A Week of Death Valley Days: Karl Greco Malenko

It is real fever dream stuff for us to be able to bring Karl Greco Malenko out of retirement, BattlArts is such an important thing to all of us, and to Dean, and somehow we have excavated an all time great and brought him back to wrestling. 

Carl Greco/Daisuke Ikeda vs. Yuki Ishikawa/Katsumi Usuda BattlArts 4/14/96-EPIC

PAS:Bat-Bat tags are one of the best bets in pro-wrestling history, I can't remember ever seeing one I though was even mediocre, and they pretty much nearly always reach excellent, and of course this one ruled. Not as much Ikeda vs. Ishikawa as you might expect, this one was a lot of agro Greco going after his opponents, he really presses the pace whenever he is in the ring, making them survive the whirlwind. We also got a lot of really violent Ikeda and Usuda exchanges with Usuda out crowbarring Ikeda at points. Cool setting as the ring was surrounded by people at round tables eating dinner. Can you imagine dinner theatre BattlArts? The world really used to be better. 

MD: I've been spending a lot of time with Newborn UWF in 88 and 89 so even seeing a shootstyle tag is a bit jarring to the system. This had all of the stuff you'd want and expect, the technique, the scrappiness, the way that Greco or Usada would have to unlock holds with multiple strikes, the sheer violence when Ikeda and Ishikawa finally got in there against one another. Nothing was given, that sense of struggle was always there.

What stood out the most were the more traditional pro wrestling elements. It's true with every style: lucha, French Catch, WoS, shootstyle. At the end of the day, there are humans in there and the humans have emotions, wants, desire, and fears, and what makes pro wrestling interesting is how the clash of those things balances with the clash of size and skill. 

What made this as much as anything else was Ikeda being opportunistic and cagey (and Greco willing to come along for that ride). Ikeda dodged Ishikawa for the first third of the match, only coming in when he was staggered in the corner. He'd interfere freely, would roll to the corner so that Greco could save him, would facewash Ishikawa. A subtle heel if not an over the top one, and then Ishikawa would outwrestle him or get him in a position to kick the crap out of him. Ikeda would survive it and gain an advantage and they'd repeat the process. It all built until Ishikawa finally had Ikeda set up so he could invite Usada in for some real clear, clean shots that he wouldn't recover from. A morality play just like any other, no matter the sharp technique and brutal trappings. The heart of pro wrestling is universal.

COMPLETE AND ACCURATE IKEDA