AEW Five Fingers of Death 11/10 - 11/16 Part 2

AEW Collision 11/15/25

FTR/RUSH/Sammy Guevara vs Kevin Knight/Mike Bailey/Juice Robinson/Bandido

MD: An eight man tag can be an opportunity or an excuse.

It can be an opportunity. 

You have eight wrestlers. How do they interact? Both the partners and opponents. I want the camera to linger on what happens when FTR gets into the ring with LFI for the first time (Cash was quick to go slap hands and greet). These are disparate characters, disparate styles, disparate personalities. It's interesting. It makes the world seem more robust. Hiptosses are great. It's not always about hiptosses. I want to see who these people are and what they think about each other. What the hell does Dax think about Rush? That's interesting. Likewise, Juice hanging back and waiting for Bandido to show up so he could do Guns Up with him and then Bandido realizing what he wanted and getting excited and into it. That's interesting. That's compelling. It's vivid and real and immersive. It draws you in.

It's about the narrative opportunities of having more wrestlers and their attributes to work into the match. It opens the door for creative possibilities. You have Rush's intensity, Dax's hard hitting, Bandido's strength, Bailey's agility, Sammy's attitude, Knight's explosiveness, Juice's charisma, and Cash's wild abandon. And that's just one attribute from each of them. The wrestlers can mix and match all of that. Everything can be bigger. The stooge spots can involve more people. You can go for a double heat instead of a single. There are choices for who gets the hot tag, how to do the cut offs. It's more options, more room for creativity. Maybe most of all, it's also a way to further multiple stories at once and seed future interactions and matches.

It can be an excuse.

Eight people. Eight sets of signature spots. Eight guys who can take bumps. The action can flow and flow and flow and never stop. Someone can bump and the next person can be right there, fresh and on his feet, ready to jump right in and get revenge. You can drown the fans with an endless waterfall. Everyone gets their stuff in. Everyone gets to shine. Everyone gets to show off. The spots escalate endlessly. There's no ceiling. There's no bottom. There's no reason to ever stop. 

Except of course there is, because without stopping nothing can have meaning. Without leaning into tag rules, nothing can truly resonate. But it can be an excuse not to do those things, because you can just keep cycling people in and out forever. 

Cleverness for the sake of cleverness, spots for the sake of spots. It seems to be some wrestlers' fondest wish. Endlessly entertaining, almost certainly ephemeral. 

Usually, depending on who's in the match, an eight-man tag in AEW can be one or the other. 

This one, given who was in it, sort of straddled the middle. There was just enough connective tissue. They let things get chaotic, but then they brought it back to the center. There were foundational moments: Knight mocked the heel corner with the tranquilo pose and when he got thrashed by LFI they did it back to him. Sammy teased a swanton early only to leap down and screw with the fans. When he tried the same thing later, it cost him and helped lead towards the hot tag. Speedball hit his moonsault kneedrop in the ring to finally get that hot tag but then wiped out on the apron, clearing him out of the way for the finish. 

There were excessive moments, most especially early chaos which built to FTR eating Juice's stylized punches, Rush trucking him out of nowhere, and simultaneous JetSpeed dives. 

Ultimately, everything came down to Rush and Bandido, then opened back up as everyone got involved for one last bit of excess, only to cycle back around to Rush and Bandido once more for the finish. Moreover, it came back to the characters at play, their familiarity with one another and lack of familiarity with one another, as Rush got shoved into FTR to position himself for a slightly askew 21-Plex. 

If I had my way, I'd prefer something a little more grounded with chaos even more controlled than this, but it's a big tent promotion and sometimes an excuse is what's needed. Thankfully, here, that excuse didn't leave the opportunities on the table like it so often does.

ROH TV 11/13/25

Athena/Billie Starkz vs Hyan/Maya World

MD: Here's what makes pro wrestling great. 

Athena demanded to start the match. She held out her hand to Maya World for her usual insulting left-handed, draping code of honor shake. She immediately clocked her with the magic forearm, absolutely floored her.

And all that? That was Athena selling.

That was her selling the frustration of eating a rare pinfall from Harley Cameron (of all people) during the tag tournament, of having to defend against Harley now, of being eliminated from the tag tournament when she and Mercedes were the favorites, of Kris Statlander getting into her business, of Billie letting her down, of Mercedes not doing her part (and being able to claim that Athena didn't do hers), of not being part of the first Blood & Guts. 

Grievance after grievance all going into that one seething, agitated, impatient shot. 

This was an enhancement match. Hyan and Maya are on the rise but this was to continue Athena's story. She'd sell for their offense, but she'd sell more for the ghosts in her own mind, a burgeoning obsession over Harley. She'd call Harley out within the match, even as she punished Maya or Hyan. She'd take it out on Billie, so distracted and distraught that she'd all but chop her instead of tagging her, would get in a senseless argument which would allow her to get dropkicked from behind.

The secret truth in pro wrestling is that true strength lies in vulnerability, that it's selling which draws the fans in to get behind a babyface and that showing weakness, be it physical, emotional, or moral is how a heel gets heat. So even as Athena ate up Hyan and Maya, she was being eaten up on the inside, and her performance made that clearly evident to the world. 

Meanwhile, it was on Billie, Hyan, and Maya to react. For Billie that was trying to soothe Athena's wounds through inflicting collaborative violence, of showing the emotional impact of Athena's abuse upon her, of being distracted herself. For Hyan and Maya, it was being on their back feet due to the brutality and coming in hot when opportunities arose. 

The end result was an entertaining match which was laser-focused on promoting the title bout to come. And it all hinged on Athena selling something bigger and more complex than a punch or a kick from the second she walked through the curtain to the second the camera faded on her post-match. 

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AEW Five Fingers of Death (And Friends) 3/13 - 3/19

ROH 3/16

Athena vs. Hyan

MD: There's a Kingston vs JVSK here, but the match was short, sweet, and exactly what it ought to have been to keep the build going for Kingston vs Claudio, so I don't have enough to say about it and no one needs me to write three paragraphs on Wooster and Jeeves and how VSK should be reading Wodehouse to figure out how to work more comedy of manners madcap antics into his matches. The big logical choice for the week is Jarrett vs Cassidy, but it's sort of self-evident and writes itself (Jarrett's mind games! Cassidy's punches! Crowd brawling through the commercial break! Do a blindfold tuexedo match next, Tony!). Therefore....

Let's talk more about Athena. She starts this with a bowing, over the top handshake, drawing a smile from Hyan, and then proceeds to hit the magic forearm and drop her. That forearm as an entry point is such an important part of Athena's matches. It sets the tone immediately and you go looking for it, but also there's the awareness that her opponent's looking for it too. While this wasn't a squash, it really shows why squashes are potentially important to a broader pro wrestling ecosystem (or dare I say "universe"). There are so many things that happen now in matches that are so distanced from their initial purpose. We had decades of dropdowns happening with no one ever getting tripped by them. I'm sure, as a kid, I had no idea what the purpose of a dropdown even was. It just felt like something done to get out of the way of a running opponent. There are a bunch of spots that are just apart of the lexicon of pro wrestling without unpacking the reason behind them (look at the old Waltman classic that starts in rocker dropper position and ends up with a flip). Point being, sometimes you actually need to hit the move instead of just having it countered in every match. Sometimes you want a mid-match move to look impactful enough that it ends a match. And in this case, you need Athena to hit that initial forearm half the time because then it actually means something when someone does duck it or reverse it or she has to work to sneak it in. You need to establish a baseline so that you can subvert expectations. In 2023, maybe that's a cooperative scenario where the crowd is just going to play along whereas in 1983, you were actually conditioning them, but maybe things have also been a certain way for so many years that laying these tracks might actually really, truly matter. Still, it's a hell of a forearm, right?

Hyan certain felt so as she spent the rest of the match selling it, disengaging after (shaky at best) kicks or pinfall attempts to rub at her chin. Athena, through coincidence or intent, stayed on it with a wrenching grapevine cravat and the crossface that she ultimately won with, so maybe it was all by design. Hyan had a couple of bursts of offense, but nothing seemed to be hitting hard. Moreover, Athena's worked in an incredible cutoff over the last few weeks, a Big Boss Man style choke drop off the ropes, just a perfect addition to her violent attitude, something that feels like a transgression and abuse that she can hit so suddenly in the midst of her opponent's offensive flurry. ROH has been a great show so far, two hours without any constraints (commercial breaks, quarter hour ratings to plan for, demos to aim at), a studio wrestling show, building to a PPV, but also very much great wrestling for the sake of great wrestling, and hey, if that means we get a couple more Athena matches a month, without limits and without restraint, I'm all for it. 

AEW House Rules 3/18

Darby Allin/Orange Cassidy vs. Butcher/Blade

MD: Look, I thought about not covering this because we're not supposed to see it and all, but we spend half of our time watching things we're not supposed to see between handheld footage and the entire 30 year output of pro wrestling in France. He may not like it, may not prefer it, but if anyone's going to understand it, it's a former tape trader. So there was a houseshow and someone went and fancammed it for us and you can probably find it on your own. And we thank that kind soul for his efforts. 

AEW is all about unique and interesting match ups. It's about things that a crowd knows they're going to see and no one else will get to see. You skip out on a house show and you never know what you're going to miss. That's the idea. Here, it's Cassidy and Darby teaming. They've been in some multi man matches before but had never teamed. Honestly, part of me just wants them to run with the idea you'll be seeing unique interactions and run house shows with the Deadly Draw/Lethal Lottery gimmick. This served more of a purpose though. Britt got to try out being a babyface in a low pressure environment. Anna got another match under her belt. Pillman, Jr. got to sit under Jarrett's learning tree. Hook was able to work from underneath against Ethan Page without worrying about keeping him perfectly protected. They dusted Pat Buck off for a unique crowd moment. 

And yeah, Cassidy and Darby got to team. It definitely hit the marks you'd want. Blade's an ideal Cassidy opponent since he's going to seethe at the antics. That's your shine, building to Darby doing running coffin splashes in the corner while Cassidy pinwheeled and got closer and closer. Darby just accepted it and leaned into it. Why not? And just as ideal was Butcher and Darby working together, where Butch was able to catch him off a spring back leap and takeover with massive power moves while Darby writhed and sold. The craziest bit here was when he just maneuvered him all over the place with a Texas Cloverleaf; unreal visuals. They made Darby work and work for the hot tag and then Cassidy brought it back down to tepid and they had a pretty active finishing stretch leading to a mousetrap finish. Post match, Butcher and Blade took some more licks and Darby celebrated with a kid which again, is one of those great moments people in that crowd would remember later and that kid will remember forever. There was a moment during the face-in-peril where Cassidy drew the ref away and was maybe just a little too animated for who he was (it let Blade use a chair), but otherwise, this was a pretty ideal house show tag.

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