Segunda Caida

Phil Schneider, Eric Ritz, Matt D, Sebastian, and other friends write about pro wrestling. Follow us @segundacaida

Tuesday, October 17, 2023

Espectáculos Promociones Panama: Master List

MD: We're looking at a bit of a break from Panama to cover some personal stuff. That said, for a while I wanted to put together at least a rudimentary master list of what we've done so far, through FFF and Espectáculos Promociones Panama. I know Blogspot is not the best for this sort of thing so here's a list. Someday we'll go back and try to source out dates and have a chronological list for everyone and really make sense of the footage, but for now hopefully you find it useful. Check out all of the EPP posts for the context and pictures and go out of your way to see Exterminador and Bunny Black and Sergio Galvez and Sandokan and the guys that you know. Stylistically, it's a fun middle ground between Mexico and Puerto Rico and there's a lot to discover.

Going through the FFF stuff again, I do think it's likely we'll revisit some of it at some point, because the story of Park in Panama or Gigante Tataki or the Brazos deserve Graham's historical treatment. In the meantime, hopefully footage keeps dropping so we build up a backlog of more matches to watch. 

Found Footage Friday:

12/17/21

  • El Celestial vs. El Tahur
  • Gemelos Infernales 1 y 2 vs. Gavilán de oro y La Cobra
  • Puma y Lobo Negro vs. Estrella Blanca y Antorcha II
  • Chamaco Castro vs. Tiburon Negro
  • Gemelo Infernal III vs. El Barón
2/11/22
  • Sergio Galvez/El Tahur vs. Kato Kung Lee/Celestial 1988
2/18/2022
  • Sandokan vs. Principe Island 
4/1/22
  • Sandokan vs. Rocky Star
6/10/22

  • Cirujano de la Muerte vs. Emperador 1988
11/11/22
  • El Barón y Jaguar Kuna vs. Satánico y Gemelo Infernal 3
  • Sandokan/Ricardo Díaz/Antorcha 1 vs. Kronos 2/Gemelo Infernal 1/Gemelo Infernal 2
12/9/22
  • Sandokan/Kato Kung Lee vs. Gigante Tataki
  • Sandokan/Olimpico vs. Gigante Tataki (Hair Match) 
12/23/22
  • Solar vs. Sergio Galvez
12/30/22
  • Sandokan vs Principe Island (LA Park) 1988
1/6/23
  • Principe Island I (LA Park) vs. Principe Island II (Super Parka) 1988
1/13/23
  • Principe Island I (c) vs Sandokan
1/27/23
  • El Idolo/Ursus/Celestial vs. Gemelo 1/Gemelo 2/El Tahur
  • Los Brazos (Brazo de Plata/Brazo de Oro/El Brazo) vs. El Idolo/Celestial/Ursus
2/3/23
  • Los Brazos (Brazo de Plata/Brazo de Oro/El Brazo) vs Gemelos Infernales/El Tahur 
Espectáculos Promociones Panama
  1. Introduction
  2. Solar/Antorcha vs. Sergio Galvez/Joe Panther
  3. El Africano vs El Cobra
  4. Sandokan (c) vs El Africano
  5. El Idolo vs Celestial
  6. El Barón/La Cobra Vs Bunny Black/El Ciclón 5/15/87
  7. El Barón Vs Bunny Black (mascara contra mascara) 5/30/87
  8. Silver King/Máscara Negra vs Sergio Gálvez/El Cirujano de la Muerte 5/15/87?
  9. Kendo vs El Tahur 5/30/87
  10. Mary Varela/La Gata vs La Baby de California/La Hiena de Jalisco 7/30/89
  11. Blue Panther/Gemelo Infernal I/Tahur vs Kato Kung Lee/Baron/Celestial 1/17/87
  12. Sandokan/Celestial/Emperador vs. Principe Island/Cirujano de la Muerte/Idolo
  13. Gemelos Infernales vs Gran Darazín/Flamarion 1988
  14. The Legend of Sandokan: At War With Anibal
  15. Idolo/Exterminador vs Sandokan/Emperador June 1988
  16. Idolo vs Exterminador (Chain Match) July 1988
  17. El Idolo vs Exterminador (mascara contra mascra) 7/17/88
  18. Hombre Araña/El Celestial Vs El Androide/Joe Panther 10/2/88
  19. Idolo vs Kendo (mascara contra mascara) - 2 October 1988
  20. Impacto/Halcon Vs Atila Jr./El Satanico November(?) 1988
  21. Satanico/Atila Jr. vs Impacto/El hijo de Urracá - November/December(?) 1988

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Tuesday, August 01, 2023

Espectáculos Promociones Panama: Idolo vs Exterminador 1: Idolo! Exterminador! Sandkan! Emperador!

Idolo/Exterminador vs Sandokan/Emperador (June 1988)

MD: I have to admit that I've spent a couple of months just wondering what the big deal with Idolo was. You can read from Graham's history posts that he was up there with Sandokan, if not definitively above him, as the top start of the territory, but we've been seeing a bunch of lukewarm rudo performances where he's outshined by the people he's teaming with again and again. He did carry himself like a star and like someone important, and the fans reacted accordingly, but there was a spark missing. Thankfully, we have a place to try to find it here with the Exterminador feud and this is a great start. This began with me more or less reaffirming my priors albeit with a glint of hope and ended with me starting to see the light (even if it might simply be the light at the end of the tunnel of Idolo's rudo run).

Right from the get go, Exterminador stands out more than Idolo. He brings a kid into the ring before the bell, flips in and out of the ring on tags, has some very fun chain wrestling with Sandokan, takes an atomic drop by spasming through the ropes and all over the floor. Just a lot of charismatic body language as he bumps, feeds, stooges, and batters Sandokan around the ring. Idolo honestly looks pretty good here in shorter exchanges despite it all, with a clear smoothness and familiarity with both Emperador and Sandokan, but he can't help but be overshadowed by a guy wrestling for the back row like Exterminador is.

That's especially true once the story of the match kick in and we begin to get the rudo miscommunication spots. They have to hit each other at least eight times and each one seems to matter more than the last. By the middle of the segunda, Exterminador has gone from being apologetic to begging off (which led to a funny moment of him hugging the ref and cheapshotting Sandokan) to trying to prove himself by taking all the offense, to trying to steal shots from Idolo as he got way out of hand. It boils over with an absolutely amazing turn as Sandokan comes back and someone starts interfering for Exterminador and everything begins to break down with the rudos coming to blows and Idolo, with the cheerleading and help from Sandokan and Emperador, starts mauling Exterminador around the ring and ringside area as the fans begin to mob in excitement.

When watching this, I had no idea how long Idolo had been a rudo, but it's obvious he had once been a beloved hero and there's building pressure during this post-match chaos as Sandokan and Emperador have their hands raise and continue to throw Exerminador back into the ring as they egg Idolo on. Throughout it Idolo has stopped caring about them and is solely focused on Exterminador building the suspense more and more until, after clearing the ring once and for all, Idolo and Sandokan embrace and the already wild crowd goes ever more so. I've mentioned before but sometimes with this old footage from a culture not at all our own, this stuff that has never been spoken about in our circles, that isn't part of some "canon" we all know like, for instance, Santito turning rudo, well, it can feel like sneaking into someone else's family gathering. Sometimes you get the sense that this isn't for you, that you don't belong, but here, it's impossible not to feel the elation of the crowd and the excitement of the moment and to share in the universality of pro wrestling at its most emotional. This was a huge, important, iconic moment and we're so fortunate that we've gotten to share in it, just as we're fortnuate that there's a chain match and a mask match to come.

GB: Exterminador would grace Panama roughly the same time as La Parka, with Parka obviously squaring off with Sandokan and Exterminador being the Mexican for Idolo to beat. By all accounts, this is either one or two weeks after the Sandokan/Parka mask match placing it toward the tail end of June 1988. It’s a relatively brief feud, culminating on July 17, but it saw its fair share of violence and hostility. The main matches (this tag, a chain match, and the apuesta) we are lucky to have on tape and will write them up in the coming three weeks.

As Matt eloquently put it, this was a huge cultural moment for Panamanian wrestling. Their hero, El Idolo, would turn tecnico after I believe his final run as a rudo during his peak. Cards on the table, this post was to be a recap of what led up to this moment. The plan was to recap a few questions, most especially: “Why had Idolo turned rudo to begin with?”  “How long had he been rudo?” and “What caused the return to the tecnico side?”  Unfortunately, the trail ran cold on me and I’ve seemingly exhausted every possible avenue. In terms of information, El Idolo is possibly the most written-about wrestlers out of Panama. So much so, in fact, that he has his own website covering his career. Yet, the information is more fanciful. Nothing quite detailed enough to glean.

Panama is an incredibly proud yet protective territory. I've mentioned it before but there's a very insular network going on where even local fans are gatekept in a sense. I do believe a lot of it is due to bad experiences with foreign writers who seemingly used Panama for their own gains, whatever that may be. Sammy de la Guardia has referenced some previous writers as "pirates of history" and Don Medina has taken great exception to what he believes are frauds in wrestling journalism. Those guilty are big names; ones that, if you're a follower of lucha, will have definitely heard of and might have read. It's daunting in that sense as I'm just one man, writing on a blog for the first time. I don't have credentials or authenticity to my name. These posts are my portfolio of evidence to that end. My hopeful key to getting to the fabled historian I keep hearing of but never encountering. All in the bid to share as much as I can of the beauty that is Panamanian lucha. Thus, dear reader, we will need to hold off on the big turn for this week in hopes that I can cast my net wider to those in the know.

Look, if this feud was as simple as just Idolo and Exterminador, I'd feel a bit better in connecting dots that may not be there. After all, Exterminador was just a statistic. Another notch on Idolo's belt. Number 31 of 78 (40 masks, 38 hairs). And although I have a small sense of the background and believe it similar to Idolo’s first tecnico turn (which took place during his feud with Furia Roja where he would take the Colombian’s mask in July 1965), it would be wrong of me to offer my guess work here. Not on something so important such as the reunion of Sandokan and El Idolo.

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Thursday, July 27, 2023

Espectáculos Promociones Panama: The Legend of Sandokan: At War With Anibal

MD: We are back. Graham had a big life event and I went on vacation and I can't promise that we're going to be stable and weekly moving forward but I can reassure people that we're in for the long haul. This stuff is worth it. In the midst of all the chaos of the last few weeks, Graham's prepared a bit of a bio on Sandokan, focused on his feud with Anibal especially. I'm constantly amazed by the research he's done and the knowledge he's pulled out. This is naïve and ignorant of me, of course, but it's just astounding how little our English-speaking circles knew about Panamanian Lucha. This is such a vibrant, rich world, full of exciting matches that we are lucky still somehow exist and stories of legendary, culturally relevant matches that we'll unfortunately never get. We're going to spend the next few weeks with Idolo (An iconic turn! A chain match! A mask match!), and I think it's only fitting that we give Sandokan some time first. The easy comparison so far has been a Carlos Colon type figure, unmasked (by the time we get footage of him), a statesman, somehow who can represent the sport, who can go, who can wrestle and brawl and carry the crowd with him. 

GB: While Roberto Duran might be the worldwide recognised star, in Panama, his legendary status would always be usurped by one man that he would (literally!) play seconds for, Sandokan.

Coming from humble beginnings, the little boy from El Chorrillo, a corregimiento in Panama City, sought to live out his dreams of emulating his idol El Santo by joining the local wrestling gym on Calle 14 de Barraza. A mere few weeks later, on May 21, 1966, he was presented with a list of names and a chance to debut. “Sandokan” he pointed to after being erroneously told the name represented a Hindu King that fought for his people. With $2.50 slipped into the palm of a promoter, he had a mask shipped to him from Mexico and he never looked back. So began the career of Panama’s biggest star.


Rene Guajardo battles El Idolo in front of 23000+ rabid fans.

Until the recent semi-remodeling of Estadio Revolución in 2009, no sporting event was able to hold close to the attendance lucha libre was putting on in the “golden era” of the early 1970s. So popular, in fact, that government regulations came swiftly in controlling just how many fans promoters could pack into the arenas. This means that while the record books have the highest attendance as Guajardo/Idolo (23,868), it’s not quite the apples to apples comparison many make it out to be in saying this gate proves Idolo as the bigger star than Sandokan. Attendance for wrestling would always be a sellout crowd but the number of fans getting through the gate would continue to dwindle over the years with official capacity of Gimnasio Nuevo Panama (GNP) dropping to 15,000 following the Guajardo/Idolo record-smasher in August 1973 and a further drop to 14,000 weeks later (again, after a raucous crowd enjoying a card with the likes of Idolo, Anibal, Ray Mendoza, Blue Demon and Huracán Ramírez). It all appeared that one last big gate was never to be seen again.


Thus, Sandokan/Anibal packing GNP to the literal rafters three years after all these restrictions is most impressive, considering fans were pushing through the gates and hanging on, peeping through the doorways of the stadium to get a glimpse of the fight. Estimates put the total attendance just shy of the 20,000 mark. If true, it would be the third highest gate in Panamanian history, behind only Idolo/Guajardo and a basketball match from 1970. While I’m quick to sing the praises of Don Medine, Samy de la Guardia is the single man responsible for two of those gates.


Many fans walked into the stadium that night with a smirk. Idolo bested Guajardo, now it was Sandokan’s turn to send another “Aztec” packing. Despite a seemingly relatively short build to the mask match, Sandokan was deftly familiar with Anibal’s gameplan by now, having teamed in 1975 against a who’s who of Panamanian and Mexican stars.

However, Sandokan, having dominated the match, found himself facing a shocking defeat. Harnessing a surge of momentum,and probable hubris, in the final caida, he hurled himself towards his opponent in a suicide dive. However, Anibal, with his agile reflexes, evaded the attack, leaving Sandokan to collide harshly with his shoulder on the unforgiving edge of the ring. This brutal impact barred Sandokan from re-entering the ring within the vital 20-second window.

The gymnasium descended into an eerie silence, a wave of disbelief sweeping over the crowd as they witnessed their champion's unexpected downfall. The glory of the night was begrudgingly conceded to Anibal, hailed as one of the greatest wrestlers in the annals of Mexican wrestling. On that fateful night, the crowd watched as Sandokan, their fallen hero, solemnly removed his mask for the first and only time in his illustrious career, surrendering it to Anibal - The Blue Arrow.

As the fans left the building dejected at the loss of their hero, many wrestlers rushed to Sandokan backstage to belittle him for his choice. Many of his closest colleagues would go on to say his career was over. The money may have been good but this defeat would prove the “sunset of his stardom” as Samy recalled overhearing in the locker room.

Yet, one voice would prove prophetic. Bienvenido Cueto, the main referee to the mask match, was the lone man saying Sandokan was on his way to superstardom. He was right. His injury made him a national hero. A hero that valiantly fought for Panamanian pride and succumbed not due to lack of skill but due to something outside his control.


Hot off the loss, Anibal/Sandokan would be the tinder that started the blaze that became the Torneo Internacional de Parejas. Teaming with El Idolo, the tournament cemented itself on the histories of Panama vs Mexico, with Anibal having unmasked Sandokan and Septiembre Negro shaving El Idolo bald  (not that you’d know as he never dropped his mask!). With huge match-ups against Wagner/Negro, Ultraman/Anibal and Lagarde/Guajardo (the latter Sandokan had real-life beef with), the tournament was a huge success for Empresa Coliseo and further cemented Idolo and Sandokan as sporting a-listers.


In singles competition, red would face blue a further three times in June 1977, 1981 (for Sandokan’s world title) and finally in January 1993 when Anibal made his last trip to Panama during the twilight years of his own career. Struck by cancer, and riddled by financial woes, Anibal took one last pay-off to settle the books with Sandokan in a match billed “the final battle”.

Word of Anibal’s mask loss to Máscara Año 2000 13 months prior already had fans uneasy with the stipulation. For many, it was seen as lip service and a quick check for those involved, especially Anibal who had “prostituted” himself (to quote one fan). However, no anger prior would match those of the fans once the final whistle blew. Sandokan’s arm was raised in victory but fans were livid. He won via countout, the same way he had lost 17 years earlier. With kayfabe still very much en vogue, fans smelt a rat. To make matters worse, there appeared to be a miscommunication between Anibal and the referee, leading to the referee having to jump a few seconds to call the countout.

Blood pouring from his face, Sandokan had to be quickly escorted from the arena as a riot unfolded. Fans trashed the stadium before moving onto nearby government buildings. Nothing was safe from their wrath as the national guard had to be called to quell the mob. While harsh in tone, the Sandokan/Anibal feud would forever be mired by chants of “fraude” whenever you ask them about it.  

Nearing fifty, Sandokan’s career was far from its nascent but he still continued to fanfare until his retirement, holding a few more world titles and taking the hairs of Tahur, Gálvez and (apparently) Mexico’s heartthrob Vampiro.

There’s a pretty comprehensive list of his apuesta record on his Luchawiki page, however, there are some notable errors and exclusions. Error: Sandokan took Septiembre Negro’s mask in 1989 not 1985. In terms of exclusions, most importantly, Sandokan took the masks of Guatemalan legend Rayo Chapin, Fishman (dates unknown) and Villano III (circa 1975/1976).

 

At a spry 77, Sandokan still shows great passion for lucha libre in Panama and has spent the past few years trying to grow its fandom once more.

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Tuesday, June 27, 2023

Espectáculos Promociones Panama: The Best Panama Match Yet? Parka! Sandokan! Celestial! Emperador! Idolo! Cirujano! Blood! Chaos!

Sandokan/Celestial/Emperador vs. Principe Island/Cirujano de la Muerte/Idolo

MD: Sometimes I'm cautious on these, because I'm just one voice, but in talking this one over with Graham, my initial thought was that this could have easily landed in the top 20 of the best of the 80s DVDVR Lucha set (you know, if anyone had voted on that). And that's probably too conservative. It's really, really good. If you guys have been on the fence on watching these, well, obviously we think it's all been a worthwhile exercise, but this is especially one to watch. This is a classic, no doubt about it.

Structurally, it's as straightforward as can be until the end. Exchanges, tecnico advantage, rudo beatdown, big comeback, finish. But it hits on all of the marks. Sandokan is such an ace and such a star. It's unquestionable here and he really overachieves even compared to what we've seen him in so far and my personal expectations for him. He's not just a slugger with a couple of big spots (though he IS a slugger with a couple of big spots), but he's on for the entire match. He kicks out multiple variations on armdrags and handsprings and one-against-two bits that I wasn't expecting at all. Everything looks smooth. Most things feel competitive. Even when he's obviously getting some assistance from the rudos, it still looks like he's switching his positioning about and working for it. During the primera exchanges everyone looked good except for maybe Idolo. His stuff was just a bit looser and he barely even eseemed to try in his first one with Emperador. He's supposed to be even a bigger star than Sandokan but we just haven't seen it in the footage yet. Meanwhile, Principe (being LA Park, of course) was flying all over the place and Cirujano was basing big for Celestial and others. Everything built to a raucious stretch of tecnico advantage including a huge wheelbarrow suplex by Sandokan.

The beatdown followed in the segunda, with Idolo getting an advantage in the ropes. They paired off with each rudo using different styles of offense. Idolo had big pro wrestling flourishes, slamming a head into the turnbuckle or leaping feet first onto shoulders in the corner. Cirujano just clubbere down and leaned on people. And Principe was a whirlwind of violence, much of which we miss as he was demolishing Sandokan on the ground. They closed this out with some stretches and a missile dropkick by Principe.

In between falls, Principe clobbered Sandokan with a chair and started to inhale his blood to spit it up into the air, which is about the most glorious and horrific rudo stylings imaginable. To say that Park understood this stuff from a relatively young age would be an understatement. He dove fully into getting as much visceral and visual heat as he possibly could. The match had started with trash strewn everywhere and it made for the perfect setting for this mauling.

Which, of course, led to a spirited comeback, Sandokan firing back and really working for it on the floor, with the crowd ebbing and flowing around him in excitement. We couldn't see everything but we could feel it all, and what we saw (with it seeming like Sandokan was clocking Principe with a shoe) was all great. Just when it seemed like the rudos were going to get their bloody comeuppance, Cirujano and Idolo snatched away Emperador and Celestial's masks and they had to scurry to the back, leaving an momentarily ascendant Sandokan to fight alone, to get the start of a visual submission on Principe, but to ultimately get swept under, absolutely clobbered by what looked to be a plastic drink holder. While I wish we could have more easily followed the action on the floor, if only because Park had a tendency to do outrageous things and take wild bumps, this had absolutely everything I would want from a match like this. The Principe Island vs Sandokan feud is such a lost classic.

GB: I honestly think Matt is underplaying just how great this match is. When he shot the idea to me that this could potentially make the top 20 of the DVDVR 80s Lucha set I said he was underrating things. This is easily the best match we’ve had so far and definitely something to go out of your way to see. An absolute whirlwind of a performance between Sandokan and Parka, who is a fresh 22 years old here. Over on the GWE Discord, this match actually prompted a little discussion that La Parka might actually need to be investigated further as a top 20 GWE case because he has all of these little pockets of matches throughout his career where he really looks like an all-timer. From this, in mid 1988, to the Villano IV match last year, we have 34 years of Parka being an absolute beast of an asskicker (though, albeit, he’s more the acrobatic chickenshit getting his ass steamrolled in Panama but you get the gist!).

Those firmly in his camp will protest that he’s more than just the “dancing skeleton” most mainstream fans know him as. I agree. However, there’s an element to that which makes Parka’s case ever the more compelling. He’s one of the very few wrestlers that can blend comedic wrestling and psychopathic brawling without the one smudging the other. In fact, he might just be the all-time greatest at it. Case in point, he sees his ass on a big tumble to the floor about 9 minutes in here. Fans swarm around him, he’s disoriented and lost so he plays into the moment. He hobbles to the wrong corner, where Sandokan is lying in wait like a shark smelling blood. He gestures his arms into the air with a groaned “dammit!” before a fan has to escort him back to the right side. This all goes on in the background of the match while Idolo and Celestial are trading moves in the ring. One of the biggest legends in Panamanian history, and a 22-year old Parka is stealing the audience’s gaze away from him. Unreal. It was this “IT factor” that helped Parka change a nothing 2-week stay in Panama to a 2-month major programme.

Looking at the history, the Parka in Panama matches are seemingly all across the board so it makes things a little difficult to recap and piece together (I’ll get to a potential stopgap later). It’s also promoted by Junior Mina’s Arena Panamá Mexico so there isn’t much out there.  However, what is crystal clear is that this is Parka’s debut match in Panama and we’re blessed to have gotten it as it kicked off one of the best feuds we’ve never heard of.

From interviews and matching up cards, Parka lost his mask to Sandokan a week before Father’s Day in 1988 at the Neco. That squares up with the 11th June date listed on the (very much incomplete) Sandokan Luchawiki profile. The next week, however, forces me to realise I had the Galvez/Solar feud down to the wrong year. Solar was in Panama in 1986 but feuding with Castro. The Galvez feud kicked off on the 17th of June 1988, the Friday after Parka lost his mask. Interestingly, Solar returned to Panama on the 17th in a tag at Neco opposite the team of Sergio Galvez and Blue Panther. The relation to the Park? Well, the Park/Sandokan feud would intertwine with the Galvez/Solar feud at this point with the tecnicos (Solar/Sandokan) having to stave off the violence of hell’s rudos (Galvez/Parka), a violence that Solar lamented would be him “encountering death”.

Despite losing it, Parka would still don his mask to interviews as a protest to the decision. He also carried with him a tape of the ending to the mask match in which he claims a conspiracy took place. It was all jingoistic bias on the part of the referee, who he says made a calculated, perhaps premeditated, “mistake” to allow Sandokan to win. Much protesting and epithets to Sandokan’s race later, Parka would remove his mask as he was doing so graciously as a “gentleman” that respected the traditions of lucha libre (and not because he agreed with the loss). Sandokan, Parka espoused, had tapped to his hold. All of Panama could see it, and their ruptured hostility was proof enough. The whole of Arena Panama could see it, except the one man that needed to most - Carlos Linares, the referee.

I’m unsure how much time had passed before the title matches against Super Parka and Sandokan but Parka now was scalped. I haven’t seen flyers nor articles to corroborate, but it appears that Super Parka took La Parka’s hair at some point in Panama. Weirdly, La Parka was billed as the older brother of Super Parka (his legitimate uncle). It’s one of the weirder tropes of Panama where names/gimmicks are sacred above logic, and once one gimmick has been debuted everything must follow suit. Much like Gemelos Infernales (Hell’s Twins) being a trio.

To my strained eyes, it appears that Parka’s hair is a smidge more grown out in the title match against Sandokan than it is against Super Parka. Again, this I’ll get to later. By this point, Super Parka is a tecnico, and can be seen as Sandokan’s second in some of the encounters. For Parka, he would be seconded by El Idolo and Nacho Vega in the mask match (the latter known to us already as Mascara Negra) and Exterminador as well as Emperador in others. The latter would be the one to demask Super Parka in Panama a few weeks earlier. Another quirk of Panama would tie in with the Parkas - that being how forgiving fans were of wrestlers. In the Emperador feud, Super Parka was the clear heat-seaker. So much so he was once physically attacked by fans on his way to the ring during the build to the Emperador mask match. This led to the lucha commission forcing action and having the national guard accompany wrestlers to the ring at each show. Yet, here, against Parka, Super Parka was the tecnico. The crowd favourite. A Mexican proudly waving the flag of Panama, claiming them as gracious hosts. In reality, a “turn” only took a handshake after the loss of their mask or hair. An acceptance that they weren’t the better wrestler that day and a thanking of the fans for coming out in support of the fight. A mask/hair loss was Panama’s reset button. That’s all Super Parka needed as his get out of jail (hospital) free card to curry favour with the locals. Note La Parka’s antagonisms and vitriol when he loses his mask against Sandokan. It directly flew in the face of what was expected of him. He was an out of control brat and he played that up perfectly. Ricardo Pitti would label La Parka as “volatile” and “excessively energetic”. The absolute perfect foil to the fiery babyface Sandokan.

As for the title in question, Parka is the current title holder of the UWA Intercontinental Heavyweight Championship and Panama’s Middleweight Championship (the title he brings to the ring). The UWA title was never officially recognised by the UWA but it was seen as a title of significant value in Guatemala (given legitimacy by local legend Astro de Oro being the first challenger and then first to capture the title in 1987). Parka beat Astro de Oro for the title on July 24th 1988. A month after Sandokan took La Parka’s mask. As mentioned, Parka was fully expected to be a Guatemala staple at this point, having finished off his short visit to Panama. However, he got over so quickly as a heel that he found himself oscillating between fighting Sandokan in Panama and Astro de Oro in Guatemala - the two biggest legends of South America at the time.

It’s here that I can potentially offer a little bit of a quickfix to the gaps in our Parka in Panama programme. Select Mexican wrestlers would travel around South America honing their craft and finding themselves in quite familiar programmes wherever they went (notably so with Parka). Thus, I’m going to outline the feud with Astro de Oro in Guatemala. What lines up lines up, what differs differs but it’s all hopefully, at worst, a look into very young Parka’s start and, at best, a glimpse into the bigger picture of the feud in Panama.

The feud began with Parka coming into Guatemala as the cocky upstart, bludgeoning an unexpecting Astro de Oro and Arriero de San Juan into pieces in his debut on the 10th of July 1988. He was accompanied by Verdugo, who had a massive chip on his shoulder after his then teammate, Arriero, turned tecnico on him. Despite the heat between Arriero and Verdugo, it was Parka that took things a step beyond by cutting up Astro and leaving him a bloody mess on the mat. Parka’s win, and performance, had him splashed across national newspapers. As quickly as he got over in Panama, Parka was a massive exclamation point in Guatemala now. He had, thus, quickly earned himself a title shot against Astro de Oro (which would play out after a bloody mano a mano “wager” shortly after the tag debut). This wager was a relatively stakeless match (in other words no titles or masks on the line) but was about betting their pride, a “put up or shut up” if you will. Astro de Oro had never been defeated in this match and, yet, Parka beat him. This, in theory, plays sister to the Sandokan/Parka singles Matt has already covered with the only caveat being the roles are reversed (Sandokan absolutely destroys Parka and not the other way around).

As the record books show, Astro de Oro lost their title match. Again making Parka the first luchador to do so. Much the same in Panama with Sandokan, the pride of Guatemala had been made a fool by the punk, La Parka. Parka, greedy for more, offered an all-in with Astro. If Astro ever wanted to see the title again, he would have to bet his mask (and permanent retirement) against it. Astro, who already had his tail between his legs seeing no other choice, agreed. While Parka dropped his mask to Sandokan before the title match, I believe the stipulation for the Sandokan/Parka title match was of a similar nature.

In opposite to Panama (though to the sentiments of the DQs), the referee in the mask match here was firmly in Parka’s back pocket. Parka blindsided Astro in the corridors of the arena on his way to the ring, incessantly beating him with a chain until he burst open with blood. As Astro attempted to make his comeback by grabbing the chain from Parka, referee César Rivas confiscated the weapon. While Rivas was distracted, Parka faked a foul which had disqualified Astro, leaving him a fall behind. The fight would continue, as both men bathed in blood by this point. Parka tried multiple times to escape but he, and his mask, would fall to a merciless, rope-aided piledriver by Astro - much like he would to a merciless rope-aided electric chair from Sandokan. Adolfo Tapia Ibarra, the Island prince, the assassin, the skeleton of death, had lost his mask but he had found himself. And so the whirlwind of violence we’ve come to love was unleashed.

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Tuesday, April 25, 2023

Espectáculos Promociones Panama: Africano! Sandokan!

Sandokan (c) vs El Africano

MD: This was at least ten years after what we've been watching but it bodes well; so long as more of this footage drops, it could be quite good. It was a very different sort of scene with a more familiar sort of arena and much more modern trappings. Africano came out with a guy in a gorilla suit. Sandokan had a belt (ragged looking), a Rob Zombie sounding song I couldn't place, and massive, massive pyro down a WWF style entranceway. Both of them cut promos before the match but it still seemed like there was commentary over the loudspeaker like in the older footage.

As for the match itself, they started off fairly slow with solid but basic chain wrestling and I was thinking that they might have slowed a step as they got a little older. I was incorrect. Before long, Sandokan was doing assisted kip ups and Africano was wildly bumping on armdrags through the ropes on to a very hard looking floor (Sandokan would return the favor later only for Africano to top it with a huge Jerry Estrada style bump). They followed with a bit of legwork, a bit of selling, and some spectacularly impressive blowing off of that selling by Sandokan as he repeatedly landed on his feet out of snap mares. Super athleticism all things considered and such a superhuman exhibition that you couldn't help but forgive how quickly he shook off the pain.

There were certain elements of this match that felt like a more traditional title match and Africano certainly moved in a less stylized and odd way. Sandokan, on the other hand, was a little reminiscent of French Catch masters, between the step-overs on the double knucklelock and the drop down into a Mascaras headscissors "taupe" spin like he was Gilbert LeDuc or something. The finishing stretch had a lot of back-and-forth roll ups and really did feel like the end of a Mexican title match in its own way. Some of the matwork ultimately didn't go anywhere (like a grounded top wristlock where Africano just let go) but in general, this was a very solid match even years after the prime footage that we've been watching. I'm not sure how much of this Furia de Titanes footage exists but it could be even a second meaningful well for Panama if it's at this level.

GB: We’re over a decade later, now, in 1998 and a lot of things have changed. Some for the better, a lot for the worse. Instead of finding lucha parallels, this felt more like a cosplay of something more north of the border, something more American than Mexican. While that’s not inherently a negative, this was a far cry from the feel of Panama we’re getting our toes wet with. Instead of riotous crowds and understated entrances, this was all pomp and pizzazz. Yet a lot of it felt forced, as if Furia de Titanes was an overcompensation for the downward trajectory of lucha libre’s popularity in Panama.

Which, I guess, gives us a good enough entry point to what actually is the “history” of Panamanian lucha. I’ll try to keep this in broad strokes as much as possible because (a) I’m not sure if anyone really is interested in one of my 10,000 word diatribes quite yet and (b) I’m still unpacking a lot of it. Suffice to say, the basics of lucha libre wrestling originated in Panama in 1914 but it wasn’t until 1932 that it was fully capitalised as a vehicle of sports entertainment. Originally more as a way to entertain soldiers, José "Pepe" Motta would approach those garrisoned along the Canal Zone, recruiting them into holding wrestling shows at the Gimnasio Nacional Neco de la Guardia. This would then develop into regular matches which became the underpinnings of the local lucha libre scene. History gets a little hazy until 1956 when Shazán, an olympic wrestler, debuted. He would go on to be known as the “maestro” of wrestling in Panama, dedicating his time to teaching new wrestlers and being the trainer of quite a few successful stars. Though lucha was still very much second fiddle to boxing at this point, the tide was slowly turning. The biggest boxing matches of the time all opened with a showcase of Shazán wrestling one of his students and these matches quickly became novelty draws. To add fuel to the flames, by 1957 Jaime "El Chamaco" Castro was starting to become a household name and Panamanian lucha’s popularity began to increase. Considering how big all of these names would become, it really did feel like lightning striking twice in 1957 with Shazán then training and debuting El Idolo (a man one could argue as neck-and-neck in popularity with Sandokan as a national hero). The closest example I could give is if John Cena, Steve Austin and Hulk Hogan were all hitting the scene at the same time.

Business boomed, and with multiple promotions popping up in the 1960s, it became a race to have the most exciting card. For the next two decades, foreigners from around the Americas and Europe were brought in to face the local stars and Mexican rookies, many of whom we already love and cherish, were sent to ply their craft in the Neca de la Guardia. In terms of influence and economic success, the 1970s were unprecedented. I’d need to delve more into fact checking, but, to put the extent into perspective, there’s a claim that Francisco José Flores and Benjamin Mora founded Promociones Mora y Asociados (LLI/UWA) in Mexico partially off the success of René Guajardo facing El Idolo in Panama.

So, what caused the crash in popularity? I’m not sure. Sandokan claims it to be the result of “bad businessmen” and “untalented wrestlers” but I’m not quite a follower of that line of thought. As I outlined in the introductory post to this series, there’s a lot of singularity in Panamanian lucha. A lot of “sticking with the tried and tested” rather than venturing into the unknown. I’m not going to claim any knowledge, but I’d imagine the political turmoil also had a strong impact on the local scene, too.

Bringing this full circle to my opening post, one could argue Furia de Titanes was trying to break the rut. It was different, I’ll give it that. There were some remnants of the 1980s matches with the commentary over the arena’s PA system, as Matt mentioned, but it still all felt “fresh”. You had Sandokan with full pyro coming out and posing down to the cameras as White Zombie’s Electric Head Pt. 1 blared in the background. The ring was spotlit, leaving the crowd hidden behind a shadowy veil. Promos were more about bravado than anything before. Yet, with our own histories as fans of North American wrestling, nothing was fresh. Not even the blatant racism with Africano being accompanied by Africana and “King Kong” (a wrestler in a gorilla costume). Right down to Felix el Monstruo Piñango and Ernesto Lou Maruri on commentary, Furia de Titanes all felt a little too “WCW-lite”.

Still, there was upside. I’ve grown quite fond of Africano over the past bit. He might have his faults, but he’s game to put over any spot in a big way and he did so here. For instance, the opening matwork led to a big moment as Africano rocketed out the ring off an armdrag. Absolutely bonkers stuff that popped the crowd huge and set the fans steadily behind Sandokan. I get Matt’s criticism that some stuff didn’t lead anywhere, and I do think some of Sandokan’s recoveries came a little too easy but this was more a popcorn title match than anything serious. Sandokan and Africano both bring a unique sense of athleticism to their work and it showed in spades here. So, in that way, I can be more forgiving as it was nice to see some familiarity despite the remarkably different presentation of the promotion.

The match was billed as a “revancha” with Sandokan finally answering Africano’s challenge. I know Sandokan took the title off Africano in 1995 in a match that would be called the “lucha match of the year” by a leading sports critic of the time. Whether this played off that, though, I’m doubtful as 3 years seems awfully long for Panama to hold off on but the booking fits. Regardless, while this wasn’t quite “match of the year” calibre wrestling, it was a fun enough venture into something “different”.

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Friday, December 30, 2022

Found Footage Friday: PARK IN PANAMA~! LAWLER~! CHRSTOPHER~! KING~! STARR~! PORKY~! GRUNDY~!


Principe Island vs. Sandokan Panama 1988/89

MD: Almost certainly, Principe Island is LA Park. He's got be around 23 here. Overall, this is a pretty impressive apuestas match to have in his "pre-history." He ambushed Sandokan to start and the primera was bloody and visceral. We lose about twenty seconds to static and when we come back, he's got Sandokan down and is biting the wound. That sums it up pretty well. He ends it with an impressive flurry of bounding back into the ring, over the ropes, and then hitting a flipping dive off the apron, before launching a back flipping kick in the ring for the pin. Occasionally some of his kicks look off and he's a half step behind on feeding for bits of the comeback, but overall he does very well here. That comeback is good despite that, by the way. Sandokan ducks punches and hits big ones of his own to the crowd's delight and then he's able to turn a jumping Principe knee into a back body drop. Pretty rousing stuff. 

Then they really go all out for the tercera, with both guys missing moves off the top rope (Principe missing a senton atomico) and hitting dives (Principe with a bit tope and Sandokan flying off the top to the floor). It's an exciting stretch at the end with a fight over who would hit a move off the top (Sandokan eventually gets a superplex) and a ref bump leading to Principe scoring a phantom submission. When he went to celebrate, Sandokan got behind him, holding him up in an electric chair position while on the second rope and dropping back for the win. You can never get a sense of how full these arenas are because so many people are out of their seats mobbing the ring side area. Post match, Principe seemed to make it through the various stages of grief as he walks around trying to not have his mask taken off by Sandokan. I'm not sure he ever quite gets to acceptance though, as he's still jawing on the mic with his mask off at the end. Not perfect, but a very good overall performance for young Park.

PAS: What a discovery! This is a bloody wild lucha apuestas with one of the all time greatest wild bloody lucha apuestas workers as a pup. The crowd was seemingly on the verge of a riot the whole time, and I thought we might get Park brawling with the fans when he spilled into them. Loved the early violent beatdown on Sandokan: Park busts a bottle over his head to start and grinds the pieces of glass into his head, cutting him badly. He also throws a classic Park chairshot where he let it go as he swung it so it careened awkwardly into Sadokan's head. Sadokan is a real discovery too. We have enough footage now to really get a sense of him as a top level local charismatic babyface brawler, kind of a Panamanian Colon, with some big dives and hard stiff punches mixed in. Matt mentioned a bit of awkwardness but I like my apuestas to be a bit raggedy. I thought this was completely awesome, one of the greatest unearthed pieces of footage we have found since this project started. 

ER: This was tremendous. An apuestas match that really felt like an apuestas, that universal wrestling language we've seen is that way because it works regardless of language or era. Not too long ago we knew collectively very little about the Panamanian lucha scene, and now we have this cool snapshot of local babyface legend Sandokan, who really does seem like Panama's Carlos Colon. At this point I'm going to need to see the Costa Rican Carlos Colon, and the El Salvadoran Carlos Colon, I'm sure there's someone similar in Honduras, and I'm going to need to see the LA Park matches with all of them. Panama is nowhere near Mexico City, so I have no clue how often Park was going down that way, who facilitated his trips there, nothing. I know how often I've driven from the Bay Area to Omaha, NE - the same distance from Mexico City to Panama - and that's zero times baby. Park is just showing up 1500 miles away making locals bleed and starting near riots. He bloodies up Sandokan and runs him mouth first down the apron into a ringpost, then gives him a real LA Park chairshot with an open metal folding chair. It's a real beating, with hard right hands and plenty of flash (I can't imagine cannonballs off the apron were anywhere near the norm in late 80s Panama) while also bashing Sandokan into the ring steps. 

He bumps huge for Sandokan's comebacks and knows exactly when to act cutthroat and when to get his ass beat. Sandokan has great babyface punches and Park's bumping takes over the rest. Park bumps like Jerry Estrada (or, like LA Park), taking essentially four straight backdrops, the 4th sending him flying head first flipping through the ropes to the concrete, goes up for a big spinning backbreaker, takes a nasty full extension stretched out bump into the ringpost, always managing to out-bump Sandokan x2. Sandokan misses a big top rope splash? Just look how high Principe is going to bounce on his missed flipping senton. The ramped up flying is cool, with Park's tope suicida and Sandokan's plancha leading to believable moments of each man barely beating the count, and there's a cool superplex where Park tried to drag Sandokan up to the top turnbuckle by his ears before getting thrown off. If you have to have some drama at the finish, I at least like how this was done. The referee gets knocked to the floor in a big bump, and Park gets the ref-less win after a back suplex. As he's celebrating on the turnbuckles, he eats a flat out crazy electric chair drop off the middle buckle, and the post-match unmasking and mic work sounds heated as hell. I'm going to need any and all unseen La Parka footage, and at this point I want to see more big Sandokan title matches. Model citizen, zero discipline. 




MD: This is hair vs hair. It's 6 minutes, two per fall. It's a Porky hair match so we pretty much have to cover it at some point and it's ok, you know? I'm sure people knew what they were getting here: big guys crashing into each other over a short period of time. Grundy had the advantage to start and did beat Porky around the ring. He took a shot to the post on the outside but no color. He ate a clothesline (meaty enough) in the ring and a pretty woeful splash from Grundy. Porky's big comeback in the segunda (after a missed corner charge) was an unlikely slam and an iffy splash of his own. The tercera saw Grundy take back over with a pokey punch after a handshake lure-in, but he had the good manners to miss a splash off the second turnbuckle and this time Porky got some air on his splash. This was clipped so we just had the action and a few seconds of the haircut but you can't really say that these guys didn't do what they set out to do. And hey, Shaw had nice headbutts, an ok clothesline, some decent punches in there, even if he was no Tugboat on his big splash.

ER: It would be easy to view this match as a disappointment, because I don't think it's possible to have a wholly fulfilling three falls hair vs. hair match that is less than 6 minutes of footage. Super Porky is one of my favorite big match workers and I was dying to see what he could do with Mike Shaw a mere four months before Friar Ferguson's debut/final match. This match just might be the final time that Mike Shaw ever looked like a normal human being. He's a big fat guy of course but his red singlet actually fits him, and he has a nice lush beard that covers up his goiter-like swollen bullfrog neck area. Losing his hair to Super Porky clearly made him go insane, and the man never had a normal head of hair, beard, or eyebrows past Christmas '92. So outside of the weirdness of seeing the last normal glimpse of Mike Shaw, you got a tremendous small scale Porky selling performance. 

I always talk about how Jerry Lawler is not only the greatest puncher in history, but he's the greatest punch salesman in history. He knows how to sell his own punches, and how to sell his opponent's punches better than anyone. Well, of all the praise I've heaped on Porky over the years, I don't think I've ever talked about how Porky is one of the great punch salesman in wrestling history. This match gets sincerely great when Grundy starts throwing punches directly at Porky's poor overworked heart. Grundy clearly starts targeting the ever sensitive heart of Brazo de Plata, and I love how Porky sold each one of the shots. He was in their recoiling from the blows, treating smaller shots like he was dealing with some rough heartburn (I now need to see a handheld where Porky chomps through a handful of Tums before spitting out a chalky mist after getting punched again), and as the punches get harder (and Grundy threw some awesome punches at our big boy's heart) Porky starts recoiling with his whole body, rubbing at his chest and desperately trying to create space before his ticker stops for good. Everything else in the match was rushed or a bit underwhelming - no matter how endlessly entertaining it is to see Mike Shaw throw a standing splash that is literally him just falling forward without leaving the ground an inch, his ugly missed splash off the middle at least had to have hurt his knees - but Porky getting his heart attacked was amazing. You can't ask much more from a 5 minute pro wrestling match than "an obese man tried to force his fat opponent into cardiac arrest". 



MD: This was the main event of the Lethal Action Wrestling 2nd Anniversary show and it was basically the Lawler Family Comedy hour. Before the match got going, Christopher did both his whole dance routine and threw his beads and Lawler seemed like a proud father for how into the crowd was, even if he refused to take the imaginary shovel. It's a little sad to think this was after Christopher's national run was basically over. Lawler's comedy was pretty funny here. They ended up riding both of the heels like bulls; Lawler did a fun dropdown bit off rope running; and the best part was King pulling the strap down fighting out of the corner and Lawler patiently putting it back on before clocking him. 

In general, whenever King and Lawler were in there together it was at least great, but it was probably just fun the rest of the time. The finish was someone sneaking King a chain and him actually getting to pin Jerry so that's probably why Team Lawler took so much of this. The heels started some real control on Christopher and that was fine (even if Starr was probably a half step behind what he might have done a couple of years later) but it was a bit too little, too late to put any drama into this. Lawler rushed in after the hot tag and really crushed everyone though, immediately dropping the strap and hitting some of his better stunners. It's always nice to see Lawler and Christopher as an over babyface team together, but the way this was structured meant that this had a relatively low ceiling, even if it did have a fairly high floor.

ER: This is a match that takes its time getting to where it's going. It also keeps the whole crowd of children and adults wildly entertained with a match that at times felt like something put on for an elementary school. This was a full Brian Christopher Go Brian Go babyface match, started with a 10 minute comedy stretch before building to some punch throwing, and was a 20 minute match with Lawler/Christopher taking at least 90% of it. I didn't care for some of it, Brian Christopher is in for most of the match while Lawler just laughs at G-Rated Brian antics. But then there are some incredibly inspired sections where Lawler and Derrick King work the exact type of match I want to see. Everything Lawler and King do against each other is the exact reason you'd be watching this 25 minute match. You knew the punch exchanges would be good, but you wouldn't have been able to predict the tights game on display. 

Lawler is in flamingo hot pink trunks and singlet, with black pink and turquoise tights paint splatter tights. It's an incredible combo, and one you'd have never guessed he was sporting back in 2004. This is a 1991-1994 era tights and singlet combo. I mean that singlet is PINK. I don't associate bubblegum and splatter paint with the 2nd George W. Bush term. Lawler must have shared his notes with King, because King is wearing his own set of hot pink trunks and singlet with some colorful big stars on his tights. It's nothing at all like anything that was happening in 2004. But the punches in the corner are universal. Derrick King has the best punches in the match. Lawler finally throws some good ones but King's are supreme. King throws a fistdrop and excellent right hooks, and the match peaks when King takes his strap down only for Lawler to slide it back up like Bugs Bunny and deck him. It's perfect, and it almost makes you forget about Lawler dishing out middle fingers and the worst looking Stone Cold Stunners you've seen. 







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