DEAN~!!!

ACTION presents DEAN~!!! 4/4/24

MD: A year ago today, we lost DEAN. Eleven months later Phil, Eric, and Matt Griffin (being Jacey North Matt, not me Matt) did something amazing. In true DVDVR fashion, Eric has a road report in the works. Were I to give you a report, it would be why I wasn't there and would involve in-law family wedding drama, conciliatory water parks with the kids, and a bunch of other excuses. I missed being there, being part of that atmosphere, meeting a bunch of people who I respect and admire (and Johnny Sorrow too; I would have liked to meet Johnny). That said, it means I can come in with a slightly different perspective here, and hey, there's also this: DEAN the human was so important to me in expanding how someone could think about wrestling and Phil and Eric are my "people" in everything we do creatively, but because I watched from home (in part in the DVDVR discord, yes, but a lot on my own), I got to watch it with Dylan Hales in my ear, and there was no one I conspired with more closely between 2010 and 2015 about wrestling than Dylan, so while I couldn't be there with you guys, you were all with me as I watched.    

Alex Kane vs Colby Corino

MD: When I say "my people", I do mean a lot of this crowd too and that made it the perfect crowd for this specific match, one that knew how to act, how to buy in, how to give in, how to be wry but not ironic, clever but still earnest, just like the match itself. The wrestlers committed. The crowd committed. The match committed. It's probably sacrilege on a card with the back half that this one has to even consider this as potentially my favorite match of the night, but maybe it was!

Colby came in exhausted (six matches in six days). He had a size disadvantage. The match was always one suplex away from being over. So he embraced the headlock. It was a way to control distance, to control leverage, to frustrate Kane, to make Kane exert himself because Colby couldn't. It was wry, like I said, but it also made sense within the context of the match. Even at the beginning, there were multiple differentials for Colby to overcome and the headlock was a means for him to chip away at them. That's important. The headlock was never an end unto itself. It was the means to even the odds.

As the match went on, it went from being a way to contain Kane to a way to open him up for escalating offense. It went from being a survival mechanism to the entry point for all of Colby's title hopes and dreams. It opened up the bulldog, or an air raid crash, or the front DDT that he was likely going for to maybe finish things off. The problem with such a close contact strategy, however, is that all it took was one mistake, one wrong breath, one chance for Kane to plant his feet, and it was up and over, metaphorically and literally. Colby did valiantly for a man at the end of his rope, but that rope was just long enough for him to hang himself. Honestly in contention for my favorite match of the night (It's up there with Slim J vs Adam Priest as the most "Matt D" match on the card), as wild as that sounds.

O’Shay Edwards/Amboss (Laurance Roman/Robert Dreissker) vs The Good Hand (Kevin Ryan/Suge D/Tyler Stevens)

MD: I think that in some ways this match had the most to work against on the card. For the traveling crowd, there was probably less familiarity with the wrestlers here. It had a sort of similar theme to the "flippy guys vs strong guys" six-man later on the card but couldn't lean too hard into that without taking away from the match higher on the card. What it did have going for it was the ability to lean into the set units here to play with all of the tools you'd get in a southern or mPro style tag.

The Good Hand played their part perfectly, just annoying, arrogant, scuzzy heels, but maybe not carrying with them the sort of madcap delusion that the Sucklings were about to bring to the ring in the next match. These were three guys who were more than the sum of their parts both in style and in substance. They controlled the ring, cut off Roman, threw out a bunch of quick offense and double and triple teams. And then, when it was time, they got their comeuppance, only to take back over with something slick or underhanded or opportunistic. Basically, they used all the tricks of the trade, both in how they presented themselves and in how a match like this could be structured, to overcome some of the disadvantages they were facing. And the babyfaces were the straight men, constantly trying to work their way back into the match and then, when it came time, raining down justice and punishment. Like I said on the night, if you embrace wrestling, it will embrace you, and that's exactly what they did here.

Violence is Forever (Kevin Ku/Dominic Garrini) vs The Ugly Sucklings (Rob Killjoy/White Mike)

MD: I loved how tight and compact this was. That allowed for the Sucklings to do their pre-match promo, which made a lot of sense actually It was driven not just by ego and mania (though there was that as well) but by the relatable idea that if they had a good showing against a top team, they'd get more bookings and put food on the table. Scuzzy but relatable, a fine line to walk. Then, they went right into heat. That worked because ViF even just coming out as the surprise team with the Road Warriors pop... that was the shine. There was a sense of glorious inevitability here in the best way. The Sucklings were organized and effective and persistent but doom was heading their way from the moment Zombie hit, maybe even from the moment they signed an open challenge.

So this went right to the ambush-dirven heat then into the comeback and the finishing stretch and it was all just a wonderful celebratory bonus from guys with big presence. For people not at all familiar with the indy scene, obviously guys like Priest and Connolly stood out but I heard from a few people who only had a working knowledge that they immediately wanted to track down more Sucklings footage, so the mission from the pre-match promo was accomplished. Overall, this match set up a sort of party atmosphere to prepare people's appetites for the chaos and violence to come.   

Gypsy Joe Rules Match: Coven of the Goat (Jaden Newman/Tank) vs 1 Called Manders/"Filthy" Tom Lawlor

MD: This was the match where, on live viewing, I realized I couldn't just turn a write-up out for the show and that I needed some time to process. I'm still struggling a bit with this one. One thing will stick with me, and I mean forever stick with me, like Owen kicking Bret's leg out of his leg or whatever other super iconic wrestling moment is seared into my brain: That's the sequence of Lawlor getting Newman onto a chair and running around the entire ringside area to attack him while Tank and Manders were simultaneously sharing a beer right by the DEAN chair. The contrast was just this serene moment of pro wrestling wonder. It devolved quickly into Tank spraying Manders and Lawlor smashing Tank and Manders getting the revenge spray and of course then revisited it a few minutes later with the headbutt war. What am I going to say critically about this? It was madness and chaos and action with some stuff that was smartly put together but that didn't feel put together at all, that just felt wild and spontaneous and that, along with, you know, punches (and this had a few good ones) is what I could use so much more of in wrestling today. You weren't going to see the strings here, just the flailing limbs and crazy abandon. (EDIT one year later: I was later informed that nothing was put together and it all felt wild and insane because it was wild and insane; any coherency was my pro wrestling watching addled brain magic eying and the natural logic of pressing iron up against iron and watching the sparks fly).

3 Flippy Guys (Bobby Flaco/Brayden Toon/Rico Gonzalez) vs 3 Strong Motherf*ckers (Danny Demanto/Hoodfoot/Isaiah Broner)

MD: Hey, the WAR six man. This was fun. You didn't really get to see Rico do too much. In fact, most of the match was everyone just beating on Flaco, which is kind of what you want in a match like this really, just flipping guys bumping big and getting crushed. Brayden didn't do a ton (really this was mainly Bob getting destroyed) but everything he did looked great. Finish worked ok because the Strong folk were obviously goofing around and taking their opponents lightly; sometimes you live by the door, sometimes you die by it. This was a nice mix of levity and roadkill to give everyone a breather given what was to come.

Dr. Cerebro vs Gringo Loco

MD: This could have absolutely just been a "traveling match" sort of exhibition and it wasn't at all. It was a weird and surreal inversion full of a sort of emotion that isn't neat or clean or crisp. This match wasn't a straight line. It felt a little like a therapy session unveiling in real time through the back drop of gritty, gripping, beautiful lucha libre. It just wasn't a redo of 2010. Gringo Loco has evolved and in some ways, in this match, Cerebro devolved. He sure as hell wasn't wearing his mask against the Gringos VIP. Moreover, even though Gringo worked rudo, he was a pretty clear babyface for a lot of this. That happens! Usually it happens with a guy like Casas or Satanico up against an unfortunately reviled tecnico or an even more deplorable rudo, but it happens. Here it was because Gringo had something of the homefield advantage and because both of them had a chip on their shoulder.

While I loved some of the early matwork (Cerebro scooting around into an amazing contorting bit of torture was likely the hold of the night), and of course the Cerebro dive that almost took out Marty's wife in the third row was electric, it was that underlying snag of emotion that really put this over the top. Gringo's paid his dues, has traveled the world, has been on TV in big arenas and has wrestled in the dingiest, dirtiest venues imaginable; he's grown into a true base god, and yet Cerebro, maybe empowered in all the wrong ways by the mask he was donning once again, refused to forgive the sins of the past. When Gringo wanted a shake, Cerebro made like a matador. When Gringo escalated things, Cerebro was all to happy to call and raise. He raised all the way to bringing in a chair and tearing apart Gringo's shoulder. Watching it, you can't help but wonder if it was because instead of finding a 25 year old that would likely bend under the pressure, he found a man pushing forty who had no give in him at all. Maybe it was because even though he had traveled north and presented himself in all of his glory, the crowd still leaned towards Gringo instead.

Regardless, he crossed a line that both men had crossed many times years before. It wasn't the end, however. The match restarted. Despite the damage to the shoulder, Gringo fought his way back. When the opportunity arose to cross that line himself, he took it. He couldn't transcend past it. Cerebro wouldn't be the bigger man but Gringo couldn't either, not after what had transpired. Cerebro ducked the chair, kicked it into Gringo's face, and honed in on the damaged shoulder for a submission. They wrestled a gripping match, one with a resolution in the record books, but you couldn't help feeling like nothing was truly resolved.

Krule vs “Warhorse” Jake Parnell

MD: On some level, on top of being a tribute to DEAN and on top of being something cooked up by the mad geniuses I write with here on Segunda Caida and powered by the ACTION engines, this whole show was a tribute to the Indies in general, to all eras and all regions. As such, this felt like it could have been the main event of a NWA New Jersey Coralluzzo show from the late 90s or an early 00s ECW successor promotion and I liked it along those lines. They worked hard. They hit hard. They flew hard. It had all the overworked bs you'd expect for the finish. As such, I almost think they did too much; maybe Parnell shouldn't have flipped out of a chokeslam attempt, maybe that dive shouldn't have been a flip, maybe some of the more complex Krule offense should have been straighter and to the point. They did a pretty good job keeping up with parts of the rest of the show but maybe they didn't need to. Maybe they should have leaned harder into the contrast instead. That's a lot to ask of them though, especially with the title on the line, and they did an admirable enough job all things considered.

Matt Makowski vs Arez

MD: I was going to call this a sprint and explain how instead of just spots it was layered with all that and more, but that's not what it actually is. It's a lucha lightning match and it's one of the best I've ever seen. It's cheating a little because it has the patina of a "different styles" fight but it's close enough to a lightning match in my eyes. A lot of it also speaks for itself, with Arez bounding around, hitting from every angle, and Makowski keeping up while trying to ground and stop him. For them to go that fast it for everything, no matter how unlikely, to still come off as plausible in this strange shared reality where Manders and Tank can sit in chairs headbutting each other as hard as possible takes incredible talent and commitment. I loved the transition where Makowski was able to jam the Casita and snap the arm. Arez wasn't exactly selling down the stretch but Makowski was so single minded in getting the cross arm-breaker in that you knew he felt like he was on to something and if he felt that way, you, as the audience, felt that way as well, even if Arez wasn't exactly putting out signals. Then it was all about working three moves ahead while dealing with the world's most unpredictable wrestler, to plant him in the center with the chaos theory cross-armbreaker. Thrilling stuff and a testament to knowing that they'd pack so much coolness into every second that they could let this go relatively short for the sake of the overall card but still feel fulfilling. Trust was the name of the game here, trust in the wrestlers, trust in the fans, trust in the mission

Slim J vs Adam Priest

MD: Yeah, ok, sorry to the first match, which I did thoroughly enjoy, but this is definitely my favorite match on the card. It couldn't be more down my alley. Two guys so good at doing the small things well hitting the fundamentals of what makes pro wrestling work perfectly and then adding just that added bit of creativity to put it over the top. Slim J's been positioned as a heel on TV for the last year or two but he's one of the best babyfaces of the 21st century and it was so great to see him on this stage, in front of this crowd, against this opponent, in this role. Talk about trust. They let this simmer and build so that when they hit bombs down the stretch they meant as much as possible.

Priest came in early with the trash talk and the early posturing and it was all about who would get the first shot in, and even more than that, who would be able to position the referee best to their advantage. Priest got Slim J into the corner behind him but couldn't follow up. Slim J, maybe a babyface here but a guy who knew every trick in the book and invented a good few of them, managed to snatch the ref's hand and use it (with just enough plausible deniability, of course) to smack Priest. Priest stalled just enough to rile the crowd without losing momentum. When he took over it wasn't just catching Slim on the way in with a knee, but then turning it into a neckbreaker over the second rope. It was never the easiest path but always a direct one with the extra little bit generally something additive that didn't distract from the key message.

Slim was always scrappy, always trying to fight back and his hope spots started small and close, an armbar or a chop back, but Priest cut him off definitely and then really added insult to injury as he grinded Slim down. It all built to the escape from the abdominal stretch where it seemed that Slim had come back, but Priest cut him off with a killer pile driver. That, in and of itself, set up the actual comeback as Slim reversed the second attempt at it on the apron. Even then, because the fans had just been fooled on a hope spot attempt, and because Slim was so good at staggering about in the ring selling his neck, the clotheslines he hit to really get back into it and launch the finishing stretch felt all the more striking and miraculous. Just amazing babyface work here.

That finishing stretch was the first time that they really launched bombs. Because they showed the restraint through the match, the big headdrops, which would have meant something just by their innate nature, ended up meaning all the more. Discipline creates opportunity, allows for the ability to build potential energy that can be turned kinetic. Then they paid it off with a finish that people probably didn't expect but that made the crowd happy. Just two architects building a castle of pro wrestling here.

Wasted Youth (Austin Luke/Marcus Mathers) vs Sinner & Saint (Judas Icarus/Travis Williams)

MD: This was as sprinty a juniors tag as you could get. Not entirely my thing but it had a place on a card that celebrated both the indies and DEAN. The first thing that comes to mind is hanging out on the DVDVR board the day that someone posted Brian XL/Divine Storm vs Red/SATs, probably in real media format, tiny file size, tiny video, and how all of us, the big guy included, reacted, like a whole new world opening up. Twenty+ years later, that wave has swept over all of wrestling a couple of times over, and it's led to a match like this. Icarus and Williams carried a lot of the middle of this with their more experienced and superior teamwork. They had a lot of clever tandem spots and sequences. I probably liked the Gory Running Punches the best though I would have liked to see a little more consequence to them. Mathers' connection to the crowd stood out more than anything else on the other side. This was breathless stuff. At times, the camera barely knew which way to focus next because things were going to come so quickly and explosively. This was candy before the steak to come but it was the expensive stuff and not some cheap knock off brand.

Dog Collar Match: Mad Dog Connelly vs Demus

MD: What am I am even going to say about this? How do you write about this? I thought about taking the coward's way out and just writing a paragraph about how Mad Dog Connelly has maybe the most amazing eyes that I've ever seen in pro wrestling, how you can track the entire match just focusing on them and in doing so, it's something different than you've ever experienced, how I'd never even thought about watching a wrestler's eyes a way to track emotion in this way because either the video quality isn't good enough or the quick cuts are too prevalent or whatever you're watching just doesn't rise to that level. How Connelly breaks a mold that you never even had reason to give a thought to before. I could go on about that but while totally accurate, it'd be both pretty weird and also a dodge. But seriously, rewatch this and just watch the guy's eyes. If you even can, because...

So let's try this instead. This match was a roller coaster ride. I hear you groaning. How dare I reduce this thing to some bullshit out of the can nonsense phrase. Just stop, ok? Stop and think. It wasn't like a roller coaster because it had ups and downs and it went fast. Nothing like that. Imagine actually being in a roller coaster. Imagine the first time maybe, when you were a kid, when you strained your neck to just be tall enough to hit the height marker and be allowed on. Imagine that it was one of those old wooden coasters, big and rickety, creaking, without some of the whirls and turns and technology and gimmicks of the last twenty years, just a looming monstrosity that might collapse at any moment because of one loose eighty year old screw. It's not the falling that gets you when you're on a coaster like that. It's not the speed. It's not even the anticipation as you're slowly going up. It's the fact that you're strapped in, you're helpless. If the thing fell apart, there'd be nothing you can do, nothing anyone could do to save you. You can't stop midway. You can't get off. No power in the world can stop it once it gets going. You're trapped.

That's what it feels like to watch this match. The second you hit play, it's like you're watching one of those videos from a Japanese horror movie. You're trapped. You can't shut it off. You can't look away. You can't even breathe. You can't even stop to think. You just have to watch one act of brutality seamlessly flow into the next. It's a river made of blood and you're adrift on it. I can't talk about specific moments of this. I can't break apart some sort of structure or go on about transitions. I've seen this two, three times. I remember the chain whip by Connelly to start. I remember people going into chairs. I remember biting and the smearing of blood. I remember the attempt at a hangman's choke and Dylan proclaiming it was that selfsame blood making things too slippery to hold it. Maybe there was a flying body press of some sort? Connelly choked him out to win. That's what I remember. I literally just watched this. Five minutes ago! It's all a violent blur. It's not a match. It's an experience. It's a sensation. You stare at the screen and your heart tries to leave your chest as you're buffeted by the violent, visceral gale. And like a roller coaster, the second you get off, you just want to get back on and go again. Look, I got nothing. Just strap back in and watch the thing again, ok?

Daniel Makabe vs Timothy Thatcher

MD: Full disclosure. This is an important match to cover well and I think I know what I want to say, even if it opens me up to be a little vulnerable. It's sort of the absolute worst time to highlight personal inadequcies, but here we are. Be kind. Maybe in part because I've got that most recent viewing of Connelly/Demus rattling around in my head, I don't know exactly how to start it. Let's go with this. Late in the match, Dylan likens this to Battlarts, and of course part of the inspiration here was Ishikawa vs Ikeda; Makabe wore his heart on his sleeve there if you get what I mean. So while this had its hybrid elements, much like Battlarts did, I think you could fairly safely classify this as shoot style. Shoot style, to me, is impenetrable in a good way, because I don't entirely get how they do it (Here's the vulnerable part). I watch so much wrestling. I write about so much wrestling. I think so hard (too hard, I know) about structure and narratives and patterns and comparative mythology and symbolism and whatever else is at play. And shoot style done well takes me back to being ten years old in the Boston Garden watching Bret Hart wrestle the Barbarian and just trying to wrap my head around how they could possibly know what to do next. And I've never gone out of my way to change that. I get so much enjoyment out of wrestling in so many ways, but only with shoot style is there still that hint of magic and wonder.

As I understand it, shoot style is a game of opportunities and openings, of mastering technique so well that all the physical possibilities to counter and progress the match are open to you in any moment. A little bit of give leads to a lot of take and the process repeats itself. Whether you're watching Fujiwara and Super Tiger or Volk Han, a lot of the storytelling is entirely implicit, driven by physical advantages and chance and consequence in the moment and over time. The drive for realism leaves certain basic, contrived narrative possibilities out of reach, but when done as well as it can be done, it can pull you in as much as any other form of pro wrestling. That was absolutely at play here, with every touch representing struggle and every contortion, simple or outlandish, feeling earned instead of given. What took this to another level was the genius at play. Yes, the storytelling was by necessity implicit, but underpinning and giving it color it was the weight of all of their previous encounters, the impending Sword of Damocles that hangs over Makabe's head, the expectation of what this match could be and what we all knew it was not (that being Ishikawa vs Ikeda), the well of emotion of the night and what people had just witnessed. 

Genius really is the only word for the alchemy of all of these things coming together, in small ways and in big. That could be Thatcher refusing the initial handshake or his look of glee as he was bending Makabe's wrist. It could be Makabe making the first inroads on the taped-up knee and Thatcher escalating to strikes out of desperation in response and then Makabe working at the upper body in order to open up the lower body to stay on it. Or it could have just been both of them stomping out each other's arm in frustration at the European Uppercuts they were throwing at each other. History creates the personality. The personality defines the character. The character decides how opportunities are capitalized on, and somehow, out of all of it, you end up with the richest, most compelling wrestling match imaginable. When it came to wrestling (and music, and a few other things), DEAN was like a cool older cousin to me, half a generation older, having gotten there first but selflessly willing to share. To him, everything was about sensation in the moment. To me, it's about thought after the fact. A match like this lets me meet the memory of my friend midway, and I'm very grateful for that.

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Paradigm Pro: UWFI Contenders Series 2 Episode 6 Finale

Lost Boys (Chase Holliday/Hoodfoot) vs. Aaron Williams/Gary Jay

PAS: I don't think the tag format totally worked, although this had some moments. Hoodfoot is always going to entertain in this style, and he clubbed Williams with a huge shot to the back of the head, and finished the match with a gross suplex on Williams and some ground and pound. Jay looked better in this match then he did in his first match, but I don't think this style is for him. He doesn't seem like he has the pacing and selling down and just wants to get in his indy offense. He did hit hard though, which mitigates some sins.

ER: It seems like a liked bigger parts of this a lot more than Phil, even if we have the same complaints. Once they got past joking about the UWFI tag rules in ring, I thought this settled in pretty nicely. Holliday had some nice palm strikes, including a cool almost uppercut shot as he was getting up, really looked like it cracked Jay. Jay had a couple of things that were way too "regular indy match" and that's my least favorite stuff when it turns up on a specialty show. The little mule kick to take out Holliday's knee, followed up with a big downward strike closed fist, just made everyone involved look stupid for it not drawing any kind of penalty. The commentary couldn't call the punch what it was, and the ref even looked like he hesitated and wasn't sure if he should point it out. 

But I probably liked his fighting spirit roaring elbow after a Hoodfoot backdrop driver much less. Tons of matches in this series have ended with suplexes that weren't as gruesome as Hoodfoot's, and if you really want to get your favorite 90s puro spots into your match, well, maybe you should crib from the right fed. Nobody is doing Michinoku Pro hops at the end of exchanges either. But I really liked the whole finishing stretch, with Holliday getting surely KO'd by Williams, only for Holliday to be close enough to tag in Hoodfoot at the 9 count. I thought the Hoodfoot/Williams shootout was among the best strike exchanges in their entire series, felt really intense and was filled with shots. Williams gets trapped in a huge trap arm German, and then Hoodfoot throws them downward strike elbows for the stoppage. I've said it before, but this style benefits from hot finishing stretches, always great to go out on a super high note. 

Freddie Hudson vs. Lexus Montez

PAS: I haven't loved Montez so far on this show, but he and Hudson have clearly worked each other a bunch and had a nice rhythm. Both guys hit nice suplexes, I especially liked Hudson's teardrop, and Montez does a cool roll through into a kimura for the tap. Got me a little more excited to see Montez in the Middleweight tourney, and he was initially a name I wasn't pumped about.

ER: Rhythm is a good word for what we got here, and it was fun. Commentary points out how these two have met several times before in Paradigm, but never under UWFI rules. Those kind of details added to the way Hudson played things, which was as a guy happy to be there and work a different style against a familiar worker. It added a fun edge to things, and both delivered big snap suplexes that looked worthy of a count. Totally agree on Montez's kimura finish as well, didn't expect the spot to go that direction and I kept getting more into it the more Montez appeared to improvise bending Hudson's arm. 

Big Beef Gnarls Garvin vs. Lord Crewe

PAS: Crewe has quietly become one of the best guys in this fed, and this was the high energy slap fight you want from this matchup (and a solid improvement on their first match). Both guys threw real heat here. Beef had a couple of big sack toss suplexes, and the back slap to the ear which Crewe used to drop Beef was a real equilibrium buzzer.  I liked how Beef wouldn't let the ref count on his suplex, he was pressing forward and it eventually cost him.

ER: I thought this kicked ass, totally the kind of match I wanted them to have. Beef really chucked Crewe on a couple of throws, and Crewe is either a great suplex bumper, or is a crazy man who leans shoulder first into painful throws, and I don't care which one of those it is. The stand up looked like it had real consequences, and I somehow always forget how much snap Crewe can get on his close quarter striking. It's hard to get a lot of momentum behind strikes when you're dodging return fire and standing half an arm's distance away, yet Crewe really cracks Beef several times. His backhand to the back of Beef's head was killer, loved how Beef dropped for it, and I really like the storyline of Beef getting more and more frustrated that Crewe is the guy adding crooked numbers to his loss column. Beef doesn't lose any aura, even though Crewe wasn't winning on banana peel finishes. 

Yoya vs. Robert Martyr

PAS: These guys train together, and they really have fun chemistry. The brawling on the floor isn't completely kosher with the rules, but I liked Yoya's shot with the guard rail and how it caused Martyr to sell for the rest of the match. But I didn't think the tap out and restart added much to the match, and we easily could have done without it. I did like how Martyr tried to fight his way into suplexes and the finishing headbutt was super nasty and a meaningful KO. Good stuff, and I would be into this being run back. 

ER: Great chemistry, and an over-complicated fight that didn't need this many story beats, but the work and chemistry almost made all the beats work. Every time I would find myself going "well they didn't need to do..." I would still be interested in where they were going. The roll to the floor came off well, but it did feel odd seeing Yoya trap Martyr's arm in the guardrail and kick it. Yoya hasn't really been a guy who takes shortcuts in his matches, and it's odd to have him be such a giant killer who never quits, and then have him cheat for the first time against the one guy who is closest to his size. Or maybe I'm looking at it all wrong and it's a great small guy thing of being way meaner to other small guys while trying to earn the respect of the largest guys. Fight the guys nobody expects him to be with honor, fights the other small guy like there can only be one small guy. 

The controversial stoppage was a bit odd, not sure I understood any of it. Martyr clearly tapped, then begged his way into a restart. In 2nd grade I almost got sent to the principal's office, which would have been my first visit there. I was warned plenty of times using the classic grade school "clothespins on a colorfully drawn stoplight" method, and once you get moved to the yellow light you know you're one misstep from red. So I hit read, and the class ooooooooooed and I shamelessly pleaded with Mrs. Setterlund to have mercy, total groveling act, dancing like no one was watching. And it worked, and it was at least another 3 years until I actually got sent to the principal's office for the first time. BUT if I was a babyface pro wrestler and clearly lost a match, I would not grovel and beg to get the match restarted. I thought Yoya looked cool as hell for agreeing to a restart, even though I don't understand it. I really liked Martyr struggling and selling while trying throws, and I loved Yoya's rolling armdrag. I do wish Martyr had left the thigh slaps at home though. His strikes looked good without slaps, and you don't need slaps on back elbows, and I thought the slaps on the finishing headbutt were really egregious. Back elbows and worked headbutts look cool, just let them breathe. 

Max the Imapaler vs. Alex Kane

PAS: I really liked what we got here, but I think it was a bit too short. Max does a great job of conveying menace and I totally bought them dominating early, even with as strong as Kane has been put over. That belly to belly throw was especially sick, but I did think two suplexes put Kane down a bit too easily. The German Max threw was nice, but it wasn't "put an undead monster to sleep" nice. One or two more moments really could have made this something special.  

ER: I thought this was cool as hell, and was about the length I was expecting based on how the length all of these hiss showdowns have been on Contenders. Kane has been such a steamroller, it was cool to see Max just go right at him. I thought their German looked awesome, Kane appears to have that inverse Lawler magic where he is as great a punch salesman as he is a puncher. Kane folds real well on this German, comes off like a guy who really knows all angles of a suplex, taking and giving. both had their chance to show off cool belly to belly suplexes, with Max doing a short deadlift and just dropping Kane, like men after carrying a 40 lb. bag of cat litter up the stairs. Kane's belly to belly has this gorgeous followthrough, just moving Max's dead body and driving them into the mat. The landing looked so heavy that I was actually expecting a stoppage. This felt like more than one minute. 

The Lifers (Matthew Justice/Bobby Beverly) vs. Team Filthy (Tom Lawlor/Dominic Garrini)

PAS: This worked better than the first tag match, but I don't think this was the best way to pay off the Team Filthy vs. Justice feud for the season. Justice is best in wilder, brawling UWFI matches and this was by far the longest UWFI rules match PPW has done. It had a much more deliberate pace, which exposes some of the seams way more than something quick and nasty. I did like Lawlor and Garrini as grinder mat wrestlers who would take both Justice and Beverly down and tie them into knots until they had to grab the ropes. The finish run between Justice and Lawlor was pretty exciting, exchanging slaps, with Lawlor having the advantage until Justice checked his kick, hit a spear, and landed some sick knees to the temple for the KO. I honestly think the match would have been better if it was just a singles between those two, and that was basically just the last finish run on its own. 

ER: This was too long for me, too meandering, too out of sync with the rest of the vibe these shows have given us. I didn't even dislike anything that happened, and I love all these dudes, but it felt like an on paper WCW dream tag match that gets more time than any other TV time that week, and doesn't really do much with that time. There's a 12 minute Finlay/Jericho Nitro match that I think is incredibly boring, and I don't think I've called any other Finlay match in history "boring". This wasn't boring, but it didn't go the places I wanted to, and there were still some fun moments along the way. I laughed at and loved Dom's fun rolling ankle pick, just slowly somersaulting in all unassuming and suddenly he's an anaconda around Justice's leg. The final showdown between Lawlor and Justice was great, awesome mini war, and I wish we would have had a 5 minute tag of that kind of stuff rather than what we got. Still, loved these guys. 

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Now I Ask Big Meech What He Know About Low-Ki

Low Ki vs. Ahtu  EVOLVE 1/14/12 - FUN

ER: A fairly infamous match, that doesn't actually feel as sadistic as it's been made out to be. This is Low Ki's Evolve debut, and he literally knocks Ahtu out with a rolling kappo kick to start the match. A lot of people on the internet hate Low Ki because a lot of people in wrestling weirdly side with management at any opportunity, but within the realm of pro wrestling shoot incidents this feels like one of the least malicious incidents. If you didn't know better before watching this, you might just think it's excellent selling from Ahtu to jumpstart a cool angle. The kappo kick looks no more savage than any other Ki kick I've seen. He has a great looking kappo kick, and this one hits Ahtu right in the temple and sends him timbering down to the mat. Call me naïve, but the KO blow didn't look intentional to me. There are way more blatant and efficient ways of knocking out an unsuspecting opponent, and this wasn't exactly Kurisu punting Jado in the head. Ahtu has that thousand yard stare, and Ki drags him to his feet (now that is probably the most inadvisable thing Ki did here), nails a handspring kick in the corner, then hits the Warriors Way on a potentially dead body to finish it (totally protecting Ahtu on it, although Ahtu also sells it like a man with a concussion who doesn't know he's just been double stomped). To add to the complete bizarro greatness of this spectacle, Ki gets on the mic and cuts a REAL wrestling is BACK promo and literally ends his promo quoting TAZ! I mean literally shouting out a man from Red Hook and saying "Beat me if you can! Survive, if I let you!" That's weird! And the crowd shouted along to every word! I wanted him to pick up Ahtu's corpse, give him a Stone Cold Stunner, and shout "And that's the bottom line, because LOW KI SAID SO!"

PAS: Eric wrote this defense of Low-Ki before he came out as a COVID denier, so there are actual reasons for the internet to hate Low-Ki now. Still it doesn't make sense to have wrestling be a place to go for morality and common sense, so fuck it, we are still Low-Ki guys. Ki obliterating a roids dude entertains me, and I agree that this looked unlucky rather then reckless, but either way it was bad ass. I wouldn't take health advice from Low-Ki or want to be in the ring with him, but I still love watching him.

Low-Ki vs. Ricky Martinez MLW Fusion #62 6/1 (Aired 6/15/19) - FUN

ER: Low Ki debuted in MLW a year before this, against Ricky Martinez. That match was a complete one-sided Ki squash, not a solitary moment of Martinez offense. But that was before he was The Sicario, and he fares a little better here. The match is a little underwhelming, as normally you can give Ki 4 minutes and expect something a little more cohesive than this. At a certain point they seemed to be killing time waiting for a run-in, but the interference never came so maybe they just got off page for another reason. Their interactions are good and I know they have a better match in them, and at minimum they're good at taking each others' offense. There are even a couple of callbacks to their first match (not brought up in any way on commentary), like Ki rushing Martinez at the bell. A year ago Ki did the same and landed a knee that was the beginning of the end for Martinez. This time Martinez just bails out of the ring the second Ki takes off running. Ki eventually gets into it with Salina de la Renta at ringside, leaving himself open to a great baseball slide dropkick from Ricky. In ring Martinez runs hard into Ki's boots in the corner, and Ki works a cool body scissors. The finish is odd, as Ki hits essentially an axe bomber lariat, and they stop the match with a TKO. Low Ki is a guy who can work a convincing KO finish if the match calls for it, and this lariat (elbow?) looked like the least KO move in the match, so it came off confusing to the crowd. MLW built Ki as a guy who can finish matches in unpredictable and violent ways - which is an awesome way to push someone like Low Ki - but this finish was not that. 

Low-Ki/Tom Lawlor/Marshall Von Erich/Ross Von Erich vs. Jacob Fatu/Josef Samael/Simon Gotch/Ikuro Kwon MLW 9/7/19 - GREAT

PAS: This was a match with some real peaks and valleys. It's main flaw is it's length,  it is hard to sustain the pre Match Beyond parts of the War Games, and this had some real dead zones. Gotch and Marshall had 2 minutes of cool stuff in the opening section, but they had to go five, and by the end of their one on one they were doing chinlocks. Samael was the best time killer in this, he bleeds a bunch, trash talks Kevin Von Erich on the floor, sets up a section with Low-Ki where they tried to gauge each other on the barbed wire, bites Lawlor in the ear, breaks the claw by jabbing Marshall with a spike. I thought Fatu looked good too, although his entrance into the match was the kind of super hot run of offense you want from a face, not really from a heel. Ki was a minor part of this match, but I did like his karate stand off with Ikuro Kwan to start. The other big problem of the layout of the match was the length of the Match Beyond, the last guy in the ring needs to be the start of the end of the match, but they had about five to seven minutes of wandering and brawling before the hot finish. The finish was what put this into great territory for me, you had the cool spot of Kevin Von Erich in Dallas putting the claw on a random masked Contra agent, a big near fall with Fatu hitting a huge Samoan drop, and the Claw doomsday device by the Von Erich's for the win. The match was really losing me, but that ending brought it back big. 

Low-Ki vs. King Mo MLW 2/17/21 - FUN

PAS: This was a no ropes match on Filthy Island which was MLW riffing on UFC. I don't really get what this whole Low-Ki vs. King Mo feud was trying to accomplish. Mo squashes him in the first match, and then Ki wins by tap in a minute and a half, when he locks in a choke by crawling on Mo's back. The curse of MLW since it first started was cool looking on paper things which don't deliver, and this feud didn't. I did like the vibe of the show OK, and the post match Team Filty vs. Ki and the Von Erich's brawl was fun stuff which does keep this out of skippable. 

COMPLETE AND ACCURATE LOW-KI

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Paradigm Pro: UWFI Contenders Series 2 Episode 2

Cole Radrick vs. Yoya

PAS: This reminded me of a WEC Batanamweight fight, little guys moving fast and pressing a lot of action. Yoya really impressed me here, he did a bunch of really cool spinning mat attacks including one spot where he goes for an armbar, gets lifted by Radrick off the ground, spins on to his back for a choke and then slips right back into the armbar. Only flaw in this match was Radrick's selling, he sells this big kick like he got brain trauma with his arms sticking straight out in the air. That is cool stuff, but this promotion stops fights for way less, and it wasn't plausible that the ref would let him continue. Outside of that I enjoyed this a lot, interested to see what Yoya does in Bloodsport next week.

ER: I loved Radrick here and thought his selling was excellent. I've seen plenty of people try to work the fencing response selling into pro wrestling, and it almost always looks incredibly stupid (with the stupidest ever being Jimmy Yang taking a Tank Abbott punch in WCW), and here it looked like Radrick clearly had a concussion. And as Phil said, that was why that ended up being a pretty pointless use of such a realistic sell. We've seen a dozen matches in this UWFI series alone that have been stopped for less than a man visually suffering a traumatic brain injury, so the idea that the match wasn't immediately stopped was ridiculous. That really should have been the finish if they wanted to work that spot into the match, makes no sense to give a guy a standing 8 after he's doing a horizontal Frankenstein impression. 

That aside, everything else ruled. Yoya is super small and super quick, and Radrick can use cool power offense against him even though he is small against most other guys. At one point he does a fisherman's buster that starts with both men lying flat, just powers Yoya up. Radrick's selling was strong throughout, loved how he leaned into all of Yoya's strikes, fell into the ropes after a few of them without ever coming off as "acting". The shotgun kick that lead to the should-have-been stoppage looked great, really would have completely worked as the finish. But I did love Yoya pouncing with punches to try to capitalize, and Radrick really paid back that kick with wicked hammerfists and elbows before locking in a wicked armbar for the tap. These guys want to get a lot of their ideas into these quick fights (and Yoya has been one of the biggest "get my ideas in" guys in this series so far), but they really need to save some of them for later in the series. Can't have two cool finishes in one fight, you'll burn out the concept. 

Ron Mathis vs. Nick King

PAS: Mathis works a comedy gimmick on these shows as a garbage guy who claims he is a shooter. I get why you want to mix things up stylistically, but it doesn't do it for me. I liked King on last week's show, but he gets squashed here which is a shame. I would have rather seen King use his skill to flummox Mathis a bit, before Mathis figures it out. Instead he was a comedy guy claiming to be a shooter who steamrolls an actual guy in that style. Nice rear naked choke though.

ER: I was really looking forward to seeing more of King after his fantastic debut last week, and this was not quite what I wanted. What they did was good, but it was not the thing I wanted to see. Mathis rushes King with body blows that King anticipates, and outquicks Mathis into a great Vader/Inoki German suplex. When he recovers, Mathis comes in with a couple strong front chancery suplexes, then locks in the chancery again, but instead of going for another suplex he twists hard into an awesome rear naked choke for the tap. Paradigm has been good at bringing in unknowns and working them up the ladder through this series (guys who were unknowns in season 1 are now treated like known quantities, getting matched up with season 2 newcomers), so I know it's just a matter of time before King is getting to bigger matches. So, within context, I think this worked. 

Freddie Hudson vs. Alex Kane

PAS: Hudson is a former PPW champion who was returning to the promotion, and got a takedown here and even a suplex, but this was a Kane showcase. Kane really uses his hips when he throws people, and that head and leg clutch suplex he uses as a finisher is really sick. This US shoot scene needs an Otsuka, and Kane might fit that bill.

ER: I love when a new guy comes along with real suplex power, and Kane is like new Cobb. I like the set up of the match, with Hudson making his Paradigm return. I like the story of the guy with more matches in a promotion than anyone, returning to find the landscape is different than when he was last here. He comes into the match happy to be here, gets a nice suplex, but once Kane gets down to serious business it is over quick. Kane can really muscle guys around, and that Mark of Kane finisher of his is like he's throwing someone as far as he can after tying them up in La Nieblina. 

Kerry Awful vs. Aaron Williams

PAS: Awful was a lot of fun here, working this like Wellington Wilkins Jr., this old carny wrestler who might not know jujitsu but knows how to twist a wrist or pop a knee. I liked how he taunted Williams early to "take the cowards way out" by grabbing the ropes, which leads the crowd to chant "Coward" at him when he takes a rope break of his own. Williams had some moments too, and the finish was great with Williams hitting an Anderson Silva front kick and going for a stretch muffler for some reason, which Awful turned to a crucifix sugar hold for the tap. 

ER: This was a nice change of pace from the other matches this episode, worked very differently, a little more tentatively but not shying away from hitting each other. Williams' kicks all looked cool, loved when they went for a knucklelock and Williams kept kicking at Awful's head with axe kicks and front kicks. I actually thought this was going to end way earlier than expected, as Williams locked in a sick grounded full nelson that could have gone a few different directions, but Awful broke it by reaching back and clawing at Williams' head. The finish was awesome, thought the Silva front kick looked spectacular, and I loved the wrinkle of Williams going for an ill-advised stretch muffler but not locking it on quickly enough, allowing Awful to tap him with a slick anaconda crucifix. Very cool. 

10. Tom Lawlor vs. Lord Crewe

PAS: I think this is Lawlor's best performance in this style. Crewe is a guy with a bare knuckled fighter rep, and it was great to watch Lawlor ground him and work as a mat master. Loved how he kept controlling with a hammerlock, and how decisive and powerful his takedowns were. Lawlor had an awesome looking Anaconda vice head and armlock, and his reverse triangle choke finish was class. I thought Crewe was fine as a brawler who found his moments, although he should have left his spinning Vampiro kick on the drawing board. Lawlor versus Justice should be a lot of fun, and I hope he works it like this. 

ER: Love seeing Lawlor work a match like this with blinders on, working patiently through Crewe's strikes to land takedowns and work subs, all of which looked finish worthy. Lawlor was able to really convincingly work in a leg scissors submission and make it look like something that could happen in MMA, and I love that submission. There are a lot of ankle lock spots in wrestling now, hard to make one stand out, but I loved Lawlor refusing to break his ankle lock on Crewe, Crewe trying to kick him off, Lawlor grapevining the leg while yelling a FUCK YOU, Crewe hanging in with a worthy attempt of his own before wisely getting to the ropes. Crewe's standing strikes look better than most in this series, long arms sneaking in powerful shots, and once he started landing on Lawlor I loved all of Lawlor's muscle memory takedown selling. I really loved the sequence of Crewe missing a haymaker to set up a Lawlor rear naked choke, which I thought for sure was the finish, until Crewe slipped out and absolutely BLASTED Lawlor with an elbow strike to the cerebellum. Goddamn I thought Lawlor was hit so hard his spinal column separated. Hard to pull off two zombie sells on the same hour of TV, but I can't see any other way to sell that elbow other than Lawlor getting turned into a zombie statue. Lawlor's inverted triangle looked fantastic as a finish, thought this whole thing kicked ass. 

2021 MOTY MASTER LIST

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Josh Barnett's Bloodsport 4! 2/13/21

Diego Perez vs. Gil Guardado

PAS: These guys are both MMA fighters apparently without any pro-wrestling experience, so this was basically an MMA sparring session. In shootstyle you are going to be better off with MMA guys with no pro-wrestling experience than the other way around, and there were some exciting moments of ground work, although neither guy seemed fully able to pull strikes and make them look good. The rolling guillotine choke Perez used to finish the fight was really cool.

ER: This mainly looked like the kind of karate or MMA sparring you'd see open a late 80s FMW show or two UWF young boys wearing black trunks and tights and having something called a Fight Exhibition. These two even had the black trunks and tights, but it almost always looked like a pretty friendly MMA exhibition. I liked how Guardado worked inside and outside leg kicks, and at one point it looked like Perez got annoyed and threw a straight kick at the kneecap of Guardado's lead leg. Could have used more stuff like that. I think MMA Guy New to Wrestling pairs nicely with Wrestling Guy New to MMA as a match, so I could see either having a fun match with a midwest indy worker in 2021. 

Royce Isaacs vs. Calder McColl

PAS: This was flashier stuff with both guys having MMA and wrestling experience. Issacs had some really cool takedowns and throws, including a cool gutwrench, but would often get caught by McColl working off his back. There was an especially cool McCall trip takedown from behind. McColl reverses an anconda vice into an armbar and then into a triangle choke for the finish. This was a really good ground battle, with both guys showing some skill. 

ER: This felt a bit too long for what we got, but I liked Isaacs working somehow tentatively, not wanting to rush into something stupid, while also pushing pace and making it almost a sure thing he gets caught in something. Aggression is more interesting in Bloodsport than who eventually gets the triangle, and I liked his short takedowns, liked that he went for stuff like low angle German suplexes even though they almost surely took more energy than they were worth. We have a match long story of McColl's triangle attempts, and Isaacs escaping until he can't. At one point Isaacs did a cool hip pop to break out of a triangle, I really dug that. McColl was a little dull but obviously had some skill, thought it was cool how he set up a slow rolling armbar finish almost as a decoy, giving him a third and final chance to lock in the triangle. 

Bad Dude Tito vs. Super Beast

PAS: This started out pretty awesome with Super Beast with some monstrous throws and huge clubbing forearms, a totally jacked dude who wrestled like it. Tito had some fun brawling strikes early and a couple of nifty holds from the bottom, but this got derailed a bit by a New Japan forearm exchange which should be banned by penalty of death from shootstyle matches. And while the Super Beast keylock throw to finish it was pretty rad, this never got back to the awesome start. 

ER: Yeah, this started cool and then went into a beyond bad strike exchange. Tito from his back going for armbars? Awesome. Tito throwing really bad solebutts, yakuza kicks, and spin kicks? Terrible. The striking wasn't even a New Japan kind of exchange, it was just the exact same kind of exchange you see several times on any indy show, and it has no place whatsoever on a show like Bloodsport. Super Beast's suplexes have a place for sure, and that super fast Saito suplex seemed to make Barnett mark out on commentary. Gimme a guy trying to ripe a jacked masked MMA monster's arm off while that monster is trying to club and throw him, and you get a match on our list. But trying to take down a monster by making him sell a bad spin kick? No sir. 

JR Kratos vs. Alex Coughlin

PAS: Coughlin is a New Japan dojo guy who came in with a lot of energy, although he mostly got thrown around. There was an awesome spot where Coughlin does a deadlift suplex on big ass Kratos where he powers him up with a deadlift. Kratos landed some big throws of his own, and dropped Coughlin for good with a knee to the head for the first KO of the show. 

ER: This didn't totally work for me, felt like it was worked a little at 80% speed. Kratos had a real size advantage and I liked how Coughlin tried to head that off by being a little unpredictable. I wasn't expecting the deadlift, and those are the kind of moments that make Bloodsport something worth seeking out. But I don't think we built to much of actual substance, even with some things I liked. One of the strengths of these matches is that even a match that doesn't grab me can still end strong and leave on a high note, and Kratos squaring up and throwing a knee felt nice and decisive. 

Kal Jak vs. Nolan Edward

PAS: KAL JAK IS BACK! This delivered everything you would want it to. Edward is a fun underdog wrestler who works in the IWTV feds, and he has a moment or two in between getting sent into the heavens by Jak. I really liked his jumping headbutt strike, which looked like a UWF Fujiwara strike. This was mostly Jak throwing huge suplexes, which is the best. He really has that Gary Albright vibe which is something missing from pro-wrestling in the 2020s. He throws this sick gutwrench into a knee strike, which might look silly if thrown by a little guy but looked brutal by a giant unkempt dude. He finishes the match by fireman's carry throwing Edward into a brick wall, which might not technically be a Tamura finish, but still utterly ruled.

ER: Kal Jak is such a good fit on these shows, and they really feel like they're helping him open up in ways that weren't happening when he was working strictly pro style. I was waiting for him to destroy Edward the entire time, and I loved how we kept inching to that point, winding up beyond where I thought we'd wind up. Edward never looked like someone who was going to hang with Jak, and that's fine, because he kept going for single legs and didn't back down when overmatched. Kal Jak broke out some cool tricks, like a full tilt-a-whirl into a great German suplex, and later using that same tilt-a-whirl to land a disgusting knee. If you had described a move as a tilt-a-whirl into knee to me, it would sound gimmicky as hell and filled with unnecessary movement. But seeing Kal Jak execute it looked like a damn killshot finisher. Little did I know that the actual finish was Kal Jak hoisting Edward up into a fireman's carry and just throwing him as far out of the ring, aiming for a brick wall way too far away from the ring. Hard landing for Edward, unexpected as an actual finish, and I'm absolutely loving this side of Jak. 

Simon Grimm vs. Tom Lawlor

PAS: MLW brings a feud to Bloodsport, and this was really tremendous stuff. This was probably the most grappling heavy Bloodsport match, worked almost entirely on the mat with both guys constantly attacking different limbs, going for chokes and shifting positions. Grimm nicely shifted from a front choke to an armbar into a knee to the head, Lawlor was able to grab the back. The grappling was very balanced, with Lawlor taking an advantage in the match by targeting the liver with knees, open hand slaps and kicks. Eventually all of the body shots took their toll and he was able to get a KO with a running knee to the body. 

ER: I really like how Grimm uses his legs in his shootstyle work. He's not tall, but he has limber and muscular legs and is really great at using body vices. He uses them in active and passive ways, sometimes working towards something bigger and other times using it to tie up and annoy Lawlor. It looked like Grimm came close to finishing things with a guillotine choke, starting with a leaping body vice and dead weighting Lawlor to the mat. Lawlor was smart about working the body, and I loved Grimm's selling as the targeted body shots started to add up, leaving Lawlor openings to strike. And those openings all lead to something nasty, with that running knee to the body really looking like a finish, even if it hadn't been followed up with mean hammer fists to the button. 

Davey Boy Smith Jr. vs. Calvin Tankman

PAS: I think I am going to end up being a low voter on this match. Smith just hasn't fully connected with me on these shows. Much of the early part of the match was Greco struggle and mat work, which wasn't particularly dynamic, though I did like Smith solving a problem by shoving Tankman out of the ring. Once Tankman gets back in, they go to the dreaded forearm exchange, before Smith was able to get a side suplex and a crossface tap. I didn't love any of the strikes and thought this was overall just kind of there. Although the cool thing about these shows, that if a match doesn't connect it is at least over quick.

ER: I didn't have the same level of problems that Phil had with this, though it did have some of the striking I don't love seeing in these matches. Outside of one section though I thought this was cool struggle between the two biggest guys on the show. Tankman worked a cool rear waistlock and looked to really be grinding Davey Boy down, except it's easy to burn out your arms working a waistlock on a strong guy. Tankman pays it off with a big follow through German suplex that folds Smith in a cool way. Tankman spends some energy and after awhile Davey Boy kind of has to treat Tankman like dead weight, which makes some of Smith's stuff against the big man look more impressive. There was way too much delay during their strike exchange, and these strike exchanges are a tough needle to thread during these matches. To make them look good, you can't just stand still waiting for the other guy to take his turn, because that looks dumb. It's also a risk to both throw at the same time as each other, because that's how you wind up with Lisa Simpson windmill arms fighting. Both look bad, and you start wondering if maybe it would just be easier to not feel the need to do those? I hated how both guys stood there waiting for each other to take their turn, did not like the way it looked at all, and it didn't help that a lot of the strikes just didn't look good. I did like Smith's strikes to set up the finish, thought it was his strongest set he threw: two quick sharp forearms that lead right into two hard knees, nice throw into a cool crossface. There's a good match in this pairing, and I wouldn't hate seeing it again. 

3. Jeff Cobb vs. Chris Dickinson

PAS: Pretty interesting match, not worked the way I expected it all. This was almost entirely grappling with Dickinson trying to outwrestle the Olympian. Dickinson was the stronger submission grappler, with Cobb using his strength and amateur wrestling style to escape when Dickinson would try an armbar or ankle lock. Eventually Cobb is able to muscle Dickinson up and bring him down hard with a couple of big german suplexes. I expected to see Dickinson throw more strikes, but it is cool to watch how his mat wrestling has evolved. 

ER: I thought this was super impressive, and came away with even more respect for both guys' abilities. I thought Dickinson looked awesome on the mat, and kept finding ways to really spread his weight out to do damage and stay in control. Cobb looks powerful as hell on the mat, and at times is able to make it look like he's just effortlessly moving Dickinson exactly where he wants him to go. And that's what made Dickinson look so good, the way he was able to control as much as he did. He has a really good base and the more he flattened Cobb the more you could see actual frustration brewing on Cobb's face. Dickinson had several convincing submissions, and Cobb would punish him with strikes after narrowly escaping them. I loved Dickinson's two ankle locks here. Seeing his application and Cobb selling the danger of it made me think Dickinson could get that move over as a finish on a big level. 

The ankle lock is a move that Kurt Angle spent a decade plus letting every single opponent easily reverse his way out of it, and Dickinson made me buy that he was going to take an Olympian's achilles with it. Cobb had a couple of downward elbows into Dickinson's kidneys after escaping the first one, that I was kind of surprised he had the balls to go back to it. This was a real punishing, exhausting 11 minutes, and I love when Cobb finally decided to shut the door. His suplexes are really incredible. Seeing Cobb live in 2013 when I'd never heard of him before - and then seeing him throw those suplexes - is one of those wrestling live memories I still think about. He starts lifting up Dickinson in ways that few in wrestling could, and his scoop German is a real beaut. I dug how Dickinson reacted to it in frustration more than pain, with Cobb coming right in and finishing him off with another. It was a cool visual sell from Dickinson that showed he knew how close he was to finishing Cobb, but he knew his fate. Great finish to the show. 

2021 MOTY MASTER LIST

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Monday AIW: Matches from AIW Bobblehead Night 9/20/19

ER: Phil wrote this show up several months ago, so I figured I would swoop in and watch the matches I wanted to watch from it, and add any worthy matches to our 2019 MOTY List!


Bitcoin Boys (Mikey Montgomery/Eric Taylor) vs. Aeroform (Louis Lyndon/Flip Kendrick) vs. The Production (Danhausen/Derek Director) vs. 40 Acres (AJ Gray/Tre Lamar)

PAS: AIW four team scrambles are maybe my favorite thing in current wrestling. This match was missing some of the regular standouts (WHERE ARE THE FUCK-ITS?!?!), but was still a blast. This match was really high flyer heavy and we got some really nifty dives by the Bitcoin Boys, Aeroform and Tre Lamar. There was also some nasty double teams, including a spot where Derek Director takes Tre Lamar on his back and smushes a Bitcoin Boy with a cannonball in the corner. The Bitcoin Boys had some moments of questionable offense, but took huge uncalled for beatings in this match, and that is always fun to watch. I didn't love the finish, and this wasn't at the level of the best AIW 4 way tags, but that is a super high bar to clear.

ER: This one didn't hit me the same as the best AIW multi man tags, but as Phil mentioned they have established a high bar for these types of matches. I think the only real dips in action centered around Danhausen working as Danhausen, and everyone kind of needing to hit pause while he Danhausens. I've really been digging the Bitcoin Boyz on these shows, they're real brats who have no problem leaning into enziguiris and getting tossed around, and I love how they'll also cheapshot and jump Aeroform and continually write checks they can't cash. The dives were fun, with Aeroform hitting stereo Asai moonsaults to the floor and Eric Taylor hitting a tope con giro through Mikey's legs. AJ Gray was wrecking people left and right, loved his big lariat. Derek Director was a big standout for me, and the backpack cannonball is a fantastic move. The saves kept things moving nicely, and I was left wanting more (in good ways and bad ways!) after a surprise Bitcoin roll up. I liked this and these AIW matches always scratch an itch, sometimes the scratch is more satisfying and lasting.


41. Philly Marino Experience (Philly Collins/Marino Tenaglia) vs. To Infinity and Beyond (Cheech/Colin Delaney)

PAS: Another absolute banger from these two teams, I can't remember the last time a tag rivalry has been this consistently excellent (maybe Usos vs. New Day although that got worn out after a while.) The storytelling of this match was a bit different, your previous matches have been all about PME trying to climb the mountain and unseat the champs, here they have knocked TIAB off that mountain and are trying to keep them down. Cheech and Colin are a bit less sure of themselves, a little more desperate and PME are on a roll. Philly takes a huge backdrop onto the ramp and sells a bad back for the finishing run really well, that little bit of tentativeness costs him a couple of times. We get good heat sections on both PMErs and a cool hot run, with Infinity trying all of their dirty tricks. I loved the couple of big near falls after the hot tag, and the super Sunset Dreams is a great escalation finish.  I also appreciate how both team work towards real heel and face reactions, there is no "Fight Forever" or "Both These Guys" chants in their matches, just beloved babyfaces fighting against dastardly heels.

ER: This was great, and I too appreciate the different structures that their tag matches have taken on. I never feel like I'm watching the same things done somewhat differently, as they really feel like they try to bring a different approach to each match. I like how they've matched up (at least) half a dozen times and don't necessarily do callbacks to prior matches, but their motivations change match to match. That's a fun, sustainable way to have a bunch of matches with the same guys and have it still feel fresh. It also helps when both teams are really great, which is what this is. These teams know each other and that history is implied throughout. Marino had a great undersized babyface performance here, loved that moment where Cheech is blocking him from breaking up a pin, so Marino just flies in with a springboard blockbuster, sacrificing his body to send everyone into a dogpile; later he punts Cheech from the apron, get his second attempt caught by Delaney, handsprings off the apron and superkicks Cheech past Delaney's ear, and then gets lit by a Delaney roaring elbow. There are always so many moving parts to these matches, and they're always new, never revealing where they're going until we get there. I really liked Philly's back selling, from taking a gnarly hip toss from the ring to the entrance ramp. Phil was right, he's not out here hamming it up, but it did slow him down and did cost him; rubbing out his hip while getting Irish whipped felt like he took something great out of Eddie Kingston's notebook. I love the efficiency of these tags, as we don't ever get bogged down in shock faced kickouts and chant milking. Here, when PME unexpectedly kicked out of a potential finish, Delaney just sat on the mat shaking his head laughing, like "These guys are gonna make me hurt them" before getting right back to just that. Marino and Delaney both take great bumps off DDTs, and I loved the early fun of "cutting Marino off, then cutting off Philly's cut off, oh and now Delaney is gonna hit a quick tope on Marino to cut him off again." These teams are just great at telling a new story in several interesting ways.


103. Tom Lawlor vs. KTB

PAS: This was good stuff, one of the better Lawlor title defense for sure. KTB brings this fun sprint intensity to all of his matches, and these guys go right at each other reckless from the start. They wing punches and chops and don't pause to stare and make faces at each other. KTB has really fun power spots, including just powering Lawlor over the top rope when Lawlor was stomping on his chest, and Lawlor does some cool MMA counters, like catching KTB mid spear in a guillotine choke, and snatching him out of the air into triangle chokes. Never lets up and ends cool and clean. Really a house show title match, and the post match Bishop angle sets up the next big title defense perfectly.

ER: This went a little long for me, but it's the first time they've met up in a singles and it's a big main event title match, and I dug how they had a straight match without weapons. Now a straight match for these two still means some bodies were going to crash hard, but an AIW main event without weapons or plunder feels novel. AIW guys are really good at working and appealing to the crowd in ways that don't detract from the match, as Phil points out you don't need to make silly faces and jackoff hand gestures to get people excited about two guys exchanging strikes. Just hit each other and people will cheer! That's how it starts, and it keeps up a damn impressive pace for the duration. I expected this to be more power vs. striking, but Lawlor is crazy so he throws in just as much power game as KTB. There's a great spot where KTB leaps in with an avalanche, Lawlor sidesteps and catches him off the ground, and Lawlor walks him toward the center of the ring in a go behind before dumping him with a suplex. KTB hit a nice spear early which set up a great moment down the home stretch where Lawlor grabs a guillotine off the spear. KTB is a fearless flyer for a guy his size, and his dives land well without putting his opponent in a dangerous position. I've never seen him just barrel through a guy, he just manages to wrestle heavy while landing light (sometimes I can do with a little more heavy, but safety first kids). The finish is inventive and mostly works, with KTB flying off the top for a diving headbutt but getting caught in a triangle (I think Lawlor was good at waiting to the last minute to shift his hips into it) and we get great moments of KTB powering Lawlor up but falling back to his knees, before powering him up again to finish off the powerbomb and break the triangle. The initial struggle before collapsing back to his knees was a strong visual, really put over just how difficult that would be this deep in a match. KTB immediately goes for a Beast-sault and immediately  lands right back in the triangle. They started at a quick pace that made it feel like this was going under 10, and the fact they kept it up well past that mark felt big.


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Monday AIW: Hell on Earth 15 11/29/19

40 Acres vs. Aeroform/Wheeler YUTA

PAS: 40 Acres are a really fun stable, three guys who wrestle pretty differently and meld it well together. Aeroform and YUTA are perfectly fine dance partners, but this was an Acres match. I really liked his Kingston match but Tre Lamar is perfect in this kind of match, he had some really good looking spots and great cocky taunts, and he can sprinkle them in amongst PB Smooth's power stuff and AJ Gray's potatoes. I also am really enjoying slightly past his prime Flip Kendrick, he still has great athleticism, but he always has a bit of a grimace on his face, like he is pissed he is still here after all these years.

Allie Cat vs. Veda Scott

PAS: This had a bunch of dipshitty "I'm a cat" comedy spots at the beginning, but that was better then their epic indy wrestling run at the end. Veda Scott has a lot of ideas, a very 2006 IWA-MS moveset, but all of it is executed at half speed and half impact. There was some timing issues with Allie Cat's offense, but at least it was really violent when it landed. I watched this so you don't have to.

Erick Stevens vs. Alex Shelley

PAS: This is exactly what it looks like on paper. These two guys doing a 2005 Indy nostalgia match. There is even a pre-match promo from both guys where they nostalgically look back and compliment each other, including Shelley talking about Stevens working town while being married with kids, Stevens responding "Well you know" and Shelley wistful saying "I'm divorced" (Shelley's current workrate run has a a very divorced energy).  This is a nostalgia match for a time I am not particularly nostalgic for, but I will admit this was better then I expected to be. Stevens has good intensity and there are moments where he is throwing really reckless violent moves, which is welcome in a match style that is often overly smooth. I especially loved him just throwing Shelley over his head into a powerbomb into the corner, it really looked like Stevens had no idea where Shelley was going to land, and didn't really give a fuck where he landed. Felt like Stevens should have won and the finish run by Shelley was a bit mechanical, but I enjoyed this and wasn't expecting to.

Big Twan Tucker vs. Dominic Garrini vs. VSK vs. CPA

PAS: Much like one would guess, the Twan and Dom parts of this match were great, and CPA and VSK were TFS (Total Fucking Shit). CPA actually looked like he might have been concussed as he didn't seem able to pull off any of his spots and seems confused. VSK isn't doing his lotion stuff anymore which I am happy about, but is a super boring workrate guy without it. He threw one of the daintiest topes I can remember seeing. Twan and Dom are great though, and there sections against each other ruled, Twan threw two incredible looking spears including smashing CPA into the guardrail. I would love to see a Dom vs. Twan singles match, they have really good chemistry (although maybe what we need is Dom/Twan vs. Fuck Its, a Twan Spear vs. T Money Pounce battle would be incredible)

To Infinity and Beyond vs. The Production (Derek Director/Eddy Only)

PAS: Sometimes when I am reviewing AIW tag I fell like one of those insane New Japan fanboys who rate Okada matches seven stars. I mean it seems insane to call TIAB the 21st century MX or Philly Marino the R+Rs, but it really feels true. Both Production guys are still really new to the business, but TIAB made them look amazing. Colin Delaney especially is just a master at heel tag wrestling. I loved the opening sections with Infinity being a little ahead of the game in the chain wrestling only to get their taunts cut off with big chops. Delaney doing assholish kip ups only to get ripped up and do a little pain dance was just perfect wrestling. We have some great clever and violent heat on Only, a big hot tag and a super fun finish run. This was great and it so cool they have so many fun teams to work different tag match variations.

ER: AIW tags just do it for me, and To Infinity is my favorite tag team in wrestling (Jollyville has a shot at regaining that crown once they come back and wreck things again). They are so good at setting up improbable moments and spots and double teams that should come off convoluted and rehearsed, but instead come off like they have a bottomless back of tricks at their wrestling disposal. They set up long chains of offense without getting crossed off, and seem to work in spots that play to their opponents' strengths, mixing the routine up from tag to tag without forcing guys through all of their regular moments. My favorite spots are their little moments of meanness, like Delaney kicking Only in the head and stomach after tagging out, or Cheech stomping on Only's head while turning him in a crab. Derek Director has added some pounds and lost none of the things that make him fun, throwing cool director's clapboard hand thrusts to the throat, and trying wild things like a guillotine legdrop off the apron, and I loved the dance that sets up him eventually sending the back of Delaney's head into the turnbuckle with a sunset flip. Only hits a great blindside tope through the bottom rope and takes some good punishment, and I thought he was really going to be crazy enough to go for a coast to coast dropkick ACROSS the ring (he later hit one down the length of the ring). To Infinity and Beyond are about as sure thing as it gets on AIW cards, I can't imagine there being a match I wouldn't want to see them in.

Eddie Kingston vs. KTB

PAS: This was slugfest Eddie, it doesn't really have the sort of layered selling and drama of his best matches, just two guys throwing bombs. KTB is a fine opponent for bomb throwing Eddie as he can both dish out and take a big beating. I love how Eddie winces his way through a fight, even when he is dishing out stuff it takes a toll on him too, a chop is going to hurt your hand, applying a suplex is still a concussive impact on your body. I do hate to criticize a US Indy match for not having a big ending, but Kingston winning on a side suplex did feel a little abrupt. I figure these two have a great match against each other in them, this was more of a tease then anything else.

ER: I liked this more than Phil, but he has a pretty high standard for Kingston matches, and that's a fair standard. If you don't hold the very best to a standard, then who will you hold? I liked the bomb throwing sprint approach, a tight 9 minute blast that had Kingston throwing some of the hardest shots I saw him throw last year. His chops where hitting with his full weight behind them, and no matter where it comes in a match I'll always be fine with two nasty backfists setting up a suplex finishing things. The announcers make me laugh talking about how this isn't shirt and shorts Kingston, this is *gear* Kingston. We get some little things, like the way Kingston kind of desperately gets some of his hands up during a KTB flurry, hoping to take the damage from 100 down to maybe 85. And we get big things, like KTB hitting a tope after smashing Kingston in the face on his attempt, and a top rope damn superplex from King. Top rope superplexes are special flowers. That's when you see guys out beyond, legs shaking in microburst. Kingston hits a top rope superplex and, as Phil mentioned, shows off how important it is to have a guy who can sell moves that he gives. I think Lawler and Finlay have the best understanding of how to sell specific moves, how to take specific moves, and Kingston isn't a far shout behind. Kingston's sell of performing and delivering the superplex is as satisfying as the classic move itself, another example of the kind of thorough performance he gives even in sprints.

Nick Gage vs. Mance Warner

PAS: I enjoyed the early part of this match with both guys brawling through the crowd and winging beer cans off each others heads. When it gets back into the ring we get a bunch of construction projects with chairs and tables, and I really start to lose interest. The Gage/Bishop/Warner sections of these AIW shows are tough hangs for me, all of those guys are better then Tommy Dreamer, but I am pretty tired of Tommy Dreamer style matches in 2020. This is a style that appeals to some people, and this was fine version of it, it wasn't my thing.

80. Zach Thomas vs. Matthew Justice

PAS: This was a similar style to the match right before it (they really need to spreads these weapon shot matches out a bit), but I enjoyed it a bunch more. Had a lot of energy, and Thomas is a really dynamic offensive wrestler. I thought the spirit bomb on the stood up garbage can was a nasty a bump as you are going to see in this kind of match. Fonzie really adds to Justice's shtick, it really helps having someone at ringside to do the prop set up, so the match can keep moving. The finish was pretty fun with Fonzie putting on a Myles Garrett jersey and breaking out a Steelers helmet for Justice to brain Thomas with. A babyface Myles Garrett spot really works in a garbage wrestling match in Cleveland.

ER: I thought this was great, and have a feeling that Phil may have been too numbed by Gage/Mancer  (I skipped that one and went straight here after the Kingston match). On a show and in a fed filled with guys who hit hard, I thought these two beat the shit out of each other. I don't know what the Intense Title is supposed to be, but I thought this stood out as a big asskicking from a fed where I already expect asskicking to be taking place. Thomas has really great meathead energy and Justice really projects as a champ to me. Justice always comes off with the relatability and confidence that Seth Rollins should have. I love the way he connects to the crowd, and the punishment he puts himself and opponent through really does make him feel like the highest ceiling Tommy Dreamer, as a good thing. His right elbows hit hard enough that it looked like they moved Thomas's whole body, and Justice threw a shoulderblock while Thomas leaned into that shoulderblock like neither wanted to have shoulders any longer. Everything they threw at each other lead to hard landings and tough meetings. I love how hard their stomach kicks or dropkicks land, or moments like Justice sitting on the top turnbuckle throwing a hard punch to the charging Thomas's head with the side of his fist. There were parts where I thought I accidentally had it on 1.5 speed, and something about hitting hard at high speeds can really put a match over the top for me.

Fonzie is a real nice story, a guy still putting in actual great manager work in his early 60s. So many ECW guys are gone, and who would have predicted Fonzie being one of the few still finding ways to contribute quality to matches this much later? The energy he brings to a match like this is big, and we get little moments like when he casually grabbed at Thomas's trunks on an Irish whip. I thought the weapon stuff was set up and pulled off impressively quick, Thomas wasting no time at grabbing doors to set up; and the props stuff came off violent and painful, not gimmicky. Justice flew off the top and just landed his weight through Thomas to put him through a door. No silly moment of Thomas getting into position and waiting, only Justice knowing that his weight would send him through. The powerbomb that Thomas gives Justice, on the bottom edge of a stood on end trash can, is one of the most brutal spots I saw in 2019. Justice's body goes through so much, and his selling gives you the sense he's going to be feeling that in his left hip and back of ribs for the next two weeks. I loved the human moment we got, and part of that connection I can feel between Justice and his crowd, when he couldn't put Thomas away and the fans all start pointing up to the very high second story of the venue, while Justice shakes them off with his hands. "No no, fans, no life shortening balcony spill from me tonight. I'm just going to brain him with a football helmet."

86. Bitcoin Boyz vs. PME

PAS: We have seen so many great PME vs. To Infinity and Beyond tags, I was looking forward to see how they matched up against a different tag team, and this was really impressive. Bitcoin Boyz are basically six months into their careers at this point, and this was a hell of a tag match. BB are a really fun cheapshot shtick heel tag team, kind of like a 2020s PG-13.  They built a couple of fun heat sections, one on Marino and one on Philly, and when it came time for the comebacks they bumped like maniacs. There is a point where Marino powerbombs Taylor right on the top of his head, it really felt like he wasn't going to make it to the one year mark of his career. Duke is fun as usual and eats a tope with the back of his head banging against the guardrail. PME has such a great total act, I just love watching them from Susudio to their great finish, just makes me smile.

ER: Also place me firmly into the PME fan club. They're a really great babyface act, a really fun regional act to root for. They feel like the kind of 80s territory team that had a specific connection to their town. Bitcoin Boyz are still really new but already showing a polished goofball banana heel act. There are a lot of slapstick moments here, but both teams have the confidence to do slapstick and not feel the need to wink into the camera. There are a lot of "Aren't I funny?" teams on the indies, and I hate the majority of them. But Bitcoin Boyz sometimes tap into that John Tatum level of flounce, and it slays me. Mikey Montgomery and Eric Taylor have good timing with cutoff spots (there was a superkick that was used to effectively as a mood changer to show an overused move can still be a highlight), and are good at things you wouldn't necessarily expect them to be good at, like stomps to the chest. PME are a nicely complementary team: Marino is small but comes off tough and unafraid, the small mouthy guy who can back it up, and Philly has charisma for days and knows how to use his size well. Taylor eats a crazy beating, and one match after Justice takes the craziest powerbomb of the year onto the edge of a trashcan, here's Eric Taylor taking the craziest powerbomb of the year getting dumped on his ear by a Philly Doctor Bomb. Mikey Montgomery has some good physical comedy instincts and I get the feeling that once he starts hitting harder he's going to get really good. He's already good enough to be one of the few guys who can actually do a funny and seamless version of the "bounce chair off ropes and back into my own face" spot. The Duke is the best, a total loud mouth pee wee league coach, and he always takes at least one Too Big bump in any match he's managing. Here he takes a cool dad spill off the apron and then eats an awesome dive from Marino. Great pairing, can't wait to see it more.

Joshua Bishop vs. Tom Lawlor

PAS: I really liked the first 3/4 of this match, great hard hitting heavyweight wrestling. I love Lawlor's jab and low kick combo, and Bishop throws good looking winding Windham like right hands. There was a couple of great big move near falls, including Lawlor dumping Bishop on his head with a Michinoku Driver type tombstone, and Bishop having to roll to the floor. If this match ended when Bishop reversed the knee strike into an awesome spinning sidewalk slam, this would have been really high on our MOTY list. They add a bunch of superfluous stuff after that with chairs and handcuffs and ref bumps and we just didn't need any of it. I also hate the Money in the Bank stip, and if they were going to run Bishop vs. Justice as the main event title match of the Mania show anyway, there was no reason to have a cheap title switch here.

ER: This one really didn't connect with me as a war in the same way that other matches on this show did, and I actually resented them going too far with gimmicks when they should know to just rely on their own violence by now. Both guys were showing wear and still slugging it out, still landing hard shots, that all the handcuff and distraction BS really took away from things for me. And the post match title match cash in from Justice is not how I view the Justice character, and seemed like a huge waste of what should have been a way bigger moment. I liked a lot of the Bishop/Lawlor exchanges, like the way these two fight, and it felt like we were really about to get to the good parts of that when we got waylaid by an entirely different match. Lawlor was throwing some really great clinch knees, and the throws from both were landing hard. A sensible ending with a 12 minute runtime would have been justified, as both men were working hard and sweating from go. Throwing in the extra gimmicks just undersold how hard hitting the first part of the match was.


2019 MOTY MASTER LIST

COMPLETE AND ACCURATE EDDIE KINGSTON

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Monday AIW - Bobblehead Night 9/20/19

Bitcoin Boys (Mikey Montgomery/Eric Taylor) vs. Aeroform (Louis Lyndon/Flip Kendrick) vs. The Production (Danhausen/Derek Director) vs. 40 Acres (AJ Gray/Tre Lamar)

PAS: AIW four team scrambles are maybe my favorite thing in current wrestling. This match was missing some of the regular standouts (WHERE ARE THE FUCK-ITS?!?!), but was still a blast. This match was really high flyer heavy and we got some really nifty dives by the Bitcoin Boys, Aeroform and Tre Lamar. There was also some nasty double teams, including a spot where Derek Director takes Tre Lamar on his back and smushes a Bitcoin Boy with a cannonball in the corner. The Bitcoin Boys had some moments of questionable offense, but took huge uncalled for beatings in this match, and that is always fun to watch. I didn't love the finish, and this wasn't at the level of the best AIW 4 way tags, but that is a super high bar to clear.

Dominic Garrini vs. Alex Shelley

PAS: There were moments in this I liked, but overall came away disappointed. Dom looked great, and the opening sections where you had Shelley doing his flashy matwork, only to be countered by cool Ju-Jitsu flourishes was a lot of fun. Outside of that though, I thought this was way too much of Garrini being a dance partner to Shelley's do-si-doing. It looked like a dance routine, and Garrini went down way too easily for such a top guy in this promotion. I can't remember the last time I saw Shelley, and I want to forget this time.

D'Lo Brown/Twan Tucker vs. Parker Pierce/Dr. Dan Montgomery

PAS: AIW does a nice job of delivering on their nostalgia acts. D'Lo hit all of his big spots, albeit quite a bit slower then in the 90s (no Low Down, but he did miss a second rope moonsault). Dr. Dan is a nice foil for whoever they bring in, and took an insane Powerbomb neck first on the guardrail from Twan which was uncalled for. Twan brought the intensity to what was otherwise basically a comedy match, and the Parker Pierce feud is fun, if not a bit of a side drain to a guy who was building big momentum. I am ready for Twan to move on to bigger and better things, or at a minimum getting a Manders rematch.

Erick Stevens vs. Wheeler Yuta vs. Lee Moriarty vs. Zach 

PAS: This had some moments I liked, and some moments I didn't care for. I enjoyed watching Thomas and Stevens hit each other, and didn't love watching Yuta and Moriarty find athletic ways to miss each other. Thomas is a big boy and wrestles like it. He had some fun power spots and he and Stevens would lace into each other whenever possible. Moriarty is seemingly on every AIW show in a four way and I still don't get it, he and Yuta really feel like they are counting dance steps in their head. I gripe about the guys AIW isn't booking, but there is no reason for Young Studs, Fuck It's and Weird World to be on the sidelines and have a match with these guys spinning each other around like they are on America's Next Great Dance Crew.

Mercedes Martinez vs. Dr. Britt Baker

PAS: This is Baker's swan song in AIW before going to AEW, and it really makes you wonder why she is the one of these two ladies who is signed. Martinez had one of the best matches of last year with Meiko Satomura, and looks like a killer in this match. Baker looks tentative and her stuff looks weak. She does slingblades and slowly rolls Mercedes into submissions, and I just don't see it. I give Baker credit for taking the beating she took, but come on, someone pay Mercedes.

Nick Gage vs. Wes Barkley

PAS: This opens with Josh Bishop clanking Gage with a Kendo stick from the audience, and Barkley and Bishop double team Gage for a bit, busting him open and Wes slams him on thumbtacks and Legos. After that bit of offense, its the violent squash you would expect with Barkley getting tossed around the ring into things and bleeding badly (he tries the mid air Michaels blade job, but does it really obviously, someone needs to do an AIW school seminar on blading secretly). Finish has Gage spearing Bishop through a table, and giving Barkley a chokebreaker on the top of a chair. Props to Wes for taking a pounding, this was basically the worlds most violent Ultimate Warrior vs. Bobby Heenan.

Philly Marino Experience (Philly C/Marino T) vs. To Infinity and Beyond (Cheech/Colin Delaney)

PAS: Another absolute banger from these two teams, I can't remember the last time a tag rivalry has been this consistently excellent (maybe Usos vs. New Day although that got worn out after a while.) The storytelling of this match was a bit different, your previous matches have been all about PME trying to climb the mountain and unseat the champs, here they have knocked TIAB off that mountain and are trying to keep them down. Cheech and Colin are a bit less sure of themselves, a little more desperate and PME are on a roll. Philly takes a huge backdrop onto the ramp and sells a bad back for the finishing run really well, that little bit of tentativeness costs him a couple of times. We get good heat sections on both PMErs and a cool hot run, with Infinity trying all of their dirty tricks. I loved the couple of big near falls after the hot tag, and the super Sunset Dreams is a great escalation finish.  I also appreciate how both team work towards real heel and face reactions, there is no "Fight Forever" or "Both These Guys" chants in their matches, just beloved babyfaces fighting against dastardly heels.

Matthew Justice vs. Mance Warner

PAS: This was a fun ECW nostalgia brawl, lots of unprotected chairs right to the top of the head, and long construction projects leading to hard painful falls. I really like Mancer's facial expression when he gets hit hard in the head, he is one of the better looking bloody faces in wrestling. If Wrestling Eye was still a thing he would make a great cover model. I enjoyed this, even though it was pretty dumb. Justice kicks out of a top rope piledriver through two tables for fucks sake. Sort of a stepson of Sabu versus third cousin of Terry Funk and it is hard not to at least be glad you watched it.

Tom Lawlor vs. KTB

PAS: This was good stuff, one of the better Lawlor title defense for sure. KTB brings this fun sprint intensity to all of his matches, and these guys go right at each other reckless from the start. They wing punches and chops and don't pause to stare and make faces at each other. KTB has really fun power spots, including just powering Lawlor over the top rope when Lawlor was stomping on his chest, and Lawlor does some cool MMA counters, like catching KTB mid spear in a guillotine choke, and snatching him out of the air into triangle chokes. Never lets up and ends cool and clean. Really a house show title match, and the post match Bishop angle sets up the next big title defense perfectly.

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Tuesday Shoot Indies - GCW Josh Barnett's Bloodsport 2 9/14/19

PAS: I am starting to build a backlog of Shoot Indies which I am always into so I decided for a bit to alternate AIW Monday with Shoot Indy Monday, also this lets me jump right on Bloodsport after loving their Mania Weekend show so much.

ER: Being there second row with Phil and Tom for Barnett's first Bloodsport is going to be one of my great live wrestling experiences when my time is up, and there's still something I think Phil isn't telling me about how he got tickets. Day before the show it was sold out, next morning I wake up to Phil joyously saying "I got three tickets to Bloodsport! You know, three tickets, together, that ticket quantity that is super common for somebody to be selling. Oh, and they're great seats. Oh, and they were below list price." He refused to answer other questions. I don't know what Phil had to do to get us Bloodsport tickets, but he did something that we will never speak about, and I'm fine with that.

20. Matt Makowski vs. Rory Gulak

PAS: I thought this was great. Makowski is an ex-Bellator guy who is apparently working in Chikara now, I assume he is an old timey Gold Prospector or a sentient bag of pork rinds there, but working shootstyle he owns. Gulak comes in repping Catch Point, I assume he inherited the left over merch when his brother went big time. Gulak is really aggressive with his takedowns including a nasty Judo throw, and is always looking to advance his position on the mat. Makowski had a bunch of really cool stuff, climaxing with the O'Connor Roll into the cross armbreak which was incredible looking, the low kick/head kick combo which finished the match was nifty too. Totally delivered.

ER: Fucking Drew WHO? This was awesome, among my favorite 6 minutes of wrestling this year. This is the Rory I knew was there and I have seen hints of, and now I only want this uncut pitbull energy from him. No backsies. Makowski is fun as hell in a 2003 Z-1 kind of way, and his striking and arm twisting made for an awesome counter to Rory's wrestling. Gulak was really vicious on the attack, and the rolling was all awesome, peppered with bigger moments like Gulak's short belly to belly and big ass German, but with a bunch of tiny movements that all felt like they meant something. A match like this is just as fun for something like Gulak shifting his calf positioning to gain leverage than it is for the big throws. I dug Makowski landing a big hook kick to Gulak's jaw, dug how it felt like he was throwing it out as a lark and didn't realize it would land, and it served as a cool wake up for Rory rather than an instant KO. Makowski even had some stuff Sakuraba would have tried to steal, like a moonsault to pass guard (that could have looked stupid but I loved it). The armbar battles were all legit, Rory looked like he was clasping his hands for dear life while deftly maneuvering his hips, and that chaos theory armbar transition was just bananas. Rory shot straight up into the air like the skinniest kid getting bounced off the blob by the fattest kid at Camp Hope, I mean just a fantastic spot. Rory flew spectacularly into the air with Makowski grabbing that arm on the way down, absolutely one of the spots of the year. Kick feint finish was a good one, and this is the kind of killer match that makes a concept show like this such a bottomless well.

Sumie Sakai vs. Lindsay Snow

PAS: This was a bunch of fun too. Snow was listed as having a Gracie Ju-Jitsu background and lots of this match was Ju-Jitsu sparring on the ground. Sakai was really great with both her Ju-Jitsu and her Judo, landing a bunch of cool throws, and constantly looking to adjust and look for attacks on the mat. Snow was a bit more rudimentary on the mat, but used her size well. I loved the finish with Sakai countering each counter attempt and locking in the arm bar for the tap. Sakai has been around forever, but man did she look skilled here.

ER: I've seen Sakai work pro style a bunch (she's been working in the states for 15 years at this point) but not nearly enough of her like this. She was giving up about 30 lb. to Snow but was the clear aggressor here, to the benefit of the match. She didn't necessarily play it like she was more skilled than Snow, but would shoot in quick and bail early if things weren't going her way. This wasn't as explosive as our first match, but the finish run was cool as hell, loved all the counters and the quick tap when Snow knew she was caught.

70. Zachary Wentz vs. Anthony Henry

PAS: This was worked as a crazy sprint, like a worked version of those WEC Bantamweight fights early in the decade. It was a nice contrast to the pace most of these matches were worked at. I really liked how both guys kept frantically attacking limbs during all of the submission attempts. Henry would put on a kneebar and Wentz would bang away with hammerfists and try to escape. Wentz had two really cool choke attempts, one where he pressed Henry his body and flipped him into a choke, and one where he leaped into a guillotine. Finish was very cool with Wentz getting a knockdown and going for a diving punch, but landing right into a tight guillotine for the tap.

ER: This exceeded my expectations as I didn't know if either of them had any kind of fight sports background, so I was just going into this familiar with their indy wrestling. Wentz is a guy who has stood out to me as a big bumper, and Henry has been in matches I've liked, but I wouldn't have tagged them for something like this and came away pleasantly surprised. Phil hit the nail with his WEC Bantamweight descriptor, and it's hard to do that kind of style without it coming off like flash exhibition. A couple of the missed strikes might have, but those were small pieces of a fun sprint. I loved all the action getting into chokes, dug the Wentz missed punch into a side triangle, and thought the finish was fantastic: when Henry went down from a kick I clearly thought that was going to be it, but Wentz leaping in with a Superman punch (a callback to the Bloodsport show we attended where Kratos absolutely wrecked Grimm with that diving punch as the deserved finish) and I didn't anticipate Henry's triangle. Henry made it even more badass by rolling it over and twisting the trapped arm. This show has slayed so far.

JR Kratos vs. Erik Hammer

PAS: This was a pretty mixed bag, it had some stuff I really dug, and some stuff I really hated. Hammer is a shoot wrestler who worked some IGF and really has Zero-One energy, like a lost jacked up McCully. All of the mat stuff was pretty cool, with a pair of big dudes really struggling over holds. I thought the stand up, New Japan style chop, forearm and grimace stuff sucked, it was a bad version of a tired spot that was really inappropriate for this style. There was some good stuff later in the match, but they really lost me and never got me back.

ER: I saw people calling this the fight of the night, and I am not seeing that. There was a lot to like, and I would have loved it had they stuck to the intense grappling that much of the match was based around. I'm not opposed to strikes in these things, obviously, but the stand and trade forearms and chops building to a phone booth fight was so damn out of place. That kind of stuff is in several matches on every single wrestling card in 2019, Bloodsport is supposed to be presenting something different. And I don't think it was particularly good stand and trade, either, which is an additional problem. I really liked Kratos kicking a downed Hammer in the chest, feinting another one, and then punching him in the jaw. BUT, then it lead directly to some old bullshit. But everything on the ground was intense and that struggle was real. I honestly thought we were going to get a fairly early tap when Hammer was hyperextending Kratos' leg on a hell hook, and I loved late in the match how hard Hammer was going for that armbar, and how hard Kratos was trying to keep those hands together to block it, and I got fully wrapped up in the crazy struggle that was happening. Something like that is way more meaningful than some bad overhand chops and screaming.

Nicole Savoy vs. Allysin Kay

PAS: I like how the women on this show have hued strictly to shootstyle, this was almost all grappling and palm strikes, really no pro flash at all. Kay constantly was going for cool mat attacks, Imanari Rolls, Twisters,  which Savoy would either escape or counter. I loved how Kay went for the Imanari Roll one too many times and got blasted with hammer fists. Finish was really cool with Savoy going for an Omaplata and Kay rolling through into a crucifix and raining down elbows for the tap. Neither lady had the polish of an elite grappler, but they were trying cool shit and pulling it off and I am going to appreciate that, even if it was a bit slower and more awkward then Volk Han.

ER: I liked this even though, yeah, the skill level for this thing was quite there. This lead to a couple exhibition-y moments, but this style leads itself open to things like that. I'll always appreciate two wrestlers going for things that are maybe beyond them, rather then settling into the same old comfort zones. I dug both of them rolling through armbars and heel hooks, and really liked Savoy punishing Kay with mounted punches and hammerfists throughout, and I thought they made good frustrated use out of accidentally falling to the floor. The twister set-up was cool and looked like it could've popped one of Savoy's ribs had it been held longer. I really like what these two went for.

Anthony Carelli vs. Simon Grimm

PAS: Holy hell did Carelli look great here, talk about a guy who could have had a totally different career. He looked like a guy who deserved to run a BattlArts school. Super stiff strikes, just bounces Grimm's head off the mat with forearms, great looking judo takedowns, and some cool submissions. Grimm had his moments, and he really got some heel heat on a show without it normally, but this was a Carelli show and a great one.

ER: Calling Carelli a revelation here would not be an overstatement, because we have hundreds of his matches on tape and outside of occasional judo takedowns we saw none of this guy. I know he had early career Batt matches (that I've never seen) and has been running a Canadian Batt Academy (where I don't think he's wrestled), and here he comes out raining down some of the nastiest grounded strikes of the year while trying to leave with any one of Grimm's limbs. He was a genuinely gifted comedy wrestler who could still be making a killing working indy shows, taking no bumps, kids screaming for the cobra, powerwalking the ropes, easy; instead he goes down to Vegas and reigns supreme! I thought Grimm brought more to this than Phil did, even though this clearly felt laid out to show Carelli's (unseen?) abilities. I loved Carelli's downward elbow strikes to Grimm's chest, loved the hard shots to Grimm's body, and loved the fight over kneebars and armbars, and I dug how things ramped up. Grimm started besting Carelli and that's when Carelli hauls off and starts throwing open hand strikes to escape. And my favorite part of the match was probably Carelli locking in a great dragon sleeper, real mean, and Grimm having to get out of it by throwing a knee up over his head. the knee looked vicious and Carelli sold it appropriately. I wouldn't have guessed Grimm would be such a solid addition to these shows, but I like what he brings and hope we get to see more of Carelli.

Timothy Thatcher vs. Ikuhisa Minowa

PAS: I thought this was good but never broke into the great level. Thatcher doesn't really do worked shoot style on these shows, he really works more of a MUGA style heavy on hard forearms and more traditional wrestling submission holds. That worked well as a style break against Hideki Suzuki on the last show, a guy who is the best in the world at that style. Minowa is an MMA fighter who has done a handful of works, he is technically skilled, but he wasn't bringing a ton of flash to the match. I liked Thatcher grinding out submissions, including the finish where he pounded on Minowa's back until he gave up his neck. I also liked how Thatcher would spin out of one submission to another. This ended up being cool but dry, I think Minowa would have probably been better served against more of a shoot guy.

ER: I was left a little cold by this one, even though I liked a lot of what they did, but it did feel like a styles clash that was sound, but not as interesting as it should have been. On paper it seemed like it would be dynamite but it wound up more perfunctory than I was expecting, and I think a lot of that was Minowa. Necro Butcher vs. Minowman is a styles clash classic, but here he showed no charisma and felt much more like a generic karate fighter a fed would add as a special attraction to a 70s card. Except on this card that wasn't any kind of special attraction, it was expected. I thought Thatcher looked awesome working in and around him, and was laying in some pretty mean shots on the mat that felt like they could have been sold better. Minowa would have an occasional nice moment, I liked him spinning out to grab a heel hook, but I think he would have been better off against another MMA guy or even better, someone like Nick Gage. I agree with Phil about how awesome Thatcher looked down the finish stretch, felt like he was grinding Minowa down and by the time he pummeled his way into that nasty neck and crossface choke it felt like a fine finish.

59. Davey Boy Smith Jr. vs. Tom Lawlor

PAS: I really enjoyed this. Smith is great in this format because of the heaviness he gets across. When he is on the mat he is a this dense ball of tendon strength you have to try to move off. When he lands shots, they feel and look like he is laying cinderblocks upside the head of his opponent. Lawlor was really good at fighting off the back foot, I loved how he threw peppery jabs only to land big leg kicks, and he had some slick counters off of his back. Smith kept rolling though and by the end he felt inevitable.

ER: Damn I just want Davey Boy Smith to work exclusively this style, it's far and away the most I've ever enjoyed him and it's a style he really excels at. He has big strength and hits hard, and really knows how to project his weight. Every one of his elbow shots looks like it should send Lawlor to spaghetti legs, and Lawlor pretty much behaves like that's where he's at. DBS would hit a couple big elbows and Lawlor would throw shorter rabbit punches to set up his only real shot, taking out DBS' leg. But I just loved the power DBS showed, in "smaller" things like a couple back elbows he lands to Lawlor's mouth while in guard (I put smaller in quotes because any one of those shots would have leveled me), to bigger things like when he took Lawlor down with basically a keylock suplex, to fitting more traditional wrestling offense into the match without it seeming out of place. Lawlor attempts a backpack choke and DBS grabs him into a powerslam, DBS hits a powerbomb that fit perfectly fine into a shootstyle atmosphere because it looked like there was nothing Lawlor could do to stop it, DBS dumps Lawlor with a flat out rude backdrop driver, and Lawlor himself even hits an awesome sliding lariat that throws both to the floor. Other Bloodsport stuff that tried to incorporate pro wrestling came off looking phony, but these guys had a great sense of what would work (other than maybe that Sharpshooter attempt, but I appreciate the cockiness to even attempt it).

Killer Kross vs. Nick Gage

PAS: Fun little sprint which delivered what you want out of this match up. Gage is a fun Tank Abbott style brawler on these shows. I loved Kross dominating him with technical striking only to fall victim to a bar fight headbutt, and a soccer kick to the mouth. Kross getting him down and choking him out felt inevitable, but Gage throwing up his set as he passed out was a great bit of theatre. I assume Kross is only making the Batista shoutout because they have that match signed, if they do it is a great bit of business.

ER: This match ruled, the perfect quick and dirty fight to have on a card like this. This is the shortest match on the card but was memorable as hell. Gage has a connection to the crowd that few indy guys today could ever dream of having, and that always adds to his matches. In a setting like this it adds even more, and Kross is a cool opponent for him. Kross goes after Gage's ankle, kicking at it and making it seem like legwork was going to be the story of the match, until Gage completely rewrites the story by hitting a tremendous headbutt to KK's face. He sandbags a Kross backdrop driver and I dug the messiness of the ground grappling, dug how they reacted to hitting each other, and thought Gage going down to a nasty choke while throwing double middles was about as fitting as a finish could be.

10. Josh Barnett vs. Chris Dickinson

PAS: Really excellent stuff. All of the cool shit in the Barnett vs. Suzuki without any of the New Japanish shit. I loved the pace of this match with Barnett using his strength and technique to dominate, only to have Dickinson catch him with semi cheap shots to the back of the head or to the ear. Barnett wasn't fully prepared for shots that were legal in Bloodsport but would be illegal in MMA and Dickinson was able to make hay from that. I also loved Dickinson sneaking in a cross armbreaker after fighting for the leg. Finish was totally awesome, they both stand up after some grappling and Barnett tosses off his wrist tape in a very cool drop the strap way, they stand and throw and Dickinson lands first clipping Barnett in the ear and stunning him, Dickinson lands a nasty deadlift German, and some soccer kicks, Barnett is stunned swinging wildly and catches Dickinson in the temple, drops him with a powerbomb and a KO kick to the jaw. The match was slow paced before that and built to this great wild crescendo. Contender for a career match for both guys, and these are guys with great careers.

ER: What a showing from these two, and I'm especially blown away by Dickinson. He's become one of my very favorites over the past couple years, but this match was going to take something special. To look credible in a shootstyle atmosphere against a guy not only larger than him, but a former UFC heavyweight champ who has beaten a who's who list of heavyweight fighters. And he totally did. Barnett looked like Barnett, and Dickinson fought like a guy with nothing to lose, attacking Barnett with downright cruel closed fists to the body and face. Barnett was working him over with early MMA holds, lots of heel hooks, a can opener, and I loved how he would work an armbar and then catch a push off kick from Dickinson and then just twist his arm AND his leg. But Dickinson was aggressive as hell and the violent pace they kept up for 17 minutes was insane. Barnett was being a good guy and throwing open hands, working holds, and Dickinson was throwing big damn fists and trying to bull his way through, and it was working! Dickinson came off like such a major badass, really hanging with an MMA legend, actually flustering Barnett at points by sneaking in kicks. And the match long struggle built to an absolute explosion with the kind of stand and trade this show really needed. There was a killer moment earlier where Dickinson landed a shot to the back of the head and Barnett did this great lights out recovery, and now he was going to pay him back, peeling off and throwing down his wrist tape in an awesome visual. But Dickinson hits this wild German and just starts kicking the hell out of Barnett, sending Barnett into muscle memory winged shots, and we get a completely plausible epic gutwrench powerbomb with some mean follow up knees to Dickinson's face. The bell to bell action was the best, a major accomplishment and some of the best shootstyle fighting we've seen. A real gem, and a real reason to keep excitement levels high for these shows.

ER: Four matches land on our 2019 Ongoing MOTY List, and others weren't far off. This feels like a format that has a lot of legs as long as the shows are spaced, but then again I'm someone who would get excited at school every Monday of 1998, hoping there would be a Brawl For All segment that night.

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