A Week of Death Valley Days: Karl Greco Malenko

It is real fever dream stuff for us to be able to bring Karl Greco Malenko out of retirement, BattlArts is such an important thing to all of us, and to Dean, and somehow we have excavated an all time great and brought him back to wrestling. 

Carl Greco/Daisuke Ikeda vs. Yuki Ishikawa/Katsumi Usuda BattlArts 4/14/96-EPIC

PAS:Bat-Bat tags are one of the best bets in pro-wrestling history, I can't remember ever seeing one I though was even mediocre, and they pretty much nearly always reach excellent, and of course this one ruled. Not as much Ikeda vs. Ishikawa as you might expect, this one was a lot of agro Greco going after his opponents, he really presses the pace whenever he is in the ring, making them survive the whirlwind. We also got a lot of really violent Ikeda and Usuda exchanges with Usuda out crowbarring Ikeda at points. Cool setting as the ring was surrounded by people at round tables eating dinner. Can you imagine dinner theatre BattlArts? The world really used to be better. 

MD: I've been spending a lot of time with Newborn UWF in 88 and 89 so even seeing a shootstyle tag is a bit jarring to the system. This had all of the stuff you'd want and expect, the technique, the scrappiness, the way that Greco or Usada would have to unlock holds with multiple strikes, the sheer violence when Ikeda and Ishikawa finally got in there against one another. Nothing was given, that sense of struggle was always there.

What stood out the most were the more traditional pro wrestling elements. It's true with every style: lucha, French Catch, WoS, shootstyle. At the end of the day, there are humans in there and the humans have emotions, wants, desire, and fears, and what makes pro wrestling interesting is how the clash of those things balances with the clash of size and skill. 

What made this as much as anything else was Ikeda being opportunistic and cagey (and Greco willing to come along for that ride). Ikeda dodged Ishikawa for the first third of the match, only coming in when he was staggered in the corner. He'd interfere freely, would roll to the corner so that Greco could save him, would facewash Ishikawa. A subtle heel if not an over the top one, and then Ishikawa would outwrestle him or get him in a position to kick the crap out of him. Ikeda would survive it and gain an advantage and they'd repeat the process. It all built until Ishikawa finally had Ikeda set up so he could invite Usada in for some real clear, clean shots that he wouldn't recover from. A morality play just like any other, no matter the sharp technique and brutal trappings. The heart of pro wrestling is universal.

COMPLETE AND ACCURATE IKEDA

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Kakuto Tanteidan: We Are Fighting Detectives 10/12/23

Hideki Suzuki vs. Yu Iizuka

PAS: Iizuka is young GLEAT UWFI guy whose nickname is Volk Kid, that is sort of like Harold Miner calling himself Baby Jordan or Gary Trent being nicknamed Shaq of the MAC, you are never going to live up to that and shouldn't make the comparison. Still Miner and Trent could both ball, and Iizuka can go a bit on the mat. Suzuki is a venerated veteran and after his ill-fated and truly bizarre NXT run (he is up there with Brazo de Plata and Meiko Satomura as some of the odder people to get a WWE run) has been one of the most dependable wrestlers in Japan. This really had the feel of some of the under the radar killer FU-TEN and Battlarts openers. Iizuka is more of an offensive wrestler, flashily spinning into cool submissions, including a great triangle choke. Meanwhile Suzuki is a grinder, he pressed his weight into Iizuka trying to make him feel force the entire match, until he maneuvered him into side control, flattened him out and just put him down with hammer and anvil elbows. Great example of exuberance of youth getting played by a old master. Suzuki doesn't have the charisma of Fujiwara but that felt like a very Fujiwarish performance.

TKG: This didn't really vibe with me. Suzuki starts with an insanely stiff dropkick. I don't know how many times I rewound the drop kick Suzuki works this match like a big bruiser: In theory this is guy with a ton of technique working a guy who outmatches him in strength. But it never really worked for me. They stayed in subs way to long and I never bought the idea that IIzuka dominating with his finesse, or that Suzuki was ever in danger. Suzuki did look like a hoss.


Hikaru Sato/Brother YASSHI vs. Ikuto Hidaka/Thanomsak Toba

TKG: I haven’t seen any of these guy’s in ages. Hidaka has aged facially into looking like Wings era Paul Mcartney but hasn’t slowed down a bit. In Memphis , you’d put him in a mask and push him as new challenger. Toba has aged into looking like not so much a boxer as a British Music Hall performer working as a boxer in Punch and Judy panto. Real Benny Hill vibes that I enjoyed, Brother Yasshi has gone from guy in dreads who listens to Vybez Kartel to a guy with dreads who listens to Buffet ( may his memory be a blessing). He unfortunately also works like a Parrothead. I don’t remember Sato being this level of goofy goon. Just goonish selling and work and really selling idea that he was overwhelmed and out of his element. Like Tully with Luger and when he was in this it was really fun.

PAS: Toba was a total beast in this, throwing not only straight punches, but hooks and uppercuts, the spot of the match was Toba dropping Sato with a check hook, or it might have been YASSHI throwing coconut headbutts and Toba responding with heavy punches. I liked the Sato vs. Hidaka sections too, fast tricky exchanges with enough violence to be appropriate, Hidaka's shots were more speed then force, but the speed looked good, and Sato maneuvering into the armbard was pretty sick. Battlarts would have this killer undercard tags, and this was in that spirit.


Super Tiger vs. Keita Yano

TKG:Super Tiger and Keita Yano are both guys who had worked actual Battlarts. Was a point where felt Super Tiger was only good there. Yano I didn’t much care for in Battlarts but has become a guy I like outside of it. This was Yano as guy who can absolutely control Tiger with wrestling for whole match while Super Tiger is guy who can hit a kick or sub to end it at any moment. I dug this more than the opener for guy controlling match but not able to close vs bigger stronger opponent. It’s weird to have 2 of those on the undercard so close. Super Tiger isn’t as charismatic or impressive as Suzuki, But I bought into this one, bought Yano’s ability to turn Tiger upside down and twist up…and loved the real taunting and fucking with Tiger. The reckless back scratch that made Super Tiger lose his composure and step up his aggression was neat point where you knew Super Tiger wanted to end it now.

PAS: I think I liked this a little less then Tom, I thought there was some good looking stuff, I loved the Yano roll into the LaBell lock, and some of his other arm control, but thought other stuff by both guys didn't look as good. Super Tiger is really hit or miss, some of his kicks looked good and others wiffed, and I really want a KO kick on a show with Daisuke Ikeda, Toba and that main event to look way nastier. 


Daisuke Ikeda/Minoru Fujita vs. Daisuke Sekimoto/Yuki Ishikawa

TKG: Is this the biggest hottest crowd Ishikawa and Ikeda have worked their match in. Fujita/Hidaka once was an exciting pairing and I think Sekimoto had adjusted to this style in the past. But this started Fujita and Sekimoto really working like they were the local indy guys in a Santo/N8 Mattison v Blue Panther/Conrad Kennedy III match in Flint; with Fujita and Sekimoto just working a match independently of what else going on-like they didn’t get it. I dug the early everyone simmering part of match and then Sekimoto/Fujita ran their spots and I wish someone could have picked Usuda and Ono up from the reteirement village. Ikeda and Sekimoto hit double headbut that knocked both to ground and where it looked like Sekimoto might have lost a tooth. It super picked from there and was amazing when it was cooking.

For your old guy brawlers to have a transcendent match; they have to either do Black Terry v Mr Condor Zona 23, or the 2018 Fugofugo Yumeji/Buki v. Ishikawa/Joeta. Either “two guys laying a hellacious beating where in end it changes neither of them and they will continue beating on each other forever cause this is what they do” or “two guys engage in such a helacious beating that you think they will be changed forever,,,will never fully recover”. This wasn’t either of those but there were so many moments that teased they were going to reach transcendence. The point where Ikeda is chopping the top of Ishikawa’s head and Ishikawa ansers with punches to eye and temple, there is what almost felt like an enziguri to knee that ends up being a trip into submission ,,,,and both of these guys are so great at selling that they could make me buy Scott Putski Jr axehandle as taking something out of them. And the finish felt totally credible. Clearly not criticizing a match for not being transcendent,,,I’m praising it for these mother fuckers are still able to tease that it could be.

MD:This worked for my sense of anticipation, at least. I wanted Ishikawa vs Ikeda in this setting in front of this crowd for this moment and they did a good job delaying it for most of the match until they paired up for the finishing stretch. That included heat, of sorts, on Sekimoto, with Ikeda more than happy to rush across the ring when he wasn't legal to pepper shots in on him or knock Ishikawa off the apron. Fujita and Sekimoto built to throws, cutoffs, and counters, before they decided to pay things off for the crowd with Ishikawa and Ikeda. Even then, things didn't really boil over though. More than that, it felt like watching two great old chess masters do their thing at a table in a city park. The stakes weren't there. Glory had passed them. But they were masters and familiar with one another. You just happened to be there for their weekly routine. In this case, the routine was two guys pushing each other to their physical, technical limit and punching one another in the face. But overall, same idea. Ishikawa had a clear advantage and it was just a case of Sekimoto German Suplexing an interfering Fujita enough times for him to really press it.

PAS: Really awesome Ishikawa performance, he has a bad back and can't even stand up straight, but can still throw brutal straight hands and grapple like a master. Every time he was in the ring he elevated the match, the Fujita and Sekimoto against each other parts didn't do a ton for me, but Ishikawa taking Fujita down to the mat to stretch him ruled. Ikeda is more limited at this point of his career, the recent Ikeda stuff will have moments, but he isn't going full force like he did even pre-pandemic in WXW, still you could see the glances, and his selling is still tremendous. This felt a little like late era Dundee and Lawler stuff, where it was mindblowing like it was in their prime, but you could still see the shades and shadows of brilliance. 

Fuminori Abe vs. Takuya Nomura

PAS: This promotion was a joint production by these two tag team partners and close friends, and they matched up in the main event in an attempt to do justice to what came before. Abe started the match with a bit of clowning, mugging and shit talking, biting Norma in the armpit to break a submission hold, using some hand feints to land a hard slap, and even giving Norma an oil check in the rear to counter a knee bar. Ikeda would do this sort of thing in the classic BattlArts days as a way to rile his opponent up. Nomura was much more serious and responded to the clowning with brutal kicks and slaps. Fun times ended pretty quickly after that as they exchanged cringy clunking headbutts. It was harrowing violence going forward, hard punches to the forehead, kicks to the spine and headbutts so nasty that they eventually split Abe open. Abe has these cool chopping overhand punches which look like Harley Race when he was trying to split someone’s eyebrow. Normura hit some really big suplexes near the end of the match as Abe was fading and it looked like he going to be counted out, until he caught a Nomura high kick and turned into a ankle lock, and then an ankle lock german suplex. He then put on an octopus stretch, which Normua countered into a single leg crab. Abe then faked grabbing a rope break and instead rolled it into a kneebar which he cranked for the tap. Very cool counter wrestling. This didn’t have the mat wrestling mastery of a high end BattlArts era Ishikawa or Carl Greco singles match, or the brain smashi`        ng suplexes of Otuska, and while it was sickly stiff, I am not sure if they got all the way to Ikeda. So this topped out at the level of a high end Katsumi Usuda match, which in 2023 still puts it right up there with the best stuff anywhere in the world. Let’s hope this is a semi-regular thing, because this style hasn’t really had a home since FU-TEN folded in 2015, and I just love this stuff.

TKG: I at this point peripherally follow US wrestling and stick with low end lucha gym show, so this is my first experience with these two. And dude, this is a great introduction. I’m assuming that Nomura is the
Jackie Fargo Incomparable Kid to Abe’s Wild Roughouse Fargo. Abe is super super charismatic as crazy
Roughouse never-say die hardheaded fighter. And I enjoy all the Dennis Condrey forgets not to hit
Burrhead Jones in the head spots…I don’t know anything about Japanese racial caste so I can claim
ignorance of the if there are any of the ugly implications of those spots, but great spots. I think my
favorite Abe section was the thing where he used a dragon screw to transition to offense, celebrates
the dragon screw with big arm flourish and then realizes that he can’t feel his mouth and eyes cross and
uncross as he drools all over himself over the beating he just ate. I’m so used to insane never say die guy
being matched up against a guy going “what is it going to take to put him away” or “ how have I become
so violent” that refreshing not to see that. Nomura is a guy on his own journey There are lots of neat
moments where Nomura is slow to answer Abe’s strikes; forces himself to eat a bunch of strikes before
he can throw out one answer, moments where he can’t muster any strength behind his strikes and so
just throws weak ones and keeps on measuring for the eventual big make or miss haymaker, He does a
bunch of Dustin style flying away for distance selling and one of my favorite things he does is all of his
walking around ring , recovering in corner during count outs and 10 counts. When I say a guy with his
own journey, I would actively enjoy “ A How To with John Wilson” edit of this match, where never get to
see the fighting parts..just Nomura’s walkabout as he contemplates life. Ending had a lot of nearfalls,
but I bought all of them and the actual finish felt 100 % like a finish.

MD: Abe's energy in this match was off the charts. I'm not going to say the guy was living his best life here because he ended up split open at the top of his head in a way that you figured his flesh might just fall off of him at any moment, just torn in two, but talk about a guy who can capture every moment. Nomura wrestled his best match, the perfect straight man who was going to drive forward at every point and give absolutely no quarter. The few times he popped up from a shot or a throw, you believed it. This guy was just a consumed engine of destruction, kicking and stomping and wrenching like he could somehow stamp the very notion of indignity itself out of the world through force alone.

Abe brought the color though, literally and figuratively, his expressiveness drawing the viewer in, at times making you want to see his comeuppance and increasingly down the stretch, making you root for him in spite of increasingly dire odds. You end up grinning along with him to start and then wincing along with him with every headbutt, elbow, knee, and kick. When it became apparent just how badly he was opened up, the camera caught his expression and it was a real "You'll never believe how I got into this one" look. From there, even as he threw strikes and struck out with increasingly unlikely throws, it felt like he was racing time, racing the rate of his own bloodloss and with an opponent like Nomura running the race with him, he was sure to lose. That's what made the last hold all the more gripping. Abe was hanging on for dear life; nothing less would have worked. It was an admirable performance by Nomura, but a timeless one from Abe.

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Found Footage Friday: RIP BART SAWYER~! VOLS~! WOLFIE~! FLASH~! ISHIKAWA~! JAGUAR~!

Lucy Kayama/Mimi Hagiwara vs. The Young Pair (Rimi Yokota/Seiko Hanawa) AJW 1979

MD: This one had been out there for a while, but never complete. The first nine minutes were always missing. Yokota is pre-Jaguar here. Those first nine minutes seem essential to the overall match; after a bit of feeling out with dueling foot stomps, Yokota and Hanawa lean in hard on Hagiwara. This includes some nice roll back guillotines and a rolling headscissors by Hanawa and Yokota, a lot of arm stretch surfboards, and tying Hagiwara to the tree of woe. It's a pretty brutal mauling, that lasts into the footage we did have, with a southern tag bit of the ref missing the tag before Kayama is able to finally get in. They steady revenge that followed (highlighted by the Kayama using the seated bodyscissors with roll-back and slam-forward we saw so much in the French footage) for the next many minutes doesn't resonate nearly as well without the lengthy initial beatdown.

We miss the Pair's transition back to offense (maybe just an off camera slam by Yokota) but the back half of the match is them demolishing Hagiwara's leg. Hagiwara is already an emotive seller, always active, always engaged and engaging the crowd and to be fair Yokota and Hanawa give her a lot to work with, just tearing it apart with targeted offense on the inside and outside of the ring. The comeback isn't as clean and focused as I'd like but it's still clever, with Hagiwara snatching a flying octopus hold out of nowhere and Kayama coming in hot. They go to that old southern tag standard of the FIP wanting back in too soon to set up the finish. Good match made better by the restoration of the missing footage.  

Yuki Ishikawa vs. Isami Shinkiba Tournament 12/25/2018

MD: It's old man Ishikawa vs a kind of tubby karate guy in a gi. Pretty self-explanatory really. Ishikawa controlled early by not allowing Isami to strike. Isami would have to occasionally use a rope break (and Ishikawa smacked him on the butt afterwards for his trouble). In the stand up, despite Ishikawa throwing some mean headbutts, Isami had a clear advantage. It was just once he got him down that he wasn't quite sure what to do with him. Ishikawa could absorb most of his seated blows and he almost needed to let him back up so he could get his full body behind his strikes. That opened him up for Ishikawa to snatch a limb though and it tired him out, making that possibility all the more likely. Finally, Ishikawa was able to move around him, getting a mare. Isami tried to escape with a nice roll through into a hammerlock, but he wasn't in his striking world anymore; once he left it, Ishikawa put him away with a nasty no-give arm trap.

ER: I thought this was going to be much more of an exhibition based on how things started, with Shinkiba looking like Sammo Hungover and Ishikawa grinning like a goof while playing Inoki leg kick games from his back. Shinkiba really doesn't look like he can do much of anything for the first few minutes, like Ishikawa is essentially working an exhibition with an easily takedownable tub in a gi. He takes him down and easily locks in a couple submissions while Shinkiba puts up about as much fight as I would against Ishikawa. Yuki even swats him playfully on the butt after Shinkiba quickly lunged for the ropes after a smooth Ishikawa rolling kneebar. Maybe that swat on the butt is what set this guy off, because then he starts throwing inside leg kicks and high kicks from both sides, Ishikawa leaning into all of them, and even starts open hand chopping Ishikawa in the arm to get access to his ribs. Shinkiba does a really great solebutt to the intestines, with a smack that sounded like a thigh slap but I saw no thigh slap in sight. When Yuki starts throwing headbutts, he hits an even louder one so I guess this guy just throws great kicks to the stomach. I loved him teeing off on Ishikawa's body with punches, pinning him to the corner with short closed firsts aimed at the torso. But he can't KO Yuki, and because of that, Yuki is going to find a way to tap him. 

Bart Sawyer/TN Vols (Reno Riggins/Steven Dunn) vs. Wolfie D/Flash Flanagan/Ashley Hudson MCW 12/25/98 (Aired 1/2/99)

MD: I wanted to do a Sawyer match since he passed away recently. I can't believe that we've never covered this one before (I had to take it back to the center to ask) because it's wild. Almost book worthy. Maybe book worthy. It's fifteen minutes of absolute chaos, ten of it being the match. This is the master footage so there's no announcing over it and you hear everything. The camera and even the crowd have no idea who to focus on since the violence is all over the building. You can be focused on Sawyer and Wolfie brawling off in the corner and hear sounds of impact from off the screen. It was back and forth. I won't say it was full of brilliant transitions or even a heroic comeback but it was full of memorable moments and lots of blood, most especially from Dunn.

There's crazy, heated stuff in here. Chairshots galore, including a battle between Wolfie and Sawyer. Riggins lawn darting Flanagan into the fourth row. Tons of Australian flag shots. The set piece where Sawyer climbed up some sort of roofing. The post-match beatdown where the heels got their heat back. And of course the crazy finish where Riggins shoved Wolfie off the balcony through a table and then Sawyer tried to leap down after him for the pin and had his foot jam on the concrete as he landed. These were a bunch of pros who knew how to handle a match like this, to keep it moving, to keep the crowd into it, to build to some very big spots, and then to keep the heat up to try to get people back for the following week.

PAS: The Nashville Fairgrounds has seen a lot of blood spilled in matches just like this over the years. From Jackie Fargo through the Moondogs through early TNA. Just a really cool example of the kind of main event all over the fairground brawls which have been mostly lost to history. No really structure, just a bunch of bloody brawling in every nook and cranny. Flash Flanagan is well known for taking insane stunt bumps, but Wolfie took it on this day, falling recklessly off the balcony and awkwardly nuking himself on the table and the hard concrete. I really prefer this kind of stunt to what we see now. Not only was there no crash pad, there was no athleticism. It really felt like a guy zooted out of his mind falling off a roof, which fit well with the chaotic atmosphere of the entire match. Sawyer wasn't the focus here (not sure this had a focus) but you could see how well he fit in this kind of Tennessee street fight.

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Fugo Fugo is Miles Away From Nowhere and The Wind Doesn't Have a Name

Tadahiro Fujisaki vs. Shigeo Kato WYF 1998? - EPIC

PAS: Fujisaki is the future Fugo Fugo, a long time Segunda Caida favorite, and he shows that early in his career he had that same lack of regard for his own and his opponents well being. This is 10 minutes of two George Takano trainees trying to impress their mentor by holding absolutely nothing back. Fujisaki opens the match with a sick lariat and they do some pretty good scrambling on the mat. Kato tries to break a kneebar by elbowing Fujisaki right in the back of the head and neck, Fujisaki responds by scrambling to his feet and reckless stomping Kato in the head and we are off. Kato gets cut from a head butt and tries to drive his knee through Fujisaki's head. There is a section with Kato working a figure four, which isn't what we came for, before we get back to slapping each other in the face until Fujisaki starts spitting blood. We get a cool offensive run at the end with Fujisaki winning with a crazy slam into a chokeslam. Sebastian is so great at digging up this indy sleaze, and this was a gem.

MD: This gave you a little bit of everything in <10 minute package. These two are Shinichi Takano trainees and they leave it all out there. I liked Fujisaki a lot here. You got the sense he knew he wasn't Kato's equal on the mat so he rushed him with a clothesline to start and when he got some distance later after getting stretched a bit, he just stomped him mercilessly in the face. Kato decided the best way to respond was to mostly wipe out on a flip dive. By the end of it, both guys were bleeding and slapping each other head on, with Fujisaki escalating things to a couple of big bombs including the press up turning chokeslam that he won it with. His bleeding maw post-match was a face that only a mother or a trainer could love.

ER: Not a ton better than an unseen Japanese indy scum match surfacing, with two young workers stiffing each other for 8 fun minutes. The poise isn't there, but who needs poise when you can throw a lariat as mean as Orihara and palm strikes nastier than Liger's? Fujisaki's match starting lariat really sets a tone, and I was into all the ways Kato would fight back from that. Kato was more comfortable on the mat and threw sharp knees dead on. Kato even breaks out a surprising tope con hilo (that Fujisaki doesn't totally bother catching) and that reminds me of Orihara too. I know these are Nakano trainees but maybe he got some other SWS alumni to help. Fujisaki throws some of the hardest palm strikes I've seen. No glancing blows, just full straight arm shots, like he's throwing a shot put. They really highlighted the actual power of palm strikes as usually they don't read as well as even worked punches. Fujisaki bleeds from the mouth and Sato hits a lariat maybe as hard as Fujisaki's match starting shot. These are the Young Lions matches we as a people need. Great find. 

Fugo Fugo Yumeji/Yoshihiro Takayama vs. Joeta/Kendi Takeshima WUW 1/1/15 - EPIC

PAS: EXIT Underground is my new favorite wrestling thing. Takayama fits the chains perfectly as he has always been his best as a guy pushing the limits of violence, and he lays Takeshima out at the end of this match with a great looking side suplex and vicious knee strike. Still these matches are Fugo Fugo showcases and he delivers here, his stuff is like a mix of FUTEN and Kurisu which is an incredible mix. I love how he just will shut off all strike exchanges with sick headbutts, and he splits Takeshima with one after the match. He has great chemistry with Joeta and they are really killing each other with strikes and kicks in this match, Joeta has one whip kick from the floor which looks like it sends Fugo's jaw into the stand. Nothing I love more then super stiff wrestling in a filthy looking arena and this totally delivers on that promise.

MD: This wasn't quite as confined as the last match we saw with the chains, but no one was going anywhere anyway (except for that time where Fugo Fugo got knocked out of the ring). This had a real sense of inevitability given the way Takayama towered over his opponents and just crushed them down at will. It then became about whether or not Fugo Fugo would ever kick out or if he was bullheadedly going to fight off two guys forever. For a while, you got the sense he just might, just meeting them strike for strike for strike, just nasty shots all around. At one point they had him in their corner and you got the sense that Fugo Fugo's hubris might do him, but he roared back and when his thirst for violence was finally sated, he made that tag and that was basically the end of it. These chain rope matches need to make the rounds so they become Daniel Garcia's signature match and his blow off with Dante Martin in 2025 is in a match like this where Dante can't make use of the ropes to vault off of. In the meantime, we're more than happy to see 2010s Japanese vets beat the snot out of each other.

SR: Wow, Takayama enters the underground! This was raw, unfiltered brutality. I‘m pretty sure the only plan they had going into this match was that they were gonna beat the fuck out of each other for 15 or so minutes and call it that a day. And that they did. Takayama wasn‘t in the match much, but Fugo absolutely held up his end. He just had one brutal exchange after another and his chemistry with JOHTA was Ikeda/Ishikawa esque. You can tell these two loved killing eachother. Johta blasted Fugo in the face with some crazy enzuigiris and Fugo, as usual, unloaded his headbutts. There was a fun moment where Johta went to headbutt Fugo only for Fugos hard skull to fire back on him. Takeshima was also in this match and mostly ate punishment aside from trying to grapple here and there. And he just got slaughtered by Takayama for the finish, just ending a bloody mess. That said Fugo is looking awesome in these EXIT brawls.

Fugofugo Yumeji/Buki vs. Yuki Ishikawa/Joeta WUW 7/14/18 - EPIC

PAS: This is in what looks like the back of a comic shop in Tokyo somewhere. There is a tiny ring with chains instead of ring ropes and Japanese indy legends Yuki Ishikawa and Fugofugo Yumeji bringing along two guys I hadn't heard of to have a violent punch out. They couldn't run the ropes or do any complicated sequences in that ring so it was all punishing grappling and hard shots. Buki and Joeta were in the spirit of things, and their exchanges were nearly as violent as Fugofugo and Ishikawa. Buki especially was a nasty little prick yanking at Joeta's face and stomping on limbs. Ishikawa and Fugo is as great as that match up promises on paper, Ishikawa is a more skilled grappler working out of the guard, but Fugofugo throws some gross headbutts and uses his strength to move into positions. Really nice mix of FUTEN/BattlArts style stuff and backroom violent indy sleaze.

MD: Phil covered this well, but I'd like to double down on the sense of confinement. This ring was tiny. It was surrounded by chains. While they never came into play, all it took was one hard shot to knock you back to your own corner. When Ishikawa and Fugofugo tested each other with early grappling, there was a sense of extra care to it. Movement was limited and they were very much aware of it and working all the harder not to allow for openings or make mistakes. Buki came off like a real bastard throughout most of this, just a guy with a huge chip on his shoulder. Joeta held his own, just solid throughout, especially when going strike for strike against Fugofugo. As this escalated and became more and more violent, you lost sight of what was on the walls behind them and only focused on the cage and the tiny box which it enclosed. It gave everything almost a pitfighter atmosphere that really encapsulated the underground feel they were going for and that I imagine most of the rest of the card couldn't begin to manage in the same visceral way.

SR: Now this… this is a damn MATCHUP!! Fugofugo going toe to toe with Ishikawa is a weird fever dream of this blog… and in this match, holy fuck they go toe to toe! Everything you can ask for from a match in a tiny ring with chains instead of ropes held in a Tokyo merch store. You get Fugofugo and Ishikawa brutalizing each other (including Fugo almost shattering Yukis face with pretty much the most god awful headbutt in the history of the world EVER), but you also get plenty of neat Ishikawa matwork. BUKI and Johta are really fun complementing characters, BUKIs super stiff mini Great Kabuki act is so cool, and while Johta was slower compared to his CAPTURE days he was willing to hit and get hit which is all I ask for. This went +20 minutes and had a really nice ebb and flow structure to it. The finish was between BUKI and Johta and while maybe that wasn‘t the epic Fugo/Ishikawa showdown you hoped for it was primitve and violent. Besides both the old guys were probably on the verge of brain damage at this point. Really extremely well done stiff quasi-shootstyle brawl, felt like one of the better Japanese tags of the 2010s.

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New Footage Friday: CHOCOBALL! ISHIKAWA! SANTO! PANTHER! FUERZA! RUDGE!

Terry Rudge vs. Pete Collins 7/27/90

MD: This takes a little bit to get going but it's once it gets moving, it's Rudge being Rudge, just an all time jerk. The ring announcer introduces him as having moved there but liking absolutely no one. The first chunk of the match is just an armbar where he uses gut shots and hairpulls to keep it. Collins will sell the arm fairly well for the rest of the match. The back half has Rudge being absolutely terrible to Collins, including a perfect king of the mountain where he amazingly kicked the rope upwards to choke him on the way in, multiple whips into the corner, sitting down in the other corner so he couldn't get whipped himself, and the usual clubbering and stomping (drawing public warnings) that you'd expect. The finish is smart as he draws a second public warning with the stomps to soften the arm up just enough to lock in a submission win, but then he gets himself disqualified by refusing to break it. Collins gets a few valiant moments and a win on paper while Rudge loses no heat at all and has the fans jeering him all the way.


El Hijo Del Santo/Shaka vs. Blue Panther/Fuerza Guerrera PWC 5/9/96

MD: Fairly odd presentation here with Japanese announcers who were cracking up left and right. I have no idea who Shaka was but we got too much of him in this match. Everyone else was great. Panther basing for Shaka made some of his stuff look pretty good especially in the early goings, and later on he was absolutely amazing and visceral in tearing the mask off with his teeth. He also hit a really great odd-angled elbow drop, but it's probably an afterthought relative to everything else in the match. Santo and Fuerza matched up perfectly. They did an exchange I loved where Santo went up huge for a Fuerza press-up pancake and then when Fuerza tried it again, snatched his head in midair for a tossing reversal. Things fell apart somewhat once Fuerza and Santo left the match though and the last couple of minutes felt rough to me. We'll take whatever we can get with three out of these four guys though.

PAS: Shaka definitely had the feel of a money mark who paid to fly in Santo and the rudos to work with him, kind of like a less talented Mike Quakenbush. He had a moment or two, but obviously we are here to see the legends. We didn't get much Santo vs. Panther, but the Santo vs. Fuerza stuff was great, with Fuerza being one of the all time legendary bases against one of the all time offensive luchadors. It was beautiful to watch. Loved all of the dives and exchanges, and I didn't even begrudge Shaka for getting the win. 

Yuki Ishikawa vs. Chocoball Mukai Fuyuki-Gun 12/5/03

PAS: Mukai is a pornstar who decided to become a pro wrestler, I didn't really remember him in the ring much, but it turns out at least for one match he was Daisuke Ikeda. Ishikawa is guy who will take a big beating to get a match over, but I didn't expect the comedy porn star to be unloading full force punches to his temples and mouth. Ishikawa ends up working really from the bottom here, but of course, is one of the great from the bottom wrestlers of all time, countering Mukai's german's with an armbar, looking for any opening to lock in a hold or throw a suplex. By the end of this match it really felt like a classic Battlarts or FUTEN style war, something I was totally not expecting when this popped up.

MD: Pretty valiant performance from Mukai here as he fought against the inevitability of Ishikawa. He got lucky early by catching a kick (after really scrambling his limbs to try to evade Ishikawa to start) and kept pressing whatever advantage he could. That included some pretty brutal shots. It looked like Ishikawa was going to take back over at various points but Mukai just hung on. His biggest problem was when he took the big swings he absolutely needed to in order to try to win, whether off the top or with a spinning backfist. Maybe most telling was when he hit three brutal Germans in a row but Ishikawa just grinded through it and locked in a hold. It was really just a matter of time in the end.

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New Footage Friday: TANK ~! BOSS MAN~! DEVIL'S REJECTS~! NWA ELITE~! FUGO FUGO~! ISHIKAWA~!

Big Boss Man/Tank vs. Pomp and Circumstances NAWA 2004

MD: This was a fun local match with a big star, though it was definitely much more of a Tank match than a Bossman one. That said, this was a younger, spry dominant clapping babyface Tank and no one's going to complain about watching him crush Rockwell and Tempers. The few times where Tank and Bossman did some stuff together were a hit, obviously. I thought Rockwell was more the stand out in bumping and feeding here, really flying around the ring. The transition, fairly deep into the match, was a low blow and the heat mainly about working Tank's leg and that was fine. When they swarmed him or cheated, they controlled things. When they let Tank create some distance, he got hope spots in. There was a fakeout hot tag that the ref didn't see. Because of that, I didn't like the lead in to the hot tag where Tank walked over to the corner and hit a superplex despite the bad leg. He could have just walked over to his own corner instead. It would have worked better with just a basic toss off the top. The finish was pretty much what you'd expect in a situation where they didn't want Rockwell and Tempers to lose clean. Overall, this was fun stuff though.

PAS: This was a fun Southern tag, with some big babyfaces mostly bumping around weaselly heels, MX vs. JYD and Bill Watts with Bossman in the role of Watts. Not sure of the date of this match, but Bossman would be dead in August 2004, so this was one of his last matches. He still came off like a star, but was clearly diminished. We have Devil's Rejects Tempers this week too, and it is fun to see him as a pretty boy heel as opposed to a face painted psychotic. It is a different role for Tank too, and one he does well. Nothing that will blow your mind, but something that delivered for sure.

Devil's Rejects(Tank/Iceberg/Shawn Tempers/Azreal) vs. NWA Elite (Kory Chavis/Jeff Lewis.Michael Judas/Onyx) NWA Anarchy 12/30/06

MD: This felt like the first chapter of the next book of the saga, a transitioning from the Rejects vs NWA Anarchy to the Rejects vs NWA Elite, something to whet people's appetites for the escalating violence to come. They always do an amazing job of making everything feel like it has gravitas and lore. There's just a lot of weight and inertia behind what was going on in the promotion. Everyone involved had a history with one another, with Bailey, to a degree with Wilson since he'd been the voice of the company for years. They were all former champions in Wildside or Anarchy or both. This expanded, extended Elite was made up of former allies and enemies, and they always seemed to work surprises in. In this case it was Mikael Adryan returning from Puerto Rico as Mikael Judas and Kory Chavis returning for the Elite even though they'd been enemies in his last appearances. It did hammer the notion that the Elite was elite which was necessary given the sheer force and dominance of the Rejects. 

And I know all this because they spent the first five or six minutes of the match not actually calling anything but just laying it all out. I'm not sure how much use that was to people closely following along in 2006 but I appreciated it fifteen years later. If I spent most of this review just setting the stage, it's because it was a stage worth setting. This feels like the most important thing in the world for the residents of Cornelia, Georgia. Past that atmosphere, the most impressive thing about the match was the restraint. While there was some interference from the outside, some foreign object use, Wilson involving himself a little, it was primarily kept to standard tag rules, with believable and fairly even momentum shifts and transitions, for an astounding amount of time. When it broke down and got violent, they built to a few big, memorable spots (primarily the massive, seemingly impossible razor's edge out of the corner by the returning Judas) and the arrival of Dominus who was best used as a tease anyway. It moved things along, gave the crowd a taste of what would come, decided nothing, reintroduced some players, and fit well on a card that also had a couple of title matches and AJ Styles. Maybe not the over the top spectacle we're always hoping for looking back, but a good piece of business overall.

PAS: This was the first match in this feud, we have the Wargames blowoff and are anxiously awaiting footage to drop of their fans bring the weapons match. This feud got covered in great detail on the Way of the Blade pod I did with Jeff G. Bailey and Rev. Dan Wilson which is a great listen. This wasn't one of the wild brawls that would follow, but a more traditionally worked tag that built to a pretty big crescendo. I liked the early Onyx stuff with Iceberg and Tank, he came off like a total horse throwing those huge guys around. We get some violent interference from both Bailey and Wilson behind the ref's back. It breaks down at the end with Judas hitting a razor's edge on Iceberg which was wild, and we had a lurk in by Dominus and the Rejects lay out Judas with two huge Iceberg splashes, and a sick top rope double stomp where Judas was being lifted off the ground. Totally did the job of making folks wanting to see the Elite get back their win.

Yuki Ishikawa/Joeta vs. Fugofugo Yumeji/Buki WUW 7/14/18

PAS: This is in what looks like the back of a comic shop in Tokyo somewhere. There is a tiny ring with chains instead of ring ropes and Japanese indy legends Yuki Ishikawa and Fugofugo Yumeji bringing along two guys I hadn't heard of to have a violent punch out. They couldn't run the ropes or do any complicated sequences in that ring so it was all punishing grappling and hard shots. Buki and Joeta were in the spirit of things, and their exchanges were nearly as violent as Fugofugo and Ishikawa. Buki especially was a nasty little prick yanking at Joeta's face and stomping on limbs. Ishikawa and Fugo is as great as that match up promises on paper, Ishikawa is a more skilled grappler working out of the guard, but Fugofugo throws some gross headbutts and uses his strength to move into positions. Really nice mix of FUTEN/BattlArts style stuff and backroom violent indy sleaze.

MD: Phil covered this well, but I'd like to double down on the sense of confinement. This ring was tiny. It was surrounded by chains. While they never came into play, all it took was one hard shot to knock you back to your own corner. When Ishikawa and Fugofugo tested each other with early grappling, there was a sense of extra care to it. Movement was limited and they were very much aware of it and working all the harder not to allow for openings or make mistakes. Buki came off like a real bastard throughout most of this, just a guy with a huge chip on his shoulder. Joeta held his own, just solid throughout, especially when going strike for strike against Fugofugo. As this escalated and became more and more violent, you lost sight of what was on the walls behind them and only focused on the cage and the tiny box which it enclosed. It gave everything almost a pitfighter atmosphere that really encapsulated the underground feel they were going for and that I imagine most of the rest of the card couldn't begin to manage in the same visceral way.

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New Footage Friday: IKEDA~! ISHIKAWA~! KANEHARA~! ITO~! REY~! RED~! SANTO~! ULTIMO~!

Rey Mysterio Jr. vs. Red HOG 8/21/15

MD: Given where Rey's knees were in 2015, this was pretty high end stuff. They had nice early exchanges building to some tit-for-tat mirrored work, including both guys teasing the code red and 619. Red, early on, took a great bump through the ropes but then felt the need to bump himself again after the landing, which was a little silly. What really made the match work was how, once it got going, Rey ended up working from underneath with Red using the fact he at least matched Rey's size to play cruiserweight bully. Rey would get well-layered hope spots, but Red was there each time to cut him off in clever and interesting ways. On the other hand, Red would lean into the hometown crowd a little too much or play up his Eddy tributes instead of going for victory, and give Rey another shot at that hope. There was escalation with Rey at least able to try and then finally get more offense, but Red was pretty firmly in control right up until the point where he went for the three amigos and Rey was able to sneak out a victory. Red taking so much of the match protected him (not like he really needed it) and also let Rey do what he could do best in 2015, get sympathy and help someone else shine.

ER: I really enjoyed this, had a lot of fun seeing two of my favorites, and also didn't love the match structure very much. It's tough to do a baby vs. baby match and I'm not quite sure what structure would have pleased me the most, but this one did not. That's not very helpful. I love what they did but not how they did it? Who exactly is that helping? There was some neutralizing stuff to start, and it makes sense that we would get some mirror exchanges as Red's greatest matches were mirroring the kind of things that Rey made possible. I love how Red bumped for Rey. I actually liked the extra bump into the rail that Red took (that Matt not-unfairly called "silly"), as I thought it looked great, like he recoiled off the landing and flew head first into the railing. But mainly I loved that it established Rey as the goodest good guy, as he went to the floor to actually check on Red and make sure he could continue. I would have loved to see Red go full heel on Rey, or Rey go full heel on Red (and disappoint all of those kids so excited to see Rey) but Rey being established as the evergreen babyface was handled in a smart way. 

I did think they leaned too heavy on Rey getting cut off, as literally any time he went for any move down the last 10 minutes Red was right there to stop him. My least favorite match layout is "one guy takes all the offense but then immediately wins the match with two moves" and this felt like an extended - but more interesting - version of that tired Randy Savage Nitro match formula. The best parts were seeing how the two legends took each other's offense, and seeing how much Rey inspired Red's early career, and how much Red inspired Rey's late career. Both are underrated bases because they are both small enough that they don't play that role, so there was a lot of joy in seeing them take ranas and headscissors, seeing Rey try a code red ON Red, seeing Red flatten Rey with that pancake powerbomb out of the Santo roll. A match filled with joy, that also somewhat underwhelmed. That said, fans of either will find plenty here to love. 

PAS: I am somewhere in the middle of Eric and Matt here. I thought all of the countering made a ton of sense, considering Rey was such an inspiration to Red. Red is going to know all of Rey's stuff, and Red's stuff is Rey's stuff so he is going to be on the lookout as well. I was also into the big Red bump into the guardrail, fun violent stuff, and it made perfect sense that Red might have been discombobulated.  I didn't love how heavy the Eddie tributes were in the finish, both guys in the match have such rich histories, and this was such a dream match, that you didn't need to shoehorn Eddie in too. Still this was really fun to finally see, and with the Ki match and this Red match Rey had a very cool mini-run against the 2000s indy greats in 2015.

57. Daisuke Ikeda/Hiromitsu Kanehara vs. Yuki Ishikawa/Takafumi Ito GPS 9/26/18 - GREAT

PAS: THE BOYS!! I remember trying to reach out to GPS on Facebook asking them to upload this match three years ago when it happened, and it just shows up! This was worked BattlArts style, and while it didn't hit the absolute heights of the best of that style, even good BattlArts is awesome. I really liked Kanehara here. He is a UWFI guy and looked really good on the mat and threw hard kicks, and I loved how fast he threw his axe kick and how deadly that was sold. Ito looked good on the mat too, and went at Ikeda only to pay for it. We don't really get the extended Ikeda vs. Ishikawa section you really want, and they do square off a couple of times and Ikeda really bounces his fist off of Ishikawa's head, but it felt backgrounded a bit when you really want it foregrounded. Still every part of this was really well worked and any chance you get to watch these guys be these guys, you want to jump on it. 

MD: A satisfying watch even if it never entirely boiled over. I wasn't sure we were going to get much Ikeda vs Ishikawa at all, so it was good to see them scrap towards the end. The good thing here was that the other matchups were all interesting. I agree with Phil that Kanehara showed a lot. His kicks were dangerous, with the axe kick built up early so that when he hit it on Ishikawa later, you believed that it'd get his team solid advantage for a time. He also had a nice, dominant mat exchange with Ito though. Otherwise, the most memorable bits were Ikeda just crushing Ito in the corner and Ishikawa's amazing catch and duck under switch of Kanehara's leg. There were a couple of funny moments for balance and that expected familiarity between Ikeda and Ishikawa that just bleeds through whenever they're in the ring together. It ended up feeling very complete even if it never quite went over the top.

ER: Glad that GPS finally got around to checking their Facebook Messenger three years later to fulfill Phil's request. The match is a really fun violent take on an All Japan Legends match, with them getting a mixture of laughs and awe with old bits and old violence. Kanehara and Ito work nasty leg locks and Kanehara throws the kind of kicks that made 90s UWFI so fun. Ikeda is a real bully to Ito, so while he's weathering an ankle lock he's always ending things by punching or elbowing or kicking Ito in painful ways. But there's that All Japan old guys match element that makes this a different kind of violent BattlArts, so we also get great weirdo moments like Ikeda whiffing on a 619 attempt and landing on his head. That felt like the first time Ikeda has ever come off like Rusher Kimura, and it made me realize how great the potential might be for old man Ikeda/Ishikawa comedy matches. I've spent so many years wondering how those two were going to keep up their level of violence into their even older age, that I've never thought about how good they might be at adding more comedy as the violence becomes less sustainable. Ishikawa is a fun foil during their exchanges, teasing him with Inoki legsweeps and taking Ikeda's headbutts the way an old man accepts a refreshing glass of homemade lemonade from his wife of 43 years. They each take some shots, but it's Ikeda's work opposite Ito that most stood out for me. Ito knew his fate but it never slowed his attempts to tap him. Ikeda always looks like he's having a blast when he maneuvers another man into a crossface, and that's just the joy of old man shootstyle. 

Ultimo Dragon vs. El Hijo Del Santo PWR 10/5/19

PAS: This was basically a maestro exhibition and a fun version of one. Dragon is definitely slower but still solid on the mat, and even breaks out a Navarro family spinning figure four. He also takes a big top rope armdrag, which was a big bump for some oldsters. Santo appears to move no differently than he did 30 years ago, and it is always a pleasure to watch him break out old hits like the head spin headscissors and la Caballo. Unnecessary BS run in finish mars this a bit, but I imagine the audience came away feeling their money was well spent. 

MD: Pretty minimalist affair but we like those. There was one big spot in this thing and they milked it for everything it was worth. They milked everything, actually. Dragon waggled his finger in the air for fifteen seconds before trying to get a pin towards the finish. Santo can get away with that. He ate up Dragon on the mat for the first five minutes but everything was smooth. When Dragon came back with some kicks, his reverse figure four looked nice (though well-milked and barely sold). Crowd was clearly behind Santo and that let Dragon play the aggressor a bit more. The big spot was an arm drag off the top after a teased superplex and it was fine even if it took Santo forever to get up the gumption to charge up there and toss him off. No one in the crowd cared though. They were all just happy to be there and see these two (or at least see Santo).

ER: This match happened two hours away from me, on the total opposite side of the Bay Area, promoted by Pro Wrestling Revolution. They're the far and away consistently highest drawing indy in the Bay Area, and nearly every time I have been coaxed and lured into attending one of their shows over the years I have experienced one of the most unsatisfying in-ring products of my fandom. I hate Pro Wrestling Revolution, the only local lucha fed, who only insist on promoting to excess the worst parts of lucha libre. The entire promotion gravitates entirely around heel referee Sparky Ballard (here, El Sparko), an entire promotion focused entirely about preserving the tradition of a referee getting in the way any time any match begins to gain momentum. I've never seen a PWR match end without bullshit, and it's always the most unnecessary bullshit you can think up. It's an authentic lucha fed who flies in authentic lucha talent and then books lucha like someone who has the worst taste in lucha. 

But they booked El Hijo del Santo in his first singles match in over two years so I was going to drive 4+ total hours to see how Pro Wrestling Revolution could fuck up such a joyous occasion. Me and my pal Tim Livingston took an entire Saturday to see Santo, one of us being smart enough to buy a ticket in advance, the other of us deciding to buy his at the door. And when the only tickets left at the door cost $50, one of us decided to spend the entire first half of the show walking around the exterior of a large San Jose high school looking for a way to sneak into the show, before resolving himself to just wait until intermission and walk right into the building as everyone else flooded out. So I missed half the show, of a promotion who has never put on an enjoyable undercard. I found Tim, forced to endure the heel referee Revolution alone due to my ticket buying procrastination, and together we endured more heel referee lucha while waiting for Santo. Cain Velasquez was there with his family. 

The match was minimalist but enough to keep a smile on me (until the bullshit). It's a good Santo performance for a crowd who was hot to see him, but also the weakest Santo performance of any that have made tape over the past 5 years. He is still quick, especially for a man in his mid-50s, but at some points your handsprings don't land you on your ankles and you instead land on your butt and stand up. The matwork has moments but doesn't attempt to go anywhere with the moments, instead giving you some nice snapshots of moments. I like when Santo does little things like kick Dragon in the knee before picking a single leg. Dragon has some things that look good, decent back elbows and a willingness to lean into a great Santo in-ring tope, but Dragon can also take an eternity in between movement. I loved the top rope armdrag and will count myself incredibly lucky if I'm able to breezily hop to the middle rope and twist my body like Santo when I am 56. JR Kratos throws some of the most embarrassingly soft strikes on his run in, punching and stomping at him like he was made of porcelain, making an already preposterous run-in even more unsatisfying. Cheap Heat is the name of Pro Wrestling Revolution's game, and they do it as obnoxiously as possible. If they ever successfully bring in Negro Casas (two prior attempts were thwarted by a natural disaster and a broken rib courtesy of Sam Adonis) then they will trick this old foolish clown once again into enduring their dull brand of lucha. 

2018 MOTY MASTER LIST

COMPLETE AND ACCURATE DAISUKE IKEDA

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Matches from NOAH Mohammed Yone 25th Anniversary 10/18/20

 

Alexander Otsuka/Mohammed Yone vs. Akitoshi Saito/Masao Inoue

ER: It's 2020 and these boys have all beefed up to the degree that Akitoshi Saito might be the smallest man in the match. Otsuka especially needs to just sport Butcher singlets at this point. He looks like best possible Dana White. Inoue brings his failson charisma to this early, attacking Yone at the bell and having it immediately blow up in his face when Saito ducks out of the way of a clothesline that Inoue doesn't. So Inoue spends the next several moments taking legdrops and axe handles all while holding his stomach as if he just won a hot dog eating contest and his friends keep trying to hit his belly. The tone changes noticeably when Saito finally tags in, as Yone starts throwing big impact lariats to counter the heavy leather Saito comes in swinging. Saito/Otsuka is a dream pairing that's hardly happened, and we get only a taste here (ending with a great Otsuka German suplex). There's funny Inoue stuff, like Saito dropping Yone before tagging out and Inoue getting into the ring and stretching his back before just running and covering Yone. Inoue does some eye rakes, he and Saito run at Yone with some slow back elbows and lariats, and Inoue does more selling where it looks like he accidentally walked into a screen door. I was shocked to see Otsuka break out the giant swing on Inoue, but happy to see it. Everyone is a little sluggish here (they're old and meatier, it happens), but I laughed all throughout Inoue shaky legs falling to the mat every time Yone tried running at him. This is the kind of match that would have been a 2004 list match, but still makes me smile in 2020. 

PAS: This is more an Eric thing then a Phil thing. I am here to see Otsuka and we don't get enough of him to make it worth my time. I appreciate Inoue comedy, although conversely it works better in a more serious atmosphere then in a match with other people up for the yuks.  I thought Yone unable to hit a move on Inoue because Inoue is too old, but he is also too old to successfully execute a roll up, so it goes both ways.  

Daisuke Ikeda/Ikuto Hidaka/Mohammed Yone vs. Yuki Ishikawa/Naomichi Marufuji/Junji Tanaka

ER: This was great, and could have been even greater had it been worked more like a WAR or Kings Road or Futen trios. The ingredients were there but it doesn't take advantage of some of the built up drama and instead pays it off in more of a feelgood anniversary show finish than heat, but the highs are way way up there. We get this awesome surprising big babyface performance from Junji Tanaka all throughout this tag that really plays as the unexpected highlight, but the people you went in hoping to see perform, all performed. The Yone/Ishikawa opening was cool, with Yone coming in like an aggressive Batt guy and popping Ishikawa, leading to Ishikawa doing a cool sweep to cause Yone to miss a punt and slip, with Ishikawa going in for the kill with a Fujiwara. But once we get into Ikeda/Junji stretch the match really opens up into something special. Ikeda dishes out one of those cruel beatings he's known for, instantly turning Junji into a huge fighting babyface. It's a sadistic old dude punishing a tough but weaker old dude, and it came off like Kurisu kicking Mitsuo Momota's ass. Junji is out here in his mawashi, trying to put both cheeks into everything, and Ikeda would just punch, kick and lariat him back to the mat. It was feeling like the same kind of Kantaro Hoshino performance we'd see in those 80s New Japan elimination tags, all clearly building to Ishikawa and Marufuji absolutely wasting the guys across the ring from them. Ikeda's beat down on Junji goes on long enough that it gets uncomfortable, like those old AJPW beatings of Kikuchi, but I loved how Ikeda sold for all of Junji's little comebacks, including a nice headbutt and an elbow that puts Ikeda down on his butt, holding his eye. Finally Junji makes the hot tag, leading to a crowd wildly on his side as Marufuji charges in and Hidaka, Ikeda, and Yone all trip over themselves to bump wildly for this molten lava tag.

I'm just kidding, Marufuji completely tanks any of the actual built up heat, stood idly by watching his teammate get his body and limbs kicked in, and actively decides to turn this into a more standard Anniversary show main event. He just somberly strolls in, then proceeds to chop Hidaka in the corner for the next 4 minutes. Yeah, yeah, Hidaka's chest is raw and bright red when it's over, but it was literally Hidaka with his arms hooked over the top rope and Marufuji just throwing chops, slowly. It felt like more of a gym hazing than anything that would make an actual match interesting, and lo! When it comes to actual sequences, Marufuji isn't very interesting in those either. Hidaka has this evergreen goodwill with me just from showing up as a then unknown (to me) in ECW over 20 years ago. I always like when he shows up in something I'm watching, even though I wished he had worked more Batt and less juniors wrestling here.

The Ikeda/Ishikawa sequence is worth the price of admission. If you weren't as captivated by the Junji performance as I was, you're still guaranteed to love Ishikawa sharp elbows and hooking punches to the curve of Ikeda's jaw, and of course Ikeda's straight fully body right hands to Ishikawa's ailing face. A low key best moment of the match happens right after Ikeda decks Ishikawa: the camera cuts to Yone, standing on the apron with a huge grin on his face. It did not seem like the kind of grin Ikeda's partner would be flashing, instead it looked like the grin of a big fan. In that moment you really got the sense that Yone wanted Ishikawa and Ikeda in this match because he's a tremendous fan of their specific thing, and wanted the best seat in the house to view that thing. I can't blame him, as their exchanges here were as good as any of the dozens of great Ikeda/Ishikawa exchanges we've seen for decades. What amazes me most about their pairing is that there is no "home base". There isn't a comfortable set of spots that they can hit every time, branching off from those spots depending on how long they each want to solo. This is a new song every time, played in the same key, but totally different arrangement. You're going to get punches to the face, but there are never any sequences that are repeated in the same way. The greatest pairings in wrestling history (Santo vs. Casas, Rey vs. Psicosis, Flair vs. Steamboat) all have spots and elements in common with their prior matches. Ikeda and Ishikawa just go out there and play free jazz with it, every time, and I've never seen them sound like they're using different different Fake Books. 

PAS: This is a hard match to rank, as there is nothing in any of the matches on our MOTY list as bad as that Marufuji hot tag, not only the endless comedy spot chops but then the interpretive dance step superkick misses with Hidaka. Just dreadful. But there are also few things on our list as sublime as another redux of the horrific dance between Ikeda and Ishikawa. As disgusting and gorgeous as it always is, the punches and headbutts landing with that hollow sound you really only get with these guys. Yone and Ishikawa had a killer opening section, Tanaka gets massacred by Ikeda in a very Ikeda way, but we also had a finish based around a Junji Tanaka comedy spot. I dunno, color me confused.  Ikeda vs. Ishikawa is the best wrestling gets, and I think the highs are higher then the lows are lower. 

2020 MOTY MASTER LIST

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Fujiwara Family: BattlArts B-My Baby 11/5/97

BattlArts 11/5/97

Ikuto Hidaka vs. Mamoru Okamoto 

PAS: This goes really long for a undercard young guys match, but they have enough cool stuff to fill the time for sure. Okamoto was the bigger hitter, and he threw a couple of nasty kicks including a high kick which crossed Hidaka's eyes and some body kicks, he also had some simple but deeply executed submissions. Hidaka was early and career but started to mix in his fancy stuff, flipping senton, flying armbar and a cool victory roll into a kneebar for a tap. This probably would have been better at 10 minutes instead of 16, but I enjoyed what we got. 

Carl Greco vs Takeshi Ono 

PAS: These two guys are the badass B-Sides of BattlArts, Ishikawa, Ikeda, Otsuka, those guys are the big radio hits, the encore songs, Ono and Greco are the deep cuts  BattlArts super fans really love. This was killer stuff, almost all on the mat and full of grappling at the level wrestling has rarely reached. Greco is one of the best to ever do it, he moves in and out of holds with such grace and speed, constant movement, always looking to improve his position or twist a body in a different way. Ono is super skilled on the mat too, and looks a little outclassed, but in a way that fits the story of the match. We only get a couple of reckless Ono strike flurry, and maybe could have used one more, this is the midcard version of this match, a main event version could have been an all time classic. 

Yuki Ishikawa vs Mohammed Yone 

PAS: This was really cool too, man could BattlArts deliver on a show. Yone jumps Ishikawa before the bell, and the story of the match was Yone trying to earn his stripes against the top dog, and failing. It was a very Tenryuish performance from Ishikawa, except more nasty chokes from the ground and less short jabs. Loved how Ishikawa turned it up in the final moments, Yone fights the German suplex attempt, and Yuki lands two jumping headbutts to the back of his head, hits a German, lands another gross headbutt to the back of the head and sinks in a choke. I have been rabbit punched before, I hope Yone had someone sitting with him at night to make sure his brain didn't swell. 

Minoru Tanaka vs Masao Orihara 

PAS: Really fun mix of BattlArts style and sleazy Orihara shit. I am a low voter on Tanaka, especially on this rewatch, but he was really good here, using BattlArts style to counter Orihara's low blows and moonsaults. He aggressively takes him to the mat and works on an ankle pick which Orihara escapes by punching him in the dick. Eventually Tanaka just gets fed up and kicks him to death, winging hard shots at the kind of gross looking bandage on Orihara's arm until he brings his head low and gets put to sleep. I wonder if that bandage was from a wrestling injury or a shooting gallery abscess. 

Daisuke Ikeda vs Alexander Otsuka - EPIC

PAS: Big time violent BattlArts main event. Ikeda is a bulldozer here, opening the match by stuffing an Otsuke shoot with a uncalled for head but and a running stomp to Otsuka's face sending him out of the ring. Ikeda is kicking, punching and headbutting him with real violent force, and throwing some just ungodly hacksaw lariats like he is reaping wheat.  Otsuka meanwhile is focusing on the mat, with some slick looking leglocks, a tight triangle, and a really awesome looking la magistral into a chickenwing choke. This builds to a really epic finishing run with Ikeda throwing massive KO shots, dazing Otsuka all around the ring, only for Otsuka to duck under and catch a couple of his monster suplexes, including a brutal dragon which was able to get the KO. Ikeda was almost like an MMA fighter who throws so many huge power punches that he gassed himself out, with Otuska being able to rag doll his way to an upset. Great stuff between two all timers. 

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Fujiwara Family: FOLLOW ME, FUTENS GOTTA BE, THE BEST THING SINCE CLARK AND WALLABEES FUTEN 45 1/22/12

Ryuichi Sekine vs. Kotaru Nasu

PAS: FUTEN is the ultimate in all killer no filler wrestling. This was so good, and the kind of thing which would completely stand out if it happened today, and was a 9 minute opener, overshadowed by the shinier stuff to follow. Nasu is a Style-E guy and Sekine is a K-Dojo trainee, but they can do FUTEN, nasty kicks to the body and head, and slick takedowns and submissions. Nasu was a little smaller and a little slicker, and Sekine was throwing hotter heat. Sekine goes for a Finlay roll only for Nasu to sneak out with a choke, but is able to hit it later and it felt like a bomb. Lots of moments where I felt a finish was coming, but it gets switched up. Both of these guys are still wrestling and I wonder whether this is something they are still doing.

Satoshi Kajiwara vs. Braham Shu

PAS: This wasn't it. Shu had some nice kicks to the chest, but outside of that this wasn't particular FUTEN style. Kaikwara actually does a lionsault and then puts on a kimura, and Shu spends most of the match choking with his wrist tape before he finally gets DQed. Not what I get FUTEN for. 

Takuma Sano vs. Katsumi Usuda

PAS: Two all time shoot style greats. I wasn't aware these two had matched up before I got this show, and while it isn't an all time classic (Sano seemed to have slowed down a bit at this point) it had a lot of what I loved about both dudes. Usuda really dominated early picking apart Sano really cracking his arms and legs. Sano started slow but when he got rolling he took him out with this brutal run of offense  winning an elbow exchange with brutal multiple hard elbows to Usuda's head, a sick looking released german suplex, solebut to the gut and a head kick for the KO. Felt like Usuda let a fighter with KO power hang around too long and paid for it. 

Great Sasuke/Yuki Ishikawa vs. Fujita Hayato/Manabu Suruga

PAS: Two delicious slices of toasted bread with a piece of rotten baloney in the middle. In the early sections of this match Sasuke seemed to playing along, throwing kicks and grappling, scrambling for kimuras etc. We had a great Ishikawa vs. Hayato section, Hayato didn't work a ton of FUTEN but man he was perfect for this style, scrawny little shit who just threw reckless dickish head shots, like Takeshi Ono's even more assholish younger brother. The sections with Ishikawa had some Ishikawa vs. Ikeda vibes, with Hayato headhunting the old man, and Ishikawa fighting back. Then Sasuke has to get on his bullshit, he hits a suplex on Suruga and does this super long comedy spot where he keeps telling the crowd he is going to hit his Randy the Ram elbow, it literal takes him two minutes to go up for the elbow, which he misses and planks on his head so Hayato and Suruga can kick him in the but. The match recovers a bit at the end, as they have a nifty finish run, but man that was just such a bummer, I love Sasuke, but man fuck Sasuke. 

Hikaru Sato/Kengo Mashimo vs. Daisuke Ikeda/Takeshi Ono - EPIC

PAS: This was really excellent, not at the absolute peak of FUTEN tags (which are as good as anything in wrestling ever) but only a small step below. This is one of the matches of Takeshi Ono's career (according to Cagematch, it's Japan there are so many micro indies, that he could still be working weekly) and the last one we have on tape, and it is a hell of a capper. FUTEN tags have a certain formula, where they build and build to a big one on one match up at the end. Here we really get two of those, first Sato and Ikeda brutalize each other with punches to the face and sick headbutts, Sato is right there driving his forehead right into Ikeda and eating a huge clubbing lariat to the head and some gross kicks. At one point they are on their knees throwing straight rights. Just when you figure that is going to be the crescendo, Ono and Mashimo tag in and they go at it. Mashimo is a big guy and it is really a power versus speed striking battle, with Ono peppering him with sharp shots and Mashimo landing bigger thudding stuff. At one point Mashimo hits a leg sweep which looks like it sliced off Ono's legs at the knee. It doesn't get much better then when these matches ramp up, and I kept getting more and more hyped as they killed each other. Just the best.

FUJIWARA FAMILY

COMPLETE AND ACCURATE IKEDA

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Fujiwara Family: BattlArts Action-B 4/19/98

ACTION B

Ryuji Hijikata vs. Mach Junji

PAS: This was pretty early in both guys careers when they had nothing but potential. I don't think either guy had the careers this match predicted, but this was a damn fun example of young guy Battlarts. Junji had some fun leg work including a nasty kneebar which drove Hijikata's knee to his chest. We had some hard kicks and punches by both guys and then a couple of 95% Otsuka level suplexes by Hijikata where he just collapsed Junji. 

ER: I thought this was raw as hell, can't remember a Junji performance I liked more. He had this wild eyed, all out there performance and attacked Hijikata's leg like a guy who had been locked in a cage all day. He works a kneebar and does not want to let go of that leg, and it's great. He also throws these nasty knee lifts in the corner and blasts Hijikata in the back of the head with a downward lariat. I'm so into wild rookie Junji! Hijikata pays him back by dropping Junji a couple times in freakshow Karelin ways, folding Junji's legs in ugly ways over his head. Then, decides to fold him just as bad to win with a single leg crab. These rookies are hungry!!

Kasumi Usuda vs. Hidetomo Egawa 

PAS: I thought this was a totally rad 7 minute match. No idea who Egawa was (according to Cagematch he worked some WAR undercards, and IWA Japan stuff in the late 90s), but he was pretty great here. He had two cool german suplexes and a nasty back suplex and had this way of whipping his head back when he was selling high kicks that made Usuda look like prime Mirko Cro Cop. Usuda is always worth watching, and he lands some big shots and slick counters, including nearly getting a tap with a straight armbar counter out of a german suplex. Total hidden gem of a match.

ER: Yeah this ruled. I am also an Egawa novice, but he took a fierce beating from Usuda. Usuda really looked like a hit man here. Usuda often looks like a hot man. He has these focused eyes and just goes Energizer Bunny on Egawa. Egawa rose to this challenge and got run through like a champ, not slowing down despite knowing his odds kept getting worse. He had a couple nice suplexes that landed hard, but Usuda sold them like a guy getting out of bed to pee and was totally unflappable. He throws kicks in such great order, never getting trapped in overly similar combos, just throwing legs out constantly. His submissions always look like he's trying to break a limb as quickly as possible, his armbars have probably left so many people with creaky elbows from being briefly hyperextended a couple dozen times by Usuda. This is 7 minutes, feels like 3, all killer. 

Masao Orihara/Takeshi Ono vs. Mohammed Yone/Mamoru Okamoto 

ER: Orihara/Ono is such a badass tag team. You can picture them being a mid movie mini boss in a Jason Statham movie, Statham opening the door in a kingpin's office to find these two in black tights, black gloves, weird hair, swinging chains. And it's weird seeing Yone with a bowl cut, it's like seeing Sam Elliott without a mustache. Orihara is one of my favorite assholes in wrestling history. Here he swings hard on clotheslines, hits powerbombs and suplexes as unprofessionally as possible, shoves the ref when he gets in the way of Orihara hitting the ropes, headbutts Yone in the balls, all cool asshole things. Ono is focused on bending legs, and he really tries to pick on Okamoto, who has some nice moments (like surprising Ono with a dragon screw). I didn't love how Yone and Okamoto made their big comeback, felt a little like they skipped a couple steps. Yone took Orihara's nasty spider suplex, then Orihara hit a moonsault that I think was supposed to hit Yone's knees? But it looks mostly like a normal Orihara moonsault, and it looked dumb when Yone got right up and immediately went on his first big offense run of the match. His offense looked good (and Okamoto came in and hit a nice spin kick, also dropped Ono with a fast German), but I would have liked them coming up with a more interesting way of getting to their comeback. But the final run is a real winner, stacking up some crazy things on top of each other. Yone hits a big hang time crossbody off the top and basically bounces off a brick wall of Orihara, Ono dumps Okamoto with an insane tiger suplex, they hit a tandem vertical suplex on Yone with Orihara kicking him in the temple right after, a nice violent run to the finish line and an overall good match. Ono's octopus is the cruelest chiropractor in the ocean. 

Naohiro Hoshikawa vs. Ikuto Hidaka 

ER: This was more down-paced than anything we've had on this show so far, and it's kinda tough to follow a couple of hot 7 minute sprints when your match is those 7 minutes with 7 slower minutes of rope break knee bars before it. The pace felt like a deliberate cool down, and I thought they did a good job building from sparklers to cherry bombs. I liked Hoshikawa more a couple years later, when he was more of his own thing and less Minoru Tanaka-lite. Hidaka had a lot of the same arsenal but it wasn't as refined in '98 as it was a year later. He was doing the same kind of suplexes transitioned into kneebars and chained suplexes, but they had a lot more poise a year later. Still, they go for some nice and risky stuff, like Hidaka dropkicking Hoshikawa's knee from the top rope, and Hoshikawa hitting an awesome dropkick while Hidaka is perfectly upside down in an Asai moonsault. That latter spot came off especially nuts, and you gotta like guys trying to stand out like that. Weakest match on the show, but you still got to watch guys take hard kicks to the arms and body, see a couple suplexes. 

Minoru Tanaka vs. Tiger Mask IV 

ER: This started with a cool package showing Minoru Tanaka as the proud UWA World Heavyweight champ, a belt that I'm sure has a very long complicated history of different wrestlers or promotions controlling it, but I liked them highlighting Tanaka as a guy constantly defending the belt with his spinning armbar. They worked this like a serious title match, but I think that held it back from what it could have been, especially compared to the rest of the card. Most minutes of this card were filled with a real immediacy and guys really going for the kill, and it's tough to jump into cold water like this no matter how safe it is. They work some competent mat stuff but it never has the danger of any of the submissions from the first three matches. They take their time working holds and while I can like methodical wrestling, some of this felt like they were lying in holds a bit too long. And while the prior match started slower, I felt they turned the dial up nicely to build to the finish, and this match didn't get to that. Even the highlights of this match didn't feel like they lived up to the highlights of Tanaka's other UWA title defenses. This was sound stuff, but didn't have anywhere near the dynamite of the rest of the card. 

Yuki Ishikawa/Alexander Otsuka vs. Daisuke Ikeda/Carl Greco - EPIC

PAS: Man alive was this tremendous. These may be my top four BattlArts guys (Ono and Usuda are obviously contenders as well), and they just stretch it out for a big time main event BattlArts tag. Greco is incredible in this, what a monumental and underused talent. He hits this gator roll into a side choke here which is breathtaking in its speed and violence. He has killer grappling sections with both Otsuka and Ishikawa that are cool in very different ways. The Ishikawa sections are chess matches with both guys countering attacks, the Otsuka sections are speed chess, they put the fucking clock on and just attack and overwhelm. To add to all the mat wrestling, Greco is as cool on his feet, throwing super fast hands, using great head movement, and landing a fucking Jean-Claude Van Damme jumping side kick from across the ring. We also get Ikeda vs. Ishikawa aka The Greatest Match-up in Wrestling History, and it is what it always is. Otsuka throws a couple of big throws, and even hits a tope to cut Ikeda off during this finish. Matches like this are why I am doing this project, couldn't recommend it more.

ER: When you are in the mood to watch BattlArts, this is the kind of match you hope to get. This really captures the overall energy of this really great show, as you have three of the Batt Mount Rushmore (also agree with Phil that Greco/Usuda/Ono would be the ones vying for that 4th spot) going full blast for 18 minutes. When a match starts with Ishikawa/Ikeda doing the things those two do, you'd think it would be hard to maintain that energy over a full match, but that would also mean you wouldn't be giving enough credit to Otsuka or Greco, which is a mistake. Ishikawa and Ikeda are fired up at the bell, no build to their violence, just starting off with fast grappling and quickly getting to Ishikawa raining down punches and elbows into Ikeda's face and neck. Ikeda doesn't forget those, as he spends the rest of the match taking any chance he gets to land cheapshots, my favorite a running punt to Ishikawa's t-zone just to break up a submission (2nd place goes to him leveling Ishikawa with a lariat to the back of the neck after the match). Ishikawa has this great wedding singer hair that makes him look like a real madman trading punches, and you know he and Ikeda were trading punches. My favorite exchange between them might have been this sick 1-2 combo, where Ishikawa threw a right to Ikeda's jaw while Ikeda was already throwing a right to Ishikawa's body, leaving both of them momentarily stunned. 

But the Greco/Otsuka exchanges were a different kind of wild. Greco has such insane enthusiasm and Otsuka easily matches it. Their throws are so quick that I have to assume they have no idea what part of their body is going to hit the mat first. There was one exchange where Greco did a Karelin lift that flipped Otsuka over in a 360, and as he was landing Otsuka was already picking up Greco to do a similar more violent lift. Greco had a moment earlier in the match where he suplexed Ishikawa and landed with a freaky dragon sleeper, actually looking like he was going to separate Ishikawa's head from body. This whole match was a scrap, and scraps with actual technicians always produce some killer results. The whole match was hot, and the finishing stretch turns the heat up even more, with Otsuka sending Ikeda flying with a great tope and Ishikawa flattening out Greco with a grisly rear naked choke. You want BattlArts? This is peak BattlArts. 

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Fujiwara Family: BattlArts Tag Battle 1996 12/21/96

12/21/96

Alexander Otsuka/Yuki Ishikawa vs. Carl Greco/Viktor Kruger

ER: As much as I appreciate Greco and Kruger coordinating their trunks for a Tag Battle League, I can't help but think this match could have been a classic had Greco chosen someone a little more interesting than Kruger as his partner. Kruger is a guy who gives us the answer to the question nobody ever asks, which is "What would shootstyle Jungle Jim Steele be like?" His power strikes feel like the weakest strikes of the match (those clubbing forearms are bad Power Plant trainee personified), but I did like when he was trying to use his size to hyperextend Otsuka's knee, and at least his late match powerbomb on Ishikawa and especially the KO splash mountain bomb on Otsuka looked great. The rest of this was just me being excited at our next shot at Greco vs. either Otsuka or Ishikawa. Greco brings such great energy to his mat scrambling, and he vs. Otsuka is one of my favorite BattlArts pairings in history. Otsuka is a guy who will throw incredible suplexes, and his suplexes on Greco make it feel like Otsuka is twice Greco's size. Seeing Greco tangle with Ishikawa you get the sense that a finishing sub could come at any time, and it's fascinating to just zone out and watch them each work three holds in advance, going after an ankle while also having a crossface in mind, always cool stuff. I loved when Ishikawa and Otsuka trapped Greco in a tandem Boston crab, really looked like they were going to wishbone the guy, and Ishikawa mocking Kruger while applying the hold made it that much sweeter. Again, thought the match ending powerbomb on Otsuka was sick, but Kruger needs to bring it in the finals. 

PAS: I didn't hate Kruger in this, he comes in with a terrible looking legdrop, and those Vader forearms were awful, but I liked the idea of a giant German guy using his size to bulldoze smaller guys. It is really just the drop off, Greco is such a talent, that any time he is on the apron you want him in the match. Kyle Kuzma is a fine player but if LeBron is on the bench, the Lakers are going to get outscored. The Greco vs. Otsuka and Greco vs. Ishikawa exchanges are as brilliant as they always are, Ishikawa and Greco just grapple and it is great to watch. I liked Kruger's finishing powerbomb, felt like a KO shot, but he was clearly a big step down. 

Daisuke Ikeda/Takeshi Ono vs. TAKA Michinoku/Shoichi Funaki-FUN

ER: This was fine, but shootstyle removes all of the most interesting parts of Kaientai's game, and the match is also unexpectedly controlled by them, so you mostly get Taka and Funaki just throwing stomps and locking on submissions directly next to the ropes. Was this their strategy? Because it felt like every time they locked on an armbar or kneebar it was right in the ropes and immediately broken up by the ref. It was odd. Their coolest bit of submission work was even a kind of a copy of the tandem Boston crab from the prior match, with Taka and Funaki focusing more on wishboning Ono's legs (like I thought Ishikawa and Otsuka were going to do) rather than turning it. Ikeda is always nice when working guys like Funaki, never outright massacres the guys who aren't real killers, so he still hits several headbutts but they aren't thrown with the math-forgetting intensity that he'll throw them against Yuki, his Brother in Lost Brain Cells. Taka does not get as much leniency, as Ikeda lays him right out with a mean as hell lariat that upended Taka like he was hit by a Yugo. I think I would have liked this more as a style clash, with both teams playing to their strengths, rather than one team dominating at a style they aren't nearly as good at.  

PAS: Hard not to see this as a disappointment. I have seen really great PWFG TAKA and PWFG Funaki, but they didn't full embrace that style. Instead of really going hard on the mat, you had long sections of kind of dull figure fours and boston crabs, it felt like Brad Armstrong and Ted DiBiase killing time until a loaded glove finish. I really liked the opening asskicking rush by Ono and Ikeda although it kind of promised a match we didn't end up getting. There were a couple of mid match moments of dickness from Ono and a big Ikeda lariat, which keep this from being skippable, but it was a miss for me. 

Daisuke Ikeda/Takeshi Ono vs. Carl Greco/Viktor Kruger - GREAT

ER: I liked this but - as with the other two matches - this never really kicks into that higher gear the best Batt matches get to. We get some fun brief double teaming on Kruger (Ono hitting him in ring while Ikeda throws kicks at his kidneys and back of head from the apron), and a lot of Ikeda and Ono ripping apart Greco. Ono was a real dickhead, which is Ono at his best. He punked Greco the whole time they tangled, throwing in small unprofessional shots to set up something bigger. He punched Greco in his braced knee right before dropping back with a kneebar, and any time he had mount he would just grind his forearms and elbows across whatever part of Greco's body is most convenient. Ono here makes me want a wrestler who just does this, no real offense, just digs his elbows into a guy's flesh every single chance he gets. I have no clue how Greco got anything done, with an elbow or fist constantly digging into his jaw or eyebrow or collarbone. Ono is the master of annoyance, never holding still, the guy who will crank on Greco's neck with no intention to actually lock on a neck submission, just being annoying in painful ways. By the time Greco finally tagged out to Kruger, I was excited to see Kruger stick up for his boy, but he doesn't really have it in him. Kruger is lost on the mat and it's exciting to see the much smaller Ono completely fearless with him, shooting in for a takedown and kicking away at him, tagging in Ikeda for more kicks. Kruger can really only cover up and absorb attacks while waiting to catch a limb, and I do like the payoff over shoulder powerbomb he crushes Ikeda with for the KO. Part of me likes that he has this killshot powerbomb, but perhaps a bigger part of me is annoyed he does basically nothing other than take shots and hit his one finish. 

PAS: I am higher on this than Eric. I thought the use of Kruger in this match was really good, he mostly just stays out of the way and lets us get awesome Greco sections against Ono and Ikeda. He gets really worked over by a pair of legendary cheap shot artists in Ono and Ikeda so when he finally comes in for the final run he looks like a killer, huge wild stiff shots, like he decided "Fuck it, if these tiny guys are going to pop me, I am popping them back" and the final powerbomb was an exclamation point. Of course most of the match was Ono and Greco rolling hard with Greco being a wizard and Ono being a nasty little asshole. I need to seek out some singles between the two, I am sure they happened and they have such great chemistry, two guys who never stop attacking, always looking to adjust and sink in something different or tighter. I agree with Eric that this didn't hit the level of the best BattlArts tags, but that level is so high that it still leaves plenty of room underneath for great stuff. 

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Fujiwara Family: Battle and Arts Pro Wrestling 2/11/20

Yoshihiro Horaguchi vs. Sho Karasuno

PAS: Karasuno kind of wrestles like an indy scum version of Masao Inoue, which is style I dig. A ineffectual schmuck who can goof his way to an advantage. He gets beat on at the beginning of the math including Horaguchi pushing him face first into the corner and tenderizing his kidneys with forearms. Karasuno is a able to get a bit of an advantage by chop blocking Horaguchi and does some fun leg work before falling to a deep boston crab. Nothing really shoot style about this, but a fun opener. 

SR: Very basic opening match. I’ve seen Yujiro Yamamoto carry Sho Karasuno to a good match working another micro indy called RAW, which runs shows with no ring and just a bunch of judo mats instead. Karasuno continued his Masao Inoueish streak in this match, doing some finger manipulation stuff, but also rubbing me the wrong way when he did some geeky stunners and DDTs to Horaguchis leg. Horaguchi worked over Karasunos back with some stuff shots indicating he may be entertaining even when not partnered with Yuki Ishikawa.

The Blue Shark/Baisen TAGAI vs. Superhuman Hero G Valion/Super Macho Monkey 

SR: The last BAP card we saw was a bit all over the place, I like how for this show they adapted a matchcard formula similar to late 90s IWA Japan shows on Samurai TV which is kind of my favourite japanese indy wrestling, starting with a basic match and building up through a series of fun undercard matches to a main event. This match was in the Takeshi Sato & Tortuga vs. Cosmo’Soldier & Akinori Tsukioka spot of a semi-shootish juniors tag. It wasn’t quite on that level but I had fun. Tagai was more annoying than Tortuga, as he kept shoehorning his comedy into the match, he seemed to be making fun of Zack Sabre Jr. style wrestling, which is a weird thing to do on a show main evented by Keita Yano who does serious Zack Sabre Jr. ripoff wrestling. Chojin Yusha G Valion is another maniac who came up from the SPWF dojo and started his own wrestling cult, he has annoyed me on the few SPWF Dojo shows that I’ve seen but he looked decent here and didn’t derail the match like I thought he would. 

PAS: I wasn't into this, there was some nice shooty exchanges between Shark and Valion early, and a couple moments later in the match, but I thought Tagai was crap here. Just shoehorning in lame comedy spots with Monkey, felt like a midwest indy bathroom break match. The moments of good were really out weighted by the bad. 

Yuu Yamagata vs. Anzu Chamu 

PAS: Yamagata is apparently 44? She has been wrestling 20 years? I have never heard that name, and I wouldn't claim to be a Joshi expert, but man there are a lot of random wrestlers in Japan. I gave this a couple of minutes, which was mostly bad forearms by Yamagata and posing by Chamu, ARSION this was not.

ER: Phil's description of why he skipped this match kind of made me interested in seeing this match. I don't think it was a good match, but I found Anzu Chamu charming and possessing genuine underdog relatability. Her offense was as weak as can be, but she looks like a pop star and I assume has several hundred weird Twitter accounts dedicated specifically to her. She's enough of a weenie that she draws actual sympathy, and I think if Yamagata had laid in a beating at a quicker pace this could have been good. Chamu was sympathetic enough that I'd probably feel too bad seeing her get annihilated by a monster, not sure I could celebrate an Aja Kong or Chigusa Nagayo style mauling the same. Her ineffectiveness had charm.  

Macho Pump/Nobutaka Moribe vs. Shigeyuki Kawahara/Takumi Sakurai

PAS: I gave this a chance, too. Pump and Moribe came in masked and in Rey Bucanero shirts and beat around Kawahara and Sakurai a bit. It felt like it went on forever though, without much of a pace difference. The undercard of this show hasn't been doing it for me.

9. Yuki Ishikawa vs. Raito Shimizu

SR: Great, great match that may have been even better than the Horaguchi match from the last show. On the previous show, I said Raito Shimizu showed some promise for this upcoming singles match. I’d say this match way overdelivered on that promise. This was just fantastic and way better than just “Yuki Ishikawa carrying a rookie”. Obviously Ishikawa magic was at play here, the man can do no wrong at this point, but Shimizu held up his end. He really held up his end both hitting the mat and showing personality. At any rate there’s no reason why a guy like Shimizu should be stuck in Z-level indy undercard matches after this. Shimizu is a big boy and this was built around Shimizu trying to even the match by throwing and slamming Ishikawa hard. Of course Ishikawa is 50 years old and beaten up so that made all the crowbar throws look even harder. And Ishikawa is great at coming up with counters to prevent the throws. Really dug Shimizu's selling as he would clutch his arm or neck after escaping from a submission to put over how bad he was torqued. Damn fine performance, and I hope this isn’t the last time Raito Shimizu is booked into a match like this. 

PAS: Man Yuki Ishikawa was a king in this. I have seen Ishikawa carry young guys a lot (much of 2010s BattlArts was Ishikawa carrying guys on this show), and this was one of the better of those matches. Shimuzu brought a ton to the table. He is this rawboned country strong kid who just tosses Ishikawa with big throws. Ishikawa is in his 50s and has a bad back and takes a bunch of really hard slams, each one really made me cringe. Shimuzu wasn't completely lost on the mat either, he uses his strength to power out of some submissions and locks on a nasty gator roll. Ishikawa is master, he constantly uses his grappling to counter the suplex attempts, sometimes locking stuff in mid-air, and absorbs throws to lock in Shimuzu when they both land. It is just a matter of time, if you don't take Ishikawa out, he is going to take you out and eventually locks on a hammerlock into a straight armbar for the tap. Ishikawa is putting together an all timer of a post 50 year old run, and I came away from this wanting to see more Shimuzu.

ER: You get a real sense that old, bad back Yuki Ishikawa could work a captivating match against me, so when he has someone with a cool set of skills it's a given that he's going to work something great. Shimizu is a guy who none of us have ever seen, who is built like a smaller Big Japan guy and is intent on trying to throw Ishikawa onto his head or twist his head off with a series of gator rolls. Ishikawa is a master at using his weight and leverage to attempt to block those throws, tangling Shimizu's legs on Karelin lifts and often turning them to his advantage. Shimizu's determination is really fun to watch, and the crowd picks up on that too. It's infectious watching a guy who is almost certainly over his head and has to know he's going to get tapped but doesn't know how, and the it's great hearing the crowd get behind Shimizu's mad charge into potentially getting ligaments torn. And Ishikawa is someone who will put cruel strain on your ligaments. 30 seconds into the match he is already digging his knee into the meat of Shimizu's calf as he passes guard, locks in a hard guillotine off another Shimizu lift, and has some nasty focused attacks on Shimizu's ankles. You want to harness your deadlift strength? Good luck with that, let me know how that goes when Ishikawa twists your foot backwards. I loved how active both men were, while not entirely neutralizing the other. There was a lot of movement and it always went somewhere, not just movement for the sake of it, and Shimizu really looked like someone who belonged. 

Manabu Hara/Keita Yano vs. Yujiro Yamamoto/Katsuo

SR: Fun indy main event tag built around the main matchup of Hara vs. Yamamoto. Those two had some slick U-Style exchanges early which really made me long for a straight shootstyle match between them. They are both a lot more beaten up than in their primes from 10 years ago, but they still had no problem throwing some surprisingly dangerous suplexes and really smacking each other. Yano, to my surprise, did not ruin the match. He was mostly kept out of it and his one brief run of offense consisted of some stretches which worked. I also enjoyed Katsuo once again as a crowbar trying to crack skulls. The finishing run was a bit of an indy run with shootstyle touches, so I dug it. The next BAP in 2021 is announced to have a Yamamoto/Hara main event, so let’s see if we can unlock that too. 

PAS: I thought this was a blast. It ticked some of the same boxes as the great FUTEN tags, although not at that exalted level. Hara and Yamamoto are the best of that second generation of BattlArts guys and they go after each other here, flying into aggressive grappling and winging big shots and suplexes. Yano still isn't for me, but he mostly stayed out of the way and had some cool Sabre Jr. style stretching submissions which actually worked against Yamamoto. Katsuo is a heck of discovery. 2020 wrestling needed a Takashi Ishikawa and he delivers the step too far clotheslines, forearms and headbutts you want out of crowbar. I didn't love the crowd brawling, and the restart confused me, but this built to a big crescendo and had some pretty high end moments. 

ER: This didn't really work for me. For a 25+ minute tag, it felt really meandering, and much of it never gelled as a tag match. A lot of this felt like a series of singles matches with no kind of tag flow, and Hara/Yamamoto was the only good singles match, all those exchanges were really good. Hara is definitely my favorite of the late BattlArts guys, and veteran Hara is cool in ways he wasn't in 2010. He has this narrowed aggression and confidence and can still surprise with speed. I liked the scrambling a lot and I like how they built up to Yamamoto coming in down the stretch and throwing him with a sick uranage (sent the ref scrambling out of the way) and some suplexes. But those spirited moments of Yamamoto and Hara kept getting slowed down by Keita Yano doing unconvincing exhibition holds. They never made sense, as Yamamoto - who worked fast, engaging, cool exchanges with Hara - is now suddenly powerless to defend against any hold Yano slowly put him in. Yamamoto had to lie there barely moving, suddenly unable to counter any slow motion World of Sport hold. The singles match combinations that weren't Hara vs. Yamamoto also felt like they each went on a bit too long, without really advancing, sometimes repeating sequences as if they were stalling for time. The sudden finish, restart, and then apparent time limit draw really didn't help things. I liked how Yamamoto got his big moment roaring back at the restart bell, but the ending wasn't satisfying for me. I'm excited for the Hara/Yamamoto singles that may exist, but this tag kept losing me.  

2020 MOTY MASTER LIST

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