AEW Five Fingers of Death 2/2 - 2/8

AEW Collision 2/7/26

Parking Lot Brawl: Eddie Kingston/Ortiz/Zachary Wentz/Dezmond Xavier vs James Drake/Zack Gibson/Big Bill/Bryan Keith

Here's the thing about pro wrestling. It's like life. It doesn't end. It doesn't have off-season. You can shut your eyes but it doesn't go away. It's still there. It's always there. It's always pulling and prodding you. It's always tugging you. It's always pulling you back into the ring.

Eddie Kingston had finally done it all. 

Before that though, he had been on the verge of selling his boots, of giving it up, (of being free), during the pandemic, but he cut a promo with nothing to lose and it opened the last door left for him.

Behind that door? At first, nothing. An opportunity. Not even fans in seats. But he made the most of it, made his mark, and when the world started back up again, it welcomed him with a loving roar.

So he fought and climbed and scraped, and it was all rewarded. He met his idols. He even battled against some of them. He won New Japan gold. He defeated his hated rival to win the ROH title. He put that on the line against all of his enemies and one of his few friends and he triumphed in the first Continental Classic. Top of the world. He earned the American Dragon's respect.

A wonderful end to an embattled story. 

But pro wrestling never ends. Life goes on and it's so damn hard. He lost one title after the next. He lost his ability to walk. He lost a year and a half of his career. 

And yet, here he is, back once again. 

Wrestling saved his life. It gave him purpose. It gave him direction. It gave him a way out from a far darker fate. And the price he paid for all that? Only everything that he ever was and ever will be. That's pro wrestling for you.

It's just like life. You can have amazing moments, weddings, the birth of your child, promotions, but the Earth doesn't care. It's going to keep spinning. The sun isn't going to care. It's going to rise the next day. 

Over time, we get old. Some things get easier.

Getting up? That's not one of them. 

Eddie Kingston is 44 years old. Something they don't tell you at 14 or 24 or even 34 is how hard 44 can be. At some point, it becomes harder to sleep through the night without having to pee. At some point, it becomes harder to just sit up. To roll out of bed. To bend down to tie those shoes. And that's without a lifetime of getting battered around the ring.

Eddie knows it. Eddie shows it. He needs to fight, hell, want to fight, but he wants finality too. When it's time for something to be over, for a grief to be settled, he wants it to be over. He's even managed it since his return. He somehow managed to move on from LFI without facing RUSH. 

He couldn't move on from the GYV though. They wouldn't let him. 

They've been off in their little corner of the world waging a private war. Eddie came out of his match with Samoa Joe wanting to stretch, wanting to show what he still had left in the tank, so he ran right through Nathan Cruz, a young associate of Drake and Gibson. That drew their ire so he fought his way past one and the next. No shame to either. They've been tagging. He's Eddie Kingston. They gave him a fight. He was ready to move on.

They didn't let him. 

Instead, they ambushed him after the Gibson match, and it was up to Ortiz to return to make the save. Ortiz and Eddie beat them with the help of an errant (more like purposeful) madball. Eddie was ready to be done. They weren't. Wrestling's wrestling though. You fight long enough and you're going to draw others into your circle. A magnetic pull, the sweet allure of violence.

So we have the Rascalz helping their Uncle Eddie and Bill and Keith bounty hunting their way beside GYV.

A parking lot, but not the claustrophobic garage attached to Daily's Place. They're up on the rooftop, the Vegas skyline behind them. 

Room to move. Room to breathe. Room to wage war.

And war they did wage. This had all the bells and whistles of cinematic pro wrestling. The Rascalz got to show off, leaping off cars, pulling Keith into a limo to smoke him out. They bled, a baptism by fire in their second match. Welcome to AEW. Hope you survive the experience.

And of course Bill was Bill. This was a perfect showcase for him. When he pressed a Rascal over the limo, it looked like we were back in 1995 and he had tossed him right off the building. Then, giant that he is, he leaned back the car, took his jacket off and brought a foot up so Eddie could run right into it. 

So yeah, while it may not have had the emotional stakes of some of the previous parking lot brawls, it had the right mix of chaos and creativity, of broken glass and nasty bumps. At one point Isla Dawn came out and it sort of made you wonder why she didn't come out earlier or later and why Reed came out only to counter her. They'd just been hiding behind cars the whole time? You say it's fun and not to question these things, but if someone had questioned and came up with an answer, everything could have been tighter and still just as fun. 

In the end, during the DDT that won the match, but well before it, certainly after it, the camera found Eddie. He's a photogenic bastard in his own way. Why? Because he's the must human wrestler there is. Maybe the most human wrestler that ever was. The pain, the agony, the effort, it all just radiates off of him, the consequence that gives pro wrestling meaning and weight.

When Eddie wants to wrap up a backstage interview, wants to get out of the ring and get back to he hotel, wants to avoid all the bullshit that everyone has to go through in order to put pro wrestling on tv, it's not because he doesn't care. He spends his whole life caring. He cares too much. When that bell rings, no one cares like Eddie does. 

It's that he's spent. He's tired. He hurts. He aches. Inside and out. The eyes reach the soul and the soul is a weary thing.

But still he fights on, because life keeps coming at all of us and it comes at him more than anyone. Scowl on his face, muttering all the way, letting out a groan that we can feel in our gut, Eddie Kingston will fight on, and hey, if he can fight on, then so can we. That realization, more than anything else, is what makes him so precious and special in a world that gets harder for all of us each and every day. Just maybe don't tell him that, because that's the last thing he wants to hear. Life's hard enough without having to inspire people.

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Tuesday Shoot Indies - GCW Josh Barnett's Bloodsport 2 9/14/19

PAS: I am starting to build a backlog of Shoot Indies which I am always into so I decided for a bit to alternate AIW Monday with Shoot Indy Monday, also this lets me jump right on Bloodsport after loving their Mania Weekend show so much.

ER: Being there second row with Phil and Tom for Barnett's first Bloodsport is going to be one of my great live wrestling experiences when my time is up, and there's still something I think Phil isn't telling me about how he got tickets. Day before the show it was sold out, next morning I wake up to Phil joyously saying "I got three tickets to Bloodsport! You know, three tickets, together, that ticket quantity that is super common for somebody to be selling. Oh, and they're great seats. Oh, and they were below list price." He refused to answer other questions. I don't know what Phil had to do to get us Bloodsport tickets, but he did something that we will never speak about, and I'm fine with that.

20. Matt Makowski vs. Rory Gulak

PAS: I thought this was great. Makowski is an ex-Bellator guy who is apparently working in Chikara now, I assume he is an old timey Gold Prospector or a sentient bag of pork rinds there, but working shootstyle he owns. Gulak comes in repping Catch Point, I assume he inherited the left over merch when his brother went big time. Gulak is really aggressive with his takedowns including a nasty Judo throw, and is always looking to advance his position on the mat. Makowski had a bunch of really cool stuff, climaxing with the O'Connor Roll into the cross armbreak which was incredible looking, the low kick/head kick combo which finished the match was nifty too. Totally delivered.

ER: Fucking Drew WHO? This was awesome, among my favorite 6 minutes of wrestling this year. This is the Rory I knew was there and I have seen hints of, and now I only want this uncut pitbull energy from him. No backsies. Makowski is fun as hell in a 2003 Z-1 kind of way, and his striking and arm twisting made for an awesome counter to Rory's wrestling. Gulak was really vicious on the attack, and the rolling was all awesome, peppered with bigger moments like Gulak's short belly to belly and big ass German, but with a bunch of tiny movements that all felt like they meant something. A match like this is just as fun for something like Gulak shifting his calf positioning to gain leverage than it is for the big throws. I dug Makowski landing a big hook kick to Gulak's jaw, dug how it felt like he was throwing it out as a lark and didn't realize it would land, and it served as a cool wake up for Rory rather than an instant KO. Makowski even had some stuff Sakuraba would have tried to steal, like a moonsault to pass guard (that could have looked stupid but I loved it). The armbar battles were all legit, Rory looked like he was clasping his hands for dear life while deftly maneuvering his hips, and that chaos theory armbar transition was just bananas. Rory shot straight up into the air like the skinniest kid getting bounced off the blob by the fattest kid at Camp Hope, I mean just a fantastic spot. Rory flew spectacularly into the air with Makowski grabbing that arm on the way down, absolutely one of the spots of the year. Kick feint finish was a good one, and this is the kind of killer match that makes a concept show like this such a bottomless well.

Sumie Sakai vs. Lindsay Snow

PAS: This was a bunch of fun too. Snow was listed as having a Gracie Ju-Jitsu background and lots of this match was Ju-Jitsu sparring on the ground. Sakai was really great with both her Ju-Jitsu and her Judo, landing a bunch of cool throws, and constantly looking to adjust and look for attacks on the mat. Snow was a bit more rudimentary on the mat, but used her size well. I loved the finish with Sakai countering each counter attempt and locking in the arm bar for the tap. Sakai has been around forever, but man did she look skilled here.

ER: I've seen Sakai work pro style a bunch (she's been working in the states for 15 years at this point) but not nearly enough of her like this. She was giving up about 30 lb. to Snow but was the clear aggressor here, to the benefit of the match. She didn't necessarily play it like she was more skilled than Snow, but would shoot in quick and bail early if things weren't going her way. This wasn't as explosive as our first match, but the finish run was cool as hell, loved all the counters and the quick tap when Snow knew she was caught.

70. Zachary Wentz vs. Anthony Henry

PAS: This was worked as a crazy sprint, like a worked version of those WEC Bantamweight fights early in the decade. It was a nice contrast to the pace most of these matches were worked at. I really liked how both guys kept frantically attacking limbs during all of the submission attempts. Henry would put on a kneebar and Wentz would bang away with hammerfists and try to escape. Wentz had two really cool choke attempts, one where he pressed Henry his body and flipped him into a choke, and one where he leaped into a guillotine. Finish was very cool with Wentz getting a knockdown and going for a diving punch, but landing right into a tight guillotine for the tap.

ER: This exceeded my expectations as I didn't know if either of them had any kind of fight sports background, so I was just going into this familiar with their indy wrestling. Wentz is a guy who has stood out to me as a big bumper, and Henry has been in matches I've liked, but I wouldn't have tagged them for something like this and came away pleasantly surprised. Phil hit the nail with his WEC Bantamweight descriptor, and it's hard to do that kind of style without it coming off like flash exhibition. A couple of the missed strikes might have, but those were small pieces of a fun sprint. I loved all the action getting into chokes, dug the Wentz missed punch into a side triangle, and thought the finish was fantastic: when Henry went down from a kick I clearly thought that was going to be it, but Wentz leaping in with a Superman punch (a callback to the Bloodsport show we attended where Kratos absolutely wrecked Grimm with that diving punch as the deserved finish) and I didn't anticipate Henry's triangle. Henry made it even more badass by rolling it over and twisting the trapped arm. This show has slayed so far.

JR Kratos vs. Erik Hammer

PAS: This was a pretty mixed bag, it had some stuff I really dug, and some stuff I really hated. Hammer is a shoot wrestler who worked some IGF and really has Zero-One energy, like a lost jacked up McCully. All of the mat stuff was pretty cool, with a pair of big dudes really struggling over holds. I thought the stand up, New Japan style chop, forearm and grimace stuff sucked, it was a bad version of a tired spot that was really inappropriate for this style. There was some good stuff later in the match, but they really lost me and never got me back.

ER: I saw people calling this the fight of the night, and I am not seeing that. There was a lot to like, and I would have loved it had they stuck to the intense grappling that much of the match was based around. I'm not opposed to strikes in these things, obviously, but the stand and trade forearms and chops building to a phone booth fight was so damn out of place. That kind of stuff is in several matches on every single wrestling card in 2019, Bloodsport is supposed to be presenting something different. And I don't think it was particularly good stand and trade, either, which is an additional problem. I really liked Kratos kicking a downed Hammer in the chest, feinting another one, and then punching him in the jaw. BUT, then it lead directly to some old bullshit. But everything on the ground was intense and that struggle was real. I honestly thought we were going to get a fairly early tap when Hammer was hyperextending Kratos' leg on a hell hook, and I loved late in the match how hard Hammer was going for that armbar, and how hard Kratos was trying to keep those hands together to block it, and I got fully wrapped up in the crazy struggle that was happening. Something like that is way more meaningful than some bad overhand chops and screaming.

Nicole Savoy vs. Allysin Kay

PAS: I like how the women on this show have hued strictly to shootstyle, this was almost all grappling and palm strikes, really no pro flash at all. Kay constantly was going for cool mat attacks, Imanari Rolls, Twisters,  which Savoy would either escape or counter. I loved how Kay went for the Imanari Roll one too many times and got blasted with hammer fists. Finish was really cool with Savoy going for an Omaplata and Kay rolling through into a crucifix and raining down elbows for the tap. Neither lady had the polish of an elite grappler, but they were trying cool shit and pulling it off and I am going to appreciate that, even if it was a bit slower and more awkward then Volk Han.

ER: I liked this even though, yeah, the skill level for this thing was quite there. This lead to a couple exhibition-y moments, but this style leads itself open to things like that. I'll always appreciate two wrestlers going for things that are maybe beyond them, rather then settling into the same old comfort zones. I dug both of them rolling through armbars and heel hooks, and really liked Savoy punishing Kay with mounted punches and hammerfists throughout, and I thought they made good frustrated use out of accidentally falling to the floor. The twister set-up was cool and looked like it could've popped one of Savoy's ribs had it been held longer. I really like what these two went for.

Anthony Carelli vs. Simon Grimm

PAS: Holy hell did Carelli look great here, talk about a guy who could have had a totally different career. He looked like a guy who deserved to run a BattlArts school. Super stiff strikes, just bounces Grimm's head off the mat with forearms, great looking judo takedowns, and some cool submissions. Grimm had his moments, and he really got some heel heat on a show without it normally, but this was a Carelli show and a great one.

ER: Calling Carelli a revelation here would not be an overstatement, because we have hundreds of his matches on tape and outside of occasional judo takedowns we saw none of this guy. I know he had early career Batt matches (that I've never seen) and has been running a Canadian Batt Academy (where I don't think he's wrestled), and here he comes out raining down some of the nastiest grounded strikes of the year while trying to leave with any one of Grimm's limbs. He was a genuinely gifted comedy wrestler who could still be making a killing working indy shows, taking no bumps, kids screaming for the cobra, powerwalking the ropes, easy; instead he goes down to Vegas and reigns supreme! I thought Grimm brought more to this than Phil did, even though this clearly felt laid out to show Carelli's (unseen?) abilities. I loved Carelli's downward elbow strikes to Grimm's chest, loved the hard shots to Grimm's body, and loved the fight over kneebars and armbars, and I dug how things ramped up. Grimm started besting Carelli and that's when Carelli hauls off and starts throwing open hand strikes to escape. And my favorite part of the match was probably Carelli locking in a great dragon sleeper, real mean, and Grimm having to get out of it by throwing a knee up over his head. the knee looked vicious and Carelli sold it appropriately. I wouldn't have guessed Grimm would be such a solid addition to these shows, but I like what he brings and hope we get to see more of Carelli.

Timothy Thatcher vs. Ikuhisa Minowa

PAS: I thought this was good but never broke into the great level. Thatcher doesn't really do worked shoot style on these shows, he really works more of a MUGA style heavy on hard forearms and more traditional wrestling submission holds. That worked well as a style break against Hideki Suzuki on the last show, a guy who is the best in the world at that style. Minowa is an MMA fighter who has done a handful of works, he is technically skilled, but he wasn't bringing a ton of flash to the match. I liked Thatcher grinding out submissions, including the finish where he pounded on Minowa's back until he gave up his neck. I also liked how Thatcher would spin out of one submission to another. This ended up being cool but dry, I think Minowa would have probably been better served against more of a shoot guy.

ER: I was left a little cold by this one, even though I liked a lot of what they did, but it did feel like a styles clash that was sound, but not as interesting as it should have been. On paper it seemed like it would be dynamite but it wound up more perfunctory than I was expecting, and I think a lot of that was Minowa. Necro Butcher vs. Minowman is a styles clash classic, but here he showed no charisma and felt much more like a generic karate fighter a fed would add as a special attraction to a 70s card. Except on this card that wasn't any kind of special attraction, it was expected. I thought Thatcher looked awesome working in and around him, and was laying in some pretty mean shots on the mat that felt like they could have been sold better. Minowa would have an occasional nice moment, I liked him spinning out to grab a heel hook, but I think he would have been better off against another MMA guy or even better, someone like Nick Gage. I agree with Phil about how awesome Thatcher looked down the finish stretch, felt like he was grinding Minowa down and by the time he pummeled his way into that nasty neck and crossface choke it felt like a fine finish.

59. Davey Boy Smith Jr. vs. Tom Lawlor

PAS: I really enjoyed this. Smith is great in this format because of the heaviness he gets across. When he is on the mat he is a this dense ball of tendon strength you have to try to move off. When he lands shots, they feel and look like he is laying cinderblocks upside the head of his opponent. Lawlor was really good at fighting off the back foot, I loved how he threw peppery jabs only to land big leg kicks, and he had some slick counters off of his back. Smith kept rolling though and by the end he felt inevitable.

ER: Damn I just want Davey Boy Smith to work exclusively this style, it's far and away the most I've ever enjoyed him and it's a style he really excels at. He has big strength and hits hard, and really knows how to project his weight. Every one of his elbow shots looks like it should send Lawlor to spaghetti legs, and Lawlor pretty much behaves like that's where he's at. DBS would hit a couple big elbows and Lawlor would throw shorter rabbit punches to set up his only real shot, taking out DBS' leg. But I just loved the power DBS showed, in "smaller" things like a couple back elbows he lands to Lawlor's mouth while in guard (I put smaller in quotes because any one of those shots would have leveled me), to bigger things like when he took Lawlor down with basically a keylock suplex, to fitting more traditional wrestling offense into the match without it seeming out of place. Lawlor attempts a backpack choke and DBS grabs him into a powerslam, DBS hits a powerbomb that fit perfectly fine into a shootstyle atmosphere because it looked like there was nothing Lawlor could do to stop it, DBS dumps Lawlor with a flat out rude backdrop driver, and Lawlor himself even hits an awesome sliding lariat that throws both to the floor. Other Bloodsport stuff that tried to incorporate pro wrestling came off looking phony, but these guys had a great sense of what would work (other than maybe that Sharpshooter attempt, but I appreciate the cockiness to even attempt it).

Killer Kross vs. Nick Gage

PAS: Fun little sprint which delivered what you want out of this match up. Gage is a fun Tank Abbott style brawler on these shows. I loved Kross dominating him with technical striking only to fall victim to a bar fight headbutt, and a soccer kick to the mouth. Kross getting him down and choking him out felt inevitable, but Gage throwing up his set as he passed out was a great bit of theatre. I assume Kross is only making the Batista shoutout because they have that match signed, if they do it is a great bit of business.

ER: This match ruled, the perfect quick and dirty fight to have on a card like this. This is the shortest match on the card but was memorable as hell. Gage has a connection to the crowd that few indy guys today could ever dream of having, and that always adds to his matches. In a setting like this it adds even more, and Kross is a cool opponent for him. Kross goes after Gage's ankle, kicking at it and making it seem like legwork was going to be the story of the match, until Gage completely rewrites the story by hitting a tremendous headbutt to KK's face. He sandbags a Kross backdrop driver and I dug the messiness of the ground grappling, dug how they reacted to hitting each other, and thought Gage going down to a nasty choke while throwing double middles was about as fitting as a finish could be.

10. Josh Barnett vs. Chris Dickinson

PAS: Really excellent stuff. All of the cool shit in the Barnett vs. Suzuki without any of the New Japanish shit. I loved the pace of this match with Barnett using his strength and technique to dominate, only to have Dickinson catch him with semi cheap shots to the back of the head or to the ear. Barnett wasn't fully prepared for shots that were legal in Bloodsport but would be illegal in MMA and Dickinson was able to make hay from that. I also loved Dickinson sneaking in a cross armbreaker after fighting for the leg. Finish was totally awesome, they both stand up after some grappling and Barnett tosses off his wrist tape in a very cool drop the strap way, they stand and throw and Dickinson lands first clipping Barnett in the ear and stunning him, Dickinson lands a nasty deadlift German, and some soccer kicks, Barnett is stunned swinging wildly and catches Dickinson in the temple, drops him with a powerbomb and a KO kick to the jaw. The match was slow paced before that and built to this great wild crescendo. Contender for a career match for both guys, and these are guys with great careers.

ER: What a showing from these two, and I'm especially blown away by Dickinson. He's become one of my very favorites over the past couple years, but this match was going to take something special. To look credible in a shootstyle atmosphere against a guy not only larger than him, but a former UFC heavyweight champ who has beaten a who's who list of heavyweight fighters. And he totally did. Barnett looked like Barnett, and Dickinson fought like a guy with nothing to lose, attacking Barnett with downright cruel closed fists to the body and face. Barnett was working him over with early MMA holds, lots of heel hooks, a can opener, and I loved how he would work an armbar and then catch a push off kick from Dickinson and then just twist his arm AND his leg. But Dickinson was aggressive as hell and the violent pace they kept up for 17 minutes was insane. Barnett was being a good guy and throwing open hands, working holds, and Dickinson was throwing big damn fists and trying to bull his way through, and it was working! Dickinson came off like such a major badass, really hanging with an MMA legend, actually flustering Barnett at points by sneaking in kicks. And the match long struggle built to an absolute explosion with the kind of stand and trade this show really needed. There was a killer moment earlier where Dickinson landed a shot to the back of the head and Barnett did this great lights out recovery, and now he was going to pay him back, peeling off and throwing down his wrist tape in an awesome visual. But Dickinson hits this wild German and just starts kicking the hell out of Barnett, sending Barnett into muscle memory winged shots, and we get a completely plausible epic gutwrench powerbomb with some mean follow up knees to Dickinson's face. The bell to bell action was the best, a major accomplishment and some of the best shootstyle fighting we've seen. A real gem, and a real reason to keep excitement levels high for these shows.

ER: Four matches land on our 2019 Ongoing MOTY List, and others weren't far off. This feels like a format that has a lot of legs as long as the shows are spaced, but then again I'm someone who would get excited at school every Monday of 1998, hoping there would be a Brawl For All segment that night.

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2018 Ongoing MOTY List: Two More from AAW Take No Prisoners 5/25/18

24. Darby Allin vs. Brody King

ER: Another great match in that Darby formula, a similar take on his matches with WALTER and Keith Lee and any other guy that much bigger than he (so, every guy). It's a formula I'm not anywhere near getting sick of, especially when watching someone as creative as Allin. Each big man gets his own destruction canvas to paint on, an opportunity to try out their most dangerous big spots on a guy way too willing to take them. King memorably catches a Coffin Drop to the floor and starts brutally swinging Allin's body back and forth across the aisle into the guardrail. But I love the ways Darby gets into control, the slip ups that he never hesitates to pounce headlong into. There's a great spot where King is on the apron and gets kicked to the floor, taking a backwards bump off the apron into the front row. Allin wastes no time in hurling his body out after him into a Coffin Drop. The Coffin Drop is such a great character appropriate finisher for Allin, and I love how quickly and recklessly he breaks it out. It never feels like overkill, because at the heart of it he's always using his body to try to do harm. Sometimes it gets caught, sometimes he dumps himself on the back of his head (like later in this very match!), but it's always him hurling his whole body at his opponent, and that's awesome. The rolling clutch with him getting kicked off and bouncing immediately into a tornillo is such a fun spot, and he makes it look great. We get several fun moments set up earlier in the match and paid off, like King crushing Allin with a cannonball early and then missing a big one late, creating an opening for Allin. The match ending over shoulder piledriver is an awesome exclamation point, and Allin's 2018 continues to be impressive as hell.

PAS: This is the best I have seen King look, beating on Darby Allin is a perfect showcase for what someone can do. Allin has pretty much turned into the worlds greatest Spike Dudley, which is a real compliment. He takes huge violent bumps, times his comebacks perfectly and has really compelling credible offense for someone so much smaller. He also has this grim determination in everything he does, he just soldiers forward through brutal punishment, always looking for an opening, sometimes he finds it and wins, sometimes he gets hit with something so brutal there is no recovery, but he is almost like a Zombie, tear his head from his shoulders or he won't stop coming. This match was full of cool moments, King falling from the apron to the front row, only to get wasted by a coffin drop was awesome looking, as was King catch Allin and hurling his body reckless around the ringside area. There were lots of moments where I thought Allin might pull it out, and that finishing piledriver was a finishing piledriver. Allin feels like the Wrestler of the Year, and he keeps adding to his resume.

Sami Callihan/Jake Crist/Dave Crist vs. Shane Strickland/Dezmond Xavier/Zachary Wentz

29. ER: I was skimming through this show and planned on skipping past this one, but stopped mid match and it looked more heated and IWA Mid-South than I would have expected. So I went back to the beginning and was not let down. The opening mean shoving and jawing between Callihan and Strickland looked like a showdown happening over Donald Trump's Walk of Fame Star. This was a crazy and stiff spotfest, feeling like a wrestling match broke out in the middle of Mortal Kombat. There are a lot of moving parts and constant action, and while I don't always react to Crist matches, they're actually really good at stringing together these kind of fast pace moving parts matches. I don't always like their structure and match length, but they don't get lost and plan unique chain spots. There are a lot of stiff shots in this one and the action really felt similar to that great ROH match with Jack Victory, or some of the best Jersey All Pro brawls. The Crists throw really nice kicks, Callihan seems like a guy with a genuine high pain tolerance, Strickland has actually focused up a nice right hand, and Jake Crist throws better punches than you remember. We get fun trainwreck dive spots into the crowd, a completely stupid tower spot in the corner that - while completely stupid - was also creatively crafted with a nice payoff: an expertly timed seated powerbomb out of a superplex, several guys get suplexed into turnbuckles, an amusing 619 from Xavier, some more shockingly great full leg extension kicks to the head, the Crists leaning face first into a bunch of kicks, the whole thing was like a stiff version of an early 2000s SAT trios. The Crists really seem like guys who like thinking up complicated spots, and they really go all in on these spots, and while they don't always stick the landing, they at minimum miss big. I'm appreciating that the more I see it. We had a nice violent end run, Sami hit a wicked snap piledriver, Crists got misdirected into hard kicks, Jake hit a cutter on Wentz from opposite corners, just some wild stuff. This felt like it hit just the right pace and teetered close to the edge but never toppled into overkill, made use of some good saves, and built great. Very recommended.

PAS: I really wished I like Strickland more, because that Chaka Khan entrance is class stuff. This kept threatening to lose me, there were a lot of missed clotheslines and kip ups, but they kept the pace going and ramped up the violence and got out of there in 13 minutes. That spinning superkick by a Crist (not sure which) always looks like it dislocates someone's jaw, and Dave Crist flying out of the air to catch Wentz's splash with a cutter was really awesome looking. Callihan is great at forcing pace, something like this where he just barrels forward for an entire match can be really compelling (he had an awesome pull apart with Brody King at the end of the show too), I don't think this match redeemed Strickland or the Rascalz for me, but they certainly kept it nuts and Wentz especially died some big deaths. Up there with the AAA undercard match for spotfest of the year.


2018 MOTY MASTER LIST

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