Segunda Caida

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Friday, March 06, 2020

New Footage Friday: SANTO! CASAS! ANDRE! SPOILER! RUDE! HASE! LIGER! B. BRIAN BLAIR?

Andre The Giant vs. The Spoiler Houston Wrestling 6/29/79

MD: This is one that was NOT on the NWA Houston channel. I had pushed Sharpe to find it but he never did. Thankfully, it's been out there anyway, just rare. Pretty fascinating match to watch because of the size differentials. Spoiler is a guy that would use his size and the ring as a weapon and just crush smaller guys and most guys were smaller. Here, it was his chisel to pick at the giant and I thought those moments were very effective. He was a big man but one that could and really would move around for Andre, so maybe the usual disdain Andre had for other giants didn't shine through. You really can't do a match between these two (or Mulligan and Andre, for instance, where it worked better) where the claw doesn't come into play as the great equalizer, and as much as that stuff seems larger than life, the bearhug bit here went on a bit long. This was especially true in a match where Spoiler was divebombing him all over the place, and because the finish was going to be Andre catching him hesitant on one of those attempts and tossing him off the top. Still, this was novel, a great look at both Andre working from underneath and the Spoiler having to chop down a bigger foe.

ER: Loved this. Minimalist, sure, but Andre is a guy who knows how important every little movement can be and he's someone I can't help but engage with. This is Spoiler's claw vs. Andre's bearhug, and we get a couple of great moments before we dive into that part of the match (with my favorite being Andre's armdrag takeover, holy cow!), but I dug how Spoiler decided early that the Claw was his only chance and he was going to play that record until the needle skipped. Spoiler grinds in the claw and the first time we see an Andre bearhug it's actually out of desperation. The Andre desperation bearhug is a fun treat, it's a giant wounded boar from the forest trying to use his strength, and it makes Spoiler come off like a legend that he had Andre desperate. Andre fights to his feet, Spoiler bets on the claw, and the eventual visual of Andre's buckling and going down, Spoiler essentially riding him down to the mat, Claw besting Bearhug, were wrestling movements I've not seen before. The visuals in any Andre match always seem to defy reality, in the ways he's able to appear both larger and smaller than he actually was, in the way he recoils into the ropes or moves in a way that nobody else has ever moved. I'm watching him here, driven down to one knee by Spoiler's claw, and Andre appears to be as large on one knee as Spoiler is standing over him. I know it's not true, but in feels that way, and in every Andre match you glimpse at least one visual angle that just seems impossible. I like the way the strategy and the attempts play out, like when Andre knew a claw attempt was coming so ducked under the arm to perfectly settle into a bodyslam; or Andre looking to pop Spoiler's head off his neck with a great headscissors to reverse out of another claw. We even get Andre "flattening the head" of Spoiler with a seated piledriver as Spoiler tried to get out of that headscissors. The finish is a great play on the match story, as Spoiler went right back to the claw, climbing the ropes to gain more leverage on the hold (a frequent Spoiler trick), but he gets too high chasing that Claw victory, and Andre simply slams him off the top. The simplicity of the match played to the strengths of both men, and I was hooked the whole way through. 

PAS: Really nifty match, I loved the dying animal aspect of Andre falling slowly to the claw, one of the cooler wrestling sells I can remember seeing. Andre was amazing at portraying invulnerability and vulnerability in the same match. Spoiler is one of the guys I want to see more of, he has been in some real classics, and has this unique style. He is one of the densest high flyers ever, all of his attacks land with so much thump and thud, Andre is a great landing platform too.



MD: As a sharp wrestling analyst, I'd like to point out that this match is all about Rude being pretty racist in his pre-match promo, about Liger, Hase, and then, at the end, Liger AND Hase together, doing Rude's pose back at him, and then Hase mocking him on the mic post match. I guess there's also B. Brian Blair doing all the bee mannerisms in 1994. That's commitment.

I mean the wrestling was good too, but let's keep things in perspective. So, as long as he didn't try to overachieve, which didn't happen often, Blair looked sharp and crisp in most things he did. He could have still had a useful run somewhere at this point (like SMW, maybe?). You got the sense that Hase loved how riled Rude got the crowd because he ate it up, both in tossing people around, but also just in standing on the top rope and basking in it, or launching a 20+ rotation giant swing before stumbling about and doing Rude's pose. Rude was just completely iconic. I think my favorite moment in this might have been him hitting a top rope axe handle and then getting caught on the second one. You knew it was coming. Everyone knew it was coming. But Rude's timing and presence were just perfect. There's probably no one in wrestling history that was better at getting "caught" in that manner than Rude.

Really, the only thing that would have made this one more enjoyably over the top was if Liger had a mustache too.

ER: Rude bookends our match with some casual as hell racism, which undoubtedly leads to a hot crowd and some playful personality that we don't always get to see from Hase. Liger doesn't always need much coaxing to be playful so it was a treat to see Hase really rub in all of his comebacks, and Hase/Liger each doing a few variations on Rude's hip swivel is the kind of taunt that kept getting the crowd louder. I really liked the Rude/Blair team, and came away missing the kind of in-ring professionalism both of them brought Blair had the awesome bald spot ponytail, buzzed his wings like a bee during rope runs, hit a fantastic standing lariat, works fast juniors spots with Liger (with a real fast bump to the floor to cap it off), and was great on the apron. Watch Blair's reactions during Hase's long giant swing as he is unable to get in there to save Rude. Rude was heel perfection, and my favorite thing from him might have come early, as he locks in an insanely tight looking headlock on Liger, then gives him two punches to the kidneys as he's tagging in Blair. Sure, his overall meathead antics are what gave everything heat, and that spectacular top rope knee is the best, and I guess what I'm trying to say is that Rick Rude was too real to be real, a guy whose stock rises nearly every time I see him. Seeing the kind of work that he was putting out on house shows really cements him.


El Hijo Del Santo vs. Negro Casas CMLL Japan 2/6/97

MD: This has been out there but clipped on a commercial tape, apparently. Here we have it in full. We're into Santo's rudo phase, but not too deep into it, in front of an audience that only seemed half aware. This isn't a huge crowd. They're quiet for the most part. Midway through, Casas works to engage them and they sort of split the chants. This sort of felt like an abbreviated title match, or maybe one on fast-forward. Memorable was some really good matwork to start which led to the escalation into rope running and a crazy flipping senton through the ropes by Santo. Santo wasn't over the top with his rudo-ness. He oversold heavily a Scorpion Deathlock attempt (not even the hold) by Casas but that was to lure him in. He also threw a really nasty chairshot towards the finish, but ultimately missed a top rope splash and lost to the Casita. It was a good digest, with the right sort of intensity at times, and these two can do no wrong, ever, but would have been better in a different environment.

PAS: Really cool to watch these guys a 10 minute version of their match. It was a 97 Santo versus Casas match too, not just an exhibition of cool spots (although there was some very cool spots) but a nice capsulation of the brutality that these guys could and did bring on a regular basis. We get pretty spinning headscissors and dives to the floor, but some really cool struggling mat work and Santo kicking Casas directly to the back of his head.  I loved the early counter work out of the headscissors and I loved Santo smashing Casas with a chair, we really get everything we love about this feud boiled down to it's marrow.  Great, great stuff.

ER: No big deal, just the two GOATs working a hot Nitro lucha sprint lightning match in front of a largely apathetic Japanese crowd. CMLL Japan crowds tend to be small from what I've seen, but they are usually hot and appreciative. This match oddly came with the atmosphere of people sitting through a lucha show to get a free 2 week timeshare rental. But it's a perfect 10 minute synopsis on what was going on with these two in 1997. It was a highlights match (as much as any match with these two, as obviously they are highlight reel machines) with something to say, a match where the biggest spots shone just as brightly as their transitions. The big spills play well, like Santo surprising Casas with his gorgeous rolling tope senton too the floor. I've grown so used to Santo hitting that rolling senton in ring as a lead up to his tope past the turnbuckle, that seeing him take the opportunity to hit it to the floor - in a way that didn't seem like part of the plan or even something that had been fully thought through - made the moment even bigger. But the small moments played as big for me, like the way Santo held on to a waistlock as Casas tried to violently shake him, or the way Santo lost the camel clutch but gave up one of Negro's arms to yank his head back by the hair as a way to salvage things.

All of the scrambling was real snug, and honest. If they didn't fully have the other, nobody was pretending they were stuck. They rolled with the exchanges and reevaluated where the other was during the brief periods of pause, and I got the sense that they could have woven their way through similar sequences and ended up somewhere different entirely (and no doubt, they have done exactly this during their careers). Santo has the best stomps in wrestling history, just give me a match where Santo only stomps at Negro's body and cerebellum. Show me someone in wrestling who has a better boot to the back of the head/neck, and I'll show you someone who wrecked brain cells. Santo's stomps feel perfectly worked, for maximum visual. The knee work was all cool, Santo kicking at Negro's thigh and Negro going down hard for a fast dropkick to his patella. Everything felt like it happened because of something else they had done earlier. Were Santo's shots to Negro's knee meaner because earlier Santo had gone for a knucklelock and Casas just opted to lurch in and punch Santo in the face? It felt like that to me.  I loved the mean ways they kept the distant crowd guesses, like when Casas gets booed for ripping at Santo's mask, then eats an insane fast head over heels bump to the floor off a Santo dropkick. After getting the loudest heat of the match with that mask rip, Santo follows him to the floor and pastes him with a chairshot, not caring that they had booed Casas for something less severe, more concerned with wrecking Casas. These two give me life force whenever I watch them, and this was no different.


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