're talking 1980-2 jerk heel Dynamite, I always see the stuff I expect to in his matches. Hard to come in with an open mind. This was fine though.

Jesse Barr/Harley Race vs. Jumbo Tsuruta/Giant Baba

MD: I had some hopes for this one. Generally, I think Race gives way too much in Japan given who he is and what his rep is and how awesome he can be when he's really laying it in. His partner here was Barr though so I couldn't imagine Barr carrying too much of the offense. This still had a decent amount of Race stooging though. Some of it was pretty ginger. He moved super slow out of a corner whip, for instance, but then he walked right into a belly to belly, so it's not like you can complain. When he did go on offense, it was pretty great, with some killer headbutts out of the corner and then holding Jumbo up for the world's longest delayed pile driver. Even the way he'd turn a Jumbo front facelock into a suplex, just the way he powered him over, had a ton of presence behind it. Barr was okay, bumping big for Baba (and glad to do it) and rewarded later by getting to belly-to-back him. The finish had Jumbo and Baba repeatedly kill Barr only for Race to save him again and again until both teams got counted out. My favorite part towards the end was the guys with the handheld camera shouting out what they thought Jumbo's next move would be (they got the clothesline right but didn't realize he wanted to do a revenge pile driver instead of the belly to back).

ER: This managed to be a bit dull and a bit surprising all at once. Jumbo had a couple dry runs on offense, and Race was a bit slow and deliberate at times, but I love these kind of matches because it's always fun seeing guys like Jesse Barr interact with huge legends. Race bumps a lot, getting big air on a Jumbo hiptoss and really tossed with a belly to belly, gets the legs knocked out from him by a Baba back elbow (after Race punched Baba in the eye), and down the stretch he takes his big rope flip bump backwards to the floor. I agree with Matt that it's more fun when Race fights back harder, and we get a feel for that when he's punching at Jumbo and gives him a hard atomic drop. I think '85 Jumbo is more interesting as a dynamic seller than on offense, buckling his knees at the impact of Race's strikes. 

Jesse Barr interacting with Baba and Jumbo delivered what I wanted, and I liked how the guys recording this either really liked Jesse Barr, or at minimum were pretending to like Barr to crack each other up. Every time Barr would pull off a move they'd yell "Barrrr!" I didn't really hear them react to any Harley Race offense, but they reacted to Barr the whole time. Barr had a really nice high bearhug on Jumbo that Baba had to come in and break with a chop to the back of Barr's neck, and later he got to throw Jumbo with a nice belly to belly, and drop Baba with a high delayed back suplex. Jesse Barr dropping Giant Baba with a huge back suplex was too much, I love it. Baba had a bunch of great chops and Jumbo knocked Barr to the floor with a big running knee, then Barr rearranged every ringside barricade with his body. It had dull parts, it had some great stuff, it's a good enough 12 minutes. 

Dory Funk Jr. vs. Riki Choshu

MD: First and last third of this were really good but I thought they'd be striking a lot more. Instead they worked the mat and that first third had them moving in and out of things frequently and really fighting for positioning and counters. Gritty stuff. In the middle, it devolved a bit more into fighting for one particular hold, be it a half crab or the Scorpion, but they picked things back up for the finishing stretch. At one point Dory hit a belly to back followed by a butterfly suplex and a Russian legsweep. Just boom, boom, boom. Then Choshu blocked the fourth boom (an atomic drop) and started throwing the clotheslines leading to one great near fall where Dory ducked it. Eventually, they hit the floor and Hansen and Dibiase (and then Hara and Rusher) came out to cause chaos and set up the next match and that was that. The good stuff here was very good.

ER: I thought this was pretty great, a hardscrabble match where nothing looked easy. This looked like a real workout for Dory and Choshu, and I thought Dory was especially impressive. Choshu is a real bulldog and goes after Dory on the mat, and it's cool to start a match with 6-7 minutes of catch as catch can before going into the stuff where you really need a gas tank. Dory was just a couple months away from his WWF stint and looked really big, far bigger chest and arms than he had earlier in the decade. That extra size comes in handy as he and Choshu have some pretty nasty collisions. The matwork was tough on its own, both guys working hard to block single legs and Funk fighting off the Scorpion, and I didn't think the finishing run would be as hot as it was. Not only did Dory start dropping Choshu, but both guys were getting to their feet quick, and the excellent camera work really zoomed in and showed how hard that 1985 AJ mat was. 

Every bump looked body jarring and Funk really looked like he was powering a heavy Choshu up. Funk's back suplex looked great and his butterfly suplex was strong, guy looked like he was out there on the farm loaded bales, and if Stan Hansen hadn't pulled a Russian legsweep even more deadly looked in the very next match then I would have said Dory clearly had the best legsweep on this show. Choshu threw a few lariats right at Dory's neck, and I like how accurately Dory sold them: one knocked him flat on his back, one to the side of his neck knocked him sideways and onto one foot, and when Riki started swinging his arm my man had to act fast. Dory ducking THEE lariat was perfectly done, as Riki swung for the fences and Dory just dipped his head under and hooked the waist, a nearfall on an O'Connor roll that would have been a really good finish. Tough as hell match, shocking this kind of workout was what they were doing when the cameras weren't rolling. 

Rusher Kimura/Ashura Hara vs. Ted Dibiase/Stan Hansen

MD: This had one clip in the middle but probably not a big one. Hara and Rusher took it right to their opponents, with both sides trying to drive each other back into the corner when possible. Dibiase tries hard but when paired with Hansen he always comes off as a guy trying to wear his dad's suit. This was short and entirely back and forth but it had the sort of energy you'd want given who was in there.

ER: Man how cool does Baba look at ringside with his yellow stripe on black track pants, black shirt tucked in? Our director was 100% right to zoom in on him. The Yellowjacket ringside track suits were a real highlight of 1985. There was a cut in the middle of this one, so I'm not sure how much we missed, but what we have is 8 minutes of a real good fast-paced scrap. Everybody comes off like a tough son of a gun, with Hansen bullying Rusher around and the still-spry 44 year Rusher fighting back hard. Rusher was easier for Hansen to bully 5 years later, but he was still beefy and mad in 1985. I love the way Hansen tangles guys up and spins and rolls around the ring with him, really tussling. His body language is always the best, and he pays close attention to things that could easily be throwaways, like the way he clamps heavily on Rusher and Hara's traps when he locks in a nerve hold. 

Hansen never makes it easy on anybody. He's always pulling on you, laying on you heavy and not giving you rest holds, and always hitting so damn hard. Hansen is just the most annoying opponent, more relentless than Fit Finlay and 60 pounds bigger. And I like when guys like Kimura and Hara can deflect that relentless energy, even if only temporarily. I loved the finishing building to Rusher's hot tag, when Hansen rushes into a Hara boot and spirals his way dramatically down the length of the ring. Rusher tags in and throws a ton of headbutts and Hansen reacts to them like he's in a swarm of bees. I liked Dibiase here too, holding his end of Large Gaijin Hansen Partner of a big tandem shoulderblock that knocked Hara ass over elbow, and bringing the beauty of the falling fistdrop to Hiroshima. He dropped a bit of the technique here and to focus on the energy, and I kind of like Dibiase wrestling like Joel Deaton. Hansen hits one of the smoothest violent Russian legsweeps I've ever seen, Dibiase wins it with a big rotating powerslam, and Hansen slides out of the ring and gets the hell out of that arena like he was missing his bus. Great stuff. 

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New Footage Friday: 1994 WCW House Show (+ Bonus Lawler vs. Bock!)

WCW House Show El Paso 7/14/94

Lord Steve Regal vs. Johnny B. Badd - GREAT

MD: 94 house show Regal obviously brings a lot to the table. He stalled a lot early, but paid it off by bumping himself on the way back in for high comedy. The chain wrestling, when they got to it, was good, though everything along these lines, even the good stuff, feels a little low rent after watching so much French Catch. When Regal took over, it was with a brutal variety of offense. Badd really needed a couple more meaningful hope spots, even if he was going to get the reversed banana peel win.

PAS: I thought this was nifty stuff. Any chance to see new Regal is tremendous, and I thought he was awesome here. He had some fun stooging stuff at the beginning, really riling up the crowd and doing the job of a opening match wrestler. When he lays a beating on JBB it was appropriate, Lots of of those nasty left handed forearms to the side of Badd's head, and an incredible counter of a sunset flip where he shifts his weight and drops a knee right on Badd's eye. I really liked Badd's comeback, really worked the heavy bag with his body shots, and hit a very cool looking flying headscissor. Finish was a bit lame, but what you would expect from a house show. Regal really elevates everything he does. 

ER: House show Regal during this era would have been such a treat, and his performance is the kind that makes house show handhelds such a joy. Regal is the TV champ here, and just watching his haughty mannerisms as he reacts to the El Paso fans would be enough to make me love this match. He makes a ring attendant hold the ropes open for him, circles Badd several times while making fake lunges toward him, then when the crowd finally gets excited about Badd laying his hands on Regal...why of course that's when Regal rolls to the floor to avoid the action. Regal keeps grabbing the house mic and asking the fans to please be more quiet so he can concentrate on his wrestling, threatens to leave until he begins being counted out, runs back to the ring and trips on the ropes, landing in his face. This is the kind of stuff that house show dreams are made of, a style that we're getting further and further away from to the detriment of all wrestling joy. 

And once Regal does start wrestling he lays a great beating on Badd for over 10 minutes. He leans full body weight behind European uppercuts, works cool knuckle lock exchanges that end with Regal kneeing his way out, blocks a sunset flip by dropping a knee down onto Badd's face. I thought Badd sold Regal's shots so well, loved the way he always looked off balance, the way Regal would uppercut him into the ropes and then headbutt his stomach to get him back into the ropes, Badd had a nice organic way of selling Regal's offense exactly as it was delivered. Badd's punch comeback looked really cool, highlighting how silly modern stand and trade exchanges look, as Bad is landing body shots while Regal and him aren't really focused on each other's timing. It looked like two guys each trying to land strikes while on defense, not like two guys waiting out their turning in the timing to strike. Regal is a slime and tries to put his feet on the ropes for the win just because he can, and it works! Until the ref notices the feet and reverses the call, leading to Regal getting schoolboyed. This was a tremendous Regal performance around a popular but limited performer, but I thought Badd's selling was incredibly strong and only added to Regal's hilarious mannerisms and brutal strikes. 

Brian Pillman vs. Diamond Dallas Page

MD: It's great to see visible proof of Austin sitting and watching matches. I'd guess in this case that Page asked him to for critiques but maybe the guy just liked wrestling and was a student of the game. Pillman here, came off like the world's smallest Hansen, constantly fighting back, constantly making Page fill space with his size and his offense. It meant Page had to take every moment of this with nothing given and that made for a more compelling experience than you might think coming in.

ER: I'm never going to be too into those matches where babyfaces hit arm drags and then hold arm wringers as a big portion of the match, as it always just ends up making me more interested in the heel eventually breaking through and that shouldn't be the goal. But that's what happened here as I wound up being far more excited for DDP bumping around for Pillman, and really loved his hard forearms to Pillman's jaw. I thought he was good at working a big man against a hot babyface, liked how he took the crossbody, but just found myself far more interested in seeing DDP throw those elbows. Maybe the most interesting thing was our cameraman panning the crowd (or well, panning hundreds of empty folding chairs) to catch Steve Austin sitting by the entrance watching the match. I love seeing things like that. 

Stars & Stripes vs. Pretty Wonderful

MD: The highlight of this came early when Roma bumped himself out of the corner on a clean break and declared victory by claiming Patriot took out his eye. Pretty funny stuff. Pretty Wonderful cut off the ring well, but a lot of their offense was more focused on containing Patriot than doing damage to him and that'll only take you so far. The finish worked though, giving us just enough Bagwell and not too much of him.

ER: I have friends who went to a WCW house in Oakland, CA maybe three months after this house show, and they both said that Pretty Wonderful vs. Stars & Stripes was the worst match they had ever seen live, both with memories of the match going 30 minutes and being dreadfully boring. They both acknowledge that they might feel differently now, how their tastes may have changed, and I think it's possible that they might have hated it due to the unnecessary length and the probable amounts of bullshit in the match. The bullshit in this match is really great, but I know I had less tolerance of stalling and drawn out cheating and those sorts of things when I was younger, and now it's something I actively seek. I didn't like those Rockers/Rougeaus matches that started with 15 minutes of them doing showoff poses and playing games of H-O-R-S-E by doing backflips off the buckles, and now I would kill to see wrestling matches like that. 

This match had a lot of bullshit, and it was nearly 20 minutes (with several minutes cut out when the guy stopped recording) of Pretty Wonderful cutting Patriot off from Bagwell. Patriot is one of the more supremely uninteresting wrestlers of the era, and a match focused on PW containing him and his weird punches is a good thing (he throws hooking right hands with nice form, but frequently aims them them so his mid wrist is connecting with the side of his opponent's head, so his fist always lands behind his opponent). Orndorff is great bumping around the ring and begging off from Stars and Stripes, and things get really great when Roma starts using hand claps behind the ref's back to make it look like Patriot is taking cheap shots. Roma backs Patriot into the corner a couple times, and claps his hands right when the ref can't see, bumps backwards holding his face and complaining about Patriot's poor sportsmanship. The first time Roma did it, a woman near our cameraman began loudly, hoarsely CACKLING with laughter. God I wish I could have watched wrestling with that woman. Roma was great at being the batter who is trying to work a hit by pitch, and what really makes the match is how deeply upset the crowd gets with every single cheat utilized by PW. When a crowd is this angry at a heel routine, it's the easiest thing to love. Roma is a guy I never think of, a wrestler I've seen so much yet has made such a small impression on my memory that watching this house show version of Roma gives me a new appreciation for him. This guy knew how to draw excellent heat on an undersold Texas house show, and that's a cool thing. The match builds smartly to a quick Bagwell hot tag, which is the best possible use of 1993 Bagwell. There's a good chance I would not have had the patience for this match in 1994, but in 2020 this was just what I needed.

Guardian Angel vs. Ron Simmons

MD: This was short and weird. You have to call it a disappointment. I've never seen Simmons work heel like this, almost like chickenshit, falling out of the ring and running away from Angel. He had a nice face first corner bump/rope assisted mule kick as a transition move but it didn't go anywhere as Bossman took right back over a minute later (though there was what felt like a small cut which maybe made a difference). Really the best part of this was how the ring shook whenever they hit the ropes.

ER: I thought this kicked ass, and based on the timekeeper's call I think we actually got closer to 4 minutes cut out of this, and I think that was an important cut. I'm pretty positive we missed the 4 minute entirety of Ron Simmons' offense, as the match cuts right after he knocks Traylor to the floor with an awesome falling headbutt/Bret Hart diving elbow, and then joins us back with Simmons missing a big headbutt off the middle rope. What we're left with does indeed feel incomplete, but I loved the match we did get. Simmons/Boss Man really wasn't a singles match that was run a lot (I don't think we ever would have even got a singles match between them 5-6 years later in WWF), and who knows maybe they intentionally did not want to run this match because Traylor so large and it's a tough spot to put some heels in working with a large dominant babyface. 

But large dominant babyface Ray Traylor is some of my favorite wrestling, so I loved seeing him uppercut Simmons around the ring, roll to the floor and uppercut him some more. We get big shoulderblocks and nice collisions, and obviously the big mystery is just what did Ron Simmons do to control Traylor during that missing time. Traylor's comeback after the Simmons missed headbutt is great, a few big clotheslines and a finisher worthy crossbody that Traylor got great big man height on (and Simmons took in a way that landed HARD). We get a hilarious bit at the very end that feels completely out of place (enough that I assume this was played up a lot during our missing time) as Traylor hits a headbutt and then drops to his knees selling Simmons' hard head...only to roll him up in a small package when Simmons tried to capitalize. It's REALLY hard to do a "sell hard head of opponent spot" literally 10 seconds before winning the match, so this had to have been the focal point of the missing time, leading to Traylor exploiting it for the surprise finish. Loved this pairing, glad we finally got to see a nice length singles. 

Dustin Rhodes/Arn Anderson vs. Bunkhouse Buck/Amarillo Slim

MD: We don't get a ton of this. In fact, we lose it right when it's getting good, but I'm sick of hearing Arn say how terrible a babyface he'd be because he has no "babyface skills." He could punch. He had great timing. That's literally all you need.

ER: Oh, how cruel handheld wrestling can be. This was the match I was most excited to see, and what portion of the match clearly showed it to be the best match on the show. Alas, we don't see the finish of the match, and it felt like there still could have been 5 (or 10!) minutes left. The match still could have gone in several ways and we cut out after jumps the gun on the hot tag. It wouldn't be a shock to find out they worked another 5 minutes of Buck/Slim keeping Arn away from the tag. As we finish, Arn has run into the ring throwing punches before getting tossed hard to the floor, and Buck/Slim are just about to start working over Dustin again. We'll never know, but what we do get is as good as its on paper promise. 

There are cuts throughout the match, but those appear to be our cameraman cutting "out of ring" time. Obviously, all of that out of the ring time involves Robert Fuller, so cutting that out of the handheld is a crime. When Bunkhouse Buck takes a huge bump over the top to the floor and Fuller gives him some air by waving his cowboy hat over his face, you know we're missing out on other versions of that. But we do get Fuller on the house mic directing traffic and telling Buck and Slim to keep putting the boots to Dustin. Buck is great at laying in the boots and taking offense, loved how he sold Dustin's atomic drop but also loved how he kept backing Dustin up with a bearhug. At first I thought it was silly that Erik Watts was working as "Amarillo Slim" (I had no idea this was a gimmick he worked at the end of his first WCW run), but heel cowboy Erik Watts is way more interesting than tall clumsy babyface Erik Watts. He takes his own fast bump to the floor and could have really been valuable as a heel patsy who apes Buck and Fuller. Arn as a fired up hot tag babyface is something we didn't get enough of, and something he's great at. He's a powerhouse on the apron, and between his babyface apron energy and Dustin's excellent FIP work, it's not shockingly a great fit. So, watch and love this for what it is, and not for the missing parts we have no control over. We have Amarillo Slim footage now, and for that we should be thankful. Imagine if Virgil had only worked a few house show dates as Curly Bill and had never been on TV under that gimmick. Watts as Slim is not as exciting as that, but it hits the same spot. 

Stunning Steve Austin vs. Sting

MD: Austin was in transition here, no longer the TV champ of 91 or the Hollywood Blonde of 93 but not yet what he'd become a couple of years (and injuries) later. I love watching him squash guys in 95. Here he was still full of stooging and bullshit but had a way that he threw himself into all of his offense that was a portent of what would come. Sting did what he had to, emanating power and authority, a straightman that let all of Austin's manic energy just wash around him, waiting for him to feed into gorilla press slams and back body drops. This had enough time to be fun, but given the number of roll up finishes so far, there was probably no harm in giving Sting something more definitive to end it.

ER: I love Steve Austin, and I really love this era of Austin. I don't know if anyone on the roster at this point delivered offense better than Austin. He wrestles the way 1994 Bret Hart would have wrestled as a stooging heel. Same perfectly executed offense, delivered as if to look like he's really throwing his full weight behind everything. Hart and Austin have very similar styles but tweaked in ways that made them unique and complementary opponents (instead of the parity battle their series could have been), and 1994 Hart was a guy that would have been able to have a great match with Sting. House Show Austin is one of my favorite things, as every time we get to finally see WCW handhelds or unreleased post-Raw dark matches, Austin shows himself to be one of the more engaging crowd work guys in history. I mean, *obviously* Steve Austin was someone who could connect with crowds, but he never really stopped working the way an old 50 year old bullshit artist territory guy would work a 35 person crowd. He clearly relishes getting in people's faces and doing full routines with people in the front row, and the crowd was here for ALL of it. He knew when to be vicious to Sting, he knew when to get his ass kicked, and you get the sense that Austin could have had a match this good with a babyface of any ability. 

Austin is a great bumper, and here we get to see him give the balcony fans in El Paso a great look off at him as he flew into a sky high backdrop, and not long after went up just as high for a quick Sting press slam, and Austin works so fast his bumps look even better. He's one of the best all time at being perfectly in control while working at a speed that makes it seem like things are about to run off the rails. It's like a 2 year old who has been walking for awhile, but still falls down when running too fast, as if the body isn't quite catching up to the desire. Maybe the best thing about his bumping is how hard his landings look, or how hard he makes his landings look. He hits heavy on the mat for every back bump, which makes suplex landings or falls feel always consequential. His offense all looks so good, and I can't get enough of his kneedrop, his diving elbow off the middle buckle that might be the best version of that elbow ever thrown, and one of the coolest things I've ever seen him do: when he unrolls Sting's arm like he's about to hit a Rainmaker and just assaults him with a back elbow. Honestly, it looked so great it should be a finisher. It all builds to a quick, simple Sting comeback. Austin bumps for three decent clotheslines, holds the ropes on a sunset flip only to have them kicked off by the ref (sincerely one of my most hated spots in wrestling history). Austin kicks out but comes up shoving the ref for kicking his hands, leading to Austin getting shoved into a schoolboy. The finish really felt like the kind that some WCW agent saw Flair use for a couple decades, but Austin pulls off that kind of thing with aplomb. 

Jerry "The King" Lawler vs  Nick Bockwinkle CWA 8/21/78 - GREAT

MD: A Thanksgiving miracle, even if one with a ten minute clip through a lot of the good stuff. I'm pretty certain this was the first time Bockwinkel fought Lawler and some of the only footage (if not THE only footage) we have of Heenan in the Mid-South Coliseum. Heenan had amazing purple and gold California pajama gear that could have only existed in the 70s. Bock wrestled Lawler early on the same way he'd wrestle Chavo Guerrero in Houston a few years later, that Hollywood over-confidence in wrestling a local yokel in front of a crowd that loved him for whatever reason. Even Lance picked up on it on commentary a few minutes in (which is why Lance is so great). It led, of course, to Lawler stooging him with his own offense and looking like a million bucks without diminishing Bockwinkel in the least. Heenan and Bockwinkel spend the first few minutes complaining about hairpulls that don't exist only for Bock to take over for a bit with a hairpull of his own. It's that attention to detail that made him so great. The cut comes just as you can tell they were about to move into something better, so it's frustrating, but when we come back for the finish, it's in the midst of a ton of great Lawler punches and Bockwinkel's full body selling that really got over the weight of what had happened so far. The finish is typical Heenan running in when his guy is doomed, but it's to show that Lawler can beat the champ and set up the rematch the following week, which I bet drew. It's a shame we don't have all of this, but we've got 15 minute more of it than we did last week, and I won't complain about that.

PAS: Odd presentation of this match, we get the first 12 minutes or so of this, which is a lot of feeling out and cat and mouse stuff. Lawler suckering Bock into a side headlock, Heenan grousing at the ref, etc. All prologue. These are two masters, so minor key stuff is going to be well worth watching, but just as Lawler starts to pick it up with big forearms to the ribs and a couple of right hands, they jump right to the last two minutes. I obviously want it all, but if you are going to clip, clip the appetizer, not the main course. Finish is Lawler rolling, and we get an absolutely classic fist drop. He is the best ever at it, and this is one of his best, before Heenan just runs in for the DQ (his Laker's jumpsuit was maybe the highlight of this match, he looked like Jerry West on the prowl for the ladies). A little frustrating, but still this was something we didn't know existed until Wednesday.

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New Footage Friday: FUNK! BOCK! ALLMARK! GALLAGHER! TANK ABBOTT?!? BOB SAPP?!?

Terry Funk vs. Nick Bockwinkel AJPW 7/12/83

MD: As new footage goes, this isn't as major a discovery as it looks. We had this match pro-shot with commentary, but missing the first few minutes. This gives us a HH version from a different angle with much better crowd noise and a few of those first few minutes of actual action (including a much better listen to Bockwinkel's Bill Murray lounge style Star Wars theme), but then misses a few minutes of great matwork has other, smaller cuts on longer holds throughout.

I still pushed for it for NFF because it's a match I've always loved with two of my favorite wrestlers and because it's a great match to signify that my first post for Segunda Caida was 6 years ago this week. I was really looking for both an outlet then and for a way to keep myself honest and focused on lucha specifically, since I had struggled with working out the ins and outs of the DVDVR set. I couldn't have been happier how that worked out (even if yeah, we're mourning the loss of Cubs' channel this week). In the last few years, starting with the release of the Houston Footage, but then with the weekly WWE Hidden Gems, and Japanese handhelds, big German releases, and now the French Catch collection, it's been just great to scour the net and to unearth and bring this stuff to people's attention. I'm less focused on modern wrestling than Phil and Eric who manage to watch everything that comes their way, but between Tuesday and Friday, I am watching six+ matches a week and having a blast. So thanks to them for letting me be part of this place.

Enough of that; on to the match. I watched this side by side with the pro-shot footage and that's always interesting. This was part of Funk's first retirement run and part of the benefit of the HH is that you see a clear shot of both of them throughout the entire match. While close-ups are good, Funk and Bock stand out compared to almost every other wrestler ever in that you want to see them every moment of a match. They are always acting and reacting. I don't think there's anyone in wrestling history better at portraying his emotions during a moment of advantage than Bockwinkel. A lot of wrestlers barely even try. With Bock, it's the elation and struggle of every single hold. Likewise, no one sells like Funk, especially in this early 80s AJPW setting. That's how he got over there despite being an American in an environment where the foreigners were all heels. He had a willingness, an utter fearlessness, to be vulnerable but resilient. Name another wrestler of this era in this place that would, even in victory, limp his way to the back. Without the announcing, with nothing but raw crowd noise, you can hear the crowd chanting his name, hear them get behind his comebacks. You can feel the energy and the adulation. There are so few matches between these two on tape but in some ways they are the perfect counterparts for one another, two perfectly engaged wrestlers who are able to thereby engage with one another, able to create a sum that is greater than even their incalculably lofty parts.

PAS: 70s and 80s title match wrestling is a style I am pretty much over, it's the reason I have very little interest in revisiting Jumbo matches. These are two guys which can add enough interesting things to a match to get me into a style I am not excited to see. All of the matwork was solid stuff with Bock trying to hold the spastic Funk down, with Terry spinning out and taking different angles then you might expect. Though the knee work was solid stuff which Funk sold great, and the fight on the apron near the end was a real highlight. This was the equivalent of some cool character actor performances in an otherwise standard movie.

ER: Let me say that I could not be happier with what Matt has brought to Segunda Caida over the years, and I can't believe it's been 6 years. I love the match structure analysis that he brings and I'm pretty sure he points something out that I didn't notice in every single post he writes. He's awesome, and this match was awesome. I'm really glad he pushed for it as it's a match up between two legends that I don't think I've ever seen before. I don't think of these two as opponents and I certainly can't recall ever seeing them in a singles match. But I loved it, muga minimalism at its finest, with every headlock and knee attack executed with snug realism. Bockwinkel's knee attacks came off really cruel, and part of that was Funk's less-grandstanding-than-normal selling. Funk still managed to flop around the ring and ringside (throwing himself into the guardrail right in front of the announce table) and continued to prove that it is an impossible feat to throw one individual streamer out of a wrestling ring. I loved how aggressive Funk was with a single leg takedown, and the way Bock punished that knee, dropping his own knee on it hard and peaking at the finish where he was throwing brutal shots that looked like he was trying to dissect Funk's MCL with fists. They did a lot of really cool stuff in the ropes (Funk is always good at flopping around on ropes) and Bockwinkel takes a nice bump to the floor that I assume leads to the Count Out. Again, I'm pretty positive I've never seen these two cross paths, and I absolutely loved it.


Bob Sapp/Stone Mountain vs. Kevin Northcutt/Tank Abbott NWA Wildside 12/14/00

PAS: Man I have no idea how Cornelia feds were always able to find such huge dudes. Both Stone Mountain and Kevin Northcutt looked to be of comparable size to Bob Sapp and Tank actually looked small. This was a tag with two guys who were basically untrained, but Sapp and Tank both had an entertaining awkwardness, shots would either miss or land way too hard. I really liked Tank's body shots, he seemed to really lay those in and that must have really sucked. Northcutt had a nice crescent kick, although other stuff looked odd. Sapp has an undeniable ring presence, and in a different world would have been a huge wrestling star. I can imagine if WCW didn't go out of business Sapp vs. Goldberg would have been a supernova. Nifty look at an all time WAR level weirdo tag and good to see that Bill Beherns is uploading Wildside to youtube again.

MD: This was pretty fascinating, I suppose. You're here to see Abbot and Sapp in the same ring, and you do for a bit, and it's probably the best part of the match, and it's really just Abbot taking a powder on the outside and stalling. It's hard not to like that because the dissonance of toughman Tank Abbot playing Larry Z. Playing against expectations is good heel wrestling. He was playing Harley Race in a tag match in Japan here; whenever he got in, his side lost control. Sapp obviously wasn't there yet but you still couldn't look away from him. The guy was so big and so exuberant that his muscles were somehow able to get in the way of his own clotheslines. I don't know what to say about Northcutt. I liked his energy slamming guys into the corner. Less so his strikes once he got them there. He could do a slingshot flipping senton into the ring. You get the sense that he and Stone Mountain could have an ok singles match, but it's not exactly one I'd go out of my way for.

ER: Man, give me a pro wrestling match like this every week and I will be a happy man. Wildside was such a great indy, something that holds up as still ahead of its time today. But a match like this will draw my full attention no matter where or when it happened. When the amount of mass in a ring is SO RADICAL that TANK ABBOTT comparatively looks like a tiny little junior. Any fed that throws Green Giants in the ring with any number of shoot fighters is a fed that I will support and a match that I will desperately seek out. The best part of shoot fighters in a wrestling match is the shots that land way harder than they should, and Tank threw a couple shots to the back of Stone Mountain's head that didn't look purposely unprofessional, just accidentally unprofessional. And the Accidental Unprofessionalism is the kind of thing that makes a match like this brilliant. It's the same reason someone like Sean McCully is so endlessly watchable in early Zero-1. That combination of "yeah I'm an athlete but I've never done this before but sure I'll try it!" that always leads to someone taking a super dangerous bump to the floor or accidentally punching a guy in the throat.

Kevin Northcutt was a guy who showed up in dying days WCW syndication that I thought had a ton of potential, and even here he threw an awesome kneedrop to Stone Mountain's temple and some great shots to the body throughout. Stone Mountain was clearly the greenest guy in the match, but his leaping elbowdrop looked fantastic, and that's probably because he just leaped up and dropped his full weight behind an elbowdrop. And that's precisely the kind of thing I WANT to see from a match like this, precisely the kind of untrained wildness I want. And then we get it again when Bob Sapp drops his tremendously large dome down in a killer falling headbutt, and snaps off an effortless powerslam. If I had the choice of seeing a match like this or a previously unseen Flair/Steamboat match, I'm going to choose a match like this every single damn time.


87. Jack Gallagher vs. Dean Allmark NGW 9/14/14

PAS: Really nifty juniors match between two of the best 21st century British wrestlers. We start with some WOS matwork, and this is something that these two guys do much better then most of the British indy guys. It doesn't feel like a pair of a guys slowly going through dance choreography but incorporating that stuff in an actual wrestling match. My favorite spot of the whole match was probably Allmark's simple single leg takedown, which he landed with real velocity and force. The finish is a bit wonky with Gallagher arguing with the ref only to get smashed with a superkick. There was some big moves near the end of this match that would have been better finishes. Still this was good stuff.

MD: Fun thematic inversion of the Funk/Bock match as this one has had a handheld out there for a few years but now we get to have a pro shot version. This was a ten minute TV-style match as part of the Davey Boy Smith cup tournament. Very back and forth but everything was good. Gallagher isn't a big guy and doesn't have a huge palette to work with but he's great at changing up his look in interesting and iconic ways. They didn't have a lot of time to tell a story, especially considering how evenly this was worked, so it was down to the counters (and repetition, like how Gallagher went through the legs on an escape once but got caught the second time later; little things like that) and how they engaged the crowd. Allmark was quick to appeal to them or to try to get a clap going while Gallagher was delightfully smarmy, mocking Allmark while shaking his hand, clapping his own hand with Allmark's while he had him in a hold, etc. They tried plenty of tricked out chain wrestling flourishes and a few rope running spots and everything seemed pretty smooth and not too cooperative. They set things up for the finish and had a few good near falls but I would have liked this to have more time so Gallagher could control longer and Allmark's comeback would mean more.

ER: This was about the smartest way to work a quick 50/50 TV match, as both guys got to fit a ton of cool stuff into an short overall runtime, without ever feeling like either guy was shrugging something off to get their own stuff in. Gallagher wasn't on my radar until about a year after this match (even though he'd been a 10 year vet by that point, it's hard to keep tabs on EVERY wrestler) and I fully agree with Phil that these are likely my two favorite modern WOS guys. There's so much flash they do that is much more than merely flash, and even the slickest sequence felt like it had purpose. I loved things like Allmark trapping Gallagher's arms before popping off a straight Rockette kick to the chin, or knocking out Gallagher's legs to plausibly trap him in the ropes long enough to stomp on his neck and snapmare him off the turnbuckles. One of my favorite things about Gallagher is that he's so consistently good about making each individual piece of offense count, so that even though he's working from the same offensive toolbag each match, he's not just going through rote sequences. He mixes his offense differently into matches, so things like his massive corner dropkick always come off as a surprise and keeps it a finisher-level move. The early matwork in this was good enough to write up, but I love how the bumped it up into exciting juniors wrestling, with a big bump to the floor and actual quality nearfalls (at least three things down the stretch could have been finishes). I thought the finish was done well for that finish, as Gallagher wasn't overtly turning his back to Allmark while arguing with the ref, and it just showed that only a couple of seconds was enough for Allmark to take advantage with a nasty superkick.


2014 MOTY MASTER LIST

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New Footage Friday: ANDRE, ANDRE, ANDRE (and Tom Magee)

Andre the Giant vs. Jerry Blackwell AWA 11/2/80

MD: I knew we had this JIP, but we had less of it than I thought. What we basically had before was Andre's last comeback and the finish. It stood out, however. Why? because in those few minutes we had 1980 Andre, far more agile than he would be a few years later but closer to the wide-as-well-as-tall giant physique than what he was a few years earlier, taking that back-body drop which is one of those life-changing wrestling spots you never, ever forget.

Blackwell's amazing. There are people who weren't born until after he died in 1995 that will see this match because of the Network and get some sense of it. That makes me happy. I was barely familiar with him until the DVDVR AWA set. He's this amazing mix of size, preternatural physical speed and prowess, and the wherewithal to balance his the threat of his size with comedic timing. He's both dangerous and hugely giving.

What we missed when we just had the back body drop and the slam was some really good wrestling, including the second most impressive and memorable spot in the match, when Blackwell held on to a top wristlock as Andre threw him over his shoulder. It's the sort of thing you'd see all the time in a Ricky Steamboat match and the familiarity helps give it meaning, but two guys this size working that sort of spot took something relatively simple though always cool, and pushed it way over the top.

After Andre took over (absolutely killing Blackwell with chops and headbutts, constantly forcing him out of the ring), I loved the urgency in which Blackwell would try to attack Andre on his his way back in. It gave everything an air of believable desperation.

As much as lore has it that Andre hated other giants, you have to wonder what he thought about Blackwell, being a guy who could work with him like this, that could bump for him like this. I can't imagine Andre, even 1980 Andre, would do a rope running spot with just anyone, and certainly that he would take that back-body drop for just anyone.

ER: I love stuff like this, a regular match but with a $5,000 bodyslam stipulation added in. You don't win the match by bodyslamming your opponent, but you win 5K which is nice incentive. It also means you don't get an entire match of two gigantic guys stuffing their hands into the other's taint, that's just added as sweet delicious icing. I really loved Roger Kent's commentary during the ring intros. When Blackwell is billed at 485 lb. he goes "Blackwell actually gained weight just for this match!" which is an excellent piece of psychology, knowing that Blackwell wolfed down extra buckets of fried chicken just to make himself harder to body slam. And about Andre he says "You might recognize Andre from his appearances on BJ and the Bear, or as Bigfoot." Like people watching at home somehow only knew of Andre as a furry Steve Austin foe. But this is great. Blackwell is good at working Andre over logically, going after his arm (which would conceivably be one of Andre's weak points) and working in some clever spots around Andre's status as unmovable object. My favorite was Andre getting up off the mat while Blackwell was charging in, unaware that Blackwell was charging in, only to see Blackwell run straight into Andre's butt and go recoiling backwards. It felt like Frank Drebin neutralizing a shooter by unknowingly opening a door into him. Andre's big shots look fantastic. His lean back straight right punch across face in the corner is arguably my favorite punch in wrestling. And I dug the few bodyslam teases, with Blackwell inevitably getting squished from falling under Andre. The finish was really cool as once Andre got the slam the fireworks really picked up, Blackwell knowing he could no longer win 5K so just unleashing a nothing to lose attack on him was great, but Andre turns it on him very quick, tosses Blackwell into the ringpost, and then just launches him over the top rope...for the loss!! Blackwell takes a huge bump to the floor, total avalanche. Love this.

PAS: This was a great battle of the giants I didn't know happened and was totally amped to see. Blackwell is basically shaped like a square, like not a human shape and is amazingly agile for a guy who looks like he should be stuck in a Rascal Scooter. That Andre backdrop was amazing, can't believe he got him up and he landed like that. Blackwell lifting Andre for the slam and getting engulfed was awesome, it looked like a ghost being eaten by Pac-Man. I thought some of the mat stuff was a bit slow, but still this delivered what you wanted it to.


Andre The Giant/Hulk Hogan vs. Bobby Heenan/Nick Bockwinkel/Bobby Duncum/Ken Patera AWA 11/7/82

MD: If you could only pick three matches to express to people exactly what the AWA was in the first half of the 80s, this could be one. You can see so clearly here some of the homesy elements that Hogan took with him to New York and that helped defined the entire era to come. Andre got in on the dance, basically being Dancing Andre during the times they were in charge. The fans were hot for everything they did and they were elated to shout weasel at Heenan. Bockwinkel was absolutely amazing just always being a presence in the match (the other guys were too but he stood out to me; there was one moment where he was on his way out of the ring after getting thumped by Andre where he tried this kick out nowhere to Andre's legs, just always so present in the match). There was double face-in-peril. The comeback was hot but maybe wore out its welcome a bit (not that the fans cared). I liked the structure, where the numbers game finally overwhelmed Andre though Hogan could take on one at a time in the meantime. Then, when Andre got worn down, they could work on Hogan a bit too, all til Heenan got over confident and dared to face Andre. The second FIP was focused on Hogan's previously-injured arm so everything made sense despite the feeling of constant over the top (and like I said, sometimes hokey in that charming AWA way) chaos. The most fun you'll have watching wrestling this week.

PAS: This was four great pinballs being bounced around by two of the greatest paddles in wrestling history. Loved all of the heels running right into Andre and Hogan and getting consistently repelled. When they finally get Andre on his back they swarm like ants on a leftover french fry, only to the have the Hulkster run wild on them. Heenan was a wild bumper as one would expect, and Bockwinkle was great at sneaking in a shot or two. Wholly satisfying wrestling, which sold a ticket to everyone in the arena for future permutations of this feud.

Andre The Giant vs. Big John Studd WWF 7/20/84

MD: As best as I can tell, next week will be the one year anniversary of us doing New Footage Fridays. We've done at least three matches every week for a year. There's a ton of new or very rare footage that has been uncovered in the last year that we haven't even gotten to yet. Let me put it this way, just from Japanese handhelds and some older years of Japanese TV alone, we could do this for another year; just with what we have right now.

This is all the writing I've done for the site this year and most of the wrestling I've watched this year, and it's one of the best experiences I've had in a couple of decades of interacting with other people online about wrestling. It's been a great time searching for footage, checking with people to see if it's new, scanning through it to see if it's worth talking about, and then seeing what Phil and Eric have to say about it too. With a lot of the non-network matches, we're not just reviewing but also highlighting so others can watch as well. I can't speak for the other two (though I bet I speak more for Eric than Phil on this one), but I love when we get comments and people tell us what they think about the matches we're dredging up. We don't get enough. Chime in. It's appreciated.

All that said, I'd like to introduce everyone to the hill I am going to die on this week: Big John Studd. Studd is, I think, one of the most wildly underrated wrestlers of all time. He's not a total package like Eric's Berzerker-era Nord. In fact, one element of his game is actually quite flawed and I'll get to that. It's more the case that he's one of the biggest victims in history of workrate primacy and the undervaluing of stalling and stooging that afflicted wrestling writing and thought for much of the last forty years.

Studd more often than not is the world's largest Larry Zbyszko. He's a heat-generating magnet, made all the more so by the fact he's so damn big and so damn powerful. He's a giant. Even facing another giant, there's massive dissonance in the idea that he's going to take five minutes walking around the ring jawing with fans or that he'll do everything he can to avoid a lock-up. That's part of what made it all so brilliant. This isn't base laziness. It's premeditated and effective.

This match is as perfect an example as you'll get. He absolutely takes his time getting in, making at least one full, languid, rotation of the ring, interacting with the fans, taunting Andre, drawing heat. The second he starts to get in, Andre is on top of him. This is a return match (though the return was a few months and other shows in the making) so everything was primed and the fans absolutely love Andre not letting Studd do what he wanted to do. That loops us right into the second half of the Memphis-equation, the stooging. If the stalling is the build, the stooging is the payoff. Studd sells everything happening in the ring as only a guy his size could, with massive limbs flailing and body bouncing all over the place, gigantic recoil. His robe ends up over his head. This never aired. It has no commentary. It was filmed to potentially air (much of this show ended up on TV or on videotapes) and they occasionally cut to members of the crowd looking absolutely delighted. As good as Andre was at being Andre, that's not him. That's all Studd.

When Studd takes a powder out to the floor and is surrounded by the crowd, the two cops come down to stand on either side of him. The visual is striking. Everyone's so much smaller than Studd and here he is, running away, in hostile territory, Gulliver in the land of the Lilliputians, and he needs these two tiny cops to protect him from all the other tiny people. People are most affected by things when there is a gap between their expectations and reality; that's John Studd in a nutshell and it works.

Where it falls apart, generally, is when he takes over on offense. Some of his stuff, the clubbering, some of the intensity with the choking, is really good, but it almost always settles down into a bearhug or a chinlock and Studd, while so good at giving and giving and giving, at delaying and delivering with his stooging, wasn't great at making his holds compelling when he was on top. Someone like Flair or Bockwinkel absolutely were, and even a guy like Zbyszko could take that first half of his act and pay it forward into the second part. Studd couldn't or wouldn't. That's half of the problem. It's what people remember. It's what stands out because it falls later in the match. Even so, the fans were completely into Andre's comeback (so much of that based on the heat that Studd had drawn previously in the match) and it all finished both definitively and well.

Like I said, the chinlock was half the problem. Only half. The other half is the workrate bit. We spent decades in a dark age where stalling was frowned upon as the opposite of everything wrestling should be. Why care about the acting in a movie when there are special effects to look at, right? They're flashier. They involve less thought and less nuance. People have turned the corner on wrestlers like Lawler and Zbyszko. Studd isn't on that same level. He's only half the act, but I feel like it's time he finally got proper credit for that half, which was truly exceptional. That's the hill I'm standing on. Shoot your arrows accordingly.

ER: I think I was more excited for Matt's review of this match, than I was about the match itself. I think I have had upwards of 5 different conversations with Matt about Big John Studd: Giant Stalling Stooge, and he's been absolutely dying to tell all of you about it at length, and I'm happy we finally got there. The match itself was short and fun, but Studd's stalling really was memorable. Look at his faces as he stalks the ring, watch the fans and his reactions to the fans as he retreats deep into the aisle. I also liked the twist on Andre getting trapped in the ropes, with Studd beating him into place instead of Andre falling and letting gravity trap him. But the real satisfaction comes when Andre unleashes his payback and splats him with his butt, crowd going even more nuts for an Andre comeback because of Studd being such a weenie for so much of the match. I really loved the optical illusion of these two hulking dudes battling in the corner, as it really looked like the ring posts were going to bend and collapse.

Bret Hart vs. Tom Magee WWF 10/7/86

ER: I finally got around to watching the mini doc on this match, and it was a fun little piece of history. WWE taking the time to film people talking about this match that only the nerdiest of wrestling nerds would know about really feels closer to Phil writing up every PWFG show or me writing up every Berzerker match than anything else WWE has ever done. Think of the man power they utilized and the quick turnaround time to get all of this filmed. The idea that they would bug Bret in 2019 to ask him to talk about a 4 minute match from over 30 years ago is such a joy. A 30 minute doc on a short match involving a guy who 99% of modern WWE fans have never even heard about who has no involvement in any way with pro wrestling since the 80s is like getting a 30 minute documentary about the cop's brutally bad fake mustache at the end of Sleepaway Camp. But I thought they did a really excellent job at highlighting this kind of lost footnote, thought Waltman had some nice insight, thought DBS Jr.'s Bret impression was tremendous, and was only disappointed that we didn't get any comments from Bret or Magee after we had seen the match. Magee came off down to earth, totally cool with the fact that wrestling wasn't for him, and I loved his note that they shielded him from all of that "next Hogan" talk. 

The match itself was the same kind of thing we saw Bret do for 25 years. It was very clear that Magee had no offense whatsoever outside of his dropkick (which Bret made look especially great during the spot in the corner where he took two, crashed hard into the mat and rolled to the floor to take off). It was amusing seeing Magee take extra long to pick Hart up off the mat, only to pause and just do an inside cradle or a small package. Hart was patient and polite while looking downright mean. When he puts the boots to Magee he's fully protecting him while looking like he's toeing him right in the eye. He even handles Magee not moving out of the way of a second rope elbow that was clearly supposed to miss, going right back on the attack and planning what the actual finish should be. You could see Magee's specific potential, see his freak athletic gifts, in the way he casually leapfrogs over Bret. I don't think I've ever seen a leapfrog look so effortless. It looked far more like Hong Kong wire fighting than Magee actually using his legs to leap over Bret, and his sunset flip was genuinely great, keeping a really tight roll so that the physics of it make sense. Bret's chest first bump into the corner is probably one of my top 3 favorite bumps in wrestling, always looking like his skeleton should be permanently wrecked each time. We knew this wasn't going to be any kind of classic, but not a single soul cared about that. The fact that we got to see this fun historical footnote while getting a neat story out of it was really special.

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