Espectáculos Promociones Panama: Blue Panther in Panama! Kato Kung Lee! Tahur! Celestial! Baron! Gemelo Infernal I!

Blue Panther/Gemelo Infernal I/Tahur vs Kato Kung Lee/Baron/Celestial 1/17/87

MD: This felt like lucha comfort food to me. Maybe it was because both Kato Kung Lee and Blue Panther were there, but this followed pretty familiar lines. There are definitely unique quirks to Panamanian Lucha, bits of Puerto Rico or unique elements to the stadiums, some spots or moves you don't expect, some peculiarities that we can't explain just yet, but there's more overlap with what was happening in Mexico than not and this match is a testament to that.

Speaking of familiarity, we're getting increasingly familiar with the usual suspects here. I have a great sense of Tahur as a base and as hard-handed clubberer and as a guy who isn't afraid to make a heroic dive to nowhere. This is Gemelo Infernal I who is more of a character than his smoother, workrate-y brethren GI II (and I don't have a sense at all about III yet). He has weirder moves and weirder movements and here made a great stooge for Kato Kung Lee's kung fu strikes. With Tahur and Panther getting him up extremely high for his headscissors takeovers, Baron looked like a top notch junior here. He got to show a different side than in the Bunny Black feud but it made me want to see more of him in both settings. And Celestial mainly stood out late in the match, paired with Panther with heated mask ripping.

Panther, to his credit, fit right in. I was a little disappointed at first as he was initially paired with Kato Kung Lee, which isn't what I wanted to see him do in Panama but he rotated through to the others as the match went on. And Lee? This was the best I've seen him in Panama. The fans went nuts for his shtick like always but he just had extra zing and agility as he bounded around the ropes. You could transfer the exact same act into modern AEW and if he could pull it off like he did on this night, it would get over huge.

Structurally, this was also familiar, early pairings cycled through, escalation to rope running, stooging, and the tecnicos going over in the primera, a rudo beatdown in the segunda, comebacks and cutoffs, and it all coming to head in the tercera, where Tahur just had enough of KKL's kicks and fouled his way out of the match which likely led to something else we unfortunately don't have.

GB: This match is a bit of a lucky get for us. Truth be told, I came across this post by accident many months ago when my passion for Panama was still in its infancy. However, the original video had lost tracking and the end was cut off. A little dismayed, and with some digging, I managed to piece together the missing part and give us this gem.

There’s not much to be said here as the only memories of this fight I can find are two screen grabs from a video of Panther and Kato arriving at the Tocúmen International Airport for their match. For all intents and purposes, this was treated as a big deal. Ricardo Pitti was there, alongside fans, to welcome Panther to Panama and extend a warm “welcome home” to KKL who had just lost his mask to el Hijo del Santo two months prior (though this was never aired nor played up during his visit). Matt highlights the ending between Kato and Tahur and there is something there. Whether this match led to it (or led from it), el Tahur did take Kato’s mask at some point in the 80s. In Mexico it would be sacrilege but, if he had lost his mask beforehand as Luchawiki claims (something I doubt), it wouldn’t be the first time Kato begged the fans of Panama to “pardon” him from losing his mask.

Kato Kung Lee, el camina cuerdas (the rope-walker), has a bit of a mysterious background. We are all well aware of his escapades in Mexico, as one part of the trios Los Fantásticos, but not much more seems to be known of him, especially in his heydays in Panama. Perhaps the most internationally known Panamanian-born wrestler isn’t even listed on the Hall of Fame board, let alone given any further detailing.

From the bits and bobs I can cobble together, Lee debuted alongside the other greats Panama had to offer in 1965 as the tecnico El Valiente where he would go on to lose his mask (twice - with the first loss being “pardoned”) to his maestro Chamaco Castro and rebrand himself as Johnny el Valiente and, a little later, as the remasked Rayo de Oro. I think there’s room for people to argue that KKL has had a bit of an “ode” (nudge-nudge-wink-wink) to other fighters along his career. One might argue his mask is all too similar to something blurring the lines of el Baron and Kendo (who’d go on to take the KKL name much later, ironically) but the name “Rayo de Oro” is a little too on the nose. So much so newspapers in the 1970s would also tend to confuse him with the legendary Guatemalan Rayo Chapin:

Even if his name wasn’t quite to the level of Chapin, KKL was always determined to be a star and take his name around the world. Despite Panama’s flourishing local scene, and it being a great training ground for the stars of tomorrow to hone their craft (whether from South America, Mexico or even Canada (Mad Dog Vachon!), the hospitality never quite seemed to be reciprocated. You had the odd wrestler such as El Enterrador and Joe Panther travelling through Africa and Europe but nothing “historic” in the same way Panama’s role was for laying the foundations for the UWA in Mexico (which I’d now argue would never exist without Panama).

One of the most important promoters during Panama’s golden age, Sammy de la Guardia, lamented that it was never due to skill that Panamanians stayed within the confines of Panama. Rather, it was too expensive and too risky. There was no government funding, as Mexico had, those wrestlers who travelled did so on their own money (or the sponsorship of their promoter). With little offer for reimbursement or being able to see a local return on investment in building up a name, promoters seemed more interested in keeping their stars home.

Thus KKL would risk everything when he set out to stake his claim in foreign land before the end of the 1960s taking with him Los Hermanos Muerte 1 y 2 to Guatemala and Mexico. The latter duo would go on to great success in Guatemala and KKL would see success in both Mexico and Japan - a name many recognise to this day. Again, the most famous of all Panamanian born wrestlers.

Still, and much the same for most of these stars from Panama, KKL had a quiet send off, far from the luxuries those stars in Mexico would enjoy. He’d pass away the owner of a BBQ joint. The referee for this match, the most famous in Panama, Carlos Linares, would pass away as a flip flop manufacturer. The stalwart of Panama’s rudos, Sergio Galvez, to this day works in a little bakery opposite his local theatre. The passion was there and as much as wrestlers and promoters pass Panamanian wrestling off as their “pasatiempo y nada mas” (pass time and nothing more), there’s a little sadness that a country so poignant for lucha libre as a whole, didn’t get to enjoy the boom it more than helped usher in.