AEW Five Fingers of Death (and Friends) 1/6 - 1/12

AEW Collision 1/11/25

Daniel Garcia vs Katsuyori Shibata

MD: My favorite part of the entire WrestleDynasty card was watching Shibata and Tanahashi lock up. I'm not a big 2010s NJPW guy so I don't have a lot of nostalgia for the specific pairing but I am a big 1980s NJPW guy and it had the same sense of Inoki struggling for a grueling, tortured minute against every inch of a hold. Wrestling is the very best when the wrestlers put so much effort and care into even the smallest of things; if they care, the crowd will care. I certainly did.

Unfortunately, Garcia and Shibata couldn't start with that same sort of lock-up. This goes back to a tricky pothole that we all often fall into with match reviews. A match doesn't exist just for your star rating, to be reviewed and written up. It's part of a nexus of a show, of multiple shows, of the history of a promotion. That grueling lock up? It was needed far, far more for Jericho vs Dax at the end of the night. They needed all the help they could get and complex spots weren't going to cut it. Starting off with that wild intensity as they spilled out of the ring and jockeyed for position? That they could (and did) do.

Tanahashi and Shibata followed the lock up with chops, neither moving, just endless fighting spirit hard shots and that didn't do a single thing for me. They looked tough but there was no cause and effect, just endless cause for no effect until the time was up. Once it was up, it was too late.

Garcia and Shibata went right to chops as well, but it was an entirely different world. Remember, the last time they faced was for the Pure Title and Shibata in so many ways ate Garcia up. He was just crushing people during that run and despite Garcia coming in with bluster as the champ, he didn't have a chance. Here, a more seasoned, elevated Garcia stood tall, but got knocked down. He took the chops like they came out of a shotgun and then got back to his feet and fired back only for Shibata to eat them like they were nothing.

But Garcia kept getting up. He fell down. He got up. He fired back. It didn't work. He fell down. He got up. He fired back. That's a babyface. That's someone the crowd can get behind. That means so much more than even someone like Eddie Kingston, a folk hero in his own right, standing tall and going even with Shibata. That's admirable sure, but it's not heroic. It's not brave. It's mythic, but it's not relatable. Eddie doesn't need us to root for him. It's fine if we do, but he doesn't need us. Garcia does. And that changes everything.

Which meant there came a moment mid match where Garcia who had took shots and took shots and took some more finally found strength within him through channeled the crowd to stand tall and drive Shibata back. Because he had given so much early and because Shibata had given nothing at all, this mattered so much more than guys just shooting bombs at each other trying to impress with sheer quantity alone. This didn't overwhelm. It inspired.

Chops aren't the only part of Shibata's game though. Down the stretch, Garcia locked in the Dragontamer out of nowhere. Shibata is all technique, all struggle, yet he seemed to just let it happen. Once locked in, he calmly pushed himself up and flipped Garcia over into a leghold and then the figure-four leglock. Garcia, selling huge, struggled to make it to the ropes. That's not Inoki but instead Fujiwara, that sense of defensive wrestling, of gamesmanship where he's luring a trap for his opponent. You almost never see it in wrestling today so to watch it play out so beautifully is worth noting.

As is Garcia's Bret Hart-ian (and Darby Allin-ian) ability to snatch victory out of nowhere. Watching Cope vs Bill to start the night, I thought to myself that the spot where Bill hit his head on the exposed turnbuckle and then Cope somehow hit him with a huge power bomb would have been a perfectly fine finish. They instead went around a couple of rotations with some big kickouts (including of the spear) until they did the bit where Cope emulated Moxley (on commentary, Tony picked up on it but didn't go far enough with the idea that you become the monster you're fighting). Maybe the match needed that. Maybe it could have been in the post-match too. But that was such a memorable spot that it would have been even more memorable if it ended the match and it would help further that feeling that a match really could end at any point. AEW matches almost always use those moments for a big kickout and only end matches on set finishers after multiple rotations to get there. We'd be in a much more interested world of matches could end a minute or two earlier on a big, unexpected move.

Garcia's so good at finishing a match with the jackknife now, that I actually buy some of his other roll ups. Garcia's confidence to be vulnerable (with the chops, with having to pull himself to the ropes in the figure-four, with letting himself win with roll-ups out of nowhere instead of a dominant finisher) is a strength. It means the fans feel concern for him in the moment and then share in his triumph when he overcomes an opponent. It means his opponents look strong in defeat and feel like truly meaningful entities to defeat. It's babyface wrestling 101 but so few people over the last decade have dared to do it with open and earnest hearts and it makes Garcia stand out even more week after week.

ROH 1/09/25

Trish Adora vs Harley Cameron

MD: First and foremost, this was a very good effort. Technically, this was Harley's first or second real babyface match and she only has so many matches under her belt in general. She had good energy. She tried to get the crowd into it. She sold sympathetically. She had a good comeback. All good things. Past the handshake right at the start and one shout in the middle, though, I didn't really see enough of what made her stand out over the last few months. 

In fact, Trish came off like the star here, not just basing like a champ (maybe even too good at times), hitting some standout strength spots (a few killer suplexes including two very different Germans), playing to the crowd and the camera and almost just riding the wave of the crowd like it was music at times. 

That's the sort of thing I've come to expect from Harley more. It's tricky. What was getting Harley over were the antics, but there has to be some real worry that without channeling some traditional babyface techniques, she's not going to stay over as a face and get the crowd behind her; she'll just bewilder them. I don't think that's the case. I want Garcia to go fully into those tropes. With Harley, I think she can be more Looney Tunes or Marx Brothers (or Bugsy McGraw or Les Kellett). She can confuse and frustrate her opponent with a sort of mad surrealism and still get swatted down and come back. 

It's a tricky balance. The first time she goes with the Wrath of Harley Cameron, it's funny. When she thinks it's a thing and it's not, that's funny. When it becomes a thing and it's in her tron, then it loses a bit of its appeal. It should come when you least expect it and maybe even when it's least appropriate.  I always thought that the weakest part of her act was coming out to the Outcasts music to the same choreographed moves. She should be interacting with the crowd and the camera on the way down, maybe starting to do some of those moves and getting distracted by the first shiny thing she sees and then try to go back to them and forgetting her place. Something like that. The spontaneity is the key with her. You tune into a Harley Cameron match because you know you're going to see something unexpected and it won't be the same the next time around. If you miss a Harley Cameron match you're going to miss something unique forever. That's the appeal. 

Ritual and meeting expectations are good. But for Harley, the expectation is the unexpected. That would be difficult for a ten year vet, let alone a 50 match rookie, but that's the position she's talented her way into. Big task, huge opportunity. But this (and the Mariah match) wasn't it.